Writer’s Corner: Love it or Hate it, AI is here to stay

I’m not one to trust technology. I’m leery of devices such as Alexa, or Seri, or Google Assistant. Call me paranoid, but in the words of Rockwell, “I always feel like somebody’s watching me.” 👀But, seriously, how do these AI devices hear the trigger word and respond unless they are listening to us all the time. I know my Google Assistant on my phone responds to words spoken in casual conversation with someone, and often it responds to words spoken by the other person. It’s not even my voice and the trigger words were never spoken. Scary, I say.

But like it or not, AI isn’t going anywhere, and in fact, it is infiltrating more and more aspects of authors’ lives, slowly and quietly, or sometimes, not so slowly. We can have whole conversations with generative AI; it can write stories for us, create cover illustrations, and even narrate audiobooks. I’m smart enough to see that AI is here to stay, and so, I’ve done my best to adapt and find ways that AI can be used to my advantage as an author.

I have most of my own books available on Google Play Books as AI Narrated audiobooks. I’ve heard both sides of the argument for and against AI narration, so I’m aware, but I thought I’d give it a try. Those who are against it may not have so much to worry about as far as AI taking jobs from human narrators, since I haven’t sold even one, and they are free!

I’ve also used generative chat, specifically, Chat GPT, to help me visualize scenes I’m trying to write in places where I’ve never visited personally, or places I have visited, but not in the time period I’m writing about. And I’ve used covers that were created with the assistance of AI, (not by me, I’m not that artistic), and I hope to publish a special edition collection of my Women in the West series, with color illustrations created with AI assistance next year, when I’m finally ready to release the third book in the series, Marta. My stand on the issue is that it is fine, as long as I am transparent about it, as the author.

According to Ricardo Fayette, over at Reedsy, the next wave of generative AI technology is about to flow in, or rather, it’s already here. We’re talking about AI search, which is about to upheaval the way searches are conducted, and in specific, the way folks search for books.

It May Not All Be in the Metadata Anymore

By now, we all know how a keyword search works, and publishers, both traditional and independent, try to play to those searches, hoping to choose the right keywords in the metadata that will help readers to find our books. But, Ricardo Fayette claims that with the rise of AI search, that is all about to change. Instead of searching for keywords, AI search looks for a string of words which are related to those you search for, words that the AI search connects based on what’s been entered in your search, combined with what the AI knows about the reader. Already, we have advertisements pop up in our inbox related to earlier searches, (which is kind of scary, in itself), but AI search will combine all the information it has about the searcher, such as previous purchases, and combine it with words from the search box and others connected to those words, and search through all the available books which fit to give us more accurate search results in a fraction of the time it would take to do it manually.

If that’s confusing to you, you aren’t alone. That’s the best way I could describe it, but I’m not technologically inclined at all. Ricardo Fayette did a whole series of newsletters explaining all this. He claims generative AI searches are based on three things and he wrote a newsletter covering each one.

You can bet I’m going to be watching those Reedsy newsletters in the near future to see if he explains how to apply this knowledge to ensure our books have maximum visibility, but the way I’m understanding it, because of the personalization factor, two people could run the exact same search and come up with completely different results because each person has a different history, so I’m not sure where that leaves us. As it stands, it always feels like I’m playing catch-up when trying to get my books out there, so you can be sure I’m going to do everything I can to find out and then, jump on before it takes off without me.

About Kaye Lynne Booth

Author Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and book 1 in her Time-Travel Adventure series, The Rock Star & The Outlaw, as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource.

Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press, where she edits and publishes two short fiction anthologies and one poetry anthology every year amidst her many writing projects. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

_________________________________

Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

__________________________________

This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.


Review in Practice: “Get Your Book Selling Wide”

About Get Your Book Selling Wide

In this book, you’ll find:

  • The five main strategies for going wide in ebook and how authors decide
  • All the places you can go wide across multiple formats—print, ebook, audiobook, and more—and the benefits and downsides of each
  • The general strategies authors use to make money while having their books wide (and why they work or don’t work on various platforms)

This book also covers the book industry as a whole from the perspective of an independent author. It answers questions like:

  • What are the market factors that matter amongst some of the biggest players in the industry?
  • What devices are important to pay attention to and how do those affect the ebook, print, and audiobook markets?
  • How does global ecommerce play a role in shaping the future of the book industry?

This book is meant to be a detailed overview of what going wide really means as an independent career author.

Purchase Link: https://www.amazon.com/Get-Your-Book-Selling-Wide-ebook/dp/B0917BYZPV/

I received a copy of Get Your Book Selling Wide through an offer in author Monica Leonelle’s Newsletter. All opinions stated here are my own. One of the best things about this book though, is the fact that it is always permafree, which means you too can get a free copy at the purchase link above.

You can read my review of

I’ve often mentioned that I am a wide author, which means I publish WordCrafter Press books on as many platforms as possible, and in as many formats as I can. I’m not a fan of exclusivity. It doesn’t make much sense to me to put all my eggs in one basket. So, it will come as no surprise to most of you that this book would be of interest to me.

Monica Leonelle has put together a comprehensive volume that explains what it means to be a wide author, and goes over several of the marketing platforms, and the different formats in which your books can be offered, as well as different types of marketing strategies for the different formats.

I be looking particularly at the pricing and marketing strategies for my print books, which are areas where I feel I have been lacking. The book industry is changing quickly and for an author to survive and be noticed above the competition, the author mindset must adjust to those changes. Digital and print books are two different beasts when it comes to marketing, with different target audiences. It only makes sense that you must reach out to those audiences in different ways.

I was also interested to learn that the pricing strategy for traditionally published books does not work so well for independent authors. Leonelle claims that independently published print books need to be priced slightly higher than traditionally published books in order for authors to make a decent profit.

I found the information on pre-orders and the discussion about their durations to be useful. I’ll be taking Leonelle’s advice under consideration in the future. The timing of pre-orders is an area I have struggled with in the past. My release of Poetry Treasures 5: Simple Pleasures missed the pre-order altogether and was released early. Obviously, an area where I can hone my skills as I continue to try and get it right.

About Kaye Lynne Booth

Author Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw,as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

___________________

Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

___________________

This segment of “Review in Practice” is sponsored by the Time Travel Adventure Series and WordCrafter Press.

When a Girl with a Guitar Meets a Man with a Gun, It’s Time to Travel

The Rock Star & The Outlaw: https://www.amazon.com/Rock-Star-Outlaw-Time-Travel-Adventure-ebook/dp/B0CJBRRCN1/

The Rock Star & The Outlaw 2: Seeing Doubles: Coming in June, 2025


Writer’s Corner: Using Story Bundle to Sell Books

Caracature of a woman typing on a keyboard at a very messy desk. Text: Writer's Corner with Kaye Lynne Booth

As many of you may know, if you follow Writing to be Read, The D.I.Y. Author is included in the Novel Writing Story Bundle, organized by Kevin J. Anderson. But what you may not know is how useful Story Bundle is as a marketing tool. The fact is, it’s a great way to sell books.

This is the second Story Bundle in which I have had a book included. Back in 2022, Ask the Authors 2022 was included in the Writer’s Toolkit Story Bundle, also organized by KJA. That bundle sold quite well and WordCrafter and the contributing authors made a little bit of money from it. This year, the Novel Writing Story Bundle promises to do just as well, if not better, so I highly recommend it.

What is Story Bundle?

What Story Bundle is, is a platform that gathers together several authors with books in the bundle category, whether it is writing references, such as the two I’ve had books in, fantasy books, science fiction books, or romances, etc…, and they all get together virtually and cooperatively market and promote the whole bundle. This extend’s the reach of single authors immensely, and I can testify to the fact that their efforts are effective. By using the power of the masses, promotions are found on all of the social media sites, not just those of any one single author, and it gets your book in front of the readers of every author in the bundle. But I’m just an author with a couple of books in a couple of Story Bundles, and I’m still learning, too. So to give you all the details, I chatted with Story Bundle founder, Jason Chen, to let him tell you what Story Bundle is, how it works, and what the advantages are.

Interview with Jason Chen

Kaye: What inspired the idea for Story Bundle?

Jason: I started StoryBundle all the way back in 2012 because back then, the concept of bundling similar books in one package hadn’t been done yet! Selfishly, I wanted somebody to make bundles of similar books—if you like this book/author, then you’ll like all THESE—and because nobody had, then I saw the need for it. Also, in 2012, the indie authors were lacking for a place to reach more readers, which made it a perfect fit for letting folks discover authors they would have a hard time finding otherwise.

Kaye: Story Bundle uses the power of numbers, gathering many authors together and offering their books as a group, rather than individually. Could you explain the advantages of having a book included in a Story Bundle?

 Jason: Not only does being part of a StoryBundle get you in front of the StoryBundle fans, but the core concept is that it gets you readers from other authors who write in similar genres as you. Because all our bundles are curated, the books in them make sense together, which means that if you like one author in it, you’re more than likely to like another. So getting awareness of your books out to fans who already like the genre is a big plus.

Kaye: What determines whether a book is included in the original bundle for the minimum amount , or as a bonus book for a larger donation?

 Jason: There’s no secret to the sauce. The curator and I work together to make sure both the regular bundle and the bonus bundle are balanced for the amount that they cost. Sometimes an author will be in the bonus bundle and if they’re in another bundle, they’ll be in the regular bundle. It depends on what makes sense for that particular bundle.

Kaye: The Novel Writing Story Bundle is the second Story Bundle which I’ve been a part of, mainly because I am fortunate enough to know Kevin J. Anderson, who organizes the ones I’ve participated in. I know other big authors like Dean Wesley Smith and Kristine Katheryn Rusch organize them, too. But how do you get into a Story Bundle if you don’t know someone organizing one? Can you create your own?

 Jason: Yes! The only caveat we have is that (99% of the time) the bundles are curated by someone who’s been in a bundle before. Once you’ve been in a bundle, you understand what the bundle is about and what makes for a good bundle and what works for participating in a bundle. This way you know which authors to look for when you’re assembling one. You work with us to figure out a genre that you want, and we refine the idea and can help you get in touch with some other publishers if you need to.

Kaye: Both Story Bundles I’ve had books in are writing resource bundles. Can you make a story bundle of any genre?

Jason: Yes, any genre is fine, but to get a little inside baseball, there are a couple of genres that don’t do well on StoryBundle. The biggest one is romance, which for whatever reason doesn’t appeal to StoryBundle readers. But even more of a surprise is that romance authors’ own fans don’t really enjoy the bundling concept—at least on StoryBundle. We’ve tried all types of romance bundles in all varieties of flavors, but none of them ever have good uptake.

Kaye: Is there a cost to organize your own Story Bundle?

 Jason: There’s no cost to curating a bundle!

Kaye: Now I know why as an author, I might want to have my books in a story bundle. But why would readers wnat to buy books through Story Bundle? What are the benefits to readers in purchasing a Story Bundle?

Jason: As a reader, there are a few benefits. First, there’s just the core concept of vetting—we choose our books carefully with our curators, and they have to meet a certain bar of quality to get in. Of course, it’s impossible to guarantee that you’ll like all the books in the bundle, but if you already like one or two of the authors in it, you’re likely to enjoy the rest. 

There are other tangible benefits, such as getting DRM-free copies of books that you can load on any ereader, tablet or phone without having to worry about compatibility. You’ll also support indie authors and be able to donate to a worthy cause!

Kaye: Does every Story Bundle donate to charity?

Jason: Every bundle has a charity donation, but it’s up to each person if they want to donate part of their purchase to charity. If they don’t, that’s perfectly fine!

Kaye: What types of charities does Story Bundle support?

 Jason: We have a long list of charities that we’ve supported before, from literacy charities, animal charities, science and gaming charities, to health and medicine and worldwide refugee focused charities, so there’s no real limit to what can be a charity target for StoryBundle. If there’s a specific one that a curator would like to have in their bundle, we can make it work!

Would you like your book to be in a Story Bundle?

Now that I know what it takes to currate a Story Bundle, I’m thinking of trying one of my own, because I know that they sell books. Since I’m a multi-genre author, I could do western, women’s fiction, paranormal, science fiction, dark fiction, or children’s books. If you’re interested let me know and tell me what genre(s) you write in. Either let me know in the comments, or email me at KLBWordCrafter@gmail.com. Let’s see if we can get together and sell some books.

About the Novel Writing Story Bundle

The Novel Writing Story Bundle features writing references on writing craft, writing business, and the writing life, which should be on every author’s bookshelf. In addition to my own The D.I. Y. Author, which is a bonus book, there are also featured Dollar by Dollar and Word by Word, by Kerrie Flanagan; Romance Character Tropes, by Jessica Barber and Tara G. Ericson; Booking the Library, by Jessica Brawner; Kevin J. Anderson’s On Being a Dictator; Steps to Self-Editing, by Jana S. Brown; A Writer’s Guide to Branding Success, by Mark Leslie Lefabvre; Mood & Atmosphere, by Joshua Essoe; From Page to Platform, by Matty Dalrymple and M.L. Ronn; Wit & Wisdom, by Craig Martelle; Wulf Moon’s Illustrated Super Secrets of Writing, volume 1; Falling to Fly, by Todd Fahnestock; and a year’s subscription to Indie Author Magazine. That’s 13 writing references plus the magazine subscription. What a deal!

A note on the designated charity for this StoryBundle, the Neil Peart Brain Cancer Research Fund from Cedars Sinai. In 2020 we lost Neil Peart, legendary drummer and lyricist for the rock band Rush, to glioblastoma. He was my mentor, friend, and collaborator on numerous books, and his loss affected me deeply. Neil’s friends and colleagues and fans worldwide have contributed to this glioblastoma research fund in Neil’s name, and we are proud to add our efforts on this Novel Writing StoryBundle as well. – Kevin J. Anderson

You can get in on this great Story Bundle here: https://storybundle.com/writing

About Author Kaye Lynne Booth

Author Kaye Lynne Booth sitting on a rock in an Aspen grove.

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

______________________________________________

This post is sponsored by The D.I.Y. Author and WordCrafter Press.

Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two, being an author involves not only writing, but often, the publishing and marketing of the book.

In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.

Topics Include:

Becoming Prolific

Writing Tools

Outlining

Making Quality a Priority

Publishing Models & Trends

Marketing Your Book

Book Covers & Blurbs

Book Events—In Person & Virtual

And more…

Book Cover: Typewriter in front of bookshelf. Text on page: Write a Book, Format the Story, Publish the Manuscript, Crate an Outline, Create a Marketing Plan, Generate Reviews, Hide Under the Covers Cover Text: The D.I.Y. Author, Kaye Lynne Booth

Purchase your copy today: https://books2read.com/The-DIY-Author


Welcome to the D.I.Y. Author Release Party!

A room with book shelves and books stacked in background. Print copy of The D.I.Y. Author, champagne on ice and two glasses of champagne and balloons in foreground.
Text: Release Party

About the Book

Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two but being an author involves not only writing, but often, the publishing and marketing of the book.

In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.

Topics Include:

  • Becoming Prolific
  • Writing Tools
  • Outlining
  • Making Quality a Priority
  • Publishing Models & Trends
  • Marketing Your Book
  • Book Covers & Blurbs
  • Book Events—In Person & Virtual
  • And more…

Meet the Author

Author Kaye Lynne Booth

Greetings! Thank you so much for dropping by to help us celebrate the release of The D.I.Y. Author. You all know me as author Kaye Lynne Booth, but with the release of this book, I hope to be known as the D.I.Y. author. This is the book that only I could write, where I share knowledge and experience as I build my author business. This is not a book on craft, but a reference for authors and aspiring authors who wish to expand and grow their author business on a limited budget. Learn the tips and tricks, sites and tools, which took me over a decade, and three masters degrees to amass.

I’ve always been a do it yourself kind of gal. I’ve built my author business up around this blog, finding ways around obstacles which stood in my way, learning new skill sets because outsourcing was more than I could afford. My first novel was published by a small independent publisher. But as the five-year contract ran out, I felt I could do better through my own small independent publishing house, WordCrafter Press, so I re-published it as the first book in my Women in the West adventure series last year, and I sold more copies than that other publisher had over a five year stretch. I just released the second book in the series this month. When Covid struck, I organized and hosted two virtual writing conferences, because writers are tribal bunch, and we need contact with like minded people. Networking is a huge part of building an author business. I use that networking to build not only my author business, but my own author tribe. I’ve published my own books, and collaborative anthologies, as well as publishing books for others. And I’ve built a winning blog team here on Writing to be Read with Robbie Cheadle, Jeff Bowles, Arthur Rorsch, and DL Mullan.

No one else has shared in these exact same experiences that I have, and that’s why only I could write The D.I.Y. Author, and why I can hold that title. But enough about me. The D.I.Y. Author is a great reference packed full of links to sites and tools and tips for increasing productivity, publishing choices, and marketing your books.

We have a great release party ahead to send this book off right. We’ve got exclusive offers running this week only. After Saturday, the whole D.I.Y. store will disappear, so take advantage of them now. By buying direct, you are supporting this author and her works more than when you purchase from retailers.

My D.I.Y. Video

Author Video Introduction – Author Kaye Lynne Booth

On with the party!

Thanks for dropping by for The D.I.Y. Author virtual release party. We’ve got some great things planned, including a giveaway for all attendees, so be sure to leave a comment, so I’ll know you were here. I’ll be monitoring the comments throughout the day and will answer any questions you might want to post there. While you’re here you can peruse the D.I. Y. store below, for exclusive and discounted offers that you won’t find anywhere else. The store will come down at the end of the week. After that you’ll have to pay full price through retailers, and signed copies will no longer be available.

And if you are already a bestselling author and you don’t need this book or the WordCrafter services offered here, you can still offer your support for the author and this project by using the ‘buy me a soda’ button below.

Buy me a soda

Show your support for author Kaye Lynne Booth and her many endeavors through WordCrafter Press & Writing to be Read.

$1.00

You can get a sample of the topics in the book in my post,”Writer’s Corner: What it means to be an Indie Author”

Thanks for joining me today for The D.I.Y. Author Release Party. I hope you found a few useful tidbits here. For more tips and advice, you’ve got to buy the book. If you miss the window for the D.I.Y. Store, you can still purchase this useful writer’s reference here: https://books2read.com/The-DIY-Author


Writer’s Corner: Direct Selling on the Kickstarter Platform

Kickstarter seems to be the latest platform for direct sales of your books. They aren’t new to the scene, but they have changed considerably since they first made their appearance. (Look here if you’d like to see a 2012 guest post about Kickstarter by author Tim Baker when they were first starting up.) Up until recently, Kickstarter has been looked upon like a platform where you would go ask for money from people, similar to Go Fund Me, but with , the spectacularly successful campaign that Bryan Sanderson did recently, which everyone seems to be talking about, it looks like that impression may be changing.

Platforms like Kickstarter and Patreon form what Joanna Penn refers to as the “creator economy”, which is similar to what artists did during the Renaissance to survive. (You can listen to Joanna’s interview with Bryan Cohen, author of the Sell More Books Show podcast, on the subjects of Kickstarter and multiple streams of income on The Creative Penn, here.) Renaissance patrons would fund artists and support them so that they could survive while creating their art. Likewise, authors today cannot be expected to survive on just their book income. Most of us would truly starve if we tried to do that. According to Joanna, there are readers out there who are not only willing, but eager, to support your work, you just have to find them.

No. Today’s creators must have multiple streams of income, and many have day jobs to support them, only indulging their craft on a part time basis. Kickstarter provides a platform designed for creatives, including authors, where we can sell our creations directly to our reading audience without the middlemen distributors, such as Amazon, and by selling direct, we receive more than our 70%, allowed by Amazon, or whatever percentage we get from other distributors, but there are a few things we need to prepare for a successful Kickstarter campaign.

Make no mistake. Kickstarter is not a platform where you beg for money, as some may believe. It’s method of direct selling, and when you run a Kickstarter campaign, you have to put in the work for your money. I learned this by following the Kickstarter campaign of Kevin J. Anderson from the operations side of things.

As his student, I was allowed an inside look into the workings of a Kickstarter campaign, and a quite successful one, at that. KJA ran a Kickstarter to fund his latest Dan Shamble Zombie Detective novel, Double Booked. He showed us how to set up the project overview, set your overall campaign goal, set up with Stripe and attach to your bank account so you can get paid, create a video to tell people about your project, set up incentives for the different tiers and stretch goals, etc… Let me tell you, there is a lot of work involved.

Kevin also gave the whole Dan Shamble series eye-catching new covers, which are absolutely fabulous. Then, once the Kickstarter campaign had run its course, the author must make good on their promises and provide the deliverables. For Kevin’s campaign, that involved doing print runs and signing each print copy of the book and mailing them out to his supporters at the appropriate level, (he actually ended up hiring someone to mail them all out, there were so many), as well as following up to be sure each supporter fills out and returns their Kickstarter survey.

KJA’s overall goal was $2,000, which he exceeded. He started at the $5 level, which provided a digital copy of Double Booked. This was the lowest tier of support, so anyone who subscribed to the campaign, at any level, received this. The tiers went all the way up to the $10,000 crazy super fan level, where Kevin promises to narrate an audio book, which he did anyway, then offered as a $25 add on during the campaign. I don’t know how likely it would be for him to actually get a $10,000 crazy super fan to jump on the campaign bandwagon, but either way he narrates his own audio book, and either way he makes money. (You can see just how well KJA did with this Kickstarter here.)

Advice from the hosts of the Six Figure Author podcast (https://6figureauthors.com/ Episode 048 – July 23, 2020) was to never do a Kickstarter for something which you can’t fund on your own, in case you don’t meet your goal. Kevin had Double Booked written before he began the Kickstarter. He knew he could deliver all the rewards promised at every tier. Doing this assures that none of your supporters go away disappointed. Satisfied readers are what is important here, because satisfied readers come back for more. They also suggest setting a lower goal at first, as low as $500, so you’ll be more likely to be able to meet the goal, then raising the bar for subsequent campaigns, building gradually.

Kevin’s campaign was not as crazy successful as Bryan Sanderson’s, which ran right around the same time, but both are examples of how an author can use Kickstarter to sell their work directly to their readers and make decent money. (You can see how crazy successful Bryan Sanderson’s Kickstarter really was here.) Granted, not all authors are Kevin J. Anderson or Bryan Sanderson. While some followers come from the Kickstarter community, it does help to have an existing following, people who already love and admire your work. I think it also helps if you are an established author with a decent backlist, otherwise you would have to make all the rewards new works, which would be even more work for the author.

U.S.A. Today bestselling authors Russell P. Nohelty and Monica Leonelle coauthored Get Your Book Selling on Kickstarter, which talks about reasons to sell direct through Kickstarter, how to sell books on Kickstarter, how to budget and market your Kickstarter project, and more. This book takes you step by step through setting up your Kickstarter campaign, and even though I watched KJA do it, I must admit I was intimidated by the sheer number of steps which must be taken and the things which should be included, and of course, it helps to illustrate everything visually, which adds even more to do. It is really a bit overwhelming. This book reinforces the idea that while Kickstarter does have a community of followers who are looking for campaigns of interest to support, your chances of success will be much improved if you already have a flowing to bring with you to to the platform.

From the author side, there’s a lot involved, but from the supporter side, it’s pretty cool because you get all kinds of goodies. For my support, I received a digital copy of Double Booked, plus a new short story in the series, “Bump in the Night”. As well as stretch goal rewards of digital copies of Kevin J. Anderson’s Selected Stories: Fantasy; from his most popular epic space opera series, Saga of the Seven Suns: Two Short Novels; and a government mystery thriller which he coauthored with Doug Beason, PhD, Virtual Destruction. I’ll be posting reviews for all of these down the road, but there were so many that it’s going to take me a while to get through them. (For now, you can read my review of his Selected Stories: Science Fiction here: https://writingtoberead.com/2019/03/01/kevin-j-andersons-selected-stories-science-fiction-volume-2-a-must-read-for-science-fiction-fans/)

______________________________________________________

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

____________________________________________________________

Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.


Announcing the WordCrafter 2020 Stay in Place Virtual Writing Conference

SiP Header

We’re all tired of staying at home during this recent crisis. It seems like everyone has been affected in different ways, but no one has gone unscathed. Our world has changed in recent times. We, as authors and lovers of the written word had many of our in-person writing events – conferences, conventions, and book fairs – cancelled due to the appearance of COVID 19. To to emulate all those events we look forward to each year and are missing out on now, and to chase away some of the boredom of social distancing and isolation, WordCrafter presents the 2020 Stay in Place Virtual Writing Conference on Tuesday, April 28 from 8 am to 8 pm.

This is a unique event, the first of its kind, and one you won’t want to miss. Free presentations and author takeovers will be occurring on the Facebook event page, and interactive workshops and panel discussions will be offered for a minimal fee on the Zoom platform. Interactive panel discussions and workshop session can be accessed individually for $5, or an all access pass to all interactive sessions can be purchased for $50. Tickets can be purchased on the Facebook event page. Watch for your Facebook event invite from me or one of the many wonderful authors involved with this conference. Send me a message through my WordCrafter page or through the event page if you have further questions, or if you would like a half an hour author takeover spot to promote your own work.

This has been a huge undertaking to organize and set up an event such as this one, but I haven’t done it alone. Without my 22 talented presenters, this event couldn’t happen. We have a great line-up, with international bestselling science fiction and fantasy author Kevin J. Anderson presenting the keynote on the interactive platform.

Kevin J. Anderson

And that’s just the beginning. Take a look at the talent that has lined up for presentations, workshops and panel discussions.

Mario Acevedo

Award winning and national bestselling speculative fiction author Mario Acevedo will be offering a presentation – “The Power of Motivation: What Your Characters Do and Why”

Alatorre Bio

USA Today bestselling multi-genre author Dan Alatorre will be a member of the interactive book marketing panel discussion.

Chris Barili - B.T. Clearwater

Multi-genre author Chris Barili will be presenting “Writing in the Face of Adversity” and giving an interactive workshop on “Writing Across Genres”.

 

L.D. Colter - L. Deni Colter

Award winning fantasy author L.D. Colter will be offering a presentation on “Short Fiction”.

Candido Bio

World builder and speculative fiction author Kieth R.A. DeCandido will be offering an interactive workshop on “The Business of Writing” and he is the moderator for the media tie-in interactive panel discussion.

DeMarco Bio

Award winning novelist Guy Anthony De Marco will be a member on both the short fiction and world building interactive panel discussions.

Anthony Dobranski

Fantasy and science fiction author Anthony Dobranski will offer two presentaions, “How to Swim Upstream: Not being in the mainstream of your market/genre” and “Working with Others: How to direct others in a project”. In addition, he will offer two interactive workshops. “Business Class Tarot” and “The Savage Horror of Writing Back Cover Copy”.

Jason Henderson

Author for young readers, Jason Henderson will be presenting “Story Ideas and the Choices You Make” and moderating the interactive book marketing panel discussion.

Kevin Killiany

Media tie-in author Kevin Killiany will be a member on the interactive world building, media tie-in, and short fiction panel discussions.

L. Jagi Lamplighter

Award winning young adult fantasy author L. Jagi Lamplighter will be on the interactive panel on world building, and moderate the interactive short fiction interactive panel discussion.

Lawless Bio

Award-winning science fiction author J.R.H. Lawless will be a member of the book marketing interactive panel discussion.

Jonathan Maberry

Award winning and New York Times bestselling multi-genre author Jonathan Maberry will be a member on three interactive panel discussions: short fiction, world building and media tie-ins.

Bobby Nash

Award winning multi-genre author Bobby Nash will deliver a presentation on “The Importance of Promotion”, as well as being a member of both the media tie-in and book promotion panel discussions.

Nye Bio

Science fiction and fantasy author Jody Lynn Nye will offer a presentation on using humor in science fiction and fantasy writing, “Bringing the Funny: how to apply humor to your writing” and she will be a member of the world building interactive panel discussion.

Ellie Raine

Award winning fantasy author Ellie Raine will sit on both the short fiction and world building interactive panel discussions.

Art Rosch

Award winning multi-genre author Art Rosch will offer a presentation on “Creating Villains We Love to Hate”.

Sean Taylor

Award winning multi-genre author Sean Taylor will offer a presentation on “Visceral Story Beginnings”.

Vandenberg Bio

Science fiction author and marketing expert Alexi Vandenberg will be joining the book marketing panel.

Rosemerry Wahtola Trommer

Award winning poet and author Rosemerry Wahtola Trommer offers a livestream presentation “The Gateway to the Unknown: A Poetry Thought Shop”.

Rick Wilber

Author and educator Rick Wilber will be a member of the short fiction interactive panel discussion.

Dave Wolverton - David Farland

Award winning and New York Times bestselling science fiction and fantasy author Dave Wolverton/David Farland offers a”Promoting Your Book BIG” and he is a member of the interactive book marketing panel discussion.

You can find a full schedule here. I do hope all of you will join us for this unique writing event. It’s the first of its kind and we could be making history. You can be a part of it, too. Join us.


Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.

 


Writing for a YA Audience: Say Cheese

Writing for a Y.A. Audience

“Go on Instagram,” said my publisher.  “That’s where the teens are.  Post pictures of your books.  They’ll eat it up.”29740613_2086786601596966_6289468774466715648_n(1)

I was new to Instagram, but I called up the website on my computer and attempted to join, only to find out you have to post using the app on your cell phone.  That put a damper on things – I don’t have a smart phone.  My phone flips up, costs $100 a year, and it does everything I need it to (as in, it sometimes sends texts and usually makes a phone call).  My husband has a smart phone, so I download the app onto his device, put on a smile, and snapped a picture holding my book.  I didn’t look all that great.  I snapped a few more, and ended up just taking a picture of the book cover.  It got a few likes. They were from people who already knew me on Facebook.

29717428_168286363871924_8960488010768449536_n

I posted a few more covers and the likes trickled in, still from people who were already my friend.  It seemed I needed a new strategy.  I needed to attract people who didn’t already know me.  I took some pictures of just me doing cute poses or wearing cute outfits.  The same thing happened – the same people “liked” my pictures.  Next, I tried posting pictures of my cat.  That earned me more likes, and a couple new people.  While she is adorable, my goal for Instagram was to get my book out there.

30916522_197045127765566_4537825500197814272_n

I reached out to author friends for advice.  Based on their feedback, I started posting inspirational quotes and setting up my books in gorgeous spots.  I propped my book up on the porch.  I set the book in a bed of flowers.  I put the book on my actual bed.

I like to think I’ve gotten better at posing my book in different way.  The books are models and I’m their photographer.  A very poor photographer.  Likes and hearts trickle in, and now they’re coming from people I don’t know.  I’m getting there!

Jordan Elizabeth is a young adult fantasy author.  If you would like to follow her on Instagram, she goes by JayliaDarkness.  The username is a shout-out to the YA fantasy series she’s currently writing. 

You can connect with Jordan via her website, JordanElizabethBooks.com.

 

Want to be sure not to miss any of Jordan’s Writing for a YA Audience segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.


Social Media is for Making Connections

Pintrest

My husband always accused me of spending too much time ‘playing’ on Facebook, and although I do spend a lot of time on social media, what I’m really doing is promoting my writing and interacting with other authors and potential readers. The truth is, social media can be a valuable tool for authors, if they go about it with the right expectations.

Although I hear paid Facebook ads can drum up a few sales, but if we don’t want to spend a lot of money, we shouldn’t expect to sell a lot of books through social media. I know it doesn’t sound like it’s really very beneficial when you look at it from a sales perspective. But social media can be benificial if we use it to connect. Social media connects me with other authors and potential readers via several channels.

Dead Man's Party

On Halloween, I co-hosted the Dead Man’s Party event, together with DL Mullen of Sonoran Dawn Studios. Though I had participated in several such events, this was my first experience with the organization of one. It was also the first audio event I had ever heard of. We mixed things up a bit by having the participating authors provided readings of their works of paranormal and horror, intermixed with the regular promotional posts, silly party games and giveaways. I had recently reviewed Dark Visions, a horror anthology compiled and edited by Dan Alatorre, which had just been released, and with his help, I was able to recruit many of the authors of the stories from the anthology. It was a learning experience, as many of these authors had never published anything before,  or done an event such as this. I did many of the recordings and put together one video reading, as well as creating promotional posts for many of them. The whole thing was a lot of fun, drawing in over 1000 visitors I’m told. Overall, it was a success and a lot of fun, and I made many new friends and followers.

But, it was also a lot of work. The recordings took a lot of time to get them right, their were a few audio problems with the video presentation, and I made their promos like I do for my own work, with loving care. However, it was worth it all to get the experience and improve on my promotional skills, as well as in watching my number of followers grow. And one of my new author friends from the event will be joining the WtbR team as a contributing blogger to start the new year. The work I did also gave me some much needed samples of my promotional work, which I used to start my new Copywriting and PA Services page.

So you can see how this event benefited me greatly. Although I didn’t sell a single book, (the ones I gave away don’t count here), I did prosper from the event in many other ways. The message here is to social media to your advantage, but use it in the right ways and for the right reasons in order to avoid having your expectations left unfulfilled. But that’s how you have to approach social media promotion. The first word in social media is ‘social’. It’s there to make connections. That’s what we can expect to get from promotions on social media platforms. Promotion on social media can bring you authors to network with, or readers to build your platform. Any real book sales that you do get are just a nice bonus, but they cannot be expected.

I also gain followers through my Facebook pages. I currently have four pages. The primary page is my Kaye Lynne Booth – Author and Screenwriter page. I also have a page for Delilah – Kaye Lynne Booth, for news concerning both my published western and for book 2, Delilah the Homecoming which is still in the draft stages, as well as pages for two WIPs: my scince fantasy series, Playground for the Gods – Kaye Lynne Booth, and my memoir, His Name Was Michael – Kaye Lynne Booth. Through these pages I hope to gain followers who are interested in my writings. By building my platform, I hopefully gain readers who will buy my book.

I’m a member of a large number of author and book groups that allow promotional posts, as well as discussions. We should realize that most of the participants in these events like the one I spoke about above are other authors and the ‘book sales’ you get will be from giveaways. I use this to my advantage by making these connections my goal, instead of going about it with expectations of increased book sales. I spend my time on social media sharing promotions for my blog posts, responding to comments on my posts, sending out friend requests, and interacting. Through the new author friends that I make at these events, I’m able to find authors in need of interviews or book reviews for Writing to be Read, and my followers are growing through my efforts, as well.

So, I say that social media can be a useful tool if we set the right expectations and use social media the way it is meant to be used. Connections can be valuable to an author, especially a new author. We just have to see it’s value and find ways to use it to our benefit.

 

Like this post? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.


“How I Sold 80,000 Books”: Advice Every Author Should Know

How I Sold 80,000 Books

How I Sold 80,000 Books: Book Marketing for Authors (Self Publishing Through Amazon and Other Retailers), by Alinka Rutkowska offers authors valuable marketing tips coming from the business end of writing. Coming from a marketing background, Rutkowska shares tips on the art of successful book marketing, which might be applied to increase book sales and push the author’s name up on the bestseller’s listings.

Although the advice in How I Sold 80,000 Books is aimed mostly toward nonfiction works, Rutkowska claims it can easily be applied to works of fiction, too. The book takes readers through the author’s step-by-step marketing system, which she uses to sell her own books. She shares her secrets for producing a quality product that sells, talks about the best outlets through which to offer your books, discusses how to put the best price on your books, and effective ways to promote your books. Although every step may not be applicable by every author, they are all good, solid book marketing advice.

The valuable book marketing advice contained within may be why this book was a Readers’ Favorite Book Award winner, and why every author should add How I Sold 80,000 Books to their must read list. I will use much of the advice received from this book and I give it five quills.

five-quills3

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Social Media: What’s it good for?

Pintrest

I posted a link in my Writing to be Read Facebook group a couple of weeks ago. The article discussed the new changes made by Facebook which do not allow us to post promotional materials on personal Timelines. Under the new guidelines promotional posts are only allowed to be made on our Facebook Pages, which are designed to be set up for businesses. If you break the rules and make promotional posts on your Timeline, Facebook can ban you. This information caused quite a stir in my group, and I admit it caused me quite a bit of concern, as well. I came to the conclusion that, as with everything in life, we must learn to be flexible and accoodate change. I changed the title of my Kaye Lynne Booth Screenwriter page to Kaye Lynne Booth Author and Screenwriter and set my automatic posts from WordPress to post there instead of on my Timeline and hoped for the best.

One of the comments I received was a question toward one of the group members who was upset, viewing this as a ploy to force us to purchase paid advertising. The second member asked how using Facebook’s free advertising was going and asked if she had sold many books from it. While I don’t think this change prohibits making promotional posts as long as you make them through allowable channels, the conversation made me stop and think about what we authors are expecting to achieve through such posts.

Free promotion through social media is great. It offers us, as authors, an avenue to get the word out about our writing, without putting a dent on our wallets. For aspiring authors, who haven’t made it to fame and fortune yet, like myself, that’s great. But what results are we expecting?

If you’re thinking your book will rise to the top of the best seller lists, you’re dreaming. That’s not the way it works. The best seller lists, at least those on Amazon, work on algorithms, and if you’re only one of a smattering of books in a category, it may not take many book sales to place your book at the top of the list. Authors who write romance have it a lot tougher, because there are a whole slew of romances out there, a lot of competition, so even if your book is making sales, it may not be enough to launch you to the top because it’s based on the books which sell the most in that particular category.

Likewise, most of the folks who those promotional posts reach are other authors, not the people in your target audience. Authors may buy books, but basically they want the the same thing you do. They are out there to promote their own work. Social media isn’t designed to sell books, although their paid promotions may be quite effective, and anyone who is using free promotions to try and sell books, or anything else, may be sorely disappointed. Social media, my friends, is designed to promote connections, some of which may be quite valuable, but it’s not designed to sell merchandise, hence the word ‘social’. And that is what I get from my promotional efforts on Facebook and any other social media site I use. I grow my blog following and my email list. I find a few people who are willing to review my book. I meet people who can include me in their author services as an editor. I connect with artists who can create the book covers I need.  While many are fellow authors, I tap into that as well, offering them interviews or reviews here on Writing to be Read. They get some free exposure and I great content for my blog. It works out great.

That being said, I’ve come to the sobering realization that nothing is free, and I’m going to have to invest some of my hard earned money if I want to boost my book sales. While I can’t afford paid promotion on Facebook or Amazon right now, there are affordable promotions out there.

  • There are some affordable avenues of promotion out there. Most recently, I found a promotional site called I Like E Books, which has promotional packeages which range from free up to twenty dollars, which seems promising. They provide promotion on social media channels and other cool stuff, depending on which level od promotion you pay for.
  • Although not a promotional site, per se, Book Bub is great for featuring your books under your favorites, so folks can see that they are available. You can follow your favorite authors and hopefully gain some followers of your own. It doesn’t cost anything to join.
  • On All Author, you can have your book featured on their site for six months, with twitter promos, weekly mock-up banners, and review posting for a flat fee of $24.
  • It’s also free to sign up for PromoCave, which is a site for ongoing promotion via social media sites. It helps on this site to post content fairly regularly, since it will bring readers to your profile.
  • BMI Books is a global book marketing site where you can place and manage a book ad for free, although I’m unsure how this one works as yet.
  • You may also sign up for free on Write Globe, which has a nice book promotion platform as well as supporting other types of creativity. This site was listed as number one in a list of “Top 7 Websites for Book and Author Promotion” by Alwin Gnanaraj on LinkedIn.
  • Creative Designers & Writers is a free international classified site, where you can create and post an ad. It is supportive of other creatives as well and can serve as a platform for collaborative works with graphic designers and artists.
  • Books Online Best also allows you to post a free ad in addition to other author services, such as book trailers and author interviews. You can also create a freelance site here.

One day, I’ll be able to afford to play with the big boys. For now, I will be grateful for the benefits I can get from social media, but I will approach it with reasonable expectations, being grateful for every follower I gain and counting any book sales that comes from it as an extra added bonus.

Like this post? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.