Listen. A month ago I saw one of my bank statements and I saw that Adobe had been paid $119 in February. They’ve been getting the same $119 for five years. Uh? For what? Apparently I had signed on to an app for a one-time signing of a PDF contract. That was how Adobe got me. I’ve been paying 119 a year for that one-time signing. I should have seen it. I didn’t.
Software did it to me. Adobe. Photoshop and its minions, Lightroom and Lightroom Classic. Adobe has such a tight grip on the photo image market, it’s like an octopus with twenty four tentacles. I’ve been on fair terms with the awesome app for a long time. I’ve been using Photoshop CS5, which is about fifteen years old.
I figured that as long as I’ve paid Adobe through the years, I may as well install all the photo apps to which I am entitled. The latest Photoshop. The latest Lightroom, the latest Lightroom Classic.
Here’s where the confusion starts. There’s a guy on Youtube who looks like a Hindu version of Peter Lorre. His face is motionless, frozen into an amused smirk. He’s so good with Photoshop he just riffs with heavy duty stuff like “eliminating the background”. And he does it with a few clicks and brushes. Isn’t that fundamental with a thousand images you’ve taken? Wouldn’t it be great to have a tool that automatically erases the background?
That’s what’s happening now in Photoshop. It can do that! The Revolution has come! Not for me, not yet: I’m following Frozenface’s instructions and it’s not happening. That’s one aspect of Photoshop. There are hundreds of ways of doing the same thing. I follow FlatFace’s steps and I’m not erasing any background. I’m erasing the foreground. I WILL figure it out.
So I’m running two versions of Photoshop, I also have Lighroom, Lightroom Classic and Canon’s Digital Photo Pro. And all the Windows photo apps, all the Microsoft photo appos, all these image apps jumping in my face and saying “Use me! Use ME!” All these programs are supposed to run harmoniously together and shepherd my precious images towards their apotheosis.
I’m not comfortable with this stuff. I’m especially confused by the shift in terminology and the way “Save As” has become “Exports As” and now there are Collections instead of Folders. Folders had to give up their guts and ride the Adobe Train.
I’m lost and confused. I don’t know where my photos are any more. I don’t know how much duplication has happened and how much drive space these previews and previews of previews and preview previews for comparison photos, before and after, showing how many iterations of the same image exist.. Over and over again. Where they are. They’re on my computer. I can click and make an image appear. In fifteen different programs. Everyone loves photography. The internet is all about photography. And video, don’t forget video.
I think it must be okay. The people at Adobe are experts. They must have deep insight into the process of editing and transforming images or they wouldn’t be able to anticipate what photographers and graphic artists will need in the future. Even with the latest mega Terabyte solid state drives, space will always be a major consideration.
Hell yes I need a tool that can erase a background from an impromptu portrait snapshot. Hell yes. I just have to figure out the procedure. Right now I’m erasing the faces that I’m hoping to preserve. Maybe I need a better Youtube teacher than Mister SmirkFace.
It’s okay to be confused. Don’t let it alarm you. Ever since Walt Disney took control of this culture’s imagination things haven’t looked right. You never know when a set of whiskers will appear on the side of a woman’s face. Or dogs are fitted out as astronauts and interstellar explorers. Dogs, pigs, mice. Disney was a major zoophile. Things haven’t looked right for the last sixty years.
Where do archetypes end and stereotypes begin? Ask Walt Disney. Ask his ghost, I don’t care. He has a lot of ‘splainin’ to do.
I’m still confused. I expect to be less confused as I get familiar with this new software. OR…I’ll toss this shit and go back to Canon DP Pro, because it’s just easier.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind.
In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award.
Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
More of his work can be found at www.artrosch.com
Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
Living in a rural area in the Colorado mountains provides a unique set of obstacles to be dealt with, including a forty-five mile commute, one way, on winding mountain roads which can be treacherous in winter weather conditions and clogged with tourist traffic in the summer that can turn a forty-five minute drive into and hour and a half. It can be nerve wrecking and even hair raising at times. And the wear and tear on my vehicles – proper maintenence and tires, etc… – due to all the mileage I put on them gets downright expensive!
I hate that commute and for several years now I’ve been asking myself why I do this live in this remote place. Three years ago, I hit black ice and rolled my car over on its side, totaling the car and raising my insurance, even though I had broken no traffic laws or violated the rules of the road. I hadn’t been driving too fast or being reckless. It was simply the road conditions that caused me to wreck. The cop almost landed on his derierre when he approached to issue me the ticket because the road was a sheer sheet of ice.
But it’s not just the commute. There are other unique difficulties that come with living off-grid, like hauling water and keeping generators and solar systems functioning, and chopping wood for winter fuel. Only in such remote locations does one have an internet outage during the writing conference that your hosting, causing you to have to stay at a hotel and miss one full day of events, as it happened during this year’s WordCrafter virtual writing conference. It can be tough when you don’t have the simple ammenities that many people take for granted.
Yesterday, as I was driving home from work, I saw something that reminded me of why I live where I live, in spite of the need to do that often treacherous and all too frustrating commute. As I turned off the highway and headed up the dirt road that I live off of, I came around a corner and saw a patch of brown, almost hidden in the meadow grasses below a heavily forested hill. At first I thought it might be a cow or perhaps a horse, as the folks who live just over the hill keep livestock, but it didn’t stand tall enough above the grasses to be of the equine or bovine persuasions. I slowed down to get a better look, and the sound of my car must have drawn the as yet unidentified animal’s attention, causing it to look up and allowing me a good look, as well.
I hit my brakes and then threw my car into reverse, backing to a spot off the road, where I had a fairly decent view of a large brown bear which was now watching me to see what I was up to. The bear watched me for a couple of minutes, as I dug in my computer case for my Kindle, the only device with a camera that I had available. Then, he must have decided I didn’t pose much of a threat and went back to whatever he had been doing in the grass before I came along. The grass still hid him partially, but I was able to snap several photos of him before he lost interest and decided to head back over the hill. I had a much better view as he ambled away, so I slid out of my car and walked to the back of the car to snap a few more shots. He looked back to see what I was doing, but didn’t seem to concerned, as he turned and continued on his way.
That’s why I do it. That is why I make the commute, and why I make lists and keep things stocked up, so I don’t end up making extra trips, and do all of the other things that are kind of a pain, but are necessary to accomodate my chosen lifestyle. That’s why I work so hard to grow a following and make money from my writing and publishing skills, so I won’t have to make that commute anymore.
Because living where I live, I get to see things like that big brown bear and many other kinds of wildlife that city dwellers miss out on. The bear I saw yesterday was only one of many wildlife sightings that living here has offered me. Many are just glimpses, such as the two foxes playing in a drainage pipe at the side of the road, or the bobcat running through the trees, but on a few occasions, I’ve even been afforded the opportunity to capture them in photos and created the wonderful images I’m sharing here today.
The flora and fauna surrounding my Colorado mountain home are what makes it all worth it. Beside road side wildlife, my mountain home offers opportunities to view and often, photograph many species of birds and plant life. Beautiful wild flowers and and magnificent bird photos inhabit my photo library, where the images of a small fraction of all the magnificent species to which I have been witness to, have been captured. Many encounters that I wasn’t able to capture through the lens have instead inspired poetry or found their way into stories that I’ve written, or other writings.
All of this serves to remind me of the reasons why I do what I do, and live where I live, strengthening my resolve to keep doing what I’m doing. My motto has always been “Endeavor to Perservere”, or keep on keeping on, and that’s just what I’m going to do, but now I remember why I’m doing it.
Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribing to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.
Day four of the WordCrafter “Seizing the Bygone Light” Book Blog Tour brings this wonderful tour to a close. Thanks to all who ventured on this brief book tour with us. On Day #1, I introduced this wonderful collection of photgraphy and poetry, Seizing the Bygone Light: A Tribute to Early Photography, an amazing collaborative effort from Cendrine Marrouat, David Ellis, and Hayida Ali, right here on Writing to be Read.
On Day #2, we visited Barbara Spencer’s Pictures from the Kitchen Window, where she interviews the three members of the ArtProMo Collective about their inspiration for Seizing the Bygone Light and the combining of poetry and photography as a storytelling medium.
Day #3 found us over at Robbie Cheadle’s Robbie’s Inspiration, where we get a guest post from the authors about their visions and collaborative efforts to create this unique collection of visual imagery and verse.
Now here we are, back where we started, where my review of this very interesting collection will finish off the tour. I want to thank you all for joining us, and if you missed any of the four blog stops along the way, just click on the links above to go back and see what you miss kelellpe.
Seizing the Bygone Light: A Tribute to Early Photography combines the visual media of photography and the art of poetry into a insightful method of storytelling. Cendrine Marrouat, David Ellis, and Hadiya Ali are visionaries in their arts. This collaborative effort employs the use of styles of both photography and poetry, which they have created themselves, exploring new and unique realms in their individual mediums.
The book is structured into three sections of black and white photographs. The third section combines the Pareiku and Haibun poetry of David Ellis with photographs of bygone days, while the reminigrams created by Cendrine Marrout produce timeless photos, and the captivating subjects and striking images of nature by Hadiya Ali are inspired by the photographic images of Irving Penn and Karl Blossfeldt, but her young eye and fresh vision offer unique perspective. The result of this collaborative effort is a stunning collection of inspiring visual stories that pay homage to the black and white era of days past, while at the same time, celebrating the rise digital photography with their original and innovative styles
Inspirational and innovative, Seizing the Bygone Light: A Tribute to Early Photography, is a must for anyone with an interest in photography or its history and for anyone who likes to view the world through a unique and captivating lense, as well as those who just have an appreciation of poetic form. I give it five quills.
About the Authors
Hadiya Ali is a 19-year-old Pakistan-born artist who now lives in Oman. A keen observer of people,
she noticed at a very young age how talented market workers were at what they did – but that they
seemed unaware of their own talent. So she decided to capture their stories with her camera.
Before she knew it, her project had attracted attention and she had been booked for her first
professional photoshoots, suddenly realizing that she, too, had been unaware of her own talent all
Hadiya works on projects that capture unique stories and themes. Some of her photography is
featured in The Auroras & Blossoms PoArtMo Anthology: 2020 Edition.
David Ellis lives in Tunbridge Wells, Kent in the UK. He is an award-winning poet, author
of poetry, marketing workbooks/journals, humorous fiction and music lyrics. He is also a co-author
and co-founder of Auroras & Blossoms, and the co-creator of PoArtMo (Positive Art Month and
Positive Art Moves) and the Kindku / Pareiku.
David’s debut poetry collection (Life, Sex & Death) won an International Award in the Readers’
Favorite Book Awards 2016 for Inspirational Poetry Books.
David is extremely fond of tea, classic and contemporary poetry, cats, and dogs but not snakes.
Indiana Jones is his spirit animal.
Cendrine Marrouat is a French-born Canadian photographer, poet, and the multi-genre author of
more than 30 books. In 2019, she co-founded the PoArtMo Collective with Isabel Nolasco, and
Auroras & Blossoms with David Ellis. A year later, Ellis and she launched PoArtMo (Positive Art
Month and Positive Art Moves) and created the Kindku and Pareiku, two forms of poetry. Cendrine is
also the creator of another poetry form (the Sixku) and a type of digital image (the Reminigram).
Cendrine writes both in French and English and has worked in many different fields in her 17-year
career, including translation, language instruction, journalism, art reviews, and social media.
Together, Cendrine, David, and Hadiya comprise the PoArtMo Collective, an artist collective dedicated
to creating and releasing inspirational and positive projects.
Book your WordCrafter Book Blog Tour today!
Welcome to the Seizing the Bygone Light Book Blog Tour, where we will be learning more about a delightful collection of photographs and poetry, which was created by three authors of the ProArtMo Collective as a tribute to early photography. This is a four day tour that will run through March 18, bringing you a guest post on Robbie’s Inspiration from the authors on what they strived to accomplish with Seizing the Bygone Light: A Tribute to Early Photography, an interview with the author’s by Barbara Spencer on Pictures from the Kitchen, and a review of the book by me to wrap things up, right here on Writing to be Read. I do hope all of you will join us in celebrating the history of photography along with authors Cendrine Marrouat, David Ellis, and Hayida Ali.
The medium of limitless possibilities that is photography has been with us for almost 200 years.
Despite its great advancements, its early days still influence and dazzle a majority of professional photographers and artists. Such is the case of Cendrine Marrouat, Hadiya Ali and David Ellis, three members of the PoArtMo Collective.
The result? Seizing the Bygone Light: A Tribute to Early Photography.
This unique collection of artistic styles brings together different innovative concepts of both gripping writing and stunning visual imagery.
Visual imagry can be a method of storytelling, and a powerful one at that when presented with a skillful hand. I know each of the authors has put much thought into the stories they wished to tell here, and how they wanted to do it. So, to introduce you to this marvelous group of original photography and poetry, I wanted the authors to tell you what they are trying to accomplish in their own words.
What inspired you to create this book?
All three of us were inspired together to celebrate the stunning vintage photography of the past and at the same time create an artistic project that shines a contemporary light alongside it, with our own individual blends of photography and poetry. This book allowed us to express ourselves in endearing ways that combine all of our passions and strengths. We wanted to collaborate in a way that would cause people to really become interested in the
images of the past and the endless rewards that they have to offer.
What makes Seizing the Bygone Light: A Tribute to Early Photography unique?
Our book looks back at the beginnings of photography in a way that has never been done
before. It is divided into three parts.
In part 1, Hadiya Ali has “recreated” the timeless photographic styles of Irving Penn and Karl Blossfeldt. Part 2 features some of Cendrine Marrouat’s reminigrams, a type of digital image that she invented years ago. Finally, in part 3, David Ellis shares a series of pareiku poems inspired by archival images.
Anyone with an interest in vintage photography has noticed how it documented the minutiae of
everyday life. Seizing the Bygone Light: A Tribute to Early Photography looks at that triviality
with a refreshed and positive outlook. It is one of the reasons why it is so unique.
The other reason? Three authors and artists whose vastly different styles actually complement
one another in a fascinating way.
(The Pareiku is a visual poetry David and Cendrine invented in 2020. For more information, visit
Did you face any particular issues while working on the book?
Yes, we did. But these issues actually helped make the book more interesting and unique than if just one author had worked on it.
Hadiya decided to recreate the timelessness of Karl Blossfeldt’s and Irving Penn’s beautiful photography. She quickly realized that the subjects and props she was supposed to use were not as widely available as before. She had to find substitutes, like ordinary plants and create her own props, which taught her valuable lessons about simplicity and creativity.
Cendrine struggled to select the images that would fit the book, until she found herself thinking about her emotional relationship with photography. The result was ten images that made complete sense together, gelling naturally with Hadiya’s photos and David’s poems.
David used archival images as inspiration for his poetic section. At first, he was a little unsure about which photos to include, until he realised that since every photograph tells its own story, there should be an unconscious thread that can link almost anything if you are willing to look hard enough to uncover it. He then made sure to select the most intriguing, engaging images he could find and let his subconscious mind make the necessary connections between them, which was very exhilarating in the extreme.
Why do you think poetry and photography work so well together?
Because they more or less speak the same language. It is all about the finer details and how they are interpreted. Photography, just like poetry, thrives on meaning and purpose; both disciplines require attention to subject matter and framing things in the right light if they are to be taken seriously. Both mediums are great at telling stories with minimal amounts of words, they connect instantly with our souls and move us, just like beautiful music, we identify with common struggles and the beauty of life as it unfolds around us.
What are your goals with this release?
We would love it if this book led to more people getting interested in checking out photography of the past. Digital images are fantastic, but exploring old and film photography leads to a greater awareness of what photography truly is and represents. The greatest rewards lie there.
Do you have any advice for artists?
Never give up! Make time for your craft, do many different things to feed your passions and above all don’t be afraid to put your work out into the world. If it sounds like someone is exerting their opinion rather than giving you actual independent advice, feel free to take what you need and ignore the rest to improve and evolve your work. Your work will never be perfect but that doesn’t stop you from always trying to make the next piece even better than the last, to the best of your ability, then move on and sincerely appreciate the art you have made!
What kind of book can we expect from you next?
We are always working on new ideas. This year, Auroras & Blossoms (Cendrine and David) plans on adding several more guides and workbooks for authors and artists to its list. Members of the PoArtMo Collective will also continue working together on more positive and inspirational books and themed exhibits.
When this book was brought to my attention, I was eagar to learn more about this unique collection of original photography and poetry, and as I learned more about the creativity and inspiration of its authors, I came to believe that Seizing the Bygone Light may be a very special collection indeed. If you would like to following along on this book blog tour to learn more, check in right here on Writing to be Read for guiding posts that will lead to each blog stop, or just subscribe to this blog for reader feed or email notifications.
Book your WordCrafter Book Blog Tour today!
Feral Tenderness, by Arthur Rosch, is a poetry and photography collection like no other I’ve ever encountered. I can say this with confidence, because I am the editor and compiler for this book, however it exempts me from posting my opinions of this collection on Amazon. But Writing to be Read is my blog, so I’d like to tell you about this interesting and unique collection of creativity here, taking into account that the author is a friend of mine, so the opinions expressed are likely to be biased. Be that as it may, I’m proud to associate myself with this work of creativity, a collection of poetry and photography worth more than just a casual glance. Arthur’s works need to be savored, like a fine wine, simmered over, like a sweet glaze, and appreciated for their unique and delectable flavors.
As I’ve mentioned on several occassions, Arthur Rosch sees the world in a unique way. Through his creative endeavors, those who care to look are allowed a glimpse of things through his eyes. His photography is amazing. The images that he captures with his lense say so much in a single moment. His poetry, on the other hand, is often a lengthy, social commentary on higher powers, human behavior, or the world at large. Yet, even his short poems seem to have a lot to say.
To illustrate my meaning, the following poem is minimal, yet it speaks volumes. It is my favorite of Arthur’s short snippits of poetry and the only one for which a true companion photo was also available from his photo library for inclusion in the collection.
Dewdrops on spiderwebs:
sit lightly with life
Another of Arthur’s profound poems, “Stars“, declares, in part, (I did mention that some of his poems are rather lengthy, too much so to be reprinted here in full),
” …Stars know what they are.
Stars are alive and individual,
quirky with personality,
often pulsing and drawing
gravity blood, gas and heat,
combining with other stars
combining and mating with other
stars and forming unions of
in order to serve the Master of Stars… “
Another poem is an expression of nature, as seen through Arthur’s eyes. This one is one of my personal favorites.
Hunted By The Hawk
Make joy from stones.
Make wit from mud,
make humor from blood.
The tiny finch flies crazily,
for the sheer fun of it,
though it knows, each morning,
that it’s hunted by the hawk.
We too, each morning,
are hunted by the hawk.
The cover image for Feral Tenderness also came from Arthur’s photo library. With this photo, I was able to create an awesome cover design, if I do say so myself. We created cover images using several of Arthur’s photos, but in the end, this one grabbed both author’s and publisher’s hearts.
The poetry and photos featured in this collection are so varied in subject matter and tone, that several book promotions with very different appeals seemed applicable to me. I used one of Arthur’s photographs for the background of one of them. Can you guess which one? Let me know in the comments which you like better.
Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.
I first met Arthur Rosch online. That was back in 2008, when I was just dipping my toes in the as yet uncertain waters of the internet, and although I didn’t have any idea what I was doing, I started my own social network called “Writer’s World”. Art stumbled onto the “Writer’s World” network somehow and he’s been loyal follower and supporter, and over the years I’ve come to respect him and his writing, and also to call him a friend and valued team member for Writing to be Read.
I’m introducing Arthur Rosch here today because he has a great new poetry and photography collection out, Feral Tenderness. I’m excited about it because I had a hand in editing, compiling and publishing Arthur’s book through WordCrafter Press. Art writes poetry that remains down to earth and real, while hanging out with universal truths. It’s true that some of his ideas may be a little wild, but so are the ideas of many writers. Maybe writing is a safe outlet for all of our crazy thoughts and that’s what motivates us to put words to paper, or screen, as the case may be.
His biography, from the back of his wonderful new release reads:
“Arthur Rosch is a mid-westerner, who became a Californian as a young man. A lover of jazz, poetry, painting and photography, and writing, as well as a passion for astronomy, photography, history, psychology and the weird puzzle of human experience. After receiving Playboy Magazine’s Best Short Story Award for a comic view of a planet where there are six genders, he was immersed in circles that could have taken him to the top, but it was short lived. Arthur found himself reeling, struggling with depression and addiction on the streets for almost a decade, and repairing and rediscovering himself was a defining event in his life, nurturing his literary soul…. “
All of the above is true. These are all truths about Arthur Rosch, yet they are surface level truths; truths that the author chose to share with the world at large, in the back of his book. Let me introduce you the Arthur Rosch, the author who I know.
Art is an undiscovered talent, who once was near the threshold of discovery, only to plummet back down into the depths of reality. But he never let go of the dream, although at times it altered its shape and appearance. He is a literary craftsman and wordsmith, whose words can be found on his blog, Write Out of My Head, on my blog, Writing to be Read, in his books, and various other places online.
Stepping into the world of Arthur Rosch can be a surreal experience, as it was for me when I reviewed his science fiction novel, The Gods of the Gift, because he is a talented craftsman of the written word. Quite a different effect was achieved with Confessions of an Honest Man, a tragic tale of familial dysfunctionalism, mental illness, drug addiction and emotional abuse that has the ability to make the reader suspend disbelief and feel for the main character beyond the conclusion of the book. And his humor shines through his words and is sure to leave readers chuckling in his memoir about life in an R.V., The Road Has Eyes.
His poetry has this same ability to evoke desired images and emotions from within the reader. His photography captures views seen with a unique and unusual eye. The cover for Feral Tenderness was created from one of his photographs, and others are interspersed among the poetry throughout the book, making it an extra special treat for readers.
I do hope you’ve enjoyed this introduction enough to make you want to get to know more about Arthur Rosch and his poetry and photography, by following this tour. We’ve got two interviews with Arthur, and a review of the book coming later in the week, plus some author generated content that promises to be interesting. Stay with us and visit each blog stop as the tour progresses, with a closing post on Art’s blog, Write Out Of My Head, on Sunday. Please join us. You can purchase Feral Tenderness in digital and print on Amazon.
Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.