Deadlines, Reminders and Announcements

Last chance to enter the 2021 WordCrafter Paranormal Short Fiction Contest!

Where Spirits Linger

The deadline to enter the 2021 WordCrafter Paranormal Short Fiction Contest is April 30th, for a chance to have your short paranormal story included in the 2021 paranormal anthology, Where Spirits Linger. The entry fee is $5, and the author of the winning story receives a $25 Amazon gift card and inclusion in the anthology. See full submission guidelines and send me your ghost stories. There’s still time. Hurry!

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There’s still time to get tickets for the 2021 WordCrafter New Beginnings Virtual Writing Conference

2021 WordCrafter New Beginnings Writing Conference

Join us for a free Facebook pre-conference promotional and social book event on May 3rd, where you can meet conference presenters and other authors, learn about their latest releases, play games and enter giveaways! You can reserve your spot on the Facebook Event Page to join in on the fun from the comfort of your own livingroom or wherever you happen to be.

Then on May 4th & 5th, the interactive portion of the conference will be held, with interactive workshops & panel discussions will be offered by talented and experienced presenters, including Keynote speaker Paul Kane. Tickets can be purchased for $5 for individual sessions or a full event pass at the discounted rate of $50 for all 13 sessions. Visit the WtbR Event Page, right here on Writing to be Read, to see the full line-up and author bios, and purchase tickets. It’s going to be a lot of fun and we plan to learn a lot, too, so reserve your spot today.

I can’t offer a preview, because the conference will be live, but I can offer a sample from the 2020 WordCrafter Stay in Place Virtual Writing Conference to whet your appetites. Below is a video of the Visceral Story Beginnings interactive workshop with Ellie Raine. Ellie jumped in to present this workshop after the originally scheduled presenter was unable to attend. I think you did a fantastic job of picking up the ball.

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Announcing the release of Poetry Treasures, the WordCrafter poetry anthology featuring poetry by 2020’s author/poet guests on “Treasuring Poetry” blog series with Robbie Cheadle, right here on Writing to be Read.

Nine creative and talented poets have come together to produce this unique poetry collection, each one is truly a poetry treasure.

Poetry Treasures

2020 “Treasuring Poetry” Featured Poet/Author Links:

Sue Vincent (December)

Sue Vincent (April)

Geoff Le Pard (October)

Frank Prem (August)

Victoria Zigler (March)

Colleen M. Chesebro (February)

K. Morris (July)

Annette Rochelle Aben (May)

Jude Kirya Itakali

Roberta Eaton Cheadle (Host)

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Words to Live By – For Dora

For Dora

It’s been tough around the house this month. My mother-in-law passed away after a long battle with liver disease. She’d been having severe problems for months, but as my wife said a few nights ago, we always thought we had more time with her.

I haven’t felt like writing. Even typing up a blog post like this is draining. Writing is a bit of a safe haven for me. Easily tumbling down the rabbit hole, so to speak, laying aside my heartaches and disappointments, entering worlds of my own design, inhabiting people who don’t really exist.

Dora was a writer herself, and a voracious reader, too. I stayed with my wife and her family a lot in the days I was first starting to tinker with short stories. Because Dora was enthusiastic and willing, I often asked her to read my fist drafts. Her comments were always complimentary, because it wasn’t in her nature to poke holes in something her kids had poured their hearts and souls into.

Her kid, that’s what I was. The family has two daughters, and both were married within a year of each other. Dora never differentiated between the four of us, or at least, she tried her best not to. If everyone was gathering in the same place, it was about the kids and whether or not we’d eaten, her kids and how we were getting along in life, the importance of the kids’ enjoyment of holidays, birthdays, work promotions, collegiate successes.

I have no bad memories of her. Truly, anything contentious between us didn’t live long enough to become an issue. She was always patient and friendly with me. I loved reading her yearly Christmas poems, which she sent to the entire extended family. Never missed a year or an opportunity to fret over one or two words. I liked that about her, a certain willingness to own what she’d created. She never tried to publish anything professionally, but the rest of the family agrees she should have.

Marriage, as it turns out, can be one hell of a rollercoaster ride. My wife and I will be celebrating our twelfth anniversary in September. Most of our friends have been married a far shorter time, which means we can dispense wisdom without pretense. Our marriage has been anything but perfect. Thwarted expectations, mental health issues, a lost house, lost job, grad school, which was pretty tough for me, because I do tend to have a sensitive mindset, things can set me off easily.

I have guilt over whether Dora knew how much I appreciated her, because I doubt I ever communicated it properly. I know my wife and father-in-law are suffering, but the truth is they’re both stronger than I am. There’s been so much in the last year to cause us all grief and misery. No shame shaking your fist at the bumpy ride behind and ahead of us. There’s nowhere else for me to be, nothing else I’d rather be doing. Dora was a presence in this house, this family. She was a pillar, holding things up in that matronly way that looks easy but can’t possibly be effortless. Life will be different now. Better or worse, I don’t know, but different for sure.

I can help my wife by making calls, figuring out logistics, being a shoulder to cry on. I’m not perfect, but then neither was Dora. Sometimes I expect her still to be here, watching movies or making dinner, reading, chatting, clipping digital coupons. One of the last things she did for me was to read the first novel I self-published. She loved it, told my wife I was talented and that I was never to give up.

She would’ve said that regardless of whether she enjoyed reading it or not, but I believed her wholeheartedly anyway. That’s what she meant to me. I was proud to be one of her kids. I’m still proud.

I’ll see you next month in Words to Live By. In the meantime, give someone important a hug. If they’re not a hugger, hug them even harder. Tell them you have my permission.


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!

Love Madness Demon Cover Final

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


Craft and Practice with Jeff Bowles – Characters in Need of Color

Each month, writer Jeff Bowles offers practical tips for improving, sharpening, and selling your writing. Welcome to your monthly discussion on Craft and Practice.

I’m a big fan of color. Maybe it’s the art lover in me, but I can’t stand boring compositions. A little passionate red, cool and withdrawn blue, yellow to energize, purple to pacify. My stories are always full of color. I design them that way so I don’t get bored in the telling. Attention span of a cocker spaniel, I assure you. I figure if I’m getting bored, my readers don’t stand a chance.

In this edition of Craft and Practice, we’ll look at colorful characters. Where do they come from? How can we more easily create them? Let’s assume you find them preferable to stock characters that are functional but not especially inspired. I’m here to tell you that you don’t need much in terms of preparation. Outlines, character sheets, written histories, throw them all out for the time being. The trick here is to open yourself up, to trust your instincts and your ability to create something sort of magical and unique to your abilities, to your point of view. It’s not so much that preparation can hamper our ideas or dampen our expression of them. This is true some of the time, but not always. It’s more that the tighter we constrict our creativity―that’s constrict rather than channel; one is suppressive by nature and the other is purposefully expressive―the more likely we are to produce wooden and inflexible components.

Your characters don’t want to be inflexible. Trust me on this. They long to be unpredictable, passionate, full of life. Some writers like to work with a net. Perfectly understandable. It’s cleaner and in some sense easier. But I’d like you to consider the possibility that extra work at the conclusion of a writing project is worth more in the long run than an equivalent amount of preparation. The final product is bound to be less like everyone else’s stories and more like your own, and that’s a win in my book.

Let’s run a brief exercise to illustrate the point. Character A asks Character B for something to drink. Character A doesn’t visit other people’s homes very often, so the request doesn’t seem rude or presumptuous. Character B is a friendly sort, charitable in all the ways it matters, and if it’s possible to provide hospitality and comfort to Character A, then that’s precisely what Character B will do. Outcome: Character A gets to drink. Huzzah!

Notice that in just a few brief character descriptions, I’ve told you everything you need to know in order to enjoy the scene. Do you care what Character A’s first car was? Not unless it has direct bearing on the scene at hand. Do you care if your protagonist prefers Pizza Hut to Domino’s? Not as such, because they’re not eating right now. They’re, you know, drinking. What if childhood trauma involving fruit punch makes them thirstier than the average beverage enthusiast? I mean, that may be pertinent information. Put it in and see how it reads. In this way, story serves character, not the other way around. These imaginary folks living rent-free in your head, they might change their spots entirely by the time you’ve written THE END. In fact, we sort of need them to. It’d be damn boring if they didn’t. I’m saying the desired effect is best achieved organically. Think about your standard rising action chart

Notice the trajectory, one smooth line shot straight toward a conclusion. Don’t design your plot or your characters in this manner. Just don’t do it. Trust me, that line reads a whole lot better when it’s perforated, imbalanced, full of ups and downs, at last arriving at that ultimate destination. In real life, human beings do not proceed along a straight trajectory. Great actors know this. They understand innately to respond to moments as they come. One foot in front of the other, not all the feet all over the world all at once.

Imagine going onstage with a dozen pages of notes stapled to your forehead. This scene should be easier to perform because you have at your disposal so much background information. Right? Wrong? Yes? No? How’s your performance? Natural or constricted? I mean really, is that stuff helpful, or is it dead weight? A given scene tells me I should be afraid of snakes. The next one tells me I’m falling in love with someone who owns a lot of snakes. The core of my character remains, but the dictates of motivation, action, and reaction are all over the map. Am I in love with snakes and afraid of love? No, of course not. My name is Character A, and I’ve just been bitten by a rattler. See? No preplanning required.

Here’s another classic scenario for you to consider. You can night drive from Los Angeles to Las Vegas without ever seeing further ahead than the thirty feet of illumination provided by your headlights. The road is there, it promises to deposit you at your destination, but even it has no idea what will happen along the way. Maybe you don’t end up in Vegas at all. Maybe your characters have decided they’d rather go to Reno. Are you going to tell them no? They’ve already hit the ATM and booked serviceable lodging!

Thinking of your work in terms of performance is a good habit to cultivate. Just try it. Write a simple scene for which you’ve planned nothing. It’s not important where these characters have been, how much money they have, what their likes and dislikes are. All that matters is the spontaneous influencing the spontaneous. That’s the meaty part, the gold in the gold mine.

Fluff is a chore to read. If you don’t believe me, dig out one of your first serious pieces of writing and tell me how much of it is pertinent and how much ought to be nixed. I know, painful, right? Reminds me of the first piece of honest criticism I ever received, “I only have three problems with this story. The beginning, the middle, and the end.”

The good news about this craft is that there are a million and one ways to skin a cat. I’ll be back with more Craft and Practice next month. No cat-skinning required. See ya!


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!

Love Madness Demon Cover Final

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


Want to be sure not to miss any of Craft and Practice with Jeff Bowles segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress


Craft and Practice with Jeff Bowles – A Matter of Time

Each month, writer Jeff Bowles offers practical tips for improving, sharpening, and selling your writing. Welcome to your monthly discussion on Craft and Practice.

I’d like to tell you there’s a magic bullet for the writer’s life, that one tip or trick or another will make you successful, skilled, well-known, or whatever else you’re looking for on your individual journey. If that were the case, we’d all be bestsellers and poet laureates, and yet somewhat mystifyingly so…

Why do some people strike out while others hit it big? Why does it seem like so many have to struggle more, or fail more, or publish less? I wish I knew. Then again, I wish it weren’t such a big deal. After all, personal dreams are a wonderful thing, but they don’t often hold up against cold hard reality. That the two sometimes become the same thing is an obvious miracle, but let’s not belabor the point. If you were here for mysticism instead of writing advice, I’d tell you to buy a good quartz crystal and an all-seeing eye pendant. The trick this month, the tip I’m offering, is simply to say that in most scenarios you’ll encounter in your creative career, patience will be a virtue. Because time is always the overriding factor. Always. And time can be a fickle thing.

Sometimes it looks like the long wait from a submission to an acceptance. Or even a rejection to a rewrite. It can also appear as years of struggle to produce a single wonderful piece of writing. If you’ve ever read an advice column that promised the moon, you know how disappointing and damaging unrealistic expectations can be. No matter what your goals are, sometimes accomplishment boils down to luck. That’s simply the nature of the beast. And luck doesn’t often spread evenly, as I’m sure you’ve discovered in your own life.

Then again, sometimes it’s all about the hard work, the sleepless nights. There are very, very few overnight sensations. I’ve seen individual writing dreams come true, up close and personal, and it only ever seems to occur after years and years of battling it out in the trenches. You can look at it in terms of struggle and strife, or you can adopt a more holistic point of view. What I’m suggesting here today is that the prime factor of your eventual success is a matter of time. That’s all.

Time.

Because no amount of talent, drive, dedication, or luck will ever disqualify or surmount one very important point: you have to get from here to there, from A to B. I think it’s important to have goals, especially when you’re just starting out, but you may realize at some point you don’t have as much control of the universe as you thought you did.

There will be periods of droughts and downpours, of veritable writing gluts and creative starvation. And what can you do about it? If you make enough professional allies and friends, you’ll most likely notice that some of them succeed more readily than others. Most people don’t have such fragile egos they can’t stand to see contemporaries and comrades doing better than them. Then again, we writers can be a sensitive and touchy bunch, and truly, it can hurt to watch other people get the things we want. I guess the real question is how much pleasure can we derive from work that doesn’t seem to be getting us anywhere. Placing no focus whatsoever on its perceived relative quality. How much do we enjoy doing what we do?

Because I urge you to enjoy it more. Perhaps easier said than done, but there’s great pleasure to be found in the moment-to-moment, the day-to-day. I want you to write like only you can write because only you can write that way. Make sense? I want to hear your individual voice, and I want you to recognize it deserves to be heard.

Time can be your friend as easily as it can be your enemy. I suppose what I’d really like to do is walk up to the next struggling, frustrated writer I see and tap them on the head, ask her or him what the big deal is. Don’t you know your success is only a matter of time? Because that’s the truth, isn’t it? Don’t worry so much about what will or won’t happen. Worry about this scene you’re writing, that sentence you’re tweaking. In other words, focus on what you can control and disregard the rest. Don’t sweat it, because honestly, what’s there to sweat?

The simplicity of my message might offend this writer, because how can I say their success is a matter of time when nothing good or great has happened for them yet? How can I be so casual about the fact they haven’t proved themselves? Writers love to prove themselves. I might direct them to the precepts of Quantum Law, which stipulate that while there is only one you in the here and now, the future holds limitless possibilities for who you’ll become and what you’ll do next. Playing with pretty big odds, actually. Forces quite beyond your ken. Keep your nose to the grindstone, work when you can work, play when it feels right to play, and try to develop a little bit of trust, a little faith in the process and in your ability to do what’s right for you, to be at the right place when and only when it’s the right time.

Cliché and sound advice seem like the same thing sometimes, so don’t fret when I indulge in a certain truism: it’s not about the destination, it’s about the journey. Fact is fact, my friends. It’s all just a matter of time. I’ll see you next month in Craft and Practice.


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!

Love Madness Demon Cover Final

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


Want to be sure not to miss any of Craft and Practice with Jeff Bowles segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress


5 Positive Benefits of the Pandemic

Positive Effects of the Pandemic

We’ve all been limited by the pandemic and the resulting restrictions. The restrictions vary for different areas of the globe, but we’ve all been affected to some degree. I was out of work at my day job as a caregiver for a little under a month, so the financial hardships were minimal, but I’ve had to follow mask and social distancing guidelines to protect myself and others. I live in a very rural mountain area, so I’ve tried to combine tasks and order what I can online, in order to limit my trips into town. I carry hand sanitizer and disinfect anything I bring in. I use my card at the pump when available, and I disinfect my credit card or driver’s liscense, if I have to hand them to a clerk or secretary. But honestly, I count myself lucky, because my life hasn’t changed in many ways which I hear others claiming.

It seems I’ve become an introvert in my old age. I’d rather stay home and write, than go shopping or attend a party. I prefer to watch movies in my living room, where I can pause to take a bathroom break when needed, or even pick up where I left off the next day, instead of going to a theater. But overall, for me, adjusting to the ‘new normal’ didn’t involve any major changes, just small ones. I like to look at things from a positive perspective, so I’ve listed the advantages I see as the world changes around me.

  1. Big Savings: The thing I think I miss most is eating out, not because it’s not available, but because it’s an unnecessary chance of exposure that I don’t need. (Truth be told, I have broken down a few times and picked up a carry-out order when I have to be in town anyway). On the positive side, I’ve saved a lot of money and calories by eating in. Less driving also means less gas going into the tank, and for me that adds up to quite a chunk of change.
  2. Don’t Have to Smile: I don’t know about all of you, but I’ve always hated it when I see someone I know in the store when I’m in a hurry, concentrating on what ever I need to get with the look of a woman on a mission, and they say, “Where’s your smile?” or something to that effect. Sometimes I just don’t feel like smiling, and the mask lends me the freedom to not have to. Now, when donning my mask in public, no one can tell what kind of mood I’m in. I can even stick out my tongue without their knowing, but I don’t recommend this, especially with disposable masks.
  3. Stay Home Guilt Free: As mentioned above, I’m an introvert, so this pandemic has given me an excuse to do what I want to do anyway, without anyone telling me that I need to get out more, or that staying couped up isn’t healthy. Now, folks just write it up to being cautious or doing my civic duty by complying with Covid restrictions.
  4. Increased Productivity: All this time at home allows for increased productivity in writing endeavors. Looking back, as we do this time of year 2020 was a very productive year for WordCrafter Press and for myself, with two of my own books republished, along with two anthologies and a devotional book for WordCrafter Press‘ first official client. And, all of these books are now available in print, which is no small accomplishment. Add to that WordCrafter‘s first virtual writing conference coming off with minimal glitches, and you’ll see what I mean.
  5. Families Brought Together: Although this one doesn’t really apply to me, (I’ve gone without seeing my son for months at a time), I believe this may be one of the most important benefit that this blasted pandemic has brought us. Hopefully, keeping us all at home together has renewed and strengthened the nuclear family, reawakening lost family values and appreciation for the many blessings that we have, including our children and other loved ones.

Well, that’s the top five benefits I see from this pandemic, but I’m sure there are others if you look for them. What positive effects do you see?

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Craft and Practice with Jeff Bowles – What’s the Use of Trunk Novels?

Craft and Practice

Each month, writer Jeff Bowles offers practical tips for improving, sharpening, and selling your writing. Welcome to your monthly discussion on Craft and Practice.

Everything old is new again.

Trunk novels. Everyone’s heard of them. Heck, odds are some of you have one or two lying around. Personally, I’ve got three. Three and a half, if you count a couple false starts from back when I was in my late teens and early twenties. I recently dug one out and started reading and editing it a bit, just to see if there’s a viable release opportunity for me in it.

I’m kind of a modernist when it comes to publishing. My background is in lots of short story publications, but when it’s come to book-length work, I’ve always gone the direct route and published things myself. The good news this year is that I’m already ahead of schedule on the next book I’m writing, which means I’ve got more than enough time to try and polish this older book, see if I can turn it into something presentable. It’ll take some time. Let’s face it, there’s not much in writing that can’t be improved or sharpened in some fashion. And it’s a trunk novel, which means I chose to hide it away for a reason.

That term, trunk novel, it’s got a slightly negative connotation, hasn’t it? It would seem to imply that if a book were any good, it would’ve gotten published rather than collected dust in some old trunk, either in reality or in the newfangled digital sense. This book I’m looking at, I wrote it about thirteen years ago. That’s kind if astounding, really. I also happen to have written it at a time my writing gifts were still in the soft-boiled state.

Although I do find the material worthwhile to pursue after a fashion, I just wasn’t a very good writer back then. That’s par for the course, if you ask me. So what are you to do if you’ve got some old book you’d like to resurrect, but the writing isn’t up to your present standards?

Well, I say do the hard work and chip away at it, bit by bit, until it looks a little better. Grab the opinions of a few beta readers, and then chip away at it again. The focus for me has been in shortening and cutting. Lots and lots and lots of cutting. I was a pretty verbose writer, so I expect to cut something like 30,000 to 40,000 words from a manuscript originally in the 120,000 word range. But you might have a very different task. Maybe you’ve got to make additions, or perhaps you’ll have to rewrite whole sections of it.

The truth is, if you really still believe in the story, you should be willing to do just about anything to give it a fair shot. And look, you have so many more publication options in the year 2021 than you had in decades past. The traditional route continues to be the preferred option for just about everybody out there, but it doesn’t necessarily need to be the case. Reviving an old work, hiring an editor, a book designer and cover illustrator, or doing your best with some or all of these duties yourself, it can be a very gratifying way of letting the world see something that likely would have never come up for air otherwise.

I’ve always thought hidden art is the worst kind. An alternative to publishing a more polished version of old material outright, of course, would be cannibalizing it for spare parts. This can be a really effective tool for future story development. Maybe the trunk novel has a second life in it. Is it possible it contains ideas or even entire passages or chapters you could lift out and use somewhere else? Sometimes being a writer under the gun is the same thing as being a Frankenstein-like doctor, assembling narrative monsters from bits here and bobs there.

Or, and let’s be perfectly frank about this possibility, maybe you’ll find the trunk novel needs to stay in the trunk. No problem with this. Perhaps it was meant to be. At least you know for sure now. The time I’ve taken to look at my thirteen-year-old manuscript has been well spent. So far, I haven’t seen anything too objectionable, nothing that can’t be fixed. Is it possible this kind of retreading takes more effort than simply drafting up a new story from scratch? Potentially, but again, it comes down to how much you like the work and how much you think it deserves to be seen.

That’s it for this month’s craft and practice, everyone. Until next month.


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!

Love Madness Demon Cover Final

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


Want to be sure not to miss any of Craft and Practice with Jeff Bowles segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress


Craft and Practice with Jeff Bowles – Should You Write Every Day?

Craft and Practice

Each month, writer Jeff Bowles offers practical tips for improving, sharpening, and selling your writing. Welcome to your monthly discussion on Craft and Practice.

The cure for common burnout?

I’m not a long-haul writer. I’ve tried to live by the adage a writer should write every day, and to be perfectly frank, there are monasteries in the world that live by less draconian standards. My best writing gets done when I work in spurts, crank out a project of one kind or another, take a break of weeks or even months, and then get back at it feeling refreshed.

By traditional standards, this is a pretty lazy and dysfunctional way to go about it. These things were determined long ago by the writing powers that be, and as far as they were ever concerned, it’s a bad idea to rest on your laurels when you could be mass-communicating incredible beauty and truth.

Milage varies on that last point, of course. Because after all, how can we communicate much of anything when we’re dog tired and in need of a rest?

If you’re like me, keeping up with a daily, monthly, yearly word count is hard work. For sure, being a writer is hard work anyway, so if we can make our jobs easier, even just a little bit, I think we owe it to ourselves to do so. But be warned, the advice which follows is not for the faint of heart. If the idea of going long-term without putting any words down sends you into an apoplectic fit, maybe stick to the way you’ve always done things.

I do, however, think you’ll find my method of working allows for much more personal freedom than the long-standing tradition of writing till you drop. Yes, you may get less done in a year. That is a distinct possibility. But do you want to know something funny? When polled, most writers who also work a typical nine-to-five job say they wish they had more time, and that if they did have more time, they’d produce far more writing.

But what if some of those writers are wrong? What if, somewhat counter-intuitively, more free time on our hands doesn’t always equal a higher rate of production? The thing about being an author of any kind is that it requires incredible creative and intellectual energy to pull off on a regular basis. Yes, taking breaks might damage your output. Then again, it may just boost it. You may also find that the quality of your writing improves the more slack you cut yourself.

I’m big on cutting writers slack. I think it’s incredibly important, and in my experience, most of us are simply too hard on ourselves. That’s really why my writing habits have developed this way. By nature, I’m hard on myself, which means if I don’t take breaks every now and then, I’m liable to tear myself down instead of fostering a mental attitude that helps me build myself up.

Now, the first thing to realize is that taking a break from your writing means your skills will not atrophy so much as cool down a little. Writing is not unlike riding a bike. You never forget how to do it. But let’s say you take a five-month hiatus, simply because you’re feeling worn out or you’ve got more important things going on in your life—happens all the time. After that five months, you might return to the craft a bit dismayed at your apparent lack of talent. Whatever you’re working on needs to be rewritten from page one, and it’s all because you took the lazy advice of that awful Bowles guy.

One key thing, of course, is that I never said to quit entirely. If you know you’ll be taking a siesta, if you can schedule that in for yourself, why not also schedule in some light exercises so you don’t feel like a total louse?

For instance, I write for this blog three times a month even when I’m not writing a book. Producing content for the internet is a great way to keep your skills in tip-top shape. You could also work on a short (and I do mean short) story or two, or in the very least, engage in some weekly finger exercises. It doesn’t really matter so long as you don’t miss the point. Rest, recuperation. This is the point.

Conversely, and this is always a good idea, you could increase your reading load. The worst kept secret of the craft is that reading a lot tends to make us better writers. And the good news is it doesn’t really matter what we read. The basic engagement of our minds in this way seems to keep our intellectual and communicative abilities primed. Reading’s good for you. It keeps the stupid at bay (it is to be hoped). Honestly, you should be doing it anyway, and if you’re not…

Another piece of advice I can offer is to decrease your writing load rather than to cut it off altogether. For a little while at least, try transforming your 2,000 word-per-day average into something more like 500 words-per-day. That’s not a bad count-up when averaged out over an entire year. If you could write a scant 500 words per day, you’d end up cranking out about 15,000 words in a month. That’s the equivalent of a novel or two in a year, and the best thing about it is that 500 words per day means you’re only writing for about an hour or so, half an hour if you’re quick. That doesn’t sound too daunting, does it? If you’re feeling burned out, this might be just what the doctor ordered.

And the truth of it is people do get burned out, fed up, exhausted, and all sorts of other tired-sounding descriptors that equal one thing: you’re a human being, not a machine. If you’re struggling with your work right now, if you’re having issues with confidence or anxiety or anything of the sort, try slowing down. Trust me on this, don’t even fret, your desire to write will return in all its power and glory, and then you’ll be ready to crank out another masterpiece.

You’ve got a masterpiece or two lurking inside you, right? That’s what I thought. Happy writing, everyone. Or perhaps I should wish you a happy vacation. I’ll be back with more Craft and Practice next month.


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!

Love Madness Demon Cover Final

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


Want to be sure not to miss any of Craft and Practice with Jeff Bowles segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress


Music as Inspiration or Copyright violation?

Using Lyrics in Your Fiction

2020 saw the birth of the book I’m currently working on, and it was all inspired by music. In fact, the female lead character, Amaryllis is based on the music of Taylor Momsen and The Pretty Reckless. So, I had this great idea to set the tone and offer a glimpse into the thoughts of the pov character for each chapter with a snippet of lyrics; lyrics from The Pretty Reckless for Amaryllis, and lyrics from various artists for the male lead, LeRoy. It’s a time-travel story, titled The Outlaw & the Rock Star. The only catch is, an author has to be careful not to infringe on the copyright when using lyrics in her fiction.

Copyright, whether in the literary arena or the music industry, is serious business. Artists and writers protect that which they have created, as they should. As a writer, I can’t imagine the outrage I would feel, were I to learn someone else had infringed on my copyright. My words are my creation. They came from me. No one else on the planet can write them in just the way I wrote them, unless they steal them. And, let’s face it folks, theft is what copyright infringement is. So, I get why writers and artist want to protect their creations. I want my work to be protected, too.

According to Matt Knight on in “Using Lyrics in Fiction” (5 January 2019) on Sidebar Saturdays, obtaining copyright permission for song lyrics involves a ton of research into who actually holds the copyright, and then contacting them to request permission to use specific lyrics in your fiction, and pay the requested fee to obtain copyright permission. It can be both expensive and time consuming.

Knight offers a few ways around obtaining copyright permission, including only using the song title, since titles cannot be copyrighted, or using a small enough portion of the lyrics so that you can claim fair use, or choosing different lyrics from the Public Domain realm. Since this one of my characters is based on the music from one specific band, using Public Domain lyrics doesn’t seem to be an option. Since the lyrics are going to be used to set the tone of the story, using only titles wouldn’t really work. I really feel the story would loose a lot if I don’t include the lyrics, although I might be able to trim some of them a little.

So, I’m left looking at researching each individual song and contacting each copyright holder to gain permission to use their lyrics in my work, which seems like a lot of work. In the case of The Pretty Reckless, I will need copyright permission for multiple songs, so it may be an up hill battle, and it could get very expensive.

I can do the research and strive to obtain all the copyright permissions that are needed. I can’t say I’m looking forward to that part, or that I think it will be easy, but nothing good ever is. I’ve only written about six chapters, but my heart is already invested in these characters and their story. This is going to be more of a project than I realized when I concieved of the idea for this book. Here’s hoping this venture doesn’t cost more than I can afford.


Winter Wonderland My Eye!

Winter Wonderland

Yesterday in Colorado an unseasonably cold winter storm hit us. We went from temperatures in the seventies and eighties to near zero temperatures almost overnight, and at 8,500 feet, we got at least eighteen inches of snow to go with it. Not that I didn’t know it was coming. I pay close attention to the weather in these parts, but knowing a storm is coming and the reality of its impact are two different things. Oh, I made all of my winter preparations, making sure all the yard and garden tools were picked up and put away, digging up my Gladiola corms and storing them for winter, taking down all the hummingbird feeders and cleaning them for storage, too.

I told myself that the approaching storm was a good thing. We need the moisture and the snowfall will surely help get all the wildfires that have been raging across the state under control. I envisioned all the writing I would be able to get done now that there was no more yard work to becon to me and no sun to entice me outdoors. I saw myself staring out the window at a pristine wonderland while soaking up the warmth of the pot belly parlor stove, tapping away at the keys on my laptop as the word count on the book I recently started soared.

But this morning, reality hit when I found I couldn’t step off the porch without shoveling a path through a foot and a half of snow. So, I pulled out my winter coat, gloves and snowboots and bundled up and out I went, shoveling paths to all areas to which I need access.

The Juncos were struggling, perching in the rafters of my front porch to get out of the snow, and I swear, I could see them shiver. Although I’m sure birds have some kind of inner sense that tell them when bad weather is headed their way, they could not have predicted these cold temperatures at the end of October, and they seemed to be at a loss as to what to do. So, a path to my shed to get bird seed was in order, and then one was needed so I could get to the bird feeder to fill it, so my little feathered friends wouldn’t have to tough the freezing tempertures on empty stomachs.

I had to be able to get to the coal bin, so I could keep heat in the house, so a path was needed from the house to there, and another to the generator to keep the electricity on. My neighbor offered to plow my driveway, which is a great help, but I needed a path to the gates and an area cleared so I could open them so he could get his ATV in.

Now, here it is, afternoon and I stopped for lunch, but that is a lot of digging. I still have to dig a vehicle out, so I can at least get out in case of emergency and clear off my back deck. I’m working on this blog post, which should have been posted this morning, and I haven’t typed one word on the new book. The yard work may be over, but shoveling has taken its place. Winter wonderland my eye!


Words to Live By – The Big Chill

Jeff Version_Words to Live By 2

The first Wednesday of every month, writer Jeff Bowles muses on life, creativity, and our collective destinies as makers of cool stuff. You’re a writer, but have you ever thought about how or why? Here are some words to live by.

The Big Chill

I’ve always tended to believe there’s a time for action and a time for inaction. For instance, as a writer, I very rarely get away with working the whole year round. I realize it’s something of a controversial position to take, but I don’t like constant effort and much prefer writing in bursts. Perhaps I’ll work on the rough draft of a new book from Christmas to Groundhog’s Day, polish it up till early summer, and if I feel like releasing it myself, do that sometime in July. That’s usually how it goes. This year is bound to be different, though.

I don’t have to tell you, but 2020’s been something of a seminal time, both famously and infamously so. Even if it weren’t for the pandemic, we as a collective have dealt with politics, racism, the inherent corruption, or if you like, the non-corruption of the system designed to protect and serve us, and it’s still only early October. But yes, on top of it all, we do have a global pandemic to worry about. As Bob Dylan once famously sang, the times, they are a’changing. And not too nicely, either.

I’m aware I should be working harder on prepping my next major writing project. I’m aiming for the stars on this one. I’ve got enough details planned out in my head I could start outlining any day. But I haven’t yet. I’m choosing not to. Why is that? Because there are times for action and inaction.

Known by another name, inaction is simply observation. I feel the need as a storyteller to be the witness for a while. We all play the witness. In fact, it could be considered one of the chief characteristics of being alive. We watch the times, the places, the faces that come circulating through our daily experiences. And when something big like 2020 comes along, we are helpless but to stop everything and pay attention.

Maybe you’ve never paid this much attention before. Maybe you’ve never had the time. I’ve got news for you, 2021 isn’t likely to go any smoother. I’d like the opportunity to soak up the lopsided feeling of this year, like a beautiful but flawed piece of Italian bread marinating in extra virgin olive oil and herbs. Sure, leave that bread in its bath too long and it’ll come out a mushy mess. But it does deserve to marinate, doesn’t it? For the sake of fine cuisine?

Okay, maybe that’s an odd image. I’m more of a cheap peperoni pizza guy, anyway. The point is, if the world is changing, I’m no doubt changing right along with it. And if I’m changing—as a person, as a creative individual, a writer, and an entrepreneur—then surely the work I’m capable of producing is changing, too. Which means I can wait to tell that next story. The Germans have a lovely little phrase, one which has always fascinated me: zeitgeist, the spirit of the times. Things aren’t how they were five years ago. Heck, I’m not even sure last year was anything like 2020. And if you think for a minute you know how the world’s going to shake out from all this, I’m here to tell you you’re dead wrong. Maybe that’s why I’m choosing observation right now. I’m waiting for the other shoe to drop.

Of course, there will be some who don’t feel like anything’s changed at all. There will be others still who, in the face of great change, make the choice to dig in, refortify, and to be more or less aggressive versions of the people they’ve always been.  No yielding or bending. Go on and write your old-school hardcore science fiction the way you’ve always written it. Financially speaking, who can say what a smart approach looks like anymore? If I knew that … well, let’s just say I don’t know. Still, from a creative standpoint, I know there are some fellow authors out there who must see the clear opportunity for growth.

I’ve watched so many lives change in the last seven months. I’ve seen it all year long in my social media threads, too. This couple is breaking up after twenty years together. This son is finally moving out and this daughter is abandoning a job she never wanted in the first place. Change is all around us, and I’d wager that if you stopped for just a moment, cleared your head, quit thinking for a second or two, you’d feel profound change within yourself as well.

So here’s what I’m advocating for writers this month. Unless you’re already in the middle of a project, don’t even think about starting something new. Give it to till the end of the year, or longer if you’d like. Witness the world for a while, in whatever fashion seems best to you. Yes, you could watch global events on TV every morning. There’s certainly enough of them to go around. By the same token, you could watch ripples of water on a natural pool, the silent fall of red and golden leaves while sitting on a comfy park bench, the smile on your son’s or daughter’s face when he or she discovers just how big and perennially full of opportunity the world is.

As for me, I’ll be plotting that next big book, but only in my head, at least for the time being. It’s a personal story, no heavy-handed global events to speak of. Yet something tells me, the Jeff Bowles who’d start drafting that book in December will be a totally different guy than the Jeff Bowles who’d begin now, next week, or even next month. This is a clear opportunity to, if you don’t mind the aggressive self-talk, shut up and listen for a while, and boy oh boy, gleefully shall I do so.

Stop and smell the roses, fellow writer people. Or maybe I should say, choose to linger a while and watch the roses develop. The world isn’t all that interested in selling you flowers at the moment anyway. Gather ye petals while ye may, know what I mean? And then spend the big fat stack of them in the Spring, when the world is lush, your creative mind is firing on all cylinders, and fingers crossed and knock on wood or whatever other inert mass you’ve got lying around—there will be no such thing as elections and diseases, diseases and elections.

And if you must think about revolution, revolutionize yourself first. Everything decent will flow from there. That’s all for this month. Have a good one, everybody.


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!

Love Madness Demon Cover Final

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


Want to be sure not to miss any of Jeff’s “Words to Live By” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found this useful or just entertaining, please share.