Well, we’ve all made it through another year and now have a whole new year ahead of us. I’m not into making resolutions that will just be broken, probably before the month of January has come to a close, but it seems like this time of year always brings about changes, so I thought I might share with you the changes planned for 2022, some of which are already in process.
Writing to be Read
On Writing to be Read, we have a few changes to the line-up. Jeff Bowles will only be doing one blog series, “Words to Live By”, on the first Wednesday of every month. Art Rosch will be doing “Mind Fields” and “The Many Faces of Poetry” bi-monthly, alternating every other Friday. Robbie Cheadle will still be offering all three of her monthly blog series. While “Growing Bookworms” and “Dark Origins” will keep their spots on the second and fourth Wednesday of each month, but “Treasuring Poetry” will be moving from it’s Saturday spot to the third Wednesday of each month.
My new series, “Writer’s Corner” will appear once a month on Mondays, as will my reviews, including any “Review in Practice” posts. I was considering making my monthly “Chatting with the Pros” series into a podcast, but I think that will have to wait, since I have so much on my plate already for 2022. So, what I’m wondering now, is does anyone miss this series and would like to see me bring it back on the blog? If you do, or you would, I’d love to hear about it in the comments. It will help me to decide whether or not this series is worth reviving.
Author Kaye Lynne Booth
Back in May, for the 2021 WordCrafter New Beginnings Virtual Writing Conference, Anthony Dobranski, author of Business Class Tarot, did a workshop on the use of the cards he created. We didn’t have a great turn-out in 2021 and there were numerous set-backs, including my loss of internet causing me to miss out on a full day of the conference I was hosting, so when no one showed up for this wonderful workshop, Anthony was kind enough to do a reading for me. It was a lot of fun and I was surprised at how accurate to my own life his reading was. One of the things that was revealed was that I was trying to do too much and I needed to enlist others to take a part of the load on me, because I have always tried to be a one woman show and do all the various tasks involved in being an independent author and publisher. (You can see the video of the full reading here.)
Acting on the revelations from that reading, as I ramp up to transition into a full time writing career, with several releases planned for 2022, I realized I needed beta-readers and reviewers, and others to just help spread the word on social media, and so the Kaye Lynne Booth & WordCrafter Press Street Team group was born. It’s a great group with members who support my writing endeavors and want to be a part of the process. Members have exclusive access to behind the scenes information, opportunities to weigh in on scene and cover creation, and early access to new releases and book events, in exchange for their support as beta-readers and reviewers, or their help in spreading the word through their social media channels.
I’m also reviving my newsletter after letting it fall by the wayside for over a year. Newsletter recipients will receive early notice of new releases and book events, and sometime news of works by other authors bi-monthly. You can sign up for my newsletter here.
My first release for 2022 is scheduled for June, with the re-release of Delilah, in an edition that is the story I originally intended to tell. (You can find out more about the decision for this change here.) The current edition of Delilah will come down from the Amazon shelves sometime in April, and the new edition will be released wide, so it will be found not only on Amazon, but on Kobo, Barnes & Noble, Apple, Baker & Taylor, Bibliotheca, Borrow Box, Overdrive, Scribd, and other selected digital book outlets because WordCrafter Press publishes through D2D. (I’m a member of their affiliate program. Sign up for your own D2D account here.)
In the past, I told you about my science fantasy series, Playground for the Gods. The first book in that series was my thesis project when I was earning my M.F.A. at Western State Colorado University, back in 2016, so the it has been finished since then, yet you’ve never seen the implied promise of publication come to fruition. In 2022, I plan to release not just Book 1: The Great Primordial Battle, but also Book 2: In the Beginning, and Book 3: Inanna’s Songsometime toward the end of the year, but release dates for these haven’t been set yet.
WordCrafter Press & Author Services
WordCrafter Press has some great releases coming in 2022 as well. An updated version of the writing reference, 2022 Ask the Authors, is scheduled to be released in March. The original Ask the Authors, was taken from a Q&A blog series I ran in 2018. While the much of the advice offered from the 17 different authors who participated in that project is still valid today, this edition will address the changes in the publishing industry since the original edition was published and will feature an anthology of essays on craft and publishing in addition to the Q&A advice. This edition will feature advice from 13 authors, including Bobby Nash, Mark Leslie Lefebvre, Roberta Eaton Cheadle, Nancy Oswald, Christopher Barili, Mario Acevedo, L. Jagi Lamplighter Wright, Kevin Killany, Paul Kane, Jeff Bowles, Enid Holden, Christa Planko, and myself, Kaye Lynne Booth.
The call for submissions for the 2022 WordCrafter Short Fiction Contest posted on January 3rd. However, in 2022, WordCrafter Press will be putting out not just this one anthology, but a total of three short fiction anthologies. In addition to the Visions anthology, which contest submissions may be included in, that will be released in August, there will be two by invitation only anthologies: Slivered Reflections, which will be released in September, and Once Upon an Ever After, which will be released in November.
In 2021, we released the first edition of Poetry Treasures poetry anthology, featuring the works of Robbie Cheadle’s 2020 “Treasuring Poetry” poet guests on Writing to be Read, and we’ve decided to do it again. 2022 Poetry Treasures will feature the works of the 2021 “Treasuring Poetry” guests for a spectacularly unique poetry anthology, and will be released April to celebrate National Poetry Month.
WordCrafter Quality Writing & Author Services
Last, but not least, Write It Right Quality Editing Services is open to new editing clients in 2022. If you’re looking for affordable quality editing, Write It Right could be the editing service you’ve been looking for. A part of WordCrafter Quality Writing & Author Services.
I’m looking forward to 2022. I hope you’ll all join me in the coming year, as it promises to be a good one.
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Trevor Joyce made sure that the two hundred foot extension cord was securely fastened too the outlet in his garage. Carefully he measured out the length to the swimming pool. He walked with the plastic reel, paying out the line, around his Ferrari, past his Bentley, and when he came to the last of his car collection, the Silver Ghost Rolls Royce, he kicked the cord firmly under its rear tire so that it wedged there. Backing up the driveway, he tugged at the line, ensuring that it was firmly seated under the tire and would not come loose.
The driveway angled steeply upward under a line of cypress trees. From the top, Trevor could see the ocean and a big chunk of Malibu Canyon with its winding roads and private gated houses. He stopped and scratched at one of the tattoos on his right arm: it was the band tattoo, the famous one-eyed cat that rock fans instantly associate with the heavy metal group, Fish Store.
For eighteen years, Trevor had been the lead guitarist with Fish Store. As of last week, some snaggly little kid named Keewee Bonior was the lead guitarist with Fish Store. One by one, the old members were being squeezed out. Trevor had seen it coming; first it was the keyboard player, Pierce Holling. Okay, Pierce had lost three fingers in a car crash. But that was just a bullshit pretext for booting him out of the band. Pierce didn’t need ten fingers to play rock and roll. It was really the paunch and the wrinkles, that’s what it was all about. He just wasn’t fucking cute anymore.
The extension cord reached all the way to the hedge at the far end of the pool. Plenty of length for Trevor’s purposes. He wound it in long loops between his thumb and his elbow and returned to the garage, laying the cord carefully on the trunk of the Rolls Royce.
He went upstairs and got his favorite guitar and his little amplifier, the Boogie, the one he used for rehearsals, “the little screamer”, as he called it. The guitar was the pearl-inlaid Flying Vee, once owned by the late guitar legend Claxton Wanko. It had played many immortal rock hits in Claxton’s band. It had played “Eat My Heart Out”, “Work Me To The Bone”, it had played “Tough Love Tonight” and “Willng Pussy”. Trevor had bought it at auction for six thousand dollars in nineteen eighty five.
He gave it a little wipe with a polishing chamois, flipped it around on its strap button, inspected it from the top tuning peg to the green serial number etched into its bifurcated body. He hefted the guitar in one hand, the amp in the other, and returned to the garage. Trevor placed the guitar and amp carefully on the work bench that ran the length of the left hand side of the cavernous chamber. He returned to the interior of the house, walked up the soft purple carpet, past the billiard room and the theatre room to the master bedroom.
He went into Lynda’s bathroom; Lynda had been gone for weeks. She wasn’t coming back. There was nothing to indicate her eight years of residence in the house, but a hairbrush with a few wisps of blonde hair, a chunk of glycerine soap and a bottle of Jack Daniels, half empty. Trevor took a swig from the bottle, wiped his lips, then looked at his reflection in the mirror.
“The fuck,” he said, mumbling to himself. He splayed his fingers and ran them through his long, lanky, thinning black hair. “Kick me out of my own band ‘cause I’m going bald. I’m not going bald.” He could not, of course, see the round circle of flesh at the very top of his head, like a monk’s tonsure, from which his flowing locks seemed to emerge as if they were rivers running off some invisible glacial lake.
He took another swig from the bottle of whiskey and went across the bedroom to his own bathroom on the other side. He opened the medicine cabinet and took out a little sealed glass bottle shaped like a bell. Morphine Sulfate, Two Hundred Milligrams.
“That should do it,” he said, tapping the bottle with his fingernail. From one of the drawers he withdrew a rubber tourniquet and a twenty two gauge insulin syringe. He took these items back into the garage, and set them carefully next to his guitar and amp. He then got the end of the extension cord from atop the trunk of the Rolls and unwound enough of it to reach the work bench.
From the far corner of the double-doored garage, he pulled a blue plastic tarpaulin off his gleaming Harley Custom. The motorcycle stood there like a science fiction insect about to ingest some screaming prey. Its headlight was like the eye of a cyclops. Purple swirling paint swept in flames down to the One Eyed Cat logo painted on each side of the silver gas tank.
Trevor pushed it off its stand and wheeled it around his cars to the tool bench. There, he put it back on its stand and straddled its bulk. He reached for a roll of duct tape and pried a few inches from the fat cylinder and hung the sticky part from the bar of the motorcycle. Then he placed the amplifier in his lap, settling it as comfortably as possible, dividing its weight between the bike’s saddle and his thighs. Methodically, he began taping the amplifier to his chest. Holding it with his left arm, he wound the tape around the amp, then switched off to his right hand and continued winding around his back, over and over again, until he had the electronic device reasonably secured to his torso.
He picked up the guitar and used a patch cord to connect it to the amp. Cumbersome, he decided, but certainly do-able. He put on his shades. He tied a bandana around his head. He was already dressed in leather pants and a sleeveless leather vest that showed all his obscene tattoos.
He plugged the amp’s power cord into the long extension cord. He turned on the amp. The light glowed green. Clumsily, he strummed a C Chord. Thwong! It echoed hugely in the garage.
“Yeahhh,” Trevor drawled. “Ready ready ready.”
He kicked the motorcyle into life. Its engine roared and he throttled it so the noise of the bike and the noise of the amp blended into a single savagely gleeful thunder.
Then he took the vial of morphine and filled the syringe with its contents. He had forgotten to tie off with the rubber tourniquet, so he used the guitar’s patch cord to raise one of his few remaining useful veins. He had collapsed the big one inside his elbow and the big one that ran down the side of his arm, and most of the medium sized veins, lower down near his wrist. But there was still the inch-long minor vein about two inches down from his elbow; he had been getting hits there for the last couple weeks, he knew he could hit it, even with all this stuff strapped around him. It took a few jabs, a few misses, but finally he found the blood and mainlined that huge hit of pharmaceutical dope right into his bloodstream. It took only a few seconds to feel its soft blanket spreading from his innards to the periphery of the nerve endings at his fingertips.
“This is it,” he thought. “The perfect rock and roll suicide!”
He gunned the motorcyle. He turned the amplifier all the way up and thwanged a huge chord. He was going to accelerate into the swimming pool, electrocute, overdose and drown himself all at the same time. Someone would find his corpse in the next couple weeks, sitting there at the bottom of the pool on his Harley, with his Claxton Wanko guitar strapped around his shoulder, his Boogie Amp short-circuited, his blood full of dope.
“Yeehaaaa!” he yelled, strumming the guitar. He managed to roll the bike out of the garage, extension cord trailing behind him. He went to the very bottom of the sloped driveway, just inside the swinging metal gate, gunned the engine, twanged the guitar, turned the motorcyle around and roared up the drive towards the swimming pool.
He strummed as he ascended. B flat Chord, A flat Chord, F Chord, the famous intro to Fish Store’s biggest hit, “Slam Me, Ma’am”. He fought to keep his balance. He got to ten miles an hour, fifteen, twenty. He got to the very top of the drive and the extension chord snagged on a bit of outthrust pavement and whipped loose. The sound of the guitar suddenly died. The lip of the drive acted as a ramp and Trevor flew over the pool like a stunt rider, landed in the hedge, passed through it, tore through his downhill neighbor’s fence and wound up on Malibu Drive, stoned out of his mind, but not dead, carrying his guitar and his amplifier on his Custom Harley.
“Aw fuck,” he said aloud, as he swerved across the dividing line on the serpentine road.
A Mountain Springs water truck honked at him and managed not to squash him.
Unable to control the motorcycle any longer, he gunned the throttle, closed his eyes and simply let fate carry him. He hit a curb, went over some rocks, crashed through rhododenron bushes, flew into the air and finally landed with a gigantic splash in someone else’s swimming pool.
He was still alive. Hands came to the bottom of the pool, pulled at the amp, pulled at his armpits, hauled him from the pool. A dozen teenagers avidly surrounded his stunned form.
“That was fuckin’ great, dude!” One of the youngsters said. “Awesome! Did my mom set this up? Fucking great…..hey. Aren’t you Trevor Joyce? Aren’t you, like, Fish Store, dude?”
The kid did a naïve imitation of Trevor’s duck-walking stage style, mocking the chords to “Slam Me, Ma’am”, playing air guitar with his tongue hanging out.
Trevor handed the Claxton guitar to one of his young admirers. He took the bandana from his head and wrung it out.
Not today, he thought. Not today. I’ve still got fans.
A Midwesterner by birth, Arthur Rosch migrated to the West Coast just in time to be a hippie but discovered that he was more connected to the Beatnik generation. He harkened back to an Old School world of jazz, poetry, painting and photography. In the Eighties he received Playboy Magazine’s Best Short Story Award for a comic view of a planet where there are six genders. The timing was not good. His life was falling apart as he struggled with addiction and depression. He experienced the reality of the streets for more than a decade. Putting himself back together was the defining experience of his life. It wasn’t easy. It did, however, nurture his literary soul. He has a passion for astronomy, photography, history, psychology and the weird puzzle of human experience. He is currently a certified Seniors Peer Counselor in Sonoma County, California. Come visit his blogs and photo sites. www.artrosch.com and http://bit.ly/2uyxZbv.
Arthur’s books include The Road Has Eyes, The Gods of the Gift, and Confessions of an Honest Man. His lifetime collection of poetry and photography, Feral Tenderness, is soon to be released by WordCrafter Press.
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Each month, writer Jeff Bowles offers practical tips for improving, sharpening, and selling your writing. Welcome to your monthly discussion on Craft and Practice.
The Ultimate Tool in the Toolkit
Remember when you were a kid and you had to lie to your parents? Maybe you trashed the house while they were away, dented the passenger-side door of their new car, or perhaps you can go back even farther with me and you remember drawing with crayons on the wall or stealing the last cookie from the cookie jar.
Whatever you did, I’ll bet you had to tell one heck of a story to get out of trouble. Maybe it worked, maybe it didn’t. Odds are, if you told a real whopper, they grounded you for a week. Too many details, or maybe too few. Too many working components you couldn’t keep track of, or maybe you introduced logic gaps and they picked the damn thing apart on you, literary-critic-style. The key all along would’ve been balance, believability mixed with a healthy dose of surprise. And boy were they surprised. What lovely colors you added to their wall.
As storytellers, we often do something similar, draw all over the walls and then spin an incredible yarn about it. Although, if you feel the need to call us liars, remember that the preferred technical term is “professional liars”. Story synthesis relies on your reasoning skills, ability to drive a narrative in fun and creative ways, and your talent for convincing your readers everything happened just like you said.
Story synthesis applies to every level of the storytelling process, from brainstorming and outlining to drafting and revisions. It applies to character histories, plot details, scene details, dialogue choices, and you must believe me when I tell you this, if you can’t synthesize spare parts on the fly in an organic, natural, and logical manner, you’ll leave your readers cold, and no one wants cold readers, now do they? In very real terms, story synthesis is the most important tool in the toolkit, one not every author has developed to its full potential.
It’s a bit of a magic act, a spell you’ve got to cast on yourself. It happens while you’re writing, which of course means it must be at least somewhat subliminal and unconscious. What we’re really talking about here, though, is completion and resonance. Do all the different parts of your story add up? Do they make sense in context? Does anything come out of left field? Or conversely, is your story just too milk toast?
Story synthesis isn’t hard as such, because your brain synthesizes concepts from disparate elements all day long anyway. It does, however, require a bit of practice to do well, especially if you’re writing a long-form story, like a novel. Much as a spider would, your job as an author is to take all the loose threads you’ve spun and collect them together into a coherent web. This is why it’s usually a bad idea to abandon a project and then pick it up again later. Those threads might be lost on you. The process by which you were synthesizing the narrative died an untimely death, and now you can’t pick your way through and reassemble it, at least not in the same manner.
Story emerges from character, unless you’re outlining too heavily, in which case story emerges from, well, an outline. What’s the difference? In one scenario, it appears to the reader that your characters are making their own choices. In the other, it’s clear you’ve rigged the deck, and that the whole experience is artificial. In my experience, people who rely too heavily on outlines doubt their ability to synthesize story in a natural way. Either that or they think outlining will save them time and effort. As Stephen King once said, “Outlines are the last resource of bad fiction writers who wish to God they were writing masters’ theses.”
At any one moment in the process, ask yourself what your characters want and how, reasonably so, they can go about getting it. The rest will flow from that, though not effortlessly, so don’t get it twisted. Maybe you’ve written yourself into a corner. A common enough situation. And though you’ve had a general plan all along, something ended up rushed and malformed. You may need to go off the rails to land back on your feet. So to speak. I say blow the whole thing to pieces. Do something to really shake yourself loose. You’ve got to navigate your own twisting waterways with grace, or put another way, all those balls you’ve tossed into the air? They’d better be in your hands and not on the floor by the end of your routine.
Don’t be afraid. Some of the best writing you’ll ever produce will be wholly unexpected. Be the trapeze artist, the reed in the wind. Be willing to exert a little nonchalant flexibility when you feel most worried all your herculean efforts have gone up in smoke. The synthesis of your tale into something readable and engaging begins when you relinquish a little control and trust your creativity and rational mind. Because really, it requires both.
Synthesis in this context applies most especially to story climaxes, the worst of the worst, the hardest to pull off. Sure, beginnings are tricky, and middles are a tough nut to crack, but the endings, oh, the endings. I’d like you to imagine a pot of boiling stew. Now imagine your readers watched you cook this amazing stew from start to finish. They watched you cut up the veggies and meat, saw you season everything and stand at the stove for hours, stirring and tweaking. They’re even aware you’ve been taste testing, which is important because it means they trust that you at least find the flavor remarkable.
But let’s say that stew wasn’t synthesized properly. Maybe you were working off a recipe and failed to notice it needed certain improvements, or maybe it just came to you and you rushed the chopping and cutting. Potato pieces the size of peas. Celery stocks that may as well be whole. If dinner doesn’t go well, it hardly matters what you think you did or how well you think you did it. I mean just look. You left a whole pile of carrots sitting on the cutting board. Why didn’t you throw those in? And that beef broth you only used half of? It probably explains why your stew tastes like wet cardboard.
You see? Good story synthesis means combining all of your disparate and seemingly unconnected ingredients together creatively, confidently, logically. In fact, if you do find yourself in no man’s land over a piece of fiction, get excited, because it means you’ve got the opportunity to pull off something truly magical. As you’re writing, keep track of everything you still have to pay off. You know what a payoff is, right? If someone mentions a mountain in Chapter One and we never see its summit, not even by Chapter Forty, that’s not a good payoff. You might even keep a list running so you miss not a single opportunity to pull one more good thread together.
Like the man said, “Not all who wander are lost.” I urge you to get lost in your writing this month. Check and see that this particular superpower is performing at peak levels. And remember, good story synthesis isn’t about shock and awe, not necessarily. It’s about balance, inevitability, structural harmony. Plus tons of shock and awe. You wouldn’t want people to get bored, now would you? I’ll be back in September with more Craft and Practice. Good hunting, everybody.
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
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We’re all tired of staying at home during this recent crisis. It seems like everyone has been affected in different ways, but no one has gone unscathed. Our world has changed in recent times. We, as authors and lovers of the written word had many of our in-person writing events – conferences, conventions, and book fairs – cancelled due to the appearance of COVID 19. To to emulate all those events we look forward to each year and are missing out on now, and to chase away some of the boredom of social distancing and isolation, WordCrafter presents the 2020 Stay in Place Virtual Writing Conference on Tuesday, April 28 from 8 am to 8 pm.
This is a unique event, the first of its kind, and one you won’t want to miss. Free presentations and author takeovers will be occurring on the Facebook event page, and interactive workshops and panel discussions will be offered for a minimal fee on the Zoom platform. Interactive panel discussions and workshop session can be accessed individually for $5, or an all access pass to all interactive sessions can be purchased for $50. Tickets can be purchased on the Facebook event page. Watch for your Facebook event invite from me or one of the many wonderful authors involved with this conference. Send me a message through my WordCrafter page or through the event page if you have further questions, or if you would like a half an hour author takeover spot to promote your own work.
This has been a huge undertaking to organize and set up an event such as this one, but I haven’t done it alone. Without my 22 talented presenters, this event couldn’t happen. We have a great line-up, with international bestselling science fiction and fantasy author Kevin J. Anderson presenting the keynote on the interactive platform.
And that’s just the beginning. Take a look at the talent that has lined up for presentations, workshops and panel discussions.
Award winning and national bestselling speculative fiction author Mario Acevedo will be offering a presentation – “The Power of Motivation: What Your Characters Do and Why”
USA Today bestselling multi-genre author Dan Alatorre will be a member of the interactive book marketing panel discussion.
Multi-genre author Chris Barili will be presenting “Writing in the Face of Adversity” and giving an interactive workshop on “Writing Across Genres”.
Award winning fantasy author L.D. Colter will be offering a presentation on “Short Fiction”.
World builder and speculative fiction author Kieth R.A. DeCandido will be offering an interactive workshop on “The Business of Writing” and he is the moderator for the media tie-in interactive panel discussion.
Award winning novelist Guy Anthony De Marco will be a member on both the short fiction and world building interactive panel discussions.
Fantasy and science fiction author Anthony Dobranski will offer two presentaions, “How to Swim Upstream: Not being in the mainstream of your market/genre” and “Working with Others: How to direct others in a project”. In addition, he will offer two interactive workshops. “Business Class Tarot” and “The Savage Horror of Writing Back Cover Copy”.
Author for young readers, Jason Henderson will be presenting “Story Ideas and the Choices You Make” and moderating the interactive book marketing panel discussion.
Media tie-in author Kevin Killiany will be a member on the interactive world building, media tie-in, and short fiction panel discussions.
Award winning young adult fantasy author L. Jagi Lamplighter will be on the interactive panel on world building, and moderate the interactive short fiction interactive panel discussion.
Award-winning science fiction author J.R.H. Lawless will be a member of the book marketing interactive panel discussion.
Award winning and New York Times bestselling multi-genre author Jonathan Maberry will be a member on three interactive panel discussions: short fiction, world building and media tie-ins.
Award winning multi-genre author Bobby Nash will deliver a presentation on “The Importance of Promotion”, as well as being a member of both the media tie-in and book promotion panel discussions.
Science fiction and fantasy author Jody Lynn Nye will offer a presentation on using humor in science fiction and fantasy writing, “Bringing the Funny: how to apply humor to your writing” and she will be a member of the world building interactive panel discussion.
Award winning fantasy author Ellie Raine will sit on both the short fiction and world building interactive panel discussions.
Award winning multi-genre author Art Rosch will offer a presentation on “Creating Villains We Love to Hate”.
Award winning multi-genre author Sean Taylor will offer a presentation on “Visceral Story Beginnings”.
Science fiction author and marketing expert Alexi Vandenberg will be joining the book marketing panel.
Award winning poet and author Rosemerry Wahtola Trommer offers a livestream presentation “The Gateway to the Unknown: A Poetry Thought Shop”.
Author and educator Rick Wilber will be a member of the short fiction interactive panel discussion.
Award winning and New York Times bestselling science fiction and fantasy author Dave Wolverton/David Farland offers a”Promoting Your Book BIG” and he is a member of the interactive book marketing panel discussion.
You can find a full schedule here. I do hope all of you will join us for this unique writing event. It’s the first of its kind and we could be making history. You can be a part of it, too. Join us.
Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.
A Warm Winter Skye, by J.C. Wing is a Christmas novella in Wing’s Gannon Family series. Even if you haven’t read the previous books in the series, this story is easy to follow and you feel as if you almost know the characters. I’m not sure why it is labeled as a Christmas Novella, other than the fact that the story takes place in the months preceeding Christmas.
I had trouble as I went to write this review, because I wasn’t sure what to say. It’s a good story. The problem might be what I said about ‘almost’ knowing the characters. This could have been a novel, instead of a novella. Wing could have gone into more depth, allowing us to know more about them. Perhaps if I had read the preceeding stories in the series, I wouldn’t have been left feeling as if there should be more.
It really is a good story. One that will make readers fret over the possible outcomes and remind them of the power of love and family. The characters need to be more fully developed, and the Irish dialect is too heavy and hard to understand, but I still wanted to read to the end. I give A Warm Winter Skye three quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Twisted Webs, by Darlene Quinn has more twists and turns than a lab rat maze. The story moves along at a quick pace, with brief chapters that keep the pages turning and maintains interest over an eight year period of storyline. Even though the setting revolves around the worlds of high fashion and finance, the characters were easy to identify with and I found myself rooting for good guys and bad guys alike. After all, they are all just flawed humans, no matter their intentions. This story deals with many issues that are prevalent in the world today. It is a tale of finding lost children, lost mothers and lost inner-selves.
This story pulled me in and didn’t let go until the last page. More importantly, the plot and characters stayed with me long after I put the book down. I give Twisted Webs five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Freedom’s Song, by A.K. Lawrence has all the elements of a good romance wrapped up in the plot of a top notch thriller. It is obvious that this is book 2 of the continuing saga of Baldwin series, (novels set in the small town setting of Baldwin, Michigan), but Lawrence offers just enough background to keep me from being in the dark on the first one, without actually reading it, yet doesn’t bog you down with backstory. The characters feel realistic enough to make me care about what happens next, and that’s a good thing.
Hunter and Anna found each other last summer, during the life or death events in the first book, when he became the knight in shining armor for both Anna, who was kidnapped and Nancy, who was married to Anna’s kidnapper, an all-around louse of a guy, named Dock. Now Nancy’s divorce is almost final, and Colby has plans to make his move for Nancy once she is a free agent once more. But, all is not as it seems and a blast from his puts the brakes on his anticipated romance, when his college stalker girlfriend reappears on the scene to claim her man.
The only complaint I had with this story was I felt the dwarf subplot and the proposal pool were left unresolved, and we really didn’t get to see them through to the end. If you read the book, you’ll see what I mean. The romantic elements carry the story as we get to know the characters and sets things up, but when the thriller elements join the party things start hopping with good tension and suspense. I give Freedom’s Song five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Gyre, by Jessica Gunn is the first book in her Atlas Link series. It is the story of Chelsea, a descendent of Atlantis, who is just discovering her amazing powers and Trevor, a Lemurian descendent, who should be her mortal enemy, but instead falls for her in a big way. See? Boy meets girl, but there is no way they can be together, yet they will fight against all the odds, and even against family to prove them all wrong. Now if that isn’t the recipe for a perfect romance, I don’t know what is. As they are traveling aboard a top secret naval submarine complete with cloak, I think Gunn has the science fiction elements and Lemurians and Atlanteans with super powers pretty much covers the fantasy realm. If it sounds confusing, read the book. It’s actually a pretty good genre combination.
Chelsea is discovering her powers. First super strength, which she was able to ignore, or deny, but now she keeps teleporting to a location near Trevor any time she gets stressed. The problem is, Trevor is on a top secret U.S. Naval Sub cruising the ocean depths, but on that vessel also may lie the answers to Chelsea’s unasked questions about who she is really and she might learn to control her newfound powers. Unlike Chelsea, Trevor is aware of his heritage as a Lemurian, but he refuses to get involved in the war his people are wageing with the Atlanteans. He just can’t believe the girl he’s falling for is his innate enemy, and he’s able to keep it all under control until they find an Atlantean outpost filled with valuable artifacts on the ocean floor. It seems everybody wants those artifacts for their own reasons, and we can only guess who will get them, and where Chelsea will end up.
This story is well-written, with minimal telling of the tale. The characters are likeable, except for Trevor’s friend and fellow Lemurian, Valerie, who is a bit difficult to figure out, but I think that’s done on purpose to throw readers off the trail. I give Gyre four quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
A Cat Came Back, by Simone Martel is a quirky little tale about a woman who finds herself in the body of a cat. Most of us, put in the same position, would panic and try to figure a way to get our own body back, but not Eliza. She accepts what has happened as a a matter of course. All she wants is for someone to see her for who she really is, and at first, it seems that being in this cat body might not be such a bad thing, since her boyfriend, Stu, takes one look at the cat and knows she’s in there. But, being recognized for who you are isn’t always easy, you have to keep working at it, especially when the only sounds that come out of your mouth are purrs, yowls and hisses.
A thoroughly entertaining story of transformation that offers a few surprises and the occasional chuckle. It’s light and quirky and funny. Not your typical body switching out of the bottle tale. I give A Cat Came Back four quills.
Author Tim Baker has done it again and Flagler Beach is the setting for another crazy crime caper, Blood in the Water. Ike helps a friend with a seach for sunken treasure that leads to a thirty year old cold case, which strangely enough is tied to a murder investigation his girlfriend, Val, has undertaken. Can they bring done the killer and solve the cold case before he learns they are on his trail and puts a stop to their plans? No spoilers here. You’ll have to read the book to find out.
As usual, Tim Baker has turned out a fun and extremely entertaining read. Readers will root for the good guys and boo whenever the villian appears. Hidden identities, missing persons, sunken treasure and lots of danger. This book has it all.