“Gunslinger”: The old west with trolls, dwarves, dragons and ghosts galore

Gunslinger

Gunslinger, by Edward J. Knight manages to combine two of my favorite genres, western and fantasy, into an adventure I won’t soon forget. Six guns, swords or sorcery, no weapon is off limits in this fantasy western landscape. And of course, there are a wide variety of villains to fight off, and Beth isn’t your typical female in the story world of Gunslinger created by Knight.

Taught by Wild Bill Hickock, she shoots like Calamity Jane, and sees her ghost. When an Arapohoe Indian spirit leads Beth and her friends on a quest to stop a dragon from wiping out the army outposts, will her gun be enough to stop the beast? Add dwarves being guided by an angry ghost who is out for revenge, hostile Indians and and a ghost guide with a personal agenda and you have a western fantasy adventure of the highest caliber.

Gunslinger is full of surprises and quite entertaining. I give it four quills.

Four Quill Rating

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


For the Love of Halloween

Happy Halloween

Halloween has always been one of my favorite holidays. We get to dress up and be anyone or anything that we want to be. As adults too big to trick or treat, we find one Halloween party or another to attend, so that we have a legitimate excuse for donning a costume and pretending to be someone or something else for a while. Or we turn our yards into graveyards to scare the kids who come to trick-or-treat, or maybe we channel or Halloween fantasies into the costumes we make for our children. But no matter how well we hide away our inner children, the longing to once again play make believe never really goes away.

But this year, things may be a bit different. The Covid 19 pandemic has turned the world upside-down, and trick-or-treating poses new threats to both us and our children. Social distancing is the new buzz word and large social gatherings are falling out of fashion. Although masks are in style, they aren’t the kind that will go well with our costumes. In fact, in many places trick-or-treating has been cancelled and other types of holiday celebrations are emerging in its place.

It’s sad, really. We may be seeing the destruction of many time-honored traditions which are no longer deemed ‘safe’ activities. Thanksgiving celebrations are being limited to maximum numbers, as well. Apparently, no holiday is safe.

2020 WordCrafter Halloween Book Bash

I hope all of you will join us for the 2020 WordCrafter Halloween Book Bash tomorrow evening. For the past two years, WordCrafter has hosted or participated in Halloween book events on Facebook, and this year is no exception. Many of the activities and events being used to replace traditional forms of celebration are of a virtual nature, so our celebration this year is probably trending. It is a short one this year, only three hours, from 6 p.m. MDT to 9 p.m. MDT, but we’ve got some great contests and games, and some fantastic book promotions and new releases. My co-hosts are authors Mark McQuillen, Ellie Raine, Jordan Elizabeth, and Amy Cecil. It’s my way of keeping Halloween traditions alive during tradition crushing times.

Spirits of the West

I think the thing that I’m most excited about though, is that WordCrafter will be promoting their newly released western paranormal anthology, Spirits of the West. This anthology contains eight unique stories with hints of paranormal and western flare. Contributing authors include myself, Roberta Eaton Cheadle, Jeff Bowles, Art Rosch, Tom Johnson, and the author of the winning story, “High Desert Rose”, Enid Holden. It’s an antholgy like no other and I am so pleased with how well it turned out.

However you choose to celebrate this Halloween, be safe and have fun.

Happy Halloween!

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Anthologies: An alternative path to publication

I’m seeing a lot of promotions for anthologies these days. This excites me because short fiction anthologies are a wonderful way for rising authors to gain new readers. If you look for them, there are plenty of opportunities for short fiction submissions and contest entries, and many of those hold the possibility of having your short story featured in a new anthology.

All authors want to see their work published, but full length novels take months or even years to craft and polish before being ready to consider publication. And if an author is considering the traditional route of pitching their work until they find an interested publisher, they could be looking at that manuscript gathering dust on the shelves for a very long time. Short fiction offers a chance for authors to get their names out there on multiple works in a much shorter period of time than it would take to write and publish multiple novels.

Even before I published Delilah, I had two short stories accepted for publication online. Then my story, “If You’re Happy and You Know It”, was accepted by Zombie Pirate Publishing and it appeared in their The Collapsar Directive anthology. I learned very quickly that one difference in having short fiction published in an anthology, as opposed to being published online, was the spirit of comraderie among all the authors featured. The other cool perk of being published in an anthology was the invitation to submit to the next planned anthology. Hence, my story, “The Devil Made Her Do It”, appeared in the next anthology ZPP put out, Relationship Add Vice.

The trick to getting into an anthology is to read the submission guidelines and submit a story that meets them. Most of the time, that may mean writing a story specifically for that submission call or contest. When I was invited to submit a story for Dan Alatorre’s Nightmareland, the guidelines were pretty general, “horror”, and I happened to have a piece of flash fiction that fit into the genre. All it required was a bit of polishing and my story, “The Haunting of Carol’s Woods”, was ready for submission and acceptance. But, many submission calls are more specific.

For the above mentioned submission to ZPP for Relationship Add Vice, submission guidelines required a story that contained elements of romance and crime fiction. Chances are that you don’t have a story sitting in your files with those elements and you would need to create a new story to submit to meet these guidelines. I did have the beginnings of one, as it happened, but that certainly isn’t always the case.

The submission guidelines are important. Read and follow them carefully. Other than the type of story, they may include specific formatting requirements and other submission instructions. Many publishers are strict about their guidelines and will put down a story without finishing it, if the story doesn’t meet even one of the specifications. Of course, that doesn’t apply only to anthologies. Every submission you make should conform to the given submission guidelines, whether we’re talking about short fiction, novel manuscripts, articles or poetry. Why read something if the submitting author can’t even follow directions?

With each of these anthologies, I got that same feeling of comraderie and networking with my fellow authors. I love that feeling. Because anthologies, by definition, have several different authors, they also carry with them the advantage of widening the pool of possible readers. Each author promotes the anthology to their reader audience, so it is possible to extend your own reach beyond your own reader following and gain new readers who read your work in the anthology and want to read more. It’s a win-win for all authors involved.

Naturally, when I started WordCrafter Press in 2019, the first undertaking was to launch a short fiction contest and compile and publish the resulting anthology, Whispers of the Past. The submission guidelines required a paranormal stort story and the contest winner received a $25 Amazon gift card.

Spirits of the West

For 2020, the contest submission call requested a piece of short fiction with elements of both the paranormal and western genres. It may have seemed a weird combination to some, but to me, it seemed only natural. The old west is filled with ghosts and spirits, and my first novel was a western. I think it was the western genre that threw potential authors off, but what resulted from this genre combination were some very interesting stories, including two South African ‘westerns’ by WtbR team member Robbie Cheadle, “The Thirstyland Journey” and “The Ghost in the Mound”, and a science fiction ‘western’ by WtbR team member Art Rosch, “Clouds in the West”. This author of this year’s winning story is Enid Holden, and she has two stories included in the anthology: the winning story, “High Desert Rose” and another paranormal western, “The Queen of Spades”. And my contribution is a story I wrote specifically for the occassion, “Don’t Eat the Pickled Eggs”. “Wenekia”, by last year’s contest winner, Jeff Bowles and “Gunsmoke” by author Tom Johnson are also included. This unique collection of paranormal westerns have been compiled into the Spirits of the West anthology and scheduled for an October release.

Authors can find calls for submissions or short fiction contests all over the internet these days. If you just look for them, you’re sure to find one that works for your writing style and preferences, or maybe one that offers a challenge and takes you into writing realms where you’ve never before ventured. In January, I’ll be announcing the theme for the 2021 WordCrafter Short Fiction Contest, so be sure to watch for that, too. If you want to get your name out there, grow your audience and have people read your work, short fiction anthologies are a great start, or they can be a supplement to already published books. Find one that suits you and submit a story today.


What’s Up?: WordCrafter/Writing to be Read Update

In the world of WordCrafter, I’ve been preparing for the release of the WordCrafter Press 2020 western paranormal anthology, Spirits of the West. This anthology is compiled from entries in the WordCrafter 2020 short fiction contest, including the winning story by Enid Holden, “High Desert Rose”. Each story has western flavor and paranormal elements, although a few take some surprising creative twists. This is one story collection that you won’t want to miss. I was shooting for an October release for this anthology, but I’m really excited about this anthology, so don’t be surprised if you see Spirits of the West release later this month.

As I may have mentioned before, there are changes coming for Writing to be Read. In truth, some of them are already here. Writing to be Read is now a paid blog site, which will enable readers to hook up with the new “Chatting with the Pros” podcast, which will be coming in the near future, among other new features. That’s right. I’m turning this monthly blog series of author interviews into a podcast. And, while your here, pop over to the “My Westerns” page and check out the video trailer for Delilah, which is now featured there. Be sure to watch for other changes to the site in the near future.

As always, I would love to hear from you readers with suggestions on what else you’d like to see on Writing to be Read, what your favorite blog series are, or any questions you might have. Your feedback is important, because it helps me to determine what is working and what isn’t, and helps me to see in which direction the blog should go next. So please, don’t hesitate to let me hear your thoughts and ideas.


Announcing the Winner of the WordCrafter 2020 Short Fiction Contest

WordCrafter Press

It’s taken twice as long as it should have, but I am now proud to announce the winner of the 2020 WordCrafter Short Fiction Contest. This year’s theme genre was western paranormal, requiring story submissions to contain both western and paranormal elements.  WordCrafter left the guidelines open to loose interpretation, resulting a wide variety of story submissions, in which the required elements were used in some very creative ways. It was a difficult choice, but I’m happy to congradulate Enid Holden on her wonderful story, “High Desert Rose”.

Spirits of the West cover image

As the winning submission author, Enid will receive a $25 Amazon gift card and her story will be published in the WordCrafter western paranomal anthology, Spirits of the West. We’re aiming for a release date sometime in October, so be sure and watch for it. The anthology will also include “Gunsmoke”, as a tribute to the author, the late Tom Johnson, as well as stories by several of authors from last years antholgy, Whispers of the Past.


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Judging for the 2020 W.W.A. Spur Awards

Judging the Spurs

It was a great honor to be asked to be a judge for the Western Writers of America’s 2020 Spur Awards, but I had no idea what I was signing up for. I envisioned hours of luxurious reading in one of my favorite genres, while leisurely sipping wine and taking bubble baths, and once the event opened to entries last August, for a while, a new book came in the mail every day or two and it felt a little bit like Christmas.

I began reading the first entry right off, and kept steadily working my way through them. The inflow trickled off mid-September, although there were a few later entries that didn’t come until November and December. The stack of books were large, but I’ve always been an avid reader and I felt confident that I could manage it easily.

Then, as often happens, life got in the way. I lost two dogs within a month and a half of one another, and in November, had a death in the family, and for a time my life was turned upside down. My work schedule received adjustments and travel arrangements were made for the viewing and services, and writing and school were shoved lower on the list of priorities. Suddenly, everything was up in the air and all my leisurely reading time disappeared like a magician’s rabbit. Abracadabra. Poof!

During the last part of December, I started trying to get back on track and found some reading time to begin trying to catch up on the Spur entries. At this point, the stack of books I had left to read seemed immense, and I began to wonder if maybe I should be worried about getting all of them read in time. I admit, I had to cram at the end and read every night until my eyes wouldn’t stay open, but I managed to read every entry and send in my judging choices before the deadline.

It was harder than I thought it would be to be a Spurs judge. Not because I ended up playing catch-up on the reading, but because there were some many really excellent stories submitted to the western romance category, and I had to narrow it down to the top five. Making the choices as to which were best was really tough. The opportunity to read some of the best westerns of 2019 made it worth every struggle. It was great!

I took my role as a Spur judge seriously. While reading I noted things like how well-crafted the story was, how prominent the elements of western and romance were in the story, how historically accurate the story was, and how well the story captured and held my interest, to base my choices on. Now that the winners have been announced, I am able to provide you with brief reviews of the ones that were my own personal favorites. All of the books reviewed below I found to be well written and historically accurate to their time period, and each would receive a five quill rating in my regular book reviews. They were my top picks and they include the winner in the romance category and one of the finalists.

 


MollyfarMollyfar, by Bonnie Hobbs: This is one of those stories that is just a fun read. It has strong western elements in a classic romance tale, but the unique and interesting characters are what carry the story.

Sometimes in the old west you had to grow up fast, and life wasn’t always kind, especially to members of the female persuasion. Molly finds herself on her own in the west at a young age, at a time when the choices for a girl on her own were very limited. She’s on her way to becoming a soiled dove for a life of squalor when she meets Wade and it’s love at first sight. Wade vows take care of Molly, so there will be no need for her to go down that road, but he is young and there are several obstacles preventing him from following through. Then Molly met Heeshe, the new amorphidite brothel owner and they saved each other, but there was always a place in her heart for Wade, if she could only admit it and let herself surrender to him.

Amazon Buy Link


This New DayThis New Day, by Harlan Hague: This book made Finalist. It has the strong western element of a true pioneer tale with a sweet romance that just feels right. The story line draws the reader in and doesn’t let go.  It made me cry.

When Molly’s husband dies, there’s nothing left to go back to. They sold up all their worldly goods to make the trek across the mountains to Oregon, and she is determined to complete the journey with her two children. She meets hardship and heart ache along the way, and Micah, a mysterious rugged rider, who turns up just at the right moment to save her from Jeb, an unsavory member of their party, who has had his eye on Molly and grown tired of just watching. Soon Micah is riding with she and the children, and bedding down near their wagon at night, working his way into the children’s hearts, as well as her own, but she has to wonder where he goes when he rides off for days and then, reappears. She has doubts as to whether she is strong enough to make it at times, but soon finds she doesn’t want to make it without Micah.

Amazon Buy Link


The Express BrideThe Express Bride, by Kimberly Woodhouse: This story has western and romance elements that are prominent. Likable characters make you care, and a fun and playful story line makes you want to keep reading. Jaquelin (Jack) is a strong, gritty female protagonist, who you can’t help but like.

Since her father died, Jack has run the Pony Express station in his stead. And why shouldn’t she? Even if she had to mislead to corporation heads a little, implying that she was male by signing her letter Jack instead of Jacquelin, she knows the workings inside and out, and the riders all like her and look to her with respect. Then Elijah Johnson looking for a mystery woman from the past arrives, along with a U.S. Treasury agent, Mr. Crowell, enlisted to help uncover a suspected conterfeiting ring operating in the area. As she unravels the mystery surrounding her own past, she ponders who she is, and who she wants to be, and struggles with the nagging feeling that Elijah Johnson may hold the key to revealing the truth.

Amazon Buy Link


The Outlaw's LetterThe Outlaw’s Letter, by Angela Reines: A classic romance story with a strong western element and a hint of mystery. Good, solid story line that is everything a romance should be.

Harriette “Hetty” Osgood is just school teacher in Kiowa Wells, but when a dying man stumbles into her school house, she vows to deliver a letter to his brother, Grant Davis. Dressed as a boy for safer travel, she sets off on an adventure to find Davis, and crosses paths with Conover Boggs, who she sent to prison in the past, and would like nothing more than a chance to make her pay. Boggs catches up with her just as she catches up with Grant Davis, who has ridden with Boggs in the past. To save them both, they claim to be married to fool Boggs. They have little choice but to help one another, but Grant is on a quest to clear his name and leave his past behind him. Could they each be what the other is really looking for?

Amazon Buy Link


A Slip on Golden StairsA Slip on Golden Stairs,  by Joanne Sundell: I actually reviewed this book before I was asked to be a judge. You can see my original review of this book here.

This paranormal western romance is really two romances, one in the present and one in the past, in one tragic searches for both love and riches. Sundell does an excellent job of weaving the past into the present in a tragic and heartfelt tale of lost love and possibilities.

Amazon Buy Link


The Yeggma's ApprinticeThe Yeggman’s Apprentice, by C.K. Crigger: Winner of the western romance category. Great characters and a captivating plot that draws you in and keeps you reading. Light natural flowing romance within a western setting and a truly enjoyable read. 

Wilke thinks her first solo job in Butte, Montana will be a piece of cake. Simply, lift the ledgers for the designated accounts from the bank safe for the client. What could be easier? But things quickly go awry when she finds there are two sets of ledgers and they don’t tally. Suddenly, she finds herself being pursued by the shady lawyers who hired her uncle, who will go as far as murder to cover their tracks. When Hixson rides her back to her hotel on his motorbike, they discover her uncle dead, Wilke finds herself on her own and in need of getting out of town with the falsified documents.

Hix agrees to help her, but gets more than he bargains for, when the shady lawyer’s henchman is waiting at the train station. Wilke isn’t sure she can trust Hix, there are several signs that he might have a shady past and could be an outlaw, but she doesn’t have much of a choice. Hix has reasons of his own for wanting to get out of  Montana, but he finds that Wilke is full of surprises, as they try to evade the bad guys.

Amazon Buy Link


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Interview with author Alan Dean Foster

 

Alan Dean Foster with Mayotte brown lemur. M’bouzi island, French Comoros. Photo credit to Michael Medford.

Alan Dean Foster with Mayotte brown lemur. M’bouzi island, French Comoros. Photo credit to Michael Medford.

Today my author guest is a multi-genre author who dips into the western and weird western genres on occasion. He’s published over 100 books, including novelizations of several well-known science fiction films, such as Star Wars, Alien, and The Chronicles of Riddick. He’s also credited with the first ever book adaption of an original video game in his novel, Shadowkeep. He’s a New York Times bestselling author and he’s joining me here to share a few tidbits about the weird western genre, writing a novelization of a movie, and his latest book, Mad Amos Malone and other weird western works. Please welcome author Alan Dean Foster to Writing to be Read.

Kaye: The majority of what you write is science fiction or fantasy, so obviously these are your preferred genres, but you have western tales thrown into the mix here and there. What is it that draws you to the western genre?

Alan: For one thing, I have lived the past 40 years in a famous western town: Prescott, Arizona. Virgil Earp was the marshal here. Doc Holiday’s mistress, Big Nose Kate, is buried in one of the local cemeteries. The Palace Saloon, the oldest operating saloon in Arizona (since 1877) is here. And much more. You cannot live in such a place without soaking up some of the historic atmosphere. Also, like most kids of my generation, I grew up watching TV westerns in the ‘50’s. Hop-along Cassiday, The Lone Ranger, and more.  My favorites were the Cisco Kid (“Hey Pancho!…Hey Ceesco!) and Disney’s Zorro.

Mad Amos MaloneKaye: You have a collection of short western stories out that have a strange twist. What is so different about Mad Amos Malone?

Alan: Folks are fascinated by the mountain men who explored the American west. I thought it would be interesting to develop one who acts and lives like your typical mountain man, but who is considerably More Than He Seems. When you like a character but are never sure how he will react in a given situation it adds tension to a story. Think the character of Mike in “Breaking Bad”. Not quite what he seems. Also, in the end, thoroughly bad ass.

Kaye: In 1985 you wrote a novelization of the movie Pale Rider, with Clint Eastwood. How did that come about? Did you get to meet any actors from the movie? Did you consult with the screenwriters during the writing? What was the most difficult thing about doing a novelization?

Pale RiderAlan: Authors of film adaptations rarely get anywhere near a movie set (though I have, on occasion). Certainly I never met or consulted with anyone attached to the movie.

For me, the most difficult thing in doing a novelization is to expand on the characters without contradicting the characterizations in the film itself. That, and remaining true to the spirit and style of the filmmakers while simultaneously injecting a little bit of myself here and there. You always have to be aware.

Straight Outta TombstoneKaye: You have a story in Straight Outta Tombstone. The anthology is listed as fantasy, but its stories have kind of a western twist. Would you talk a little about that book?

Alan: The stories are fantasy with, generally, settings in what is called the American West. I think it would be more accurate to called them westerns with a fantasy twist.  Fantasy or science-fictional takes on actual history are a lot of fun to do, and can often be thought-provoking. Call it the “What if the South had won the Civil War”? trope, only often with more recognizable fantasy elements.

Kaye: What’s the most fun part of writing a western novel or short story? What’s the least fun part?

Alan: Working with actual western history. Many of the Mad Amos stories take place in actual western settings and involve real folks from history. Just with the occasional witch, dragon, Chinese demon, visiting gnomes, etc.

Kaye: What time of day do you prefer to do your writing? Why?

Alan: Mornings, because I’m fresh, and also because I prefer to go to gym in the afternoon. But I will work late if and when necessary. And if an idea hits me, I’ll head for the study no matter what time it is.

Kaye: What is the biggest challenge of being a writer?

Alan: Not getting bored with your own work. And persisting even when you are.

Kaye: What is the one thing in your writing career that is the most unusual or unique thing you’ve done so far?

Alan: I think my historical novel MAORI, which takes place in 19th-century New Zealand. That’s a long way from writing science-fiction or fantasy. Very hard to research such a subject from Prescott in pre-internet days. Might also consider SHADOWKEEP, which was the very first novelization of an original computer game.

Kaye: What do you think is the single most important element in a story?

Alan: Character. If your characters aren’t interesting, then you’ve lost the reader no matter what kind of language, special effects, settings, or action you employ. True of any kind of writing, be it theater, film, prose, even commercials.

Kaye: When did you know you wanted to be an author?

Alan: When I made my first two short story sales, to August Derleth and John W. Campbell. I figured if two giants in the field thought my words worth buying, I might have a shot at doing it full-time.

Kaye: What’s the best piece of advice you were ever given?

Alan: Don’t make your heroes too powerful (Campbell). You can be interested in Superman, but it’s hard to empathize with him. Hence the need to invent kryptonite.

Kaye: Which is your favorite type of writing? Short fiction or novels?

Alan: I enjoy them both, but if pressed I’d have to say short stories. Get the idea down and out fast and dirty. I also very much enjoy writing non-fiction. Essays, movie reviews, history, etc.

Kaye: What is next for Alan Dean Foster? What are you working on now? Any more weird westerns in the future?

Alan: No weird westerns at the moment. Putting together The Complete Mad Amos Malone was a bit of a project in itself.

Forthcoming: April – The Unsettling Stars – original Star Trek novel set in the Kelvin universe.  Later this year: Madrenga – original fantasy novel from Wordfire PressThe Director Should’ve Shot You – non-fiction; a history of my involvement with film novelizations from Centipede Press.

Hopefully next year: Mid-Death and other tales of the Commonwealth – a collection of all the short stories set in the Commonwealth, featuring the never before reprinted Midworld novella “Mid-Death”, from Haffner Press.  Short story “The Treasure of the Lugar Morto” – Analog; no date yet.

Forthcoming at a future date: the completed Commonwealth novel Secretions and the stand-alone SF novel Prodigals.


I want to thank Alan Dean Foster for sharing with us here as we delve into the weird western. It looks like his work is cut out for him for the next couple of years. Obviously, many writing tips and tricks are not restricted to a single genre, but can be applied across them all. You can learn more about Alan and his books on his website or his Amazon Author page.


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“Death Wind”: The ghosts of the West do not rest easy

Death Wind

Death Wind, by Travis Heerman and Jim Pinto is a paranormal western, also known as weird western, that makes the reader believe in legends, if only for a short time. In a time of war between the white man and the Indians, there comes a foe of unspeakable power and cruelty only known through the stories of the native American people.

There is a great evil on the horizon, bearing down upon White Pine and the Lakota Souix reservation following the Wounded Knee Creek Massacre in 1891. The evil is hungry and it feasts on anyone in its path, threatening to consume them all, no matter the color of their skin. The only hope of survival lies in the ancient legends of the native peoples of the land and will unite white and Indian in a common goal.

Carefully crafted to produce graphic imagery and a captivating story line, Death Wind kept me reading until the last page. I give it five quills.

Five Quills

Amazon Buy Link: https://www.amazon.com/Death-Wind-Travis-Heermann-ebook/dp/B01L2EYKK8/ref=sr_1_1?keywords=Death+Wind+Pinto&qid=1583962493&s=books&sr=1-1


Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Chatting with the Pros: Interview with western author Cherokee Parks

Chatting with the Pros

My author guest today on “Chatting with the Pros” is a seasoned western author who has written many, many western novels and been quite successful. He lives and write by the western creed that he grew up with. He’s a cheerful guy with a good sense of humor. Please welcome Cherokee Parks.

me_book covers


Kaye: You believe in and stand behind some good old fashioned values and live by the code of the west. How do these things come through in your writing?

Cherokee: In every story, the main character does the right thing in every single circumstance. Even when characters like Colton Raines (the Colt’s Justice series) or any of the Creed family (the Creed Novels) are forced to kill large numbers of opponents, it’s done to save others, or to protect they and their family or possessions. They respect women, the law, the nation and all it represents – even in spite of possibly having been on opposite sides during the Civil War. They expect the same from everyone else, and accept no compromise. They always speak the truth, and if they can’t, they keep their mouths shut. They are never afraid to speak their mind, short of intentionally hurting a friend, unless that friend needs a wake-up call. They give both compliments and criticism sparingly, and only when necessary. They never give their word if they can’t keep it. They know that they can’t get along with everyone, so they don’t even try. And they all know how to laugh, mostly at themselves.

Kaye: You have co-authored several books along with other western authors, such as Scott Harris, whom I interviewed last year. What is the most difficult thing about co-authoring a story?

Cherokee: Actually, there have not been any truly co-authored books, only those where credits are given for inserting a foreword. Only once have I ever attempted to co-write a book, but things just didn’t work out. We envisioned completely different events and character development, and never got past the first chapter together. I have, however, had the distinct pleasure of co-writing a good number of songs, and found it very gratifying being able to feed off another person’s input. So would I work with another author to create a book? Honestly, probably not, as I already have a basket full of story ideas, as well as several books already in the works. I don’t know how I’d squeeze in the time to work with another author, although I think the creative juices might get a real boost, depending on how I got along with the co-writer from the beginning.

Kaye: What draws you to the western genre?

Cherokee: Growing up cowboy and around the western lifestyle, it was a natural changeover for me, and what I had always wanted to write. Unfortunately, I was very good at writing mysteries and suspense, and got pigeonholed by my publishers at the time – both saying “Westerns don’t sell.” Well, Westerns DO sell, and I’m enjoying a very happy resurgence of my writing career. It’s easier and far more enjoyable to write about things one knows and loves than to create things someone else wants an author to fantasize about on paper.

Kaye: What time of day do you prefer to do your writing? Why?

Cherokee: Mid-morning until mid-afternoon, while the two grandchildren we’re raising are in school, but I can write just about anytime, anywhere, when the inspiration strikes.

Kaye: Which author, dead or alive, would you love to have lunch with?

Cherokee: I’d love to once again have lunch with Louis L’Amour, as I learned more about my craft from him in a day than I did squirming in a seat during all those college class hours. Although I did study under James A. Michener, and enjoyed his classes, what I learned from him was about styles and research, but little about actually being creative. Michener taught strict adherence to storylines, only diverting if research showed it was necessary, while L’Amour had no idea where a story would go until after it was written, like myself.

Kaye: What’s the most fun part of writing a western novel? What’s the least fun part?

Cherokee: Wow! There are just so many fun parts to creating a western. Finding out where the story goes, and how it ends is a blast, as I never really know when I start out. Imagining how different characters react to situations is also a lot of fun. What’s not fun is having one of your books just sit on the market, not moving, not selling, just sitting there gathering dust. Although really poor reviews are also a knock, often a real punch to the gut… But I’ve learned from those knocks too, as the old commercial told us, “never let ‘em see you sweat…”

Kaye: How do you decide the titles for your books? Where does the title come in the process for you?

Cherokee: That’s difficult to say, really, as sometimes a book is created based on the title, while other titles are taken from a place or event that emerges in the book itself. And there have been times when a title needs to be changed, even after the work is published. Titles are among the hardest parts to creating a story, as a good story can die without a good title to launch and carry it. On the other hand, sometimes a story is soooo good, it doesn’t really matter what it’s called.

Kaye: Would you share the story of your own publishing journey?

Cherokee: How much time do you have? Seriously, I started out my career as an author of mystery and suspense, trying to fit into the most popular publishing mold of the time, mostly as a result of my publishers at the time insisting on my creating such stories. Eventually, I tired of writing what they wanted, and then having stories sell well while the publishers made all the money using “creative bookkeeping” while I received a mere pittance – not even enough to live on.

I stopped having any work published for over fifteen years, giving up completely on the honesty of the publishing business, though I still wrote stories. The difference was, I wrote to please me, not the publisher. One day, while I was writing a particularly interesting story, a friend stopped by, and insisted on reading what I had written up to that point. Now normally, I pretty much discount what family and friends say about something I’ve written, as I believe them to be absolutely biased. But that particular friend was very critical, and if he liked it, well… Not wanting to go the publisher route, I self-published. Epic fail. I’m an author, not a publisher.

So when a small publishing house opened near me, I presented the story to them. They jumped on it, and I became their third signed author. Over the next year, they published four more of my stories, but their management absolutely sucked. Given an opportunity to guide them, I was appointed Executive Director, lasting nearly five years at the job before they were forced to shut down due to IRS problems unrelated to the publishing side of things.

In a way, it was the best thing in the world for me, because I once again had time to write, something I had all but given up on while working with the books of many other authors and wannabes. But now, I had the writing bug again, and needed to find a publisher. After a couple of mistakes, I finally landed with a really good publisher specializing in the western genre (Dusty Saddle Productions), who had a great publicist (Nick Wale at Novel Ideas) under contract. I couldn’t be happier!

Kaye: When did you know you wanted to be an author?

Cherokee: I guess I was about thirteen, when I wrote a short story for an English class assignment. I had a lot of fun writing the story, and when our teacher had me read it to the rest of the class, I was embarrassed, but hooked. That teacher was a friend and understudy to James A. Michener, and gave it to Michener to grade. Michener drew a big star on it, penned a message, “Keep up the good work”, and signed it. Had I not been hooked on writing before that, I was after. I’ve been writing since then, with the two aforementioned lapses, continuing to try to perfect the craft.

Kaye: Do you travel to the places that end up in your books?

Wyoming Cowboys and girls.Cherokee: Yes, absolutely. In fact, I took a clue from L’Amour about knowing the geography and climate I include in my books. As a result, I only write about places I have been, doing my best to remain true to the area. But I also use a bit of artistic license in my stories. For example, in Hard Ride to Cora, set in the Green River basin of Wyoming, I slipped in a cave that doesn’t exist. Sometimes one has to enhance the story with little details that may or may not exist, but I do my best to “keep it real,” even though all I write is fiction.

Kaye: What advice do you have for aspiring authors?

Cherokee: Never depend on what family and friends say about what you create, as they are completely biased, and 99% of the time they don’t wish to hurt your feelings, or already believe anything you do is great just because you did it. Get outside opinions as your guide. Study the craft of writing, trying to make yourself the best you can be at it. ALWAYS give your work to an editor, as even the very best English teachers make mistakes when they write. But don’t allow the editor to change your style, only to correct your English (except dialogue), your punctuation, and all too often your sentence structure. Just make sure you improve with every attempt, and learn to accept honest criticism for what it is, not for what you want it to be. But above all, NEVER stop writing!

Kaye: Is there anything unique or unusual about your writing process?

Cherokee: Hmmm… Other than I don’t have a clue where a story will go, or where it will end up when it’s finished? I don’t think so, but then again I suppose we each have our little idiosyncrasies when we write, but we’re far too close to the source to know what is “unique” or “unusual” about our process. That’s my story, and I’m sticking to it!

Kaye: What do you like to do when you’re not writing?

Cherokee: Sleep… eat… Actually, in my younger and healthier years, I enjoyed hunting and fishing, exploring new areas, being around horses and dogs, just generally living the Western lifestyle. But now I’m old and half crippled up, suffering from the ravages of time, so I’ll go with my first two answers. Sleep… eat… But I will add that staying alive is real big on my list of things to do everyday now…

Kaye: As a western writer, what kind of research do you find yourself doing for your stories?

Cherokee: Mostly digging back into my memory banks and photo journals, though I do use a great deal of online research to confirm what I know already or think I know about history, clothing and weapons in use during the era I’m writing in. I have no choice, as my memory isn’t quite what it used to be. Additionally, finding historical documents, maps or writings that detail certain places and events, be they weather events or something of a physical/historical nature, always serve me well, and at times even help with my creativity.

Kaye: If one of your books was made into a film, who would you like to play the lead?

Cherokee: I suppose that would have to depend on which of my books was chosen… I think they’d all make great movies, but that’s the writer in me thinking I’m that good… For example, it would have to be a middle-aged man to play Jake Laughlin, while it would require a man in his twenties to play Mick Swinney from Hard Ride to Cora, and a very tall man to play Thomas “Tree” Bell in The Trader… Now, if I could chose which book was made into a movie, I would say Hard Ride to Cora, as it was my first full-length western, although the Colt’s Justice series ranks right up there, as does the Creed series and the brand new series, The Trader. But to pick an actor to play the lead in any particular book? I don’t think I’m capable. I’d leave that to the casting people, as that’s their job, and I’ve got my hands full just writing.

Kaye: Would you like to talk briefly about your latest books? (Those you sent covers for.)

Cherokee: Hard Ride to Cora was my first published Western, and will likely always be my favorite as a result. Besides, it’s a really good story involving a host of characters from many different backgrounds, and if I ever get time I’ll be able to write at least another half dozen stories based on those characters.

No_Town_for_OutlawsNo Town for Outlaws actually prompted a prequel (Silver, Gold and Blood in Arizona), and both books have sold consistently – and well – featuring a family of fast guns, including the women, bent on making certain the law is upheld, and good people are given a chance to live free.

Trader_cover_10_14_19My biggest Western hit so far is really a mountain man tale, The Trader, with the second book in the series due out early in March. The Trader sat in the #1 spot on Kindle in the Old West History of the U.S. category for over three weeks, and as of this writing is still at #3.

Kaye: How did you chose your pen name, Cherokee Parks?

Cherokee: I guess the easy answer would be—sentimentality. When I was a young teen, my father and I used to deer hunt in an area of Northern Colorado called Cherokee Park. They were some of the best times I had as a young man, and some of the best times spent with my father before he lost his health. So when it came time to create a new pseudonym for my western stories, Cherokee Parks was one of five I started out with. I kept narrowing the list down until only Cherokee Parks remained, mostly to honor the wonderful memories I shared with my father, and of him.

Kaye: Why did you choose to take a pen name?

Cherokee: It was a simple thing. In order to keep the genres separate, as well as multiple publishers back in the day, I used pseudonyms. I decided to continue using pseudonyms when I started writing again for some very personal reasons, primarily using Cherokee Parks to honor my father’s memory.

Kaye: Do you think it helps you sell books?

Cherokee: Yes, frankly, I think a good author’s name can help, depending on whether or not it fits the genre.

Kaye: What are you working on next?

Cherokee: Currently, I’m working on a sequel to No Town for Outlaws, called Death at Devils River, featuring the Creed brothers on a mission to help out an old friend facing disaster from a gang of Mexican banditos. I’m really enjoying it, and hope my readers will as well. Death at Devils River should be out by the end of March or early April.

Kaye: What do your readers have to look forward to in the near future?

Cherokee: Within the next ten days, I should have the second book in The Trader series back from the editor, meaning it will be released within a week of that. The first book in the series is subtitled West to the Stony Mountains, the second book subtitled Of New Life, War and Peace, and a third book already in the planning stages (as much as I ever plan a story!). I stay busy, and have at least a dozen story concepts floating around in my mind at any given time, as well as having anywhere from two to half a dozen at various stages of development or publication.

I have to say, Kaye, this was one of the more fun interviews I’ve had, and I appreciate not being buttonholed with my answers by your providing open-ended questions. Honesty is always the best policy, though not every writer has had the pleasure of enjoying life as much as I have. I’ve lived a hard life at times, but always a good life, even though there were times when I had no idea where my next meal would come from, or where I might be sleeping that night. But by the grace of God and the aid of friends, I made it through the hardest of times, making my current success all the sweeter. Thank you!


I want to thank Cherokee Parks for sharing here on “Chatting with the Pros”. He really came up with some great answers which are somewhat enlightening. It has been wonderful chatting with a seasoned western author, and it instills confidence to know that we share the same publisher. Nick Wale and Dusty Saddle have been great to work with. You can learn more about Cherokee and his books on his Amazon Author page or his Goodreads Author page. Join me next month on “Chatting with the Pros”, when the theme will be fantasy, and my author guest will be L. Deni Colter.


You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2019, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress. Please share content you find interesting or useful.


Are You Up To The WordCrafter Challenge?

Ghost Miner

I wanted the 2020 WordCrafter Short Fiction Contest to be a challenge, to motivate authors and writers to reach outside their comfort zones and write a short story in a genre they maybe hadn’t tried yet. But, from the low number of entries received thus far, I’m wondering if I didn’t scare a lot of writers off when I named the genre as paranormal western.

It’s one of those combination genres that have risen up in recent times, also called weird westerns, that has both elements of western and elements of paranormal. I presented it as western ghost stories, because the old west has plenty of potential for ghosts. (Mark and Kym Todd’s Wild West Ghosts is filled with the stories of many real life characters whose ghosts are said to haunt the west today, if you’re looking for inspiration.)  However, I fear our friends abroad may be shying away because they just don’t know a whole lot about the American western frontiers.

While westerns usually take place in the American west, they don’t have to. The movie Quiggly Down Under, with Tom Sellak comes to mind, taking place in the Australian Outback, but with plenty of western elements. Every country has its own frontier history that helped to shape it, some may be still developing their frontiers. So, let me re-itterate, a western does not need to be set on the American frontier, but it does need to have some of the elements of the western genre. Man (or woman) against the elements, man (or woman) fighting for justice in an untamed landscape where the only law may be what he (or she) can manage to dole out. Western characters lead nomadic lifestyles, carry guns, ride horses, drink whiskey and face their own mortality, sometimes on a daily basis.

Weird westerns tend to use these elements, but they add elements of the paranormal or speculative fiction. I’ve reviewed a few and found their authors to be quite creative in combining the two genres. Chris Barili’s Hell’s Butcher series features a gun toting Marshall who is tasked with keeping all the outlaws in hell and tracking down any who happen to escape into the realm of the living. In DeAnna Knippling’s Chance Damnation is a paranormal western fantasy, where hell breaks through and wreaks havoc on the western frontier. And a book that I’m reviewing this month is Death Wind, by Travis Heerman and Jim Pinto, tells a tale of ancient Indian legends come to life. (You can catch my review of this book on Friday, March 20th).

So, with this in mind, I’m asking each of you to re-consider entering your own paranormal western short in the 2020 WordCrafter Short Fiction Contest. It’s only $5 to enter, and the winner will be featured in the resulting anthology and receive a $25 Amazon gift card. Other entries may also be included in the anthology by invitation, so get those entries in to me by April 30. There’s still time, and you can find the complete submission guidelines here: https://wp.me/pVw40-49e


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