Current world events are bewildering for young teenagers who are faced with a barrage of information about pollution, climate change, war, politics, religion, and other important issues. It is difficult for teenagers with their limited experience and knowledge of the world to unravel and cope with all these challenging messages.
Today, I am sharing a few books for this age group that contain strong messages about political and other themes encased in an entertaining and engaging storyline.
Fattipuffs and Thinifers by Andre Maurois
This is a book about segregation, in this cased based on the size of people, war, and negotiation and is a entertaining and enlightening read.
A brief summary about this book from Wikepedia:
Fattipuffs and Thinifers “concerns the imaginary underground land of the fat and congenial Fattypuffs and the thin and irritable Thinifers, which is visited by the Double brothers, the plump Edmund and the thin Terry. Fattypuffs and Thinifers do not mix, and their respective countries are on the verge of war when Edmund and Terry make their visit.” You can read more here: https://en.wikipedia.org/wiki/Fattypuffs_and_Thinifers
My review of Fattipuffs and Thinifers
Fattypuffs and Thinifers is a wonderful book about two brothers, one fat and one thin, who discover a hidden world beneath the surface of the earth. This subterranean society is segregated based on the physical weight of its inhabitants. Larger people are Fattypuffs and live separately to the Thinifers, who are workaholics who “eat to live not live to eat”. The two nations are hostile towards each other and are verging on a war. The two brothers from the surface are separated when they arrive in this country and set off on individual adventures. Edmund is a Fattypuff and sails away on a ship to Fattyport. He has a lovely time, resting on the deck in a large arm chair and eating all kinds of tasty food. Terry, on the other hand, sets off on a ship to Thiniville and gets to know some of the Thinifers who exercise and work relentlessly while eating very little. The tension between the two nations is on the increase and war seems inevitable when the two brothers come up with a clever plan to resolve the situation. This book is suitable for readers aged 10 to 13 years old.
David’s entire twelve-year life has been spent in a grisly prison camp in Eastern Europe. He knows nothing of the outside world. But when he is given the chance to escape, he seizes it. With his vengeful enemies hot on his heels, David struggles to cope in this strange new world, where his only resources are a compass, a few crusts of bread, his two aching feet, and some vague advice to seek refuge in Denmark. Is that enough to survive?
David’s extraordinary odyssey is dramatically chronicled in Anne Holm’s classic about the meaning of freedom and the power of hope.
My review of I Am David
I have been trying to work out in my mind which of the many children’s books I love, is my absolute favourite. This morning I was reading an extract from I am David to a group of children. It was the scene where David saves the little Italian girl from the fire and I realised that I am David is my absolute favourite children’s books. This book has such a beautiful storyline and is so well written, you become completely pulled into the story and David’s search to find his mother. I would highly recommend it for children of 12 and above.
Quotes from I Am David
“The sun glistened on a drop of water as it fell from his hand to his knee. David wiped it off, but it left no tidemark: there was no more dirt to rub away. He took a deep breath and shivered. He was David. Everything else was washed away, the camp, its smell, its touch–and now he was David, his own master, free–free as long as he could remain so.”
“And his eyes frighten me, too. They’re the eyes of an old man, an old man who’s seen so much in life that he no longer cares to go on living. They’re not even desperate… just quiet and expectant, and very, very lonely, as if he were quite alone of his own free choice.”
“Johannes had once said that violence and cruelty were just a stupid person’s way of making himself felt, because it was easer to use your hands to strike a blow than to use your brain to find a logical and just solution to the problem.”
Have you read either of these books? Did they make an impression on you? Let me know in the comments.
About Robbie Cheadle
Robbie Cheadle is a South African children’s author and poet with ten children’s books and two poetry books.
The eight Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie has also published two books for older children which incorporate recipes that are relevant to the storylines.
Robbie has two adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories, in the horror and paranormal genre, and poems included in several anthologies.
Robbie Cheadle contributes two monthly posts to https://writingtoberead.com, namely, Growing Bookworms, a series providing advice to caregivers on how to encourage children to read and write, and Treasuring Poetry, a series aimed at introducing poetry lovers to new poets and poetry books.
In addition, Roberta Eaton Cheadle contributes one monthly post to https://writingtoberead.com called Dark Origins: African Myths and Legends which shares information about the cultures, myths and legends of the indigenous people of southern Africa.
Want to be sure not to miss any of Robbie’s “Growing Bookworms” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
Welcome to the WordCrafter Hope for the Tarnished Book Blog Tour. On this tour you’ll learn about a touching new young adult novel, Hope for the Tarnished, with guest posts by the author, Ann Chiappetta, as well as reviews and an interview. I hope to see you all at each tour stop. Here’s the tour schedule so you don’t have to miss any of the stops:
Day 1:Writing to be Read – Introduction and Review
Day 2: Patty’s World – Guest Post by Ann Chiappetta
Day 3:Writing to be Read – Interview with Ann Chiappetta
Day 4:Roberta Writes – Guest Post by Ann Chiappetta
Day 5:Zigler’s News – Guest Post by Ann Chiappetta and Review
About Hope for the Tarnished
Young Abbie struggles to cope with the traumatic experiences in her life. Ripped from everything familiar after her parents’ divorce, she is dropped into a strange neighborhood and is emotionally abandoned by her unstable mother. Abbie is caught up in the cruel nature of one sister’s addictions and often rescued by her other sister’s sense of familial responsibility and love.
The story takes place in the 1970s, revealing family secrets and the shift of cultural norms as Abbie leaves her doubts in the past, embracing a bright future.
Hope for the Tarnished, by Ann Chiappetta is a young adult novel about a young girl who triumphs over the adversities of life to find a chance for happiness as a young woman. It’s a story of tragedy and triumph. It’s a story of hope that will tug at your heartstrings.
Growing up as a latch-key kid, before it was ‘thing’, with a mentally unstable mother, who is indifferent to her daughters’ needs, and sister who is an addict, Abbey faces loss and tragedy head on. But as she grows into a young woman, love complicates her life and makes her doubt her own decisions. With time, social norms and personal situations change, making Abbey dare to hope for happiness once more.
A touching story of love and hope, with the message that nothing ever stays the same, Hope for the Tarnished leaves you with an overall good feeling. I rooted for Abbey all the way through.
The concept of 1,000 true fans was based on the theory of Wired editor, Kevin Kelly that a creator could make a descent living online with 1,000 truly invested fans, and it’s a concept that has been around for more than a decade. Today’s thinkers have revised that theory, and now it is believed that really, 100 true fans are all you need in this new “passion economy” which appears to be rising from within the new global internet communities, according to Aayushi Rachana, in her article “”100 True Fans” is All You Need in Passion Economy”, on Medium.com (March 11, 2021): https://medium.com/hapramp/all-you-need-to-know-about-100-true-fans-3fd72a35154f True fans are those who believe in you and want to support you in your creative endeavors; those fans who will buy everything that you write, just because you wrote it. And supposedly, we all have them – we just need to find them, or rather, we need to draw them to us.
That’s why I’ve decided to embark on a search for my own 100 true fans as I prepare to take my writing career to the full time level, but they aren’t going to just walk into my life and say, “Hi. I’m here to read everything you write, because I know how wonderful you are.” No, that’s not how it happens. True fans have to be earned; they have to be cultivated and grown from followers into fans, and a few will even mature into super fans, or true fans. But it doesn’t happen overnight, and it won’t happen on its own, and for me, it may be even more of a challenge as a multi-genre author who writes her heart instead of trying to write to market. So, I’ve developed a plan for drawing in followers, and hopefully, seducing them into fans, and then with luck it will turn into a long term relationship of super fans. Do I really have fans out there? We’ll just have to wait and see what happens.
The first step is to offer a way for my followers to become fans by learning more about me and my books through my newsletter. I haven’t been as good as I should have been about my newsletter, I admit. In fact, I let it go to the wayside for two years and only primed it with a revival issue this past month, which gave a brief overview of upcoming releases and current projects, including a reminder of the approaching deadline for the 2022 WordCrafter Short Fiction Contest (see submission guidelines here), and let my readers know that I’m still here. Newsletters also offer a way for followers to engage via email response, an opportunity for a connection to be made, which makes it more likely that they will become fans, or even superfans.
If you are reading this, then chances are good that you are at least a follower of mine. If you’d like to get to know me better or learn more about upcoming releases from myself or WordCrafter Press, you can join my newsletter and get a free digital copy of my paranormal mystery novella, Hidden Secrets, here: https://mailchi.mp/64aa2261e702/klb-wc-newsletter. Go on and subscribe. It’s free and you never know, you may even become a fan of you like what you discover in my newsletter.
Poetry Treasures 2: Relationships – Cover reveal
Above, you see the fantastic cover designed by Teagan Geneveine. I’m pleased to announce that to celebrate National Poetry Month, Poetry Treasures 2: Relationships will be scheduled for release in April. This wonderful poetry anthology features the works of guests from last year’s “Treasuring Poetry” blog series right here on Writing to be Read, hosted by Robbie Cheadle. Contributors include Arthur Rosch, Elizabeth Merry, D. Avery, M.J. Mallon, Miriam Hurdle, Colleen M. Chesebro, Lauren Scott, Harmony Kent, JulesPaige, Lynda McKinney Lambert, and Robbie Cheadle. Keep watching here, because it will be up for preorder soon.
Gilded Glass Up for Pre-order
You’ve all heard me talk about the great new anthology I am helping to put together through my publishing course at Western State Colorado University. In addition to the fabulous stories chosen from a plethora of exceptional submissions, it features stories by Sherrilyn Kenyon, Alan Dean Foster, Jonathan Maberry, Kristine Kathryn Rusch, and Michaelbrent Collings. I’m excited to tell you this amazing anthology is scheduled for release in July, but is now available for preorder and you can find it at your favorite retailer through books2read at the link below.
Sign up for the Kaye Lynne Booth & WordCrafter Press Newsletter for and book event news for WordCrafter Press books, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of Kaye Lynne Booth’s paranormal mystery novella, Hidden Secrets, just for subscribing.
Well, we’ve all made it through another year and now have a whole new year ahead of us. I’m not into making resolutions that will just be broken, probably before the month of January has come to a close, but it seems like this time of year always brings about changes, so I thought I might share with you the changes planned for 2022, some of which are already in process.
Writing to be Read
On Writing to be Read, we have a few changes to the line-up. Jeff Bowles will only be doing one blog series, “Words to Live By”, on the first Wednesday of every month. Art Rosch will be doing “Mind Fields” and “The Many Faces of Poetry” bi-monthly, alternating every other Friday. Robbie Cheadle will still be offering all three of her monthly blog series. While “Growing Bookworms” and “Dark Origins” will keep their spots on the second and fourth Wednesday of each month, but “Treasuring Poetry” will be moving from it’s Saturday spot to the third Wednesday of each month.
My new series, “Writer’s Corner” will appear once a month on Mondays, as will my reviews, including any “Review in Practice” posts. I was considering making my monthly “Chatting with the Pros” series into a podcast, but I think that will have to wait, since I have so much on my plate already for 2022. So, what I’m wondering now, is does anyone miss this series and would like to see me bring it back on the blog? If you do, or you would, I’d love to hear about it in the comments. It will help me to decide whether or not this series is worth reviving.
Author Kaye Lynne Booth
Back in May, for the 2021 WordCrafter New Beginnings Virtual Writing Conference, Anthony Dobranski, author of Business Class Tarot, did a workshop on the use of the cards he created. We didn’t have a great turn-out in 2021 and there were numerous set-backs, including my loss of internet causing me to miss out on a full day of the conference I was hosting, so when no one showed up for this wonderful workshop, Anthony was kind enough to do a reading for me. It was a lot of fun and I was surprised at how accurate to my own life his reading was. One of the things that was revealed was that I was trying to do too much and I needed to enlist others to take a part of the load on me, because I have always tried to be a one woman show and do all the various tasks involved in being an independent author and publisher. (You can see the video of the full reading here.)
Acting on the revelations from that reading, as I ramp up to transition into a full time writing career, with several releases planned for 2022, I realized I needed beta-readers and reviewers, and others to just help spread the word on social media, and so the Kaye Lynne Booth & WordCrafter Press Street Team group was born. It’s a great group with members who support my writing endeavors and want to be a part of the process. Members have exclusive access to behind the scenes information, opportunities to weigh in on scene and cover creation, and early access to new releases and book events, in exchange for their support as beta-readers and reviewers, or their help in spreading the word through their social media channels.
I’m also reviving my newsletter after letting it fall by the wayside for over a year. Newsletter recipients will receive early notice of new releases and book events, and sometime news of works by other authors bi-monthly. You can sign up for my newsletter here.
My first release for 2022 is scheduled for June, with the re-release of Delilah, in an edition that is the story I originally intended to tell. (You can find out more about the decision for this change here.) The current edition of Delilah will come down from the Amazon shelves sometime in April, and the new edition will be released wide, so it will be found not only on Amazon, but on Kobo, Barnes & Noble, Apple, Baker & Taylor, Bibliotheca, Borrow Box, Overdrive, Scribd, and other selected digital book outlets because WordCrafter Press publishes through D2D. (I’m a member of their affiliate program. Sign up for your own D2D account here.)
In the past, I told you about my science fantasy series, Playground for the Gods. The first book in that series was my thesis project when I was earning my M.F.A. at Western State Colorado University, back in 2016, so the it has been finished since then, yet you’ve never seen the implied promise of publication come to fruition. In 2022, I plan to release not just Book 1: The Great Primordial Battle, but also Book 2: In the Beginning, and Book 3: Inanna’s Songsometime toward the end of the year, but release dates for these haven’t been set yet.
WordCrafter Press & Author Services
WordCrafter Press has some great releases coming in 2022 as well. An updated version of the writing reference, 2022 Ask the Authors, is scheduled to be released in March. The original Ask the Authors, was taken from a Q&A blog series I ran in 2018. While the much of the advice offered from the 17 different authors who participated in that project is still valid today, this edition will address the changes in the publishing industry since the original edition was published and will feature an anthology of essays on craft and publishing in addition to the Q&A advice. This edition will feature advice from 13 authors, including Bobby Nash, Mark Leslie Lefebvre, Roberta Eaton Cheadle, Nancy Oswald, Christopher Barili, Mario Acevedo, L. Jagi Lamplighter Wright, Kevin Killany, Paul Kane, Jeff Bowles, Enid Holden, Christa Planko, and myself, Kaye Lynne Booth.
The call for submissions for the 2022 WordCrafter Short Fiction Contest posted on January 3rd. However, in 2022, WordCrafter Press will be putting out not just this one anthology, but a total of three short fiction anthologies. In addition to the Visions anthology, which contest submissions may be included in, that will be released in August, there will be two by invitation only anthologies: Slivered Reflections, which will be released in September, and Once Upon an Ever After, which will be released in November.
In 2021, we released the first edition of Poetry Treasures poetry anthology, featuring the works of Robbie Cheadle’s 2020 “Treasuring Poetry” poet guests on Writing to be Read, and we’ve decided to do it again. 2022 Poetry Treasures will feature the works of the 2021 “Treasuring Poetry” guests for a spectacularly unique poetry anthology, and will be released April to celebrate National Poetry Month.
Last, but not least, Write It Right Quality Editing Services is open to new editing clients in 2022. If you’re looking for affordable quality editing, Write It Right could be the editing service you’ve been looking for. A part of WordCrafter Quality Writing & Author Services.
I’m looking forward to 2022. I hope you’ll all join me in the coming year, as it promises to be a good one.
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I have been giving some thought lately to book marketing, especially the marketing of books aimed at children. While selling more books is obviously of interest to me as a writer of children’s books, I am also interested in the most advantageous ways of imparting information to, and developing a love of learning and reading in young children. This duel interest led me to an investigation of electronic books and the pros and cons of children reading using an electronic platform like a computer or an app on a tablet.
I wanted to know, firstly, if children were interested in reading ebooks.
The answer to that first question was a resounding yes, children are definitely interested in reading ebooks. Modern children are surrounded by technology and it is becoming more and more central to their lives. Lately, not only do children use cell phones and tablets to communicate with each other, and as a source of entertainment and research for school projects, they are using it to do their school lessons and virtually visit with relatives and friends.
Since the advent of the pandemic, many children are seeing their parents working on-line at home and using Zoom to engage with their colleagues instead of face-to-face meetings, so it is hardly surprising that children are interested in ebooks. It is a natural progression.
Ebooks for children are also easily accessible, cheap, have a narrator who reads the story, and have interactive features such as animated pictures, music, sound effects, and links on the screen that connect to games or additional information about the story or pictures. I must admit, I have noticed this link feature in non-fiction books I have read recently and I also like it. I can click on the link and find out more about the source of a picture or listen to a YouTube video about a specific aspect of the book.
My second investigation looked at the pros and cons of ebooks for children.
children learn early literacy skills from good quality ebooks that include relevant interactive features such as a dictionary, words that are highlighted when the narrator reads them, and games and pictures that help explain the story;
children interact longer with their parents when reading an ebook together;
children can read an ebook over and over again on their own which improves literacy and fluency;
children can read an ebook independently which may encourage them to read more often; and
ebooks are cheap and accessible.
parents often feel they should reduce their children’s screen time and have a resistance to ebooks;
parents think their children can have the book read to them by the narrator and spend less time reading to [and bonding with] their children;
parents get distracted by the interactive features and end up focusing on them instead of the story itself;
children learn less about the story from an ebook, in particular they do not remember the order of events as well as they do when reading a paper book; and
the interactive features in an ebook may be distracting to the child.
My overarching takeaway from the above which is a summary of all the articles I read on this subject is that, as with paper books, children benefit the most from ebooks when they read them with a parent or caregiver who spends time taking to the child about the story. This is exactly the same benefit that a child receives from reading a paper book with a parent.
The general view is that parents either take the view that their input is not required for ebooks due to the narrator who reads the story to the child, or the parents get distracted away from the detail of the story by the interactive features and so the wrong information dominates the parent/child engagement.
In homes where the parents do not spend time reading with/to their children, it is believed that ebooks can play a bigger role in assisting children to learn to read as it provides a way of achieving the reading of a story without parental input.
I’ve always read to both my boys. I read with Gregory until he was 6 1/2 years old and wanted to read on his own and I read with Michael every day until he was 12. Some evenings I still read with Michael [his book] and we often sit and read our own books together. It is still a pleasant time and reading separate books at the same time means I don’t have to suffer through Rick Riordan books all year round.
Robbie Cheadle has published nine books for children and one poetry book. She has branched into writing for adults and young adults and, in order to clearly separate her children’s books from her adult books, is writing for older readers under the name Roberta Eaton Cheadle.
Robbie Cheadle’s Sir Chocolate children’s picture books are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision. Her books for older children also incorporate recipes that are relevant to the storylines.
Roberta Eaton Cheadle’s supernatural stories combine fabulous paranormal elements with fascinating historical facts.
Children’s picture books – available as a square book and an A5 book (co-authored with Michael Cheadle): Sir Chocolate and the strawberry cream story and cookbook Sir Chocolate and the baby cookie monster story and cookbook Sir Chocolate and the sugar dough bees story and cookbook Sir Chocolate and the Condensed Milk River story and cookbook Sir Chocolate and the Sugar Crystal Caves story and cookbook Sir Chocolate and the Fondant Five story and cookbook Sir Chocolate and the Ice Cream Rainbow Fairies story and cookbook
Middle school books: Silly Willy Goes to Cape Town (includes five fun party cake ideas) While the Bombs Fell (co-authored with Elsie Hancy Eaton)
Poetry book: Open a new door (co-authored with Kim Blades)
Supernatural fantasy YA novel: Through the Nethergate
Horror Anthologies (edited by Dan Alatorre): Spellbound Nightmareland Dark Visions
Paranormal Anthologies (edited by Kaye Lynne Booth): Spirits of the West Whispers of the Past
Murder mystery Anthology (edited by Stephen Bentley) Death Among Us
2020 has been an difficult year for all of us as Covid 19 turned lives upside-down. Here at Writing to be Read and WordCrafter, we saw some great accomplishments, in spite of the fact that my genre theme schedule fell apart half-way through the year on the blog and content was a little more sporadic. I had to figure out how to adjust to my own “new normal”, which life changes brought my way, but they also led me to remember who I am. Now, I’ve analyzed and regrouped, and I’m ready to head into the new year with new ideas and projects.
One of the biggest things for WordCrafter was the 2020 Stay in Place Virtual Writing Conference back in April. We ended up with twenty-two distinguished authors, offering live stream and video lectures, and interactive workshops and discussion panels, with free content for the Facebook event and a Zoom platform for the interactive stuff. We had a good turn-out with only a few glitches, and we’re preparing to do it again in 2021.
WordCrafter Press releases in 2020:
In April, the Ask the Authorswriting anthology was released after two years of compilation. This book is an ultimate writer’s reference with tips and advice from twenty-two authors, and it started right here, from a 2018 blog series of the same name. In November, the print edition of this book, (and all WordCrafter Press books), became available, as well.
Two of my own books were also released. Last Call and Other Short Fiction is a collection of my short stories, and my paranormal mystery novella, Hidden Secrets, is now available in print on Amazon, but the digital edition can be purchased through other retailers. In the coming year, I will have a story in the Where Spirits Linger anthology, and I’m working on a new book, The Outlaw and the Rockstar which I hope will be ready to release before the end of 2021.
WordCrafter Press‘ first stand alone author’s book was released in December, Raise the Tide, a devotional book by James Richards. We also look forward in anticipation to adding the January release of a massive poetry collection by Arthur Rosch, Feral Tenderness, to this list.
Writing to be Read 2020:
We had some great guests on Writing to be Read. On “Chatting with the Pros”, my author guests featured Diana Raab, Amy Cecil, Cherokee Parks, L. Deni Colter, and Kevin J. Anderson. I’m hoping to transform this blog series into a podcast, which can be accessed through the blog, in the coming year, and I hope you all will join me there. Other authors interviewed in 2020 included Mark & Kym Todd, Jade C. Jamison, and Alan Dean Foster. The most viewed interview was with erotic romance author Nicky F. Grant. Interviews fell by the wayside along with the genre themes, but I’m planning to bring back author interviews for 2021, and I’m working on a new blog segment, “The Authors’ Covid Coffee Clache”, which will address issues of the pandemic specific to authors.
I was also honored to be a judge for the Writers of America’s Spur Awards and I reviewed my top six picks, and the winner of the western romance category, The Yeggman’s Apprentice, by C.K. Crigger. These were the best of the best, and I was honored to be given the opportunity to read and review them.
Also, in 2021 Writing to be Read will be a host for the WordCrafter Book Blog Tours, so we’ll be keeping you up to date on several new releases as they come out. Robbie Cheadle will bring us a new blog series on nursery rhymes and fairytales, “Dark Origins”, and I plan to bring in a new series, “Writer at Work”, which will talk about different issues that writers face. Subscribe to this blog with one of the buttons in the upper right-hand corner to be sure not to miss this great new content or the tried and true content of continuing series on Writing to be Read in the coming year.
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2020 saw the birth of the book I’m currently working on, and it was all inspired by music. In fact, the female lead character, Amaryllis is based on the music of Taylor Momsen and The Pretty Reckless. So, I had this great idea to set the tone and offer a glimpse into the thoughts of the pov character for each chapter with a snippet of lyrics; lyrics from The Pretty Reckless for Amaryllis, and lyrics from various artists for the male lead, LeRoy. It’s a time-travel story, titled The Outlaw & the Rock Star. The only catch is, an author has to be careful not to infringe on the copyright when using lyrics in her fiction.
Copyright, whether in the literary arena or the music industry, is serious business. Artists and writers protect that which they have created, as they should. As a writer, I can’t imagine the outrage I would feel, were I to learn someone else had infringed on my copyright. My words are my creation. They came from me. No one else on the planet can write them in just the way I wrote them, unless they steal them. And, let’s face it folks, theft is what copyright infringement is. So, I get why writers and artist want to protect their creations. I want my work to be protected, too.
According to Matt Knight on in “Using Lyrics in Fiction” (5 January 2019) on Sidebar Saturdays, obtaining copyright permission for song lyrics involves a ton of research into who actually holds the copyright, and then contacting them to request permission to use specific lyrics in your fiction, and pay the requested fee to obtain copyright permission. It can be both expensive and time consuming.
Knight offers a few ways around obtaining copyright permission, including only using the song title, since titles cannot be copyrighted, or using a small enough portion of the lyrics so that you can claim fair use, or choosing different lyrics from the Public Domain realm. Since this one of my characters is based on the music from one specific band, using Public Domain lyrics doesn’t seem to be an option. Since the lyrics are going to be used to set the tone of the story, using only titles wouldn’t really work. I really feel the story would loose a lot if I don’t include the lyrics, although I might be able to trim some of them a little.
So, I’m left looking at researching each individual song and contacting each copyright holder to gain permission to use their lyrics in my work, which seems like a lot of work. In the case of The Pretty Reckless, I will need copyright permission for multiple songs, so it may be an up hill battle, and it could get very expensive.
I can do the research and strive to obtain all the copyright permissions that are needed. I can’t say I’m looking forward to that part, or that I think it will be easy, but nothing good ever is. I’ve only written about six chapters, but my heart is already invested in these characters and their story. This is going to be more of a project than I realized when I concieved of the idea for this book. Here’s hoping this venture doesn’t cost more than I can afford.
Back when I began my M.F.A., one of the first questions I was asked was, “What is your writing process? To put the words in my head down on the page, right? I just write what I think and then revise, revise, revise until it comes out, hopefully, to something someone will want to read. That was my writing process, or so I thought. But, I learned that there is so much more to writing, especially if you are undertaking a novel length work, and every author has their own way of doing things. There is no right way to create story. We all have to find the ways that work for us.
Some writers are plotters, and some are pantsters, just letting the story flow, so they can be surprised right along with their readers at how the story turns out.. Those who are plotters find fabulous and creative methods to work out their plots, from using a whiteboard, to taping note cards on the wall above their desks, to good old fashioned outlining. While some authors, like Barbara Chapaitis, who was my “Chatting with the Pros” guest last January, are binge writers, who get an idea and then locks themselves in a room alone for days on end until the story is written.
Some like to do their writing at night, some in the morning hours when their creativity is at a high. Some write with their favorite music playing, while others require quiet in order to write. Some writers write everything out in longhand, while others type it out on their keyboards. Still others, like Kevin J. Anderson and Martin L. Shoemaker in their book, which I reviewed this month, “On Being a Dictator“.
It is a subject that has fascinated me, and questions on the writing process are commonplace in my author interviews, because everyone does it different. In fact, back in 2018, when I was running the “Ask the Authors” series, I ran a segment on it in both rounds of the series, which is soon to become a chapter in the Ask the Authors book, scheduled to come out later this year from WordCrafter Press. I think it fascinates me because there are so many different ways to approach writing, and some of them are very creative.
Like many things, writing processes change and grow as we do. Back then, I carried a notebook and wrote stories out in longhand if a computer wasn’t handy. I just wrote from off the top of my head and let the words fall as they may. I loved to write while my favorite music played, and since there were others in the house, it was usually blasting into my head through a set of earbuds. But now… Now I carry my laptop everywhere and do a lot of pre-writing activities in my head. (The writing process begins long before the words ever hit the page.) I seldom listen to music while I write because I too often catch myself singing along instead of writing. (I’m seriously considering giving dictation another go, because many ideas are lost because I can’t get them down right away.) And I outline, especially for novel length works, but even a little on short stories, too.
What is your writing process? I would love to hear about your own unique approaches. Let me know in the comments.
My earliest years were spent in Westernville, NY. Right down the street was the beautiful Lake Delta, a place we visited frequently. My parents and I played on the beach. We walked the trails through the woods. One day my father mentioned that when he used to fly his plan over Lake Delta, he could see the foundations beneath the water. That puzzled me – why would there be foundations down there? Were they like the shell fossils we found in our backyard sometimes?
Photo by Lisa Fotios on Pexels.com
He explained that a village used to be there, but it was flooded to create the lake. My imagination went wild. He also told me that my grandmother’s house on the farm where we lived was moved from the lost village. That amazed me, and gave me my first glimpse at history. My fascination with Lake Delta continued, but we moved to a neighboring village and didn’t visit the state park as often.
One day, the Westernville Town Clerk, Mary Centro, spoke at my hometown about Delta. My mother and I attended the lecture, and we were enthralled. I wanted to write a story at once, but I didn’t know where to take it.
My parents moved back to Westernville and I met with the town clerk to discuss Lake Delta in more detail. She told me about walking the land while the lake is low and finding treasures washed up on shore. The next year, my parents and I walked the lake, but we didn’t find anything. Again, I felt the need to write about the lost village of Delta, but I didn’t know who my main character would be yet.
The town clerk wrote two non-fiction books about Delta and my dad bought copies. While visiting my parents, I looked through them, and then did some research online. I learned that one house hadn’t been torn down the first time they flooded the land. It wasn’t until later, when the water receded, that they demolished it.
That was my story. A little magic seeped into the tale, and Lottie came to life. You can read about Lottie in DELTA, my first historic fiction novella that is appropriate for teens and adults.
About the real Delta…
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New York State decided it was time to expand the Erie Canal. Many of the ports along the canal were no longer being used, because shipping goods by train became the more popular method. Shipping by train was cheaper than shipping via canal. It wasn’t just the price, though, that encouraged manufactures to choose train travel. The modern barges that were needed to ship the goods couldn’t go on the Erie Canal, which was too small and far too shallow. The water level of the Erie Canal tended to fluctuate. By expanding the Erie Canal, the ports would flourish once again. Many farmers were excited by this. They would be able to transport their goods to cities elsewhere in New York State. Expanding the canal required the use of five reservoirs. These reservoirs would provide enough water to keep the level of the canal even. New York State chose Delta because they would only need to build one dam.
The village of Delta rested inside of a deep valley. This made the perfect bowl-shape to fill with water from the Mohawk River nearby. Flooding Delta meant that privately owned land would need to be seized by the government. Everyone living on that land would need to move elsewhere.
In 1903, surveyors arrived in Delta to measure the land and create maps. In 1908, New York State officially authorized that Delta would be cleared to make way for the reservoir. Blue evacuation notices were presented to the village’s five-hundred residents, forcing them to relocate. One hundred buildings were torn down and destroyed. Some, however, were dismantled and moved to other towns in the area, where they were rebuilt. People moved away and their village became a reservoir. The dam was completed in October 1912. Water first went over in May of 1916.
Despite the great expenses incurred in the relocation of the Black River Canal, it closed in 1921.
Jordan Elizabeth is a fantasy author who is obsessed with history and ghosts. You can connect with Jordan via her website, JordanElizabethBooks.com. The photo above shows Jordan on the shores of Lake Delta. You can often find she and her son enjoying the beach.
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“This is available at the library, right?’ I get that question a lot.
You should know that I talk about my books. A lot. I get excited and that passion spills over whether I’m at a book signing or conversing with a coworker. Some people don’t want to buy books. They might not like the book, so they don’t want to invest in the purchase, or they don’t want to have books cluttering their homes. Whatever the reason, libraries are perfect.
If I’m asked locally, then I get to say yes, my books are available. Other places…well…not so much. That surprises people.
Here’s the thing about indie books. Libraries don’t normally stock them. They need a reason to purchase a copy. This could be because you’re a local author, because you did an event there, or because someone requested it.
The best way to help out an author is to ask your local library to purchase a copy. This is a sale for the author and exposure. People are going to borrow the book, read it, and talk about. There is no marketing tool as powerful as word of mouth.
Jordan Elizabeth is a young adult fantasy author. She’s often wandering libraries looking for something to spark her interest…or she’s squealing over a treasure discovered in a used book room. You can connect with her via her website.
Want to be sure not to miss any of Jordan’s Writing for a YA Audience segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.