Dark Origins – The Chimes, A Goblin Story: a novella by Charles Dickens

I have been participating in a Dickens Readathon which is being hosted by by Marsha Ingrao from Always Write blog (this is her latest post for the challenge: https://alwayswrite.blog/2023/02/13/dickenschallenge-novella-4-the-battle-of-life/); Trent McDonald from Trent’s world (https://trentsworld.blog/2023/02/07/the-third-annual-dickens-challenge-a-triple-threat/) and Yvette Prior (https://priorhouse.wordpress.com/2023/02/09/five-novella-descriptions-2023-dickenschallenge-read-one-novella-by-june-9th-post-2/).

I have recently read The Chimes, a Dickens novella which was first published in 1844, one year after the well known A Christmas Carol. It’s social critisism perfectly suited my criteria for Dark Origins posts and I decided to share my thoughts and research on this novella for my March Dark Origins post.

The story involves the disillusionment of Toby “Trotty” Veck, a poor working-class man who works as a casual messenger or ‘ticket-porter’. Dickens goes to great lengths at the beginning of the story to detail Trotty’s poverty as per the following description:

Making, with his leaky shoes, a crooked line of slushy footprints in the mire; and blowing on his chilly hands and rubbing them against each other, poorly defended from the searching cold by threadbare mufflers of grey worsted, with a private apartment only for the thumb, and a common room or tap for the rest of the fingers; Toby, with his knees bent and his cane beneath his arm, still trotted.

Picture credit: Public domain picture: Trotty Veck 1889 Dickens The Chimes character by Kyd (Joseph Clayton Clarke)

The story commences on the afternoon before New Year’s Day. Trotty is waiting for work outside the church. Work has been slow for a few weeks despite his willingness to work hard. He is depicted as being a cheerful man despite his lot in life, but on that cold winter’s afternoon he reads a newspaper which includes a number of scathing reports about the poor. He embarks on a train of thought that the working classes are unworthy and their poverty is a result of this unworthiness. Trotty wonders whether the poor are born corrupt and are incapable of redemption.

His lovely daughter, Meg, arrives, bringing him a meal of tripe she has cooked. Meg tells her father that she is going to marry her childhood sweetheart, Richard, despite the fact they are both poor. She makes it clear that she accepts their poverty and does not expect their situation to ever change. These are her words:

“‘He says then, father,’ Meg continued, lifting up her eyes at last, and speaking in a tremble, but quite plainly; ‘another year is nearly gone, and where is the use of waiting on from year to year, when it is so unlikely we shall ever be better off than we are now?  He says we are poor now, father, and we shall be poor then, but we are young now, and years will make us old before we know it.  He says that if we wait: people in our condition: until we see our way quite clearly, the way will be a narrow one indeed—the common way—the Grave, father.’”

Dickens intention with this depiction is to highlight the terrible plight of the poor who are trapped in a capitalist system where the wealthy always abuse the poorer. He is also demonstrating Meg’s and Richard’s passive acceptance of their situation. Dickens believed this passive acceptance of the status quo by the working classes to be wrong.

Trotty has misgivings about the marriage, but hides it and they are happy until they encounter the proud and wealthy Alderman Cute and two other gentlemen. The gentlemen succeed in making Trotty, his daughter, and her fiancé feel as if they have no right to exist, never mind to marry and have children who with perpetuate the cycle of poverty. Alderman Cute degrades and humiliates Trotty and the working classes in general.

‘You see, my friend,’ pursued the Alderman, ‘there’s a great deal of nonsense talked about Want—“hard up,” you know; that’s the phrase, isn’t it? ha! ha! ha!—and I intend to Put it Down.  There’s a certain amount of cant in vogue about Starvation, and I mean to Put it Down.  That’s all!  Lord bless you,’ said the Alderman, turning to his friends again, ‘you may Put Down anything among this sort of people, if you only know the way to set about it.’

Cute gives Trotty a note to carry to Sir Joseph Bowley MP, who gives charity to the poor but is another arrogant and hypocritical man. Trotty’s encounter with Bowley leave him feeling even more humiliated and disillusioned.

‘What man can do, I do,’ pursued Sir Joseph.  ‘I do my duty as the Poor Man’s Friend and Father; and I endeavour to educate his mind, by inculcating on all occasions the one great moral lesson which that class requires.  That is, entire Dependence on myself.  They have no business whatever with—with themselves.  If wicked and designing persons tell them otherwise, and they become impatient and discontented, and are guilty of insubordinate conduct and black-hearted ingratitude; which is undoubtedly the case; I am their Friend and Father still.  It is so Ordained.  It is in the nature of things.’

Later that evening, Toby reads some sad and depressing news in the evening paper. He believes he hears the church bells chiming his name and he sets out to climb the church tower and hear what they have to say to him. This is the beginning of the supernatural part of the story that leads to Trotty realising that the poor are not born bad but that many of them end up in bad situations due to their terrible circumstances.

Picture credit: The Goblins of the Bells by Charles Green (p. 84). 1912. 7.5 x 9.9 cm. Dickens’s The Chimes, Pears Centenary Edition

Passage illustration:

He saw the tower, whither his charmed footsteps had brought him, swarming with dwarf phantoms, spirits, elfin creatures of the Bells. He saw them leaping, flying, dropping, pouring from the Bells without a pause. He saw them, round him on the ground; above him, in the air; clambering from him, by the ropes below; looking down upon him, from the massive iron-girded beams; peeping in upon him, through the chinks and loopholes in the walls; spreading away and away from him in enlarging circles, as the water ripples give way to a huge stone that suddenly comes plashing in among them. He saw them, of all aspects and all shapes. He saw them ugly, handsome, crippled, exquisitely formed. He saw them young, he saw them old, he saw them kind, he saw them cruel, he saw them merry, he saw them grim; he saw them dance, and heard them sing; he saw them tear their hair, and heard them howl. He saw the air thick with them. He saw them come and go, incessantly. He saw them riding downward, soaring upward, sailing off afar, perching near at hand, all restless and all violently active. Stone, and brick, and slate, and tile, became transparent to him as to them. He saw them in the houses, busy at the sleepers’ beds. He saw them soothing people in their dreams; he saw them beating them with knotted whips; he saw them yelling in their ears; he saw them playing softest music on their pillows; he saw them cheering some with the songs of birds and the perfume of flowers; he saw them flashing awful faces on the troubled rest of others, from enchanted mirrors which they carried in their hands. [“Third Quarter,” pp. 83-85, 1912 edition]

Dickens uses the goblins in the bells as his instruments for social criticism and to make his points about the unjust treatment of the poor who are often wrongly accused an imprisoned for any reason due to the government’s attitude of ‘to jail with them’. The goblins also expose the social inequality innate in Victorian society and the hypocrisy of the politicians and aristocrats of the time.

Conclusion

Of the four so called Christmas novellas written by Charles Dickens I have read so far (A Christmas Carol, The Chimes, The Battle of Life and The Cricket on the Hearth, a Fairy Tale of Home), this is the one that brought the snobbery, hypocrisy, and arrogance of the Victorian gentry home to me the hardest.

The impact of the social inequality on the psyche of the working classes represented by Trotty and his daughter, Meg, and the injustices of the legal system presented by the treatment of Will Fenn, are truly heartbreaking as is the misguided attitude of the philanthropist represented by Sir Bowley.

How easy it is to judge others from a position of wealth and privilege.

You can read The Chimes for free here: https://www.gutenberg.org/files/653/653-h/653-h.htm

Have you read The Chimes? What did you think of its message?

About Roberta Eaton Cheadle

Award-winning, bestselling author, Roberta Eaton Cheadle, is a South African writer and poet specialising in historical, paranormal, and horror novels and short stories. She is an avid reader in these genres and her writing has been influenced by famous authors including Bram Stoker, Edgar Allan Poe, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.

Roberta has two published novels and has horror, paranormal, and fantasy short stories included in several anthologies. She is also a contributor to the Ask the Authors 2022 (WordCrafter Writing Reference series).

Roberta also has thirteen children’s books and two poetry books published under the name of Robbie Cheadle, and has poems and short stories featured in several anthologies under this name.

Roberta’s blog features discussions about classic books, book reviews, poetry, and photography. https://roberta-writes.com/.

Find Roberta Eaton Cheadle

Blog: https://wordpress.com/view/robertawrites235681907.wordpress.com

Twitter: https://twitter.com/RobertaEaton17

Facebook: https://www.facebook.com/robertawrites

Amazon: https://www.amazon.com/Roberta-Eaton-Cheadle/e/B08RSNJQZ5

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Want to be sure not to miss any of Robbie’s “Dark Origins” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.


WordCrafter News

New Release

Delilah releases through book dostributors on March 21, but there’s still time to pre-order your copy of Delilah here:

The later half of March will be busy, with the release of Delilah and a five day WordCrafter Book Blog Tour to get the word out, March 20 – 24.

The tour will include a fun interview where author Sara Wesley McBride chats with my character, Delilah, excerpts from the book, and posts about the historic female figures who will appear in each book in the Women in the West adventure series, and character profiles for the two characters which top-level Kickstarter backers Tim Ward and Carol Fowler have earned the privilage of naming in book 2 of the series, Sarah.

Kickstarter Progress Update

Until then, I will be busy signing and shipping the print copies of Delilah to mid- and top-level Kickstarter backers. I should be ready to continue working on Sarah in May, and I hope to have it ready to publish by the beginning of 2024. I also plan to work with a professional cover designer to smooth and improve my book covers. I want to thank everyone who supported me in this project, not only financially, but through sharing and networking it as well. All support was greatly appreciated. I couldn’t have done it without you.

Poetry Treasures 3: Passions

I’m also excited as the compilation of Poetry Treasures 3: Passions gets under way. We had some fabulous guests on “Treasuring Poetry” in 2022 and I’m looking forward to including their works in this very special collection. In addition to works by the series host, Robbie Cheadle, works by the following author/poets may be included: Penny Wilson, Judy Mastrangelo, Yvette Prior, Patty Fletcher, Rosemerry Wahtola Trommer, Willow, Yvette M. Calliero, Chris Hall, Abbie Taylor, and Smitha Vishwanath. I can’t wait to dig in to the poetry submitted for inclusion by these wonderful poets. Robbie and I are not very far into the process. In fact, I think we might still be waiting for all the submissions to get in. We had two previous anthologies, which both turned out quite well, and I’ve no doubt that this one will rival those.

You can still get a copy of these two wonderful anthologies from your favorite book distributors.

Poetry Treasures: https://books2read.com/u/3n7BDR

Poetry Treasures 2: Relationships: https://books2read.com/u/3kP8aK

2023 Short Fiction Contest & Anthology

Submissions have begun to come in for the 2023 Short Fiction Contest, as well as stories submitted by invitation for the anthology. It’s much too soon to talk about the contest entries, but I can tell you that we have invitational submissions from Chris Barili, Joseph Carrabis, Michaele Jordan, D.L. Mullan and Stevie Turner, with promises from many others. It’s still very early in the process.

You can find submission guidelines and enter the 2023 WordCrafter Short Fiction Contest here.

You can get copies of last year’s WordCrafter Press anthologies: Once Upon an Ever After: Modern Myths & Fairy Tales; Refracted Reflections: Twisted Tales of Duality & Deception; and Visions. Available through your favorite book distributors.

Once Upon an Ever After: https://books2read.com/u/mKdWGV

Refracted Reflections: https://books2read.com/u/3kPyxn

Visions: https://books2read.com/u/49Lk28

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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.


Bowlesian! – The Giant Head in the Sky

The Giant Head in the Sky

by Jeff Bowles

The giant head in the sky was known to have begun as a metaphor for something much greater than itself. Unfortunately, the day the giant head appeared above Tulsa happens to have also been the day “metaphor” supplanted the word “fact” in most common-usage dictionaries.

Dave was there and managed to witness the whole thing. According to some ancient law or custom by which the rest of Galactic Society operated, virtually anything and everything could become a reality if and only if—and this was the important part—the dominant species of a given world became the primary provider of bullshit throughout the universe.

That of course was a prime directive that only translated loosely into the languages of Earth. Dave spoke English, but he was used to being told he didn’t.

“Hey, have you ever seen the show Black-ish?” said one of his classmates, Kenny something, sitting beside him on the bench, smoking his cheap cigarette all the way to the butt.

“No, man, I’ve never seen Black-ish.

“No? I thought maybe you’d be into it.”

Dave rolled his eyes and got back to texting his girlfriend. Class at OSU was on break, so when the giant head blinked into existence perhaps 500 yards above the outdoor smokers’ area, Dave hit the deck and so did everyone else.

A sound like quivering JELL-O in the decibel range of a fighter jet exploded across the city. In the silence and eerie calm that followed, gentle pressure waves like the tide rippled over buildings and streets. This head, this immense melon unlike any other—with its long scraggly hair thick like power lines, and its lips the size of small single-family condominiums—bellowed at the world, “There, you see what you’ve done now? Too much bullshit, and now I’ve self-actualized. Where am I? Where is this now?”

His voice was a warbly baritone. He looked like a balding ex-hippie, bobbing around like a guillotined Thanksgiving Day parade balloon. Dave sensed the galactic symmetry involved in such astronomical phenomena, but he was not an astrophysicist, nor did he have any knowledge of the kinds of cosmic circumstances from which may have derived the spark of creation itself. In other words, he was shit out of luck for an explanation.

“Can anyone here speak for all of you, man?” the giant head said. “I’m kind of strung out and I’m not even sure existence is, like, a cool thing for me or not. See, I’m s’posed to tell you guys too much bullshit. Know what I mean, man? Like nonsense. Shenanigans. Hatred, aggression, bigotry, war. You dig?”

Dave could feel the walls closing in. Neither was he brave nor cowardly, but he definitely wasn’t going to die clutching a pack of cigarettes instead of his woman.

He told his classmate, “Sorry, man, I’m about to bounce,” and then he did just that.

Running flat-out the mile or so to his girlfriend Macy’s apartment building, Dave spun around every so often to observe the progress of the head. After a fashion, it seemed to be following him, if the course of its colossal path could be plotted in any reasonable way. All over the place, people ran here and there, clutching belongings and sacred bits of tic and tack. A store, a Walmart, they were looting it, which was amazing because Walmarts were basically impossible to loot. Everyone knew that. Real end of the world stuff. All those cheap HDTVs and cans of great value cola. Jesus. And the guns, all those glorious guns. A chill ran down his spine.

He’d been slurred before. He’d been slandered, brutalized, both in attitude and in action. But he never thought he’d live to see global upheaval, race riots, mass disobedience, until that day. Or that night. Or that weekend maybe, once the bad news had settled in. This was a Judgment Day thing, clearly too big for most minds to reconcile.

Dave arrived at Macy’s in fifteen minutes flat. He buzzed her and she let him up, opening her door to him and hugging him deeply the instant she saw him.

“Jesus, have you seen?” she said.

“I saw.”

“Are you okay, baby? Is everything all right out there?”

“My sense of rationality hurts,” Dave said.

Macy nodded, a tear running down her cheek. “Ramen?”

“Ramen.”

“It’s got to be a mass delusion or something. Maybe someone slipped drugs into our water supply. Some crazy old white dude’s head?”

“I know. It’s ridiculous.”

They turned on the news after a bit, sitting on the couch, two bowls of steaming noodles resting precipitously on the edge of the coffee table, and they held hands and watched with the rest of the world as the head floated from neighborhood to neighborhood, asking Tulsa who was responsible for all the vileness spewing forth from this little blue planet.

News people shouted questions at him, and he heard them and responded.

“Nah, man, I have no idea. No, well how do you think I feel? As far as I’m aware, I didn’t even exist until an hour ago.”

Dave could picture it so clearly. Maybe a group of supernatural beings—not precisely aliens, because really, what were aliens?—and certainly not spirits or star gods, because such things were strange and terrifying to think about—but a group of eternal, uniquely positioned beings fervently discussing the fates of all the mortals below.

Mighty kings who ruled vast extraterrestrial forests and grasslands, manufacturing strange tests and trials for lesser worlds, riding fine steeds of velvety blue. Neighing and bridling. Maybe they liked space oats. What was the over/under or the moral profit gain/loss? Who had the balls to decide for whom? Giant Gallagher head, giant David Crosby, like any minute he’d break into singing harmony on Love the One You’re With.

“Okay, okay, my mind is finally clearing up,” the head proclaimed on TV. “The spot I popped into existence, I think I was supposed to be looking for a guy called Dave Lewis. Er, yeah, let me … yeah, I’m sure that was the name.”

Dave’s blood ran cold. Especially when the head turned to address the cameras directly, to in essence look him dead in the eye.

“Mr. Lewis. Duder,” the giant head said. “Can you tell me what’s the deal with this planet? Like, you’ve got this internet. And that mostly sucks. Intense dosage of yuck there. Social media. And pornography. Okay, I see you all really like the porn…. But your 24-hour news sucks. And your attitudes suck. I mean, generally speaking. And new wars every month, mass shootings every week. What’s up, man? What’s the deal with you guys? Come on, Mr. Lewis. Rap with me.”

“Um…”

“Don’t worry about the distance, Dave,” said the head. “I’ll hear you in my mind wherever you are. Don’t be afraid. Just let her rip.”

“Why me?” Dave asked.

The head shook itself. Windows shattered in surrounding buildings, and the trees of a small park beneath him flattened against the pavement. The head apologized profusely. He seemed to recognize then he had to modulate the effects of his size, the volume of his voice, considerate as you’d want any neighbor to be.

“I mean, why you? Why me? Why any of us?” the head whispered. “We all have our roles to play. Unique threads in the great tapestry, know what I’m saying?”

Dave licked his lips, gazing deep into the television. He deliberately conjured a lifetime’s worth of disappointment and frustration, abuse, humiliation, dehumanization, rhetorical and experiential disparagement and disdain, etcetera, etcetera—both quiet and loud, explicit and implicit—and he vented it in earnest.

“I’m tired of being marginalized. I’m tired of the status quo. And I’m not alone, oh giant head. In fact, the only people who aren’t tired are the ones the system benefits. Emperor’s got no clothes anymore, man. Racism is shit. Hatred is shit. Cowardice is shit. And I’d like it all to end.”

The head thought about this. He narrowed his bloodshot eyes, and though only a negligible amount of processing capacity was evident in his expression, he managed to grasp the full breadth of the problem at once.

“Well hell, that means everyone is guilty. By action or by inaction, you’re all equal in complicity. Galactic Society is not gonna like that answer.”

Macy whimpered and clutched Dave tightly.

“Don’t worry, Mace,” Dave said, “I don’t think this guy is together enough to wipe us out.”

The head sighed and gave what amounted to a lopsided shrug.

“I guess I could do that,” he said. “I guess I could wipe you out. But look, I’m tired and confused and I’m jonesing like a bitch. Like a real raging bitch, duder. I want you all to love each other. Most sincerely, that’s all I’ve ever wanted, I think. Is that, uh, is that like, um, you know, at all possible, man?”

If only. If only.

Here, Dave and his miraculous connection to the giant head in the sky must be left aside. A momentary break, if you please, as we acknowledge in all humility the fact that though, to paraphrase the man, the angels of our better nature are bound to triumph someday, humanity is in an ugly state of affairs, and in fact, only a trivial work of fiction would contrive to fix all the world’s ills in the blink of an eye.

But perhaps time plus space plus fiction equals perspective. The arbiters of these things are as numerous as there are human beings on the face of the Earth. The giant head considered Dave’s answer, which held significant weight and consequence. And even Dave could feel it. Screwing up its face, the head grunted and rendered its judgement at last.

“Okay, guys. I think I known what to do. Some of you may not like it. In fact, it’s gonna be a downright bummer for most of you. But only at first. Thanks, Dave. Good on you, buddy. The times, they are a’changing.”

Unexpected and unwelcome, but the medicine found its mark. As it turned out, due to Dave’s answer, it was possible for all human beings to once and for all love and care for each other. More or less, after a few decades or so. Generations of bullshit, wiped clean within sixty years. Because the head never left. He watched for a very long time, ever vigilant, and though humankind stumbled often (in fact, every few seconds or so), the head neither challenged nor condemned nor humbled them. He just laughed and nodded knowingly, always watchful and alert.

“Yup,” he often said, “I ought to wipe you out for that one, man. I ought to wipe you out.”

Great alien kings on velvety steeds or not. Space oats. Galactic whatevers, magnanimous. Blah. Dave and Macy had babies, and those babies grew up and had babies of their own. And damnit, what a world. Nothing to hang your hat on? Just wait around half a century or so. Something is bound to shake loose.

At the age of eighty-one, Dave met with the head one last time. The place that belonged to them, the smoker section at OSU. His joints and back were rheumatic and sore, and his liver had begun to fail him. He knew his life was spent. And he was fine with that. No more global strife, or at least, a hell of a lot less of it. But he did have something he wanted to say to the giant head, something that had nagged at him for decades.

“It’s a hell of a thing, oh giant head,” he said. “Who can say where authority lies? Might makes right, or rather size does. Imagine feeling like you’re the king, the boss, the chief of chiefs, the ultimate judge of all. Do you know what that would give you?”

“No,” said the head, “what would it give you?”

Dave smiled sweetly at him. “Why, it’d give you a big head, of course.”

And a frown wide as a cul-de-sac spread across that lofty cranium. “Ah, shit. Shit, man. That’s, like … whoa. You finally did it, Dave. You finally did. Mind. Blown.”

END


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Love/Madness/Demon, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. His latest novel, Resurrection Mixtape, is available on Amazon now.


WordCrafter News

Kickstarter for Delilah

Today is the last day that you can show your support for Delilah and the Women in the West adventure series. Tomorrow is the last day of the campaign, and it doesn’t look as if it will reach my $500 funding goal. The project is currently only (63%) funded, but there’s still time for you to show your support and get some of the cool rewards and add-ons offered. With your support, we could still fund the project. So please, back my Kickstarter for Delilah, if you will.

When the campaign ends, you will still be able to pre-order the book, for a higher price, and get it on its March 21st release date, but if you support the Kickstarter campaign, you can get an early digital copy, a signed print copy, and even a chance to name a character in Sarah: Book 2. There’s also short stories, audio stories and an interview with Delilah available as add-ons. So click on the link below and drop in to see what you can get, and support me and Delilah.

https://www.kickstarter.com/projects/kayelynnebooth-wcp/delilah-women-in-the-west-adventure-series

Thanks to those who are already backing the campaign. Thanks to all of you who maybe couldn’t back the campaign, but still shared the link around on social media in an effort to help. All support is greatly appreciated.

If you miss the Kickstarter, you can still pre-order the book from your favorite book distributor here: https://books2read.com/DelilahWIW

Open submissions call

2023 WordCrafter Short Fiction Contest is open to submissions with an April 30 deadline. The theme is scary stuff in paranormal, dark fantasy or horror, and the winning story will have a guaranteed spot in this year’s anthology, alongside all the stories by invitation. You can find the full submission guidelines here.

Poetry Treasures 3 in 2023

The edition of Poetry Treasures 3 is currently in the works. We will be aiming for an April release date. It will feature the author/post guests from the 2022 Treasuring Poetry blog series and it will be compiled and edited by Robbie Cheadle and myself. The 2023 theme will be Passions, and I think it will turn out to be an impressive volume.

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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER will sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.


2023 WordCrafter Short Fiction Contest is open for submissions

I want your scariest paranormal, dark fiction and horror stories for the 2023 WordCrafter Short Fiction Contest. Make my skin crawl, my spine tingle, and my heart race. Keep me up at night. Make me leave the light on, just in case. Show mw your deepest, darkest fears. See submissions guidelines below.

2023-short-fiction-contest

Submission Entry Fee

Please submit entry fee here for your 2023 WordCrafter Short Fiction Contest submission here.

$5.00

Submission Guidelines

Genres: Paranormal, Dark Fantasy, Horror or any combination there of.

Length: up to 5000 words

Submission Deadline: April 30, 2023

Pay: Royalty share

Rights: First Anthology Rights and audio rights as part of the anthology; rights revert to author one month after publication; publisher retains non-exclusive right to include in the anthology as a whole. 

Open to submissions from January 1 through April 30, 2023.  

Submit: A Microsoft Word or RTF file in standard manuscript format to KLBWordCrafter@gmail.com.

If you don’t know what standard manuscript format is, review, for example, https://www.shunn.net/format/classic/

Multiple and simultaneous submissions accepted.

Find some helpful tips for submitting short fiction here, but mainly just follow the guidelines.

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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining


Bowlesian! – Detective Robot and the Murderous Spacetime Schism

Detective Robot and the Murderous Spacetime Schism

by Jeff Bowles

We found victim one face down in a giant vat of beer. Red beer, frothy, churning and roiling in blood. Not precisely the best brew of the batch, I knew, but I couldn’t help wonder what it might taste like on a mechanical tongue.

“Detective Robot,” said Officer Allen, a short, stocky, often uncharitable young fellow who always seemed to smell of cooked sausage. “I can’t believe they called you out for this.”

I formed my golden jointed lips into a pleasant smile. “Why wouldn’t they have called? Rain or shine, we always get our man.”

My partner and fellow investigation consultant, Gorilla Todd, beat his big furry chest and pulled his lips back over his teeth.

“Step back, beat cop,” he said in his deep, gruff voice. “Let the man work.”

Gorilla Todd was five hundred pounds of hyper-intelligent simian. He was a post-nuclear, neuro-enhanced military lab experiment, lots of those wandering Grim Land. Bit of a bruiser, to be sure, but an honest and a loyal one.

“Thank you, Gorilla,” I said. “Officer Allen, must we really?”

Allen snorted. “Boy oh boy, you fellas need to learn your place. Are we still short-staffed on actual detectives? What’d you do to get the call on this? Grease a few palms? Robots run on grease, don’t they?”

Point of fact, we run on million-core supra-processors the size of toenail trimmings. But I wouldn’t expect a technologic druid like Allen to know the difference. We got the call because the Chief appreciated our work and professionalism. She requested us by name; the place was ours for the next few hours.

“Why a fusion brewery?” I said, taking in our surroundings.

“People don’t die in fusion breweries?” asked Allen.

“Usually not fashion models, no,” said Gorilla. “Not in the middle of the night.”

“And certainly not old women dressed up like them,” I said.

Allen blanched at this.

“Old women,” he said, scratching his head as he turned to face the vat. “Holy cow! She’s gone all pruney in the lager.”

“Ale,” I said. “Shall you fetch the net or shall I?”

* * * * *

Fusion brewing, popularized at the dawn of the last nuclear holocaust, involves the high-speed collision of plutonium-rich barley nuclei with the nuclei of hops machine grown in the atomic soils found in the ancient ruins of Hackensack, New Jersey. The resulting photonic explosion produces a bubbly, effervescent ale, light on the tongue, but with just enough zing to potentially threaten male fertility (as all nuclear beverages should).

Zippy Beer, or rather, Zippy Beer’s northeast production plant, did seem a rather strange place for homicide. Zippy was known throughout Grim Land as the safest, most environmentally conscious nuclear beer on the market. Fifty years without a tainted batch, their ocu-tisements often declared. Fusion belchers spat florid ale, sluicing through sloshers, roaring down pipeways, collecting and aging in anti-grav refrigeration closets.

I studied Allen carefully. He looked tired and overworked.

“I swear to God, she was young when I found her,” he said.

“Sure she was,” Gorilla Todd chuckled. “Makes all the sense in the world. Hey, mac, you been smokin’ them funny cigarettes?”

I tapped my chin with platinum fingers and examined the poor old dead dear. We’d pulled her from the vat and sprawled her out on the tiled factory floor. I searched and picked at her with the robo-pincers I used for toes.

“You’re having us on, aren’t you Officer Allen?” I said. “You see that high, high ceiling all those many meters up above? See how there’s no skywalk, no roof access?”

“Yeah?” said Allen.

“Now do you see this is the last vat in the line? Eleven vats down that way, but here, just the one. No ladder, either. Do you see?”

Gorilla Todd jumped to his feet and waved an arm over his head. “I know this one, robot! I know it!”

I nodded at him agreeably and opened up my chest slot with a bleep, bleep, bleep, CLACK. A high-protean banana cube flopped out and jiggled on the factory floor like jelly. All five-hundred pounds of Todd landed on it and gobbled.

“She materialized in the beer,” he said, smacking his lips. “And she aged on the spot. Some kind of schismatic time disruption, I think.”

“Very good, Gorilla,” I said. “You see, Officer Allen, once you have eliminated the impossible, whatever remains, however improbable, must be the—”

A hole tore open in the air above us. It went Riiiip, and then it stretched itself wide in a kaleidoscopic clash of colors and voices. Abraham Lincoln, the sixteenth President of the United States, fell through and landed on Officer Allen with a heavy thud.

Gorilla Todd shouted, “Holy cannoli! Who is that?”

“It’s Abraham Lincoln,” I said. “And he’s been shot!”

I checked my tertiary memory banks to be sure. The beard, the hat, it was Lincoln, all right. Bullet wound in the back of the head. He wasn’t dead yet. Eyes fluttering, gasping, but not dead yet. He’d arrived only moments after his famous assassination. Remarkable. His body aged on the spot, grew older by the second. Wrinkles, thinning skin, hair gone long, gray, brittle.

Allen wheezed like strangled bagpipes. He gave a final stifled groan, then he lay his head back, twitched, and went limp. I rushed over and checked him for a pulse.

“He’s dead, Gorilla,” I said. “The Great Emancipator snapped his neck.”

“Hmph. Don’t look too great to me.”

“Granted, though I’m certain he’s not at his best. Struck down by a cowardly actor. That’s democracy for you. What precisely are we dealing with, Gorilla?”

“Black magic?” said Todd.

“Doubtful.”

“Sinister Martian technology?”

“Highly unlikely, though you earn top marks for making me chuckle. No, Todd, our suspect resembles nothing so much as thin air.”

“What do you mean?”

I walked over to another vat and kicked at the release valve until golden nuclear beer gushed out and sprayed my feet. Bending low under the faucet, I proceeding to fill my robot super stomach with hoppy ale.

My jointed fingers tapped a supple syncopated rhythm on my forehead. Performed a million mental processes. A million plus fifty. The span of a single human heartbeat.

“Eureka!” I exclaimed. “The cause of the murderous spacetime schism is—”

Rather out of the blue, a naked caveman came screaming at us from the shadows. He shouted, “Gooba! Blabba!” and then proceeded to club me over the head with a tree branch.

“Ouch!” I shouted. “Help me, Todd, you great galoot!”

Gorilla Todd ripped the branch away and roared a mighty challenge. The caveman roared back. His skin rippled with flash wrinkles, hair going brittle and gray, just like Lincoln’s. Hearty fellow, he attacked Todd, ripped out a chunk of gorilla hair and fish-hooked my simian companion.

“You rotten mook!” Gorilla shouted, caveman fingers sliding in and out of his mouth. He wrapped his meaty hands round the caveman’s throat and began to throttle the poor fellow.

“Gorilla, no!” I said.

Five new holes ripped open in the air above us. One long, continuous Riiiip, and that same kaleidoscopic clash. Out of the holes fell a cute orange kitten, a young renaissance painter, a popular ancient professional football quarterback, a potted cactus, and lastly, Richard Milhous Nixon.

Nixon crumpled to the ground, got one look at Lincoln and shrieked, “Jesus Christ! What happened to that poor bastard?”

All of them aged. The kitten grew, got fat, got skinny, and died. The renaissance painter, fingers covered in vibrant red and green oils, said something in Italian about unfinished masterworks, choked on his tongue, and summarily expired.

“We gotta do something, Robot!” said Todd, still choking the dwindling, gasping caveman.

“Do what?” I said. “And stop choking that caveman!”

Nixon died screaming, gurgling, clawing at the air.

“Todd,” I said, “we have to dump the beer!”

“The beer?” said Todd.

“It’s a bad batch! It must be. There’s no murderer here. Tainted Zippy Beer has caused a schism in space and time!”

Seven more air holes ripped open. From them dropped a sea bass, the Marquis de Sade, two members of a light contemporary jazz quartet, an earth worm, Eddie Murphy, and a two hundred twenty-five foot tall California redwood tree.

The redwood thudded to the factory floor, split the concrete, rose and sprawled, broke through the high white ceiling. The factory lights flickered. Ceiling chunks rained down on us.

“The beer, Todd! Dump it!”

Todd let go the shriveled caveman. He leapt for the redwood, scaled its trunk hand-over-hand. He braced himself against the vat, pushed at it with all his might.

“It won’t budge!” he said.

Three more air holes ripped open. A snail, a circus elephant, a street vendor holding tacos.

Think. Think.

I tapped a rhythm on my forehead.

“Eureka!” I exclaimed.

I leapt for the tree, climbed for a branch, squared my shoulders, and then I dove into the beer.

In haste, I began to drink it, slurp it all up. My robot super stomach swelled. Five hundred gallons. Seven hundred, a thousand. The roiling, bloody fashion model beer, it washed down my throat at a hundred-thousand PSI. Rushing, roaring through my alloy sternum. My body rocked and strained. I groaned like industrial machinery.

“It’s working, Robot!” said Todd. “The holes are slowing down!”

A riip here, small rip there. And then it stopped.

Bodies grew old and died; the redwood rotted, split. Half fell and crushed the factory wall. In rushed the night air, our arid post-nuclear wind. Our city out there—Grim City One—twinkled like starlight. Bricks and heavy steel beams and girders fell all around us. Clouds of dust lifted and lingered until well after relative stillness had filled the factory.

Gorilla Todd gasped from exertion. He stumbled down from the remnants of the redwood and sat against its trunk, eyeing the bodies, all the destruction.

“You did it, Robot,” he said. “You’re a friggin’ genius, you know that?”

Of course I knew. I also knew I was big as a house. Big like a beer vat and just as full. Body engorged, I looked like a head swimming in sea of scrap metal, jammed into the vat like some kind of sardine.

“Tainted spacetime-schismatic beer,” I wheezed. “I might have known! Perhaps a super-accelerated atomic contaminant—a mutation in the solitary photosynthetic apparatus, for instance—exceeded localized time dilation barriers and generated contiguous Einstein-Rosen pathways. And to think, Albert Einstein believed time was non-real!”

“Erm, Ein-who?” said Todd.

“Call in a containment unit, Gorilla. Call in the best they’ve got. And get the Chief down here, too. I fear, Todd, our troubles are just beginning.”

Gorilla Todd huffed. He pondered a moment, and then his thick brow lifted as realization dawned.

“Oh no,” he said. “You don’t mean….”

“Precisely,” I replied. “In approximately thirty-nine minutes, I will have to void my robo-bladder like a racehorse. The game, as they say, my dear Gorilla Todd, is afoot.”

END


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Love/Madness/Demon, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. His latest novel, Resurrection Mixtape, is available on Amazon now.


WordCrafter News

Delilah‘s Kickstarter campaign

I’m gearing up for the Kickstarter for Delilah and the Women in the West adventure series which starts on January 2, and runs through the whole month. This is a special project for me, because Delilah was my first completed novel, and she helped me to discover my love of writing in historic western settings. Originally published with Dusty Saddles Publishing, this WordCrafter Press edition has been revised and reverted back to the original story as a part of this wonderful western historical women’s fiction, with each book featuring appearances of historical female characters and strong female protagonists.

You can learn what all the excitement is about by visiting my pre-launch page, which will be the campaign headquarters once we launch. It runs through the whole month, from the 2nd to the 31st, and we have some great rewards and add ons available for you for your support, including copies of the ebook, signed copies of the print book, some of my short fiction in PDF and audio forms, an interview with Delilah’s character facilitated by Sara W. McBride, and a chance to name a character in Sarah, book 2 in the series, which will be scheduled to release in 2024. Please take a look at the pre-launch page and sign up for notificaation upon launch.

https://www.kickstarter.com/projects/kayelynnebooth-wcp/delilah-women-in-the-west-adventure-series

And of course, I hope you will also support the campaign once it goes live. This is my first Kickstarter campaign, and I really want it to go well. My goal is $500 and I think I have a good chance of funding it. Any support you are willing to give will be greatly appreciated.

Blurb

Her homecoming from prison quickly turns into a quest for vengeance when she is brutally raped and left for dead, and her fourteen-year-old ward is abducted. Sheer will and determination take this tough and gritty heroine up against wild beasts of the forest, Indians and outlaws to Leadville, Colorado.

Can the colorful inhabitants of the Colorado mining town work their way into Delilah’s heart, offering a chance for a future she thought she’d lost along with her innocence?

If you like strong and capable female protagonists, you’ll love Delilah.

2023 Contest Theme Revealed

On January 1st, the 2023 WordCrafter Short Fiction Contest will be open for submissions. I grew up on Stephen King, Dean Koontz, Peter Straub, Jonathan Kellerman, and John Saul, so for the 2023 contest, I want you to send me your scariest tales in the horror, dark fantasy and paranormal genres, with a 500 word limit. The winning story recceives a $25 Amazon gift card and and inclusion in the 2023 anthology.

Submission Guidelines

Genres: Paranormal, Dark Fantasy, Horror or any combination there of.

Length: up to 5000 words

Submission Deadline: April 30, 2023

Pay: Royalty share

Rights: First Anthology Rights and audio rights as part of the anthology; rights revert to author one month after publication; publisher retains non-exclusive right to include in the anthology as a whole. 

Open to submissions from January 1 through April 30, 2023.  

Submit: A Microsoft Word or RTF file in standard manuscript format to KLBWordCrafter@gmail.com

If you don’t know what standard manuscript format is, review, for example, https://www.shunn.net/format/classic/

Multiple and simultaneous submissions accepted.

Find some helpful tips for submitting short fiction here, but mainly just follow the guidelines.

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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.


Writer’s Corner: Great Beginnings

Some opening lines are so well known as that the story can be identified just by them and nothing more.

  • Call me Ishmeal.” – Herman Melville, Moby Dick, 1851
  • It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair.” – Charles Dickens, A Tale of Two Cities, 1859
  • It was a bright cold day in April, and the clocks were striking thirteen.” – George Orwell, 1984, 1949

Memorable opening lines like these are strokes of brilliance on the part of the authors, perhaps with a little luck and a bit of literary magic mixed in. But for the common author, the trick is to find the best opening possible, especially with the growing numbers of books and authors that are out there competing for readers. We need to find words that will make our work shine above the rest, words that will catch readers attention and draw them into the story, words that will be unique and memorable.

The beginning of a story can serve many purposes, only one of which is giving us a place to start. The opening sentences of paragraphs also need to draw readers’ interest, stirring questions that will make them want to read further, but they can also introduce the characters or offer a senseof place and time with vivid descriptions of setting. All my life I’ve heard about how important the opening lines of a story are, but it never really took root until I compiled five short fiction anthologies over the past two years.

My regular readers will remember that I sat on the editorial team for the Gilded Glass anthology and compiled a volume of Weird Tales to earn my M.A. in publishing. For new readers, who don’t know the story, we had over 600 submissions to comb through for Gilded Glass, and toward the end of the initial readings, if the beginning didn’t grab me right away, it was gone. There were just too many submissions to waste time on ones that I couldn’t engage with from the very beginning. This was rather painful for me, believe it or not, because I knew there were probably some good stories in there that just needed to be reworked a bit to become gems, and I didn’t have the time, or energy to find them.

On the other side of things, there were so many really good stories submitted that there was no way we could include them all, so many of the stories I truly loved didn’t make it into the anthology, and I felt it was a shame to have to turn them all away, so I kept a list of stories that I had fallen in love with, and after the final selection for Gilded Glass were made, I invited each author to have their stories included in a WordCrafter Press anthology. Not all of the authors accepted my offer, but enough did that I had material for three anthologies, and Once Upon an Ever After, Refracted Reflections, and the Visions anthologies were born.

Although I’ve strayed a bit in telling you all this, my point was that many of the stories included in those three anthologies got there because they had beginnings that were good enough to make me continue reading. Let me share with you three of my favorite story beginnings from the Visions anthology.

“I followed the two men down the beach for over an hour before I realized they were kidnapping me. I noticed howm far we’d strayed when the sun touched its reflection on the Carribean horizon, forming a perfect figure eight that shot rays of gold in all directions. The failing light and my primitive camera meant an end to the day’s photo shoot, so I decided to let them take me.

Julie Jones – “Tourist Trap”

“Tourist Trap” is one of my favorites because it not only does a great job of giving me a sense of place with its setting description, but also leaves me with several questions, which now must be answered because my curiosity has been picqued. The nonchallant delivery of the words gives the impression that our character is not concerned by what most people would consider to be unusual, and maybe even alarming, circumstances. Why? Come on. Be honest. Now that you’ve read the above paragraph, don’t you just need to read more?

“He came toward her. His body moved lithely and confidentely, muscles rippling under tight-fitting jeans and white T-shirt. Thick, black hair covered his well-shaped head with its tawny skin and lightly stubbled jaw.

She peeped at his eyes. Those mysterious eyes she’d heard about. Her stomach dropped, lips numbed, and a strange ringing started in her ears.His eyes shone amber in the late afternon sun, like a predator before the kill. Even if she hadn’t known who and what he was, those awful eyes with their many sides like a diamond, would have filled her with terror.”

Roberta Eaton Cheadle – “The Bite”

This visceral opening comes from the winning story from the 2022 WordCrafter Short Fiction Contest, “The Bite”, which is feaatured in the anthology. It sets the tone for the story, while offering hints about the characters, and stirring up just enough questions to make readers want to know more. Cheadle describes some very unusual eyes, and hints that this character is more than what he appears to be here. Who is this guy?

“I was staring out across the darkness of space, ignoring my hunger and isolation, when an alarm blared, startling me out of my meditations. I pulled my thoughts from where they’d wandered, sinking once again into my real-time brain, just as I pulled in my two-dozen tentacles in toward my body. Instead of presenting a sprawling mass, I was now a streamlined bullet.”

Leah Cutter – “The Survivor”

The opening for “The Survivor” offers up a lot of information about the setting and situation, and enough about the character to make readers curious, and make them want to read more. Who is this lone character in space? Obviously not a human. Why is the alarm blaring? Has Cutter picqued your curiosity as much as she did mine?

It wouldn’t be fair to use the openings of others without taking a look at one of my own, so let’s take a look at my contribution to the Visions anthology, as well. My story was “If You’re Happy and You Know It”, which was originally published in The Collapsar Directive anthology, by Zombie Pirates Publishing in 2017. Give it a look and see if you think I did my job well with this opening.

“The way everyone was acting, you’d think it was a crime to be happy. And looking back, maybe it was, or at least, it might as well have been.

I think it started on a Saturday, or maybe a Sunday, so no one really noticed at first, including me. Everyone had recieved their regular allotment of S-Dopa for the weekend, so if they noticed anything, they would have assumed I’d just recieved a double dose, which didn’t happen often, but it did happen. On Monday however, when I sang along with the radio which ws always playing in the background at the computer factory as we slaved away everyday, the others gave me sidelong glances, as if, perhaps, I’d lost my mind.”

Kaye Lynne Booth – “If You’re Happy and You Know It”

You can hear an audio excerpt from this story here: https://youtu.be/2X-7XiL3uHg or you can purchase a copy of Visions here: https://books2read.com/u/49Lk28

Which beginnings make YOU want to keep reading? I invite you to share your favorite beginning in the comments below. It will make it more of a conversation, (as Joanna Penn says).

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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.


Holiday Sales from WordCrafter Press

This is a purely promotional post. All the great holiday specials that WordCrafter Press is offering this season warrent a post of their own. These are all books that you’ve heard about before, so I’m not going to offer long-winded explanations of the books, but if you are looking for a gift for an avid reader, or maybe you’vebeen eyeing a few WordCrafter Press titles for yourself, peruse the offerings below for substantial holiday savings, and enjoy.

Whispers of the Past: https://books2read.com/u/38EGEL

Spirits of the West: https://books2read.com/u/ml2Kxq

Where Spirits Linger: https://books2read.com/u/mYGyNG

Hidden Secrets: https://books2read.com/u/38RZ2O

Last Call and Other Short Fiction: https://books2read.com/u/4jL2no

Poetry Treasures 2: Relationshipshttps://books2read.com/u/3kP8aK

Something for my author friends

Write it Right: https://writingtoberead.com/wordcrafter-quality-writing-author-services/write-it-right-quality-editing-services/

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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.


WordCrafter News

A look back at 2022

Before we begin to look forward to the coming year, we must first look back to assess the successes and failures of the past year. It’s been a busy year, and we’ve accomplished much

For WordCrafter Press, we published 5 books in 2022.

In April, we released Poetry Treasures 2: Relationships, with an eight day blog tour, which did well enough that I’m looking forward to the release of Poetry Treasures 3 next year. Robbie Cheadle hasn’t shared with me what the theme will be for 2023, but I’m sure it will be a good one.

In May, we released Ask the Authors 2022: Writing Reference Anthology, with a ten week long blog promotion series. Seven of the contributing authors for this book, including me, editor Kaye Lynne Booth got together for a round table discussion on the Stark Reflections Podcast to share writing wisdom and promote the book, here. And it is still available in Kevin J. Anderson’s Writing Career Toolkit Bundle, which you can purchase here. The bundle is only available until December 1, so be sure to grab one while you can.

In July, I graduated from the Master’s program at Western State Colorado University with an M.A. in publishing, and I saw the publication of both my student projects, Gilded Glass: Twisted Myths & Shattered Fairy Tales, which I was on the editorial team for, and Weird Tales: Best of the Early Years 1926-27, which I compiled & edited with Weird Tales editor and award winning author, Jonathan Maberry.

In August, WordCrafter Press published the first of three short fiction anthologies, Once Upon an Ever After: Modern Myths & Fairy Tales, with a six day blog tour and giveaway. Featuring contemporary stories in the classic fairy tale tradition which I handpicked.myself, to create an exceptional by-invitation-only fantasy anthology. This anthology has been our biggest seller in 2022.

In September, the second of the three WordCrafter Press anthologies, Refracted Reflections: Twisted Tales of Duality & Deception, with a five day blog tour. Also, by invitation only, these reflective tales may not be what they seem.

October was a big month, with the release of Visions, the 2023 annual WordCrafter Press anthology. In addition to contest entrries from the annual WordCrafter Press Short Fiction Contest, this year’s anthology had more contributions by invitation, making it the largest anthology WordCrafter Press has ever published. We ran an eight day blog tour with three days of double stops. It was quite a production. Then, we joined up with Sonoran Dawn Studios for the big Halloween book event, All Hallow’s Eve – The Web We Weave on Facebook, where we promoted all 2022 WordCrafter Press releases, with games and giveways, music and movies.

In November, I’ve been trying to do the NaNoWriMo thing with The Rock Star and the Outlaw, a time travel romance adventure novel, inspired by the music of The Pretty Reckless and other artists. It’s not finished until the last day of the month, so I’m still hard at it. I’ve written 28,940 words since the beginning of the month, so I’m not even close But I started with 21, 175 words already written, and I passed the 50,000 word mark this morning.

Also in the month of November, Ask the Authors 2022, is available in the Writer’s Career Toolkit Bundle currated by Kevin J. Anderson. Also included in this bundle are writing references by David Farland and Kevin J. Anderson, Joanna Penn, Mark Leslie Lefebvre, L. Jagi Lamplighter and Aisley Oliphant to name a few. You decide what price to pay for five core books and/or ten more bonus books, all valuable author references, and you can still get it for a few more days.

Preparations and plans for the year ahead

December is pretty much dedicated to the prepartions for the coming year, and I have some really cool things planned. This past year, WordCrafter Press published a total of five anthologies involving around 30 different authors, which was amazing. In 2023, I plan to focus more on my own writing, and I only plan to do the two annual anthologies WordCrafter Press publishes each year; one poetry and one short fiction. The poetry anthology features the guests of Robbie Cheadle’s “Treasuring Poetry” blog series, and she also acts as my co-editor of the Poetry Treasures anthology.

The short fiction anthology is connected with the annual WordCrafter Short Fiction Contest. However this last year, for Visions, I combined the contest entries with stories acquired by invitation, and the other two anthologies were by invitation only. I liked the results of including the invitations, and plan to do the same thing in 2023. The themes for these anthologies will be announced after the first of the year.

As for my own books, I have quite a few planned. I plan to re-release Delilah as a part of the Women in the West adventure series, to be launched with a Kickstarter with lots of cool stuff available for your support around the beginning of the year, so be sure and watch for that. If things go well, I may also be able to release Sarah before the end of 2023.

Also, of course, I will be launching my NaNoWriMo project, The Rock Star & the Outlaw, in the coming year. This western time-travel romance adventure will keep readers on their toes. Based on the music of The Pretty Reckless and other artists, it’s a wild ride that will keep readers guessing.

I’m also planning to put together a collection of my own poetry, which I think will appeal to all the poetry lovers out there, and I am working on several short stories which I hope to find homes for. As always, at least one will go into the annual WordCrafter short fiction anthology. And I’m planning to start a Patreon, and I’m thinking of serializing my science fantasy Playground for the Gods series for that.

2022 was a really good year, and 2023 promises to be just as good, if not better. I would love to hear your thoughts on any of my plans for the year to come. Which potential covers do you like or dislike and why? Which books will you look forward to? What would you like to see offered as rewards for my Kickstarter, or my Patreon? Let me know in the comments. Your feedback is appreciated.

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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.