Day 3 of the WordCrafter Delilah Book Blog Tour finds us over at Kay Castenada’s Book Places with a guest post from me about the historic supporting character which will be featured in Sarah: Book 2 of the Women in the West adventure series, “Big Nose” Kate Elder, companion of the infamous Doc Holliday. Join us for the fun, and be sure to leave a comment for a chance to enter the giveaway. See you there!
I’m excited to welcome you to the WordCrafter Delilah Book Blog Tour. We’ve got interesting behind the scenes posts from all three books in the Women in the West adventure series at each stop, which introduce you to some of the characters in the series, Robbie Cheadle shares an author interview, a couple of reviews, and I think there’san excerpt from Delilah in there somewhere. Maybe I should just post the schedule here. I’ll post it with links, but they won’t work until each post goes live.
Tour Schedule
Mon. 3/20 – Opening Day Post– Writing to be Read/ Guest post (Baby Doe Tabor/Delilah) – The Showers of Blessings
Wed. 3/22 – Guest post (Big Nose Kate/Sarah)/Review – BookPlaces
Thurs. 3/23 – Guest post (“Aunt” Clara Brown/Marta)- Roberta Writes
Fri. 3/24 – Closing Post (Ute Indians of Colorado in 1880s/Delilah Excerpt) – Writing to be Read
Follow the tour and learn more about Delilah and the Women in the West adventure series, with an opportunity to enter the giveaway at every stop.
Delilah Give Away
I’m giving away two digital copies,
and one signed print copy
of
Delilah
Leave a comment to enter.
Multiple entries are allowed,
so leave a comment at each stop for more chances.
The Trailer
Delilah and the Women in the West
On with the tour…
Our first stop on the tour is over at Miriam Hurdle’s The Many Showers of Blessings, with a guest post from me on the historical supporting character in Delilah, Baby Doe Tabor. So, follow the link for a behind the scenes post from Delilah.
Today is the last day that you can show your support for Delilah and the Women in the West adventure series. Tomorrow is the last day of the campaign, and it doesn’t look as if it will reach my $500 funding goal. The project is currently only (63%) funded, but there’s still time for you to show your support and get some of the cool rewards and add-ons offered. With your support, we could still fund the project. So please, back my Kickstarter for Delilah, if you will.
When the campaign ends, you will still be able to pre-order the book, for a higher price, and get it on its March 21st release date, but if you support the Kickstarter campaign, you can get an early digital copy, a signed print copy, and even a chance to name a character in Sarah: Book 2. There’s also short stories, audio stories and an interview with Delilah available as add-ons. So click on the link below and drop in to see what you can get, and support me and Delilah.
Thanks to those who are already backing the campaign. Thanks to all of you who maybe couldn’t back the campaign, but still shared the link around on social media in an effort to help. All support is greatly appreciated.
If you miss the Kickstarter, you can still pre-order the book from your favorite book distributor here: https://books2read.com/DelilahWIW
Open submissions call
2023 WordCrafter Short Fiction Contest is open to submissions with an April 30 deadline. The theme is scary stuff in paranormal, dark fantasy or horror, and the winning story will have a guaranteed spot in this year’s anthology, alongside all the stories by invitation. You can find the full submission guidelines here.
Poetry Treasures 3 in 2023
The edition of Poetry Treasures 3 is currently in the works. We will be aiming for an April release date. It will feature the author/post guests from the 2022 Treasuring Poetry blog series and it will be compiled and edited by Robbie Cheadle and myself. The 2023 theme will be Passions, and I think it will turn out to be an impressive volume.
Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER will sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
The Kickstarter for Delilah and the Women in the West adventure series starts today and we need your support. You can show your support for as little as five dollars, and recieve a digital copy of the book in return. And there are signed print copies and other great rewards for the higher levels of support as well, including plus some pretty cool add-ons that I’m excited to share with you. I’m asking each one of you to click on the link below and check it out.
Some of you may know why this book is so special to me, but I’ll briefly tell you, in case you don’t. Delilah was the first book I ever wrote. It started as an assignment meant to get me to write outside my comfort zone, and turned out to be a genre I truly enjoy writing. After I got it written, I received some feedback that caused me to make changes that affected the second half of the book.I had it in a publisher’s hands for five years, but they didn’t do a whole lotto promote it and they only sold a few copies. I tried two different covers for it, including one that I designed myself, and if I’m honest, they were both pretty awful.
When the contract was up, I got my rights back, revised the book to reflect the original story, and began developing the idea for this series. In the Women in the West adventure series, each book features a strong female protagonist and cameo appearances by bold historical female characters for a Western Women’s Historical Fiction series which may be the first of its kind. At this time, there are three books planned: Delilah the tale of a woman who overcomes all odds in the Colorado frontier as she sets out to avenge the wrongs done to her and rescue Sarah, her ward who was abducted. Sarah’s story after being traded to the Utes makes up the second book. The heroine of the third book, Marta, is a Mormon woman who we also met in Delilah, and her story tells us her fate after being abducted by the Utes and then returned to civilization.
Women in the West is going to be a great series. Delilah is scheduled for release on March 21, 2023, but Kickstarter supporters will recieve their digital copies early and for less than the 5.99 retail price. So please drop by and see what all the fuss is about. If a Kickstarter campaign doesn’t fund, or meet it’s goal, the creator doesn’t get anything, so your support will be greatly appreciated. I think Delilah is a wonderful story, which readers of westerns, historical fiction, or womens fiction will enjoy. Please come on over and join the campaign today.
The re-release of Delilah is scheduled for March 21, 2023, from WordCrafter Press. After almost a year of revisions, this isn’t just a ‘slap a new cover on and call it good’ type of release. This is the story of Delilah as it was originally intended, and it’s being launched as the first book in my new Women in the West adventure series!
It all starts with Delilah
Books 2 & 3 in the series will feature the stories of Sarah and Marta, who are introduced in Delilah, but both have stories of their own worthy of telling. They will be released in 2024 & 2025 respectively. I am truly excited about this new series, which features strong female protagonists and strong historical women in supporting roles.
Her homecoming from prison quickly turns into a quest for vengeance when she is brutally raped and left for dead, and her fourteen-year-old ward is abducted. Sheer will and determination take this tough and gritty heroine up against wild beasts of the forest, Indians and outlaws to Leadville, Colorado, where she .
Can the colorful inhabitants of the Colorado mining town work their way into Delilah’s heart, offering a chance for a future she thought she’d lost along with her innocence?
If you like strong and capable female protagonists, you’ll love Delilah.
Upcoming Kickstarter Campaign
To bring in 2023 right, I will be running a Kickstarter campaign for Delilah January 2 – 31. It’s my very first Kickstarter, so I’m starting out small, with a goal of $500. The money raised will be used to improve covers and to fulfill the wonderful rewards which will be offered.There will be lots of great stuff offered, and I need all the support I can get, so I hope you all will drop by and show your support.
When you support my Kickstarter at any level you get an early digital copy of Delilah, which will be delivered before the March 21st release date, and there will also be opportunity to recieve a signed print copy, or even to name a character in book 2, Sarah. You might also get access to an interview by Sara W. McBride with Delilah herself, or to an audio story narrated by me, of my flash fiction western, “I Had to Do It”, or a PDF of my western paranormal short, “Don’t Eat the Pickled Eggs”.
You can check it out now, on my Kickstarter pre-launch page, which will take you directly to the Kickstarter once it goes live. While you’re there, sign up to be notified upon launch, so you can be there on Day 1. Your support will be greatly appreciated.
Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing and an M.A. in Publishing, writing is more than a passion. It’s a way of life. She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you.
Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing and an M.A. in Publishing, writing is more than a passion. It’s a way of life. She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you.
She has short stories featured in the following anthologies: The Collapsar Directive (“If You’re Happy and You Know It”); Relationship Add Vice (“The Devil Made Her Do It”); Nightmareland (“The Haunting in Carol’s Woods”); Whispers of the Past (“The Woman in the Water”); Spirits of the West (“Don’t Eat the Pickled Eggs”); and Where Spirits Linger (“The People Upstairs”). Her paranormal mystery novella, Hidden Secrets, and her short story collection, Last Call and Other Short Fiction, are both available in both digital and print editions at most of your favorite book distributors.
In addition, she keeps up her authors’ blog, Writing to be Read, where she posts reflections on her own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. Kaye Lynne has also created her own very small publishing house in WordCrafter Press, and WordCrafter Quality Writing & Author Services, where she offers quality author services, such as publishing, editing, and book blog tours. She has served as a judge for the Western Writers of America and sitting on the editorial team for Western State Colorado University and WordFire Press for the Gilded Glass anthology and editing Weird Tales: The Best of the Early Years 1926-27, under Kevin J. Anderson & Jonathan Maberry.
In her spare time, she is bird watching, or gardening, or just soaking up some of that Colorado sunshine.
Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.
I always love reading the historical western novels of Loretta Miles Tollefson, and No Secret Too Small was no exception. It has all the attention to detail that I’ve come to expect from her Old New Mexico Novels, placing me into a setting and time that no longer exist, yet Tollefson makes it feel oh, so real, even if only for the time it takes to read the story. Loretta Miles Toleffson masterfully paints a visual picture for the mind’s eye, bringing historical times and events to life with brutal clarity.
Miles’ Old New Mexico Novels are skillfully written to feature many of the same characters at various points in time. So, while No Secret Too Small features Alma, who was introduced as a baby in Not My Father’s House, (see my review here), this story is easliy followed when read as a stand alone book. This story is a part of more than just the saga of one family, it is a part of a piece of history, a time when living was a gamble, in a land where survival is no game.
No Secret Too Small speaks to that struggle to survive, but it also speaks to the racism and predjudice of the period. Old New Mexico in the 1800’s is no place for a woman alone with two children. But pride is a funny thing and that is just where Alma and her mother and brother find themselves in a time of civil unrest and rebellions, after her mother discovers the truth about her father’s heritage. We receive Alma’s story through her young eyes, as she watches her mother struggle to survive as she discovers and deals with the predjudices she didn’t even realize that she had. Alma learns much about the world and human nature, much of it too ugly for such young eyes to view. She yearns to return to her valley, and to be a whole family once more, but she has little control over the adult world around her. She can’t make her father come for them any more than she can make her mother decide to return home.
If you like historical novels that paint their periods vividly for readers, and features characters you can care about, then No Secret Too Small is a must read. A well-crafted story that holds the reader’s interest until the last page has turned, Tollefson draws you into the story and takes you back with her characters into times long past with period details that have obviously been well researched. A story that will no doubt touch hearts, I give it five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
It was a great honor to be asked to be a judge for the Western Writers of America’s 2020 Spur Awards, but I had no idea what I was signing up for. I envisioned hours of luxurious reading in one of my favorite genres, while leisurely sipping wine and taking bubble baths, and once the event opened to entries last August, for a while, a new book came in the mail every day or two and it felt a little bit like Christmas.
I began reading the first entry right off, and kept steadily working my way through them. The inflow trickled off mid-September, although there were a few later entries that didn’t come until November and December. The stack of books were large, but I’ve always been an avid reader and I felt confident that I could manage it easily.
Then, as often happens, life got in the way. I lost two dogs within a month and a half of one another, and in November, had a death in the family, and for a time my life was turned upside down. My work schedule received adjustments and travel arrangements were made for the viewing and services, and writing and school were shoved lower on the list of priorities. Suddenly, everything was up in the air and all my leisurely reading time disappeared like a magician’s rabbit. Abracadabra. Poof!
During the last part of December, I started trying to get back on track and found some reading time to begin trying to catch up on the Spur entries. At this point, the stack of books I had left to read seemed immense, and I began to wonder if maybe I should be worried about getting all of them read in time. I admit, I had to cram at the end and read every night until my eyes wouldn’t stay open, but I managed to read every entry and send in my judging choices before the deadline.
It was harder than I thought it would be to be a Spurs judge. Not because I ended up playing catch-up on the reading, but because there were some many really excellent stories submitted to the western romance category, and I had to narrow it down to the top five. Making the choices as to which were best was really tough. The opportunity to read some of the best westerns of 2019 made it worth every struggle. It was great!
I took my role as a Spur judge seriously. While reading I noted things like how well-crafted the story was, how prominent the elements of western and romance were in the story, how historically accurate the story was, and how well the story captured and held my interest, to base my choices on. Now that the winners have been announced, I am able to provide you with brief reviews of the ones that were my own personal favorites. All of the books reviewed below I found to be well written and historically accurate to their time period, and each would receive a five quill rating in my regular book reviews. They were my top picks and they include the winner in the romance category and one of the finalists.
Mollyfar, by Bonnie Hobbs: This is one of those stories that is just a fun read. It has strong western elements in a classic romance tale, but the unique and interesting characters are what carry the story.
Sometimes in the old west you had to grow up fast, and life wasn’t always kind, especially to members of the female persuasion. Molly finds herself on her own in the west at a young age, at a time when the choices for a girl on her own were very limited. She’s on her way to becoming a soiled dove for a life of squalor when she meets Wade and it’s love at first sight. Wade vows take care of Molly, so there will be no need for her to go down that road, but he is young and there are several obstacles preventing him from following through. Then Molly met Heeshe, the new amorphidite brothel owner and they saved each other, but there was always a place in her heart for Wade, if she could only admit it and let herself surrender to him.
This New Day, by Harlan Hague: This book made Finalist. It has the strong western element of a true pioneer tale with a sweet romance that just feels right. The story line draws the reader in and doesn’t let go. It made me cry.
When Molly’s husband dies, there’s nothing left to go back to. They sold up all their worldly goods to make the trek across the mountains to Oregon, and she is determined to complete the journey with her two children. She meets hardship and heart ache along the way, and Micah, a mysterious rugged rider, who turns up just at the right moment to save her from Jeb, an unsavory member of their party, who has had his eye on Molly and grown tired of just watching. Soon Micah is riding with she and the children, and bedding down near their wagon at night, working his way into the children’s hearts, as well as her own, but she has to wonder where he goes when he rides off for days and then, reappears. She has doubts as to whether she is strong enough to make it at times, but soon finds she doesn’t want to make it without Micah.
The Express Bride, by Kimberly Woodhouse: This story has western and romance elements that are prominent. Likable characters make you care, and a fun and playful story line makes you want to keep reading. Jaquelin (Jack) is a strong, gritty female protagonist, who you can’t help but like.
Since her father died, Jack has run the Pony Express station in his stead. And why shouldn’t she? Even if she had to mislead to corporation heads a little, implying that she was male by signing her letter Jack instead of Jacquelin, she knows the workings inside and out, and the riders all like her and look to her with respect. Then Elijah Johnson looking for a mystery woman from the past arrives, along with a U.S. Treasury agent, Mr. Crowell, enlisted to help uncover a suspected conterfeiting ring operating in the area. As she unravels the mystery surrounding her own past, she ponders who she is, and who she wants to be, and struggles with the nagging feeling that Elijah Johnson may hold the key to revealing the truth.
The Outlaw’s Letter, by Angela Reines: A classic romance story with a strong western element and a hint of mystery. Good, solid story line that is everything a romance should be.
Harriette “Hetty” Osgood is just school teacher in Kiowa Wells, but when a dying man stumbles into her school house, she vows to deliver a letter to his brother, Grant Davis. Dressed as a boy for safer travel, she sets off on an adventure to find Davis, and crosses paths with Conover Boggs, who she sent to prison in the past, and would like nothing more than a chance to make her pay. Boggs catches up with her just as she catches up with Grant Davis, who has ridden with Boggs in the past. To save them both, they claim to be married to fool Boggs. They have little choice but to help one another, but Grant is on a quest to clear his name and leave his past behind him. Could they each be what the other is really looking for?
A Slip on Golden Stairs, by Joanne Sundell: I actually reviewed this book before I was asked to be a judge. You can see my original review of this book here.
This paranormal western romance is really two romances, one in the present and one in the past, in one tragic searches for both love and riches. Sundell does an excellent job of weaving the past into the present in a tragic and heartfelt tale of lost love and possibilities.
The Yeggman’s Apprentice, by C.K. Crigger: Winner of the western romance category. Great characters and a captivating plot that draws you in and keeps you reading. Light natural flowing romance within a western setting and a truly enjoyable read.
Wilke thinks her first solo job in Butte, Montana will be a piece of cake. Simply, lift the ledgers for the designated accounts from the bank safe for the client. What could be easier? But things quickly go awry when she finds there are two sets of ledgers and they don’t tally. Suddenly, she finds herself being pursued by the shady lawyers who hired her uncle, who will go as far as murder to cover their tracks. When Hixson rides her back to her hotel on his motorbike, they discover her uncle dead, Wilke finds herself on her own and in need of getting out of town with the falsified documents.
Hix agrees to help her, but gets more than he bargains for, when the shady lawyer’s henchman is waiting at the train station. Wilke isn’t sure she can trust Hix, there are several signs that he might have a shady past and could be an outlaw, but she doesn’t have much of a choice. Hix has reasons of his own for wanting to get out of Montana, but he finds that Wilke is full of surprises, as they try to evade the bad guys.
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Alan Dean Foster with Mayotte brown lemur. M’bouzi island, French Comoros. Photo credit to Michael Medford.
Today my author guest is a multi-genre author who dips into the western and weird western genres on occasion. He’s published over 100 books, including novelizations of several well-known science fiction films, such as Star Wars, Alien, and The Chronicles of Riddick. He’s also credited with the first ever book adaption of an original video game in his novel, Shadowkeep. He’s a New York Times bestselling author and he’s joining me here to share a few tidbits about the weird western genre, writing a novelization of a movie, and his latest book, Mad Amos Malone and other weird western works. Please welcome author Alan Dean Foster to Writing to be Read.
Kaye: The majority of what you write is science fiction or fantasy, so obviously these are your preferred genres, but you have western tales thrown into the mix here and there. What is it that draws you to the western genre?
Alan: For one thing, I have lived the past 40 years in a famous western town: Prescott, Arizona. Virgil Earp was the marshal here. Doc Holiday’s mistress, Big Nose Kate, is buried in one of the local cemeteries. The Palace Saloon, the oldest operating saloon in Arizona (since 1877) is here. And much more. You cannot live in such a place without soaking up some of the historic atmosphere. Also, like most kids of my generation, I grew up watching TV westerns in the ‘50’s. Hop-along Cassiday, The Lone Ranger, and more. My favorites were the Cisco Kid (“Hey Pancho!…Hey Ceesco!) and Disney’s Zorro.
Kaye: You have a collection of short western stories out that have a strange twist. What is so different about Mad Amos Malone?
Alan: Folks are fascinated by the mountain men who explored the American west. I thought it would be interesting to develop one who acts and lives like your typical mountain man, but who is considerably More Than He Seems. When you like a character but are never sure how he will react in a given situation it adds tension to a story. Think the character of Mike in “Breaking Bad”. Not quite what he seems. Also, in the end, thoroughly bad ass.
Kaye: In 1985 you wrote a novelization of the movie Pale Rider, with Clint Eastwood. How did that come about? Did you get to meet any actors from the movie? Did you consult with the screenwriters during the writing? What was the most difficult thing about doing a novelization?
Alan: Authors of film adaptations rarely get anywhere near a movie set (though I have, on occasion). Certainly I never met or consulted with anyone attached to the movie.
For me, the most difficult thing in doing a novelization is to expand on the characters without contradicting the characterizations in the film itself. That, and remaining true to the spirit and style of the filmmakers while simultaneously injecting a little bit of myself here and there. You always have to be aware.
Kaye: You have a story in Straight Outta Tombstone. The anthology is listed as fantasy, but its stories have kind of a western twist. Would you talk a little about that book?
Alan: The stories are fantasy with, generally, settings in what is called the American West. I think it would be more accurate to called them westerns with a fantasy twist. Fantasy or science-fictional takes on actual history are a lot of fun to do, and can often be thought-provoking. Call it the “What if the South had won the Civil War”? trope, only often with more recognizable fantasy elements.
Kaye: What’s the most fun part of writing a western novel or short story? What’s the least fun part?
Alan: Working with actual western history. Many of the Mad Amos stories take place in actual western settings and involve real folks from history. Just with the occasional witch, dragon, Chinese demon, visiting gnomes, etc.
Kaye: What time of day do you prefer to do your writing? Why?
Alan: Mornings, because I’m fresh, and also because I prefer to go to gym in the afternoon. But I will work late if and when necessary. And if an idea hits me, I’ll head for the study no matter what time it is.
Kaye: What is the biggest challenge of being a writer?
Alan: Not getting bored with your own work. And persisting even when you are.
Kaye: What is the one thing in your writing career that is the most unusual or unique thing you’ve done so far?
Alan: I think my historical novel MAORI, which takes place in 19th-century New Zealand. That’s a long way from writing science-fiction or fantasy. Very hard to research such a subject from Prescott in pre-internet days. Might also consider SHADOWKEEP, which was the very first novelization of an original computer game.
Kaye: What do you think is the single most important element in a story?
Alan: Character. If your characters aren’t interesting, then you’ve lost the reader no matter what kind of language, special effects, settings, or action you employ. True of any kind of writing, be it theater, film, prose, even commercials.
Kaye: When did you know you wanted to be an author?
Alan: When I made my first two short story sales, to August Derleth and John W. Campbell. I figured if two giants in the field thought my words worth buying, I might have a shot at doing it full-time.
Kaye: What’s the best piece of advice you were ever given?
Alan: Don’t make your heroes too powerful (Campbell). You can be interested in Superman, but it’s hard to empathize with him. Hence the need to invent kryptonite.
Kaye: Which is your favorite type of writing? Short fiction or novels?
Alan: I enjoy them both, but if pressed I’d have to say short stories. Get the idea down and out fast and dirty. I also very much enjoy writing non-fiction. Essays, movie reviews, history, etc.
Kaye: What is next for Alan Dean Foster? What are you working on now? Any more weird westerns in the future?
Alan: No weird westerns at the moment. Putting together The Complete Mad Amos Malone was a bit of a project in itself.
Forthcoming: April – The Unsettling Stars – original Star Trek novel set in the Kelvin universe. Later this year: Madrenga – original fantasy novel from Wordfire Press. The Director Should’ve Shot You – non-fiction; a history of my involvement with film novelizations from Centipede Press.
Hopefully next year: Mid-Death and other tales of the Commonwealth – a collection of all the short stories set in the Commonwealth, featuring the never before reprinted Midworld novella “Mid-Death”, from Haffner Press. Short story “The Treasure of the Lugar Morto” – Analog; no date yet.
Forthcoming at a future date: the completed Commonwealth novel Secretions and the stand-alone SF novel Prodigals.
I want to thank Alan Dean Foster for sharing with us here as we delve into the weird western. It looks like his work is cut out for him for the next couple of years. Obviously, many writing tips and tricks are not restricted to a single genre, but can be applied across them all. You can learn more about Alan and his books on his website or his Amazon Author page.
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Death Wind, by Travis Heerman and Jim Pinto is a paranormal western, also known as weird western, that makes the reader believe in legends, if only for a short time. In a time of war between the white man and the Indians, there comes a foe of unspeakable power and cruelty only known through the stories of the native American people.
There is a great evil on the horizon, bearing down upon White Pine and the Lakota Souix reservation following the Wounded Knee Creek Massacre in 1891. The evil is hungry and it feasts on anyone in its path, threatening to consume them all, no matter the color of their skin. The only hope of survival lies in the ancient legends of the native peoples of the land and will unite white and Indian in a common goal.
Carefully crafted to produce graphic imagery and a captivating story line, Death Wind kept me reading until the last page. I give it five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
My author guest today on “Chatting with the Pros” is a seasoned western author who has written many, many western novels and been quite successful. He lives and write by the western creed that he grew up with. He’s a cheerful guy with a good sense of humor. Please welcome Cherokee Parks.
Kaye: You believe in and stand behind some good old fashioned values and live by the code of the west. How do these things come through in your writing?
Cherokee: In every story, the main character does the right thing in every single circumstance. Even when characters like Colton Raines (the Colt’s Justice series) or any of the Creed family (the Creed Novels) are forced to kill large numbers of opponents, it’s done to save others, or to protect they and their family or possessions. They respect women, the law, the nation and all it represents – even in spite of possibly having been on opposite sides during the Civil War. They expect the same from everyone else, and accept no compromise. They always speak the truth, and if they can’t, they keep their mouths shut. They are never afraid to speak their mind, short of intentionally hurting a friend, unless that friend needs a wake-up call. They give both compliments and criticism sparingly, and only when necessary. They never give their word if they can’t keep it. They know that they can’t get along with everyone, so they don’t even try. And they all know how to laugh, mostly at themselves.
Kaye: You have co-authored several books along with other western authors, such as Scott Harris, whom I interviewed last year. What is the most difficult thing about co-authoring a story?
Cherokee: Actually, there have not been any truly co-authored books, only those where credits are given for inserting a foreword. Only once have I ever attempted to co-write a book, but things just didn’t work out. We envisioned completely different events and character development, and never got past the first chapter together. I have, however, had the distinct pleasure of co-writing a good number of songs, and found it very gratifying being able to feed off another person’s input. So would I work with another author to create a book? Honestly, probably not, as I already have a basket full of story ideas, as well as several books already in the works. I don’t know how I’d squeeze in the time to work with another author, although I think the creative juices might get a real boost, depending on how I got along with the co-writer from the beginning.
Kaye: What draws you to the western genre?
Cherokee: Growing up cowboy and around the western lifestyle, it was a natural changeover for me, and what I had always wanted to write. Unfortunately, I was very good at writing mysteries and suspense, and got pigeonholed by my publishers at the time – both saying “Westerns don’t sell.” Well, Westerns DO sell, and I’m enjoying a very happy resurgence of my writing career. It’s easier and far more enjoyable to write about things one knows and loves than to create things someone else wants an author to fantasize about on paper.
Kaye: What time of day do you prefer to do your writing? Why?
Cherokee: Mid-morning until mid-afternoon, while the two grandchildren we’re raising are in school, but I can write just about anytime, anywhere, when the inspiration strikes.
Kaye: Which author, dead or alive, would you love to have lunch with?
Cherokee: I’d love to once again have lunch with Louis L’Amour, as I learned more about my craft from him in a day than I did squirming in a seat during all those college class hours. Although I did study under James A. Michener, and enjoyed his classes, what I learned from him was about styles and research, but little about actually being creative. Michener taught strict adherence to storylines, only diverting if research showed it was necessary, while L’Amour had no idea where a story would go until after it was written, like myself.
Kaye: What’s the most fun part of writing a western novel? What’s the least fun part?
Cherokee: Wow! There are just so many fun parts to creating a western. Finding out where the story goes, and how it ends is a blast, as I never really know when I start out. Imagining how different characters react to situations is also a lot of fun. What’s not fun is having one of your books just sit on the market, not moving, not selling, just sitting there gathering dust. Although really poor reviews are also a knock, often a real punch to the gut… But I’ve learned from those knocks too, as the old commercial told us, “never let ‘em see you sweat…”
Kaye: How do you decide the titles for your books? Where does the title come in the process for you?
Cherokee: That’s difficult to say, really, as sometimes a book is created based on the title, while other titles are taken from a place or event that emerges in the book itself. And there have been times when a title needs to be changed, even after the work is published. Titles are among the hardest parts to creating a story, as a good story can die without a good title to launch and carry it. On the other hand, sometimes a story is soooo good, it doesn’t really matter what it’s called.
Kaye: Would you share the story of your own publishing journey?
Cherokee: How much time do you have? Seriously, I started out my career as an author of mystery and suspense, trying to fit into the most popular publishing mold of the time, mostly as a result of my publishers at the time insisting on my creating such stories. Eventually, I tired of writing what they wanted, and then having stories sell well while the publishers made all the money using “creative bookkeeping” while I received a mere pittance – not even enough to live on.
I stopped having any work published for over fifteen years, giving up completely on the honesty of the publishing business, though I still wrote stories. The difference was, I wrote to please me, not the publisher. One day, while I was writing a particularly interesting story, a friend stopped by, and insisted on reading what I had written up to that point. Now normally, I pretty much discount what family and friends say about something I’ve written, as I believe them to be absolutely biased. But that particular friend was very critical, and if he liked it, well… Not wanting to go the publisher route, I self-published. Epic fail. I’m an author, not a publisher.
So when a small publishing house opened near me, I presented the story to them. They jumped on it, and I became their third signed author. Over the next year, they published four more of my stories, but their management absolutely sucked. Given an opportunity to guide them, I was appointed Executive Director, lasting nearly five years at the job before they were forced to shut down due to IRS problems unrelated to the publishing side of things.
In a way, it was the best thing in the world for me, because I once again had time to write, something I had all but given up on while working with the books of many other authors and wannabes. But now, I had the writing bug again, and needed to find a publisher. After a couple of mistakes, I finally landed with a really good publisher specializing in the western genre (Dusty Saddle Productions), who had a great publicist (Nick Wale at Novel Ideas) under contract. I couldn’t be happier!
Kaye: When did you know you wanted to be an author?
Cherokee: I guess I was about thirteen, when I wrote a short story for an English class assignment. I had a lot of fun writing the story, and when our teacher had me read it to the rest of the class, I was embarrassed, but hooked. That teacher was a friend and understudy to James A. Michener, and gave it to Michener to grade. Michener drew a big star on it, penned a message, “Keep up the good work”, and signed it. Had I not been hooked on writing before that, I was after. I’ve been writing since then, with the two aforementioned lapses, continuing to try to perfect the craft.
Kaye: Do you travel to the places that end up in your books?
Cherokee: Yes, absolutely. In fact, I took a clue from L’Amour about knowing the geography and climate I include in my books. As a result, I only write about places I have been, doing my best to remain true to the area. But I also use a bit of artistic license in my stories. For example, in Hard Ride to Cora, set in the Green River basin of Wyoming, I slipped in a cave that doesn’t exist. Sometimes one has to enhance the story with little details that may or may not exist, but I do my best to “keep it real,” even though all I write is fiction.
Kaye: What advice do you have for aspiring authors?
Cherokee: Never depend on what family and friends say about what you create, as they are completely biased, and 99% of the time they don’t wish to hurt your feelings, or already believe anything you do is great just because you did it. Get outside opinions as your guide. Study the craft of writing, trying to make yourself the best you can be at it. ALWAYS give your work to an editor, as even the very best English teachers make mistakes when they write. But don’t allow the editor to change your style, only to correct your English (except dialogue), your punctuation, and all too often your sentence structure. Just make sure you improve with every attempt, and learn to accept honest criticism for what it is, not for what you want it to be. But above all, NEVER stop writing!
Kaye: Is there anything unique or unusual about your writing process?
Cherokee: Hmmm… Other than I don’t have a clue where a story will go, or where it will end up when it’s finished? I don’t think so, but then again I suppose we each have our little idiosyncrasies when we write, but we’re far too close to the source to know what is “unique” or “unusual” about our process. That’s my story, and I’m sticking to it!
Kaye: What do you like to do when you’re not writing?
Cherokee: Sleep… eat… Actually, in my younger and healthier years, I enjoyed hunting and fishing, exploring new areas, being around horses and dogs, just generally living the Western lifestyle. But now I’m old and half crippled up, suffering from the ravages of time, so I’ll go with my first two answers. Sleep… eat… But I will add that staying alive is real big on my list of things to do everyday now…
Kaye: As a western writer, what kind of research do you find yourself doing for your stories?
Cherokee: Mostly digging back into my memory banks and photo journals, though I do use a great deal of online research to confirm what I know already or think I know about history, clothing and weapons in use during the era I’m writing in. I have no choice, as my memory isn’t quite what it used to be. Additionally, finding historical documents, maps or writings that detail certain places and events, be they weather events or something of a physical/historical nature, always serve me well, and at times even help with my creativity.
Kaye: If one of your books was made into a film, who would you like to play the lead?
Cherokee: I suppose that would have to depend on which of my books was chosen… I think they’d all make great movies, but that’s the writer in me thinking I’m that good… For example, it would have to be a middle-aged man to play Jake Laughlin, while it would require a man in his twenties to play Mick Swinney from Hard Ride to Cora, and a very tall man to play Thomas “Tree” Bell in The Trader… Now, if I could chose which book was made into a movie, I would say Hard Ride to Cora, as it was my first full-length western, although the Colt’s Justice series ranks right up there, as does the Creed series and the brand new series, The Trader. But to pick an actor to play the lead in any particular book? I don’t think I’m capable. I’d leave that to the casting people, as that’s their job, and I’ve got my hands full just writing.
Kaye: Would you like to talk briefly about your latest books? (Those you sent covers for.)
Cherokee:Hard Ride to Cora was my first published Western, and will likely always be my favorite as a result. Besides, it’s a really good story involving a host of characters from many different backgrounds, and if I ever get time I’ll be able to write at least another half dozen stories based on those characters.
No Town for Outlaws actually prompted a prequel (Silver, Gold and Blood in Arizona), and both books have sold consistently – and well – featuring a family of fast guns, including the women, bent on making certain the law is upheld, and good people are given a chance to live free.
My biggest Western hit so far is really a mountain man tale, The Trader, with the second book in the series due out early in March. The Trader sat in the #1 spot on Kindle in the Old West History of the U.S. category for over three weeks, and as of this writing is still at #3.
Kaye: How did you chose your pen name, Cherokee Parks?
Cherokee: I guess the easy answer would be—sentimentality. When I was a young teen, my father and I used to deer hunt in an area of Northern Colorado called Cherokee Park. They were some of the best times I had as a young man, and some of the best times spent with my father before he lost his health. So when it came time to create a new pseudonym for my western stories, Cherokee Parks was one of five I started out with. I kept narrowing the list down until only Cherokee Parks remained, mostly to honor the wonderful memories I shared with my father, and of him.
Kaye: Why did you choose to take a pen name?
Cherokee: It was a simple thing. In order to keep the genres separate, as well as multiple publishers back in the day, I used pseudonyms. I decided to continue using pseudonyms when I started writing again for some very personal reasons, primarily using Cherokee Parks to honor my father’s memory.
Kaye: Do you think it helps you sell books?
Cherokee: Yes, frankly, I think a good author’s name can help, depending on whether or not it fits the genre.
Kaye: What are you working on next?
Cherokee: Currently, I’m working on a sequel to No Town for Outlaws, called Death at Devils River, featuring the Creed brothers on a mission to help out an old friend facing disaster from a gang of Mexican banditos. I’m really enjoying it, and hope my readers will as well. Death at Devils River should be out by the end of March or early April.
Kaye: What do your readers have to look forward to in the near future?
Cherokee: Within the next ten days, I should have the second book in The Trader series back from the editor, meaning it will be released within a week of that. The first book in the series is subtitled West to the Stony Mountains, the second book subtitled Of New Life, War and Peace, and a third book already in the planning stages (as much as I ever plan a story!). I stay busy, and have at least a dozen story concepts floating around in my mind at any given time, as well as having anywhere from two to half a dozen at various stages of development or publication.
I have to say, Kaye, this was one of the more fun interviews I’ve had, and I appreciate not being buttonholed with my answers by your providing open-ended questions. Honesty is always the best policy, though not every writer has had the pleasure of enjoying life as much as I have. I’ve lived a hard life at times, but always a good life, even though there were times when I had no idea where my next meal would come from, or where I might be sleeping that night. But by the grace of God and the aid of friends, I made it through the hardest of times, making my current success all the sweeter. Thank you!
I want to thank Cherokee Parks for sharing here on “Chatting with the Pros”. He really came up with some great answers which are somewhat enlightening. It has been wonderful chatting with a seasoned western author, and it instills confidence to know that we share the same publisher. Nick Wale and Dusty Saddle have been great to work with. You can learn more about Cherokee and his books on his Amazon Author page or his Goodreads Author page. Join me next month on “Chatting with the Pros”, when the theme will be fantasy, and my author guest will be L. Deni Colter.
You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2019, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress. Please share content you find interesting or useful.
Judging for the 2020 W.W.A. Spur Awards
Posted: March 30, 2020 | Author: kayelynnebooth | Filed under: Book Review, Books, Commentary, Fiction, romance, Western, western romance, Writing, Writing Contest | Tags: Book Reviews, Spur Awards, Western, western fiction, Western genre, western romance, Western Writers of America, Writing to be Read, WWA, WWA Spur Awards | Leave a commentIt was a great honor to be asked to be a judge for the Western Writers of America’s 2020 Spur Awards, but I had no idea what I was signing up for. I envisioned hours of luxurious reading in one of my favorite genres, while leisurely sipping wine and taking bubble baths, and once the event opened to entries last August, for a while, a new book came in the mail every day or two and it felt a little bit like Christmas.
I began reading the first entry right off, and kept steadily working my way through them. The inflow trickled off mid-September, although there were a few later entries that didn’t come until November and December. The stack of books were large, but I’ve always been an avid reader and I felt confident that I could manage it easily.
Then, as often happens, life got in the way. I lost two dogs within a month and a half of one another, and in November, had a death in the family, and for a time my life was turned upside down. My work schedule received adjustments and travel arrangements were made for the viewing and services, and writing and school were shoved lower on the list of priorities. Suddenly, everything was up in the air and all my leisurely reading time disappeared like a magician’s rabbit. Abracadabra. Poof!
During the last part of December, I started trying to get back on track and found some reading time to begin trying to catch up on the Spur entries. At this point, the stack of books I had left to read seemed immense, and I began to wonder if maybe I should be worried about getting all of them read in time. I admit, I had to cram at the end and read every night until my eyes wouldn’t stay open, but I managed to read every entry and send in my judging choices before the deadline.
It was harder than I thought it would be to be a Spurs judge. Not because I ended up playing catch-up on the reading, but because there were some many really excellent stories submitted to the western romance category, and I had to narrow it down to the top five. Making the choices as to which were best was really tough. The opportunity to read some of the best westerns of 2019 made it worth every struggle. It was great!
I took my role as a Spur judge seriously. While reading I noted things like how well-crafted the story was, how prominent the elements of western and romance were in the story, how historically accurate the story was, and how well the story captured and held my interest, to base my choices on. Now that the winners have been announced, I am able to provide you with brief reviews of the ones that were my own personal favorites. All of the books reviewed below I found to be well written and historically accurate to their time period, and each would receive a five quill rating in my regular book reviews. They were my top picks and they include the winner in the romance category and one of the finalists.
Sometimes in the old west you had to grow up fast, and life wasn’t always kind, especially to members of the female persuasion. Molly finds herself on her own in the west at a young age, at a time when the choices for a girl on her own were very limited. She’s on her way to becoming a soiled dove for a life of squalor when she meets Wade and it’s love at first sight. Wade vows take care of Molly, so there will be no need for her to go down that road, but he is young and there are several obstacles preventing him from following through. Then Molly met Heeshe, the new amorphidite brothel owner and they saved each other, but there was always a place in her heart for Wade, if she could only admit it and let herself surrender to him.
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When Molly’s husband dies, there’s nothing left to go back to. They sold up all their worldly goods to make the trek across the mountains to Oregon, and she is determined to complete the journey with her two children. She meets hardship and heart ache along the way, and Micah, a mysterious rugged rider, who turns up just at the right moment to save her from Jeb, an unsavory member of their party, who has had his eye on Molly and grown tired of just watching. Soon Micah is riding with she and the children, and bedding down near their wagon at night, working his way into the children’s hearts, as well as her own, but she has to wonder where he goes when he rides off for days and then, reappears. She has doubts as to whether she is strong enough to make it at times, but soon finds she doesn’t want to make it without Micah.
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Since her father died, Jack has run the Pony Express station in his stead. And why shouldn’t she? Even if she had to mislead to corporation heads a little, implying that she was male by signing her letter Jack instead of Jacquelin, she knows the workings inside and out, and the riders all like her and look to her with respect. Then Elijah Johnson looking for a mystery woman from the past arrives, along with a U.S. Treasury agent, Mr. Crowell, enlisted to help uncover a suspected conterfeiting ring operating in the area. As she unravels the mystery surrounding her own past, she ponders who she is, and who she wants to be, and struggles with the nagging feeling that Elijah Johnson may hold the key to revealing the truth.
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Harriette “Hetty” Osgood is just school teacher in Kiowa Wells, but when a dying man stumbles into her school house, she vows to deliver a letter to his brother, Grant Davis. Dressed as a boy for safer travel, she sets off on an adventure to find Davis, and crosses paths with Conover Boggs, who she sent to prison in the past, and would like nothing more than a chance to make her pay. Boggs catches up with her just as she catches up with Grant Davis, who has ridden with Boggs in the past. To save them both, they claim to be married to fool Boggs. They have little choice but to help one another, but Grant is on a quest to clear his name and leave his past behind him. Could they each be what the other is really looking for?
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This paranormal western romance is really two romances, one in the present and one in the past, in one tragic searches for both love and riches. Sundell does an excellent job of weaving the past into the present in a tragic and heartfelt tale of lost love and possibilities.
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Wilke thinks her first solo job in Butte, Montana will be a piece of cake. Simply, lift the ledgers for the designated accounts from the bank safe for the client. What could be easier? But things quickly go awry when she finds there are two sets of ledgers and they don’t tally. Suddenly, she finds herself being pursued by the shady lawyers who hired her uncle, who will go as far as murder to cover their tracks. When Hixson rides her back to her hotel on his motorbike, they discover her uncle dead, Wilke finds herself on her own and in need of getting out of town with the falsified documents.
Hix agrees to help her, but gets more than he bargains for, when the shady lawyer’s henchman is waiting at the train station. Wilke isn’t sure she can trust Hix, there are several signs that he might have a shady past and could be an outlaw, but she doesn’t have much of a choice. Hix has reasons of his own for wanting to get out of Montana, but he finds that Wilke is full of surprises, as they try to evade the bad guys.
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