Ahead in 2022 on Writing to be Read, WordCrafter and author Kaye Lynne Booth

Well, we’ve all made it through another year and now have a whole new year ahead of us. I’m not into making resolutions that will just be broken, probably before the month of January has come to a close, but it seems like this time of year always brings about changes, so I thought I might share with you the changes planned for 2022, some of which are already in process.

Writing to be Read

On Writing to be Read, we have a few changes to the line-up. Jeff Bowles will only be doing one blog series, “Words to Live By”, on the first Wednesday of every month. Art Rosch will be doing “Mind Fields” and “The Many Faces of Poetry” bi-monthly, alternating every other Friday. Robbie Cheadle will still be offering all three of her monthly blog series. While “Growing Bookworms” and “Dark Origins” will keep their spots on the second and fourth Wednesday of each month, but “Treasuring Poetry” will be moving from it’s Saturday spot to the third Wednesday of each month.

My new series, “Writer’s Corner” will appear once a month on Mondays, as will my reviews, including any “Review in Practice” posts. I was considering making my monthly “Chatting with the Pros” series into a podcast, but I think that will have to wait, since I have so much on my plate already for 2022. So, what I’m wondering now, is does anyone miss this series and would like to see me bring it back on the blog? If you do, or you would, I’d love to hear about it in the comments. It will help me to decide whether or not this series is worth reviving.

Author Kaye Lynne Booth

Back in May, for the 2021 WordCrafter New Beginnings Virtual Writing Conference, Anthony Dobranski, author of Business Class Tarot, did a workshop on the use of the cards he created. We didn’t have a great turn-out in 2021 and there were numerous set-backs, including my loss of internet causing me to miss out on a full day of the conference I was hosting, so when no one showed up for this wonderful workshop, Anthony was kind enough to do a reading for me. It was a lot of fun and I was surprised at how accurate to my own life his reading was. One of the things that was revealed was that I was trying to do too much and I needed to enlist others to take a part of the load on me, because I have always tried to be a one woman show and do all the various tasks involved in being an independent author and publisher. (You can see the video of the full reading here.)

Acting on the revelations from that reading, as I ramp up to transition into a full time writing career, with several releases planned for 2022, I realized I needed beta-readers and reviewers, and others to just help spread the word on social media, and so the Kaye Lynne Booth & WordCrafter Press Street Team group was born. It’s a great group with members who support my writing endeavors and want to be a part of the process. Members have exclusive access to behind the scenes information, opportunities to weigh in on scene and cover creation, and early access to new releases and book events, in exchange for their support as beta-readers and reviewers, or their help in spreading the word through their social media channels.

I’m also reviving my newsletter after letting it fall by the wayside for over a year. Newsletter recipients will receive early notice of new releases and book events, and sometime news of works by other authors bi-monthly. You can sign up for my newsletter here.

My first release for 2022 is scheduled for June, with the re-release of Delilah, in an edition that is the story I originally intended to tell. (You can find out more about the decision for this change here.) The current edition of Delilah will come down from the Amazon shelves sometime in April, and the new edition will be released wide, so it will be found not only on Amazon, but on Kobo, Barnes & Noble, Apple, Baker & Taylor, Bibliotheca, Borrow Box, Overdrive, Scribd, and other selected digital book outlets because WordCrafter Press publishes through D2D. (I’m a member of their affiliate program. Sign up for your own D2D account here.)

In the past, I told you about my science fantasy series, Playground for the Gods. The first book in that series was my thesis project when I was earning my M.F.A. at Western State Colorado University, back in 2016, so the it has been finished since then, yet you’ve never seen the implied promise of publication come to fruition. In 2022, I plan to release not just Book 1: The Great Primordial Battle, but also Book 2: In the Beginning, and Book 3: Inanna’s Song sometime toward the end of the year, but release dates for these haven’t been set yet.

WordCrafter Press & Author Services

WordCrafter Press has some great releases coming in 2022 as well. An updated version of the writing reference, 2022 Ask the Authors, is scheduled to be released in March. The original Ask the Authors, was taken from a Q&A blog series I ran in 2018. While the much of the advice offered from the 17 different authors who participated in that project is still valid today, this edition will address the changes in the publishing industry since the original edition was published and will feature an anthology of essays on craft and publishing in addition to the Q&A advice. This edition will feature advice from 13 authors, including Bobby Nash, Mark Leslie Lefebvre, Roberta Eaton Cheadle, Nancy Oswald, Christopher Barili, Mario Acevedo, L. Jagi Lamplighter Wright, Kevin Killany, Paul Kane, Jeff Bowles, Enid Holden, Christa Planko, and myself, Kaye Lynne Booth.

The call for submissions for the 2022 WordCrafter Short Fiction Contest posted on January 3rd. However, in 2022, WordCrafter Press will be putting out not just this one anthology, but a total of three short fiction anthologies. In addition to the Visions anthology, which contest submissions may be included in, that will be released in August, there will be two by invitation only anthologies: Slivered Reflections, which will be released in September, and Once Upon an Ever After, which will be released in November.

In 2021, we released the first edition of Poetry Treasures poetry anthology, featuring the works of Robbie Cheadle’s 2020 “Treasuring Poetry” poet guests on Writing to be Read, and we’ve decided to do it again. 2022 Poetry Treasures will feature the works of the 2021 “Treasuring Poetry” guests for a spectacularly unique poetry anthology, and will be released April to celebrate National Poetry Month.

WordCrafter Quality Writing & Author Services

Last, but not least, Write It Right Quality Editing Services is open to new editing clients in 2022. If you’re looking for affordable quality editing, Write It Right could be the editing service you’ve been looking for. A part of WordCrafter Quality Writing & Author Services.

I’m looking forward to 2022. I hope you’ll all join me in the coming year, as it promises to be a good one.

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2022 WordCrafter Short Fiction Contest: Call for Submissions

Visions

The 2022 WordCrafter Short Fiction Contest is now open for submissions. The submission deadline of May 31, 2022. The winner will receive a $25.00 Amazon gift card and their story will be guaranteed to be featured in Visions. All finalists will also receive an invitation to be included in the anthology, which offers a small royalty share for your story contribution. Submission guidelines are pretty simple, but as they are different from last year, I suggest you read and follow them carefully.

Submit your story with a cover letter to KLBWordCrafter@gmail.com with “Submission: [Your Title]” in the subject line and pay the $5 entry fee below.

Contest Entry

Enter the 2022 WordCrafter Short Fiction Contest for a chance at an invitation to the Visions anthology and a grand prize $25 gift card.

$5.00

WordCrafter Press wants your visions.

For 2022, WordCrafter Press is looking for original short stories in the fantasy, science fiction, horror or paranormal genres. Past contests and anthologies have been limited to paranormal, and for Visions, your story can still have a ghost if you like, but it is not required. What I’ll be looking for for the 2022 WordCrafter anthology are your very best thought provoking stories, the kind of stories that will stay with readers long after they close the book.

WordCrafter Press is looking for original short stories to include a mix of fantasy, science fiction, horror, magical, and paranormal elements. Previously unpublished stories only.

Genres: Paranormal, Science Fiction, Fantasy, Horror or any combination there of.

Length: up to 5000 words

Submission Deadline: May 31, 2022

Pay: Royalty share

Rights: First Anthology Rights and audio rights as part of the anthology; rights revert to author one month after publication; publisher retains non-exclusive right to include in the anthology as a whole. 

Open to submissions from January 1 through April 30, 2022.  

Submit: A Microsoft Word or RTF file in standard manuscript format to KLBWordCrafter@gmail.com

If you don’t know what standard manuscript format is, review, for example, https://www.shunn.net/format/classic/

Multiple and simultaneous submissions accepted.

Find some helpful tips for submitting short fiction here, but mainly just follow the guidelines.


Writer’s Corner: Lessons for submitting to short fiction markets

Writer’s Corner

Short fiction doesn’t sell well. – That’s what I keep hearing. Anthologies are hard sells. So why would you even write short fiction, if it is so difficult to sell?

What many authors need to realize, is that while an anthology may be harder to sell than a novel, when you have work featured in an anthology, it is a project involving many authors, each with their own following which they bring to the table, creating a much bigger marketing network than you would have for a novel. Being a part of an anthology expands your marketing reach exponentially by the number of authors involved, which could actually make the marketing and promotion of the anthology easier and allow marketing to a much larger audience.

For the past few months I’ve been exploring short fiction and short fiction markets from the other side of things, as I worked to compile two separate anthologies. My solo project for my masters in publishing is The Best of Weird Tales 1926-27, which meant reading twenty-four issues of Weird Tales and selecting what I felt were the best stories to represent the publication, then compiling them into a single collection. It had to be a careful selection process, because much of what was socially acceptable in 1926 & 27, is far from acceptable in 2021.

The other project required for my degree involves being on the editorial team for the Mirror, Mirror anthology. You may have seen the call for submissions posted here on writing to be Read back in July. And there’s a chance that you even submitted to it, since we had over 600 submissions. That’s a lot of short stories to read. But I learned some valuable lessons from the experience:

  • It pays to get your submission in early. The early submissions get fresh eyes and open mind. But those submitted closer to the deadline, are seen by eyes that are tired by minds that have read so-o-o many stories, many of which are similar in theme or concept, if you wrote to the submission guidelines.
  • Follow the submission guidelines. This experience drove home to me how important this one really is. Going into this, my instructor and mentor, Kevin J. Anderson drilled in the importance of following the submission guidelines and took great care to make them clear in the call for submissions. It called for proper manuscript formatting, something every author should be familiar with, but just in case, he also included a link to a site that defined and explained what proper manuscript formatting is, and still we got manuscripts that were not formatted properly. Toward the end, I know improperly formatted manuscripts got set aside without a full read, because it hurt my tired old eyes too much, so this is really an important one, but many authors just didn’t get it. Publishers don’t want to work with authors who cannot follow simple instructions and format their manuscript properly or follow the guidelines, because this hints that they might be a pain to work with.
  • Only submit a story that fits what the call is looking for. I was surprised how many stories we got that didn’t have a mirror in them at all; not even a compact for the character to check their make-up. Who sends a story without mirrors to an anthology titled Mirror, Mirror that requests a mirror be central to the story. I’m told that last year someone submitted Christmas cards for the call for submissions for Unmasked, last year’s anthology, which may evoke a chuckle when you hear it, but for editors overwhelmed with submissions, reading through a story that doesn’t even come close to meeting the guidelines or match the theme, it feels like a big waste of time. Editors have feelings, too. Be kind and only submit stories that meet the theme and guidelines, instead of trying to cram your story into a frame that doesn’t really match.
  • In today’s market, busy editors are looking for something that is close to being publishable as is, so be sure your manuscript is polished. I feel like I shouldn’t have to state this one, but with as many seemingly unedited submissions, I guess it needs to be said. I was expecting it toward the end, when authors were rushing to meet the deadline, but even early on there were manuscripts that were riddled with misspellings and typos. Many of these may have been good stories, some even written to guidelines, but they were passed by because they would have required too much editing to ready them for publication. It would have required more time than my class of student editors would be able to give. So, I strongly urge having another set of eyes give a critical look over all stories prior to submission. Turning in a clean manuscript will strengthen the chances of your submission being accepted, or at least read clear through for a fair evaluation.
  • Choosing favorites is much harder than I thought it would be. We were cautioned that last year’s anthology received over 500 submissions, with more than 100 received in the last week of submissions. Mirror, Mirror received over 600 and so many of them were truly excellent stories that choosing the few that we had the budget for was really difficult, especially since not everyone had the same favorites. In the end, we ended up with a heck of a selection of stories for this anthology. I think it will be great!

Although all of my personal favorites couldn’t be included, I did find a way to make 2022 a great year for anthologies at WordCrafter Press, with two by invitation only anthologies in addition to the annual short fiction contest and anthology. I gave you a sneak preview for the submission call for the annual anthology, which will be titled Visions, here. The official call for submissions will be posted in January, so stay tuned.

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Inviting You to Join My Street Team!

Kaye Lynne Booth & WordCrafter Press Streat Team group

You are reading this, so chances are good that you are familiar with me and my writing, as well as WordCrafter Press and its books, because I talk about all of these things a lot. Since you are hanging out here, reading my posts and those of my wonderful blog team members, there’s also a good chance that you are interested in my work, so you will be interested in this opportunity, as well.

Being a multi-genre author creates the need to reach multiple target audiences. I write western, paranormal, science fiction, dark fantasy & vampires, and maybe even a little bit of romance. Although unpublished, I’ve even written a children’s series. That makes it more difficult to hit my target market and find readers who enjoy the kind of book I write, but I’m learning that I’m just not a write to market kind of girl. I have to write what my heart says, and it refuses to remain in a single genre.

I’ve decided to build a street team to help spread the word about new releases and release events. So, I’ve created a private Facebook group Kaye Lynne Booth & WordCrafter Press Street Team” group, where you can help by becoming a beta reader and providing feedback prior to release, or reviewer, or just an enthusiastic fan, sharing new release and release event information on social media to help get the word out.. This is a group for those who want to help create, promote or just support me and my books, and find opportunities to free books, for an extra perk. As a member of the group, you will be privy to news regarding works-in-progress, new releases and upcoming book events, as well as early cover releases and sneak previews.

I hope that you will click on the link above and join us, as 2022 looks to be a exciting year, with between 7 and 12 new releases coming!

WordCrafter Press will be putting out, not just one, but three anthologies this year, including the resulting anthology from the annual short fiction contest. The call for submissions for the 2022 WordCrafter Short Fiction Contest will be posted in January, this year’s anthology will also feature the stories by invitation, which will not be included in the contest, but will be included in the Visions anthology. The other two anthologies will be by invitation only, Once Upon an Ever After, and Slivered Reflections. WordCrafter Press will also be doing a new edition of the writer’s reference, Ask the Authors and a new edition of Poetry Treasures. For my own books, I will be dropping my contract with Dusty Saddle Publishing and publishing a special edition of Delilah myself, and publishing at least the first three books of my science fantasy Playground for the Gods series, and possibly the fourth.

If you join my street team group, you’ll be privy to all the latest news about all these great releases and more! Bring your enthusiasm and help me make my writing dreams come true. And don’t forget the free books and other perks. See you there!


Treasuring Poetry – An introduction to Word Weaving #1: A Word Craft Journal of Syllabic Verse edited and compiled by Colleen Chesebro and Jules Paige

Today, I am delighted to introduce you to Word Weaving #1: A Word Craft Journal of Syllabic Verse, The Moons of Autumn, a delightful collaboration of syllabic poems by a variety of poets, edited and compiled by Colleen Chesebro and Jules Paige.

By way of background, Colleen Chesebro has run a weekly syllabic poetry challenge on her blog, Word Craft: Poetry and Prose for years. She has been a guiding light to the poetry community, sharing her knowledge about the many different forms of syllabic poetry and encouraging poets to experiment and all learn together.

What inspired you to put together a poetry anthology, is it a once off or will there be others?

My inspiration for the syllabic poetry journal came about when I realized that many of the poets who joined in my weekly challenge did not have the ways or means to publish their own books of poetry. I envisioned a yearly journal filled with creative syllabic forms. I’m not aware of another journal that presents both Japanese and American versions of syllabic poetry. This is a different concept and I think it has paid off.

Also, to note, the poet’s retained ownership of the poems submitted to the journal. All rights reverted to the respective author/artist upon publication. All we asked, was if their work was republished, we appreciated a mention that the Word Weaving Poetry Journal was the first place of publication.

While I planned this journal, I realized I wanted to host a poetry contest on wordcraftpoetry.com with paid prizes. It was logical to use the royalties from the sale of the Word Weaving Journal to pay for the prizes. As for another journal… I’ll let you know after the poetry contest in 2022. I’m aiming for the month of June for the contest on wordcraftpoetry.com. I’ll reevaluate at that time.

Which poem in the anthology touched you the most? Please provide the test of the poem and the author

This is a hard question to answer. My co-editor, Jules Paige and I first selected our favorites. We deliberated for some time over the poems… they were all so good! In the end we selected Ken Gierke’s gogyohka poem:

warmth of a pale light

found as clouds part

rewarded

while seeking the moon

on a cool autumn night

© Ken Gierke

We both felt this gogyohka best illustrated the concept of the “Moons of Autumn.” At the end of the Journal, Jules and I shared our three favorite poems by D. L. Finn, Merril D. Smith, and Ken Gierke.

If I had to go in deeper, my next favorite would be D. Wallace Peach’s tanka prose Idyll. The imagery in this poem is one of my favorites.

“Moon-spun”

November’s moon spins upon the tip of a white fir. Her fairy light whispers across the glades where alders part their leafless fingers into spindly shadows. The night glow sends the trolls trudging into the deep forest, brittle twigs crunching beneath their knobby feet. With nothing to fear, the deer lie down in a silver meadow. Old owl watches the coyotes croon to autumn’s stark beauty as they whiff the delicate scent of the coming snow.

a moon’s enchantment

befalls the northern forest

her magical light

banishes luring prowlers

inviting the night to sing

© D. Wallace Peach

What attracts you to syllabic poetry as opposed to other forms like freestyle and rhyming verse?

Syllabic poetry, especially the Japanese forms with their brevity of words, fills a special place in my heart. Not only do I like writing these forms, but I also enjoy reading what others have written. There is a simple beauty in haiku that I don’t find in other forms. Written mindfully, haiku are small poems with large meaning. It’s those a-ha moments of connection, I find the most pleasing.

For example:

summer clouds—

kayakers floating

the river

© Colleen M. Chesebro

In this haiku, I worked on imagery. The idea was to connect emotions by associating two or more images together in strange and unusual ways. It’s not as easy as it sounds. I find it is always best to look for alike or contrasting images to feature in my poem.

I targeted the “summer (my kigo) clouds” and the “kayakers floating the river,” as a summer activity. Clouds float – kayakers float, which are alike images.

A haiku should present an event in an image. It should SHOW us what happened without telling us about it or what emotion to feel. In the haiku above, what emotions do you feel?

Haiku poems share a specific event or observation. Haiku are not generalities, and we never use a simile or metaphor. Most haiku are written in seventeen onji (Japanese sounds) which equates to around twelve syllables (3, 5, 3). Most rhyming poetry doesn’t give me the same emotional impact as the simple haiku does. Although, I do enjoy creating some of the syllabic forms that use rhyme and meter.

What advice can you give people setting out on the path of writing poetry?

Poetry is about expression and creativity. Poets should write poetry daily. If you don’t practice, how can you perfect your craft? I write my poetry on my author blog at colleenchesebro.com and in a handwritten journal.

It’s best to get involved in a poetry community with poetry challenges where you can stretch your wings and try new things like we do on wordcraftpoetry.com. If you can’t find a challenge you like, start your own! Learning how to comment, critique, and write about the work of another poet is crucial to your own poetic journey.

Write more poetry! Find what forms bring you the most joy to write. Write them! Then, learn everything you can about that type of poetry.

Submit your poetry to literary journals and contests. I’ve had more poetry rejected than accepted, but that hasn’t stopped me yet.

What are your plans for Word Craft: Prose & Poetry going forward?

Wordcraftpoetry.com will continue to be a safe place to write syllabic poetry. We’re in our fifth year of the #TankaTuesday Poetry Challenge. Each week, I strive to make the challenges interesting. In 2022, we will have a few new prompts to freshen up our creativity. I will continue to feature a poet and their poem almost every week. Depending on the challenge week, the poet will choose the prompt for the next month’s challenge. It’s important to me to involve the poets in the challenges. That is what community is all about. Stay tuned. Who knows what I’ll think of next!

Thanks so much, Robbie for featuring me and the Word Weaving Journal on Treasuring Poetry.

Colleen M. Chesebro
Colleen M. Chesebro

Author biography

Colleen M. Chesebro is a Michigan Poet who loves crafting syllabic poetry, flash fiction, and creative fiction and nonfiction. She sponsors a weekly poetry challenge, called #TankaTuesday, on wordcraftpoetry.com where participants learn how to write traditional and current forms of syllabic poetry.

Along with JulesPaige, Colleen is also a co-editor of “Word Weaving, a Word Craft Journal of Syllabic Verse,” at wordweavingpoetryjournal.com. The debut issue of the journal published October 2021, with a kindle and print version of the journal.

Colleen’s syllabic poetry has appeared in various other online publications. Recently, she created the Double Ennead, a 99-syllable poetry form for the Carrot Ranch literary community at carrotranch.com. She hosts a challenge as a guest of the Saloon, every third Monday of the month.

Colleen’s poetry has poetry in various anthologies and journals including “Hedgerow-a journal of small poems,” and “Poetry Treasures,” a collection of poetry from the poet/author guests of Robbie Cheadle on the “Treasuring Poetry” blog series on “Writing to be Read” in 2020.

Colleen published “Word Craft: Prose & Poetry, The Art of Crafting Syllabic Poetry,” which illustrates how to write various syllabic poetry forms used in her Tanka Tuesday challenges; and a collection of poetry, flash fiction, and short stories called, “Fairies, Myths & Magic: A Summer Celebration,” dedicated to the Summer Solstice. She contributed a short story called “The Changeling,” in the “Ghostly Rites Anthology 2020,” published by Plaisted Publishing House.

Find Colleen Chesebro

Find Colleen at Word Craft: Prose & Poetry at wordcraftpoetry.com.

Find Colleen’s author blog at colleenchesebro.com.

Find Colleen’s pagan blog at awitchsbrew.wordpress.com

My review of Word Weaving #1: A Word Craft Journal of Syllabic Verse

This book, edited and collated by talented poets Colleen Chesebro and Jules Paige, is a delightful collection of meaningful poems by a variety of different contributors. The theme of the book is Harvest Moon and each poem gives insight into the meaning of this expression to the particular poet. Some poems are practical and some are ethereal, yet others are colourful and then there are the silvery ones, but they all share the common feature of being beautiful.

The poems in the book demonstrate as wide a variety of styles as there are contributors, with a common thread of all being syllabic. I came across a number of forms that were new to me, including senryu, haiga, and gogyohka among otehrs. There are also the more familiar syllabic forms such as haiku, tanka, haibun, tanka prose, etheree, nonet, shadorma, and cinquain.

My favourite poem in this collection is written by Kerfe Roig. I like it because it is filled with mystery and delight:
“who is this Other
come to greet me
glittering shadowed
behind and before
a changeling of light”

All the poems are gorgeous and this collection is a most worthwhile read for poetry lovers.

What Amazon says

Word Weaving is a yearly poetry journal, and for our first issue, we bring you poetry crafted from a broad mix of new and established voices across the spectrum of Japanese and American syllabic poetry forms. Enjoy this collection of poems that celebrate the Moons of Autumn.Contributing Poets:

Annette Rochelle Aben, Mona Bedi, Nancy Brady, Colleen M. Chesebro, Goutam Dutta, Bill Engleson, Elizabeth F., Andreea Finichiu, D.L. Finn, Jeff Flesch, Ken Gierke, Franci Hoffman, Thom Kerr, Sujata Khanna, Ruth Klein, Jules Paige, D. Wallace Peach, Gwen M. Plano, M. J. Mallon, R.V. Mitchell, Elaine Patricia Morris, Lisa Smith Nelson, Pat Raffington, Susmita Ramani, Kerfe Roig, Aishwarya Saby, Akhila Siva, Merril D. Smith, Willow Willers, and Cheryl Wood.

About Robbie Cheadle

IMG_9902

Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 2 poetry books.

The 7 Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.

Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.

Robbie has 2 adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories in the horror and paranormal genre and poems included in several anthologies.

Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.

Robbie has a blog, https://robbiesinspiration.wordpress.com/ where she shares book reviews, recipes, author interviews, and poetry.

Find Robbie Cheadle

Blog: https://www.robbiecheadle.co.za/

Blog: robbiesinspiration.wordpress.com

Twitter: BakeandWrite

Instagram: Robbie Cheadle – Instagram

Facebook: Sir Chocolate Books

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Day 5 of the WordCrafter “Lingering Spirit Whispers” Book Blog Tour: Guest Post by Christa Planko

Lingering Spirit Whispers Book Blog Tour

Thank you for joining us for Day #5 of the WordCrafter Lingering Spirits Whisper Book Blog Tour. In case you missed any of the posts from earlier in the week, you can find them all right here on Writing to be Read, and you can visit the author interviews on Un dawnted , but you can only leave comments on Writing to be Read.

Monday November 29th – Writing to be Read/Un dawnted interview with Stevie Turner

Tuesday November 30th – Writing to be Read/Un dawnted interview with Kaye Lynne Booth

Wednesday December 1st -Writing to be Read/Un dawnted interview with Jeff Bowles

Thursday December 2nd – Writing to be Read/Un dawnted interview with Roberta Eaton Cheadle

Today we have a guest post by author Christa Planko about the inspiration behind her winning story, “Olde-Tyme Village”, which is featured in Where Spirits Linger.

“Where Spirits Inspire: The Inspiration Behind ‘Olde-Tyme Village’”

By Christa Planko

A stroll through a Victorian shore town during off-season leaves enough to the imagination to raise goosebumps and stir the creative mind. The brightly painted homes with their steeply pitched roofs and ornate gables give the sensation of having stepped into a time machine. With summer’s tourists packed and gone, the streets lie practically barren. The exception is the few living beings taking in the autumn air and architecture—and the spirits who may be joining them unseen.

That was the inspiration behind my story, “The Olde-Tyme Village.” It was an October trip to historic Cape May, NJ that fed my imagination. Wandering through the quiet town, I marveled at the elaborate homes, many of them vacant. I couldn’t help but fancy I saw a curtain move in a window or a grey face peering through a dusty pane. A shift of wind carried a moan that could have been the spirit of a woman watching from a widow’s peak for her husband to return from sea. Mind trick or imagination?

Certainly, many of the homes have a long-standing history. The peninsula was originally inhabited by the Lenni-Lenape tribe before Cornelius Mey purchased the land in 1621. It soon developed into a prosperous fishing and whaling industry for English colonists. Later in the 18th century, Cape May began its development as a resort town for enjoying the ocean and fresh seafood. The town saw its share of pleasure, prosperity, and promiscuity over the years. It saw an equal share of tragedy. Surviving wars and devastating fires, residents’ emotions must have run deep. The wealth of books and oral accounts of Cape May’s ghostly occupants suggest that many tormented souls were left to linger.

Was “Olde-Tyme Village” based on any researched history? The answer is yes and no. Like my October stroll through Cape May, the story was fueled by pure imagination. It takes place at a fictional resort remote from modern society. The “historic residents” and guests of the village are made up as well. The research I did do was to learn about Victorian architecture and industries that prospered during this era in order to ground the descriptions and backgrounds in historic fact. The story’s mood and time-warp occurrences were exaggerations of my own experiences in Cape May.  

A final question may be: Do I believe in ghosts? While I enjoy a spooky story around a campfire or during Halloween season, I can’t say that I ever truly believed in ghosts. I did have an unexplained experience at a historic site near my hometown a few years ago. That experience—or possible encounter—has since opened my mind to the possibility. I’ll spare the details until I have the chance to do some further research on the area and possible tragedies. I sense a future story on the horizon!

To see my bio and a list of published works, please visit:

https://christascorner.godaddysites.com/about-us

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Christa is a professional writer with a passion for creative expression. She has had her poetry and short stories featured in several publications, including River Poets JournalWingless DreamerTanka and Haiku JournalsRune BearJitter Press, and Every Day Fiction. When she’s not writing, she is likely bicycling, kayaking, or dancing. She currently resides in South Jersey with her 4 feline muses.

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You can get your copy of Lingering Spirit Whispers here.

Lingering Spirit Whispers paranormal anthology set

Thanks for joining us on the WordCrafter Lingering Spirit Whispers Book Blog Tour! I hope that you’ve enjoyed Christa’s guest post here on Writing to be Read, and the Un dawnted author interviews earlier in the week. If you missed any, the links can be found at the top of this post to go back and catch them all.

As a reminder, tomorrow will be Sonoran Dawn’s Autumn Wonders Book Event on Facebook, so be sure to drop in. Contact the host, D.L. Mullen and Sonoran Dawn Studios, if you’d like to reserve an author slot for promotion of your work. WordCrafter has a slot in the event, so you can find more about this anthology set, as well as other WordCrafter Press books there. Come and join in the fun.

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Book your WordCrafter Book Blog Tour today!


Day 4 of the WordCrafter “Lingering Spirit Whispers” Book Blog Tour: Interview with author Roberta Eaton Cheadle

Lingering Spirit Whispers Book Blog Tour

Welcome to Day #4 of the WordCrafter Lingering Spirit Whispers Book Blog Tour, where we’re celebrating the release of the Lingering Spirit Whispers paranormal anthology set. This unique paranormal set combines three paranormal anthologies into a single set for ghosties galore, and you can get your copy here.

Lingering Spirit Whispers

Today we’re over at Un dawnted, where D.L. Mullen interviews contributing author, Roberta Eaton Cheadle, the only author beside myself to contribute stories to all three anthologies.

Roberta Eaton Cheadle is writer of young adult and adult fiction in the supernatural fantasy, historical horror, and historical supernatural genres.To date, Roberta has published two novels, Through the Nethergate and A Ghost and His Gold, and several short stories in various anthologies including Whispers of the Past and Spirits of the West, and Where Spirits Linger edited and compiled by Kaye Lynne Booth, and Spellbound, compiled by Dan Alatorre.Roberta has a historical supernatural novel set during the Second Anglo Boer War in South Africa coming out in early 2021.When she is not writing, Roberta enjoys working in the garden and creating fondant and cake artworks.

Her stories of chilling encounters, “The Last of the Lavender” and “Missed Signs”, were featured in Whispers of the Past.

Cheadle also has two stories of paranormal encounters on treks through the South African bush are featured in Spirits of the West – “The Thirstyland Journey” and “The Ghost in the Mound”.

And her tale of the completion of business left unfinished, “Listen to Instructions” is featured in Where Spirits Linger.

You can join in on DL Mullen’s interview with Roberta over at Un dawnted here: http://www.undawnted.com/2021/12/wordcrafter-lingering-spirit-whispers_2.html

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Day 3 of the WordCrafter “Lingering Spirit Whispers” Book Blog Tour: Interview with author Jeff Bowles

Lingering Spirit Whispers Book Blog Tour

Welcome to Day #3 of the WordCrafter Linger Spirits Whisper Book Blog Tour, where we’re celebrating the release of Linger Spirits Whisper paranormal anthology set. Connoisseurs of ghost stories will want to add this unique paranormal set to their collections. The release is today and you can get your copy here.

Lingering Spirit Whispers

Today we’re over at Un dawnted, where D.L. Mullen is interviewing contributing author Jeff Bowles, who has stories in two of the three anthologies included in this set.

Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!

His story “A Peaceful Life I’ve Never Known” was the winning story in the 2019 WordCrafter Paranormal Short Fiction Contest and is featured in Whispers of the Past.

And his story “Wenekia” is featured in Spirits of the West.

I hope that you will join us and follow the rest of the tour to learn more about the stories included in this set and their authors. Undawnted does not have commenting abilities, but feel free to leave any comments you have on the interview here: http://www.undawnted.com/2021/12/wordcrafter-lingering-spirit-whispers.html

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Book your WordCrafter Book Blog Tour today!


Day 2 of the WordCrafter “Lingering Spirit Whispers” Book Blog Tour: Interview with author Kaye Lynne Booth

Lingering Spirit Whispers Book Blog Tour

Welcome to Day #2 of the WordCrafter Lingering Spirit Whispers Book Blog Tour, where we are celebrating the December 1st release of the Lingering Spirit Whispers paranormal anthology set. This unique collection of ghosties galore is a must read for all lovers of paranormal fiction. Available for pre-order now.

Lingering Spirit Whispers

We’re hanging out over at Un dawnted, where D.L. Mullen is interviewing contributing authors from the anthologies included in this set, and today’s author guest is… um… me! Kaye Lynne Booth. I have one story featured in each anthology. Un dawnted has no commenting capabilities, so please leave any comments you might have about the interview here, on Writing to be Read.

Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing, writing is more than a passion. It’s a way of life. She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you.

She has short stories featured in the following anthologies: The Collapsar Directive (“If You’re Happy and You Know It”); Relationship Add Vice (“The Devil Made Her Do It”); Nightmareland (“The Haunting in Carol’s Woods”); Whispers of the Past (“The Woman in the Water”); Spirits of the West (“Don’t Eat the Pickled Eggs”) and Where Spirits Linger (“The People Upstairs”). Her western, Delilah, her paranormal mystery novella, Hidden Secrets, and her short story collection, Last Call, are all available in both digital and print editions.

In her spare time, she keeps up her author’s blog, Writing to be Read, where she posts reflections on her own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. She’s also the founder of WordCrafter Enterprises. In addition to creating her own imprint in WordCrafter Press, she offers quality author services, such as editing, social media & book promotion.

In Whispers of the Past, my story is “The Woman in the Water”.

In Spirits of the West, my story is “Don’t Eat the Pickled Eggs”.

In Where Spirits Linger, my story is “The People Upstairs”.

You can pop over and join us for my interview with D.L. Mullen here: http://www.undawnted.com/2021/11/wordcrafter-lingering-spirit-whispers_30.html

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Book your WordCrafter Book Blog Tour today!


Welcome to the WordCrafter “Lingering Spirit Whispers” Book Blog Tour: Interview with author Stevie Turner

Lingering Spirits Whisper Book Blog Tour

Thank you for joining us for Day #1 of the WordCrafter Lingering Spirit Whispers Book Blog Tour. This tour celebrates not one, but three different anthologies offered together in one anthology set. This unique paranormal set combines three paranormal anthologies into a single set for ghosties galore. A must have for lovers of paranormal fiction.

Whispers of the Past

As you may know, every year WordCrafter Press runs a short fiction contest, and each year there is a resulting anthology. For 2019, it was Whispers of the Past, with paranormal stories from contributing authors including myself, Roberta Eaton Cheadle, Stevie Turner, Laurel McHargue, Julie Goodswen and author of the winning story, Jeff Bowles.

Spirits of the West

For 2020, it was Spirits of the West, with western paranormal stories from contributing authors including myself, Roberta Eaton Cheadle, Jeff Bowles, Arthur Rosch, Tom Johnson, and author of the winning story, Enid Holden.

Where Spirits Linger

For 2021, it was Where Spirits Linger, with paranormal tales from contributing authors including myself, Roberta Eaton Cheadle, Stevie Turner, Enid Holden, S.L. Kretschmer, and author of the winning story, Christa Planko.

You can get all three in one anthology set, Linger Spirit Whispers, to be released on December 1 and available for pre-order now.

Lingering Spirit Whispers

And join us for the tour to learn more about the stories contained within these three paranormal anthologies and their authors. D.L. Mullen will be doing interviews on her Un dawnted blog site Monday through Thursday and we will finish up her with a guest post from 2021 contest winner, Christa Planko discussing the inspiration behind her winning story, “Olde-Tyme Village”, featured in Where Spirits Linger. Un dawnted does not have comments enabled, but feel free to post any comments you have on the interviews here. Interviews with authors Roberta Eaton Cheadle, Kaye Lynne Booth, Stevie Turner and Jeff Bowles will be featured. I hope you will join us today and follow us through the rest of the tour.

Today’s author guest is contributing author Stevie Turner, who has stories in two out of three anthologies included in this set.

Stevie Turner is a British author of suspense, paranormal, women’s fiction family dramas and darkly humorous novels, and likes to find subjects to write about that are not often covered. Stevie is married and lives in the wilds of East Anglia, England, and enjoys cycling about the countryside when she is not busy writing. 

Her story “Partners in Time” is featured in Whispers of the Past – a paranormal romance where past and present cross.

And her story “David’s Revenge” is featured in Where Spirits Linger – a tale of revenge from the grave.

You can join in on Stevie’s interview with D.L. Mullen here: http://www.undawnted.com/2021/11/wordcrafter-lingering-spirit-whispers.html

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Book your WordCrafter Book Blog Tour today!