Author’s Note: This was mistakenly published last Monday, along with the “WordCrafter News” post, so you may have already seen it. I’m re-publishing it on its scheduled day for those who may not have caught it on the earlier date. I’m not sure what happened, but please forgive the misposting.
I studied the craft of writing in the master’s program at Western State Colorado University from 2012-2016. At that time, the term ‘independent author’ left a bad taste in most author’s mouth. Times were rapidly changing in the publishing industry as independent publishing grew in popularity among authors who were tired of waiting to be discovered, which often took many years, and sometimes, not at all. But at that time, the term was associated with poorly written and cheaply manufactured books which were flooding the market by authors who not only wanted to bypass the gatekeepers of traditional publishing but also wanted to use independent publishing as a short cut, skipping over editing, as well, which in most cases, was badly needed.
As I said, things were rapidly changing in the publishing industry, and today, we’ve seen the ‘Big Five’ traditional publishers, dwindle down to the ‘Big Three’, as they struggle to try and keep up with those changes as independent authors take advantage of new technology which make it possible to publish themselves both cheaper and easier. With digital eBooks and aggregates like Draft2Digital, which use P.O.D. (Publish On Demand) for print books, there are no up-front costs to publish your work, and once everything is ready to publish, the whole process can be done in just a few hours. The rise of independent authors has forced traditional publishers to change and adapt, or become extinct.
The key word in ‘Independent Author’ is Independent. Independent authors don’t need to wait for someone to take interest in their work, but we must remember that this also makes us a business and we’re the boss, and we are solely responsible for the quality of the product we put out. Independent publishing should not be used as a short cut to avoid having your book edited, because in most cases, it’s pretty obvious.
That being said, many authors today chose independent publishing because of the control it gives them. Like I said, we are our own bosses. That means we can control the quality of our work, and everything else: title, cover, price, production, and promotion. Certainly, this was one of the main reasons that I chose to become an independent author after gaining a five-year contract for my first novel and finding that having a publisher wasn’t giving me any advantage in selling Delilah. The cover they had given me was not representative of the character or the story, and as far as I could tell, they provided little or no promotion. I began WordCrafter Press and started publishing collaborative projects long before that contract ran out, and when it did, I revised Delilah to be the first in my Women in the West series. I had to learn new skills to provide my own covers, and find people willing to edit my work in an exchange of services due to my limited budget, but when the book was re-released, I sold more copies a month than my publisher had in five years.
With my recent computer issues, I was glad that I had control of my work and the decision-making process. Because I had limited computer time and was writing in longhand and doing most of my publishing and promotional tasks on my phone, I wasn’t able to keep up with my promotion schedule and had to push back the publishing dates on my own work in order to keep my collaborative projects on schedule and as the boss and decision maker, I was able to do that. It was a tough decision. I have the second book in my Time Travel series near ready to publish, and although I’ve outlined the third book in the Women in the West Adventure series, I’ve not yet begun to write it. Both of these books may need to be pushed back so far as to be added to next year’s production schedule, but I’m thankful for the freedom to do so. Had I been working with traditional publishers, my deadlines would have been set in stone, and I would not have been able to make them.
Just as the child who can’t wait to grow up soon learns that growing up means taking responsibility for one’s self, so the independent author is also responsible for creating and presenting their own work to the world. Hopefully, we all want that to be the best work that it can possibly be, and we will take the proper steps to ensure that it is, making the best decisions possible for our work. With freedom, comes responsibility, so use both wisely in your author journey.
Until next month,
Happy Writing!
About Kaye Lynne Booth
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw,as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource.
Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This segment of “Writer’s Corner” is sponsored by theRobbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.
Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two but being an author involves not only writing, but often, the publishing and marketing of the book.
In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.
Topics Include:
Becoming Prolific
Writing Tools
Outlining
Making Quality a Priority
Publishing Models & Trends
Marketing Your Book
Book Covers & Blurbs
Book Events—In Person & Virtual
And more…
Meet the Author
Greetings! Thank you so much for dropping by to help us celebrate the release of The D.I.Y. Author. You all know me as author Kaye Lynne Booth, but with the release of this book, I hope to be known as the D.I.Y. author. This is the book that only I could write, where I share knowledge and experience as I build my author business. This is not a book on craft, but a reference for authors and aspiring authors who wish to expand and grow their author business on a limited budget. Learn the tips and tricks, sites and tools, which took me over a decade, and three masters degrees to amass.
I’ve always been a do it yourself kind of gal. I’ve built my author business up around this blog, finding ways around obstacles which stood in my way, learning new skill sets because outsourcing was more than I could afford. My first novel was published by a small independent publisher. But as the five-year contract ran out, I felt I could do better through my own small independent publishing house, WordCrafter Press, so I re-published it as the first book in my Women in the West adventure series last year, and I sold more copies than that other publisher had over a five year stretch. I just released the second book in the series this month. When Covid struck, I organized and hosted two virtual writing conferences, because writers are tribal bunch, and we need contact with like minded people. Networking is a huge part of building an author business. I use that networking to build not only my author business, but my own author tribe. I’ve published my own books, and collaborative anthologies, as well as publishing books for others. And I’ve built a winning blog team here on Writing to be Read with Robbie Cheadle, Jeff Bowles, Arthur Rorsch, and DL Mullan.
No one else has shared in these exact same experiences that I have, and that’s why only I could write The D.I.Y. Author, and why I can hold that title. But enough about me. The D.I.Y. Author is a great reference packed full of links to sites and tools and tips for increasing productivity, publishing choices, and marketing your books.
We have a great release party ahead to send this book off right. We’ve got exclusive offers running this week only. After Saturday, the whole D.I.Y. store will disappear, so take advantage of them now. By buying direct, you are supporting this author and her works more than when you purchase from retailers.
My D.I.Y. Video
Author Video Introduction – Author Kaye Lynne Booth
On with the party!
Thanks for dropping by for The D.I.Y. Author virtual release party. We’ve got some great things planned, including a giveaway for all attendees, so be sure to leave a comment, so I’ll know you were here. I’ll be monitoring the comments throughout the day and will answer any questions you might want to post there. While you’re here you can peruse the D.I. Y. store below, for exclusive and discounted offers that you won’t find anywhere else. The store will come down at the end of the week. After that you’ll have to pay full price through retailers, and signed copies will no longer be available.
And if you are already a bestselling author and you don’t need this book or the WordCrafter services offered here, you can still offer your support for the author and this project by using the ‘buy me a soda’ button below.
Buy me a soda
Show your support for author Kaye Lynne Booth and her many endeavors through WordCrafter Press & Writing to be Read.
Thanks for joining me today for The D.I.Y. Author Release Party. I hope you found a few useful tidbits here. For more tips and advice, you’ve got to buy the book. If you miss the window for the D.I.Y. Store, you can still purchase this useful writer’s reference here: https://books2read.com/The-DIY-Author
Many of you know me, but for those who don’t, I’m author Kaye Lynne Booth. Through Writing to be Read and WordCrafter, I’ve been able to do some pretty cool things, WordCrafter Book Blog Tours, the annual short fiction contest, and the annual short fiction and poetry anthologies published by WordCrafter Press. But along with that comes the operational costs and the annual fee for this blog and domain name will be due in July, and I have discovered that I’m not making enough writing full-time to cover everything. So I got to thinking about other ways that this blog could start paying off, as I struggle to make all of this work.
I got an idea from watching what is working for one of my fellow authors, Patty Fletcher. She produces a sponsored newsletter, which seems to get the desired result. You may know that newsletters are not my strong point, especially if you are already a member of my readers group. Sorry about that guys and gals who are signed up. I promise to try to do better in the future.
I’ve decided to take on book related sponsors only for Writing to be Read. Sponsors will have a mention in the post of your choice, or for a little more you can have a full color ad for your book. Prices can be found on the new Sponsorship page which will be up soon.
So if you follow Writing to be Read and you like the content you find here and find it to be of value, or if you have contributed to or enjoyed any of the annual anthologies published by WordCrafter Press, please consider advertising your work here and becoming a sponsor, and contact me at KLBWordCrafter@gmail.com. I will have sponsor page up soon.
The D.I.Y. Author
Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two but being an author involves not only writing, but often, the publishing and marketing of the book.In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.
This writer’s reference is must have for upcoming authors aspiring to build an author business and sell books. The D.I.Y. Author releases on June 4th, 2024, but it’s available for pre-order now at the purchase link above. It contains tips and advice on building an author business, from learning to be prolific, to publishing, to marketing and promoting your book.
I’m also hosting a virtual release party right here on Writing to be Read to give this book a proper send off into the world, and I hope you will come and join me. There will be exclusive offers available just for the event, where you can purchase them direct from the author: discounted eBooks, signed print copies, and discounted author services from WordCrafter. So, drop by on the 4th and join in the fun as we launch The D.I.Y. Author.
Here’s the link for the release party but it won’t work until the party goes live on Tuesday morning, June 4th: https://writingtoberead.com/?p=33911
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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
When I was a kid, my mom and my grandmother would pile into the car, and we’d drive to the mall, and we’d spend the afternoon going from one store to the next, carefully making our shopping selections. I remember how my mother would pick up items and carefully examine the packaging to be sure she had the correct item that she wanted or needed, before making the final purchase.
A lot has changed since then. The rise of the internet turned the whole shopping experience upside-down with the birth of online shopping. And then, COVID came along and even those resistant rebels, who enjoyed holding possible purchases in their hands and analyzing the packaging to determine whether or not to buy it were forced to shop online, or go without.
The Cover is the Packaging
As authors, we are faced with similar dilimmas. We write books, and the covers are the packaging. The cover is the first thing a potential reader sees, and if it doesn’t immediately grab their attention, there is a whole slew of other books out there to choose from, and they’re gone. Many readers still enjoy the feel of a physical book in their hands, that will never change, but digital readers judge books by their covers, too, because an image of the cover is the first thing any of us see, whether online or in a brick-and-mortar stores. And just like those in person, physical shoppers who hold and feel the product, read the label, and check out the packaging, readers look over the cover, read the blurb and back cover copy, maybe even take a quick peek inside, before deciding whether or not this book is for them.
When I was listening to the 6 Figure Author podcast with Lindsay Buroker, Joe Lollal, and Andrea Pearson, there was one piece of advice which I heard over and over consistently. If your book isn’t selling look at the cover and the back cover copy first. That is probably where you will find the problem. And they’re right.
We don’t have the space here to talk about the back cover copy. That subject is deserving of a post of its own. In fact, I did last year. If you want to start exploring back cover copy, see my “Review in Practice” here.
What Makes a Good Cover?
More advice given by the 6 Figure Author crew: Go onto Amazon and take a look at the top selling books in your genre. This will give you an idea of what kind of covers are expected in the genre. This is good advice, but what it means, is that a good cover for one genre will not be good for another. As a multi-genre author, this was important to know.
I think a cover should be representative of the story it represents, not only the genre on which the story falls. While a good cover needs to meet genre representation and follow the laws of good cover design, a good cover also contains elements of the story itself in its composition. I’ve developed this belief over time from my own experiences, as I’ve learned to design my own covers. Here is where I add my disclaimer that I am not a professional cover designer. (Of course, when you see my covers, you could probably guess that.) Everything I’ve learned about cover design, I’ve picked up on my own. I’ve had no formal training.
To show you what I mean, let’s take a look at the early covers for Delilah.
Cover 1
This is the cover my publisher wanted to give Delilah. The text is stiff and rigid, but my story is a western adventure with action and movement. I was hoping for something a little more fluid.
Anyone who has read the book would take one look and know that isn’t Delilah. This is a contemporary cowgirl. Note the modern jean jacket and hoop earings.
As covers go, the design isn’t bad, but it does not represent the story inside. As a first time author, I knew I didn’t want to publish my book with this cover, so I hustled to come up with a cover at the last minute.
Cover 2
A friend offered to come up with a cover for me on the fly. What did I want it to look like? I had no idea what I wanted. What should a western cover look like? I gave her some vague instructions. Unsure of what I needed myself. This is the cover she produced for me.
The title is much more fluid and I liked that. It offered a feminine touch that said female protagonist, yet was still bold and active, sort of like my character.
The cover image was vague, possibly due to the vague instructions my friend had been given, and I had several people see it and claim they couldn’t tell what it was. I thought it was obviously a horse, representative of the western genre, and perhaps of Delilah’s horse, which becomes sort of a supporting character in the story.
So, this cover was kind of representative of the story, I liked the text better, and it would do in a pinch. I felt the publisher’s cover to be very misleading, and as a reader I would have been surprised when I found that it didn’t match the story, or more likely, I would never even pick it up because the cover does not represent a historic western, and I don’t read a lot of contemporary.
Cover 3
Eventually, I tried my hand at creating my own cover. This was my first attempt. This cover was representative of the story and it had elements which were actually part of the story. It has both prison gates and a hangman’s noose in the background.
But the text isn’t large enough. Both the title and the author’s name should stand out more. Something I learned from Allyson Langueira of WMG Publishing was that you should be able to read the title and author name in a thumbnail. It’s got to look good small. So my text definitely needed to be bigger.
The sillohuette stood out too much in the black & white version, so I added that putrid yellow, thinking of sunlight, just to give it some color. And my sillohuette isn’t doing much of anything. Better, but not great.
I will say my publisher was pretty gracious about switching covers for me. This was the third cover switch for this book, but it wasn’t selling, and the cover was the only thing I had control over that might help. This cover was better than the covers Delilah had had so far, but I had to admit it was not the ideal cover for the book.
We were coming to the end of my five year contract with the publisher, and Delilah had not done well in the sales department. I decided not to renew my contract, as I felt I could do better with it myself. Although the publisher claimed to have done promos, I never saw them. If Delilah was going to do well, I was going to have to promote it myself.
Final Cover
Almost a year later, a revised Delilah, closer to the original I had intended, was released as a part of the Women in the West adventure series. This is the cover I designed for the re-released edition.
The fluidity of the text and the illusion of a moving horse indicate movement. This Delilah is not stagnant, but on the move. She busting out of those prison gates and moving away from that noose fast. In this way, the cover almost tells a summary of the story for me.
The bars have been faded back in this version, so the cover doesn’t look too busy. The woman looks a little bit like a contemporary cowgirl, but not as much as the publisher’s cover did.
Was it the Cover?
In January, I ran a Kickstarter campaign for Delilah and the Women in the West adventure series, which funded, so apparently, I do have a few die hard fans and/or friends out there. During that thirty-day campaign, I sold more copies of Delilah than my publisher managed to do over the period of my five year contract. That doesn’t count copies that sold after the release through distributors, as a result of the book blog tour and other promotinal efforts. It’s not like Delilah became an overnight bestseller, but I do find it curious that in only a few months, this edition of the book has outsold what all of the others did across a five year period. There are other things that could have been the cause of these results, like the new back cover copy, or my extended promotional efforts. So, was it the cover? What do you think?
Covers for the Series
At the time when the Kickstarter ran, I had been playing with the cover for Sarah a little bit, but I had to throw together a cover for the third book, Marta; a story for which I only had a vague concept for, so I only had a very rough draft of a cover to display for the Kickstarter campaign.
I said that part of the money raised in the Kickstarter, would go to redesign the covers for the series. I had two different cover designers, who both stepped down due to personal issues, but I found a cover designer friend who was willing to offer some pointers, so I ended up redesigning them myself. Here is the final result. I think you’ll agree that these covers are much better and I feel that they feel like they go together, and each seems to represent the series brand.
A Word of Thanks
The timing for this post is syncronistic, for as it posts Delilah has been nominated in the 2023 Connections eMagazine’s Reader’s Choice Awards! It looks like Delilah has finished in the top 10 with 85 votes. Considering the contest began on July 25th, and I didn’t find out Delilah had been nominated until the 29th to try and rally support, I think that’s pretty good. I want to thank all of you who did your part and voted for Delilah, some of you several times, since you clould cast your vote once a day. I also want to thank whoever it was that nominated my book. This was the first time I’d ever been involved in such a contest, and it was very exciting, so my thanks for this are huge. I don’t know who you are, but I love you.
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; and book 1 of her Women in the West adventure series, Delilah. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
I’m pleased to announce the release of my debut poetry collection, Small Wonders: Reflective Poems, which will be June 20, and is available for pre-order at the purchase link below. A lifetime of poetry, for better or worse, I’m throwing them out there for all to see.
About Small Wonders: Reflective Poems
The world is filled with amazing things, if we will just stop a moment and take notice. In this vast universe, we are but tiny individuals, filled with awe and amazement. From reflections on first love, to reflections on growing old. The poems within these pages express a lifetime of unique reflections in Small Wonders.
The WordCrafter Small Wonders Book Blog Tour is scheduled for June 19 – 23.
Join us to learn more about this unique poetry collection and its author, Kaye Lynne Booth. I will be sharing here on Writing to be Read, and visiting the lovely blogs of Robbie’s Inspiration, Un dawnted, and Carla Loves to Read, with guest posts and poetry readings, an interview with DL Mullan, and reviews of my debut poetry collection. And I’ll be giving away three digital copies of Small Wonders, and all you have to do for a chance to win, is show up and comment at any of the stops. There’s one chance possible at each stop if you follow the tour.
Midnight Roost Winning Story & Cover Reveal
The 2023 WordCrafter anthology, Midnight Roost: Weird and Creepy Stories, will be scheduled for an October release. This year we did the anthology like last year’s Visions anthology, with some of the stories coming from the annual short fiction contest and others that came by invitation and were not subject to the competition. Invitational stories include tales by Mario Acevedo, Paul Kane, Chris Barili, Roberta Eaton Cheadle, Christa Planko, Julie Jones, Rebecca M. Senese, Keith J. Hoskins, Michaele Jordan, Joseph Carrabis, DL Mullan, and Patty Fletcher.
There will be some new author names added to the list from the entries that were judged: Robert Kostanczuk, Denise Aparo, Sonia Pipkin, and MJ Mallon. And now…
The Winning Story
I am pleased to announce that the winning story in the 2023 WordCrafter Short Fiction Contest is…
Drumroll please.
“Red Door House”, by Isabel Grey.
The Cover Reveal
And before I go on to the next June news item, I would also like to call your attention to our awesome new and original cover, courtesy of DL Mullan of Sonoran Dawn Studios, below. I had a cover planned for this anthology, but when Dawn offered up this one, I just couldn’t say no. I really like it, and I hope you do, too.
WIP Update: The Rock Star & The Outlaw
In June, I plan to finish up The Rock Star & The Outlaw and gear up for a Kickstarter campaign in July & August. I’ll be setting up the Kickstarter with some awesome reward teirs and creating content to fill those tiers, so you know I will be hard at work. If all goes as planned, I will be wrapping up the final edits and setting it up for a September release by the end of the month. I’m excited to able to share this western time-travel romance adventure novel with all of you, so be watching for it soon.
A time-traveler oversteps his boundaries in 1887. Things get out of hand quickly, and he is hanged, setting in motion a series of events from which there’s no turning back.
LeRoy McAllister is a reluctant outlaw running from a posse with nowhere to go except to the future.
Amaryllis Sanchez is a thrill-seeking rock star on the fast track, who killed her dealing boyfriend to save herself. Now, she’s running from the law and his drug stealing flunkies, and nowhere is safe.
LeRoy falls hard for the rock star, thinking he can save her by taking her back with him. But when they arrive in 1887, things turn crazy fast, and soon they’re running from both the outlaws and the posse, in peril once more.
They can’t go back to the future, so it looks like they’re stuck in the past. But either when, they must face forces that would either lock them up or see them dead.
Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
Before we begin to look forward to the coming year, we must first look back to assess the successes and failures of the past year. It’s been a busy year, and we’ve accomplished much
For WordCrafter Press, we published 5 books in 2022.
In April, we releasedPoetry Treasures 2: Relationships, with an eight day blog tour, which did well enough that I’m looking forward to the release of Poetry Treasures 3 next year. Robbie Cheadle hasn’t shared with me what the theme will be for 2023, but I’m sure it will be a good one.
In May, we released Ask the Authors 2022: Writing Reference Anthology, with a ten week long blog promotion series. Seven of the contributing authors for this book, including me, editor Kaye Lynne Booth got together for a round table discussion on the Stark Reflections Podcast to share writing wisdom and promote the book, here. And it is still available in Kevin J. Anderson’s Writing Career Toolkit Bundle, which you can purchase here. The bundle is only available until December 1, so be sure to grab one while you can.
In July, I graduated from the Master’s program at Western State Colorado University with an M.A. in publishing, and I saw the publication of both my student projects, Gilded Glass: Twisted Myths & Shattered Fairy Tales, which I was on the editorial team for, and Weird Tales: Best of the Early Years 1926-27, which I compiled & edited with Weird Tales editor and award winning author, Jonathan Maberry.
In August, WordCrafter Press published the first of three short fiction anthologies,Once Upon an Ever After: Modern Myths & Fairy Tales, with a six day blog tour and giveaway. Featuring contemporary stories in the classic fairy tale tradition which I handpicked.myself, to create an exceptional by-invitation-only fantasy anthology. This anthology has been our biggest seller in 2022.
October was a big month, with the release of Visions, the 2023 annual WordCrafter Press anthology. In addition to contest entrries from the annual WordCrafter Press Short Fiction Contest, this year’s anthology had more contributions by invitation, making it the largest anthology WordCrafter Press has ever published. We ran an eight day blog tour with three days of double stops. It was quite a production. Then, we joined up with Sonoran Dawn Studios for the big Halloween book event, All Hallow’s Eve – The Web We Weave on Facebook, where we promoted all 2022 WordCrafter Press releases, with games and giveways, music and movies.
In November, I’ve been trying to do the NaNoWriMo thing with The Rock Star and the Outlaw, a time travel romance adventure novel, inspired by the music of The Pretty Reckless and other artists. It’s not finished until the last day of the month, so I’m still hard at it. I’ve written 28,940 words since the beginning of the month, so I’m not even close But I started with 21, 175 words already written, and I passed the 50,000 word mark this morning.
Also in the month of November, Ask the Authors 2022, is available in the Writer’s Career Toolkit Bundle currated by Kevin J. Anderson. Also included in this bundle are writing references by David Farland and Kevin J. Anderson, Joanna Penn, Mark Leslie Lefebvre, L. Jagi Lamplighter and Aisley Oliphant to name a few. You decide what price to pay for five core books and/or ten more bonus books, all valuable author references, and you can still get it for a few more days.
Preparations and plans for the year ahead
December is pretty much dedicated to the prepartions for the coming year, and I have some really cool things planned. This past year, WordCrafter Press published a total of five anthologies involving around 30 different authors, which was amazing. In 2023, I plan to focus more on my own writing, and I only plan to do the two annual anthologies WordCrafter Press publishes each year; one poetry and one short fiction. The poetry anthology features the guests of Robbie Cheadle’s “Treasuring Poetry” blog series, and she also acts as my co-editor of the Poetry Treasures anthology.
The short fiction anthology is connected with the annual WordCrafter Short Fiction Contest. However this last year, for Visions, I combined the contest entries with stories acquired by invitation, and the other two anthologies were by invitation only. I liked the results of including the invitations, and plan to do the same thing in 2023. The themes for these anthologies will be announced after the first of the year.
As for my own books, I have quite a few planned. I plan to re-release Delilah as a part of the Women in the West adventure series, to be launched with a Kickstarter with lots of cool stuff available for your support around the beginning of the year, so be sure and watch for that. If things go well, I may also be able to release Sarah before the end of 2023.
Also, of course, I will be launching my NaNoWriMo project, The Rock Star & the Outlaw, in the coming year. This western time-travel romance adventure will keep readers on their toes. Based on the music of The Pretty Reckless and other artists, it’s a wild ride that will keep readers guessing.
I’m also planning to put together a collection of my own poetry, which I think will appeal to all the poetry lovers out there, and I am working on several short stories which I hope to find homes for. As always, at least one will go into the annual WordCrafter short fiction anthology. And I’m planning to start a Patreon, and I’m thinking of serializing my science fantasy Playground for the Gods series for that.
2022 was a really good year, and 2023 promises to be just as good, if not better. I would love to hear your thoughts on any of my plans for the year to come. Which potential covers do you like or dislike and why? Which books will you look forward to? What would you like to see offered as rewards for my Kickstarter, or my Patreon? Let me know in the comments. Your feedback is appreciated.
Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.
Well July is finally here and the time I’ve been waiting for, when I will have completed all the requirements for my master’s degree in publishing, is fast approaching. I’ve worked long and hard to earn this M.A. in publishing and now comes the time for the payoff. There’s a few really cool things about earning this degree that I’m really excited about – one of which, is that this time, I actually get to walk commencement in cap and gown. Although this was offered at the time I earned my M.F.A. in Creative Writing, they held commencement in May and it would have required an additional trip to Gunnison, Colorado which I was unable to make at that time, so I had to decline. But, this time around, they are having commencement at the end of the summer residency, which makes a whole lot more sense, and makes it possible for me to graduate proper.
I’m also excited about the release parties which are associated with the books released by our cohort. This includes the release of our class project, Gilded Glass: Twisted Myths & Shattered Fairy Tales, and my solo project, Wired Tales: The Best of the Early Years 1926-27. The first is a virtual release party on July 20 and you are all invited to join us. The second release party will be in person the following week, on July 27, which will be weird after two years of pandemic precautions which have kept most interactions with the public virtual. Wierd, but exciting, too. If you happen to be in the Gunnison area, it would be great to see you there, too.
So now, let me tell you about the two fabulous books which I had a hand in publishing.
Gilded Glass: Twisted Myths & Shattered Fairy Tales was our class project. We ran a call for submissions, which you may have seen right here on Writing to be Read, and then read through a slush pile of over 600 submissions to choose eighteen to twenty of the best ones to include in the anthology. And thanks to a grant from Draft2Digital, we were able to pay professional rates for the chosen stories, create and send out contracts, and handle all the edits for assigned stories. I was assigned a story which I fought for, during the selection process and it was great to get to work with the author I had championed. I was also assigned one of the big name authors KJA solicited stories from for this anthology. I admit, it was a little scary to edit the story of an award winning and best selling author, but it was also exciting. We all collaborated on the cover image and back cover copy, and the final result is the Gilded Glass anthology.
A mirror is far more than meets the eye. When you gaze into the gilded glass, what do you see – and what looks back at you?
A beautiful woman hiding an ugly secret?
A malevolent king who delivers a fate worse than death?
An urban legend who will become an unlikely ally?
An alien gladiator with reflective armor?
A monster to the rescue?
A goddess?
A distorted version of yourself?
Dare to gaze into these 24 original tales of sweet deceptions and cursed truths by Sherrilyn Kenyon & Madaug Hishinuma, Jonathan Maberry, Alan Dean Foster, Kristine Katheryn Rusch, Michaelbrent Collins, and more.
Edited by international bestseller Kevin J. Anderson and Allyson Longueira and their Publishing graduate students at Western Colorado University. Gilded Glass: Twisted Myths & Shattered Fairy Tales offers stories with diverse roots, characters, and cultures, from frightening to funny, from once upon a time to far-flung futures and back to modern day.
Deals are made and wishes granted. Friendships are forged and enemies vanquished. You’ll love this anthology of modern myths, lore and fairy tales, because everyone enjoys a happily ever after…
…or do they?
Stare deep into the gilded glass.
What you find might haunt you.
Gilded Glass will be released on July 19, 2022 and is now available for preorder through your favorite book distributor here: https://books2read.com/u/bwKZ8Y
Weird Tales: Best of the Early Years 1926-27 was my solo project, which I compiled and edited in collaboration with Weird Tales editor and award-winning author, Jonathan Maberry. For this project, I read through all issues of the iconic Weird Tales magazine for 1926 & 27 and chose the stories I felt were the best ones, or at least representative of the magazine for those years. Then I compiled and edited them, (or at least proofread them, you don’t really edit the classics), and set the book up for publishing. I didn’t have choice of cover design, as this was one of two volumes published this year and they wanted them to be consistent in design, but I did get to choose the three covers to be featured, as well as original illustrations for the header images, and I got to write the back cover copy myself. The result was the republication of some classic short fiction by some of the early masters of science fiction, horror and fantasy, from before genre fiction was a ‘thing’.
Founded in 1922, Weird Tales is an iconic publication of fantasy, science fiction, and horror stories. Weird Tales is the forerunner to today’s pulp and speculative fiction genres.
Within these pages you’ll find some of the best of the classic stories originally published in Weird Tales during the years 1926 and 1927, collected into a single volume. Featuring stories by legendary authors such as Seabury Quinn, E. Hoffman Price, Greye La Spina, Edward Hamilton, Frank Belknap Long Jr., H. Warner Munn, August W. Derleth, A. Merritt, and H.P. Lovecraft.
Weird Tales: Best of the Early Years 1926-27 is scheduled for July 12, 2022 and is available at your favorite book distributor here: https://books2read.com/u/bx1e8k
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.
You are reading this, so chances are good that you are familiar with me and my writing, as well as WordCrafter Press and its books, because I talk about all of these things a lot. Since you are hanging out here, reading my posts and those of my wonderful blog team members, there’s also a good chance that you are interested in my work, so you will be interested in this opportunity, as well.
Being a multi-genre author creates the need to reach multiple target audiences. I write western, paranormal, science fiction, dark fantasy & vampires, and maybe even a little bit of romance. Although unpublished, I’ve even written a children’s series. That makes it more difficult to hit my target market and find readers who enjoy the kind of book I write, but I’m learning that I’m just not a write to market kind of girl. I have to write what my heart says, and it refuses to remain in a single genre.
I’ve decided to build a street team to help spread the word about new releases and release events. So, I’ve created a private Facebook group “Kaye Lynne Booth & WordCrafter Press Street Team” group, where you can help by becoming a beta reader and providing feedback prior to release, or reviewer, or just an enthusiastic fan, sharing new release and release event information on social media to help get the word out.. This is a group for those who want to help create, promote or just support me and my books, and find opportunities to free books, for an extra perk. As a member of the group, you will be privy to news regarding works-in-progress, new releases and upcoming book events, as well as early cover releases and sneak previews.
I hope that you will click on the link above and join us, as 2022 looks to be a exciting year, with between 7 and 12 new releases coming!
WordCrafter Press will be putting out, not just one, but three anthologies this year, including the resulting anthology from the annual short fiction contest. The call for submissions for the 2022 WordCrafter Short Fiction Contest will be posted in January, this year’s anthology will also feature the stories by invitation, which will not be included in the contest, but will be included in the Visions anthology. The other two anthologies will be by invitation only, Once Upon an Ever After, and Slivered Reflections. WordCrafter Press will also be doing a new edition of the writer’s reference, Ask the Authors and a new edition of Poetry Treasures. For my own books, I will be dropping my contract with Dusty Saddle Publishing and publishing a special edition of Delilah myself, and publishing at least the first three books of my science fantasy Playground for the Gods series, and possibly the fourth.
If you join my street team group, you’ll be privy to all the latest news about all these great releases and more! Bring your enthusiasm and help me make my writing dreams come true. And don’t forget the free books and other perks. See you there!
