WordCrafter News

A look back at 2022

Before we begin to look forward to the coming year, we must first look back to assess the successes and failures of the past year. It’s been a busy year, and we’ve accomplished much

For WordCrafter Press, we published 5 books in 2022.

In April, we released Poetry Treasures 2: Relationships, with an eight day blog tour, which did well enough that I’m looking forward to the release of Poetry Treasures 3 next year. Robbie Cheadle hasn’t shared with me what the theme will be for 2023, but I’m sure it will be a good one.

In May, we released Ask the Authors 2022: Writing Reference Anthology, with a ten week long blog promotion series. Seven of the contributing authors for this book, including me, editor Kaye Lynne Booth got together for a round table discussion on the Stark Reflections Podcast to share writing wisdom and promote the book, here. And it is still available in Kevin J. Anderson’s Writing Career Toolkit Bundle, which you can purchase here. The bundle is only available until December 1, so be sure to grab one while you can.

In July, I graduated from the Master’s program at Western State Colorado University with an M.A. in publishing, and I saw the publication of both my student projects, Gilded Glass: Twisted Myths & Shattered Fairy Tales, which I was on the editorial team for, and Weird Tales: Best of the Early Years 1926-27, which I compiled & edited with Weird Tales editor and award winning author, Jonathan Maberry.

In August, WordCrafter Press published the first of three short fiction anthologies, Once Upon an Ever After: Modern Myths & Fairy Tales, with a six day blog tour and giveaway. Featuring contemporary stories in the classic fairy tale tradition which I handpicked.myself, to create an exceptional by-invitation-only fantasy anthology. This anthology has been our biggest seller in 2022.

In September, the second of the three WordCrafter Press anthologies, Refracted Reflections: Twisted Tales of Duality & Deception, with a five day blog tour. Also, by invitation only, these reflective tales may not be what they seem.

October was a big month, with the release of Visions, the 2023 annual WordCrafter Press anthology. In addition to contest entrries from the annual WordCrafter Press Short Fiction Contest, this year’s anthology had more contributions by invitation, making it the largest anthology WordCrafter Press has ever published. We ran an eight day blog tour with three days of double stops. It was quite a production. Then, we joined up with Sonoran Dawn Studios for the big Halloween book event, All Hallow’s Eve – The Web We Weave on Facebook, where we promoted all 2022 WordCrafter Press releases, with games and giveways, music and movies.

In November, I’ve been trying to do the NaNoWriMo thing with The Rock Star and the Outlaw, a time travel romance adventure novel, inspired by the music of The Pretty Reckless and other artists. It’s not finished until the last day of the month, so I’m still hard at it. I’ve written 28,940 words since the beginning of the month, so I’m not even close But I started with 21, 175 words already written, and I passed the 50,000 word mark this morning.

Also in the month of November, Ask the Authors 2022, is available in the Writer’s Career Toolkit Bundle currated by Kevin J. Anderson. Also included in this bundle are writing references by David Farland and Kevin J. Anderson, Joanna Penn, Mark Leslie Lefebvre, L. Jagi Lamplighter and Aisley Oliphant to name a few. You decide what price to pay for five core books and/or ten more bonus books, all valuable author references, and you can still get it for a few more days.

Preparations and plans for the year ahead

December is pretty much dedicated to the prepartions for the coming year, and I have some really cool things planned. This past year, WordCrafter Press published a total of five anthologies involving around 30 different authors, which was amazing. In 2023, I plan to focus more on my own writing, and I only plan to do the two annual anthologies WordCrafter Press publishes each year; one poetry and one short fiction. The poetry anthology features the guests of Robbie Cheadle’s “Treasuring Poetry” blog series, and she also acts as my co-editor of the Poetry Treasures anthology.

The short fiction anthology is connected with the annual WordCrafter Short Fiction Contest. However this last year, for Visions, I combined the contest entries with stories acquired by invitation, and the other two anthologies were by invitation only. I liked the results of including the invitations, and plan to do the same thing in 2023. The themes for these anthologies will be announced after the first of the year.

As for my own books, I have quite a few planned. I plan to re-release Delilah as a part of the Women in the West adventure series, to be launched with a Kickstarter with lots of cool stuff available for your support around the beginning of the year, so be sure and watch for that. If things go well, I may also be able to release Sarah before the end of 2023.

Also, of course, I will be launching my NaNoWriMo project, The Rock Star & the Outlaw, in the coming year. This western time-travel romance adventure will keep readers on their toes. Based on the music of The Pretty Reckless and other artists, it’s a wild ride that will keep readers guessing.

I’m also planning to put together a collection of my own poetry, which I think will appeal to all the poetry lovers out there, and I am working on several short stories which I hope to find homes for. As always, at least one will go into the annual WordCrafter short fiction anthology. And I’m planning to start a Patreon, and I’m thinking of serializing my science fantasy Playground for the Gods series for that.

2022 was a really good year, and 2023 promises to be just as good, if not better. I would love to hear your thoughts on any of my plans for the year to come. Which potential covers do you like or dislike and why? Which books will you look forward to? What would you like to see offered as rewards for my Kickstarter, or my Patreon? Let me know in the comments. Your feedback is appreciated.

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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.


Billie Holladay Skelley and “Secret Thoughts” in Visions

Visions

https://josephcarrabis.com/2022/10/05/billie-holladay-skelleys-secret-thoughts-now-in-visions-anthology/

Thanks to contributing author Joseph Carrabis giving us a taste of the stories in the new Visions anthology from WordCrafter Press. Follow the link to learn more.

Pre-order now: https://books2read.com/u/49Lk28


Book Review: There Will Be Consequences

There Will Be Consequences, by Loretta Miles Tollefson is a biographical historical novel which tells the story of 1837 New Mexico territory history from a biographical perspective, using multiple P.O.V.s. 1837-38 is a complicated period of New Mexico’s history, when rebellion broke out, which Tollefson has undertaken to portray, and she chose an effective way to illustrate all of the different perspectives. There Will Be Consequences tells the story of an historical conflict in which there were no winners.

Although I am familiar with Colorado’s history for this period, this book shows that there was a lot more going on on the western frontier than just cowboys and Indians, wagon trains and mining. This is not a tale of high adventure, but one of the backbone of this country just trying to survive, and it is filled with events that most will find astounding.

There Will Be Consequences

Buy Link: https://www.amazon.com/There-Will-Be-Consequences-Biographical/dp/1952026059

There Will Be Consequences is skillfully crafted to offer an inside look into the events of the 1837 rebellion and the resulting events. If you are familiar with this historical period and area, you’ll enjoy the thoughtful insights Tollefson offers through the different perspectives offered. If you’re not, you’ll find it all quite interesting. I give it five quills.

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Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing and a M.A. in Publishing, writing is more than a passion. It’s a way of life. She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you.

She has short stories featured in the following anthologies: The Collapsar Directive (“If You’re Happy and You Know It”); Relationship Add Vice (“The Devil Made Her Do It”); Nightmareland (“The Haunting in Carol’s Woods”); Whispers of the Past (“The Woman in the Water”); Spirits of the West (“Don’t Eat the Pickled Eggs”); and Where Spirits Linger (“The People Upstairs”). Her paranormal mystery novella, Hidden Secrets, and her short story collection, Last Call and Other Short Fiction, are both available in both digital and print editions at most of your favorite book distributors.

When not writing, she keeps up her author’s blog, Writing to be Read, where she posts reflections on her own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. In addition to creating her own very small publishing house in WordCrafter Press, she offers quality author services, such as editing, social media & book promotion, and online writing courses through WordCrafter Quality Writing & Author Services. As well as serving as judge for the Western Writers of America and sitting on the editorial team for Western State Colorado University and WordFire Press for the Gilded Glass anthology and editing Weird Tales: The Best of the Early Years 1926-27, under Kevin J. Anderson & Jonathan Maberry.

In her spare time, she is bird watching, or gardening, or just soaking up some of that Colorado sunshine.

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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.


Writer’s Corner: Researching down a rabbit hole

I just took a short trip to Glenwood Springs, Colorado; one of many that I have taken in search of the truth about Doc Holliday; a curiosity that began while doing research for Delilah back in 2016. At the time, I found evidence connecting Doc Holliday with the mining camp of Leadville, where that story ends up, and I used that in my story line to give it authenticity. I learned a lot about John Henry (Doc) Holliday, but I also found a lot of facts which are conflicting, and those conflicts have tickled at my brain ever since.

Many of the facts which are not to be disputed are John Henry Holliday’s birthplace and date: Griffin, Georgia on August 14, 1851. In addition it is known that he attended the Pennsylvania College of Dental Surgery, but before he could get his practice well established, he was diagnosed with consumption, what we know of today as tuberculosis, ruining a promising career when no one wanted to be treated by “a lunger”, so headed out west to be a gambler, which was considered a legitimate way to earn a living in those days, similar to that of a professional poker player today, as differentiated from a gambler.

But it wasn’t until the 1881 events in Tombstone Arizona and the “shoot-out at the O.K. Corral”, involving Doc Holliday and the infamous Earp brothers that his noteriaty grew into legendary proportions. months to seek relief from the reported health benefits of the natural mineral hot springs and vapor caves located there. In those days there were close to fifty hot springs running up and down the banks of the Grand River (now known as the Colorado River), as this was before Walter Devereaux purchased the townsite of Glenwood Springs and secured funding to build The Hotel Colorado and The Hot Springs Pool, as well as the city’s first power plant in 1892.

Glenwood Springs is where Doc died in 1887. It is there that he was supposedly buried, although there are claims that the hillside cemetary was flooded and several graves were washed out into the streets below and bodies scattered, so that no one really knew whose bodies were reburied where, leaving the exact location of Doc’s final resting place a bit of a mystery. A more recent addition to the cemetary is a sign suggesting that because he was destitute and could no longer hold a job as a dealer in one of the saloons, that he may have been buried further up the hillside in the pauper’s graveyard where many were buried with no headstone. I find this assertion to be highly unlikely, and assume this sign was made in an attempt to deter vandalism.

Sign at the bottom of the trailhead to the hillside Linwood Cemetary in Glenwood Springs, Colorado.

When talking to the locals, I learned that vandalism has been a problem for the cemetary and particularly for the grave of the infamous dentist, gambler and gunman, and the headstone which currently marks Holliday’s alleged gravesite in the Linwood Cemetary is the third headstone to mark the spot. The one prior to this one is displayed in Bullock’s Store, where the basement houses The Doc Holliday Museum with an interesting collection said to be connected to the man, as well as the only surviving pieces of the original building, which was destroyed in a fire in a 1945 fire. The building is in the loction where The Hotel Glenwood stood, Doc spent the last six months of his life, in a room on the third floor, destitute and dying of consumption. It is rumored that, broke and unable to work due to his failing health, and according to Bill Kight of the Glenwood Springs Historical Society, it is rumored that a friend, Walter Devereaux and his longtime companion, Mary Katherine Horony-Cummings, also known as Big Nose Kate, cared for him during his last days and were at his side when he died. (Glenwood Springs: The Official Insider’s Guide 2021-22, “Get to Know Doc Holliday”, by Bill Kight)

These are pictures of the older headstones that have since been removed from the Linwood Pioneer Cemetary. You can tell how old they are because of the grainy quality of the photos. The one on the right is now on display at Bullock’s Store. There was too much snow to make the trek up to the hillside cemetary on this trip, so I wasn’t able to get a picture of the current headstone.

A few doors down on the block from Bullock’s is Doc Holliday’s Saloon. I couldn’t find any evidence that there was any real connection to Doc here, but they serve good food and historical atmosphere make it a favorite of mine whenever I visit Glenwood Springs. It’s a great place to relax and enjoy a rib-eye sandwich and a game or two of billiards. Nobody said a research trip has to be all work and no play.

It seems a little bit ironic that Glenwood plays up the association with Doc and Leadville doesn’t, knowing that he spent much more time in Leadville than Glenwood Springs, where Doc visited in hopes of improving his health to make his last days a bit more comfortable. Another irony of this move was that the moisture of the waters and the steam, as well as the altitude, would have actually been detrimental to his failing health, which is why Doc did better in the desert atmosphere of Arizona, but he was forced to flee and seek sanctuary in Colorado, due to being wanted for murder after the Tombstone affair. (Gary L. Roberts, True West Magazine, “Doc Holliday’s Lost Colorado Years”, June 2013)

Delilah

The story of Delilah takes place during the time when Doc would have been in Arizona, but Doc had visited Leadville prior to that and so he received a mention in my book, although he wasn’t present in the story. Delilah takes place in a very small time in Colorado’s vast history which I used bits and pieces of in my story, but there is much more history that the story didn’t cover, so don’t be surprised if Doc Holliday shows up in person in one of the books in the Women of the West Adventure Series, which Delilah may soon become a part of, now that I’ve spent all this time down a research rabbit hole.


Ahead in 2022 on Writing to be Read, WordCrafter and author Kaye Lynne Booth

Well, we’ve all made it through another year and now have a whole new year ahead of us. I’m not into making resolutions that will just be broken, probably before the month of January has come to a close, but it seems like this time of year always brings about changes, so I thought I might share with you the changes planned for 2022, some of which are already in process.

Writing to be Read

On Writing to be Read, we have a few changes to the line-up. Jeff Bowles will only be doing one blog series, “Words to Live By”, on the first Wednesday of every month. Art Rosch will be doing “Mind Fields” and “The Many Faces of Poetry” bi-monthly, alternating every other Friday. Robbie Cheadle will still be offering all three of her monthly blog series. While “Growing Bookworms” and “Dark Origins” will keep their spots on the second and fourth Wednesday of each month, but “Treasuring Poetry” will be moving from it’s Saturday spot to the third Wednesday of each month.

My new series, “Writer’s Corner” will appear once a month on Mondays, as will my reviews, including any “Review in Practice” posts. I was considering making my monthly “Chatting with the Pros” series into a podcast, but I think that will have to wait, since I have so much on my plate already for 2022. So, what I’m wondering now, is does anyone miss this series and would like to see me bring it back on the blog? If you do, or you would, I’d love to hear about it in the comments. It will help me to decide whether or not this series is worth reviving.

Author Kaye Lynne Booth

Back in May, for the 2021 WordCrafter New Beginnings Virtual Writing Conference, Anthony Dobranski, author of Business Class Tarot, did a workshop on the use of the cards he created. We didn’t have a great turn-out in 2021 and there were numerous set-backs, including my loss of internet causing me to miss out on a full day of the conference I was hosting, so when no one showed up for this wonderful workshop, Anthony was kind enough to do a reading for me. It was a lot of fun and I was surprised at how accurate to my own life his reading was. One of the things that was revealed was that I was trying to do too much and I needed to enlist others to take a part of the load on me, because I have always tried to be a one woman show and do all the various tasks involved in being an independent author and publisher. (You can see the video of the full reading here.)

Acting on the revelations from that reading, as I ramp up to transition into a full time writing career, with several releases planned for 2022, I realized I needed beta-readers and reviewers, and others to just help spread the word on social media, and so the Kaye Lynne Booth & WordCrafter Press Street Team group was born. It’s a great group with members who support my writing endeavors and want to be a part of the process. Members have exclusive access to behind the scenes information, opportunities to weigh in on scene and cover creation, and early access to new releases and book events, in exchange for their support as beta-readers and reviewers, or their help in spreading the word through their social media channels.

I’m also reviving my newsletter after letting it fall by the wayside for over a year. Newsletter recipients will receive early notice of new releases and book events, and sometime news of works by other authors bi-monthly. You can sign up for my newsletter here.

My first release for 2022 is scheduled for June, with the re-release of Delilah, in an edition that is the story I originally intended to tell. (You can find out more about the decision for this change here.) The current edition of Delilah will come down from the Amazon shelves sometime in April, and the new edition will be released wide, so it will be found not only on Amazon, but on Kobo, Barnes & Noble, Apple, Baker & Taylor, Bibliotheca, Borrow Box, Overdrive, Scribd, and other selected digital book outlets because WordCrafter Press publishes through D2D. (I’m a member of their affiliate program. Sign up for your own D2D account here.)

In the past, I told you about my science fantasy series, Playground for the Gods. The first book in that series was my thesis project when I was earning my M.F.A. at Western State Colorado University, back in 2016, so the it has been finished since then, yet you’ve never seen the implied promise of publication come to fruition. In 2022, I plan to release not just Book 1: The Great Primordial Battle, but also Book 2: In the Beginning, and Book 3: Inanna’s Song sometime toward the end of the year, but release dates for these haven’t been set yet.

WordCrafter Press & Author Services

WordCrafter Press has some great releases coming in 2022 as well. An updated version of the writing reference, 2022 Ask the Authors, is scheduled to be released in March. The original Ask the Authors, was taken from a Q&A blog series I ran in 2018. While the much of the advice offered from the 17 different authors who participated in that project is still valid today, this edition will address the changes in the publishing industry since the original edition was published and will feature an anthology of essays on craft and publishing in addition to the Q&A advice. This edition will feature advice from 13 authors, including Bobby Nash, Mark Leslie Lefebvre, Roberta Eaton Cheadle, Nancy Oswald, Christopher Barili, Mario Acevedo, L. Jagi Lamplighter Wright, Kevin Killany, Paul Kane, Jeff Bowles, Enid Holden, Christa Planko, and myself, Kaye Lynne Booth.

The call for submissions for the 2022 WordCrafter Short Fiction Contest posted on January 3rd. However, in 2022, WordCrafter Press will be putting out not just this one anthology, but a total of three short fiction anthologies. In addition to the Visions anthology, which contest submissions may be included in, that will be released in August, there will be two by invitation only anthologies: Slivered Reflections, which will be released in September, and Once Upon an Ever After, which will be released in November.

In 2021, we released the first edition of Poetry Treasures poetry anthology, featuring the works of Robbie Cheadle’s 2020 “Treasuring Poetry” poet guests on Writing to be Read, and we’ve decided to do it again. 2022 Poetry Treasures will feature the works of the 2021 “Treasuring Poetry” guests for a spectacularly unique poetry anthology, and will be released April to celebrate National Poetry Month.

WordCrafter Quality Writing & Author Services

Last, but not least, Write It Right Quality Editing Services is open to new editing clients in 2022. If you’re looking for affordable quality editing, Write It Right could be the editing service you’ve been looking for. A part of WordCrafter Quality Writing & Author Services.

I’m looking forward to 2022. I hope you’ll all join me in the coming year, as it promises to be a good one.

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Saying Good-bye to “Delilah” – But not for long

After long deliberation I have come to a rather painful decision. After April 2022, Delilah will no longer be available through any book outlet. Delilah has been on the virtual shelves for five years now, and really hasn’t had many sales, even after adding forwards from authors Robert Hanlon and Paul L. Thompson, and a new cover and new back cover matter, so I’ve decided not to renew my contract with Dusty Saddle Publishing.

Originally, the story I wrote for Delilah was very different. I made major changes to the plot after the first draft was complete, based on feedback from a beta reader, which at the time I felt was valid, so I basically rewrote more than half of the story. The Delilah that I published, was not the same story that I originally conceived. Upon re-reading to see if I could determine why it might not be selling, I discovered several places where the story feels forced, where I was trying to make the events fit into the amended plot line and it was like trying to fit a round peg into a square whole. One of things authors must strive to accomplish is to write a good story that draws readers in and then provides a satisfying ending, so as not to disappoint readers, delivering on the promise. I think I’ve failed to do that with Delilah, leading to sales not being as good as I had hoped.

Delilah: A Western Adventure

The good news is, although Delilah will be disappearing from the virtual shelves for now, I’m going to go back to that original story, at least as much as I can, as I resurrect her and revise this tale into the one I originally wanted to tell. Before the end of 2022 I plan to re-release Delilah in a revised edition complete with new cover (above) and ‘blurbage’. If you already read Delilah and liked it, the revised edition will be even better. It will be a story that is true to character and creator; the story that originally should have been and almost was, will be again. So watch for this new and improved western adventure to be released in June.

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Inviting You to Join My Street Team!

Kaye Lynne Booth & WordCrafter Press Streat Team group

You are reading this, so chances are good that you are familiar with me and my writing, as well as WordCrafter Press and its books, because I talk about all of these things a lot. Since you are hanging out here, reading my posts and those of my wonderful blog team members, there’s also a good chance that you are interested in my work, so you will be interested in this opportunity, as well.

Being a multi-genre author creates the need to reach multiple target audiences. I write western, paranormal, science fiction, dark fantasy & vampires, and maybe even a little bit of romance. Although unpublished, I’ve even written a children’s series. That makes it more difficult to hit my target market and find readers who enjoy the kind of book I write, but I’m learning that I’m just not a write to market kind of girl. I have to write what my heart says, and it refuses to remain in a single genre.

I’ve decided to build a street team to help spread the word about new releases and release events. So, I’ve created a private Facebook group Kaye Lynne Booth & WordCrafter Press Street Team” group, where you can help by becoming a beta reader and providing feedback prior to release, or reviewer, or just an enthusiastic fan, sharing new release and release event information on social media to help get the word out.. This is a group for those who want to help create, promote or just support me and my books, and find opportunities to free books, for an extra perk. As a member of the group, you will be privy to news regarding works-in-progress, new releases and upcoming book events, as well as early cover releases and sneak previews.

I hope that you will click on the link above and join us, as 2022 looks to be a exciting year, with between 7 and 12 new releases coming!

WordCrafter Press will be putting out, not just one, but three anthologies this year, including the resulting anthology from the annual short fiction contest. The call for submissions for the 2022 WordCrafter Short Fiction Contest will be posted in January, this year’s anthology will also feature the stories by invitation, which will not be included in the contest, but will be included in the Visions anthology. The other two anthologies will be by invitation only, Once Upon an Ever After, and Slivered Reflections. WordCrafter Press will also be doing a new edition of the writer’s reference, Ask the Authors and a new edition of Poetry Treasures. For my own books, I will be dropping my contract with Dusty Saddle Publishing and publishing a special edition of Delilah myself, and publishing at least the first three books of my science fantasy Playground for the Gods series, and possibly the fourth.

If you join my street team group, you’ll be privy to all the latest news about all these great releases and more! Bring your enthusiasm and help me make my writing dreams come true. And don’t forget the free books and other perks. See you there!


Buffalo Bill Cody’s Wild West Show and Images of the Western Frontier

Buffalo Bill Cody’s Wild West Show

Buffalo Bill Cody’s Wild West Show captured the minds and imaginations of easterners and westerners alike. His show was “the most successful touring show of all times.” (Buffalo Bill’s Wild West Entertainment Holdings), rivaling P.T. Barnum’s Circus at the time (Johns). Many have said that, “Cody did not merely represent the west, but he became the west, in his own mind and in the minds of others.” (Johns) This seems to be true, as his legend lived on in early twentieth century literature. Cody’s exaggerated and theatric portrayals of scenes from the west became the west in the minds of Americans across the nation. They are the images and ideas that “shaped and reflect our history.” (Johns)

The Wild West Show alone could not account for the rapid rise of the mythological west that came to form in the minds of Americans, particularly easterners. The eastern public had “an insatiable appetite…for stories of the west” that was recognized by Cody and author Printiss Ingram who wrote a dime novel series of Buffalo Bill’s  adventures in the wild west, and together, they developed a stage version of the already popular Buffalo Bill myth. When Custer was defeated at Little Big Horn, Cody ended his New York Stage performance with the declaration that he would take a scalp in Custer’s honor. Less than a month later, the rumors flew with the claim that Cody had taken the scalp of Yellow Hand to the Fifth Calvary and myth blossomed into legend. (Johns) His performances portrayed scenes of wagon trains crossing the plains, settlers defending their homesteads, buffalo hunts and Indian battles as events of everyday life in the west, creating a romantic image of adventure and excitement for the public. (Buffalo Bill’s Wild West Show and Exhibition) In a west that was rapidly changing, many of Cody’s promotions depicted a west that was already dead for the most part, with most Native Americans having been confined to reservations, the Alamo pushing Mexicans back, and the buffalo were all but gone. (Johns)

Presenting himself as the best representative of the Wild West, Cody’s performances emphasized the belief of the Native Americans as savages already held by many, reinforcing stereotypes of the native tribes. To his credit, Cody did promote the Native American as, “The Former Foe–Present Friend, the American” (Johns) and the Sioux warriors that were members of his cast were given status with places in “his ‘Congress of Rough Riders,’ a contingent that represented the finest horsemen in the world.” (Johns), but his portrayals of the American Indian still emphasized the stereotype of the red savage. His show presented the American Cowboy as the real article, and although Vaqueros, (Mexican cowboys after which the American version was fashioned), were a part of the show, they were portrayed more as un-American cowboy wanna-bes. The image of the independent, savvy, confident American cowboy that Cody portrayed was and still remains an American icon. Pheobe Ann Moses’ portrayal of Annie Oakley likewise created an image of the western woman that was nearly as rugged and independent as the cowboy, although they had to be “fallen women” since expectations of the times would not allow for a respectable lady to live in such a manner.

The program that Cody passed out at his show was more than a program, but a source of information, further establishing Cody’s authority on the west. “The program was also a source of information, providing facts about Indian origins of state names, the latest trends in marksmanship, and historical profiles of great Civil War scouts and frontiersmen.” (Johns) In a west that was rapidly changing, many of Cody’s promotions depicted a west that was already dead for the most part, with most Native Americans having been confined to reservations, the Alamo pushing Mexicans back, and the buffalo were all but gone.

References

Buffalo Bill’s Wild West Entertainment Holdings Inc. 2004. 21 September 2009. http://www.buffalobill.com/BuffaloBill.02.html

Buffalo Bill’s Wild West Show and Exhibition. 21 September 2009. http://www.bgsu.edu/departments/acs/1890s/buffalobill/bbwildwestshow.html 

Johns, Joshua. Buffalo Bill’s Wild West Show. 11 November 1995. University of Virginia. 21 September 2009. http://xroads.virginia.edu/~HYPER/HNS/BuffaloBill/home.html

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“No Secret Too Small”: A historical western novel

No Secret Too Small

I always love reading the historical western novels of Loretta Miles Tollefson, and No Secret Too Small was no exception. It has all the attention to detail that I’ve come to expect from her Old New Mexico Novels, placing me into a setting and time that no longer exist, yet Tollefson makes it feel oh, so real, even if only for the time it takes to read the story. Loretta Miles Toleffson masterfully paints a visual picture for the mind’s eye, bringing historical times and events to life with brutal clarity.

Miles’ Old New Mexico Novels are skillfully written to feature many of the same characters at various points in time. So, while No Secret Too Small features Alma, who was introduced as a baby in Not My Father’s House, (see my review here), this story is easliy followed when read as a stand alone book. This story is a part of more than just the saga of one family, it is a part of a piece of history, a time when living was a gamble, in a land where survival is no game.

No Secret Too Small speaks to that struggle to survive, but it also speaks to the racism and predjudice of the period. Old New Mexico in the 1800’s is no place for a woman alone with two children. But pride is a funny thing and that is just where Alma and her mother and brother find themselves in a time of civil unrest and rebellions, after her mother discovers the truth about her father’s heritage. We receive Alma’s story through her young eyes, as she watches her mother struggle to survive as she discovers and deals with the predjudices she didn’t even realize that she had. Alma learns much about the world and human nature, much of it too ugly for such young eyes to view. She yearns to return to her valley, and to be a whole family once more, but she has little control over the adult world around her. She can’t make her father come for them any more than she can make her mother decide to return home.

If you like historical novels that paint their periods vividly for readers, and features characters you can care about, then No Secret Too Small is a must read. A well-crafted story that holds the reader’s interest until the last page has turned, Tollefson draws you into the story and takes you back with her characters into times long past with period details that have obviously been well researched. A story that will no doubt touch hearts, I give it five quills.

Buy Link for No Secret Too Small

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Spirits of the West Book Blog Tour

Spirits of the West Book Blog Tour

Welcome to the first official WordCrafter Book Blog Tour featuring the WordCrafter western paranormal anthology, Spirits of the West. We’ve got a great tour lined up, so let me tell you a little about this unique anthology and the stories featured within. I hope you’ll all follow along with the tour as the week progresses, to learn more about this colorful story collection.

It’s no secret that I love ghost stories, which is why the theme each year for the WordCrafter Short Fiction Contest always seems to lean toward the paranormal genre, although other genres may be involved. It’s also no secret that my first novel was a western and I enjoy writing and reading this genre, so it shouldn’t be surprising that the 2020 theme was western paranormal. I didn’t get a lot of submissions, but the ones I did get were top notch stories, and the resulting anthology, Spirits of the West, contains eight stories with western and paranormal elements, from six very different author’s worlds. The theme for the contest was not a traditional genre mixture, and there’s not much that’s traditional about the anthology.

My story, “Don’t Eat the Pickled Eggs”, is a western paranormal mystery, to confuse the genres even more. It’s a colorful story, about the disappearance of a saloon owner, a ghostly nighttime visit to leave a warning, and a young boy named Stinkweed, who holds the key to the mystery. You’ll be able to learn more about the inspiration behind this tale on Jessica Bakkers.

Roberta Eaton Cheadle contributed two South African western paranormal tales, which help to make this anthology very unique. “The Thirstyland Journey” and “The Ghost in the Mound” tell stories of pioneers, traveling across the South African wilderness – a different type of western, but with just as many ghosts. Both are powerful stories of survival, courage and determination and are welcomed additions to Spirits of the West. Robbie will be telling us more about both of these stories on Roberta Writes and Robbie’s Inspiration.

Jeff Bowles, the author of the winning story in 2019, contributed “Wenekia”, an excellent story of Native American folklore and traditions. When two young boys sneak out to eavesdrop on the tribal council gathering, they learn more than they bargained for when they witness the reality of legend. Sue Vincent’s Daily Echo will have a post for us about Jeff’s story on Saturday.

“The Clouds in the West”

Arthur Rosch contributed a science fiction western paranormal story, “The Clouds in the West”, which takes the cowboy to another world, where the rider may not always control of his mount, and leaves the ending open to reader interpretation.

The winning story in Spirits of the West was submitted by Enid Holden. “High Desert Rose” is a more traditional western tale of revenge, but Holden does it with a heroin, rather than a hero, and the spirits are watching. Patty’s world will feature an interview with Enid on Wednesday and wrap up the tour on Sunday for us.

“Gunsmoke”

Also included in the anthology are two stories that were not contest submissions. Tom Johnson’s story, “Gunsmoke” really doesn’t have a paranormal element, and is included as a tribute to Tom as his only western story in a lifetime of science fiction and pulp titles, as the author is no longer with us. And Enid Holden contributed a second story, “Queen of Spades”, which didn’t make the submission deadline, but is every bit as good as her winning story.

“Queen of Spades”

Time constraints did not allow for posts on some stories, but I hope you’ll join us on the tour this week to learn more about this very special collection of stories and their authors.


 

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