Announcing the WordCrafter 2020 Stay in Place Virtual Writing Conference

SiP Header

We’re all tired of staying at home during this recent crisis. It seems like everyone has been affected in different ways, but no one has gone unscathed. Our world has changed in recent times. We, as authors and lovers of the written word had many of our in-person writing events – conferences, conventions, and book fairs – cancelled due to the appearance of COVID 19. To to emulate all those events we look forward to each year and are missing out on now, and to chase away some of the boredom of social distancing and isolation, WordCrafter presents the 2020 Stay in Place Virtual Writing Conference on Tuesday, April 28 from 8 am to 8 pm.

This is a unique event, the first of its kind, and one you won’t want to miss. Free presentations and author takeovers will be occurring on the Facebook event page, and interactive workshops and panel discussions will be offered for a minimal fee on the Zoom platform. Interactive panel discussions and workshop session can be accessed individually for $5, or an all access pass to all interactive sessions can be purchased for $50. Tickets can be purchased on the Facebook event page. Watch for your Facebook event invite from me or one of the many wonderful authors involved with this conference. Send me a message through my WordCrafter page or through the event page if you have further questions, or if you would like a half an hour author takeover spot to promote your own work.

This has been a huge undertaking to organize and set up an event such as this one, but I haven’t done it alone. Without my 22 talented presenters, this event couldn’t happen. We have a great line-up, with international bestselling science fiction and fantasy author Kevin J. Anderson presenting the keynote on the interactive platform.

Kevin J. Anderson

And that’s just the beginning. Take a look at the talent that has lined up for presentations, workshops and panel discussions.

Mario Acevedo

Award winning and national bestselling speculative fiction author Mario Acevedo will be offering a presentation – “The Power of Motivation: What Your Characters Do and Why”

Alatorre Bio

USA Today bestselling multi-genre author Dan Alatorre will be a member of the interactive book marketing panel discussion.

Chris Barili - B.T. Clearwater

Multi-genre author Chris Barili will be presenting “Writing in the Face of Adversity” and giving an interactive workshop on “Writing Across Genres”.

 

L.D. Colter - L. Deni Colter

Award winning fantasy author L.D. Colter will be offering a presentation on “Short Fiction”.

Candido Bio

World builder and speculative fiction author Kieth R.A. DeCandido will be offering an interactive workshop on “The Business of Writing” and he is the moderator for the media tie-in interactive panel discussion.

DeMarco Bio

Award winning novelist Guy Anthony De Marco will be a member on both the short fiction and world building interactive panel discussions.

Anthony Dobranski

Fantasy and science fiction author Anthony Dobranski will offer two presentaions, “How to Swim Upstream: Not being in the mainstream of your market/genre” and “Working with Others: How to direct others in a project”. In addition, he will offer two interactive workshops. “Business Class Tarot” and “The Savage Horror of Writing Back Cover Copy”.

Jason Henderson

Author for young readers, Jason Henderson will be presenting “Story Ideas and the Choices You Make” and moderating the interactive book marketing panel discussion.

Kevin Killiany

Media tie-in author Kevin Killiany will be a member on the interactive world building, media tie-in, and short fiction panel discussions.

L. Jagi Lamplighter

Award winning young adult fantasy author L. Jagi Lamplighter will be on the interactive panel on world building, and moderate the interactive short fiction interactive panel discussion.

Lawless Bio

Award-winning science fiction author J.R.H. Lawless will be a member of the book marketing interactive panel discussion.

Jonathan Maberry

Award winning and New York Times bestselling multi-genre author Jonathan Maberry will be a member on three interactive panel discussions: short fiction, world building and media tie-ins.

Bobby Nash

Award winning multi-genre author Bobby Nash will deliver a presentation on “The Importance of Promotion”, as well as being a member of both the media tie-in and book promotion panel discussions.

Nye Bio

Science fiction and fantasy author Jody Lynn Nye will offer a presentation on using humor in science fiction and fantasy writing, “Bringing the Funny: how to apply humor to your writing” and she will be a member of the world building interactive panel discussion.

Ellie Raine

Award winning fantasy author Ellie Raine will sit on both the short fiction and world building interactive panel discussions.

Art Rosch

Award winning multi-genre author Art Rosch will offer a presentation on “Creating Villains We Love to Hate”.

Sean Taylor

Award winning multi-genre author Sean Taylor will offer a presentation on “Visceral Story Beginnings”.

Vandenberg Bio

Science fiction author and marketing expert Alexi Vandenberg will be joining the book marketing panel.

Rosemerry Wahtola Trommer

Award winning poet and author Rosemerry Wahtola Trommer offers a livestream presentation “The Gateway to the Unknown: A Poetry Thought Shop”.

Rick Wilber

Author and educator Rick Wilber will be a member of the short fiction interactive panel discussion.

Dave Wolverton - David Farland

Award winning and New York Times bestselling science fiction and fantasy author Dave Wolverton/David Farland offers a”Promoting Your Book BIG” and he is a member of the interactive book marketing panel discussion.

You can find a full schedule here. I do hope all of you will join us for this unique writing event. It’s the first of its kind and we could be making history. You can be a part of it, too. Join us.


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“Santa Maybe”: Believe in the Magic

Santa Maybe

Dan Alatorre’s Santa Maybe is a delightful tale that will make you believe in the magic of Christmas at any age. This story is brief, but it will keep you smiling all the way through. A brief trip to the store and a bearded man in a red shirt lead a dad and his daughter to ask, “Could it be?” What they discover may not definitively resolve the existence of Santa Claus, but it proves that the magic of Christmas is real and everlasting. This is a great seasonal feel good story to brighten the holidays and capture the Christmas spirit in all of us.

Some stories you just judge by the way they make you feel inside. I give Santa Maybe five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


June: Seeking thrills and chills with thrillers

Thrillers

This month’s genre theme is thrillers, and it has been exciting exploring the many facets of this widely encompassing genre. Some of the great thriller writers include James Patterson, Dean Koontz, Jonathan Kellerman, Stephen White, Patricia Cornwell, J.A. Jance, Stephen King and John Grisham. Thriller authors seem to have a knack for keeping readers on the edge of their seats, chewing their nails down to the quick, and fighting off sleep to finish reading the last few pages. Many great thriller novels become thriller movies, such as The Firm, Night Train to Munich, Odd Thomas, The Girl on the Train, The Andromeda Strain, The Foreigner, The Pelican Brief, The Silence of the Lambs, and Die Hard to name just a few. Thrillers make the adrenalin flow and the heart pump with anticipation. In a broad sense, a thriller is an adventure or mystery novel, (or movie), that feeds on suspense to get readers’ adrenelin pumping and keep them turning pages, because they have to learn what… happens… next.

Within this context, there are many subgenres of thriller, including spy novels, political thrillers, psychological thrillers.  My review books this month, The Gamma Sequence, by Dan Alatorre and Only Wrong Once, by Jenifer Ruff are both medical thrillers, but they are two very different stories. My interviews this month are with International bestselling novelist Dan Alatorre and my “Chatting with the Pros” author guest is psychological thriller author John Nicholl. The subgenres are many, and sometimes the lines are blurred between thrillers and horror novels, or thrillers and mysteries, or thrillers and crime fiction, but as master thriller author James Patterson said in his book Thrillers: Stories to Keep You Up All Night (2016),

“But what gives the variety of thrillers a common ground is the intensity of emotions they create, particularly those of apprehension and exhilaration, of excitement and breathlessness, all designed to generate that all-important thrill. By definition, if a thriller doesn’t thrill, it’s not doing its job.”

Yes, it’s the excitement we feel when we read a good thriller, the sudden rush of adrenaline when catastrophy strikes and it seems there is no way out for the hero(es), or the anticipation that makes us jump in our seat when the villian attacks even though we saw it coming, these are the feelings that keep thriller readers coming back for more. Good thrillers are usually fast paced to keep the action moving and keep the adrenaline pumping from the first page to the last, throwing in twists and turns, and maybe a series of ups and downs, that keep readers on the edges of their seats and never quite give them a chance to rest until that last page is turned.

 

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Interview with International bestselling author Dan Alatorre

 

I”m chatting with International bestselling author, Dan Alatorre. He has written in several genres, including humor, science fiction time travel, and even children’s books. With his most recent book, The Gamma Sequence, Dan delves into the world of medical thrillers. This isn’t the first time Dan has dabbled in the thriller realm though.  You can see my review of Dan’s suspense thriller, Double Blind, here: https://wp.me/pVw40-3Li. Today, he’s going to share his perspective on the thriller genre, and medical thrillers in particular.

Kaye: You are a multi-genre author, but your most recent release is a medical thriller, The Gamma Sequence, which is featured in a collection of medical thrillers, Do No Harm, that will release in July. Why have you chosen to delve into medical thrillers?

Dan: I got invited to participate in a box set with a bunch of New York Times best-selling authors and USA today bestselling selling authors, and I thought it was too good of an opportunity to pass up. It’s like being invited by a bunch of major-league baseball players to come play on the All-Star team. So I jumped at the chance. That experience was a lot of fun, but when they asked me again to participate in a medical thriller, I initially said I didn’t think I should because I wasn’t really known for that and I wasn’t an expert in that. My friend Jenifer Ruff disagreed and said that a lot of my stuff had the basic elements; I just needed to kind of paint with a different color. I looked into what readers of that genre expect from their stories, and she was right. Writing a medical thriller was a lot of fun and people really are going to enjoy The Gamma Sequence, because there are just surprises you’re just never going to anticipate. It has a great villain. It has conflicted good guys. There’s a lot to like on a lot of layers.

Kaye: How do medical thrillers differ from other types of thriller?

Dan: A typical murder mystery is: a murder happens and the detective goes about solving it. With a medical thriller, you take those basic elements and you set them in a medical scenario but often the person doing the detecting is not a cop or a detective but somebody from the sciences, or the victims are from the medical sciences, or it has a general medical background setting that is going to be part of the solution. If murder mysteries are typically painted in blue, then this is painted in purple because it’s those things with some shades of other things.

Kaye: What was the biggest challenge in writing thrillers for you?

Dan: I needed to learn what readers of the genre expect in their stories so they wouldn’t be disappointed. I needed to lay out a decent outline so I could hit the points I needed to hit, and I had an extremely short deadline. Most books like this take the author a year to write. I had this completed in about 1/4 of that time – by necessity. And it literally went almost right up to – the day I had to submit it, I was still getting some feedback from beta readers and making a few tweaks. But it’s really, really good. People are really going to enjoy it. The early reviews are tremendous.

Kaye: Can you briefly tell readers about The Gamma Sequence?

Dan: Geneticist Lanaya Kim must do what authorities haven’t—tie together the “accidental” deaths of several prominent scientists around the country to show they were actually murdered. Over the past two years, geneticists have died in what appear to be accidents, but Lanaya knows otherwise. If she tells her secrets to the authorities, she risks becoming a suspect or revealing herself to the killer and becoming an open target. Hiring private investigator Hamilton DeShear may help her expose the truth, but time is running out. The murders are happening faster, and Lanaya’s name may be next on the killer’s list. But when Lanaya and DeShear start probing, what they discover is far more horrifying than anyone could ever have imagined.

The more they look, the more they find – and the bigger the problems get. In the meantime, they’re getting shot at and having to run for their lives because people are trying to kill them!

Kaye: What elements of storytelling do you feel are specific to the thriller genre?

Dan: For me, it is a fast pace that goes from one interesting thing to the next without slowing down. Now, that sounds like any good movie or book, and that’s the challenge. You really don’t have time to slow down and get distracted but you still need red herrings and false leads and multiple suspects. So at the same time you’re hitting the accelerator, you have to be looking down the side roads, too. Here’s the key: what’s interesting? How fast can you get to it? What’s the next interesting thing? How fast can you get to that? Each chapter has to ask another question and add to the mystery while it’s answering something early from earlier. The reader can’t put it down. I’ve had people tell me they missed their stop on the train because they were so engrossed in The Gamma Sequence!

Kaye: Do you feel thrillers require a faster pace to keep the adrenaline flowing?

Dan: I think most stories should have a fast pace. Some should not but most should. Thrillers definitely should. Murder mysteries definitely should. Comedies definitely should. But you can see how romances might really benefit from taking a slow pace, and there are certain dramatic stories that definitely want to dive deep. But thrillers need to be a roller coaster ride, and The Gamma Sequence definitely is that. It has beautiful settings and a terrific villain, and a pace that keeps it moving, nonstop.

Kaye: Thrillers are action packed and filled with conflict and tension. What techniques do you use to keep the story moving, the readers on the edges of their seats, and the pages turning?

Dan: Conflict and tension. Internal dilemmas. Stuff a reader would relate to – in a good guy and a bad guy. You have to have likable characters and multi-dimensional characters. You have to have an interesting villain with a compelling reason for doing what he’s doing. I prefer if the villain does not see himself as a bad guy but sees himself as having different goals than the good guy, and their goals happen to be in conflict with each other. And a fast pace is definitely helpful.

Kaye: Are there any particular thriller authors that you fashioned your writing style after as you approached writing in the medical thriller genre?

Dan: I can’t say I styled myself after any particular author in the genre, but I have been compared very favorably to Robin Cook and Michael Crichton. A few others. That’s good company.

Kaye: You have also written, horror, murder mystery, sci-fi time travel, and humor. What are the differences in writing a thriller from the other genres you’ve written in?

Dan: The broad strokes are still the same: What’s interesting and how quickly can you get to it? So, if it’s a horror story, I get to the scary as fast as possible, but I horror you build lots of tension and suspense. In a murder mystery, you have to make it be exciting and move along quickly while really baiting the hook each and every chapter, building to the big reveal at the end. A medical thriller is very similar to that because it all keeps building until it reaches a critical mass and then you finish with a bang. So far, nobody has seen the surprise ending coming in The Gamma Sequence. I love that. I get emails: I did NOT see that coming! That’s fun.

Kaye: As you prepare to write in a genre that is new to you, what kind of pre-writing preparations do you make?

Dan: I talk to fans of the genre to find out what types of books or movies are their favorites, and what they liked about them. I try to make interesting characters including the villain. I want to have a fast pace because a good story feels like it has a fast pace, regardless. The fact is, it’s a lot of work to make a story appear effortless. And I definitely sit down with some trusted advisors to hammer out an outline that is going to fulfill the expectations of what readers of the genre have. Then I have my boundaries drawn and I go crazy and have a lot of fun inside those lines, occasionally straying a little here and there outside the lines, because you have to push the envelope, but always delivering intensity on every page. The Gamma Sequence does that.

Kaye: What is your favorite genre to write in? Why?

Dan: Comedy. It’s so much fun! Making people laugh is a lot of fun. Scaring them in a horror story is a lot of fun, too. And taking them on a roller coaster ride in a thriller is a lot of fun, too!

Kaye: What is the one thing in your writing career that is the most unusual or unique thing you’ve done so far?

Dan: Probably what’s most unusual is that I’m not afraid to try something new, and then I kick ass to make it amazing. A lot of authors develop something and stay with it, and that’s great. I do that, too – but I’m not afraid to jump over into something new.

I want to thank Dan for joining us today. You can read my review of The Gamma Sequence this Friday. You can pre-order the box set Do No Harm here: https://www.amazon.com/Do-No-Harm-Seventeen-Thrillers-ebook/dp/B07RFSSQZ4/ref=sr_1_2?keywords=Do+No+Harm&qid=1559140737&s=books&sr=1-2

Learn more about Dan Alatorre and his books at the following links:

Blog and Website: https://danalatorre.com/

Amazon Author page: https://www.amazon.com/Dan-Alatorre/e/B00EUX7HEU/ref=dp_byline_cont_ebooks_6?author-follow=B00EUX7HEU& 

 


Double the mystery, double the suspense with “Double Blind”

Double Blind

Double Blind, by Dan Alatorre is a riveting suspense thriller that will keep the pages turning. I didn’t want to put it down. I was forced to stop in the middle of a climactic scene because I couldn’t hold my eyes open any longer and my brain was muddling the words. But, I was back at it first thing the next morning because I had to find out what happened. And you will, too.

There’s a brutal serial killer on the loose, but when he strikes two members of the same family on the same night, it sends police looking for connections that don’t seem to be there, and the killer seems to always be one step ahead, and brings in Johnny Tyree, a P.I. and friend of the family right into the thick of things. When the two detectives working the case, Carly Sanderson and Sergio Martin, become the targets, it sends police reeling in yet another direction.

Dan Alatorre does a marvelous job of weaving the subplots together without revealing the surprise twist at the end in this well-crafted crime novel. I give Double Blind five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Dark Visions: A Horror Anthology You Won’t Want to Miss

Dark Visions

October is the month for scary things, and a horror anthology filled with spine chilling short stories from over thirty authors is the perfect read for the season. The release of Dan Alatorre’s compilation of Dark Visions anthology is October 15th, and you won’t want to miss it. In addition to a wonderfully original and entertaining  prologue, and his own story, “The Corner Shop”, Dan has lined up a slew of writing talent to include in this tomb of short horror tales.

Not only does this anthology have a very cool cover, (Check it out above), but it also has some very well crafted short fiction, some that will stay with you in times to come. These shorts cover a wide spectrum of horrors; nightmares, voodoo, vampires, apparitions and spirits, and even demons. The stories found here prey upon your inner fears, making brief little ditties from the stuff of nightmares.

None of the stories I read from this collection would rate less than three quills, meaning even the mediocre stories are pretty good. Among my favorites are “The Devil’s Hollow”, by Adele Marie Park; “Road Kill”, by Ernesto San Giacomo; “Behind the Leather Apron”, by Alana Turner; “The Bloody Dagwood Tree”, by Dabry Farmer; and “Ice Cream”, by Geoff LePard.

Not to say that other stories in this volume are not noteworthy. Many of these stories will keep you awake at night, including: “The Haunting of William”, by Robbie Cheadle; “Nightmare”, by Lori Micken; “Swimming”, by Frank Parker; “Lucifer’s Revenge”, by Christine Valentor; “What If”, by Geoff LePard; “Ghosts of Tupelo” by Sharon Cathcart; “Where the Black Tree Grows”, by M.D. Walker; “The Right Time to Move”, by Jennifer Ruff; “The Stranger”, by Allison Maruska; “The Storm”, by J.A. Allen; and “Spirit Lake”, by Sharron Connell.

I may be difficult to please when it comes to short fiction, because I like my stories to feel complete and often short fiction fails  on those lines, but most of the tales in this collection did not fail to satisfy. Most of them were also a little creepy, which is essential when it comes to horror. And, did I mention it has a really cool cover? Put all of that together, and I give Dark Visions five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.

 

 

 

 

 

 

 

 

 

 

 

 


Interview with independent author Dan Alatorre

Dan Alatorre

Today, I have have a real treat for you on Writing to be Read. My interview today is with a very funny guy, who is a successful independent author. He’s a family man, with a background in business, so book marketing and promotion is just another part of the  job for him. He’s got two books which have both been recently released, Poggibonsi: An Italian Misadventure? and The Navigators, which we will learn more about right here.

Dan has so much to share with us that I’m going to structure this interview a bit differently than I have on interviews in the past. The first part will allow us to get to know Dan a little as a person. The second part will delve into his marketing knowledge, followed up with the last section which will probe into his writing techniques, what writing means to him and questions on craft. So, without further ado, let me introduce to you, independent author Dan Alatorre.

Kaye: You are a family man, Dan. What are your secrets for juggling writing with family?

Dan: I think if you are a writer you need to prepare yourself for the inevitable “you spend too much time on the computer” conversation/argument.

That’s just how it works.

So, my recommendation is, give work its proper due and give family its proper due and give writing its proper due. How you balance that is, you have to decide whether or not spending time with your young children is important or not. (Answer: IT IS.)

When my daughter goes to her dance class or a Girl Scout Daisies Troop meeting, that’s writing time for me. When she’s going to one of her little girlfriends’ birthday parties, that’s writing time for me. However, I make pizza from scratch every Friday afternoon for my family and that’s family time. I don’t write then. When she was younger, I would write after she went to bed at 8 PM, but often that is time that should be spent with the spouse. Adult time.

Me, I get up at 4:30 in the morning to write for a few hours. That’s how I manage it. I also watch very few TV shows, and the ones I watch are all recorded so I can skip all the commercials. In other words, I utilize a lot of time saving devices but I am also thinking about my stories pretty much all the time, so when I sit down to write I’m ready to let loose. If we are at Busch Gardens and I get a good idea, I will excuse myself for a moment and tell the idea into my phone – and then get right back to the family. So they lose me for a minute or two but I got my idea captured.

And I’m not talking about being there half-hearted – you need to be there 100% for your kids especially when they’re young. But there’s always two minutes here and there if you have a great story idea. Nobody’s going to complain about that. What they complain about is when you take all that family time for your writing and then keep doing things like excusing yourself at Busch Gardens. That’s not gonna fly.

Now, with all that said, every spouse of a writer is going to understand occasionally you are in the zone and you just have to keep going. Whether that is getting up early or working late or whatever for a few days or a week, they get it. They can see it on your face and every time you talk to them you are excited about it. I’m just saying, if you are willing to give them what they need, they will give you what you need. Be generous with them and then be very selfish when you need to be. That also works.

Kaye: A lot of your stories come from your own experience as a parent, things you learned from your daughter, Savvy, and they make us laugh. Do you have a knack for finding the humorous side of things to use in your stories, or is it something you have to work at?

Dan: Both. (I hate when you offer somebody a choice and they choose both things, but in this case it’s really true.) I’m a funny guy. I have a knack for finding the funny things in life, and that’s rampant in certain characters in my stories. Sam in Poggibonsi is a scream – she steals the show. In Savvy stories, my daughter does.

I’ve always had a good sense of humor and I have always been able to make people laugh. When I was a child – I have six brothers and sisters – so around the dinner table it was tough to compete for mom and dad’s attention. Cracking a joke or being able to slip in a funny comment was a way to bring the house down and get a little recognition. I was not a class clown in school, though! Okay, maybe a little. But I was the guy who would do a stand-up routine at the variety show or write stuff for the newspaper.

Before I started writing a blog, I was putting stories on Facebook for my wife’s friends and my friends. I would put a post up at five in the morning and by dinner time there would be 100 comments saying how I made everybody cry before they went to work! Other times they would be a bunch of comments saying how hilarious that story was and that I should write a book. Eventually I listened to them.

But the subject matter of those early stories was my daughter – and anybody who spends five minutes around little kids either decides they’re a pain in the ass or they are amazing and brilliant and hilarious. I fit into that second category. My daughter cracks me up and now that she knows she can, she has her routines that she does that bust me up every single time. So she inherited a funny bone from me and from her mother. My wife is very funny, too.

Kaye: What is the one thing you hope to teach your children?

Dan: It’s a little early to try to teach them this particular lesson, but I have been fortunate enough to come from a large family so my nieces and nephews have gone through college and are making their way in the world. The advice I give to them as young adults is: pursue your passion. Whatever gives you joy in life, do that for a living. Don’t worry about the money, because if you hate your job you will be spending your money on being happy. If you do what you love, you can get by and a lot less money.

Nobody listens, but that’s the advice I give.

At her young age, my daughter enjoys ideas of being a fashion designer and a singer and a writer. Right now she can keep all those thoughts in her head. When it gets closer to the time when she actually has to decide, I hope I am able to be behind her 100% in whatever she chooses. And I hope she chooses with her heart as much as with her head. I work with too many new authors who are 35 and 45 and 55 finally started writing, when they wanted to do it their whole lives. I think we need to follow our passions much earlier in life. I’m not sure Americans foster that in our children.

Kaye: How would you describe yourself in three words?

Dan: Hmmm… only three?

Intense. Hilarious. Smart.

But I think not in that order. I think if you asked three or four people who have read my stories, like three or four of my critique partners that I use all the time, they would say smart and then funny and then prolific or something. I don’t know if they would go with intense.

Kaye: What did your road to publication look like?

Dan: Bumpy.

I found an agent through a friend and the agent kind of started doing things along the traditional path of publication, which is known to move at a glacially slow pace. I came from the business world of Fortune 500 companies, and business moves fast. If you say you’re going to read something in six weeks, I need to be able to call you at six weeks plus one day and get your thoughts on it.

Traditional publishing doesn’t work that way. They they say six weeks, and then you call after six weeks and they say they need another six weeks. That’s why books take two years to come out. I’m not saying my way is better, I’m just saying after being exposed to that type of a slow process, I realized it was not for me. I have no problem working on a project for two years and polishing it, I just have zero patience for giving someone your finished product, a book that is ready to go – and letting them sit on it for two years.

So the agent and I parted ways and I have not really considered going traditional since then, but I am not adverse to it. It is good for certain stories and it is not good for really unique or groundbreaking stories. That may change, but right now that’s the case and that’s been the case for a few years. I don’t really see it changing, but I do see the role of traditional publisher changing. In my mind, they have to get quicker. To Kill A Mockingbird doesn’t come across their desk every day, but then again maybe it does. There sludge piles are so big they’d never know. They’re never getting to a lot of the good stuff, and since the majority of trad books don’t earn back their advance, I’d say their selection process sucks and their competency level is questionable at best.

Kaye: With your background in business, it seems like promotion and marketing are pretty second nature for you. In fact, we found each other because you were looking for authors to swap interviews with, because you know that interviews are good marketing tools. What was the most fun interview you’ve ever done? Why?

Dan: I did an interview with Kathleen Townsend that was just hilarious. That was probably my best written interview prior to this one, but it was done for a different reason. I was just trying to make her laugh and her readers laugh. In this interview, I’m trying to cull a little more in depth because your readership skews different from hers. I hope authors understand interviews are certainly done to sell books, but sometimes they’re done to educate and sometimes they’re done to entertain. The best ones are a combination of all those things.

Anyway, one of the best interviews I ever did was when Jenny and Allison interviewed me for the release of The Navigators. We set up a three-way video call that we recorded. That was really a lot of fun.

The interview that hands-down was the funniest interview I ever did was interviewing the author of the bestseller The Fourth Descendant for a trilogy she was releasing called Project Renovatio. We probably spent two hours doing the interview and we probably laughed hysterically for one hour and 50 minutes of it. The 10 minutes when we weren’t laughing is most of what we used for the interview. The other 90% was just a hilarious good time. We became great friends – we were good friends before that interview but we were great friends after that interview. It was just nonstop laughter. Completely unusable, and it wasn’t outtakes, it was just making jokes and laughing.

One of my great joys in life is I can go to that interview if I’m having a crappy day and I can look at the outtakes and within 10 minutes I’m laughing my butt off. There’s a snippet of it on YouTube. Most of the time she (the interviewee) is laughing and wiping her mascara out of her eyes because she’s laughing her so hard she’s crying. Great interview.

Kaye: What’s your favorite social media site for promotion?

Dan: Specifically for promotion? Probably Facebook, and in that, Facebook ads. It depends on what you’re trying to do. New authors need to build an author platform, and Facebook is really good for helping do that, but there are a million ways to waste your money when you are trying to pay for advertising.

Probably for every good add source I paid for, I have paid for 10 bad ones. My advice to people is this: track everything. Look at your reports every day and when you run an ad try to the best of your ability to only run one ad with one promoter at a time. If you run five ads on Mother’s Day and do well, how do you know which one sold all the books? You don’t. If you run your ads one at a time and track your results, you will. Then you can replicate your success, if it’s replicate-able.

That’s not always possible, but to the extent that it’s possible please try to track your results. Quit giving to the people who don’t give you results.

Kaye: What do you do for cover art? DIY, or hired out, or cookie cutter prefab?

Dan: I had the great pleasure of working with Perry Elizabeth for many of my early book covers. Perry designed a number one bestseller for me, as well as designing a number one bestseller for a friend’s debut novel. She designed maybe six of my first seven book covers. She’s brilliant. She has a gift.

Like many things (I came from a business background having gone to the president circle with two different Fortune 500 companies) and in that world the saying “If it’s not broken, don’t fix it,” doesn’t apply. They would say, “If it’s not broke, fix it so it’s even better.” Something like that. Maybe I should’ve paid more attention in all those meetings.

Anyway, when you have good success you have to look if you can make bigger success. Sometimes the answer is yes and sometimes the answer is no. In the case with Perry, she is very devout in her religion, and I knew some of the risqué subject matters in my stories would not be something she would appreciate her name being associated with. So I had to take it upon myself to find other people to work with for those. I can’t put one of my partners in that position, you know? So I had to put other titles with other artists – and I am very fortunate they’ve done a terrific job, too! Look at how eye catching The Navigators cover is. That’s all part of it, making your book stand out. I’ve been very fortunate to work with so many skilled people.

Now, I have on occasion tried to design my own book cover or to buy an image and work with that, and I have had some decent success with it. But here’s a tip for new authors: even if I know exactly what I want the cover to look like, I still roll it out on my fans.

How did I find cover designers? I joined author groups and asked everybody for referrals. I looked at books I liked and saw who did the covers. I shopped. You can spend hundreds of dollars (and occasionally under a hundred) on covers that look as good as ones that cost thousands, and usually for new authors money is in short supply.

For example, The Navigators I bid it out. I didn’t really know what the cover should look like, so I gave a brief synopsis to three or four cover artists, and then I posted their mock-up results on my Facebook page so my friends could vote. One cover jumped to the front, hands down – and that’s the one I went with. And it was very successful.

With Poggibonsi, I pretty much knew what I wanted from the get go. I wanted to portray sex and humor in a single image that could potentially be iconic. If you ever saw the poster for the movie M*A*S*H, or Jaws, or The Godfather, we know that when something is a hit it tends to own that image. And with Poggibonsi, I knew that the cover would convey very simply and easily a large portion of what the story was about. Additionally, like the name Arnold Schwarzenegger, Poggibonsi is not easy to say or read or pronounce. My thinking was what Arnold said: it’s hard to say but once people hear it they can’t forget it. And I think that’s the case with this title, too.

Poggi cover FINAL

Kaye: Poggibonsi: An Italian Misadventure just came out last month. What can you tell us about it?

Dan: Poggi jumped into the cold cruel world on April 20, and it’s burning up the charts! I’m so happy. Poggibonsi is without a doubt my funniest book I have ever written. It’s going to do amazing because it’s just knock-down drag-out funny as hell.

In the story, I take on so many things that are just absolutely not funny! Infidelity, death, getting fired, you name it. And in the process I make you laugh at every single step. Some of the characters are the funniest people you’re ever going to meet, and one in particular absolutely steals the show. On the other side, it is in insanely romantic romance story! And it’s hard to make a romance that’s really romantic while also being funny, but I think I threaded the needle pretty well on this one.

Kaye: What is the strangest inspiration for a story you’ve ever had?

Dan: Hmm. Strangest.

Hmmm…

I was talking to an author friend of mine the other day and I was explaining to her that she was very creative in setting up a new world or a situation that is different from our current existence. I, on the other hand, have taken things that we are all very familiar with and looked at them from a very, very different view point. I’ve never tried to create a fantasy world like she has. So my complement to her was how creative she is at that, and she’s great storyteller in addition. My complement to myself was that I can take things that everybody knows and all of a sudden they are questioning everything about it and laughing their butts off or crying their eyes out or being scared to death of these things that they already knew.

Now, as far as the strangest places I’ve drawn inspiration, if you start with the premise that I have pretty much dealt with the world as we know it, then the inspiration has been unique insights on things that are common place.

So, my inspiration has come from everywhere, which doesn’t help anybody who’s reading this to figure out what inspires me, but I am inspired by the same things that I find humor in. The common situation or as Alfred Hitchcock used to do to Cary Grant, taking an ordinary man and putting him in extraordinary circumstances. Having an ordinary situation with ordinary people become somehow extraordinary. Taking your life as you know it and turning it on its head and giving you a roller coaster ride but doing it in such a way that you like the characters and  you’re rooting for people to succeed – and at the same time, with my stories nothing is what it seems. All of a sudden you have skated out over the thin ice and there are there you are being blindsided by things you didn’t know were coming.

In Poggibonsi, you think a certain situation can’t get any worse, and it gets so, so, so much worse, and people are sending me emails saying, “I did not see that coming!” They love the roller coaster ride. I try to give them a good one every time.

Kaye: Did you always want to be a writer?

Dan: I think so, yes. My direction in life was to create a career and then do the writing in your spare time. That’s probably how most people do it and that’s what I would recommend, too. As long as you make time for everything, you’ll be okay. If you don’t make time for everything, you’ll be very frustrated that you’re not doing your writing – so make time for everything!

But like I said, I went to work in business before I started writing in earnest, and once I started writing in earnest I didn’t want to do anything else.

Kaye: Are you a plotter or a pantser?

Dan: I am absolutely a plotter, but let me explain.

Before I really start writing a story, I will percolate on it for a while to get some ideas going. Before I start writing in earnest, I am throwing ideas into a folder. Once I sit down I have a beginning, a middle, and an end. The that’s my outline –  sometimes nothing more than that.

But just because I have AN ending does not mean that is the way the story ends. It simply means that that’s the direction I’m heading in; that’s the way I intend to go. If I get a better ending, I am absolutely taking the story there, but if I don’t come up with something better, this is the destination I’m going to end up at.

That gives you the best of both worlds. You can be as free and crazy as you want and you still have a path to get you back on track. Or, if you really find some new destination, you go there.

But it’s been my experience that probably 75% of the books that never gets finished by the writers don’t get finished because they got excited, they started writing, they had a couple of good ideas – and then they ran out of steam. Jim Patterson – yes I call James Patterson “Jim” – said it’s better to spend an extra month on the outline then it is to start the story not know where you’re going with it.

Having a goal and having a destination, that will help you finish your story. I think 90% of writers block and unfinished stories happens because of the lack of an outline.

But again, it is not locking you in a cage, it is simply directing your creativity. Having an outline does not stifle your creativity, it directs it.

Kaye: What’s the best piece of advice you were ever given?

Dan: I wrote a blog post once where I put like 20 memes in it and then I explained what each of them had meant to me at different periods. One of them was Hemingway saying write every day. Every day, get up and bite the nail. That’s so important because the more you work at something the better you get at it, so don’t stop.

The other was something along lines of, “Every great story is this: nothing is as it seems.”

I thought the simplicity of that second one was overstated. Like almost like it’s too simple so it’s stupid. And then all the sudden I read it like a second or third time and I was like oh my God it’s brilliant.

So those two are good. The best one is: the reader is your willing accomplice. On that one, if you set a realistic world and you work hard to make a good story, the reader will go along with you. As long as you do a good job, you can do whatever you want. And once you do it well, you can play the reader like a piano. You have the power and they want to go on the ride. Willing accomplice.

TheNavigatorsFinal

Kaye: The Navigators also came out recently. Would you like to tell us a little about that one?

Dan: Gosh, I’m so proud of Navs. The Navigators is a great story involving time travel. Five graduate students in paleontology accidentally discover a strange machine, and right off the bat they have to figure out what it is they discovered. As they conclude it’s a time machine, each of them has a different idea of how they should use it – so there’s immediate conflict. There is a lot going on with the characters in the story. Pretty much nothing is what it seems, so there is intrigue at multiple levels, plus it’s a real page turner. People who start reading this book have reported back that they are just unable to put it down. I’m very proud of that. It’s a real home run.

Kaye: How do you decide the titles for your books? Where does the title come in the process for you?

Dan: Man, titles are hard! They shouldn’t be, but they are.

Originally, Poggi was going to be called something like “My Italian Assistant”, but that all had too much of a schlocky 80s sex romp feel. This is not that. This is a story that goes deep in everything it pursues. The humor is outrageously funny. The romance is deeply passionate. You will laugh and you will cry and your heart will break. As a result, it deserves its own unique word.

Now, I’m not a fool. I gave it a pretty simple subtitle to explain what was going on. But most of my critique partners said I couldn’t call it that. Well, after they got used to reading a few chapters and calling it by its name, they were cool with it – and they wanted me to keep the tile as Poggibonsi.

So you have a unique title and a unique cover for a unique story. That’s either going to be a home run or a complete strike out. Right now if I can convince people to start reading it at all, they end up loving it. There are so many toys twists in surprises and absolutely hysterical moments, really some unforgettable stuff and some unforgettable characters, it’s a rare treat that readers around the world are loving.

With Savvy stories, I kicked around a lot of ideas and I was told many times not to use that title. To me, it was a double entendre. Savvy stories are stories about Savvy, which is the nickname of my daughter Savannah. I also gush about how smart and amazing children are, so savvy stories also means stories about people who are street smart. Which is probably the wrong way to describe infants and toddlers, but you get the idea.

The Navigators really required a different formula. I was writing the story and I was calling it The Fantastic Five as its working title – which is just awful – and everybody who saw it kept saying, “You can’t call it that! Find something else.”

The reason it was the “fantastic five” was because they were five characters and each did something kinda fantastic. I knew that would never be the final title but I just couldn’t think of anything good. I was just stumped. It happens.

Anyway, I was in the middle of a scene and the characters were debating about flying the time machine somewhere, and one of the characters said they were thinking about it all wrong. He said, “We’re not really driving it, we just are setting the destinations and the times.”

So the first character said, “Oh, so we are the navigators?”

Again, there is a double meaning to that.

The time machine is something they really haven’t figured out when they start testing it so they are putting in longitude and latitude and a time, and letting the device take them on an adventure. It also refers to the young lady in the story who is kind of drifting along doing the things that people probably wanted her to be doing as opposed to choosing her own life. So she too is also not a pilot yet. She’s not making the decisions yet. In the story, she ends up becoming the main character and really growing into a leadership role.

That was important because I have a young daughter, and it’s kind of a projection of her where she might be 15 years in the future.

Many of my stories are written on multiple levels. I had one beta reader asked me if a certain scene was a metaphor for the guy’s marriage. It was. Other scenes were reflections of other things, too. There’s only a little bit of that (and a little goes a long way) but when somebody discovers it, it’s like a brilliant flash of joyful light to me.

The Water Castle and An Angel On Her Shoulder came about in similar fashion. The water castle is the way a young child refers to a landmark that the story kind of takes place around. And “an angel on her shoulder” is a remark that a doctor says about the child who got diagnosed with a rare but potentially fatal heart condition in my paranormal thriller.

So, I guess when I need to come up with a title, I have my characters express it in dialogue! There you go. That’s my secret. Have a character open your mouth and hope a title pops out.

Kaye: What is the single most important quality in a novel for you?

Dan: I have to care about the characters. There are a lot of different ways to achieve that, but readers are kind of generous. They will give you a little while to make them care about a character, but you have to make them care. If you don’t, nothing else matters.

In The Navigators, I thought about starting the book at the landslide where one of the characters almost gets killed. Aside from it being some obvious action, I knew in my heart that we just wouldn’t care if somebody got killed because the readers hadn’t gotten to know anybody yet.

By contrast, in An Angel On Her Shoulder, it starts with an action scene where the wife is beginning to wonder if her husband and child have been accidentally killed, and the chapter ends with her being frantic – asking that question – but we don’t know.

Because I have the wife being concerned about her young daughter, and because I have her emotions jumping from she doesn’t know what’s going on to “Oh my god what’s going on?” – and all the people around her are saying “Oh my god look at all the blood, there’s no way somebody could survive that,” she is getting more and more frantic…

The reader cares because the character cares. She is really getting frantic and she is really nervous and we can’t help but be empathetic and then therefore we care also.

Then I’m really mean. I jump into a flashback that took place several decades before, and you have to float through that for a few chapters – so that you kind of forget about the frantic scene –  and then we end up right back in that opening scene a few minutes before it happens. I know flashbacks are persona non grata, but I got to tell you, this is an amazing roller coaster ride that readers love! The way I played it, it was a stroke of genius if I do say so myself. I love that story.

Kaye: Which author, dead or alive, would you love to have lunch with?

Dan: Mark Twain, because he was very, very funny and very, very smart and apparently liked to drink. I just think sitting down and having lunch with him would involve lots of drinks and lots of laughs, and I’m not sure there’s a better lunch than that.

Hopefully one day some kid will say they want to have lunch with me, and I will fly to where they live and we will go get hammered and have the most awesome lunch ever.

Kaye: Have you ever had places that you travel to end up in your books?

Dan: Kind of. When I was going to Italy for a vacation I kept telling myself I knew I’d find a story there. And I loved Venice and I loved Rome – I loved everywhere we went in Italy. Gelato is amazing, the pizza is amazing, the women are amazing, the art and the architecture is amazing. Italy is amazing.

And I was really trying to force it. I was really saying okay, is this story? Is that a story?

It doesn’t work that way. On the plane ride home I got the idea of a man going on a business trip to Italy so I could explain a lot of the things I saw through his eyes, and then I wanted it to be a romance but I wanted it to be a comedy, too. There’s lots of things to find funny about traveling, but the romance was going to be an unconventional one, and from that little spark, I said there’s the story.

Many of the people who read it have told me I made the country of Italy into a great character in the story, and that is very high praise. I have an Italian translator who I have worked with translating my other books and she read it and she love the way I depicted her country, so I am absolutely satisfied with how that story came out. It’s an absolute home run on every level.

Kaye: What is the hardest part of being a writer?

Dan: Many people, most in fact, struggle with being able to finish their first story. They want to fine-tune it forever and they are afraid of publishing it. Whatever it is, they struggle to get the first one done. Once they get the first one born, they realize what a huge weight has been lifted off of them and they become much more at ease with writing and everything else. Unfortunately, just as many people suffer from the opposite affliction, which is thinking something is a masterpiece. What it really needs a lot of work, and they publish it too soon.

That’s not a very helpful answer, is it? But it explains this: the hardest part is knowing when the story is ready. The people who release it too soon don’t know when it’s ready, and the people who polish it forever don’t know when it’s ready.

How do you figure it out? You write what needs to be said, you give it to trusted critique partners who will tell you the things you said that did not need to be said, and then you trim out the stuff that doesn’t need to be there – and release it.

Then start writing your next one. After you do this a few times you will not be afraid to release a story and you won’t be afraid to take input from people who have your best interest at heart. You’ll have a thicker skin and a bunch of other things. That’s when you – most of you – will become really good writers. A few people do it on the first shot; most don’t.

If I could give you one thing, it would be not just confidence but enough confidence. Tell your story and don’t be afraid to be passionate and to be emotional and to really put your soul on the page. Expose yourself. Writing is the equivalent of standing naked on a stage, prepared to be laughed at and humiliated – and doing it anyway.

Write from your heart and don’t hold anything back. Not the pain, not the love, not the fear, not anything. When you put it on the page from your heart, the reader get it. They connect. The more personal you make it to yourself, the more universally understood it is. That’s where too many authors make their mistake. They don’t open up and let it pour. They write the words but they don’t write the heart. They tell a good story when they have a great one within them. They hold back because they’re afraid of what people might say or might think, or that their mom right read it or that their friend might hate it or whatever. When you can let go of that and stand naked on the stage, that is where the great stuff comes from. You may fail miserably, but you will have given it your all. That’s confidence. I wish I could give you enough of that to make you put your soul on the page. When you do, you will be greatly rewarded for it.

I want to thank Dan for joining us today and sharing his knowledge and experience with us. I couldn’t help but chuckle as I went over your answers. It’s been a lot of fun. To learn more about Dan and his books, drop by his blog.

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