We’re all tired of staying at home during this recent crisis. It seems like everyone has been affected in different ways, but no one has gone unscathed. Our world has changed in recent times. We, as authors and lovers of the written word had many of our in-person writing events – conferences, conventions, and book fairs – cancelled due to the appearance of COVID 19. To to emulate all those events we look forward to each year and are missing out on now, and to chase away some of the boredom of social distancing and isolation, WordCrafter presents the 2020 Stay in Place Virtual Writing Conference on Tuesday, April 28 from 8 am to 8 pm.
This is a unique event, the first of its kind, and one you won’t want to miss. Free presentations and author takeovers will be occurring on the Facebook event page, and interactive workshops and panel discussions will be offered for a minimal fee on the Zoom platform. Interactive panel discussions and workshop session can be accessed individually for $5, or an all access pass to all interactive sessions can be purchased for $50. Tickets can be purchased on the Facebook event page. Watch for your Facebook event invite from me or one of the many wonderful authors involved with this conference. Send me a message through my WordCrafter page or through the event page if you have further questions, or if you would like a half an hour author takeover spot to promote your own work.
This has been a huge undertaking to organize and set up an event such as this one, but I haven’t done it alone. Without my 22 talented presenters, this event couldn’t happen. We have a great line-up, with international bestselling science fiction and fantasy author Kevin J. Anderson presenting the keynote on the interactive platform.
And that’s just the beginning. Take a look at the talent that has lined up for presentations, workshops and panel discussions.
Award winning and national bestselling speculative fiction author Mario Acevedo will be offering a presentation – “The Power of Motivation: What Your Characters Do and Why”
USA Today bestselling multi-genre author Dan Alatorre will be a member of the interactive book marketing panel discussion.
Multi-genre author Chris Barili will be presenting “Writing in the Face of Adversity” and giving an interactive workshop on “Writing Across Genres”.
Award winning fantasy author L.D. Colter will be offering a presentation on “Short Fiction”.
World builder and speculative fiction author Kieth R.A. DeCandido will be offering an interactive workshop on “The Business of Writing” and he is the moderator for the media tie-in interactive panel discussion.
Award winning novelist Guy Anthony De Marco will be a member on both the short fiction and world building interactive panel discussions.
Fantasy and science fiction author Anthony Dobranski will offer two presentaions, “How to Swim Upstream: Not being in the mainstream of your market/genre” and “Working with Others: How to direct others in a project”. In addition, he will offer two interactive workshops. “Business Class Tarot” and “The Savage Horror of Writing Back Cover Copy”.
Author for young readers, Jason Henderson will be presenting “Story Ideas and the Choices You Make” and moderating the interactive book marketing panel discussion.
Media tie-in author Kevin Killiany will be a member on the interactive world building, media tie-in, and short fiction panel discussions.
Award winning young adult fantasy author L. Jagi Lamplighter will be on the interactive panel on world building, and moderate the interactive short fiction interactive panel discussion.
Award-winning science fiction author J.R.H. Lawless will be a member of the book marketing interactive panel discussion.
Award winning and New York Times bestselling multi-genre author Jonathan Maberry will be a member on three interactive panel discussions: short fiction, world building and media tie-ins.
Award winning multi-genre author Bobby Nash will deliver a presentation on “The Importance of Promotion”, as well as being a member of both the media tie-in and book promotion panel discussions.
Science fiction and fantasy author Jody Lynn Nye will offer a presentation on using humor in science fiction and fantasy writing, “Bringing the Funny: how to apply humor to your writing” and she will be a member of the world building interactive panel discussion.
Award winning fantasy author Ellie Raine will sit on both the short fiction and world building interactive panel discussions.
Award winning multi-genre author Art Rosch will offer a presentation on “Creating Villains We Love to Hate”.
Award winning multi-genre author Sean Taylor will offer a presentation on “Visceral Story Beginnings”.
Science fiction author and marketing expert Alexi Vandenberg will be joining the book marketing panel.
Award winning poet and author Rosemerry Wahtola Trommer offers a livestream presentation “The Gateway to the Unknown: A Poetry Thought Shop”.
Author and educator Rick Wilber will be a member of the short fiction interactive panel discussion.
Award winning and New York Times bestselling science fiction and fantasy author Dave Wolverton/David Farland offers a”Promoting Your Book BIG” and he is a member of the interactive book marketing panel discussion.
You can find a full schedule here. I do hope all of you will join us for this unique writing event. It’s the first of its kind and we could be making history. You can be a part of it, too. Join us.
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Every event we take part in touches us in some way, helping to shape us into who we are. Our experiences change us, sometimes in small ways, and sometimes in more drastic ways. We live, we learn, we transform, and always there is movement and growth. Certainly, the 2018 Writing the Rockies Conference was one such inspirational event, although there were so many offerings, it would be impossible for me to touch on them all. The offerings which I did get to attend were very informative and inspirational.
During the welcome reception, the program director, Dr. David Rothman, talked about what it is that makes the Writing the Rockies Conference stand out among other writing conferences. Certainly, the fact that it leans heavily toward the academic aspects of writing should be counted toward the top of the list. Not that the writings explored are all academic in nature, but the intention is to educate us in how to tap our inner creativity and allow it to flow out onto the page. And every year that I have attended the conference, like everything else in life, it changes and grows.
The Writing the Rockies Conference has expanded considerably since I first attended in 2012, and has even grown some since I last attended in 2016.In addition to the great panels and single day workshops, and their outstanding poetry symposium, which are offered every year, the 2018 line-up included an opera performance and workshop, three-day intensive workshops and seminars in all five concentrations, (creative nonfiction, genre fiction, poetry, screenwriting and publishing), which are available for an additional fee. And as usual, there were opportunities to sign up for pitch sessions and manuscript critiques, and social events such as Coffee with the Pros, where you have the chance to chat with professionals from the industry, both student and professional readings, as well as open mic events and a full day’s schedule of nature hikes in the Gunnison Valley, (one more thing which makes this Conference unique). While attending, there were also opportunities to attend a special presentation of Comedy is Hard by Mike Reiss and a one man play, Multitudes: An Evening with Walt Whitman by Kim Nuzzo, both public performances which coincided with Conference dates.
In his Keynote, author, poet and educator, Mark Todd discussed Writing From the Edge of Nowhere, and why so many writers sprout from Colorado or are drawn to Colorado as a backdrop. Certainly, the breath taking scenery attracts the attention of writers and many have tried to capture the beauty of the Colorado landscape with their words. There are some who haven’t done a bad job of it. As a native Colorado author who made historic Colorado my setting in Delilah, I can tell you that the love for the landscape draws you and for westerns, the landscape plays a big part.
The publishing panel, moderated by Kevin J. Anderson, who has been traditionally published for many years and has founded his own WordFire Press with his wife Rebecca, was enlightening for me. As I’d been wondering if my own publisher was being fair with me. I learned what you should be able to expect from a small press publisher, and found that although perhaps my communication with my own publisher could be better, they are probably giving me a pretty fair deal in today’s market. Their panel also made me reconsider my own plans for publishing The Great Primordial Battle, which is book 1 of my Playground for the Gods science fantasy series. It’s been sitting on the virtual shelf after many rejections, and I was planning to self-publish it when it comes back from my beta reader, but now I’m thinking perhaps I should give traditional publishing one more shot before I go that route.
I had the honor of sitting on the alumni panel for Western’s Graduate Program for Creative Writing, which offered the chance for panel members to toot their own horns about their individual successes and tout praises for the M.F.A. in Creative Writing program. On the panel with me were my fellow alumni, Chris Barili, Susan Spear and moderator, Steve Visel.
Although I did not purchase a meal card, I heard high praise for the conference cuisine, well worth the additional charge. The welcome dinner and ceremonies, featured delectable appetizers, a main course of stuffed peppers or mushroom chicken and all the accompaniments, and mouth-watering fruit pies for desert. All was well prepared and attractively presented by Western State Colorado College.
The one thing I was disappointed with was that I didn’t get to do the book signing I had anticipated due to scheduling conflicts. But at Writing the Rockies they are always looking for ways to improve their program, so I can always hope that next year things will be scheduled better. Over all it was a great conference and I look forward to watching it grow and develop in the future.
This will be the last reflective post of the year. Next Monday’s post will find us in 2017. For my writing career it has been a slow take off, but I’ve seen progress. In July, I completed my Master of Fine Arts degree in creative writing. With emphasis in both genre fiction and screenwriting, and two completed novels, Delilah and Playground for the Gods Book 1: In the Beginning, two full feature film scripts and one comedy series pilot script in hand, I eagerly jumped right in to get my feet wet in either the publishing and/or screenwriting industry. I began submitting my work to agents, publishers, and competitions like crazy. I received mostly rejections, as expected, and although I still haven’t found a home for either novels or scripts, I did manage to find a home for two poems and two short stories. Not too bad. While the poems, Aspen Tree and Yucca! Yucca! Yucca!, appeared in print, (in Colorado Life (Sept.-Oct. 2016) and Manifest West Anthology #5 – Serenity and Severity, respectively), my short story, I Had to Do It was published on Zetetic: A Record of Unusual Inquiry, and my not so short, short story, Hidden Secrets was published on Across the Margin.
2016 has been a pretty good year for Writing to be Read. The revamping of the blog site was completed in March, I’ve managed post things on a fairly regular basis, we were honored with guest posts by my friend Robin Conley, and my visits and page views have risen, with almost 2000 visitors and over 2,500 page views. Looking at this, makes me feel pretty good about the blog, as a whole. Another good change is the addition of screenwriting content, which I believe has drawn a larger audience by widening the scope of the content.
The top post of 2016 was my book review of Simplified Writing 101, by Erin Brown Conroy, which is an excellent tutorial on academic writing, including writing advice that every writing student should know. After that, the reflective post Writing Horror is Scary Business would be second in line. Other popular posts include my four part Making of a Screenplay series,( Part 1, Part 2, Part 3, and Part 4), my Tribute to My Son, and What Amazon’s New Review Policies Mean for Writing to be Read. More recently, my ten part series on publishing, Pros and Cons of Traditional vs. Independent vs. Self-Publishing gave me the opportunity to interview some awesome names in the publishing industry: self-published authors, Jeff Bowels, Tim Baker and Art Rosch; traditionally published authors Stacia Deutsch and Mark Shaw; independently published author Jordan Elizabeth; and children’s author Nancy Oswald, who has published under all three models; as well as Caleb Seeling, owner of Conundrum Press and Curiosity Quills Press – with the final installment summarizing the conclusions made from those interviews.
Many of my posts were reflections of my own writing experience. These included: Why Writing is a Labor of Love; Fear is a Writer’s Best Friend; I’ve Come A Long Way, Baby; Writing the Way That Works For You; Creating Story Equals Problem Solving; What’s A Nice Girl Like Me Doing Writing in a Genre Like This?; Acceptance or Rejection – Which Do You Prefer?; A Writer’s Life is No Bowel of Cherries; Write What You Know; Discouragement or Motivation?; What Ever Happened to Heather Hummingbird?; How You Can Help Build a Writer’s Platform; and Why Fiction is Better Than Fact.
Sadly, I only attended two events that were reported on, on Writing to be Read in 2016 – the 2016 Ice Festival in Cripple Creek, and the 2016 Writing the Rockies Conference in Gunnison, Colorado. What can I say? I’m a starving writer. This is something I hope to improve on in 2017 by attending more events to report on. One possible addition to the 2017 list that I’m very excited to think about is the Crested Butte Film Festival. The details are not ironed out yet, but I’m keeping my fingers crossed.
Screenwriting content included this past year seemed to be popular. In addition to my Making of a Screenplay series and Writing Horror is Scary Business, Writing to be Read also featured Writing Comedy for Screen is a Risky Proposition, and a book review for Hollywood Game Plan, by Carole Kirshner, which I can’t recommend highly enough for anyone desiring to break into the screenwriting trade. Robin’s Weekly Writing Memo also included several writing tips that could be applied equally to literature or screenwriting.
Another project I’m particularly proud of is my ten part series on publishing, Pros and Cons of Traditional vs. Independent vs. Self-Publishing, which I just finished up last week. In this series I interviewed nine professionals from within the industry to get the low down on the three different publishing models. My interviews included self-published authors Jeff Bowels, Tim Baker and Art Rosch, traditionally published authors Stacia Deutsch (children’s books) and Mark Shaw (nonfiction), and independently published YA author Jordan Elizabeth. To balance things out a bit, I also interviewed children’s author Nancy Oswald, who has published with all three models, Clare Dugmore of Curiosity Quills Press and Caleb Seeling, owner and publisher at Conundrum Press.
One of the great things about doing book reviews is that you get to read a lot of great books, in with the okay and not so great ones. In addition Simplified Writing 101, my five quill reviews in 2016 included Jordan Elizabeth’s Runners & Riders, Mark Shaw’s The Reporter Who Knew Too Much, Nancy Oswald’s Trouble Returns, Carol Riggs’ Bottled, Jeff Bowles’ Godling and Other Paint Stories, Janet Garber’s Dream Job, Art Rosch’s Confessions of an Honest Man, and Mark Todd and Kim Todd O’Connell’s Wild West Ghosts. I don’t give out five quills lightly and every one of these books are totally worthwhile reads.
Of course, not all books get a five quill rating. Other books I reviewed that I recommended with three quills or more include three short story anthologies: Chronology, Under a Brass Moon, and Cast No Shadows; two poetry collections: Suicide Hotline Hold Music by Jessy Randall and Walks Along the Ditch by Bill Trembley; Escape From Witchwood Hollow, Cogling, Treasure Darkly, The Goat Children, and Victorian by Jordan Elizabeth; Dark Places by Linda Ladd; Chosen to Die by Lisa Jackson; Wrinkles by Mian Mohsin Zia; Full Circle by Tim Baker; The 5820 Diaries by Chris Tucker; The Road Has Eyes: An RV, a Relationship, and a Wild Ride by Art Rosch; Hollywood Game Plan by Carol Kirschner; Keepers of the Forest by James McNally; 100 Ghost Soup by , and A Shot in the Dark by K.A. Stewart. I also did two movie reviews: Dead Pool and Point Break.
I feel very fortunate to have had Robin Conley join us with her Weekly Writing Memo and her guest movie reviews. The useful writing tips in her Weekly Writing Memos covered a wide range of topics including critiquing, using feedback, ways to increase tension, Relatability or Likeability?, 3 Types of Plot, story research, what to write, making your audience care, world building, handling feedback, writing relationships, establishing tone, editing, word choice, How to Start Writing, endings, queries, Parts of a Scene, making emotional connections, the influence of setting, Building a Story, Inciting Your Story, movement and dialog, Writing Truth, time, Overcoming the Blank Page, Networking, character names, theme, set up, cliches, parentheticals in screenwriting, horror inspiration, and Learning to Write. Robin’s guest post movie reviews included Pride and Prejudice and Zombies, Batman vs. Superman, Miss Perigrin’s Home for Peculiar Children, and The Neon Demon.
I am thankful for Robin’s valuable content and am glad that she will still be contributing Memos on a monthly, rather than a weekly basis. Although I was sad to lose her weekly content, I am happy for her as she moves forward in her own writing career and I wish her well in her writing endeavors. For those of you who looked forward to her weekly posts, you can catch more of her content on her own blog, Author the World.
2016 was a great year for Writing to be Read, even if it was kind of rough for the author behind the blog. You readers helped to make it a good year and I thank you. Now it’s time to look ahead and see what’s in store for 2017 Writing to be Read. I mentioned some of the things I hope to achieve above: more posts pertaining to the screenwriting industry, and coverage of more events throughout the year are two of the goals I have set for my blog. I also plan to add some author, and hopefully, screenwriter profiles into the mix. I had good luck with author profiles during my Examiner days, and I think they will be well received here, as well.
I also hope to bring in some guests posts by various authors or bloggers, or maybe screenwriters, just to give you all a break from listening to me all the time. I believe Robin plans to continue with Monthly Writing Memos, which will be great, too.
I look forward to all the great books that I know are coming my way in 2017, too. The first reviews you have to look forward to are a short memoir, Banker Without Portfolio by Phillip Gbormittah, a YA paranormal romance, Don’t Wake Me Up by M.E.Rhines, a Rock Star romance, Bullet by Jade C. Jamison and a short story, How Smoke Got out of the Chimneys by DeAnna Knippling.
I hope all of you will join me here in the coming year. Follow me on WordPress, or subscribe to e-mail for notifications of new posts delivered to your inbox. Have a great 2017 and HAPPY WRITING!