Writer’s Corner: The AI Dilemma

Posted: June 8, 2026 | Author: kayelynnebooth | Filed under: AI Technology, Writer's Corner, Writing | Tags: AI Technology, Kaye Lynne Booth, Writer's Corner, Writing to be Read | 8 Comments

Caracature of a woman typing on a keyboard at a very messy desk. Text: Writer's Corner with Kaye Lynne Booth

As I sit down to write this, I have a feeling that it may turn into a rant. This AI thing really disturbs me, and it’s getting worse instead of better. If you’ve followed me in the past, you may know that I’ve been known to use AI editing tools such as ProWritingAide in the writing of my books, and also that I’ve utilized generative AI, such as the free versions of Chat GPT to help me form my words in some of my descriptions, as this is an area I am weak in. (Before the anti-AI group begins to raise a fuss, please note that I have never used the AI’s wording, but rather used it to get ideas on how I wanted to use my own words. So, AI does not, and has never, written any part of my books and stories for me.)

More recently, however, I’ve been rethinking this, and I’ll tell you why.

I Don’t Like Having AI Shoved Down My Throat

AI seems to be encroaching on my life in ways which are not wanted and have not been requested, and I’m guessing some of you may feel it, too. AI tools, which we’re told are meant to make our lives easier, such as Alexa, or Google Assistant, or Seri, or whatever, seem to be trying to help without being summoned to do so on occasion. When I’m having a discussion and my Google Assistant pops in with unrequested information uninvited…, to me, that’s kind of scary. We’re told these devices and apps, which we bring into our homes, or download onto our phones and carry with us everywhere, are not listening to us; that we must say the catch-word, (Alexa or Hey Google, etc…), to activate them, yet they pop into a conversation without being summoned, offering unrequested and unwanted information. Seems to me, the AI must be eavesdropping, and how scary is that, to think they are even capable of doing such a thing?

Advances in AI technology are being thrown at us hard and fast. My email now comes equipped with AI, which offers up a summary of each email I open, (I guess to save me the trouble of actually reading the correspondence?), and then, pops up in the middle of my replies, offering to rewrite it for me! As if I cannot be bothered to write my own reply. And most of the time, what it offers up is not even close to what I wish to say. When it pops up on my phone, I am often unable to continue with what I was writing until I can convince it to disappear from my screen, as if it intends to prevent me from replying myself. Not only is this a little scary, but it’s a lot aggravating.

I did not ask for these ‘upgrades’ to my email. They just suddenly appeared after the automatic updates. I opened my email and there they were, in my yahoo account. No one ask permission to shove AI tools in my face; no one asked if I desired them. But there they are, in the applications that I use. Microsoft did the same thing with Word, although theirs is not as pushy, appearing as a little comment icon over to the side of the screen that I can click on if I need it. (I don’t.)

My MS Word program and the WordPress platform both offer AI editors, but they leave it up to you whether to use them. You must click on them to bring them up. They don’t just pop up and try to take over. It’s a matter of choice with these programs, and I don’t have a problem with that.

Since the beginning of the year, I have backed off my use of AI, and only using the built in editor on MS Word to locate possible needed corrections, but fixing them myself, because I often don’t like the solutions offered. It is frequently wrong, suggesting words which aren’t at all what you wanted to say and totally miss the point. The same with AI editors, such as ProWritingAid. It seems you can’t just take AI’s word for it anyway. You still have to use your noggin.

In the Name of Progress

On her Risky/Women Substack, “AI Won’t Kill Your Career. Your Resistance to It Will.“, Rachel Rogers says, “Refusing to use AI in 2026 is the equivalent of refusing to use the internet in 2000.” She claims that if we don’t embrace AI in the early stages, we will be left behind and our businesses will suffer.

Well, guess what? That’s exactly what I did. In 2000, I refused to have a computer in my home or grant my children permission to use the internet at school, and it did give me a slow start. I was still writing on a manual typewriter and submitting work via snail mail in 1996. By 2000, I had decided snail mail submissions were too costly for me, and my writing had tapered off to near nothing.

I became disillusioned with the public school system when I finally gave in and signed the slip allowing my children internet access at school and almost immediately got a call saying my son had accessed an inappropriate site. As it turned out, their firewalls had failed, and my son had viewed a site with the image of a woman in a bikini. Although it wasn’t the end of the world, it was exactly the kind of thing which I had feared, and my children had only had access for two days. After that, I put my boys in a charter school, but once they reached the age for middle school, I chose to home school them through an online home school program.

The home-schooling program provided computers for each of my boys, but that meant I had to give in and allow computers in my home, and I had to allow my sons to have internet access. Once that happened, I had no choice but to learn to use them myself, and I soon discovered the many opportunities which the internet offered for writers. I mean, you could submit online and it didn’t even cost the price of a stamp. It changed my whole outlook on the matter and soon, I was carrying my own laptop with me everywhere. When required to do readings at a memoir workshop in 2011, everyone else came with folders of papers to read from. As I set up for reading, my comment was, “I don’t know about the rest of you, but my life is in my laptop.” That was no joke, at that point, it really was. My computer had become an integral part of my life.

So, did my resistance to technology and the internet set me back, putting my writing business behind the times and leaving me at a disadvantage? Perhaps.

I certainly missed the dot-com craze. But one could argue that I was still in the learning phases and did not yet know how to put it all together at the time. This was prior to my enrollment in the graduate program in creative writing at Western State Colorado University, where I learned how to write a novel length work; before I learned how to publish and market my work in their masters in publishing program; before all the pieces were in place for me to turn my writing endeavors into a business.

It was also before aggregators like D2D came along which allow authors to publish digitally and on demand with no up-front costs. Before platforms like BookFunnel were available to allow me to create reader magnets, review copies, and giveaway gifts from my books. So, one might argue that it was actually perfect timing, because by the time I had figured out what it was I wanted to do, all the tools I needed to do it were available at my fingertips.

To Use AI or Not to Use AI? That is the Question.

AI can certainly do some amazing things. But there still exists great controversy about the way in which generative AI is trained, taking human authors’ words without their permission. Although that’s an argument for another day, it matters here because it was a big part of the reason stopped using ProWritingAide in my editing process. That, and the fact that more than half the time, the AI was incorrect for the purposes of my stories, even if the English was correct.

I have always been anti-establishment. I don’t want the government, or anyone else, up in my business. I place a high value on my privacy, and I feel like AI devices are an invasion of privacy. I think maybe we need to send out a message to all these technology companies that are trying to push their AI technology down our throats and disable all their AI tools from our personal and business accounts. That’s big talk, but I don’t have a clue as to how to go about it. I didn’t ask for the AI and I don’t know how to get rid of it. I’ve tried ignoring them, but they don’t go away. And I haven’t found any way to turn them off or reject them.

But these are different tools we’re talking about than the AI tools, like Chat GPT and ProWritingAid, which I’ve used in my writing in the past. These tools are appearing in my email apps without having been requested or desired. The writing tools which I have used were tools which I sought out and was happy to find free versions. While I still feel AI editors miss the mark more often than not, they can be helpful, and I don’t feel that, using these tools in the manner that I do, is letting them write for me, or damaging the integrity of my work. In other words, my work is still mine.

I like the responsible approach presented by Alex Cattoni, in this video, “Your Biggest Advantage Over AI Starts Here”, on YouTube:

Let’s look at what we know about using AI.

We know that AI tools can be helpful in the writing process.
We know that it is possible to use AI in writing without replacing the human words with AI written content.
We know that it is possible to use AI tools and still put out content we can be proud of.
We know that AI is coming, whether we like it or not.
We know that to choose not to use AI may mean being left behind.

Choices Moving Forward

I may not know how to get rid of the AI tools that are being pushed through apps, but I can choose not to use the AI tools that pop up in my email, etc… I will not be rebellious of my writing tools, just because programmers insult my intelligence with the idea that I cannot read, interpret, or write my own emails. They may push them in my face, but that does not mean I have to use them.

I can chose which AI tools to use and how I use them, so that my writing can still remain mine. I don’t want to get left behind again, not when my writing business is finally beginning to take off. So, I am choosing to continue to utilize the AI editor in the MS Word program, but not access Copilot, which recently appeared in the same program, or ProWritingAid, since they try to rewrite my words and are often not correct.

I will also choose to use generative AI in creating my descriptions cautiously, and be very selective about any wording suggested, to keep my words, my own.

I will choose to be transparent in my writing, letting readers know when AI was used in my writing or in my covers.

What about you?

About Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and Book 1 in her Time-Travel Adventure series, The Rock Star & The Outlaw, as well as her poetry collection, Small Wonders.

Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press, where she edits and publishes two short fiction anthologies and one poetry anthology every year amidst her many writing projects. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

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This segment of “Writer’s Corner” is sponsored by The Ones Who Stayed With Me, by Nurse Sammy, and WordCrafter Press.

Digital and Print copies of The Ones Who Stayed With Me, by Nurse Sammy

Chronicles of the journey into the medical field as a young nurse and beyond, told with raw sensitivity and compassion. The Ones Who Stayed with Me offers small glimpses into the world of an L.P.N. put in difficult, often touching or humorous, situations—and Nurse Sammy’s courage, vulnerability, and insight are a gift to us all. In these pages, Nurse Sammy tells her story and that of those she met along the way.

Purchase Link: https://books2read.com/OnesWhoStayed

Writer’s Corner: Why Put All Your Eggs on One Basket?

Posted: May 4, 2026 | Author: kayelynnebooth | Filed under: book marketing, Book Review, Books, Drat2Digital, Indie Publishing, Publishing, Review, Writing | Tags: Kaye Lynne Booth, Publishing Wide, Reviews, Writer's Corner, Writing to be Read | 8 Comments

Recently, I’ve been hearing complaints about Amazon pulling down revues when they suspect the reviewer and author know one another, by checking if they are on each other’s friends lists on social media. While it’s true that this is not a fair practice. I’ve been known to purchase the book of someone who happens to be on my friends list, because the name is familiar. I’ve also been known to request a review copy if I see a promo post on social media for a book that catches my interest. Neither of those scenarios means that I actually know the author personally, although I may know of them on social media.

Anyone that has followed me for very long knows I’m not a big fan of the business practices of Amazon. And this is just one of the reasons why. In Amazon land, Amazon makes all the rules. For authors, they encourage exclusivity and then they monitor your activity and they determine what is acceptable and what is not. Their rules don’t always make sense, and they often are unfair, but what is an author to do? Amazon is the number one book distributor, to be sure, and they bring in the most sales.

I’ll tell you what I do. I rebel. Amazon can urge you to go exclusive and put your books in Kindle Unlimited, but they cannot force you to do so. I publish wide, through an aggregator, Draft2Digital, and through them, my books are distributed to not only Amazon, but also Apple Books, Barnes & Noble, Rakuten Kobo, and Smashwords, and they are available in libraries and brick and mortar bookstores, which doesn’t mean they will be there automatically, but it gives me a foot in the door. (For more on why I publish wide, see my post “5 Reasons Why I Chose to go Wide With my Books”.)

Still, Amazon slaps my hands for not publishing direct through them by making my books wait until the day of release to accept them for publication, so they aren’t available on Amazon for preorder as advertised. But they are still available for preorder on other distribution platforms, so I’m not sure who they are hurting with that one.

The reason I publish this way? I just don’t like putting all my eggs in one basket. Think about it. If you enroll your books in Kindle Unlimited, and agree to keep them exclusively on Amazon, you are limiting the readers who can find your books to only those enrolled in KU, whereas my readers might be found on any of the above-mentioned platforms, as well as being listed in library catalogs. Not only that, but when Amazon decides you’ve violated one of their all-cherished rules and freeze your account, and it happens. If they are your only distribution platform, your income just came to a screeching halt. It doesn’t matter whether the violation is real or imagined on Amazon’s part, your income will remain on hold until you can prove they are in error, which is not an easy feat, or until you’ve done your penance in Amazon’s mind. I don’t know about you, but I know I don’t want to give anyone that much control over my publishing business.

I know for many exclusive authors, KU is a big part of their incomes. But there are other subscription services, like Kobo Plus, which don’t require exclusivity. I don’t know how they compare because I’ve never had my books in KU. Kobo Plus likely does not have as big a reach as Amazon KU, but of course it also serves a different part of the globe. So, by publishing wide and enrolling in Kobo Plus instead of KU, you can extend your global reach, increasing the number of potential readers who see your book, all over the world.

No matter which platforms you chose to publish on, you must be prepared to promote like crazy. There is no difference in the platforms in that regard. By publishing wide you also increase the areas your promotions need to reach, but thanks to social media, authors can now do that fairly easily. When I was interviewed on the Stark Reflections podcast, Mark Leslie Lefebvre asked me what my best marketing tool was. I replied, hands down, this blog, Writing to be Read. He seemed surprised by my response. But, I post here, then use social media channels to promote the post. I promote on X, Pintrest, LinkedIn, and Facebook. Occasionally, I share a promotion on Instagram, but I don’t generally use that platform. It’s a soft sell, promoting the blog, rather than the product. Once I get them to the blog, the post promotes the product.

Every book I release gets a blog tour with WordCrafter Book Blog Tours, and I use this blog to promote those posts and spread the word with social media, as well. My own books also get a Kickstarter campaign, which I promote mostly through social media. Kickstarter has their own platform for updates for folks who are already following the campaign, so I just need to spread the word on social to draw in new backers.

So, what do we do to solve the problem of our perfectly legitimate reviews being taken down? Well, you can go wide with those, too. If you send out review requests, ask reviewers to post their reviews on other platforms, in addition to Amazon. You might also consider purchasing paid reviews, like Kirkus Reviews, which can be placed in the area for Editorial Reviews on your Amazon page, but I’m not a big fan of these either. On the one hand, you are guaranteed a good review. Even if they claim they are honest reviews, you must wonder, because no one wants to pay for a bad review.

And when posting your own reviews, don’t limit yourself only to the distribution platforms. When I post my reviews, I post them first on my blog, where no one can pull them down. Then, on Goodreads and BookBub, in addition to Amazon. If I have the time, I may also post on the Barnes & Noble site. Those aren’t the only ones out there. These are just the ones which I know and use.

I’d love to hear your thoughts on the Amazon dilemma. Where do you post your reviews? How do you handle Amazons reviewing requirements? And while we’re at it, what is your best marketing tool? Let me know in the comments. I’d love to hear from you.

About Kaye Lynne Booth

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This segment of “Writer’s Corner” is sponsored by The Ones Who Stayed With Me, by Nurse Sammy, and WordCrafter Press.

Purchase Link: https://books2read.com/OnesWhoStayed

Writer’s Corner: Person & Tense

Posted: April 6, 2026 | Author: kayelynnebooth | Filed under: Fiction, Point of View, Tense, Writer's Corner, Writing | Tags: Kaye Lynne Booth, Point of View, Tense, Writer's Corner, Writing, Writing to be Read | 14 Comments

I recently wrote a short story for the upcoming Legends anthology. I wrote it in third person, present tense to give the tale a sense of immediacy. My beta reader sent back comments, saying that, while the story was a good one, the present tense put her off, as she does not care for stories in present tense. Who would have known?

I had a similar reaction when I first read The Hunger Games, which was written in first person, present tense. It really was a bit off-putting, particularly in the dialog tags when reading aloud. But as I got into the story, I became more accustomed to the style and by the end of the book, I hardly noticed it anymore. First person, present tense is difficult to write, because it must be done well, or it doesn’t work. I’m not that brave.

But, I have been playing around with third person, present tense, which I find a little easier to pull off. I like using present tense because it makes the story feel more immediate, pulling the reader into the story and helping to build suspense. I’ve been using third person, present tense in writing Marta, the third book in my Women in the West Adventure Series, although the first two books were written in third person, past tense. I felt using the present tense in Marta helped to build tension and move the story along.

After the comments from my beta reader, I am wondering if I should rethink that. Readers are put off by different things, and I realize I can’t please all of the people all of the time. But, if this is off-putting to one reader, how many others may feel similarly? If I do change it, that means going back and rewriting the three quarters of the story that is already written, roughly 55,500 words, but if it will turn away readers, perhaps it is worth the effort to go the other way.

So, I’m asking you. Please tell me how you feel about the passage below. Is first person, past tense off-putting to you? Would it be better in third person, past tense?

It’s a passage from chapter one of Marta, just a few paragraphs:

“Excuse me. Is this seat taken?” a man’s voice draws her attention away once more. She turns to see a man, fancily dressed, standing in the aisle and addressing her, indicating the seat next to hers. She had met the infamous Doc Holliday once during his stay in Leadville. This man is like him. She’d seen plenty of his type in Leadville. They dress like a dandy, and come to gamble, but they aren’t particular about how they come by their money and aren’t above working on the other side of the law, and they all carry guns on their hips.

The man is staring at her, expectantly, waiting for a response to his question. He had been polite enough to ask, and the seat wasn’t taken. How could she say no? “No sir, it is not,” she admits. She doesn’t own the train seat and can’t stop him from sitting there, but she doesn’t have to trust him. A woman traveling alone can’t be too careful.

She reaches down by her feet to be sure her carpet bag is still there. Not only does it contain all her money, but also the thirty-two caliber pistol which she purchased in Leadville. Before sitting up straight in her seat once more, she brushes her fingers over the top of her boot to check that her knife is still there, as well. That knife had saved her life with Franz, the dirty traitor, and it gives her comfort to know it was within reach.

He gives her a smile that doesn’t quite reach his eyes as he slides into the seat. “Why, thank you, Ma’am,” he says. “William Barnesby is the name, but my friends call me Bill.”

She plasters her best smile across her face and says, “I’m Marta Olmstead, and this young woman is Rose… uh… Dunbar, is it?” she says, looking toward the young woman.

“Yes, Ma’am,” she says, nodding her head and quickly averting her eyes from the gentleman, toward the window. Obviously, the man’s presence made Mrs. Dunbar uncomfortable, as well. But what could she do? The seat didn’t belong to her, and Mr. Barnesby had purchased a ticket just like everyone else on the train.

About Kaye Lynne Booth

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This segment of “Writer’s Corner” with Kaye Lynne Booth sponsored by WordCrafter Quality Writing & Author Services.

Whether it’s editing, publishing, or promotion that you need, WordCrafter Quality Writing & Author Services can help at a price you can afford.

Stop by and see what we have to offer today: https://writingtoberead.com/readings-for-writers/wordcrafter-quality-writing-author-services/

Writer’s Corner: Author of the Future – Selling Books

Posted: March 2, 2026 | Author: kayelynnebooth | Filed under: Book Promotion, Book Release, Book Sales, Books, Crowd Funding, Direct Sales, Kickstarter | Tags: Crowd Funding, Direct Sales, Kaye Lynne Booth, Kickstarter, The Rock Star & The Outlaw 2 Double Visions, Writer's Corner, Writing to be Read | 2 Comments

I’ve run a few Kickstarter campaigns in the past, and I’m running one this month for my Time Travel Adventure Series and the release of the second book, The Rock Star & The Outlaw 2: Double Visions. It began yesterday, March 1, and will run through March 28th, 2026. (Little secret: March 3rd is my birthday, but your gift of support lasts forever.) If you’d like to check it out, and maybe even support this author with a pledge, you can check it out here: https://www.kickstarter.com/projects/kayelynnebooth-wcp/the-rock-star-and-the-outlaw-2-double-visions

I started down this road back in 2023, when I successfully funded two campaigns, including one for the first book in this series, The Rock Star & The Outlaw. I chose to sell my books through Kickstarter because the buzz is, that Direct Sales and Kickstarters are the successful author’s future. Since the WordCrafter website isn’t set up for direct sales as yet, Kickstarter looked to be the best option.

We’ve Come a Long Way Baby

When I first started writing books, the publishing world was entering a transition phase. Traditional publishers had run the show for a very long time, and if you were an author, you peddled your book to literary agents. Once you found one of those, they would peddle your book to publishers and hopefully, found it a home with one of the Big Five. Or, you could peddle your book to smaller, independent publishers and try to find a home for your book yourself. Either way, very few authors found a way in, and even fewer made the best seller lists. If you were fortunate enough to be picked up by a traditional publisher, you might get a substantial advance when you signed your contract, which the book would have to earn out in sales before you could receive any further royalties. If the book didn’t earn out, you never saw another dime. But this was the way the publishing industry worked. You didn’t get in without making it past the gatekeepers; the agents and publishers who held all the power.

At that time, independent publishing carried a nasty taste with it. The world of independent publishing was filled with vanity presses that would publish your book for a cost, and they thoroughly took advantage of authors who tried to buck the system and bypass the gatekeepers. As publish on demand (POD publishing) gained popularity, it offered authors the opportunity to publish their work for much cheaper, but it also opened the door for anyone who wanted to, to claim authorship. Not everyone cared about quality, and authors who chose this cheaper route were likely to have skipped costly steps like editing, too. This flooded the market and gave independent authors a bad name, but traditional publishers still viewed them not as a threat, but a nuisance.

Traditional publishers stuck to their guns, and continued to do things the same way they always had, because that was the way it had always been. But as they began to falter, their advance payments grew smaller and smaller, and today, even if you get a traditional deal with one of the Big Three, you may not receive an advance at all. Indie authors began to hit the best seller lists, offering some real competition and traditional publishers began to take indie publishing more seriously. Suddenly, there was a new route past the gatekeepers. If your book hit the best seller lists, a traditional publisher might come knocking with an offer, even if you weren’t looking for one.

And why should independent authors go trad? With only small advances being offered, if at all, and less and less of the marketing efforts being put forth by trad publishers, there really was little reason to go with traditional publishing unless you were just after the literary prestige. An indie author, who did the work to publish and market their own work got to keep more of their royalties than the 40% traditional publishers were offering.

With the rise of aggregators, such as Lulu, Smashwords, and Draft2Digital, independent publishing became even cheaper for authors, and traditional publishing continued to look less and less appealing, at least to me. So today, authors can do it all. Write the story, publish the book, and market it, all by themselves. That’s a lot. So, of course, they can also choose to outsource any of the work, depending on how much they want to spend. Because it’s all up to them. The author is the boss and the choices are all theirs.

Now we are faced with more choices about where to sell our books. We can publish exclusively, placing them on Amazon in Kindle Unlimited, but to me, that’s putting all your eggs in one basket. We can publish wide and place our books on retail sites around the globe. Or we can sell direct from our website, start a store on Shopify, or sell through crowd funding on Kickstarter.

Many authors use a combination, selling direct or crowd funding and placing their books on retail sites, as well. This is what I perceive to be the future of book marketing. Direct sales are how authors can make the most money from their books, but retail stores have the visibility to get their books discovered.

Why do I say these are the future of book marketing?

Come along as we explore the pros and cons, below.

Direct Sales

Direct sales are the best way to go if you are able to set up a store on your site. Having an onsite store would be a bigger expense from the hosting site, in order to give your site monetary capabilities, so it is more expensive initially. I’m still struggling to get enough sponsors and donations to cover the annual costs of the Writing to be Read site on the current level, so the upgrade must wait, although this would be my preference for selling my books.

Why?

One big reason is authors who sell through direct sales cut out the retailer middle men and get to keep more money from each sale. So, when you can buy a book directly from the author’s site, you are supporting that author more than the person who buys the same book through a retail site. Because they don’t have to pay 30-70% of their royalties out to retailers, the savings can be considerable.

Authors may have to do all the marketing for their books, but these days, that may be the case even with traditional publishing, so why not do the work and reap the reward?

The Kickstarter Platform

Kickstarter is a crowd funding platform that can be a great way to finance all your creative projects, if done right. They keep a small percentage of each project that is successfully funded. So, while you are giving them a small cut of the royalties, they handle the collection and distribution of monies, and provide promotional materials in return. Plus, it gives.you access to the crowd funding community, which is big on creative projects and accustomed to supporting them. And if it doesn’t fund, it doesn’t cost you anything.

I like running Kickstarter campaigns upon launch because I can offer books at less than the prices set on retail sites, and exclusive offers, such as signed print copies or special edition books, which aren’t available anywhere else, so my readers benefit, too. I can also offer package deals, combining two or more books.

For those same reasons, it pays to support your favorite authors on the Kickstarter platform because you can get some really awesome deals on some really great books. I not only sell on Kickstarter, but I’m also a supporter of the projects of others. You can show your support, usually for as little as $5. It’s a great way to get books and other exclusive merchandise, and of course, I wrote reviews for all the books I bought to further show support for the author.

International bestselling author, Kevin J. Anderson, runs at least two Kickstarter campaigns per year, with some astounding results. Likewise, Dean Wesley Smith and Kristine Katherine Rusch run several each year. As does author Russell Nohelty. But you don’t have to be a big name to run a successful Kickstarter campaign. I’m the proof of that. To date, I have run three successful campaigns and only one that failed to fund.

The Rock Star & The Outlaw 2: Double Visions Campaign

If you’d like to support this author and help to fund my current campaign for The Rock Star & The Outlaw 2: Double Visions, drop in via the link below. We have great deals on Books 1 & 2 of the Time Travel Adventure Series, including signed print copies, plus posters and goodies bags available only through the Kickstarter campaign. All support is greatly appreciated.

https://www.kickstarter.com/projects/kayelynnebooth-wcp/the-rock-star-and-the-outlaw-2-double-visions

About The Rock Star & The Outlaw 2: Double Visions

In 1887, LeRoy is stuck, bringing trouble down on those around him. Sissy is kidnapped and he’s the only one who can save her.

She wakes up in 2030, in a future very different to the one she knows, one in which she may not have been born. Amaryllis will stop at nothing to find LeRoy fix what she messed up in the past.

She and a version of Monique which is different from the one she grew up with travel back to 1887 to try and make things right.

Add two time travel regulators from the future who are after the time module, and things begin to get wild.

When the time loops are crossed, things change, but not the way Amaryllis intended and pretty soon, everybody is seeing doubles.

Book Cover: The Rock Star & The Outlaw 2: Double Visions by Kaye Lynne Booth

If you’d like to know more about the second book in the Time Travel Adventure Series, we’ll be running a book blog tour March 23-27, 2026, right here on Writing to be Read. Join us for readings and guest posts about the inspiration and creation of this series, and a great giveaway of digital and signed print copies.

About Kaye Lynne Booth

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This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.

Writer’s Corner: Who Are You Writing For?

Posted: February 2, 2026 | Author: kayelynnebooth | Filed under: Book Promotion, Writer's Corner, Writing | Tags: BookMarketing, Kaye Lynne Booth, Writer's Corner, Writing, Writing to be Read | 2 Comments

Who are you writing for?

This was the first question posed to me in graduate school. And it baffled me. What did my instructor mean? I write because I have something to say, because there are words inside of me that need to come out. At the time, if there was any one person I wrote for it was my deceased son, Michael, who had been my biggest fan when he was alive.

But that wasn’t what he meant. He meant who was my target audience. I wasn’t writing for an audience of teenaged boys, who were on the verge of becoming men, which is the audience my son would fall into. At the time I had written a few short stories, and had not yet tried my hand at a longer, book length work, but nothing that members of such an audience would be drawn to.

He meant that I needed to know about the persons who would want to read my books, so I could write them in a way that would appeal to them and draw readers from that group to them. I needed to know what their reader expectations are, so I can be sure my story meets them. After all, it’s not a romance if there isn’t a HEA (Happily Ever After), or at least a HFN (Happy For Now), in the ending.

That’s a trope of romance, but it is one that every reader of romance will expect to find, and they will be disappointed if your story doesn’t deliver it. So, it’s important to know the tropes for your genre, as well. But the original question of who you are writing for is important for more reasons than that one, because you need this knowledge about your target reader audience not only to write to expectation, but to market your book properly. You need to know who your book is aimed at and then you need to know where to find them, so you can get book promotions in front of them.

Being a multi-genre author makes it all more difficult. Multi-genre authors need to know tropes for each genre they write in, and they need to know the audience for each genre, as well. I must be sure I’m not marketing my western historical women’s fiction of my Women in the West adventure series someplace where all the gamers hang out, because they won’t give a fig about those books. However, they might be interested in the dark fiction anthologies in the Midnight anthology series, so it might be smart to market those books there. Anthologies have several authors, who all write to a slightly different audience, so in that way, they may widen the scope of audience appeal. But the need to know who you are trying to appeal to is just as great, if not greater than it was when I was creating the books.

Children’s books are tricky, because you’re writing for the kids, but marketing to the parents. Although the books aren’t written for adults, if they don’t appeal to the parents, they aren’t going to sell. When you write for kids, you bury the message within the story framework, so it is delivered subtly, as they are entertained by the story. In my marketing, I point out that each book carries with it a moral lesson, even though the kids wouldn’t give a fig about that. If the wonderful illustrations by Robbie Cheadle draw the child’s attention, the ammunition is there to help convince the parents.

As you can see, who you are writing for is important to know for several reasons. So, what’s your answer?

Who are you writing for?

About Author Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and book 1 in her Time-Travel Adventure series, The Rock Star & The Outlaw, as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource.

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This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.

Writer’s Corner: NaNoWriMo No Mo

Posted: December 1, 2025 | Author: kayelynnebooth | Filed under: Books, Historical Fiction, NaNoWriMo, Western, Women in History, Women's Fiction, Writing, Writing Challenge | Tags: Kaye Lynne Booth, Marta, NaNoWriMo, Women in the West, Writer's Corner, Writing Challenge, Writing to be Read | 4 Comments

I look forward each year to participating in the NaNoWriMo challenge in November. In fact, I depend on it to get a major portion of one novel completed and I schedule it into my production calendar. Even if I do not make the word count for the set goal at the end of the month, I’m still that much closer to a finished novel, so it is a win-win situation.

November 2022 produced The Rock Star & The Outlaw, book 1 in my Time Travel adventure series. In 2023, I used it to get a start on Sarah, book 2 in my Women in the West adventure series. 2024 brought a good start for the second book in my Time Travel series, The Rock Star & The Outlaw 2: Doubles Visions, which will be released early in 2026. This year’s NaNoWriMo was scheduled to create the third book in the Women in the West series, also scheduled for release in 2026.

So, you can imagine my surprise when a few days before Halloween, I’d done my research, I had my outline, and I went to sign up for the challenge and found that NaNoWriMo is no more. Apparently, the traditional challenge which has been around for over a decade and attracted writers from near and far, had an incident involving AI material last year, unbeknownst to me, which turned the whole event topsy-turvy. I still am not sure what the problem was, or why it was so serious as to shut down the whole event permanently. I was too busy panicking as I searched the web for my favorite month-long writing event, to read any more in depth than that.

What I did find was a new event called Novel November which looked to similar to NaNo, so I signed up. After I had begun setting up my dashboard, it became apparent that they were expecting me to upload my manuscript so they could keep track of my word count, instead of self-monitoring, like NaNo. So… ProWritingAid will have direct access to the words I write? That made me pause.

All of the articles I’ve read about the hullaballoo over AI snatching authors’ works illegally for training, etc…, I had to wonder how smart that would be. Then, add to that, the fact that something happened which involved AI writing, which shut down NaNo after last year’s challenge, and doing the challenge through this site seemed like a a really bad idea. So, that’s as far as I got with that.

I started thinking about the aspects of NaNo which I found valuable. It was always fun to earn their little badges, but that and the word count was all I really used. For me, NaNoWriMo was a motivator that offered achievable goals and helped me keep track of my progress. I never really used the community aspects of the challenge, although I did adopt a writing buddy one year and we held each other accountable, sort of. I realized that both of the aspects I used most during the challenge, the ones I depended on, were actually things I could do myself pretty easily.

So, this past November, I ran my own personal writing challenge. It was the same challenge NaNo set; 50,000 in 30 days. That’s a good start on any novel, and it’s enough to enable me to finish the book within the next few months. And there was nothing stopping me from setting my own goal and keeping track of my own word count.

So, that’s what I did. On November first, I began writing on Marta. I’m keeping track of my word count on a sheet of notebook paper. I am maybe not quite as disciplined as I have been in past years during NaNo, but I’m following the same principles. I sit down to write every single day, utilizing every spare minute that I can to write.

I’m a realist, however, and I learned long ago that you can’t always put life on hold, so my writing times are spread out with ten minutes here, thirty minutes there. Of course, I try to get in as many hour, or two hour, stretches as I can. So, on days when I have to go out and work in the real world, and can’t stay in my world of fiction, I may not get as many words in. I don’t always make my daily word count goal, and I might be lagging behind in the overall goal, even on the days when I do make it. But, again, any number of words I get down adds to my overall word count and moves my story forward.

I am writing this post on November 26, the day before Thanksgiving, and to date, I have 39, 298 words down. If I had made the word count every single day, the expected word count by the end of this day is 43, 342, so I still have a ways to go, but the story line is coming along nicely. Where the first two books in the Women in the West series had long periods when the protagonists must survive alone in the wilderness, with inner dialog to carry the story, Marta is surrounded by a full cast of characters on her journey with lots of external dialog. The characters are diverse and colorful, and they find themselves in some unusual situations.

I don’t know how many words I will have by the time this post is published, on December first, or how many words I will have left to type. I’m sure this story will not be completed at 50,000 words, since they haven’t yet reached their destination with over 40,000 words. Whether I reach my goal or not, Marta will be scheduled to be released in June of 2026.

**Update: It is December 1st and I did not reach my writing goal for November, but I do have 47,651 words toward the story of Marta. That’s not a bad start. As I’ve said before, any way you look at it, a 50,000 word challenge is a win-win for me. 🙂

About Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and book 1 in her Time-Travel Adventure series, The Rock Star & The Outlaw, as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource.

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This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.

Writer’s Corner: Love it or Hate it, AI is here to stay

Posted: November 3, 2025 | Author: kayelynnebooth | Filed under: AI Technology, book marketing, Book Promotion, Book Sales, Publishing, Writer's Corner, Writing | Tags: AI Technology, book marketing, Genereative AI Search, Kaye Lynne Booth, Publishing, Writer's Corner, Writing, Writing to be Read | 4 Comments

I’m not one to trust technology. I’m leery of devices such as Alexa, or Seri, or Google Assistant. Call me paranoid, but in the words of Rockwell, “I always feel like somebody’s watching me.” 👀But, seriously, how do these AI devices hear the trigger word and respond unless they are listening to us all the time. I know my Google Assistant on my phone responds to words spoken in casual conversation with someone, and often it responds to words spoken by the other person. It’s not even my voice and the trigger words were never spoken. Scary, I say.

But like it or not, AI isn’t going anywhere, and in fact, it is infiltrating more and more aspects of authors’ lives, slowly and quietly, or sometimes, not so slowly. We can have whole conversations with generative AI; it can write stories for us, create cover illustrations, and even narrate audiobooks. I’m smart enough to see that AI is here to stay, and so, I’ve done my best to adapt and find ways that AI can be used to my advantage as an author.

I have most of my own books available on Google Play Books as AI Narrated audiobooks. I’ve heard both sides of the argument for and against AI narration, so I’m aware, but I thought I’d give it a try. Those who are against it may not have so much to worry about as far as AI taking jobs from human narrators, since I haven’t sold even one, and they are free!

I’ve also used generative chat, specifically, Chat GPT, to help me visualize scenes I’m trying to write in places where I’ve never visited personally, or places I have visited, but not in the time period I’m writing about. And I’ve used covers that were created with the assistance of AI, (not by me, I’m not that artistic), and I hope to publish a special edition collection of my Women in the West series, with color illustrations created with AI assistance next year, when I’m finally ready to release the third book in the series, Marta. My stand on the issue is that it is fine, as long as I am transparent about it, as the author.

According to Ricardo Fayette, over at Reedsy, the next wave of generative AI technology is about to flow in, or rather, it’s already here. We’re talking about AI search, which is about to upheaval the way searches are conducted, and in specific, the way folks search for books.

It May Not All Be in the Metadata Anymore

By now, we all know how a keyword search works, and publishers, both traditional and independent, try to play to those searches, hoping to choose the right keywords in the metadata that will help readers to find our books. But, Ricardo Fayette claims that with the rise of AI search, that is all about to change. Instead of searching for keywords, AI search looks for a string of words which are related to those you search for, words that the AI search connects based on what’s been entered in your search, combined with what the AI knows about the reader. Already, we have advertisements pop up in our inbox related to earlier searches, (which is kind of scary, in itself), but AI search will combine all the information it has about the searcher, such as previous purchases, and combine it with words from the search box and others connected to those words, and search through all the available books which fit to give us more accurate search results in a fraction of the time it would take to do it manually.

If that’s confusing to you, you aren’t alone. That’s the best way I could describe it, but I’m not technologically inclined at all. Ricardo Fayette did a whole series of newsletters explaining all this. He claims generative AI searches are based on three things and he wrote a newsletter covering each one.

You can bet I’m going to be watching those Reedsy newsletters in the near future to see if he explains how to apply this knowledge to ensure our books have maximum visibility, but the way I’m understanding it, because of the personalization factor, two people could run the exact same search and come up with completely different results because each person has a different history, so I’m not sure where that leaves us. As it stands, it always feels like I’m playing catch-up when trying to get my books out there, so you can be sure I’m going to do everything I can to find out and then, jump on before it takes off without me.

About Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and book 1 in her Time-Travel Adventure series, The Rock Star & The Outlaw, as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource.

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This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.

Writer’s Corner: The Evolution of a Story

Posted: October 6, 2025 | Author: kayelynnebooth | Filed under: Anthology, Fiction, Short Fiction, Stories, Writer's Corner, Writing | Tags: "Sangoma Zombie Elephants & Tokoloshe Oh My!", Kaye Lynne Booth, Midnight Oil, Story Development, Titles, Writer's Corner, Writing, Writing to be Read | 12 Comments

It started with a simple idea, sparked by one of Robbie’s “In Touch with Nature” segments on the South African elephants and their plight due to illegal poaching. Who wouldn’t love to give the elephant a chance to get even? To rise up and slay the cruel poachers? That would require something like a zombie elephant. An elephant that was a zombie, now that would be a formidable foe.

So, taking the idea of a vengeful zombie elephant, I began to research. The story would need to take place in South Africa, where one can find both elephants and poachers. First, I looked at the beliefs held there about how a zombie could be created. Robbie suggested I go with the beliefs of the Zulu people, and steered me toward the legend of the tokoloshe, which are turned into zombie creatures, controlled by the sangoma or shaman who created them.

Tokoloshe are squat, troll-like creatures which are said to be found near bridges. The have small hands, large, hairy feet and long penises, which are often slung over their shoulders. They have small squinty eyes, protruding brows and long, stringy hair. (Now, I know you’re probably asking, what about the females? How do they procreate? But as far as I can tell, all tokoloshe have long penises, so they must all be male. As to the procreating thing, I don’t have a clue. Information on Zulu culture and traditions is not abundant, here in the U.S., and I am thankful for the information sent to me by Robbie about these creatures of legend.)

An idea began to form as to how I could incorporate this Zulu legend into my story, and I began to outline my tale, with a working title of “Zombie Elephant”. This required even more research, and I learned that there are two types of shamans in the Zulu culture, the sangoma, who is in touch with the Zulu ancestors and more likely to be found using dark magic, and the inyanga, which is more of an herbalist or healer, and that they are chosen by the ancestors, and go through rigorous training to fulfill these roles.

My idea involved two Zulu boys, Nelwazi and Nhlanhla, who acquire some of the zombie powder, made from crushed tokoloshe bones, from a powerful sangoma and create a zombie elephant by accident. The sangoma sends the tokoloshe after the two boys. From that, I was able to complete an outline and start writing.

I wrote this story while my computer was down, so it was written in longhand and then digitized after I got my new laptop. Both of my stories for the Curses anthology were written like this, and they changed a lot when I typed them out on the keyboard. Oddly enough, this story changed very little when transferred into digital form. What was amazing about this story was that I had so much fun writing it through all the stages. I even had to chuckle during the final reading on the last edit. I just couldn’t help it.

You see, somehow, the tokoloshe and their long penises stole the show. I found that these little guys were always up to mischief, and they made appearances when I least expected. And who knew the boys would come across an unenchanted tokoloshe, not under a sangoma’s control? But there he was, becoming a character in his own right. The zombie elephant was still there with her own part in the story, but I had imagined a story with her as the star, or at least playing a major part. Actually, she still did play a major role, but the darn tokoloshe were bigger than life. (When I looked back, all of it was there in my outline, but I guess the writing of the story just brought it all to life for me.)

Each posed different problems that Nelwazi needs to solve. He must not only disperse the tokoloshe that are sent after them by the sangoma, but he must find a way to undo the curse he inadvertently placed on the poor elephant, and Ngobizitha, the sangoma he ticked off, is the only one who can help him. These unusual problems required me, the writer, to come up with some creative solutions. When the story was finished, “Zombie Elephant” no longer seemed to be the right title. And while the tokoloshe stole the spotlight on several occasions, it didn’t seem right to switch to “Tokoloshe”, because the story encompasses so much more.

I was shocked to realize that my final word count was over 15,000 words. That’s three times the maximum word count of 5,000 set for the story submissions for the Midnight Oil anthology, which is the intended destination for this story. That’s almost novella length. I wasn’t sure if this story belonged in this anthology anymore. There wasn’t time to write another story, so in the end, I decided to include it, but it is a strong enough story to be a standalone.

And that is the evolution of “Sangomas, Tokoloshe, & Zombie Elephants, Oh My!”, which will be featured in its entirety in Midnight Oil: Stories to Fuel Your Nightmares. Scheduled for release on October 28.

About Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and book 1 in her Time-Travel Adventure series, The Rock Star & The Outlaw, as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource.

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This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.

Writer’s Corner: Caution in Using AI Tools in Writing

Posted: September 1, 2025 | Author: kayelynnebooth | Filed under: AI Technology, Fiction, Writer's Corner, Writing | Tags: AI Technology, Kaye Lynne Booth, Writer's Corner, Writing to be Read | 25 Comments

I’ve made no secret of the fact that I use of AI tools in my writing and editing tasks. I utilized the MS editor and ProWriting Aide to help spot typos and misspellings and passive voice writing, but I don’t always agree with the AI and often dismiss suggestions which don’t fit in with voice and tone.

I have even used a free version of ChatGPT, which is generative AI, to help enhance my descriptions in my own writing. It is useful when describing a scene or area which I haven’t actually visited in real life. When writing Sarah, although I had been to Glenwood Springs, where Sarah ends up, many times, I’d not visited in Sarah’s time. It was quite a different scene, coming into Glenwood Canyon on horseback, just after the railroad had arrived there, with no four-lane highway running through, from what I’ve witnessed in my lifetime. I used ChatGPT to help visualize what Sarah might have seen as she came into town, with no large hot springs pool tourist attraction, but many smaller hot springs sending up steam along the riverbanks. The version of ChatGPT which I used only offered a general description, and didn’t get that detailed, so I had to rely on my memory of photos at the pool, depicting that time to add the details. And please understand, at no time did I take text generated by the AI word for word, but simply used its descriptions and wording to enhance my own writing.

While I always caution writers who use AI to use caution by not using AI generated text word for word, and not accepting AI editing suggestions without considering each one individually, we are now supposed to reveal to Amazon if AI has been used in any part of the writing when we publish, even if you just used it to get some ideas or to polish your manuscript.

Now, let me be clear. I do not condone using any type of AI to write the story for you, then slapping your name on it as author. While I know there are authors who do just that, I don’t consider that writing. I consider it copying, and I consider it dishonest to put your name on something you didn’t actually write yourself. People are now writing entire books using AI and they are making money off of them, but they aren’t authors, they’re imposters. Authors write. That’s what they do. They don’t let AI do it for them because the actual act of writing is too difficult and takes to much time. These folks are just in it for the money, and they don’t care how it comes to them, as long as it comes. A real author cares about the product they put their name on, and they should want it to be their own.

So, when I found an article in Writer’s Weekly that relates the tale of an author who uses no AI, but had her work flagged as plagiarism, claiming it was AI generated, it illustrated the fact for me, even more, that you can’t trust technology and AI is not infallible. You can read that article here: https://writersweekly.com/angela-desk/ai-detectors-are-now-flagging-writing-that-was-not-created-using-ai. It’s some pretty scary stuff.

Today’s technology offers tools that can come in handy and make a writer’s life easier. They can be a good thing, if they are used properly. But AI isn’t always right and anyone who checks each editing suggestion individually will soon find this to be true. AI is only as good as the methods used to train it. My advice: use AI tools when they are helpful to you, but don’t use AI to do the work for you. Be sure that your own ideas and words are in the forefront.

About Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and book 1 in her Time-Travel Adventure series, The Rock Star & The Outlaw, as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource.

Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.

Writer’s Corner: Independent Author (Key Word – Independent)

Posted: August 4, 2025 | Author: kayelynnebooth | Filed under: Book Covers, Indie Publishing, Publishing, Self-Publishing, Writer's Corner, Writing | Tags: Author, Books, independent publishing, Publishing, Self-Publishing, Writer's Corner, Writing, Writing to be Read | 6 Comments

Author’s Note: This was mistakenly published last Monday, along with the “WordCrafter News” post, so you may have already seen it. I’m re-publishing it on its scheduled day for those who may not have caught it on the earlier date. I’m not sure what happened, but please forgive the misposting.

I studied the craft of writing in the master’s program at Western State Colorado University from 2012-2016. At that time, the term ‘independent author’ left a bad taste in most author’s mouth. Times were rapidly changing in the publishing industry as independent publishing grew in popularity among authors who were tired of waiting to be discovered, which often took many years, and sometimes, not at all. But at that time, the term was associated with poorly written and cheaply manufactured books which were flooding the market by authors who not only wanted to bypass the gatekeepers of traditional publishing but also wanted to use independent publishing as a short cut, skipping over editing, as well, which in most cases, was badly needed.

As I said, things were rapidly changing in the publishing industry, and today, we’ve seen the ‘Big Five’ traditional publishers, dwindle down to the ‘Big Three’, as they struggle to try and keep up with those changes as independent authors take advantage of new technology which make it possible to publish themselves both cheaper and easier. With digital eBooks and aggregates like Draft2Digital, which use P.O.D. (Publish On Demand) for print books, there are no up-front costs to publish your work, and once everything is ready to publish, the whole process can be done in just a few hours. The rise of independent authors has forced traditional publishers to change and adapt, or become extinct.

The key word in ‘Independent Author’ is Independent. Independent authors don’t need to wait for someone to take interest in their work, but we must remember that this also makes us a business and we’re the boss, and we are solely responsible for the quality of the product we put out. Independent publishing should not be used as a short cut to avoid having your book edited, because in most cases, it’s pretty obvious.

That being said, many authors today chose independent publishing because of the control it gives them. Like I said, we are our own bosses. That means we can control the quality of our work, and everything else: title, cover, price, production, and promotion. Certainly, this was one of the main reasons that I chose to become an independent author after gaining a five-year contract for my first novel and finding that having a publisher wasn’t giving me any advantage in selling Delilah. The cover they had given me was not representative of the character or the story, and as far as I could tell, they provided little or no promotion. I began WordCrafter Press and started publishing collaborative projects long before that contract ran out, and when it did, I revised Delilah to be the first in my Women in the West series. I had to learn new skills to provide my own covers, and find people willing to edit my work in an exchange of services due to my limited budget, but when the book was re-released, I sold more copies a month than my publisher had in five years.

With my recent computer issues, I was glad that I had control of my work and the decision-making process. Because I had limited computer time and was writing in longhand and doing most of my publishing and promotional tasks on my phone, I wasn’t able to keep up with my promotion schedule and had to push back the publishing dates on my own work in order to keep my collaborative projects on schedule and as the boss and decision maker, I was able to do that. It was a tough decision. I have the second book in my Time Travel series near ready to publish, and although I’ve outlined the third book in the Women in the West Adventure series, I’ve not yet begun to write it. Both of these books may need to be pushed back so far as to be added to next year’s production schedule, but I’m thankful for the freedom to do so. Had I been working with traditional publishers, my deadlines would have been set in stone, and I would not have been able to make them.

Just as the child who can’t wait to grow up soon learns that growing up means taking responsibility for one’s self, so the independent author is also responsible for creating and presenting their own work to the world. Hopefully, we all want that to be the best work that it can possibly be, and we will take the proper steps to ensure that it is, making the best decisions possible for our work. With freedom, comes responsibility, so use both wisely in your author journey.

Until next month,

Happy Writing!

About Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw,as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource.

Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.