We finished up the WordCrafter Once Upon an Ever After Book Blog Tour on Saturday, and I do hope you all joined in. It was a great tour and we held a giveaway for three digital copies of Once upon an Ever After, and every comment earned an entry.
Now, I am pleased to announce that the three winners of the anthology giveaway are Liz Gauffreau, Annette Rochel Aben, and Sara W. McBride!
(I need to make contact with each of you to find out which digital format you prefer. If you don’t hear from me, please contact me at Kayebooth@yahoo.com.)
Even traditionally published authors need to have their work edited. In the past, authors who were traditionally published could count on their publishers for certain benefits, including help with marketing, editing, cover art, etc… But with the rise of independently published authors, those benefits can no longer be taken for granted and today, some publishers don’t provide any more, is editing. In their article “Why your publisher won’t edit your manuscript – and what to do about it”, (https://withoutbullshit.com/blog/why-your-publisher-wont-edit-your-manuscript-and-what-to-do-about-it), Writing Without Bullshit claims that publishers in 2021 are looking for ‘publishable as is’ manuscripts. That means that they are expecting your manuscript to be ready to publish, requiring at the most, minimal copy editing before sending it through the publication process.
If traditionally published authors still need to have their work edited, then it goes to figure that it’s just as vital for an indie author. Independently published authors once carried a bad rep, because of a flux of new authors, or want-to-be authors, who flooded the market with poorly written and badly edited, if edited at all, books with the new lack of gatekeepers which came with the rise of independent publishing. While self-publishing became more affordable and accessible to aspiring authors, there were not the quality buffers of traditional publishing, leaving gaps wide enough to allow a plethora of poor-to-horrible quality books out into the market.
Independently published authors have managed to overcome that initial bad rep for the most part, but only by putting on the work and creating books of excellent quality, which are professionally edited, with covers that are professionally designed, at some expense to the author. But of course, we all want are books to be the best that they can be. Right? Right.
So why are some authors tempted to skip the editing step in the writing process? Maybe they think that as writers they know all the rules so they can edit it themselves just as well. But another set of eyes can pick up things that editing with author’s eyes may not. It’s true. And even if you use a critique group, beta readers, or even relatives or friends to look over your story or book draft, chances are, they will pick up mistakes that you have missed.
No matter the reason, what it all comes down to though, is that editing is expensive, and many aspiring authors, who haven’t hit the bestseller lists yet, can’t afford to pay a professional editor. I know I certainly can’t. I do have my fellow authors, who are kind enough to help me out, (authors really are a great group, aren’t they?), give my manuscripts and stories a going over, but authors are busy people and editing takes time; time that could probably be used better writing, so it is not an ideal arrangement.
That’s why when I founded WordCrafter Quality Writing & Author Services, and added Write it Right Editing Services to those available, my motto was “You should not have to mortgage your house to have your book edited.” So, I tried to make Write it Right Editing‘s rates affordable, especially for those who haven’t risen to the top, or made it into the six figure authors club yet.
If you don’t want to spend a fortune to have your book edited, or you just want a quick proofread to be sure your work is ready for publication, maybe it would be worth your time to drop over to the WordCrafter website and give Write it Right Editing a look. I’ve been editing since 2010 and I am currently part of the Mirror, Mirror editorial team for Kevin J. Anderson and the Western State Colorado University‘s publishing cohort, as well as my editing duties for WordCrafter, so I have plenty of experience editing novels, anthologies, poetry and non-fiction. I’ll be taking on new clients in 2022, as I move my writing business into the full-time realm. If you’d like to learn more about Write it Right Editing Services, visit the WordCrafter website here.
Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing, writing is more than a passion. It’s a way of life.
She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you. She has short stories featured in the following anthologies: The Collapsar Directive (“If You’re Happy and You Know It”); Relationship Add Vice (“The Devil Made Her Do It”); Nightmareland (“The Haunting in Carol’s Woods”); Whispers of the Past (“The Woman in the Water”); and Spirits of the West (“Don’t Eat the Pickled Eggs”). Her western, Delilah, her paranormal mystery novella and her short story collection, Last Call, are all available in both digital and print editions.
In her spare time, she keeps up her author’s blog, Writing to be Read, where she posts reflections on her own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. She’s also the founder of WordCrafter. In addition to creating her own imprint in WordCrafter Press, she offers quality author services, such as editing, social media & book promotion, and online writing courses through WordCrafter Quality Writing & Author Services. When not writing or editing, she is bird watching, or hiking, or just soaking up some of that Colorado sunshine.
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The third Wednesday of each month, writer Jeff Bowles offers practical tips for improving, sharpening, and selling your writing. Welcome to your monthly discussion on Craft and Practice.
The Revision Process
So I’m in the middle of a fairly lengthy revision process for my latest novel, and it brings to mind a piece of advice a mentor once gave me. When I began writing short stories, I joined an online critique forum that in retrospect helped shape me in some crucial ways. It was a pretty tough, competitive space when it came down to it, and the other writers there didn’t mind (lovingly) tearing stories to shreds if it meant giving enough feedback to fix what wasn’t working.
There was a guy there called Gary, older than most everyone else who frequented the group, and I tended to see him as an authority, a friend, and a bit of a task master. Gary was fond of quick little rules and guidelines, notepad-like pieces of wisdom that could really set a young writer up for growth.
“Expect the revision process for any given story to last two to three times longer than it took to write in the first place.”
In other words, by Gary’s estimation, if you were to write a quick story in an afternoon, you’d expect to spend an additional two to three afternoons revising and sharpening it to an appropriate level. I’m sure I don’t have to explain to you how in-depth the revision process can be. Sometimes it’s pretty easy-going, but for the most part, if you’re not doing some cutting here, expansion there, general tightening of language on all levels, and if you’re not willing to kill your darlings, as the saying goes, odds are you may be doing it wrong.
So what if we’ve written a whole book? Does Gary’s piece of advice still hold up? In my experience, it does. Due to sudden and unforeseen circumstances in my life, my novel took about a year to write. So does that mean it’ll take me two to three years to finish it? Not precisely. I worked on it for a year, but in fact, I only wrote about 300 words a day for a grand total of maybe fifteen hours of actual writing per month. Fifteen hours times twelve months equals 180 hours, and 180 times two is 360. Bare minimum, that is the equivalent of fifteen full twenty-four hour days of revision. Maybe more like a month and a half if I plan on sleeping, eating, or ever seeing my wife ever again.
Now remember, that’s only the initial revision cycle. More work will likely need to be done in order to bring that book up to production quality. Realistically, once you add in the services of an actual editor, you’re looking at several additional weeks or months of back and forth nitpickery. It’s the nitpicks that save us, by the way. Make sure you get plenty of them at breakfast time. They’re like daily bowls of Wheaties. Nitpicks make writer big and strong!
Big and strong writer (due to nitpickery)
It’s part of the overall level of dedication it takes to turn out a good piece of writing, right? And we all expect to have to work a little more after we’ve initially told a story, or at least we should. I’m not big on hard and fast rules. Really, I’m not. I think “rules” in writing can and should be broken now and then. Generally speaking, these kinds of prescriptions are for writers, not for readers. Inside baseball, not meant for actual spectators, you know what I mean?
Even so, there are some commonalities to this process I believe every writer can and should keep an eye on. First of all, get comfortable removing chunks of flesh from your manuscript. Just straight-up cutting large sections that may have had stuff in it you liked. Also, get comfortable rewriting everything you just took out. Only better. Hopefully. If parts of your story slow the narrative down, add unusual or unnecessary complications, or otherwise just don’t fit in with what you’re trying to achieve, that stuff’s dead weight, detritus. It’s got to go. Gird your loins, fellow word-wielder. Things are about to get messy at the slaughterhouse.
A good piece of meat isn’t born precooked, and neither is a good book. You can always resurrect some of that cut material and insert it elsewhere, but the same idea applies: if the words don’t fit, you must acquit.
Man, I’m on a roll today.
Another important thing to consider is if you want to make focused passes or not, keying in on just one element at a time, starting with larger issues like pacing and character development. This is a good idea if you’re new to the process or just like to stay organized, and it’ll probably save you some time in the long run. By making several focused and element-specific passes, you’ve got the opportunity to hone in without distracting yourself with other stuff that may change in the long run. My only suggestion for this type of revision process is to keep notes along the way. Ideas may spring to mind, better concepts for how to handle any given character or scene or larger story element, and you’re going to want to keep track of everything you intend to change for your next pass.
Admittedly so, I’m much too erratic and scatterbrained for this method, which means I tend to just charge in like a bull in a china shop and really tear the place up until its “redecorated” just how I like it. Mine is a messy process in this way, but it’s also just how my mind tends to work. Not everyone has the equivalent of sixteen trained chimpanzees careening around their heads, doing their level best to run the ship. If I don’t feed them at a regular time every day, Bingo—he’s the captain, see—he orders the rest of the chimps on strike, and then I’m in a real chimp ship pickle. Nobody wants that.
Where was I? Ah yes, serious discussion of the revision process.
A lot of what you’re going to be doing is in fact that more minute stuff, especially when you’re really getting down to it and most of your broader strokes have been made. Changing the language of the piece, the flow, tightening your syntax, all of that is important as finishing maneuvers. Just make sure you’re not revising so much you’re only shifting elements around and not necessarily improving anything. That can happen easily, which is why it’s also important during the revision process to take breaks when you need them. And I don’t just mean a break of a few minutes or hours. Sometimes you’ve got to let your manuscript go for days or even weeks just so you can come back at it with fresh eyes. The ability to forget what we’ve written is a great asset, so use it.
The annoyance and pain of all this is temporary. You have to keep that in mind. However, once they’re released to the general public, your words are forever. So now is your opportunity to line them up exactly as you want them. In the end, all you can do as a writer, as a creative individual of any kind, is your honest best. Will all your extra hard work pay off? That’s an eternal question, always in motion, and anyway, what’s your definition of success? I mean really?
I’ll have another Craft and Practice topic for you guys next month. Until then, cut a little, cut a lot, but don’t cut to the quick. The chimps in your brain may not like losing any of the good stuff. See you in June!
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, Nashville Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, God’s Body: Book One – The Fall, is available on Amazon now!
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I started Write it Right Editing Services back in 2010 because I didn’t think an author should have to take out a mortgage just to pay for having their book edited. Book editing can be expensive! We all want our writing to shine and be flawless, but like they say, a patient who diagnoses oneself, or a defendant who represents oneself in a court of law, an author who edits their own work has a fool for a client. Okay, maybe it’s not quite the same. Good writers usually know how to edit, and may be able to do a fine job editing the work of others, because they know the basics of good writing. But, when you edit your own work, many times you see what you know the words are supposed to say, even if that isn’t what you put down on the page, and errors can be easily overlooked. Not only that, but authors don’t always have an unbiased eye when it comes to their own work, or perhaps they just are unable to see how their wonderful words could possibly be made any better.
This is why an author needs to have someone else go over their work. Some authors use critique partners, or writing groups to vette their work and get feedback to make their writing better, and that can work if your critique partner or the members of your writing group are talented writers themselves. But if they are not, or you don’t have any of those people readily available to you, you probably need to hire an editor to polish up your manuscript before publication.
Aspiring authors who have not yet been down the path to publication may need more than just a basic line edit. They may need guidance as to story structure and proper formatting, too. These are the services Write it Right Editing Servicesstill offers under the WordCrafter umbrella, at rates that won’t break the bank or be too terribly hard on your pocketbook. Most of us are starving artists, after all.
I got my M.F.A. in Creative Writing during a transition period, when the education sector hadn’t caught up with the changes that the rapid growth new technologies, specifically the development and rising popularity of the Internet. Hence, the one thing about being an author that they didn’t teach me was how to market and promote my own books once they were published. Gone are the days when a publisher buys your book and not only publishes, but promotes it.
Traditional publishers are still out there, but with the rise of self-publishing, they realized that authors were capable of handling promotion, so the amount they are willing to offer has gone down considerably, and many small independent presses don’t have the resources to throw promotion of your book in with the deal. Besides, the majority of authors out there these days are self-published, so they have to manage their own promotions anyway.
An author today has a few choices to make. Self-promote or outsource by hiring a marketing company, which doesn’t come cheap. If you know a little about marketing, you might be okay handling these things yourself. But, that was the one area of the business of writing that my M.F.A. program didn’t cover, and that’s why I am currently back in school earning a B.A. in Marketing. I’ve got books out there, but it’s up to me to sell them.
Marketing and promotion can be a time consuming activity, especially if you design your own graphics, as well as creating content for your promos. And let’s face it, time spent creating promotional materials is time spent not writing. That’s the trade-off that we authors are faced with.
The solution is to outsource your promotions, but again, this can be expensive. So, I decided to offer WordCrafter Social Media Copywriting & Book Promotionsas a way to assist my fellow authors in freeing up their time so they can spend more of it doing what they do best – writing. This service offers inexpensive promotion packages, or you can opt to purchase individual posts to be used on social media.
So, if you are a busy author who would love to have more time to write or you need a little help in making your work shine, pop on over and see what WordCrafter Quality Writing & Author Services has to offer you. You’ll be glad that you did.
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Those of you who know me and many of my long time blog followers, know that I am passionate about writing. Not just my own writing, but writing as a craft, to be shaped and honed. That’s why I began Writing to be Read, and why I’ve founded WordCrafter Enterprises to promote quality writing and aide my fellow authors along the way.
I’m excited to announce the launch of this affordable quality writing enterprise. Writing to be Read is celebrating its 10 year anniversary. Based on the same respect for the craft of writing and my own writing background and experience, as you’ve come to respect from this blog, WordCrafter is designed to aide in the author’s journey.
Being an author is more than just writing a book or two. You want the books to sell, so people will read them. That means your books need to be of good quality writing and you have to promote them, too, in order to increase consumer awareness or no one will know that your book exists. But, all of those things take up valuable time which could be better spent doing what you do best – writing. (Online writing courses will also be offered in the future to aide aspiring authors along the way.)
Let WordCrafter Quality Writing & Author Services take over the tasks that take up valuable time which could be spent writing, and make your writing shine. Write it Right Quality Editing Services help make your writing the best that it can be. WordCrafter Social Media Copywriting & Book Promotions promotes your work, so you can spend more time writing. Produce and promote quality writing with WordCrafter.
Writing to be Read falls under the WordCrafter Trademark umbrella, as well as WordCrafter Press, which offers short fiction writing contests each year. (Learn more about the 2020 WordCrafter Short Fiction Contestand submit your story by April 30th.) If you are a longtime follower or a recent fan of Writing to be Read, I hope you will drop in and see what WordCrafter has to offer busy authors. Find out what WordCrafter Quality Writing & Author Services can do for you.
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This won’t be the first time I’ve expounded on the many hats an author must wear. With traditional publishing, an author received an advance for turning in a manuscript. Then, the publisher took over, providing editing and cover art to create a finished product. Then, they developed promotional advertising and marketed your book, and with luck and some talent, the author could sit back, write another book, and collect royalty checks down the road. Okay, let’s be honest, the author might have been required to participate in the marketing through tours featuring readings and signings, but it was all set up by the publishers.
Not so today. With the rise of digital publishing, it’s easier than ever to publish your own book, changing the look of the publishing industry. Even traditionally published authors may be responsible for more and more of the promotion and marketing for their books, while advances may be less and less. This only serves to make self-publishing look like a more appealing alternative. Think about it. Why go through the whole submission process time and time again, suffering countless rejections, if your going to have to do all the work of promotion yourself anyway?
Self-publishing is on the rise, and anyone who wants to has the ability to publish a book. As I’ve pointed out before, this leads to a lot of want to be writers, who just throw stuff out there, without the gate keepers of traditional publishing to ensure a quality finished product.
As I’ve also pointed out, this often makes it difficult for authors to get good honest reviews when a book is riddled with typos and grammatical errors, which it goes to follow, also effects sales. That’s why I’ve teamed up to offer my editing services on The Author Market, where authors can go to ensure a quality product, and find assistance with all of those non-writing chores an author has to do these days. The Author Market teams up with service providers to offer authors editing, proofreading, and cover design, or they can publish the book for you, as well. It’s even possible to get assistance with marketing and promotion, through the personal assistants available on the site.
As a freelance editor and proofreader, I offer my services through The Author Market, as well as here on this site. You’ll also find services available from our Monthly Memo writer, Robin Conley and an author I interviewed recently, DeAnna Knippling , who are both talented authors and skilled editors. The Author Market has a cool referral program, too, which we’ll hear more about in just a bit.
Here today to tell us a little bit more about how The Author Market works is the owner and founder, James Price. Please join me in welcoming him to Writing to be Read.
Kaye: Tell me about James Price. What writing and publishing experience do you have under your belt?
James: Well I am a father of 6 with one on the way, yes I do know where they come from ha-ha.
I am an author, however I don’t tell anyone my pen name. I currently work 3 jobs, during the day I work as an aircraft mechanic, and at night I promote author service providers, and I am also a service provider. I have been working in publishing and author services for around three years, I own The Author Market, Aep Book Covers, as well as Nazzaro and Price Publishing. I personally have published and helped publish around 300 different titles, and have made an ungodly amount of covers over the past three years.
Initially it wasn’t me who got me into author services or even writing. It was my wife. She has been my inspiration for everything, and honestly I would have never even tried if it wasn’t for her. We got into this business, mainly because we couldn’t afford author services, mainly cover artist. Since my wife is a technical editor she pretty much handled everything herself, except for art. One day she looked at me designing a program in visual basic, and told me to get Photoshop and try making covers myself for her. Of course past experience of Photoshop made me angry so I fought her on the subject until I got tired of paying for artist. It wasn’t until then that I found what I truly enjoy that was work related.
Kaye: What inspired you to create The Author Market?
James: I created The Author Market because of the hardships that come with being an author, and even more so as an author service provider. It is frowned upon for service providers to post in author groups, or even to try to sell their services anywhere. We are usually ignored, and it is extremely hard for up and coming service providers to get a start. We constantly fight to get in the spotlight, and most of the time we end up giving up long before we are discovered. Personally it took me what felt like a lifetime of trying to get where I personally am, and if my wife didn’t constantly write, or my customers didn’t come back I would have quit a long time ago. So, I created The Author Market. A place where anyone can sell their wares/services, and a place that makes it far to easy to comment go to The Author Market! I wanted a place where an author can find any service they can to be successful! I’ve also created a refer and earn program for anyone to be apart of. That way if a cover artist who isn’t making any sales sees a FB post looking for editors, they can make income off of saying go to The Author Market. I figured why not. We all have our favorites, get them signed up and then every time you refer them (which you’re going to anyways) you make money!
Kaye: What services does The Author Market offer?
James: Personally, I sell my own services there, and I am a cover artist, formatter, web designer and gosh so many other things. The Author Market, however sells anyone’s services, we have Editors, Proofreaders, Trailer Designers, Cover Artist, Personal Assistants, and we are always looking for more new and exciting services to offer.
Kaye: Say an author chooses to have The Author Market publish their book. What platforms do you publish on? What is your accountability to the author?
James: If an author publishes with The Author Market, we will publish on Kobo, Barnes and Nobles, Create space, Amazon, Smash words, IBook’s, and any that the author wants us to.
Our accountability to the author, is as such.: By the tenth of each month we will send out royalties from previous months (whichever comes in for that author) and sales reports from the previous month. We WILL NOT gouge our clients, LIE to our clients, or STEAL from our clients. I wanted a one stop publishing platform for authors, that they can trust. Today there are a lot of publishing companies that force authors into ungodly contracts, with extremely high rates, and with no way out. I wanted a place that an author can go to that will make them happy, without taking advantage of their creativity.
Authors are being taken advantage of by these fly by night companies, and I wanted a place that was different. To publish with us all you do is get it ready for eBook and print. That includes, cover art, formatting, editing if you choose to do so. Send it to us and we will publish it. If you are not satisfied it cost $20.00 and we will remove your books from the platforms. Our price for publishing with us is 10% of royalties on print and eBook. We also will offer the author their book in print at cost plus $1.00 per book plus shipping and handling. We are not like the other companies who sell the author their own book for list price. That is just crazy!
Kaye: Would you like to talk about the Refer and Earn program offered by The Author Market?
James:Well our refer and earn program is simple. We sell other service providers services, at the point of a sale, we retain 15% of that sale. We then take that 15% and determine who it goes to. If someone refers a service provider to The Author Market, they will receive 25% (of The Author Market‘s Commission) of everything that provider sells through us. If they refer a customer to The Author Market they will receive 50% of (of The Author Market’s Commission). If you refer a customer to a service provider that you got to sign up at The Author Market then you will receive 75% (of The Author Market‘s Commission) of that sale. That way you have a reason to continue to promote your service providers, and get them meaningful work!
Kaye:The Author Market also has a cover art contest to show appreciation for your great cover artists. Would like to talk about that a little?
James: Our Cover Artist appreciation month is in September. We are giving away two prizes. One prize goes to the artist of the winning cover, and one to the author of that cover. This time we are giving away $150.00 to the winning artist, and $50.00 to the author of that cover. We want to give back to those who work hard in the background, but still want to give the author incentive to want to get them in the contest. Our service providers need appreciation and The Author Market will continue to do prizes, for all of our service providers! We love them all and want them to continue even when times are tough!
I want to thank James for joining us today. The Author Market makes it easy and convenient for authors to be sure they’re producing the best possible book they can through editing, proofreading and cover design. Their personal assistants offer help in getting the word out, and they will partner in publishing your book, if you like. And for freelance service providers, it offers a place to hang your shingle. They have a great referral program, so after reading this, if you decide to sign up as an author or a service provider, be sure to mention this post on Writing to be Read. Happy writing!
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Okay, I know I have been negligent in giving this blog the tender loving care that it deserves. I have been negligent in a lot of things lately, due to my husband’s illness and the care that he has required. I’ve taken leave from work, as well as cutting back time for writing and editing, but I’m trying hard to get back into the swing of things, so let’s talk about my latest endeavor. Did you catch it back there? Yep, I said editing. This has been a new and glorious prospect for me, because I’ve discovered that I am pretty good at it, and I’m learning a lot about writing, by looking at it from an editor’s perspective.
I never realized how much work really goes into the editing process. That was the first thing that I learned. I guess I hadn’t thought about it before, but it’s not just making a few corrections and sending it back to the author for repair. Oh, no. After that, the author sends the rewritten version back and you have to edit the whole thing again. Now this may sound like a pain, but I also learned that it is well worth it, for half the time I find things that I missed the first time around, or even change corrections that I had suggested back, because they didn’t have the effect that I thought they would. Many chapters go back for rewrites and then, re-editing four or five times, before I can call them good and put them in my finished folder. This is why they say you shouldn’t try to edit your own work, at least not on the final manuscript—authors can’t be objective enough about their own words, because they are too close to it. Through editing, I’ve been learning what to do in my own works, as well as what not to do. Here are some helpful things that I have learned so far, through my editing, about the writing process.
• I learned that sometimes autocorrect fixes things that don’t need fixing.
The computer program doesn’t recognize that you are writing dialog,
and sees a period as the end of the sentence, capitalizing the next word,
regardless of whether it should be or not. I’ve been constantly fighting
with this in my own writing, as well as when editing the work of others.
It also fails to pick up on things that need correcting. The computer
doesn’t distinguish between “Their” and “There”, or “Your” and “You’re”.
As long as the word has a legitimate spelling, the autocorrect doesn’t
perceive it as being wrong, even if it is wrong for the context of the
• I learned that if you work with people and can be reasonable with
pricing and flexible with financing, you are often more likely to get
the job. I guess that is true for anything, not just editing, but I do
think it makes a difference. And I look at it this way; doing the job
for a little less than I would have liked and accepting payment in
installments, is better than losing the job because it is overpriced,
and not getting paid at all. I also think that this is one way in which I
can help out my fellow writers, and I’m all for that!
• I learned that sometimes, I can get so into the writing, that I take
liberties and actually suggest ways to reword things, instead of just
suggesting ways that it might be changed. So far this hasn’t been a
problem, but I can see where it could be. I’ll have to be careful not
to step on any author toes.
• I learned that while the bottom line is that the author is the boss, I have
been amazed at times, at how willing the author may be to take my
suggestions to heart. It brings a smile to my face each time I see one of
my suggestions implemented, and makes me feel good to know that I
might actually be making a difference that improves the work’s chances
of being published.
• I learned that when I feel like I’m going to scream if I have to read
chapter two one more time, it’s time to put it down and move onto
the next chapter. That’s when I need to pick up a chapter from the
file that is still waiting for first edit, and read something fresh that I
haven’t scrutinized so many time that I lost count. And… there is
such a thing as over analyzing and it is easy to do. I’ll have to be
careful not to pick each chapter to death.
• I learned that I like editing. I was hesitant at first to get into the editing
side of the business, because I’d never done it before. No experience.
But how are you going to get experience?…. Exactly! So far, I think I’m
holding my own. (By the way, it also felt great to be able to add copy
editing services to my website as I redesigned it, and to find my name
listed in the acknowledgements of the book as someone who helped
make it happen.)
• I learned that if I do too much editing at one time, I start making
changes and correcting spelling and punctuation in everything I
read. I have to remember to consciously switch mental gears,
when I’m reading for pleasure, rather than business. Somehow, I
don’t think Stephen King would be as interested in my suggestions
as my clients are.
Well, that’s what I have learned so far about editing. I have no doubt that I’ll learn more, as time passes and I edit more manuscripts, and of course, I will share it here, in hopes that it might help you to learn something, or at least make you chuckle.