LINDSEY’S WRITING PRACTICE: Interview with Author & Poet Robbie Cheadle & A Review

Posted: June 3, 2026 | Author: Lindsey Martin-Bowen | Filed under: Books, Collection, Interview, Lindsey's Writing Practice, Poetry, Review | Tags: Book Reveiw, Interview, Lindsey Martin-Bowen, Lindsey's Writing Practice, Lion Scream, Nature, Poetrty Collection, Robbie Cheadle, South Africa, Wildlife, Writing to be Read | 47 Comments

How do I define Robbie (a/k/a Roberta) Cheadle?

In essence: Amazing. This multi-talented, empathetic, creative woman displays talents in many areas.

Further, she pens words that she hopes will move others to help protect our world.

Along with writing poetry books, novels, short stories, and children’s literature, Robbie Cheadle not only decorates some of her pages with exquisite, professional photos that she shot—and even more amazing, she fashions cakes with sculptures of lions and other African wildlife, and flowers that accompany her writings.

Here’s a chance to peer into the mind of this remarkable woman. Enjoy!

About Roberta Eaton (Robbie) Cheadle

My Interview with Robbie Cheadle

How did you come to write poetry?

From a young age (4 years old), I read a great deal. Television was very limited in South Africa when I was a child and my first sister was only born when I was 4 years old. Catherine was born prematurely and my parents moved to a cottage on a farm in the country to try to protect her from germs. I didn’t attend school during this time, and I had to entertain myself. I did that by reading. I grew to love the L.M. Montgomery books, especially her lesser-known series, Emily of New Moon. In the books, Emily’s late father was a poet and writer. Emily tries her hand at poetry as a way of keeping his memory alive. I was inspired by Emily to
write short poems and descriptive pieces and did this throughout my senior primary school and high school years. English and History were my favourite subjects at school, and I excelled at both of them. I have been writing poetry ever since. It has evolved into a diary of my life.

What is your favourite poem by another poet?

When I was in primary school, about ten years old, we had to learn several poems by heart. Ever since then I have loved The Listeners by Walter de la Mare. The poem is full of mystery and delight.

The Listeners

By Walter de La Mare

‘Is there anybody there?’ said the Traveller,   
   Knocking on the moonlit door;
And his horse in the silence champed the grasses   
   Of the forest’s ferny floor:
And a bird flew up out of the turret,   
   Above the Traveller’s head:
And he smote upon the door again a second time;   
   ‘Is there anybody there?’ he said.
But no one descended to the Traveller;   
   No head from the leaf-fringed sill
Leaned over and looked into his grey eyes,   
   Where he stood perplexed and still.
But only a host of phantom listeners   
   That dwelt in the lone house then
Stood listening in the quiet of the moonlight   
   To that voice from the world of men:

Stood thronging the faint moonbeams on the dark stair,   
   That goes down to the empty hall,
Hearkening in an air stirred and shaken   
   By the lonely Traveller’s call.
And he felt in his heart their strangeness,   
   Their stillness answering his cry,
While his horse moved, cropping the dark turf,   
   ’Neath the starred and leafy sky;
For he suddenly smote on the door, even   
   Louder, and lifted his head:—
‘Tell them I came, and no one answered,   
   That I kept my word,’ he said.
Never the least stir made the listeners,   
   Though every word he spake
Fell echoing through the shadowiness of the still house   
   From the one man left awake:
Ay, they heard his foot upon the stirrup,   
   And the sound of iron on stone,
And how the silence surged softly backward,   
   When the plunging hoofs were gone.

I like this poem so much I did a recording of it for my YouTube channel: https://youtu.be/gy_7mM2RcuI?si=Gmf2kfXkwrCoBnjp

What is your favourite of your own poems?

Currently, this is my favourite of my own poems:

Life on the Water (Tanka story)
medley of cool shades
cerulean and turquoise
lightened or darkened
depending on water’s mood
and artist’s vision

***

painstaking brush strokes
capturing shadows and light
frothy, foaming crests
enhanced with metallic white
dancing across blue

***

water shifts and sighs
subtle movements captured in
careful ripple lines
swiftly flowing currents caught
in muted aquamarine

***

sand laden wavelets
curl sluggishly around rocks
smothered by sweet caress
of ocean’s heaving bosom
with its rhythmic rise and fall

***

houseboat moves onwards
temple to unconstrained thoughts
colours meld as one
in swirls, rises, and deep troughs
impermanent no longer

***

dreams, soft and wispy
condensation trails through sky
subtle as sunlight
transferred to stark, white canvas
soft splashes ricocheting

Picture caption: My acrylic painting called Fyrtorr which means beacon in Old English.

Tell us a bit about the inspiration for Lion Scream

Here’s an extract from Lion Scream:

The initial idea for a book of poetry that taught people about the numerous amazing creatures of southern Africa and highlighted their plight in the face of the Sixth Mass Extinction, came to me during a visit to Ukutula Lodge & Game Reserve (“Ukutula”).
Ukutula is also a conservation facility specializing in genetic mammal research and predator conservation.

On my return home, my brother-in-law gifted me a print of Edvard Munch’s famous painting, The Scream.

According to a diary entry by Munch, the inspiration for this painting was as follows:

“One evening I was walking along a path, the city was on one side and the fjord below. I felt
tired and ill. I stopped and looked out over the fjord – the sun was setting, and the clouds
turning blood red. I sensed a scream passing through nature; it seemed to me that I heard
the scream. I painted this picture, painted the clouds as actual blood. The color shrieked.
This became The Scream.”

Based on The Scream, I created a cake I titled Lion Scream – Nature’s Response to the Sixth Mass Extinction and Global Warming, which depicted a lion, made from fondant, clasping its face and screaming, while standing on a bridge above a river of blood. Behind the lion, is an erupting volcano.

This cake was intended to be an artistic depiction of the natural world’s reaction to
continuous land development by humans, resulting in the loss of habitat for the creatures
which share this earth with us, and the increasing impact of global warming on humanity
and the greater planet.

Lion Scream: Nature’s Response to the Sixth Mass

Picture Caption: Extinction and Global Warming Cake Art by Robbie Cheadle

Have you witnessed the killing of an African animal which acted as a trigger for your interest in animal conservation?

When I was 21, I met a man who hunted animals for sport. Prior to this, I had never had much interaction with wild animals other than in zoos. My mother grew up on a cattle farm and had little interest in engaging with animals in the wild. Interestingly, I’ve noticed she shares this disinterest with other people I know who also grew up on farms. Anyhow, this man invited me to go to Kimberley with him and his friends. They were going hunting, but they were also going to visit the ‘big hole’ in Kimberley which is an interesting feature of South African history. I agreed to go because I wanted to see Kimberley. The hunting trip was a complete horror show for me. I hadn’t really thought about what a hunting trip meant, and the men attempted to kill an antelope. It was a common antelope, what I call “lion snacks” as they keep the stock of impalas high in game reserves because they are food for the
big cats. The shooter’s shot went wide, and he ended up wounding a baby impala. Aside from any other aspect, it was not the right season for hunting as the mother antelopes had small calves. The baby ran making the most terrible high-pitched sound, and the men had to go after the poor little thing. Eventually, they did put it out of its misery. I was completely horrified. After this trip, I ended the relationship and became involved in wildlife conservation. This has developed into my poetry books and paintings featuring southern African wildlife.

What’s next?

Currently, I am busy with the final edits to a collection so South African inspired short stories and poems. The book is called The Last Man, South African History, Legends, & Poetry. This book will be published through TSL Publication in the United Kingdom. I am also working on several new poetry collections and the second book in the Something Fancy book collection. This second book, Chocolate & Treats, should be ready for publication in early November this year. I always have a lot of projects on the go. I am also painting. My latest painting is of a Vervet Monkey and is part of my Into the Light series of painting. I am planning to paint an African Painted Dog next. It will be a much bigger project. I do a small one in between the larger ones so that I can practice drawing more often. The big paintings take me three to four months to complete.

Thank you for this lovely interview opportunity, Lindsey. I appreciate your interest in my work.

Lindsey’s Review of LION SCREAM Syllabic Poetry about Southern African Wildlife
by Robbie Cheadle

Not only is Robbie Cheadle (a/k/a Roberta Cheadle) an excellent, engaging poet and fiction writer, she’s a woman with a mission—a crucial mission for not only the future of our planet and the wildlife on it, but for humanity itself. Plus, in this 163-page collection, her method of persuasion includes not only facts and figures about the demise of many of our planet’s creatures in Africa, it delights the reader with superb—and righteous, at times biting, poetry and fiction.

Most delightful is Cheadle’s use of the constraints of syllabic structure in unrhymed forms that recreate the tension between wild beasts and the fragment of society pushing them off their native environments. For example, the book’s opening poem, “Lion Scream” is a perfectly structured tanka (one of my favorite forms). I perceive the tanka as a haiku with more depth. As opposed to the 17-line poem, tankas are structured in five lines with the syllabic form: five, seven, five, seven, seven, which Cheadle does in “Lion Scream”:

There is no jungle
Only acres of smooth stumps
There is no jungle
No habitat, no food source
Hopeless lion screams tonight
(Cheadle credits “The Lion Sleeps Tonight” in Disney’s The Lion King with inspiring this
tanka.)

Although the collection contains other tankas, most of the poems are set in the Double Enneal format, far more complex. A Double Ennead comprises three stanzas of five lines each. Thus, the syllabic count for each stanza is 6/5/11/6/5, (33 syllables per stanza) i.e., each stanza is set as:

six syllables
five syllables
eleven syllables
six syllable
five syllables

Again, each of those syllabic counts are repeated in the second and third stanzas, totaling ninety-nine syllables for each poem.

In the collection’s introduction, Cheadle explains why she uses this format most frequently throughout the book:

“I selected this form of syllabic poem for LION SCREAM for two reasons . . . because I love syllabic poetry and the short dramatic statements it enables me to make through a few carefully chosen words.”

Her second reason concerns her mission: “. . . due to the importance of nature conservation to me, and my desire to share insights about the impact of habitat loss, hunting, and poaching on the wild animals of southern Africa, I decided that 99 syllables gave me more, a little more scope to make my specific points.”

Further, Cheadle photographed all but three of the photos in the book. After perusing the collection she shot —on par with those in National Geographic, depicting several species of wildlife, I felt as if I’d viewed a video of Africa, particularly in those sections about lions, elephants, and zebra, creatures especially close to my heart.

I admit my first encounter with elephants and camels was in the Kansas City Zoo, where we children rode those captive creatures. This book brought back those memories from an era wherein most persons believed such wildlife would continue to stroll the earth indefinitely.But Cheadle reveals that is no longer a future many experts anticipate.

Along with her own photos, the collection offers links to many of Africa’s animals. For instance, in the section, “My Experiences with Rhinos,” she includes four links to videos she took of rhinos, after noting, “My most recent sightings have largely been of dehorned animals, which I always find jarring. It is strange to see a rhino without its famous horn.”

Having grown up in South Africa, she first saw horned rhinos, and she questions, “I wonder if my grandchildren will know rhinos have horns. If the fight against poaching is unsuccessful, my grandchildren will only experience rhinos through pictures in history books.”

From the number of Double Enneads she included for elephants and lions, it appears they may be her favorite beasts. Along with those long poems and marvelous photographs, she includes sections, “About African Elephants, “My Experiences with Elephants,” “My Experiences with Lions,” and “More Experiences with Lions.”

Then, she wraps up the poetry section with photos of the African landscapes. A Double Ennead, “The Romance of the Sunflowers” and an explanation about how sunflowers feed the environment in “Sunflowers and the Environment” precede photos of African landscapes of mountains, plains, and striking sunsets, interlaced, of course, with more poetry.

Cheadle wraps up this collection with a short story, “The Nutcracker,” which deals primarily with how the changing environment causing the loss of wildlife can impact the human species, too. She follows that piece with her inspiration and explanation of the story. I rate this collection with FIVE STARS. Thank you, Robbie, for sharing it.
—Lindsey Martin-Bowen

About Lion Scream

Purchase Link: https://www.amazon.com/Lion-Scream-Syllabic-Southern-Wildlife-ebook/dp/B0BXP5N766

About Lindsey Martin-Bowen

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