Book Reviews: “The Unexpected Enlightenment of Rachel Griffin” & “Down to Dirt”

The Unexpected Enlightenment of Rachel Griffin

Hogwarts hasn’t got anything on Roanoke Academy and the magical world created by L. Jagi Lamplighter in The Unexpected Enlightenment of Rachel Griffin. Rachel Griffin has worked hard to prepare for attending, and now as one of the youngest students at Roanoke, she has a lot of expectations to uphold and her magic must be in top form to keep up with the rest of her class. But there is something amiss at Roanoke Academy; a new magic being used for ill gains, an assasin disguised as an agent, a princess who goes places whenever she touches certain people, and a raven which only Rachel can see. Rachel must figure out what is happening and how to battle the forces of evil which seem to be decending upon them and threaten to take over her magical world.

Skillfully crafted to offer up all the pieces for readers to put the puzzle together. It’ a lot shorter than the story about the kid with the owl but just as thoroughly entertaining. Rachel Griffin is a sharp young lady with magical inclinations that will win your heart and make you want more. I give The Unexpected Enlightenment of Rachel Griffin five quills.

Purchase Link: https://www.amazon.com/Unexpected-Enlightenment-Rachel-Griffin-Books-ebook/dp/B01FVJ7DAY

Down to Dirt

Down to Dirt, by Kevin Killiany is a wonderful young adult science fiction novel with an underlying social moral. after spending her whole life in space, Mara’s family decides to send her to visit her Earth bound relatives on what spacers call Dirt. She arrives on Earth fearful and a little confused, but within a few weeks she will come to question everything she has ever been taught about Dirt. With a little help from her cousin, Beth, and her friend Jael, who each in thier own way challenge the prejudices that came with her, Mara begins to see things in different light.

Down to Dirt addresses social issues via a fictional alternate timeline world to create a story which is both engaging and entertaining. I give it five quills.

Purchase Link: https://www.amazon.com/Down-Dirt-Stars-Book-ebook/dp/B01HDT14HI

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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.


Kaye Lynne Booth and “If You’re Happy and You Know It” in Visions

Visions

https://josephcarrabis.com/2022/10/14/kaye-lynn-booths-if-youre-happy-and-you-know-it-now-in-visions-anthology/

Thanks to contributing author Joseph Carrabis giving us a taste of the stories in the new Visions anthology from WordCrafter Press. Follow the link to learn more.

Preorder Now:https://books2read.com/u/49Lk28


Ask the Authors 2022 Book & Blog Series: Setting & World Building

Ask the Authors 2022

Welcome back to the “Ask the Authors 2022” blog series. This is segment 7 of this Saturday series, which brings you a glimpse of the fantastic writing tips and advice featured in the Ask the Authors 2022 writing reference anthology, and today we introduce contributing author Chris Barili, who shares his thoughts and methods for character development in his own “Character Blueprint” in the anthology, and a Q & A session on setting & world building.

If you missed any of the previous segments, you can find them here:

Segment 1: Introductions for Kaye Lynne Booth & Kevin Killiany/Writing Life Q & A session

Segment 2: Introduction for Bobby Nash/Pre-writing Rituals Q & A session

Segment 3: Introduction for Roberta Eaton Cheadle/Plot & Storyline Q & A session

Segment 4: Introduction for Paul Kane/Character Development Q & A session

Segment 5: Introduction for Mario Acevedo/Action, Pacing & Dialog Q & A session

Segment 6: Introduction for Nancy Oswald & Tone: Voice, Tense, Person & POV Q & A session.

Let’s get started.

Meet Chris Barili

Chris Barili is a speculative fiction and romance author who was also my cohort in the M.F.A. in Creative Writing program at Western. He writes in a wide range of genres, including weird western (Hell’s Marshal series), and science fiction (Shadowblade) under his own name, and romance (Smothered) under the pen name B.T. Clearwater. Chris was a presenter and panel member for both the 2020 WordCrafter Stay in Place Virtual Writing Conference, and the 2021 WordCrafter New Beginnings Virtual Writing Conference.

Besides writing, Chris lifts weights, mountain bikes, practices martial arts and battles with Parkinson’s disease. Writing just may be his salvation. Chris also was a contributor to the original Ask the Authors writing reference project, back in 2018. When asked about a future where writing left him rich and famous, Chris said he would write more.

Now let’s see how our contributing authors responded in the Q & A.

Setting & World Building

What elements do you take into consideration when creating a new world?

Mario Acevedo: Time, place, setting, and the one many writers forget, mood.

Paul Kane: I’ve very rarely created entire worlds, but the ones I do write about – even in crime stories – I always view as just slightly to the left of ours. Alternate worlds that look very much like our own, but are just slightly different. I always make up locations, such as Norchester in The Gemini Factor, or Redmarket, Golden Sands and Green Acres in the PL Kane thrillers, simply because then you own those places and can do what you want with them. It’s much harder with real places like Nottingham or Sherwood, because someone might spot a mistake you made, even if you’ve done tons of research – for example we went on a private tour of Nottingham Castle just to make sure I could accurately describe things in Arrowhead. Nobody’s going to question something you do in a made-up place, that a street shouldn’t be in a certain spot or whatever. I like creating places anyway, though, because they very often feel like characters themselves. Norchester, for instance, is very much a character in The Gemini Factor. It even has two ‘faces’ as I say in the first chapter: the nice side that most people see, and a seedy underbelly that’s not very nice at all, full of drug-pushers and pimps. Or in this case, where a very unique serial killer operates. 

Chris Barili: As many as the world requires. If I am sculpting an entirely new world, as I did in Shadow Blade, I consider everything from culture to economy, clothing to foods, and so on. Kevin J Anderson covers this really well in his book on world building, and I’ve been lucky enough to learn under him a bit.

Bobby Nash: Most of my stories take place in the real world so I start with the parts that are familiar. The basis for a town is the same in medieval time, modern day, and on another planet. Start with the familiar and build from there.

Nancy Oswald: Since I write historical fiction (mostly) the world has already been created, so the trick is to get to the heart of the historical period and let some of the actual history dictate parts of the story. For instance, the two fires in Cripple Creek in 1896.

Do places that you’ve traveled to ever end up in your books?

Mario Acevedo: Yes. Los Angeles, Hilton Head Island, Florida, St. Louis, Pacoima, New Mexico, Iraq. Haven’t been to outer space yet.

Paul Kane: It’s the same thing I talked about with characters, I put bits of places I know in stories. Unless they’re actual places like Nottingham, then I’ve made them up of various places I know. Redmarket is very much a mish-mash of Northern towns I know very well, Golden Sands is an amalgamation of various run-down seaside towns I’ve visited, mixed with dollops of other fictional towns like Broadchurch from the famous TV series. When I was writing about Glaive City in my comic book stories based around the gothic superhero Mortis-Man, I was very much thinking about cities from famous comic strips I read as a kid, and still read, which might resonate with readers. To give them a certain flavour of what the tales will be about, you see. So, I guess you could say I visited those places, only I did it through the medium of comic books and graphic novels.

Bobby Nash: Oh, yes. I often take photos while on a drive and have found locations that spark story ideas.

Robbie Cheadle: I do include places I have visited in my books. It is easier to describe a place and give a ring of authenticity if you have visited the setting from your story. I have also included places I have not visited and that required a lot of research of various crucial elements like climate, vegetation, and lifestyles.

Nancy Oswald: Yes. Visited the Sand Creek Massacre site, explored Cripple Creek, and the Jewish Colony is practically in my back yard.

What type of details do you add to help create a mental picture for your readers?

Paul Kane: I think the key is not to overdo it, just a splash here, a splash there. That builds up a picture in a reader’s mind, and very often they supply the rest from places they might know. If I say that Golden Sands has a Fish ‘n’ Chip shop, like I’ve just done in the novelette Corpsing, then I don’t need much of a description because chances are the reader will have been to a seaside chippy themselves at some point in their lives. All you need are broad strokes to paint that picture. Unless you’re doing something very specific with a place, making a certain point. If you’re going to have a character get thrown off a building, you need to describe how high it is in order for a reader to know they probably wouldn’t survive the fall. Things like that.

Chris Barili: Again, whatever the story needs. For example, in Hell’s Marshal, I opened in old wet Tombstone, right near the OK Corral, so a detailed description of the saloon in which the story opened was needed, but since many readers have at least seen a recreation of the corral itself, I was able to use fewer details.

Bobby Nash: I describe people and locations pretty well, I think. I try not to overdo it though. If I say a character walks into a bedroom, I don’t have to describe every item in it. The readers know what a bedroom looks like. They will fill in the details from their own experiences.

Robbie Cheadle: My writing style is descriptive, and I try to incorporate all of the senses into my stories.

Nancy Oswald: In my genre, this is a place where historical photos are invaluable, but I don’t see why historical photos or other photos couldn’t be helpful for fantasy and other types of world-building. They would just need to be tweaked appropriately.

Would you share a brief excerpt from one of your favorite setting descriptions? What is it about this setting description that you like?

I received several examples of setting description from contributing authors which made this section too lengthy, so if you want to see them, you’ll have to buy the book.

How do you choose the right sensory details for your story?

Paul Kane: It depends on what you’re trying to say, you have to pick and choose what’s important again – or what feels right. That’s something you only really develop over time, I think. Don’t feel like you have to throw everything in there: sight, sound, smell, touch, taste or whatever. It might be that less is more again, so you have to decide what it is you’re trying to say about a place or person. I don’t tend to put smell in there much, as I don’t have a sense of smell myself – so I’d only really be guessing. Obviously, if someone was near to a chemical plant, or a sewage works, I could probably hazard a guess that the smell is bad, but having never smelt that before, my description would be loose at best. Ask yourself what it is that’s important about a scene, because that should help you decide what to put in and leave out.

Bobby Nash: It’s all by feeling. Senses are important so I use them where I feel they work best.

Robbie Cheadle: I try to use all the sense in my writing. If the circumstances lend themselves to the incorporation of descriptions relating to smell, taste, or touch I try to bring them in. Descriptions involving sight and hearing work their way into my stories easier than the other sense.

Nancy Oswald: Try to stay character driven and historically accurate.  

How do you communicate the rules of the world that you’ve created to your readers?

Paul Kane: The rules of most of my worlds tend to be the same as the one we’re living in, so it’s not that hard in most cases. If you’re writing something like a SF story, you’ll have to give the reader a sense of how that world works obviously, but it should be as the tale goes along – they’ll see through the telling of the story – rather than an info dump. So, in Arcana – which is a parallel universe – I had to show how the magic worked through the course of the story. I do have one bit near the beginning which is a flashback to a school classroom, but that was just to establish we’re not in this universe and that the history of it is different. The vast majority of what I set up in that novel comes through the telling of the story, that way it’s not too obtrusive. It’s not wise to have so many chunks of exposition or explanation too often or the reader will get bored.

Chris Barili: Through character actions words, and interaction with the world. Never by rote exposition.

Bobby Nash: I write the details, flesh things out with dialogue, stuff like that. I’m not a fan of the info dump, so I try to make that happen organically.

Robbie Cheadle: The Boers and the British soldiers in A Ghost and His Gold have their own codes of conduct, religious beliefs, and lifestyles. I bring these elements into my stories through descriptions and also through the use of thoughts and dialogue.

For real settings, do you explore the physical locations in which your stories are set?

Chris Barili: Usually just via the internet.

Bobby Nash: When I can, I do. That isn’t always possible though.

Robbie Cheadle: I explore the physical location when it has been possible for me to do so. Through the Nethergate is set in the English town of Bungay in Suffolk. I have visited Bungay twice as that is where my mother comes from. We have looked around the town and visited the churches, pubs, and the ruins of Bungay Castle.

A Ghost and His Gold is set in South Africa, and I have visited several of the places featured in the book including Irene, Pretoria, Mafeking, and Kimberley. It is easier for me to write about places I have visited, especially as I take lots of photographs.

Nancy Oswald: Yes, whenever possible.

Have you ever had a reader tell you that you missed the mark on a particular detail?

Bobby Nash: Sure. It happens. Sometimes they are right. Sometimes they aren’t. I’m happy that my story moved them enough to take time to let me know what they thought.

What techniques do you use to help readers visualize your world?

Paul Kane: I think it helps to see the world through a character’s eyes. A good device might be to take a ‘fish out of water’ character and throw them into this setting, so that you’re learning about the world as they do, as they go along. If you think about characters like Buck Rogers who gets flung into the future, or Stallone’s cop in Demolition Man, you get the picture. Hopefully then, if you’re giving the reader the right amount of information in the right way, they’re right there with the character seeing what they see.

Bobby Nash: Words and phrases. It’s my job to paint a picture with these words. The reader also helps by bringing his or her imagination into it as well.

Nancy Oswald: Always watch the verbs and passive voice.

Do you plan out your world or build as you go?

Paul Kane: It depends on the kind of world you’re building. If it’s a place that’s going to be a sprawling metropolis that you’re going to need to know inside out to tell your stories, it’s probably a good idea to know which bits are where. Is a new bit next to an old bit, are dangerous bits just a hop, skip and a jump from a nicer bit. I have a place called Graffitiland which is mentioned in my PL Kane books, and was the focus of the novelette of the same name. As you can imagine, this bit of wasteland is so-called because it’s covered in graffiti, so quite rough, but I also wanted it to be within spitting distance of some of the newer parts of the town I was writing about for plot purposes. I didn’t have any maps drawn out or anything, but just needed to jot down that this was the case – especially if I write about it again down the line. But if the whole story revolved around that sprawling city I was talking about, then you might want to start mapping bits out so you don’t contradict yourself.

Chris Barili: I start with an initial world-build, adding to it or changing things as the story progresses.

Bobby Nash: A little of both. When I created Sommersville, the county and town in several of my stories, I went in with a pretty well-established map, but I reveal important places, landmarks, etc. to the reader as needed in service of that particular story.

How do you keep track of the details of your world to avoid inconsistencies in the stories?

Mario Acevedo: Through rewrites and multiple drafts.

Paul Kane: By jotting down notes, essentially, or creating maps. Personally, I wouldn’t spend ages doing all this, because it’s enough to know roughly where things are for the purposes of my writing. But I do know other writers, especially if they’re writing Fantasy say, who spend a long time getting all these details right and recording them. It depends what kind of genre you’re working in.

Bobby Nash: I try to keep good notes.

Robbie Cheadle: I have a spreadsheet for my work-in-progress The Creeping Change as it involves a large number of characters. I write down the names and descriptions of certain supporting characters in my books, so I remember the details correctly.

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That’s it for this week’s “Ask the Authors 2022” blog series. Drop by again next Saturday for an introduction to Jeff Bowles, whose essay contribution, , offers up a view on editing & revision, along with a Q & A segment on the same topic.

Ask the Authors 2022

“Ask the Authors is an up-to-date and broad-based compendium of advice from today’s working writers, to help you with understanding your own writing career. Great information!”

—Kevin J. Anderson, New York Times bestselling author of Spine of the Dragon

Don’t forget, you can purchase a copy of this must have writing reference from your favorite book distributor at the special send-off price of $3.99 through the Books2Read UBL: https://books2read.com/u/3LnK8e

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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.


Announcing the 2021 WordCrafter Paranormal Short Fiction Contest

Where Spirits Linger

I’m a sucker for a good ghost story. I think most people are. That is why Where Spirits Linger will be the theme for the 2021 WordCrafter Short Fiction Contest. WordCrafter Press is looking for quality paranormal stories in which setting plays a key role, for publication of its 2021 paranormal anthology. Haunted houses, hotels, cemeteries, and other places ‘where spirits linger’ are all fair game.

Guidelines

  • Submit a paranormal story in which the setting plays a key role. I want to read your ghost story!
  • Stories should be less than 10,000 words and have paranormal elements.
  • Flash fiction is accepted as long as it is a complete story, with beginning, middle and end.
  • Submit only works that are unpublished and for which you hold copyright.
  • Submit stories in a word doc, double spaced with legible 12 pt font, in standard manuscript format.
  • Submit stories to kayebooth@yahoo.com with Submission: [Your Title] in the subject line. Submit your $5 entry fee using the ‘Pay with PayPal’ button below.
  • Submission Deadline: April 30th, 2021
  • If you receive an invitation for the anthology, you will also be asked to submit a short author bio and photo.
  • No simultaneous submissions. You should receive a reply 30 – 45 days after submission deadline.
  • Multiple submissions are accepted with appropriate entry fee for each individual story.

All entries are eligible for publication in the Where Spirits Linger anthology, to be released in October 2021. The winning submission is guaranteed publication, and the author will receive a $25 Amazon gift card.

Contest Submission Fee

All contest entries are eligible for publication in the 2021 WordCrafter paranormal anthology, “Where Spirits Linger”.

$5.00

Previous WordCrafter Anthologies

Now Available in Print

Whispers of the Past
Spirits of the West

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“Echo One”: A story collection from the Secret World Chronicles

ECHO-Cover-Final

In my theme post for this month, I admitted that comic books and superheroes are not my usual reading fare, but in the spirit of our May celebration, I felt the need to review outside of my norm. Echo One, by Mercedes Lackey, Cody Martin, Dennis K. Lee and Veronica Giguere is an anthology of short stories which are set in the Secret World Chronicles universe, which I am unfamiliar with, so in reading this book, I’m at a slight disadvantage. However, as I read through these delightfully entertaining stories, a few things about the Secret World Chronicles universe quickly became clear, and although I had no backstory on these characters, I was easily able to immerse myself in each individual story, and invest myself in some of the characters, particularly Vicky Nagy and her rather unusual family.

This secret world takes place during WWII, and humans with super powers, called metahumans, exist on both sides of the conflict, which makes them excellent superheroes and supervillains. As you can imagine, the possibilities of metahumans on the German side triumphing, open up a plethora of world altering consequences that must be prevented. Great superhero stuff!

In addition, there are others whose powers lay in the world of magic, opening up realms of possibilities for the good guys to save the world. They are of a secret society, with only a few select humans who are aware they anything but the metahumans they pass themselves off to be. I found these stories to be really fun reads, and I didn’t have to know all the details of previous tales in order to enjoy them thoroughly. The characters are colorful and unpredictable, with the potential for surprise lurking behind every turn of the page.

Alternate universe superhero stories are always fun and entertaining reads, and Echo One is no exception. Great for those times when you’re not in the heavy literary mood and are just reading for the pure enjoyment of it. I give it four quills.

Four Quills

Amazon Buy Link: https://www.amazon.com/Echo-One-Tales-Secret-Chronicles-ebook/dp/B087QV6D5Q/ref=sr_1_1?crid=VKWWZF1LONQ5&dchild=1&keywords=echo+one+lackey&qid=1589244140&s=books&sprefix=Echo+One%2Cstripbooks%2C797&sr=1-1


Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Announcing the WordCrafter 2020 Stay in Place Virtual Writing Conference

SiP Header

We’re all tired of staying at home during this recent crisis. It seems like everyone has been affected in different ways, but no one has gone unscathed. Our world has changed in recent times. We, as authors and lovers of the written word had many of our in-person writing events – conferences, conventions, and book fairs – cancelled due to the appearance of COVID 19. To to emulate all those events we look forward to each year and are missing out on now, and to chase away some of the boredom of social distancing and isolation, WordCrafter presents the 2020 Stay in Place Virtual Writing Conference on Tuesday, April 28 from 8 am to 8 pm.

This is a unique event, the first of its kind, and one you won’t want to miss. Free presentations and author takeovers will be occurring on the Facebook event page, and interactive workshops and panel discussions will be offered for a minimal fee on the Zoom platform. Interactive panel discussions and workshop session can be accessed individually for $5, or an all access pass to all interactive sessions can be purchased for $50. Tickets can be purchased on the Facebook event page. Watch for your Facebook event invite from me or one of the many wonderful authors involved with this conference. Send me a message through my WordCrafter page or through the event page if you have further questions, or if you would like a half an hour author takeover spot to promote your own work.

This has been a huge undertaking to organize and set up an event such as this one, but I haven’t done it alone. Without my 22 talented presenters, this event couldn’t happen. We have a great line-up, with international bestselling science fiction and fantasy author Kevin J. Anderson presenting the keynote on the interactive platform.

Kevin J. Anderson

And that’s just the beginning. Take a look at the talent that has lined up for presentations, workshops and panel discussions.

Mario Acevedo

Award winning and national bestselling speculative fiction author Mario Acevedo will be offering a presentation – “The Power of Motivation: What Your Characters Do and Why”

Alatorre Bio

USA Today bestselling multi-genre author Dan Alatorre will be a member of the interactive book marketing panel discussion.

Chris Barili - B.T. Clearwater

Multi-genre author Chris Barili will be presenting “Writing in the Face of Adversity” and giving an interactive workshop on “Writing Across Genres”.

 

L.D. Colter - L. Deni Colter

Award winning fantasy author L.D. Colter will be offering a presentation on “Short Fiction”.

Candido Bio

World builder and speculative fiction author Kieth R.A. DeCandido will be offering an interactive workshop on “The Business of Writing” and he is the moderator for the media tie-in interactive panel discussion.

DeMarco Bio

Award winning novelist Guy Anthony De Marco will be a member on both the short fiction and world building interactive panel discussions.

Anthony Dobranski

Fantasy and science fiction author Anthony Dobranski will offer two presentaions, “How to Swim Upstream: Not being in the mainstream of your market/genre” and “Working with Others: How to direct others in a project”. In addition, he will offer two interactive workshops. “Business Class Tarot” and “The Savage Horror of Writing Back Cover Copy”.

Jason Henderson

Author for young readers, Jason Henderson will be presenting “Story Ideas and the Choices You Make” and moderating the interactive book marketing panel discussion.

Kevin Killiany

Media tie-in author Kevin Killiany will be a member on the interactive world building, media tie-in, and short fiction panel discussions.

L. Jagi Lamplighter

Award winning young adult fantasy author L. Jagi Lamplighter will be on the interactive panel on world building, and moderate the interactive short fiction interactive panel discussion.

Lawless Bio

Award-winning science fiction author J.R.H. Lawless will be a member of the book marketing interactive panel discussion.

Jonathan Maberry

Award winning and New York Times bestselling multi-genre author Jonathan Maberry will be a member on three interactive panel discussions: short fiction, world building and media tie-ins.

Bobby Nash

Award winning multi-genre author Bobby Nash will deliver a presentation on “The Importance of Promotion”, as well as being a member of both the media tie-in and book promotion panel discussions.

Nye Bio

Science fiction and fantasy author Jody Lynn Nye will offer a presentation on using humor in science fiction and fantasy writing, “Bringing the Funny: how to apply humor to your writing” and she will be a member of the world building interactive panel discussion.

Ellie Raine

Award winning fantasy author Ellie Raine will sit on both the short fiction and world building interactive panel discussions.

Art Rosch

Award winning multi-genre author Art Rosch will offer a presentation on “Creating Villains We Love to Hate”.

Sean Taylor

Award winning multi-genre author Sean Taylor will offer a presentation on “Visceral Story Beginnings”.

Vandenberg Bio

Science fiction author and marketing expert Alexi Vandenberg will be joining the book marketing panel.

Rosemerry Wahtola Trommer

Award winning poet and author Rosemerry Wahtola Trommer offers a livestream presentation “The Gateway to the Unknown: A Poetry Thought Shop”.

Rick Wilber

Author and educator Rick Wilber will be a member of the short fiction interactive panel discussion.

Dave Wolverton - David Farland

Award winning and New York Times bestselling science fiction and fantasy author Dave Wolverton/David Farland offers a”Promoting Your Book BIG” and he is a member of the interactive book marketing panel discussion.

You can find a full schedule here. I do hope all of you will join us for this unique writing event. It’s the first of its kind and we could be making history. You can be a part of it, too. Join us.


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“Arcana” & “Cold Black Hearts”: Two different flavors of horror

 

I recently had the pleasure of reviewing two horror novels written by this month’s author guests; Arcana, by Paul Kane and Cold Black Hearts, by Jeffrey J. Mariotte. I found it interesting that these two authors chose one or two lines that were so similar to begin these very different horror stories. Both beginnings are designed to grab the reader and reel them in, and in both stories, it worked. The hook was instantly set.

Kane begins Arcana with,

“They were all going to die.

But it was for the cause, and they were not only glad to do it – they felt compelled to do it.”

Mariotte starts Cold Black Hearts like this;

“They were dead, all of them dead, and so was she.”

Both authors bring us into the story in the middle of the action at the point of impending death. We don’t know what is happening yet, but we know the speaker in each case is about to die. How does anyone walk away from that without reading more?

Both Arcana and Cold Black Hearts are horrific stories of evil and death, but they each present horror stories of distinctive and different flavors. Although each presents the battle of good versus evil, the resulting stories are very different, yet each has the ability to captivate their audience and satisfy whatever it is inside of us that makes horror such an appealing genre to us.

Arcana, by Paul Kane takes place in an alternate universe with a future where magick is very real and has survived through the Arcana culture, despite repeated efforts to exterminate them from the planet. It’s a world where torture is still used to extract confessions from those suspected of using the the ancient arts, and Callum McGuire is an orphan who bears a hatred for the magick communities  responsible for the terrorist attack that left him alone, to be raised in an orphanage with a brutal matron. As a young M-forcer, dedicated to stopping Arcana after a recent series of terrorist attacks carried out by the group. The viciousness and brutality against Arcana is broadly directed, and as Callum watches innocent children fall prey to it, his own morality tells him that something isn’t right. When he guesses that his friend and neighbor is secretly Arcana, he is swept into the Arcana culture as he tries to protect her from being apprehended by his fellow M-forcers. This tale is cleverly crafted to let the story unfold in a series of discoveries which lead Callum to think that things are not the way he’d been lead to believe, even as more terrorist attacks take place, and his friends in Aracana try to convince him that he is the savior of their prophecy. Savior or destroyer? The power is in Callum’s hands and only he can decide.

Arcana takes readers on a hero’s journey beyond death and back in a world where anything is possible. That, my friends, can be a very scary journey. I give it five quills.

five-quills3

In Cold Black Hearts, by Jeffrey J. Mariotte, evil stirs the ancient legends into reality. When Annie O’Brian is caught in a bust gone bad and the resulting explosion, she loses both her hearing and her job, but she gains an uncanny sense of empathy for the people around her. So, there’s nothing to stop her from taking a job investigating a four year old murder where the original investigation was botched, and working to free the convicted man, even though he gives her the creeps and is probably guilty of numerous crimes, if not this one. Her investigation uncovers not only the evidence needed to free Johnny Ortega from prison, but also evidence that there is something much more sinister going on in Hildalgo County than a simple cover-up, but when Annie manages to put all the pieces together and tries to stop the return of an ancient demon, it could cost her her life, or worse.

Filled with sacrifice and betrayal, Cold Black Hearts will chill you to the core of your soul. Lots of unexpected twists and turns to this story. I give it four quills.

four-quills3

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.

 


Writing for a YA Audience: Hyde Hall

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My mother and I are obsessed with visiting historical destinations.  On our way to the heart of Cooperstown, NY, we passed a sign for Hyde Hall.  Our curiosity got the best of us and we investigated this Hyde Hall.  It turned out to be a British-American country house first constructed in 1817 that you could tour.  Just what we wanted!

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Winding, back country roads took us to a beautiful gatekeeper’s cottage like something from a Regency Romance.  Luscious green yards stretched out to overlook a glimmering lake.  1002476_10201474543922911_1529264417_n

We parked, paid our fees, and a tour guide walked us to the stone house.  Columns supported a balcony and chimneys reached for the cloudless sky.  Stepping inside revealed partly furnished rooms left over from a different time and a differed lifestyle.

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One room led into another into another… I could have stayed all day in the library.  Actually, I could have moved in!

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The deeper into the house you go, you encounter rooms lost to decay.  They have yet to be repaired, giving the house an air of being lost.  It was at this point in the tour that we learned the house is supposedly haunted and was featured on Ghosthunters in 2013.  That was such an added bonus for me, the ghost fanatic.  Unfortunately – or fortunately – we didn’t see any ghosts, but some rooms, the nursery in particular, gave off the feeling of being wanted, as if little hands reached for you to play with them.

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Touring Hyde Hall reminded me of the Gothic novels I loved to read.  Combined with the want of living in a stone mansion this grand inspired me to write SECRETS OF BENNETT HALL.  The characters are all inventions of mine, but I pictured Hyde Hall as I wrote about Bennett Hall.  The lake of Bennett Hall is much further away – a bit of forest serrates it from the fictional mansion – whereas Glimmerglass Lake is close enough to Bennett Hall that you can see it from the massive windows.

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If only I could be like Adelaide and move into Hyde Hall to be a governess…but without the secrets and lies!

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Jordan Elizabeth is a young adult fantasy author.  If you’re looking for her in the evenings, most likely you will find her with a Gothic novel in hand.  You can connect with Jordan via her website, JordanElizabethBooks.com.

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