Writer’s Corner: What I learned from NaNoWriMo

November is National Novel Writing Month

The first time I tried my hand at NaNoWriMo was back in 2010. I had only recently discovered the opportunities for authors and writers offered on the internet, and had decided to try once more to make a go of writing, so I was exploring my options, but didn’t really know what I was doing as a writer at that point. And I had no idea how to go about writing a book, or how to go about writing a book very quickly, and I failed miserably.

Since then, I’ve put an M.F.A. and an M.A. under my belt in the creative writing arena, and so I gave it a second shot in November of 2022. I chose to write The Rock Star & the Outlaw, a western time-travel romance adventure. This time I was better prepared, with my project outlined and actually had a 21,000 word start before the writing challenge began. I also had recently read Booked to the Gills, by Aisley Oliphant, which offers strategies like time blocking and reserving out time for self-care in order to be easier to live with during the challenge, and prioritizing, and I was anxious to see if I could apply some of these strategies in my own writing. You can read my full “Review in Practice” here.

The challenge, for those who do not know, is to write 50,000 words in 30 days, which is no easy task. I figured if I succeeded, I would have a 71,000 word novel, but even if I didn’t complete it, I wouldn’t be far from a completed novel. What you’re about to read is a summary of my experience with the 2022 NaNoWriMo and what I learned from it.

Lessons learned

  • Time blocking – this was a strategy suggested by Aisley Oliphant in Booked to the Gills. It involves planning out your schedule and making blocks of time specifically dedicated to the writing of your story. It’s good advice, which is helpful in getting the story written in the allotted amount of time. I found that with my busy and unpredictable life, it was better for me to block out shorter time frames, sometimes only 15 minutes, to squeeze writing in between everything else. It was nice when I could dedicate a few hours to a stretch, of course, but that wasn’t possible every day, espesially days I had to work my day job. I tried blocking out writing times during different times during the day, and I didn’t hesitate to create an unscheduled block at three a.m. when I couldn’t sleep.
  • Prioritze self-care – also highly suggested by Ms. Oliphant in order to maintain friendships and family during and following the challenge. Self-care should be a priority and not allotting time for tending mental, physical and spiritual needs can make one cranky and unbearable to be around. I made sure I took time out for personal pleasures, such as going out to dinner, allowing myself to clear my mind and gather my thoughts, along with all the other activities I have going on in my life. This was another reason that shorter time blocks seemed to work better for me.
  • Get adaquet sleep – This is a necessity. While I could write into the wee hours of the morning when I was younger, I find that these days, I can barely stay awake past 10 p.m. I now find myself falling asleep at the keyboard. Also, I find that when I’m tired, my thoughts become muddled and I have difficulty focusing. This was another reason that I wasn’t very productive on days when I worked the day job.
  • Be prepared – This one wasn’t a strategy offered up by Ms. Oliphant. This was one I learned on my own. Going into a writing challenge like this, with a 21,000 word head start, I assumed I was ready to do this. But on November 1, I realized that I should have matched up what I had written with my working outline. When I did that on the first day I found a couple of places where it didn’t match up, creating plot holes which needed fixing before I could move forward, so my whole first week was spent smoothing those out and it wasn’t until Day 8 that I was able to exceed the daily goal of 1,667. To truly succeed with the NANoWriMo challenge, I think it is important to be ready to hit the ground running.
  • Choose a project you are passionate about – This may be the most important lesson for me, because I don’t think I would have done as well as I did, had I not been so exciting about writing this story. Inspired by the music of my favorite rock band, The Pretty Reckless and other artists, I had began writing this story two years prior, and was writing on it full speed ahead when I ran into a road block concerning music copyrights. But I never forgot about it. In fact, over the past year I came up with a work-around to my roadblock, so it was never far from my mind. Even two years later, pulling it out still stirred the excitement within me, and that’s how I knew this was the project I wanted to use for this challenge. To write prolifically, such as the 1,667 words per day required for this challenge, I believe one must have this passion for the project to be properly motivated.

Final outcome

There were good days, when I was able to exceed the daily word count, and there were days when I didn’t even come remotely close. Although I tried to clear my November schedule as much as possible, scheduling blog posts a month ahead of time, etc…, I still had to struggle through life’s trials, and go through the motions of daily life, making the blocking of writing time tricky at times. At the end of November, when all was said and done, I had a manuscript of 52,000 words, but I did not truly meet the challenge, because of my original 21,000 words. The NaNoWriMo gang congratuated me when I hit the 50,000 mark and gave me a winner’s certificate. My real word count at that point was 29,000 words, and I knew that, but I claimed the winner’s certificate anyway, because in my mind, I was a winner in my own challenge. I was walking away from this challenge 29,000 words closer to having a completed story, and I managed to bang out another 2,000 words before the month came to a close.

I kept working on the story through the month of December. Although I couldn’t dedicate as much time to it, as I prepared for the Kickstarter for Delilah in January, I finished off the month with 59,000, but the story still wasn’t finished. I hope to have the first draft done by the end of February. Of course, even then, it won’t be publish-worthy. It will need to have a first edit by me, then go to beta readers,then another editing pass by me with revisions, then to another set of eyes for an edit, then back for a last pass by me. The idea for NaNoWriMo wasn’t to produce a polished manuscript, but just to get the words down on the page. The polishing comes later. I’m estimating a release date for The Rock Star & the Outlaw toward the end of 2023.

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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Writer’s Corner: Great Beginnings

Some opening lines are so well known as that the story can be identified just by them and nothing more.

  • Call me Ishmeal.” – Herman Melville, Moby Dick, 1851
  • It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair.” – Charles Dickens, A Tale of Two Cities, 1859
  • It was a bright cold day in April, and the clocks were striking thirteen.” – George Orwell, 1984, 1949

Memorable opening lines like these are strokes of brilliance on the part of the authors, perhaps with a little luck and a bit of literary magic mixed in. But for the common author, the trick is to find the best opening possible, especially with the growing numbers of books and authors that are out there competing for readers. We need to find words that will make our work shine above the rest, words that will catch readers attention and draw them into the story, words that will be unique and memorable.

The beginning of a story can serve many purposes, only one of which is giving us a place to start. The opening sentences of paragraphs also need to draw readers’ interest, stirring questions that will make them want to read further, but they can also introduce the characters or offer a senseof place and time with vivid descriptions of setting. All my life I’ve heard about how important the opening lines of a story are, but it never really took root until I compiled five short fiction anthologies over the past two years.

My regular readers will remember that I sat on the editorial team for the Gilded Glass anthology and compiled a volume of Weird Tales to earn my M.A. in publishing. For new readers, who don’t know the story, we had over 600 submissions to comb through for Gilded Glass, and toward the end of the initial readings, if the beginning didn’t grab me right away, it was gone. There were just too many submissions to waste time on ones that I couldn’t engage with from the very beginning. This was rather painful for me, believe it or not, because I knew there were probably some good stories in there that just needed to be reworked a bit to become gems, and I didn’t have the time, or energy to find them.

On the other side of things, there were so many really good stories submitted that there was no way we could include them all, so many of the stories I truly loved didn’t make it into the anthology, and I felt it was a shame to have to turn them all away, so I kept a list of stories that I had fallen in love with, and after the final selection for Gilded Glass were made, I invited each author to have their stories included in a WordCrafter Press anthology. Not all of the authors accepted my offer, but enough did that I had material for three anthologies, and Once Upon an Ever After, Refracted Reflections, and the Visions anthologies were born.

Although I’ve strayed a bit in telling you all this, my point was that many of the stories included in those three anthologies got there because they had beginnings that were good enough to make me continue reading. Let me share with you three of my favorite story beginnings from the Visions anthology.

“I followed the two men down the beach for over an hour before I realized they were kidnapping me. I noticed howm far we’d strayed when the sun touched its reflection on the Carribean horizon, forming a perfect figure eight that shot rays of gold in all directions. The failing light and my primitive camera meant an end to the day’s photo shoot, so I decided to let them take me.

Julie Jones – “Tourist Trap”

“Tourist Trap” is one of my favorites because it not only does a great job of giving me a sense of place with its setting description, but also leaves me with several questions, which now must be answered because my curiosity has been picqued. The nonchallant delivery of the words gives the impression that our character is not concerned by what most people would consider to be unusual, and maybe even alarming, circumstances. Why? Come on. Be honest. Now that you’ve read the above paragraph, don’t you just need to read more?

“He came toward her. His body moved lithely and confidentely, muscles rippling under tight-fitting jeans and white T-shirt. Thick, black hair covered his well-shaped head with its tawny skin and lightly stubbled jaw.

She peeped at his eyes. Those mysterious eyes she’d heard about. Her stomach dropped, lips numbed, and a strange ringing started in her ears.His eyes shone amber in the late afternon sun, like a predator before the kill. Even if she hadn’t known who and what he was, those awful eyes with their many sides like a diamond, would have filled her with terror.”

Roberta Eaton Cheadle – “The Bite”

This visceral opening comes from the winning story from the 2022 WordCrafter Short Fiction Contest, “The Bite”, which is feaatured in the anthology. It sets the tone for the story, while offering hints about the characters, and stirring up just enough questions to make readers want to know more. Cheadle describes some very unusual eyes, and hints that this character is more than what he appears to be here. Who is this guy?

“I was staring out across the darkness of space, ignoring my hunger and isolation, when an alarm blared, startling me out of my meditations. I pulled my thoughts from where they’d wandered, sinking once again into my real-time brain, just as I pulled in my two-dozen tentacles in toward my body. Instead of presenting a sprawling mass, I was now a streamlined bullet.”

Leah Cutter – “The Survivor”

The opening for “The Survivor” offers up a lot of information about the setting and situation, and enough about the character to make readers curious, and make them want to read more. Who is this lone character in space? Obviously not a human. Why is the alarm blaring? Has Cutter picqued your curiosity as much as she did mine?

It wouldn’t be fair to use the openings of others without taking a look at one of my own, so let’s take a look at my contribution to the Visions anthology, as well. My story was “If You’re Happy and You Know It”, which was originally published in The Collapsar Directive anthology, by Zombie Pirates Publishing in 2017. Give it a look and see if you think I did my job well with this opening.

“The way everyone was acting, you’d think it was a crime to be happy. And looking back, maybe it was, or at least, it might as well have been.

I think it started on a Saturday, or maybe a Sunday, so no one really noticed at first, including me. Everyone had recieved their regular allotment of S-Dopa for the weekend, so if they noticed anything, they would have assumed I’d just recieved a double dose, which didn’t happen often, but it did happen. On Monday however, when I sang along with the radio which ws always playing in the background at the computer factory as we slaved away everyday, the others gave me sidelong glances, as if, perhaps, I’d lost my mind.”

Kaye Lynne Booth – “If You’re Happy and You Know It”

You can hear an audio excerpt from this story here: https://youtu.be/2X-7XiL3uHg or you can purchase a copy of Visions here: https://books2read.com/u/49Lk28

Which beginnings make YOU want to keep reading? I invite you to share your favorite beginning in the comments below. It will make it more of a conversation, (as Joanna Penn says).

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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.


Writer’s Corner: Writing Communities & Tribes and more…

I often say that I am a one woman show at WordCrafter Press, and for the most part, that is true. I write stories and books, edit, publish and promote. But if I’ve learned only one thing throughout all of my writing and educational endeavors, it’s that there is just too much for a single person to handle it all. Especially when you are as over-ambitious as I am, and try to produce three different anthologies simultaneously.

One thing that I’ve found to be great about the independent author community is that most everyone is willing to extend a helping hand to others who are on the same journey, if perhaps at different points along the way. I have admired this in other authors whom I’ve met along my own journey, and aspired to do the same in my own writing endeavors. I do it by offering reviews on my blog, by doing author interviews, by running a newsletter swap group where members promote other members work in their newsletters, and by offering affordable editing and social media book promotion services.

A lot of this is just a way to pay it forward, and I’m a firm believer that it all comes back to me, in one way or another. Kevin J. Anderson refers to his writing community, which is growing with every cohort he takes in at Western Colorado University, his tribe. I was a part of that tribe and I guess I still am, although at a distance.

As I and my cohort members hang up our student hats and go back to our own individual writing lives, that network that we built during our course studies relaxes and becomes much more loosely knit, but I know they are all still there. Heck, I’m still in contact with most of the members of my original cohort, from my M.F.A., and some of those from my second emphasis cohort, too. Some drift away in time, but others have been, or will be, incorporated into my own tribe, the tribe that I’ve created right here, on Writing to be Read and social media channels. You, my friends, are a part of the writing community that I’ve created over a decade.

And that’s not a bad thing. This is the writing community which I have worked to build and create, and it’s filled with some really great people, who always seem to be there when I need them. (And hopefully, they can say the same about me.) Let me tell you a little bit about my tribe and the great people that make up my own writing network. if you’ve followed me for a time, you may know or recognize many of them.

First on the list is Robbie Cheadle, who puts out three different blog series on Writing to be Read, and coedits the Poetry Treasures anthology each year, is always willing to host tour stops for WordCrafter Book Blog Tours, and participates in WordCrafter Press anthologies and the resulting blog tours, and occasionally finds time to edit some of my works.

Next, is Jeff Bowles, who was in my second emphasis cohort. Jeff currently runs one blog series, but he has produced several others on the past, and he’s always willing to throw up a fill in post in a pinch. He has also participated in WordCrafter Press anthologies and the resulting blog tours, and in WordCrafter writing events.

Arthur Rosch has been a member of my blog team for many years, has participated in WordCrafter anthologies. D.L. Mullan has provided cover design services and helps with WordCrafter book events, and currently hosts tour stops and provides reviews for WordCrafter Book Blog Tours and has a story featured in the up coming Visions anthology.

Just as I depend on my blog team, WordCrafter Book Blog Tours couldn’t exists without my wonderful hosts: Miriam Hurdle, Patty Fletcher, Annette Rochelle Aben, Victoria Zigler, Carla Hicks, Barbara Spencer, James Cudney, and Jessica Bakers, in addition to those mentioned above.

My tribe is growing. I’ve recently added new friends, including Mark Leslie Lefebvre, who graciously joined in as a contributor for Ask the Authors 2022, and Sara Wesley McBride, who has two stories featured in the upcoming Visions anthology, and got her husband, Wes McBride, to design the fabulous new cover for it. And I am blessed with the opportunity to work with some truly talented authors with every anthology WordCrafter Press publishes, and every writing or book event WordCrafter hosts. And if you are a follower of Writing to be Read, or someone who pops in occassionally to see what content is offered here… You, dear readers, are all a part of my tribe, too. Without you, there wouldn’t be a blog.

So, you see, while my claim of being a one woman show is true in one sense, I really couldn’t do any of this without the members of my writing tribe. The world of the writers and authors is filled with marvelous writing communities from which we can all build and grow our own tribes.

Who’s in your tribe?

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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.


Writer’s Corner: Direct Selling on the Kickstarter Platform

Kickstarter seems to be the latest platform for direct sales of your books. They aren’t new to the scene, but they have changed considerably since they first made their appearance. (Look here if you’d like to see a 2012 guest post about Kickstarter by author Tim Baker when they were first starting up.) Up until recently, Kickstarter has been looked upon like a platform where you would go ask for money from people, similar to Go Fund Me, but with , the spectacularly successful campaign that Bryan Sanderson did recently, which everyone seems to be talking about, it looks like that impression may be changing.

Platforms like Kickstarter and Patreon form what Joanna Penn refers to as the “creator economy”, which is similar to what artists did during the Renaissance to survive. (You can listen to Joanna’s interview with Bryan Cohen, author of the Sell More Books Show podcast, on the subjects of Kickstarter and multiple streams of income on The Creative Penn, here.) Renaissance patrons would fund artists and support them so that they could survive while creating their art. Likewise, authors today cannot be expected to survive on just their book income. Most of us would truly starve if we tried to do that. According to Joanna, there are readers out there who are not only willing, but eager, to support your work, you just have to find them.

No. Today’s creators must have multiple streams of income, and many have day jobs to support them, only indulging their craft on a part time basis. Kickstarter provides a platform designed for creatives, including authors, where we can sell our creations directly to our reading audience without the middlemen distributors, such as Amazon, and by selling direct, we receive more than our 70%, allowed by Amazon, or whatever percentage we get from other distributors, but there are a few things we need to prepare for a successful Kickstarter campaign.

Make no mistake. Kickstarter is not a platform where you beg for money, as some may believe. It’s method of direct selling, and when you run a Kickstarter campaign, you have to put in the work for your money. I learned this by following the Kickstarter campaign of Kevin J. Anderson from the operations side of things.

As his student, I was allowed an inside look into the workings of a Kickstarter campaign, and a quite successful one, at that. KJA ran a Kickstarter to fund his latest Dan Shamble Zombie Detective novel, Double Booked. He showed us how to set up the project overview, set your overall campaign goal, set up with Stripe and attach to your bank account so you can get paid, create a video to tell people about your project, set up incentives for the different tiers and stretch goals, etc… Let me tell you, there is a lot of work involved.

Kevin also gave the whole Dan Shamble series eye-catching new covers, which are absolutely fabulous. Then, once the Kickstarter campaign had run its course, the author must make good on their promises and provide the deliverables. For Kevin’s campaign, that involved doing print runs and signing each print copy of the book and mailing them out to his supporters at the appropriate level, (he actually ended up hiring someone to mail them all out, there were so many), as well as following up to be sure each supporter fills out and returns their Kickstarter survey.

KJA’s overall goal was $2,000, which he exceeded. He started at the $5 level, which provided a digital copy of Double Booked. This was the lowest tier of support, so anyone who subscribed to the campaign, at any level, received this. The tiers went all the way up to the $10,000 crazy super fan level, where Kevin promises to narrate an audio book, which he did anyway, then offered as a $25 add on during the campaign. I don’t know how likely it would be for him to actually get a $10,000 crazy super fan to jump on the campaign bandwagon, but either way he narrates his own audio book, and either way he makes money. (You can see just how well KJA did with this Kickstarter here.)

Advice from the hosts of the Six Figure Author podcast (https://6figureauthors.com/ Episode 048 – July 23, 2020) was to never do a Kickstarter for something which you can’t fund on your own, in case you don’t meet your goal. Kevin had Double Booked written before he began the Kickstarter. He knew he could deliver all the rewards promised at every tier. Doing this assures that none of your supporters go away disappointed. Satisfied readers are what is important here, because satisfied readers come back for more. They also suggest setting a lower goal at first, as low as $500, so you’ll be more likely to be able to meet the goal, then raising the bar for subsequent campaigns, building gradually.

Kevin’s campaign was not as crazy successful as Bryan Sanderson’s, which ran right around the same time, but both are examples of how an author can use Kickstarter to sell their work directly to their readers and make decent money. (You can see how crazy successful Bryan Sanderson’s Kickstarter really was here.) Granted, not all authors are Kevin J. Anderson or Bryan Sanderson. While some followers come from the Kickstarter community, it does help to have an existing following, people who already love and admire your work. I think it also helps if you are an established author with a decent backlist, otherwise you would have to make all the rewards new works, which would be even more work for the author.

U.S.A. Today bestselling authors Russell P. Nohelty and Monica Leonelle coauthored Get Your Book Selling on Kickstarter, which talks about reasons to sell direct through Kickstarter, how to sell books on Kickstarter, how to budget and market your Kickstarter project, and more. This book takes you step by step through setting up your Kickstarter campaign, and even though I watched KJA do it, I must admit I was intimidated by the sheer number of steps which must be taken and the things which should be included, and of course, it helps to illustrate everything visually, which adds even more to do. It is really a bit overwhelming. This book reinforces the idea that while Kickstarter does have a community of followers who are looking for campaigns of interest to support, your chances of success will be much improved if you already have a flowing to bring with you to to the platform.

From the author side, there’s a lot involved, but from the supporter side, it’s pretty cool because you get all kinds of goodies. For my support, I received a digital copy of Double Booked, plus a new short story in the series, “Bump in the Night”. As well as stretch goal rewards of digital copies of Kevin J. Anderson’s Selected Stories: Fantasy; from his most popular epic space opera series, Saga of the Seven Suns: Two Short Novels; and a government mystery thriller which he coauthored with Doug Beason, PhD, Virtual Destruction. I’ll be posting reviews for all of these down the road, but there were so many that it’s going to take me a while to get through them. (For now, you can read my review of his Selected Stories: Science Fiction here: https://writingtoberead.com/2019/03/01/kevin-j-andersons-selected-stories-science-fiction-volume-2-a-must-read-for-science-fiction-fans/)

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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.


Writer’s Corner: What? I’m a business?

Often it seems like everybody wants to be an author, and with the rise of digital publishing and print-on-demand, everyone pretty much can. After all, all it takes to write a book is an idea for a story, a general idea of story structure, and a basic knowledge of grammar and punctuation, right? Well… yes and no, but that is a discussion for a different post. For our purposes, we’re talking about writers who have what it takes to become an author.

However, many authors don’t realize how many non-writing tasks are involved in being an author. Because we aren’t just writing books, we want to sell them, too. And as soon as we start doing that, we become a writing business. That’s right. And we have market and sell our books, pay for websites so fans can find us, find reviewers, engage with readers, as well as putting out a newsletter and other types of advertising to sell our books. And we must keep track of expenses and earnings so we can properly pay our taxes. Yep. Authors really are a business.

As soon as you write your first book, (or story, or poem), you’ve created what they call IP (Intellectual Property), and you are faced with deciding how you want to handle it. In the past, an author would pitch their book to an agent or editor in the hopes of landing a traditional publishing deal, and if they were fortunate enough to land one, then they would sign a contract giving some, or all, of their rights in exchange for royalties, possibly with an advance of reasonable size against future royalties.

Traditional publishing is a traditionally slow business, so then, the author would sit back and wait from two to five years for their book to be published and then, wait even longer until their royalties are enough to pay back their advance, before receiving royalty checks, generally about 15% of sales, twice a year. So you see, by traditional publishing methods, most authors really were starving artists. Add to this that many traditional publishers required you to sign away rights that they never had any intention of using, but they just wanted to cover all of their bases, and would only allow their authors to put out one book a year, and you can see why many authors assumed pen names in other genres just to try and make ends meet.

Fortunately, with the rise of independent publishing, all that changed. Now days, authors who are more prolific and can produce more than one book per year, can write and publish as many as they want. And they can also sell or maintain whichever rights they want to. Independent authors are now dealing directly with book distribution platforms, or they can choose to give an additional percentage to an aggregator, who then places their book on the various distribution platforms, but they still receive a bigger percentage of their royalties than traditionally published authors do.

As explained in Dean Wesley Smith’s Magic Bakery, the IP for your creations are your products, which you can give away or sell in any way you wish, as long as you maintain control of your rights and manage them smartly. That is how successful authors today manage to keep their backlists working for them.

The flip side of this, is that independent authors don’t have publishers to edit and hone their books to perfection (editing), provide a cover (cover design), or get reviews (business) and market their books (marketing and promotion) for them. (I wrote a post about the many hats an author must wear today back in October of 2016 here, but I really had no idea at that time.)

So, these are other skill sets today’s authors must have or learn, or hire out and pay someone else to do them. If they chose to hire them out, then these things become additional business expenses. (The bold emphasis is to reiterate that authors are indeed, a business.) While much of the paid advertising works with numbers and data, authors better brush up on their math skills or hire someone to keep their books and figure their taxes, too. And when you chose to become an author, there are no employers to provide health or dental or vision insurance. The author is responsible for providing these things for themselves as a self-employed entity, because they are a business.

I hate to keep driving on that point, but it’s one which keeps slapping me in the face. Just when I think I’ve done my homework well and gained all the necessary skills to be a successful author, there it is again. At first, I thought that all I’d need was English, grammar and storytelling abilities. One I’d earned an M.F.A. in Creative Writing, I found that I needed marketing skills to peddle my wares. With almost a B.A. in marketing, and a M.A. in publishing, it looks as if may need a degree in business, as well. ( Okay, maybe not a full degree, but general business knowledge and a good understanding of the publishing industry are needed, because… yep, you got it, you’re a business.)

As a business, authors need to act as professionals, and do what they can to keep up to date on industry news and changes on social media channels and digital platforms which you use on promotions and advertising.

Another thing that I have learned is that even bestselling authors with a large backlist, need multiple streams of income to make their writing business work. It is just good sense in the rapidly changing world of digital technology, where the owners of digital platforms you use for promotion and distribution can change the rules without notice, to not place all of your literary eggs in one basket. The rapid changes to digital industry also mean that there is an abundance of helpful digital tools out there to help you in your writing business. But then, that just means that I need to learn new skills (tech skills) so I can use them!

And to think, I just wanted to write stories.

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Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing and a M.A. in Publishing, writing is more than a passion. It’s a way of life. She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you.

Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing and a M.A. in Publishing, writing is more than a passion. It’s a way of life. She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you.

She has short stories featured in the following anthologies: The Collapsar Directive (“If You’re Happy and You Know It”); Relationship Add Vice (“The Devil Made Her Do It”); Nightmareland (“The Haunting in Carol’s Woods”); Whispers of the Past (“The Woman in the Water”); Spirits of the West (“Don’t Eat the Pickled Eggs”); and Where Spirits Linger (“The People Upstairs”). Her paranormal mystery novella, Hidden Secrets, and her short story collection, Last Call and Other Short Fiction, are both available in both digital and print editions at most of your favorite book distributors.

When not writing, she keeps up her author’s blog, Writing to be Read, where she posts reflections on her own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. In addition to creating her own very small publishing house in WordCrafter Press, she offers quality author services, such as editing, social media & book promotion, and online writing courses through WordCrafter Quality Writing & Author Services. As well as serving as judge for the Western Writers of America and sitting on the editorial team for Western State Colorado University and WordFire Press for the Gilded Glass anthology and editing Weird Tales: The Best of the Early Years 1926-27, under Kevin J. Anderson & Jonathan Maberry.

In her spare time, she is bird watching, or gardening, or just soaking up some of that Colorado sunshine.

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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.


Writer’s Corner: 6 Reasons I chose to go wide with my books

I chose to go wide with WordCrafter Press books. Let me tell you why.

  • Although many authors use KU to increase their income from their books, since page reads may be more of a metric than sales are, but the price may be too high. Going exclusive limits what you can do with your Intellectual Properties. So even though I’ve maintained my rights for a book, I can’t include that book in a story bundle or box set elsewhere, if it’s in KU. I can’t even sell the book direct from my own website. Likewise, audiobooks published with Audible must be exclusive for at least one year and can’t be published elsewhere, not even on my own website.
  • An author wants to reach as many potential readers as possible, increasing the chances of their book being discovered, so to me, it just makes sense to place your books with as many different book distributors as possible. This can be done on each individual platform directly, but the process is very time consuming, so an aggregator like Draft2Digital or Smashwords, (which have merged into one company), can be helpful in getting your book offered on multiple platforms.
  • There are some readers who just plain despise Amazon, feeling that they are a monopoly, pushing the smaller companies out, so they won’t buy from them. there are also folks who use readers other than Kindle. By publishing exclusive, authors are not reaching readers who can’t or won’t buy from Amazon or their partners.
  • Brick and mortar bookstores and libraries hate Amazon. And why shouldn’t they? Amazon is their biggest competitor. So, chances are, that if your book is only available on Amazon, you won’t be able to get these entities to even consider making your book available to their customers. If they check you out and see that you are advertising “Available on Amazon”, you aren’t going to make it through the doors. (That’s why I use the Books2Read links offered through D2D, where you can set it up so potential readers can find you on their favorite book distribution platform. Amazon is in there, but so are the other platforms like Kobo, Barnes & Noble, Apple Books, and Scribd, where my books are available.) Even if you have your books on multiple book distribution and library platforms, you still must put in the work to get availability in physical locations, which are excellent opportunities for discovery and gaining new readers.
  • It just doesn’t make sense to me to “put all my eggs in one basket”. By going exclusive with Amazon, I would be excluding a large portion of potential readers. Publishing with D2D places WordCrafter Press books with most of your favorite book distributors, including Barnes & Noble, Rakuten Kobo, Apple, Scribd, Amazon, Thalia, Indigo, Mondadori, and Vivlio, as well as Baker & Taylor, Overdrive and other library lists. Of course, being on the lists for libraries and bookstores don’t get your books into the brick and mortar establishments, you still have to work to build relationships with the real people who are found there, but without being on those lists, there isn’t any chance. And if I were to publish exclusive with Amazon those paths would be closed to me.
  • As Derek Sivers – author, musician, entrepreneur and publisher – says on the May 16, 2022 episode of The Creative Penn podcast, “De-centralization is good. Amazon should not be the only bookstore.” And Sivers suggests that the way to work toward the goal of de-centralization is by training readers to look for your books in other places; other bookstores, libraries, or even direct from the author’s website.

Wide vs. exclusive is an ongoing decision among independent authors. Amazon has become the monster conglomerate that they are, because they are doing all kinds of things right. Most of us are not as anti-Amazon as Sivers, who instructs to send potential readers “anywhere but Amazon”. I can see the value in including Amazon in my wide distribution. Just as it doesn’t make sense to me to go exclusive, neither does it make sense to me to exclude the biggest bookseller on the block.

The fact is, even though I don’t like the pedestal Amazon has raised itself up on, and I don’t like the fact that their TOS isn’t always in the author’s favor, I can’t deny that shopping on Amazon is easy and convenient. Also, I read digital books on a Kindle device, and I hate learning how to set up and use new devices, so Amazon is where I get most of my digital content.

Now that I’ve told you my strategy, you tell me yours. Do you choose to have your books wide or exclusive? Why? Tell me your thoughts in the comments. Let’s make this more of a discussion.

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Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing and a M.A. in Publishing, writing is more than a passion. It’s a way of life. She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you.

She has short stories featured in the following anthologies: The Collapsar Directive (“If You’re Happy and You Know It”); Relationship Add Vice (“The Devil Made Her Do It”); Nightmareland (“The Haunting in Carol’s Woods”); Whispers of the Past (“The Woman in the Water”); Spirits of the West (“Don’t Eat the Pickled Eggs”); and Where Spirits Linger (“The People Upstairs”). Her paranormal mystery novella, Hidden Secrets, and her short story collection, Last Call and Other Short Fiction, are both available in both digital and print editions at most of your favorite book distributors.

When not writing, she keeps up her author’s blog, Writing to be Read, where she posts reflections on her own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. In addition to creating her own very small publishing house in WordCrafter Press, she offers quality author services, such as editing, social media & book promotion, and online writing courses through WordCrafter Quality Writing & Author Services. As well as serving as judge for the Western Writers of America and sitting on the editorial team for Western State Colorado University and WordFire Press for the Gilded Glass anthology and editing Weird Tales: The Best of the Early Years 1926-27, under Kevin J. Anderson & Jonathan Maberry.

In her spare time, she is bird watching, or gardening, or just soaking up some of that Colorado sunshine.

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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.


Writer’s Corner: Where do I go from here?

I just finished up the spring semester at Western State Colorado University. We completed our class project, the Gilded Glass anthology, and.my solo project, Weird Tales: The Best of the Early Years 1926-27, which was quite the learning experience, but also a lot of fun. I’m looking forward to the summer residency, where we will finish up our degrees and do a massive book launch party for the Gilded Glass anthology, and for each of our solo projects at the end of July.

Here is the release schedule for our cohort. Some of them are already out there. I’ve included the pre-order links in case you are interested in purchasing new renditions of any of these classic works. I think we all had fun bringing them back to life. And check out those fantastic covers!

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Today, I was listening to the last podcast episode of the Six Figure Authors podcast, and they were discussing their future plans now that the podcast is ending, (much to my dismay), and it made me start thinking about where I want to go with my writing career now that we’re wrapping things up and this chapter of my life is coming to an end. At the end of this summer, I will once again be on my own in my writing career. I hadn’t thought about it before, but summer’s end brings with it not only the book release event and graduation, but also the loss of access to my mentors Kevin J. Anderson and Allyson Languierra and the support and advice of my wonderful cohorts, and I have no idea what 2023 will bring. I need a plan.

This year, I’m set, with the release of the Poetry Treasures 2: Relationships poetry anthology this last semester, the launch of Ask the Authors 2022 writing reference anthology currently under way, and three short fiction anthologies planned for later in the year: Once Upon an Ever After: Modern Fairy Tales & Folklore an (August); Refracted Reflections: Twisted Tales of Duality & Deception (September); and Visions (October). (Hmmm… It seems this is the year of anthologies for me.) But, I need a plan for what comes after that.

Hmmm… I’m revising Delilah to be a part of the Women in the West series with hopes of getting that out by the end of the year, but I keep adding ideas for the series, so I may wait to release until I have at least one more of the books ready to go, so that might be in the plan for next year, although it was originally a part of the plan for 2022. Also, I’ve been thinking a lot about my Playground of the Gods science fantasy series, and the first book is actually with a beta reader right now. But I’ve also been tossing the idea trying it as a serialization around. If anyone has experience on serialization, I’d love to hear your thoughts. Either way, those stories will be a part of the 2023 plan. In addition, I’ve been thinking on a time-travel romance adventure story that I started in 2021, “The Outlaw & the Rockstar”, and those characters have been teasing my brain, so I’ll probably add that to the 2023 agenda. That will give me between 2 and 5 releases of my own books for the year, which isn’t too bad if I can pull it off. Of course, I’ll also want to do an annual poetry anthology and the annual writing contest and anthology, so I can add two more book projects to the agenda.

I don’t think I will be lacking for projects once I’ve bade academia good-bye. In fact, I’m tired just thinking about the whirlwind schedule I just outlined. But you know, I think it will be worth it, if it can enable me to move my writing career to a full time level. The first thing you need to do if you want to sell books, is to write books, so I’m sitting pretty good on that plane. I’m working to revive my monthly newsletter, which I believe will be one of my most valuable marketing tools, and organizing a multi-genre newsletter swap group to help spread the word on releases. I’ve got good lists for possible reviewers built for all the anthologies planned for 2022, which will work for the annual anthologies, but will have to be created for my own books, and this blog is a book marketing tool, too. It’s a place where readers can come to learn about my latest projects, and my readership is growing, so I think I’m on the right track there.

Well…, would you look at that? Why was I worried? I have a plan…, and I think it’s a good one.

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Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing, writing is more than a passion. It’s a way of life. She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you. She has short stories featured in the following anthologies: The Collapsar Directive (“If You’re Happy and You Know It”); Relationship Add Vice (“The Devil Made Her Do It”); Nightmareland (“The Haunting in Carol’s Woods”); Whispers of the Past (“The Woman in the Water”); Spirits of the West (“Don’t Eat the Pickled Eggs”); and Where Spirits Linger (“The People Upstairs”). Her paranormal mystery novella, Hidden Secrets, and her short story collection, Last Call, are both available in both digital and print editions.

In her spare time, she keeps up her author’s blog, Writing to be Read, where she posts reflections on her own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. In addition to creating her own imprint in WordCrafter Press, she offers quality author services, such as editing, social media & book promotion, and online writing courses through WordCrafter Quality Writing & Author Services. When not writing or editing, she is bird watching, or hiking, or just soaking up some of that Colorado sunshine.

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Sign up for the Kaye Lynne Booth & WordCrafter Press Newsletter for and book event news for WordCrafter Press books, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of Kaye Lynne Booth’s paranormal mystery novella, Hidden Secrets, just for subscribing.


Writer’s Corner – Five reasons it makes perfect sense to become an independent author

Traditional publishing is fast becoming a dinosaur, being slow to adapt to the rapid technological changes which have arisen along side the rise of digital publishing within the industry. Independent authors and publishers have been flexible, creative and quick to adapt to digital technology which makes it possible for aspiring authors to test the waters without waiting around for years or even decades for traditional publishers to take notice and grace us with their attentions, while traditional publishers have been resistant to change, turning their noses up at self-published authors until their value as professional authors with the ability to produce books that sell by independent industry leaders like Hugh Howey, and been generally inflexible and unbending, continuing to follow publishing and marketing models which are no longer effective. The adaptions that they have made have been forced and have made the traditional publishing model even less appealing for authors.

  • Better Royalties: Royalties on traditional publishing which the author receives are usually around 15% of sales, while independently published authors receive anywhere from 30-70%, depending upon which platforms they choose to publish on. And don’t forget that independently published authors who go wide rather than exclusive can always sell direct from their site and make even more.
  • Negotiations: Traditional publishing contracts are awful and getting worse, according to Kristine Kathryn Rush, (https://kriswrites.com/2022/01/05/business-musings-contracts-traditional-publishing-the-year-in-review-4/). Deals may offer the author an advance, even this is not guaranteed anymore. And the ones that are offered are for lesser amounts than were previously offered in the past. Of course, traditional publishing deals have always been skewed in the publishers’ favor, and the book must earn back the advance before the author ever sees any additional royalties and an author whose book doesn’t sell well may never see any royalties past the initial advance. As Rusch points out, all things are negotiable and the publishing house no longer holds the reins. Smart independent authors manage their own Intellectual Property (IP), and they don’t EVER sign away all of their rights and leverage their writing to the author’s benefit.
  • Decrease in Publisher Responsibilities: While in the past, traditional publishers were willing to invest in the marketing and advertising of books, it seems they have grown more reluctant to do so in today’s book market. Even if you do manage to land a traditional publishing deal today, you may still need to take on a large part, if not all, of the marketing tasks to sell your book. So while it is true that indie authors have to spend a large portion of their time on administrative and promotional tasks, publishing traditionally does not guarantee that this will not be necessary.
  • Improved Product Availability: With the availability of ‘Print on Demand’ publishing, authors no longer need to make large expenditures on big print runs or make space to house vast numbers of book in their garage or basement, as was previously necessary with offset printing. Audiobooks are also becoming more affordable to produce with the rise of AI narration, which is now offered for free on Google Play Books. Lower prices and better availability of services for independent authors on a budget, make independent publishing an even better option than it has been in the past.
  • Control: Independently publishing puts the author in control. Of course, with control comes responsibilities. I won’t deny that indie authors must wear many hats; author, publisher, self-editor, marketer, and maybe even cover designer, as well as “The Boss”. One lesson I’ve been learning recently, is that I can’t do it all, and I am having to wear “The Boss” hat more and delegate some of the other tasks to those better suited to do them, so that I can have time to put into my own writing. Marketing is a matter of trial and error a lot of time, and changing the cover or the blurb can make a big difference in how well a book sells. Independent authors are “The Boss” and when they see their book isn’t selling as well as they think it might, they have the ability to go in and change the cover or the blurb and see if they can’t turn things around, while if with traditional publishers, they may have their work cut out for them convincing their publisher to change something up to see if it sells better.

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Kaye Lynne Booth lives, works and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing, writing is more than a passion. It’s a way of life. She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you. In her spare time, she keeps up her author’s blog, Writing to be Read, where she posts reflections on her own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. She is also the founder of WordCrafter Quality Writing & Author Services, providing editing, social media copywriting & book promotion, and online writing courses. When not engaged in writing activities, she is bird watching, or hiking, or just soaking up some of that Colorado sunshine.

Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribing to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.


Writer’s Corner: Lessons for submitting to short fiction markets

Writer’s Corner

Short fiction doesn’t sell well. – That’s what I keep hearing. Anthologies are hard sells. So why would you even write short fiction, if it is so difficult to sell?

What many authors need to realize, is that while an anthology may be harder to sell than a novel, when you have work featured in an anthology, it is a project involving many authors, each with their own following which they bring to the table, creating a much bigger marketing network than you would have for a novel. Being a part of an anthology expands your marketing reach exponentially by the number of authors involved, which could actually make the marketing and promotion of the anthology easier and allow marketing to a much larger audience.

For the past few months I’ve been exploring short fiction and short fiction markets from the other side of things, as I worked to compile two separate anthologies. My solo project for my masters in publishing is The Best of Weird Tales 1926-27, which meant reading twenty-four issues of Weird Tales and selecting what I felt were the best stories to represent the publication, then compiling them into a single collection. It had to be a careful selection process, because much of what was socially acceptable in 1926 & 27, is far from acceptable in 2021.

The other project required for my degree involves being on the editorial team for the Mirror, Mirror anthology. You may have seen the call for submissions posted here on writing to be Read back in July. And there’s a chance that you even submitted to it, since we had over 600 submissions. That’s a lot of short stories to read. But I learned some valuable lessons from the experience:

  • It pays to get your submission in early. The early submissions get fresh eyes and open mind. But those submitted closer to the deadline, are seen by eyes that are tired by minds that have read so-o-o many stories, many of which are similar in theme or concept, if you wrote to the submission guidelines.
  • Follow the submission guidelines. This experience drove home to me how important this one really is. Going into this, my instructor and mentor, Kevin J. Anderson drilled in the importance of following the submission guidelines and took great care to make them clear in the call for submissions. It called for proper manuscript formatting, something every author should be familiar with, but just in case, he also included a link to a site that defined and explained what proper manuscript formatting is, and still we got manuscripts that were not formatted properly. Toward the end, I know improperly formatted manuscripts got set aside without a full read, because it hurt my tired old eyes too much, so this is really an important one, but many authors just didn’t get it. Publishers don’t want to work with authors who cannot follow simple instructions and format their manuscript properly or follow the guidelines, because this hints that they might be a pain to work with.
  • Only submit a story that fits what the call is looking for. I was surprised how many stories we got that didn’t have a mirror in them at all; not even a compact for the character to check their make-up. Who sends a story without mirrors to an anthology titled Mirror, Mirror that requests a mirror be central to the story. I’m told that last year someone submitted Christmas cards for the call for submissions for Unmasked, last year’s anthology, which may evoke a chuckle when you hear it, but for editors overwhelmed with submissions, reading through a story that doesn’t even come close to meeting the guidelines or match the theme, it feels like a big waste of time. Editors have feelings, too. Be kind and only submit stories that meet the theme and guidelines, instead of trying to cram your story into a frame that doesn’t really match.
  • In today’s market, busy editors are looking for something that is close to being publishable as is, so be sure your manuscript is polished. I feel like I shouldn’t have to state this one, but with as many seemingly unedited submissions, I guess it needs to be said. I was expecting it toward the end, when authors were rushing to meet the deadline, but even early on there were manuscripts that were riddled with misspellings and typos. Many of these may have been good stories, some even written to guidelines, but they were passed by because they would have required too much editing to ready them for publication. It would have required more time than my class of student editors would be able to give. So, I strongly urge having another set of eyes give a critical look over all stories prior to submission. Turning in a clean manuscript will strengthen the chances of your submission being accepted, or at least read clear through for a fair evaluation.
  • Choosing favorites is much harder than I thought it would be. We were cautioned that last year’s anthology received over 500 submissions, with more than 100 received in the last week of submissions. Mirror, Mirror received over 600 and so many of them were truly excellent stories that choosing the few that we had the budget for was really difficult, especially since not everyone had the same favorites. In the end, we ended up with a heck of a selection of stories for this anthology. I think it will be great!

Although all of my personal favorites couldn’t be included, I did find a way to make 2022 a great year for anthologies at WordCrafter Press, with two by invitation only anthologies in addition to the annual short fiction contest and anthology. I gave you a sneak preview for the submission call for the annual anthology, which will be titled Visions, here. The official call for submissions will be posted in January, so stay tuned.

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Writer’s Corner: Launching a writing career

Writer’s Corner

Some beginning writers may have delusions of overnight success, but any seasoned writer will tell you that it usually doesn’t happen that way. There are instances where it has, of course, but in most cases, launching a career in writing requires time, money and a lot of hard work to be successful. Writers who have realistic expectations may start out writing part time and get a solid book marketing plan under them, through trial and error and lots of A/B testing to figure out what works and what doesn’t, before trying to take their writing career to a full-time level.

I’ve been working to get my writing career off the ground for over a decade, but I’m a D.I.Y. girl and most things that I try to do, I started out doing things backward. I started my writing career right here, on Writing to be Read in 2009. At the time, I had no idea what I wanted to write, but write I did. In 2012, when I didn’t have the huge following I had hoped for and undertaking a book length work seemed an insermountable hurdle, I decided I needed some help, so I enrolled in the graduate program at Western State Colorado University and by 2016, I had my M.F.A. in Creative Writing with a dual emphasis in genre fiction and screenwriting.

The Six Figure Authors Podcast offers the general advice for aspiring writers to pick a genre you’ve had some success with and stick with it until you are firmly established. Then if you feel the need to cross genres, you can probably venture into a new territory without risking everything. Because that’s what you’re doing when you cross over to a genre other than the one in which you already have established a fan base.

But here I am. To date, I have published a Western, Delilah; a collection of short stories, Last Call and Other Short Fiction, which is a mish-mash of genres: time-travel, vampire, origins, satire, etc…; and a paranormal mystery novella, Hidden Secrets. I also have published a number of short stories. My flash fiction horror story, “The Haunting of Carol’s Woods”, is featured in Dan Alatorre’s Nightmareland, and my futuristic science fiction story, “If You’re Happy and You Know It”, and my crime fiction love story, “The Devil Made Her Do It”, are each featured in The Collapsar Directive and Relationship Add Vice anthologies respectively, both published by Zombie Pirate Publishing, as well as a paranormal story in each of the three WordCrafter paranormal anthologies, Whispers of the Past, Spirits of the West, and our newest release, Where Spirits Linger. I even have published a nonfiction author’s reference, Ask the Authors, which arose from a blog series I ran right here on Writing to be Read.

I am ecclectic in my tastes, including music and reading, and thus the stories that percolate in my brain are also rather ecclectic. I don’t listen or read in any one genre. Why would I think up stories in only one? I don’t think I could write to market and be successful. And I’ve tried the writer for hire thing, too, but didn’t care for it. No one is saying you can’t be successful as a multi-genre author, but what all of this means is that my books are more difficult to market, because my target audience are splintered into multiple reader groups, so I have to be more creative in reaching an audience who will actually read what I write. And I have to research and know what I’m doing, because book marketing and advertising can get expensive, especially if you do all the A/B testing and stuff that you they say we need to do. Since it’s not feasible for me to stick with only one genre, I think figuring out how to attract readers for each of the genres that I write from a wider audience will be my biggest challenge.

I’m an author who listens to my characters and let’s the story unfold naturally. (I’m not really a pantser, although at one time I thought that I was. Now I find that I need to have a general idea of where my story is going and how it gets there, and a basic outline does that for me.) But the stories don’t all unfold in a single genre, and so I’ve become a multi-genre author, although that probably isn’t the fastest way to build a full-time writing career.

Readers here, followers of this blog, are the fan base that I have built over twelve years of blogging and I appreciate your support, in whatever fashion you choose to demonstrate it. I’m not sure what genre any of you read, or if any of you actually read my books, but you pop over and read my posts, regardless of the subject matter, and occasionally, some of you even comment. I really do appreciate that.

As you can see, I’m the kind of gal who decides what I want to do and plunges ahead, learning as I go. I’ve reached a point in my life where I not only want to write full-time, but I need to be a full-time writer. My love for the written word can be seen in everything I do. In addition to this blog, I’ve reported on local writing communities, attended and participated in writing fairs and conferences, hosted online writing events, created my own small press, and gone into student debt in order to become an expert on my craft. For me, writing truly is a passion and I need to do this as a career for my own mental health and well-being. In order to do that, I need to make some changes.

But, I write for the love of writing. It’s the reason that I put so much energy into this blog. I write to be read, and I’ve not monetized my blog, although I have recently had inquiries for advertising. I’ll need to research more before I make a decision on that front, but I don’t really want to monetize Writing to be Read. I like what I’ve built this site into, with the help of my wonderful Writing to be Read team members: Robbie Cheadle, Art Rosch and Jeff Bowles. I’m afraid if I monetize it, it will become something different, and perhaps unintended. I don’t want that.

That’s why I’m only making one small addition on this site and leaving the rest as is, to develop naturally into what it will become. I’m developing a plan that I can follow to transition into a full-time writer and continue this very slow launch of a writing career. I’ll keep you apprised of other upcoming changes, but for now, the only change here is a new “Buy me a tasty beverage” button in the sites top right-hand corner, where you can make a donation if you should choose to show your support for Writing to be Read in this manner.

If you do make a donation, know that it will be greatly appreciated. I’m glad that you enjoy the content here or find it helpful. Thank you all for being my readers.

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Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing, writing is more than a passion. It’s a way of life. She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you. She has short stories featured in the following anthologies: The Collapsar Directive (“If You’re Happy and You Know It”); Relationship Add Vice (“The Devil Made Her Do It”); Nightmareland (“The Haunting in Carol’s Woods”); Whispers of the Past (“The Woman in the Water”); and Spirits of the West (“Don’t Eat the Pickled Eggs”). Her western, Delilah, her paranormal mystery novella and her short story collection, Last Call, are all available in both digital and print editions.

On her authors’ blog, Writing to be Read, she posts reflections on her own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. She’s also the founder of WordCrafter. In addition to creating her own imprint in WordCrafter Press, she offers quality author services, such as editing, social media & book promotion, and online writing courses through WordCrafter Quality Writing & Author Services. When not writing or editing, she is bird watching, or hiking, or just soaking up some of that Colorado sunshine.

WordCrafter: https://kayebooth.wixsite.com/wordcrafter

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Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribing to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.