I’m seeing a lot of promotions for anthologies these days. This excites me because short fiction anthologies are a wonderful way for rising authors to gain new readers. If you look for them, there are plenty of opportunities for short fiction submissions and contest entries, and many of those hold the possibility of having your short story featured in a new anthology.
All authors want to see their work published, but full length novels take months or even years to craft and polish before being ready to consider publication. And if an author is considering the traditional route of pitching their work until they find an interested publisher, they could be looking at that manuscript gathering dust on the shelves for a very long time. Short fiction offers a chance for authors to get their names out there on multiple works in a much shorter period of time than it would take to write and publish multiple novels.
Even before I published Delilah, I had two short stories accepted for publication online. Then my story, “If You’re Happy and You Know It”, was accepted by Zombie Pirate Publishing and it appeared in their The Collapsar Directive anthology. I learned very quickly that one difference in having short fiction published in an anthology, as opposed to being published online, was the spirit of comraderie among all the authors featured. The other cool perk of being published in an anthology was the invitation to submit to the next planned anthology. Hence, my story, “The Devil Made Her Do It”, appeared in the next anthology ZPP put out, Relationship Add Vice.
The trick to getting into an anthology is to read the submission guidelines and submit a story that meets them. Most of the time, that may mean writing a story specifically for that submission call or contest. When I was invited to submit a story for Dan Alatorre’s Nightmareland, the guidelines were pretty general, “horror”, and I happened to have a piece of flash fiction that fit into the genre. All it required was a bit of polishing and my story, “The Haunting of Carol’s Woods”, was ready for submission and acceptance. But, many submission calls are more specific.
For the above mentioned submission to ZPP for Relationship Add Vice, submission guidelines required a story that contained elements of romance and crime fiction. Chances are that you don’t have a story sitting in your files with those elements and you would need to create a new story to submit to meet these guidelines. I did have the beginnings of one, as it happened, but that certainly isn’t always the case.
The submission guidelines are important. Read and follow them carefully. Other than the type of story, they may include specific formatting requirements and other submission instructions. Many publishers are strict about their guidelines and will put down a story without finishing it, if the story doesn’t meet even one of the specifications. Of course, that doesn’t apply only to anthologies. Every submission you make should conform to the given submission guidelines, whether we’re talking about short fiction, novel manuscripts, articles or poetry. Why read something if the submitting author can’t even follow directions?
With each of these anthologies, I got that same feeling of comraderie and networking with my fellow authors. I love that feeling. Because anthologies, by definition, have several different authors, they also carry with them the advantage of widening the pool of possible readers. Each author promotes the anthology to their reader audience, so it is possible to extend your own reach beyond your own reader following and gain new readers who read your work in the anthology and want to read more. It’s a win-win for all authors involved.
Naturally, when I started WordCrafter Press in 2019, the first undertaking was to launch a short fiction contest and compile and publish the resulting anthology, Whispers of the Past. The submission guidelines required a paranormal stort story and the contest winner received a $25 Amazon gift card.
For 2020, the contest submission call requested a piece of short fiction with elements of both the paranormal and western genres. It may have seemed a weird combination to some, but to me, it seemed only natural. The old west is filled with ghosts and spirits, and my first novel was a western. I think it was the western genre that threw potential authors off, but what resulted from this genre combination were some very interesting stories, including two South African ‘westerns’ by WtbR team member Robbie Cheadle, “The Thirstyland Journey” and “The Ghost in the Mound”, and a science fiction ‘western’ by WtbR team member Art Rosch, “Clouds in the West”. This author of this year’s winning story is Enid Holden, and she has two stories included in the anthology: the winning story, “High Desert Rose” and another paranormal western, “The Queen of Spades”. And my contribution is a story I wrote specifically for the occassion, “Don’t Eat the Pickled Eggs”. “Wenekia”, by last year’s contest winner, Jeff Bowles and “Gunsmoke” by author Tom Johnson are also included. This unique collection of paranormal westerns have been compiled into the Spirits of the West anthology and scheduled for an October release.
Authors can find calls for submissions or short fiction contests all over the internet these days. If you just look for them, you’re sure to find one that works for your writing style and preferences, or maybe one that offers a challenge and takes you into writing realms where you’ve never before ventured. In January, I’ll be announcing the theme for the 2021 WordCrafter Short Fiction Contest, so be sure to watch for that, too. If you want to get your name out there, grow your audience and have people read your work, short fiction anthologies are a great start, or they can be a supplement to already published books. Find one that suits you and submit a story today.
In the world of WordCrafter, I’ve been preparing for the release of the WordCrafter Press 2020 western paranormal anthology, Spirits of the West. This anthology is compiled from entries in the WordCrafter 2020 short fiction contest, including the winning story by Enid Holden, “High Desert Rose”. Each story has western flavor and paranormal elements, although a few take some surprising creative twists. This is one story collection that you won’t want to miss. I was shooting for an October release for this anthology, but I’m really excited about this anthology, so don’t be surprised if you see Spirits of the West release later this month.
As I may have mentioned before, there are changes coming for Writing to be Read. In truth, some of them are already here. Writing to be Read is now a paid blog site, which will enable readers to hook up with the new “Chatting with the Pros” podcast, which will be coming in the near future, among other new features. That’s right. I’m turning this monthly blog series of author interviews into a podcast. And, while your here, pop over to the “My Westerns” page and check out the video trailer for Delilah, which is now featured there. Be sure to watch for other changes to the site in the near future.
As always, I would love to hear from you readers with suggestions on what else you’d like to see on Writing to be Read, what your favorite blog series are, or any questions you might have. Your feedback is important, because it helps me to determine what is working and what isn’t, and helps me to see in which direction the blog should go next. So please, don’t hesitate to let me hear your thoughts and ideas.
It’s taken twice as long as it should have, but I am now proud to announce the winner of the 2020 WordCrafter Short Fiction Contest. This year’s theme genre was western paranormal, requiring story submissions to contain both western and paranormal elements. WordCrafter left the guidelines open to loose interpretation, resulting a wide variety of story submissions, in which the required elements were used in some very creative ways. It was a difficult choice, but I’m happy to congradulate Enid Holden on her wonderful story, “High Desert Rose”.
As the winning submission author, Enid will receive a $25 Amazon gift card and her story will be published in the WordCrafter western paranomal anthology, Spirits of the West. We’re aiming for a release date sometime in October, so be sure and watch for it. The anthology will also include “Gunsmoke”, as a tribute to the author, the late Tom Johnson, as well as stories by several of authors from last years antholgy, Whispers of the Past.
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Death Wind, by Travis Heerman and Jim Pinto is a paranormal western, also known as weird western, that makes the reader believe in legends, if only for a short time. In a time of war between the white man and the Indians, there comes a foe of unspeakable power and cruelty only known through the stories of the native American people.
There is a great evil on the horizon, bearing down upon White Pine and the Lakota Souix reservation following the Wounded Knee Creek Massacre in 1891. The evil is hungry and it feasts on anyone in its path, threatening to consume them all, no matter the color of their skin. The only hope of survival lies in the ancient legends of the native peoples of the land and will unite white and Indian in a common goal.
Carefully crafted to produce graphic imagery and a captivating story line, Death Wind kept me reading until the last page. I give it five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
I wanted the 2020 WordCrafter Short Fiction Contest to be a challenge, to motivate authors and writers to reach outside their comfort zones and write a short story in a genre they maybe hadn’t tried yet. But, from the low number of entries received thus far, I’m wondering if I didn’t scare a lot of writers off when I named the genre as paranormal western.
It’s one of those combination genres that have risen up in recent times, also called weird westerns, that has both elements of western and elements of paranormal. I presented it as western ghost stories, because the old west has plenty of potential for ghosts. (Mark and Kym Todd’s Wild West Ghosts is filled with the stories of many real life characters whose ghosts are said to haunt the west today, if you’re looking for inspiration.) However, I fear our friends abroad may be shying away because they just don’t know a whole lot about the American western frontiers.
While westerns usually take place in the American west, they don’t have to. The movie Quiggly Down Under, with Tom Sellak comes to mind, taking place in the Australian Outback, but with plenty of western elements. Every country has its own frontier history that helped to shape it, some may be still developing their frontiers. So, let me re-itterate, a western does not need to be set on the American frontier, but it does need to have some of the elements of the western genre. Man (or woman) against the elements, man (or woman) fighting for justice in an untamed landscape where the only law may be what he (or she) can manage to dole out. Western characters lead nomadic lifestyles, carry guns, ride horses, drink whiskey and face their own mortality, sometimes on a daily basis.
Weird westerns tend to use these elements, but they add elements of the paranormal or speculative fiction. I’ve reviewed a few and found their authors to be quite creative in combining the two genres. Chris Barili’s Hell’s Butcher series features a gun toting Marshall who is tasked with keeping all the outlaws in hell and tracking down any who happen to escape into the realm of the living. In DeAnna Knippling’s Chance Damnation is a paranormal western fantasy, where hell breaks through and wreaks havoc on the western frontier. And a book that I’m reviewing this month is Death Wind, by Travis Heerman and Jim Pinto, tells a tale of ancient Indian legends come to life. (You can catch my review of this book on Friday, March 20th).
So, with this in mind, I’m asking each of you to re-consider entering your own paranormal western short in the 2020 WordCrafter Short Fiction Contest. It’s only $5 to enter, and the winner will be featured in the resulting anthology and receive a $25 Amazon gift card. Other entries may also be included in the anthology by invitation, so get those entries in to me by April 30. There’s still time, and you can find the complete submission guidelines here: https://wp.me/pVw40-49e
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On the way to my parents’ house, I pass an insane asylum. It has all the key characteristics to making it creepy.
Broken windows? Check.
Overgrown, crumbling porch? Check.
Mysterious past? Check.
By “mysterious,” I mean that everyone I talk to has a different story about it. Most people say that one time “long ago,” the inmates rebelled and its been closed ever since. Of course there are stories about those inmates still trapped inside. Not sure how they could still be trapped with broken doors…
Some people tell me they used to sneak inside. Some say evil things happened inside. There is a huge chain-link fence surrounding the rambling building right now, so no one can sneak inside anymore.
When looking it up, there is very little information about the abandoned psychiatric center.
Driving by it so often inspired so many thoughts for a story. Did I want to write about an inmate? Would it be a work of historic fiction or a mystery?
A ghost story took form, and along came HAWTHORNE HIGH. What happens if an old psychiatric center is transformed into a haunted high school? Find out in this young adult novella.
Jordan Elizabeth is a young adult author who is obsessed with history and ghosts. You can connect with Jordan via her website, JordanElizabethBooks.com.
The 2019 WordCrafter Paranormal Short Fiction Contest was a success. We had several entries and most are now featured in “Whispers of the Past”, the first anthology to be published by WordCrafter, along with the winning story, “A Peaceful Life I’ve Never Known” by Jeff Bowles. I anticipate seeing entries from some of these same authors for the 2020 WordCrafter Short Fiction Contest and I hope you all will enter as well.
You can buy Whispers of the Past here: https://books2read.com/u/38EGEL
With that in mind, I’m excited to tell you about next year’s contest. The theme for The 2020 WordCrafter Short Fiction Contest is paranormal western. That’s right. WordCrafter Press is looking for western ghost stories! This is going to be a fun contest, so get writing. Each entry must contain elements of the western genre and elements of the paranormal genre, but beyond that, your imaginations are the only limits. All submissions must be original works which cannot be found online for free. (Amazon is quite a stickler on this one.) Like last year, there will be a $5 entry fee. In addition to publication the 2020 anthology, the winner will receive a $25 Amazon gift card.
- Submit paranormal, speculative fiction, or horror with a western flare. I want to read your story!
- Stories should be less than 10,000 words and have paranormal and western elements.
- Flash fiction is accepted as long as it is a complete story, with beginning, middle and end.
- Submit stories in a word doc, double spaced with legible 12 pt font, in standard manuscript format.
- Submit stories to firstname.lastname@example.org with Submission: [Your Title] in the subject line. You will receive instructions to submit your $5 entry fee with confirmation of receipt.
- If you receive an invitation for the anthology, you will also be asked to submit a short author bio and photo.
- No simultaneous submissions. You should receive a reply within 45 – 60 days.
- Multiple submissions are accepted with appropriate entry fee for each individual story.
I’m hoping to release the anthology around Halloween again, so get your submissions in by April 30th. Above is the draft for the cover, title yet to be announced and suggestions are welcomed. I was pleased with the results of last year’s contest and the resulting anthology, and I’m anticipating the one for 2020 will be even better. So, send me your stories and let the contest begin!
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