Titles, titles. It’s all about the titles. If you can write an article called “A Sex Cult Kidnapped My Kitten” and present some credible material, you will gain new readers. The titles drive the readership. I’ve cooked up some titles for you here, guaranteed to build audience. Let’s see: .” “Russian Captive Breeding Program Producing Ukrainian Zombies”
Or
“Penis Envy Among Narcissists”. or “Trump’s UFO Claimed By Repo Men”. “Ten Ways To Get More Lust.” There’s “Elvis Is Alive and Has Become a Woman”. How about this? “I Got Kim K Pregnant And I’m a Giraffe.”
Okay, about the kitten and the sex cult. I’ve had kittens but never joined a sex cult, so far as I know. I think the 60s were a sex cult and I’m sorry they’ve passed and it’s now 2023 and no one knows what they’re doing. The world hasn’t just gone nuts: it’s been nuts forever. If we get up in the morning and think, “Wow, the world is crazy” just try to imagine what your grandpa did during World War Two. You think the world is crazy now. It is. You don’t have to worry about certain things but you have other things to worry about and I’ll mix in a few more titles here: “Global Warming, History’s Greatest Scam”. Then there’s “My Narcissism Was More Trouble Than It Was Worth”. How about “Government Collapses Without Suspenders”.
Or “Hog Breeding And Cryptic Marriage Ceremonies In Papua.” The list goes on and on. The magic titles grab attention. These days one must market one’s self, even if the aptitude for marketing is non existent. If you don’t market yourself you’ll be writing titles like this one: “Even I Don’t Know How I Got Involved With Idiotic Medium Posts”. You might try “I Get Paid To Be Stupid”. That would draw thousands of readers. I wish I could write that story but alas, I’m too stupid.
The ultimate give- away title of the year goes to Ruben Pondwater, of Gassy Beach, Florida. His suggestion was “If You Try Hard Enough You’ll Hurt Yourself.” I might write that one. Everybody seems to be engaged in massive efforts to cure the world of its ills. I’ve never seen generations like the recently spawned Millenials, Gen-X’s, Gen Z Plus , Post Boomers, and Nazi Hippies. These people work so hard! Surely the ills of the world will be healed by the time the thirtieth century rolls around. We’ll be swooping through wormholes into the future and then returning to the past and re-writing these Medium articles to have global impact. Try to imagine that!
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
I’ve lived in the world of my sexual fantasies for decades. There are times to put away the fantasy but first I must ask it why it was there in the first place. I’m seventy five years old. I’ve had enough sex in my life, with a number of partners. Men born in the forties and fifties grew up entitled, so they thought, to all the sex they could get. Turns out that things have changed and sex is no longer a perk of the boomer male. Sex is more complex because we became aware (some of us) to the fact that women have been treated with abominable cruelty, apparently forever. There is no style of feminism that comes close to redressing that injustice. I told my partner yesterday, “I’ve been so unfair to you.” It was true. My fantasies pulled me away from her. We are the same age. She doesn’t’ conform to the image. She’s a granma. Of what sexual use is she? I’ve deleted post menopausal women from my sex fantasy life.
SO… I’ve come to a decision to put away the fantasy. I’m not really horny any more. This issue, the transition OUT of sexuality, is difficult. I‘ve been slow to release it and give it to the process of my emotional maturation. There is an evolution to such feelings. They have to be owned and then governed from within. Honesty is required. This inner transformation takes time and help from our therapists and peers. It’s been something of a wild ride for me but things are settling down. I’m revising my identity. I am an elder. I have been motivated by a sense of my having new tools at my disposal. New insights. I had wanted to bring them into a relationship and that relationship already exists, with my partner and with my peers.
The fantasy of falling in love is powerful. It can be all enveloping, overwhelming. Its allure is its intoxication with a sensual element. Everyone wants those feelings of love: until they have them. Then, it is often a case of getting what you wished for and discovering its unintended consequences. A new vulnerability exists, and a new responsibility. Things are never that easy. Falling in love brings the possibility of confusion and devastating betrayal. It’s a simple formula: one cannot make someone else happy. Don’t look for love to complete you. Be complete. It sounds so simple. It isn’t; but it comes at the right time, when one has prepared the way for being complete.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
Note: I wrote this piece ten years ago. Things have changed. I’m doing much better than I would have expected when I wrote this essay. Here it is in all its misery.
Lately I’ve been waiting for a heart attack to drop me in my tracks. It isn’t that I have heart disease. I just turned seventy and I’m waiting for my official Hypochondriac’s License to be delivered in the mail. I think that every little twinge in my body is an incipient cancer. I’m waiting for the stroke that will paralyze my speech centers and put me in a wheel chair. I’m old, and I’m terrified. My imagination runs wild as I fantasize every possible affliction. I feel as though something awful is lurking just around the bend. It’ s like a giant boot in a Monty Python skit, it’s waiting for me to walk under it so it can go SPLAT! and squish me to a gooey puddle.
This is called “catastrophizing”. It’s a feature of depression. When I wake up early in the morning I’m churning with anxiety and my mind boils with fears of the worst things that can happen to me. Life is hard and I’m like a child: I can’t reconcile myself to the level of difficulty that life has thrown in my path. I’m inadequate. I’ve been broken since childhood. I want my mommy. I want to feel safe. I feel vulnerable, lonely, unsupported and bereft of family and community.
Now that I’ve introduced you to some of the fun features of depression, I will make an observation. Depression is extremely common. So is despair, but that’s different than depression. Despair is an emotion. Depression is a disease. It can kill you.
When I turned sixty five I was waylaid by the highwayman of failed dreams. It was too late (I felt) to rebuild my life. It was too late to develop an audience for my writing. To say that I was disappointed is too mild. I was heartbroken. I had worked my butt off but the world had changed and suddenly everyone was a writer. Five million self published books were elbowing my fine works into oblivion. I couldn’t gain traction. In spite of great reviews and an award from Writer’s Digest, I couldn’t even give away my books.
I have become almost proud of my obscurity. When I say “I couldn’t give away my books” I feel a weird yet heroic conceit. If my books were shit I would still feel proud, but my books are not shit; they’re damned good. They are compelling. One reviewer called them “important”.
There’s no reason you should care about me. You don’t know me. If you’re still reading it’s because I’ve touched a nerve. You may share some of these feelings and I’ve roused your curiosity. “Oh, does someone else feel overwhelmed the way I do?”
Yes. I would love to hear from you. Leave a comment, respond on Medium and Facebook, talk to me! What we lack is connection and mutual support. I’m looking to connect. I’m not looking for a dialogue about depression. I’m looking for truth. I want to know how you really feel and are maybe too ashamed to admit it.
It’s important to consider the state of the world when we contemplate our emotional pain.
The world is sick. The planet is reeling with toxic conditions. These things affect us personally, they have impact on our health and our moods. Seeing the faces of certain politicians rouses me to anger and nausea.
Every human being comes into the world with a set of parents and a third parent that is the culture in which he or she lives. The information that programs the infant child is transmitted by the parents and the culture. If it’s good information chances are that the human will live a good life. If the information is flawed there may be problems.
Let’s start with the culture, this culture, American culture. Every child born in America inherits an inner blueprint that guides in the construction of a personality. A Self. The weird thing about this blueprint is that it shows a structure that lacks a foundation. There’s no bottom on this diagram. It starts on the first floor.
If I had lived a more fulfilling life I might not be so catastrophic. My life, however, has been one of incredible effort and little reward. I have been endlessly creating works of music, literature, photography…that no one cares about. It’s good that I’m not prone to self pity. (Sound of sardonic laughter in the background.)
I don’t have any significant heart disease. My blood pressure’s running high but that’s because I’m terrified. It’s a vicious circle. Terror increases the BP and the BP increases my chances of stroke and heart disease. You can’t win.
Depression can stop you in your tracks. It is epidemic, it’s the most dangerous disease of the human race. I know you don’t care about my problems. You care about YOUR problems, whatever they are. Health, money, relationships, all the basic stuff that won’t behave and won’t get organized in a sustainable way.
When I’m REALLY depressed I don’t want to live but suicide’s not an option. I have responsibilities to people. I feel like a prisoner in my life, in my body, and that’s a fact. It’s irresistible. I can’t even open my email because none of it is for me, it’s all spam and fills me with ennui. I’m socially isolated. I’m old. My friends and family are scattered and gone. If I had a family I’d probably tell them to get lost. You know how families are: when you have one you loathe most of the people in it, but when you don’t have a family you feel cut adrift from reality.
This is my screed from a moment of dangerous difficulty. I understand that obstacles are necessary to my development. I get that. I accept the fraught process of living. There’s little else I can do other than bow to the will of a higher intelligence within myself. I believe in that higher intelligence. I believe it is not only possible to know God but that God has designed our consciousness so our understanding progresses by increments towards that knowing.
__________________________
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
I don’t know what to call my writings any more. Poems? Not really, or not always. Sometimes these things have a poetic rhythm, sometimes not.
I Forget
September 26, 2022
I forget that evil tyrants run the world.
I forget that poets and artists
barely exist, barely scratch by
with a sigh, with patient resignation.
I forget that kindness is hindered
at every turn by evil intentions of those who command
the power of Calamity. I forget
that bad guys have no love
but don’t even miss it. I forget
that tenderness is
but a beginning to ever greater tenderness.
I forget that
we create ourselves in versions
of the pattern laid down within
a larger memory whose boundaries extend
beyond the edges of everything. I forget everything
except that I exist and sometimes I forget that, too.
What I remember is this: I am aware of you. I am aware of your scent and the streams of feeling that flow between us.
That I Can Never Forget.
The Big Bang
The Big Bang was the beginning of consciousness.
As consciousness is not confined by the laws of physics
it presents to us an enigma that we strive to unravel.
We take the first tentative steps towards this end with Quantum Mechanics. Quantum science acknowledges the influence
of the observers’ consciousness. That is only the first baby step
on the road to full awareness of the sheer magnitude of existence.
We may find existence terrifying and baffling with its beauty. That is up to us, not up to God or anything else. As entities with any degree of consciousness we are tasked with the responsibility to love our own awareness and then love it in all other beings.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
just breaking rocks to earn a penny, rocks to pave
gravel roads that go away. Anywhere
is better than poor in Africa, Asia, America, the poor are broken just like the stones they break.
Ending poverty is the work of a civilization. If we can’t end poverty anywhere in the world, we are not a civilization
What to Believe
These days I can’t believe anything. A lie
hovers overhead day and night. All the competing agendas clash
and the books, videos, news, none remain without a stink
of mendacity. The liars hold the highest offices. They control
information. Their tech is the latest but
their lies are old, ancient, lies told by tyrants to the innocents.
Those who are brave defy their terror and protest. In Iran,
the women are sick with disgust at control by tottering old men wearing white fezzes and large skullcaps. Liars! I can’t
hold enough outrage! I see things daily
I never expected to see, ever. People are murdered by lies.
It was said, “A lie is both murder and suicide in the world of the spirit.” Mostly these days it’s murder. The suicides will have to wait
to write their notes. The supply of pencils, pens and paper
has been interdicted by the Lie Police.
Will Truth set us free? Perhaps in the Kingdom of God, but here
Truth has been split asunder and reality can’t be recognized by anyone but other liars, and those are so far lost from Truth that they would not know it
IF IT BIT THEM IN THE ASS.
Saving What’s Left
“It’s broken.” My grandson stands over his red fire truck. The wheels have come off. The boy’s lower lip thrusts out and I can see that his heart is broken too. If I tell him that it’s just a toy, he won’t be comforted. This was the only truck in his world and now his grief will carry him to a child’s little hades, for just a minute. What is a minute to a three year old? It may as well be forever. For the duration of that minute all hell breaks loose and his tears and rage fill the room till all the grown-ups flee. Except me. I’m the baby sitter. I know how he feels.
The world is broken, our world. And it was we who broke it, stuffed it, neglected it, tore its roots out. Has it come to this? My grief for a broken world carries me to my own hades, my underworld of sorrow where what has been done cannot be undone until we have atoned like ancient Jews on Yom Kippur.? What punishment do we receive if we fail to atone? Regret, more like: oh the regret we have yet to feel as the land sinks and the seas rise. Our earth is frangible, it can be waylaid like the victims of highway robbery. “Hands up, planet!” The men in dark suits are digging holes. “Can’t you see we’re busy here? Go away with your storms. We know how to deal with your kind!”
They’re only doing their jobs, they’re following orders.
“Take them away”, croaks the man in the suit and tie. “Take them away and hide them in the deepest mines.” ]
It’s broken. Can it be fixed? The next generations are tasked with this inhuman mess. They will have to be strong beyond what we know. They will have to develop themselves in unforeseen ways to have the stamina to work within the broken systems on the derelict highways. Armageddon will be indefinitely postponed. It already happened and we missed it. We were busy fighting. The next apocalypse will hit us before we’re ready. That is the nature of things. We have only the promise in Luke and Mark and John, Christians before Christianity, who learned that the lilies of the field will always be in their raiment, even if it is only in heaven.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
I Conquered My Terror Of Open Spaces with Astronomy
Once upon a time I was severely agoraphobic. For years I had a terror of strange spaces. I was limited to my house, my yard, my car, and my place of work. If I attempted to break this tight little orbit, I got sick. At the time I didn’t know the term “Panic Attack” but I had all the classic symptoms. My stomach churned, my heart raced, and I had to fight for every breath. If I tried going anywhere outside my tiny race track I got so tied into knots that I was completely paralyzed. I had no social life, I did nothing but read, watch TV and observe the animals that visited the hillside behind the house.
One day I was out in the yard in the deepening twilight. I had a pair of binoculars in my hands for watching a herd of deer who came to feed on the ripening pear trees at the top of the hill. It was almost dark and I had an impulse to turn the binoculars towards the sky.
I was stunned. The binoculars showed thousands more stars than could be seen with the naked eye. It was visually confusing but so beautiful that I instantly fell in love with the night sky.
I spent the next several hours scanning across the heavens, trying to locate familiar stars in familiar constellations. My Sky Vocabulary was pathetic. I knew The Big Dipper (which is only part of a constellation), I knew Orion and I knew Cassiopeia, because of its distinctive sideways “W” shape.
I saw things through the binoculars that I couldn’t name. I saw clusters of stars that looked like back-lit luminous cotton. I was lost, in the topographic sense. If I chose to examine a single star in an obvious constellation I could find it.
I could locate the end star in the Big Dipper. But it was difficult to maneuver to the next star in the line without first taking my eye off the binoculars, locating my target, then carefully measuring my angle of movement. Otherwise the sheer abundance of stars was confusing.
I was lucky to live in a dark suburb sixty miles from San Francisco. There were no streetlights. In late summer the Milky Way can be seen with its glowing fleece and its lanes of darkness and dust.
It breaks my heart to think of the billions of people who will go from cradle to grave without seeing a dark sky, without seeing The Milky Way in all its majesty. There is a vast population of human beings who will live without giving the night sky a passing thought. To me, a life without awareness of the sky’s beauty is like an amputation of the soul. It’s as if one is cut off from one’s ancestors, from the thousands of generations who measured their lives by the movements of the heavens.
I’m not a scientific person. I have no math skills, no understanding of chemistry. I slept through those classes when I was in school. Now I became a student. I was determined to give myself some training in astronomy. I raided the library for celestial material. I learned to read sky charts and I subscribed to magazines. I joined a club.
I needed to see a darker sky. It became an insistent organic hunger. I felt compelled to go places more than a hundred miles from a large city. There is a substantial difference in what’s visible from a washed out sky and one that isn’t compromised by light pollution. I HAD to be under that dark sky!
The problem was that I was agoraphobic. The idea of getting into a car and driving to a new place hundreds or even thousands of miles from home made me break into a cold sweat. I have since realized that my agoraphobia was but a subset of phobic responses to a larger meta-phobia that I call Neophobia: Fear Of New Experiences.
This is a common posture for people with PTSD. I consider that almost everyone has some kind of PTSD, that PTSD is another name for the experience called “Life”.
There are, however, people who have more severe life trauma, longer lasting and more intensely painful body memories. I qualify for this troubled group. I’m wandering a bit, here, but that’s all right. This is about reviving in myself the ability to wander. The point of this little article is the way I pitted a powerful passion against an equally powerful terror.
I was corresponding with sky observers who had been to places like Joshua Tree and Anza-Borrego State Park. These are DARK places. On clear moonless nights the sky opens like a new love affair! Stars are rated by magnitude, with the lower numbers indicating greater brightness.
Let’s describe a star of Magnitude 1 as a star visible even in a well lit city. The star Sirius, the brightest naked eye star in the sky (excepting the sun), is a magnitude -1.4. That is Negative One Point Four. The brighter stars go into negative numbers. A bright full moon is Mag -12.6. The sun is magnitude -26.8. If you stand in the middle of Times Square you might see thirty stars. I could see several thousand stars in my unlit suburb. One way that astronomers describe sky clarity in terms of visible magnitude. I was living under a Magnitude 3 sky. My friends in the Mojave Desert were under a Magnitude 6 sky! In practical terms that would describe a sky so rich in stars that the outlines of well known constellations almost vanish in the profusion of surrounding stars.
I was yearning to experience dark, beautiful skies. At the same time I was terrified to leave my yard. I could barely cross the street. But I wanted to go to the high desert, down to the Mojave and cross into Arizona, where the cities are distant and the sky is dark and the colors of the stars sort themselves into distinct categories of white, red, yellow, green and blue.
I struggled, I procrastinated, I beheld my fear like a chain and a set of padlocks, and I was angry with myself. Everyone goes places! Millions of people jump into cars, get into airplanes, leap from coast to coast, continent to continent without giving such travel a second thought.
I was barely capable of making the twelve mile drive to my place of work.
I had an acquaintance who spent a lot of time in Yosemite Valley. She was planning a drive from the Bay Area in two weeks. I explained my phobia and asked if I could come along. She was willing to help.
The big terrors that we harbor in our fantasies usually turn out to be less taxing than the grief we’ve given ourselves in anticipation of the event.
On the appointed day, I got into my friend’s Honda, carrying my binoculars, a book of star charts and two changes of clothes.
As we drove up Highway 80 I sat in the front seat, rigid as setting concrete. I was desperately ill for the first sixty miles. An hour-long panic attack savaged me like a hungry wolf. I felt as if I would never be able to get back home. Then I had the sensation of hitting a giant rubber band. It stretched and stretched, urging me to reverse my direction, to turn back.
I had deliberately trapped myself by this arrangement. I couldn’t tell my friend to cancel her trip because I was phobic, because I was, basically, a great big scaredy cat.
I knew I had to break through the rubber band. I was so sick with fright that we had to stop on the side of the road three times so I could puke. My friend was beautifully patient and supportive.
Just beyond Sacramento, about eighty miles from home, I puked one last time and the rubber band broke. The pressure vanished.
I was free. I could go. I was still scared but I could go to see the sky from Glacier Point, from an altitude above five thousand feet, from a place where the sky’s clarity is utterly pristine.
Nobody really wants to face their deepest fears. We would prefer to get through life dodging and weaving, minimizing our risk; but some fears are debilitating. My phobia was preventing me from pursuing a love affair with the sky. My phobia was crushing my life, and if this was the only way to deal with it, pitting terror against passion, then so be it.
Passion won the contest of psychic forces. Since my breakout to Yosemite, I’ve traveled thousands of miles, lugging telescopes, cameras, attending star parties and living a life of stellar enjoyment. What can I add? Go ahead: elope with your terrors! Go! The things you fear are never as bad as you think they will be. In fact, they seldom happen at all. You’ve wasted years dwelling in a phobia when you could be living a free unfettered life.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison.
These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
I’ve noticed that some (as they are called) Baby Boomers are like Jews who are anti-Semitic. My mother was a classic Jewish anti-semite. Hateful rhetoric dropped from her mouth like crap from an owl’s cloaca. “The Jews will trick you every time,” she often said. “You can’t trust them.” Another of her favorites: “Money’s what they’re about. Money money money. Jews do one thing well, and that’s make money. It’s a shonda that Hitler didn’t succeed in wiping them out!” The word “shonda” is Yiddish for “shame” or “too bad”.
As I got into my early teens I stopped being afraid of my mother. I’d outgrown her. She couldn’t beat me up. “Mom”, I would riposte, dodging her clumsy right hook and restraining my urge to retaliate with a knockout uppercut. “You’re a Jew, I’m a Jew, dad’s a Jew, Sandy’s a Jew. How can you say this horrible Nazi crap?”
My mom was crazy. I mean truly bat-poo crazy. Her mind ran like the railroad tracks that led to Auschwitz. There were predictable stops at the same stations at the same times. There were no deviations. Is that one definition of crazy? “An extreme rigidity of thought in which facts and nuances cannot be accommodated lest the pathological structure of said rigidity be broken like a bridge without proper support.”
Let me get back to my original thesis, regarding Baby Boomers. I’m seventy four years old. Demographically I’m a baby boomer. In other cultures I would be a respected Elder but in Amerika I am seen by some as an irrelevant, un-hip old fart who still listens to Sixties pop music. Let me correct this misapprehension. I listened to (and still listen to ) John Coltrane, Charles Mingus and their ilk. I admit to being a huge musical snob.
I enjoyed post-1965 pop music. I bought a limited number of pop records. I bought the second Rolling Stones record. I bought five Bob Dylan records, starting with Bringing It All Back Home and ending with Blonde on Blonde. I hesitated at John Wesley Harding. I had to wait a few years for Dylan’s Multiple Personality Disorder to roll over like slot machine fruit to a configuration I recognized. I never bought a Beatles record. I wasn’t a fan. I am now, but I still don’t buy their records. Who needs to?
It’s weird when I read articles in which Baby Boomers are generalized into a sociological cluster that resembles a haul of mackerel in a giant net. Our nation has been dominated by some nebulous force called Youth Culture since we were Youth ourselves. Now, if we don’t understand or enjoy Hip Hop we’re relegated to the Outer Limits of cultural discard.
Some of the best music I hear is television tease-music. These are theme songs, fragments or background percussion/guitar riffs. They are sound-memes, identifiers of historic hit series like Sons Of Anarchy or Breaking Bad. My ear tells me, “Hey, that’s pretty good stuff..”. Fortunately there is a Breaking Bad CD, or several, divided by Seasons. They’re like playlists. Tasty!
The contemporary musical acts to which I am exposed are forgotten as soon I’ve heard them. I give Lady Gaga props for her science fiction wardrobe and catchy tunes. But most of the singers or bands I hear get me to wondering. Can they play at all? Have they spent fourteen hours a day practicing fundamental exercises on their chosen instruments? Can someone explain to me why the musical acts on “So You Think You Can Dance” are so abysmal? We love the dancing and choreography. Love it! I’m convinced that dance is in the midst of a golden revival, the invention of truly new languages. But when each week’s “musical guest” appears we shudder and watch in horrified dismay. Is some paradigm being revealed? Is music being sucked into a rip tide and washed out to sea?
I seriously doubt it. The distinction here is that the music that’s getting “play” is crappy. I have no refuge. If I want to listen to jazz I’m welcome, of course. But there is no more John Coltrane, no more Charles Mingus. Now we have Marsalis Gumbo, that well known New Orleans dish. It’s good stuff, it shows prowess, soul, it’s jazz. It seems, however, that musical innovation is being led by technology. One can buy a machine that makes sounds that seem to emanate from remote corners of the galaxy. It has no difficulty playing in 15/8 time. We can write and play whatever we want! Our imaginations have been unfettered. Where are the people putting these awesome tools to use? There are no musical categories any more. Jazz as a dynamic art form ran out of gas around 1970. It had played itself into a corner called “New Wave” or “New Thing” and hardly anyone could tolerate the caterwauling that emerged from the saxophones of Albert Ayler or John Tchicai. (A confession here: at the time, I loved New Wave. I was taking acid).
I’m not ashamed of being seventy four years old. The alternative is to be dead. Anyone who has reached such an age has survived a given amount of horrible shit. I’m proud to be a survivor. I know certain things. Shit is a great teacher.
My mother taught me by negative example not to feel contempt for my own tribe. Her railroad tracks ran out in 1980, when she committed suicide. She rolled up on the terminal station of her mental Auschwitz and it didn’t look very inviting.
I know this isn’t my best-written piece, I know it’s sloppy and barely hangs together. I’m trying to start a conversation. I’m tired of being dismissed by little kiddies half my age who are now taste-makers, trend-setters and power brokers.
I’m trying to make my mark as a writer and I passed Rejection Slip #500 a long time ago for my novel, CONFESSIONS OF AN HONEST MAN. It’s as profound and touching a story as all get-out, it will make you laugh and make you cry but it has no vampires, nor anything with long teeth, it’s just about people and the way they go about healing themselves from having crazy mothers. Seventy pages of this book take place in 1982 Afghanistan! It’s exciting as hell!
Literary agents, editors, publishers, taste-makers and other cultural filters and gate-keepers will some day be either seventy four years old or six feet underground. I invite them NOW, (before it’s too late) to get on my train, whose tracks are constantly being built right under the engine and we never know where we might end up.
(Today’s magic word is “Duck on a string”. Okay, four words.)
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Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison.
These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
You can’t fall apart when things go wrong. And when I say “go wrong” I mean badly wrong, way wrong. The loss of a job, the death of a loved one, a diagnosed illness: that kind of wrong. You can’t fall apart.
It’s difficult, NOT to fall apart. We don’t have rational control of emotions. Grief, despair, depression, are creatures with wills of their own and they seem to take over the daily habits that normally sustain us. How do I NOT fall apart? How do I fight back and regain my dignity after seemingly chucking it into the trash? Where do I find the “fight” in me, after I’ve curled into a fetal position and gone”waaaah!”
The answer is “ANY WAY YOU CAN!” I thought to do some writing, and I ended up writing this. Which will take about five minutes. I wanted to work on my novel in progress and I sat staring at the page feeling waves of terror streaking through my innards. It’s difficult to write through waves of terror. I’ll make it.
I’ll get there.
Last year a man died suddenly. He was the man who provided me with three quarters of my contracting work. Then I had a major health scare. Things began going to pieces, one little piece at a time. Isn’t that always the way it works?No, it isn’t.It’s never just one big thing; more like a lot of little things until it seems that nothing will ever go right again.
That isn’t true! That’s the voice of depression. As a grizzled veteran of the fight against depression I understand the feeling that a low emotional state is permanent. It isn’t. But you can’t fall apart. You have to fight back.Depression is a force of nature with which we contend. It’s here that we find our own heroism. Here, in the battle against the cognitive darkness that threatens to overwhelm us at any time. This is where we ultimately shine.
If you’ve got any energy, go clean something. That often works well to lighten the mood. Or, better, go help someone else who is in trouble. In the process you will forget your own troubles.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
If you vote for a sociopath to serve in public office, you may be acting from your own sociopathic tendencies. Americans have succumbed to a sociopathic culture that is sad and shocking. It isn’t wealth or poverty that counts in the USA. It’s numbness to the suffering of others. It is disturbing that numbness has spread itself wide, that apathy has replaced interest in public discourse. The awful fact is that people are dead inside. How do I know this? I know it from personal experience. I was also dead inside. Now, I have a bit of life within myself. I continue to fight this social and spiritual desolation. I am less dead than in the past. I use every tool I can grasp: therapy, meetings with a group, reading about psychology, learning about Consciousness itself.
Growing up in a typically dysfunctional family has left me reeling with emotional pain and often engaged in struggles with addiction and other debilitating conditions. I didn’t want this! I wanted to live free and happy but that is neither possible nor even desirable. I have learned patience and the ability to frame my narratives of pain in terms that show their creative importance.
As far as I know, I was not “sent here” by anyone other than another faculty of my very core SELF. We need to understand that possession of a Self is a very high privilege, a vital connection between what is human and what is not of this world but of some inner possibility. Selfness is a condition of consciousness, a unique and important faculty of identity. It isn’t random, it doesn’t come from nowhere. It comes from within the mind and the fact that there IS a mind at all is crucial. Why? Why have a mind? Of what evolutionary use is a mind? All creatures have minds and some of them may be highly organized and developed. We have no idea what goes on in the mind of an animal like a whale or an elephant. It seems clear from observation that they are not automatons. Nor are they entirely conditioned by nature. There is something else, something beyond our grasp, about the minds of other species. We are desperately uninformed. At best, we are guessing, by way of zoologists, veterinarians, communicators and empaths.
What if a blue whale knows about the cosmos from an entirely different perspective? What if its brain produces some profound psychedelic that eludes human beings? In its own way it may be swimming among the stars. Is there not an inner life within the life we see? Should not a bear possess an inner life? Does not its memory belong to the universe?
It is essential to respect ALL life forms as conscious and sentient. The concept that MAN is above all other life forms is specious and dangerous. We need to get over ourselves.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
Drive 3 ton vehicles seventy miles per hour. We do this in swarms, crowds, jams, at all angles and approaches. Routinely. Somehow it’s unusual to die in traffic on the way home. I don’t understand it.
Routinely. We
Bathe ourselves in electronic light. Hours and hours each day the photons emitted by our gear pass through our bodies.
Routinely. We Eat food that amounts to tenderized and processed glue.
Routinely. We stay indoors for hours, days, weeks, even months. It’s what we’re SUPPOSED to be doing. Right?
Routinely. We talk to no one for months on end. We have plenty of chat, little real talk.
Routinely. We expose ourselves to huge clusters of information in the form of digital glop, yet somehow we only go slightly insane.
Routinely. We breathe toxins generated by our culture without being aware of it.
Routinely. We witness horrors on the news and barely shrug because we are numb to horrors in this age of surfeit of horrors.
Routinely. We vote for callous lying cretins and elect them to public offices they don’t deserve. Routinely we continue allowing venal malicious fools to exploit us without doing a goddam thing. Routinely we accept a political situation that would not be too difficult to change but we don’t change it even though it’s destroying us.
Routinely. We juggle scenes of increasing complexity.
Routinely. We melt down when the complexity is overwhelming. The crazy shit we do depends on who we emulate. Do we shoot up a supermarket or do we binge on ice cream?
Routinely. We are surprised by what happens when we process this degree of overstimulation and make terrible decisions. Routinely our judgment is flawed by the input of mis and dis information.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Want to be sure not to miss any of Arthur’s “The Many Faces of Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
Mind Fields: It’s The Titles That Count
Posted: March 3, 2023 | Author: artrosch | Filed under: Commentary, Humor, Mind Fields, Opinion, Writing | Tags: Arthur Rosch, Humor, Mind Fields, Titles, Wit, Writing, Writing to be Read | 2 CommentsTitles, titles. It’s all about the titles. If you can write an article called “A Sex Cult Kidnapped My Kitten” and present some credible material, you will gain new readers. The titles drive the readership. I’ve cooked up some titles for you here, guaranteed to build audience. Let’s see: .” “Russian Captive Breeding Program Producing Ukrainian Zombies”
Or
“Penis Envy Among Narcissists”. or “Trump’s UFO Claimed By Repo Men”. “Ten Ways To Get More Lust.” There’s “Elvis Is Alive and Has Become a Woman”. How about this? “I Got Kim K Pregnant And I’m a Giraffe.”
Okay, about the kitten and the sex cult. I’ve had kittens but never joined a sex cult, so far as I know. I think the 60s were a sex cult and I’m sorry they’ve passed and it’s now 2023 and no one knows what they’re doing. The world hasn’t just gone nuts: it’s been nuts forever. If we get up in the morning and think, “Wow, the world is crazy” just try to imagine what your grandpa did during World War Two. You think the world is crazy now. It is. You don’t have to worry about certain things but you have other things to worry about and I’ll mix in a few more titles here: “Global Warming, History’s Greatest Scam”. Then there’s “My Narcissism Was More Trouble Than It Was Worth”. How about “Government Collapses Without Suspenders”.
Or “Hog Breeding And Cryptic Marriage Ceremonies In Papua.” The list goes on and on. The magic titles grab attention. These days one must market one’s self, even if the aptitude for marketing is non existent. If you don’t market yourself you’ll be writing titles like this one: “Even I Don’t Know How I Got Involved With Idiotic Medium Posts”. You might try “I Get Paid To Be Stupid”. That would draw thousands of readers. I wish I could write that story but alas, I’m too stupid.
The ultimate give- away title of the year goes to Ruben Pondwater, of Gassy Beach, Florida. His suggestion was “If You Try Hard Enough You’ll Hurt Yourself.” I might write that one. Everybody seems to be engaged in massive efforts to cure the world of its ills. I’ve never seen generations like the recently spawned Millenials, Gen-X’s, Gen Z Plus , Post Boomers, and Nazi Hippies. These people work so hard! Surely the ills of the world will be healed by the time the thirtieth century rolls around. We’ll be swooping through wormholes into the future and then returning to the past and re-writing these Medium articles to have global impact. Try to imagine that!
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Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
More of his work can be found at www.artrosch.com
Photos at https://500px.com/p/artsdigiphoto?view=photos
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Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
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