My guest today on “Chatting with the Pros” is an award winning and best selling author who has written countless novels and over 56 national and international best sellers. A majority of his works fall into the science fiction or fantasy genres, but he writes across many genres. In a recent introduction for “The Big Idea: Kevin J. Anderson“, an article about the latest release in his short fiction collection, Selected Stories, John Scalzi calls him, “one of the most prolific authors working today”, and one look at his immense book list on Amazon would leave no doubt that this is an accurate assessment. (You can find my review of selected stories here). He’s written a lot of books, 56 of which have hit the national and international best seller lists, and he’s been writing for many years, and I’m sure we will find his knowledge and experiences enlightening. Please help me welcome Kevin J. Anderson.
Kaye: You have written at least 56 national or international best sellers. What makes a good story in your mind?
Kevin: People want to read a good story with an exciting/interesting plot, a well-developed setting, and engaging characters. Make it a story you WANT to read, with clear prose and action. I don’t like muddled, glacial-paced stories where the prose is just too precious.
Kaye: Why science fiction and fantasy? Why not western or romance or mystery? What’s the attraction?
Kevin: Well, I’ve also written plenty of mysteries, and some of my work has been set in the old west, and most good stories have a strong romance component (though I don’t write category Romance or Westerns). I like to tell an interesting story, and I move around a lot among genres, even though I am primarily known for science fiction or fantasy. I grew up in a very mundane small town in rural Wisconsin, and I was captivated by SF/F from an early age, because it showed my imagination what was possible. I wanted to go to exotic places, whether they were filled with aliens or dragons. Science fiction took me to a much wider universe. (And as a skinny, nerdy kid with glasses and a bad haircut, “romance” wasn’t much of a possibility, so I stuck with spaceships and swords.)
Kaye: You wrote several Star Wars and X-Files novels. Is it difficult to immerse yourself in someone else’s settings and characters enough to pick up a thread and run with it in the same tone and writing style? How do you go about getting yourself into that mindset?
Kevin: It’s no more difficult than trying to immerse yourself in the old west or ancient Japan for a historical. A writer’s job is to absorb the story, characters, voice, and setting. I was already a big fan of Star Wars, Star Trek, X-Files, and Dune, and I enjoyed going to work in those universes. In each instance, I would completely surround myself with the property — whether that meant watching the Star Wars films over and over again, or the episodes of the X-Files, or repeatedly rereading DUNE and its sequels. You pick up the manner of speaking, the “look and feel” of the world, and you make it into your own story.
Kaye: You’ve done several collaborations, including books of the Dune series, with Brian Herbert and the Clockwork books which you collaborated with Neil Peart, drummer for the band Rush. What is the biggest challenge when collaborating on a book?
Kevin: You both need to have the same vision for the book—which means a LOT of talking and brainstorming ahead of time—and you both need the same work ethic (so each partner puts in the same amount of time and effort…a tortoise and hare collaboration will just cause a lot of friction), and you need to be flexible. There’s never only ONE way to write a sentence or describe a scene. I would never want to collaborate with a diva!
Kaye: Do you belong to any writing organizations? If so, which ones? Do you feel your membership in these writing organizations have been helpful in your writing successes? How so?
Kevin: I belong to the Horror Writers Association (and edited three anthologies for them, the BLOOD LITE series), IAMTW (International Association of Media Tie-In Writers), and SFWA, the Science Fiction and Fantasy Writers of America, although some of their recent decisions have made me so upset that I would not renew my membership if I wasn’t already a lifetime member. The problem with such organizations is that you can become to engrossed in the politics and bickering that you forget your real purpose, which is to WRITE.
Kaye: You’ve written several series, including Saga of the Seven Suns, Dan Shamble P.I. and the Clockwork books? Are any of your books stand alone? Why do you lean toward series?
Kevin: I’ve written many standalone books. The one I just finished last week, a vampire/serial-killer thriller STAKE, that’s not part of a series. But I like to tell big stories, and once you’ve done all the effort of world building and character building an entire universe, you want to spend some time. To me, a trilogy is perfect — a beginning, middle, and end, with enough room to tell the story and describe the world in all its glory. Pragmatically speaking, it’s a much better decision commercially to build a series, because readers will want more and more, and each new book will help sell copies of previous volumes. Can you imagine if A.C. Doyle had stopped after writing only one Sherlock Holmes story?
Kaye: Science fiction authors create whole worlds from their imaginations, often with new languages created in their own minds, and you have created many. How do you go about creating a new language?
Kaye: Your work has won many prestigious awards. Which award are you most proud of? Why?
Kevin: Awards are awards, and it’s nice to have them, but I really prefer READERS. That’s what makes your writing worthwhile. It’s not terribly prestigious, but the award I value most is one I received very early in my career, when I received a trophy with an engraved brass plate and everything, naming me “The Writer with No Future” because I could produce more rejection slips than any other writer at an entire conference. To me, that didn’t mean I was a failure as a writer or that my work was awful—it proved that I was more persistent, that I kept trying, kept getting better, and never gave up. I still have that trophy.
Kaye: In addition to being an author, you and your wife, Rebecca Moesta, are publishers at Wordfire Press, but originally you were traditionally published. Why the switch to being your own publisher after being traditionally published for so many years?
Kevin: Survival. No choice. The publishing industry has undergone a tremendous upheaval equivalent to the Industrial Revolution, and I could either be a mammal and evolve or stay a dinosaur and go extinct. I am still traditionally published (four books released in 2018, in fact, and a new 3-book contract from Tor Books for an epic fantasy series), but I also have a lot of backlist titles that were out of print and my fans wanted to read them. So I started releasing them myself with all the innovations of new technology. It’s just another alternative.
Kaye: What does Wordfire press offer as a publisher for other authors?
Kevin: We are nimble and flexible, and we can produce books and get them to market far quicker than a traditional publisher can manage. But when you work with an indie publisher, or if you do it yourself, then you have to do all the work, all aspects of it. It’s another income stream and another way to get your book in front of your audience.
Kaye: Is Wordfire taking submissions? What type of fiction is Wordfire looking for?
Kevin: Not really, I’m afraid. When we are open, we’re looking for established writers who don’t need their hands held, writers who already have their own platforms, fanbases, and marketing efforts because we have to rely on them to do the work that a whole department at a traditional publisher would do.
Kaye: You recently signed on as an adjunct professor at Western State Colorado University and you are a finalist candidate for the director of their Certificate in Publishing program. What prompted you to venture into the world of academia?
Kevin: Actually, I’m now a full professor and I run their Masters program in Publishing. I will start the first group of MA students this coming summer. There’s a LOT of paperwork and bureaucracy in academia! I have taught writing and publishing quite often at countless writers’ conferences and conventions, most notably our own Superstars Writing Seminars, which is just hitting its tenth year. Becoming a professor and teaching at a beautiful university in the Colorado mountains is great, offers a little more stability than freelance writing, and (the bane of all freelancers) it gives me health insurance and benefits I wouldn’t otherwise get.
Kaye: Any writing pet peeves?
Kevin: I don’t like artsy-fartsy stuff, dense prose and opaque plots. Tell me a great story with a cool setting and interesting characters!
Kaye: Creating characters, developing plot, world building – what is the most challenging part of writing for you?
Kevin: Those are all fun, but if I had to choose I would say I have most difficulty with building rich, fleshed-out characters. Plotting and worldbuilding—that’s what I excel in.
Thanks to Kevin for sharing with us today. He’s given us food for thought with some really great answers. You can find more about Wordfire Press here: https://wordfirepress.com/. Kevin and his wife, Rebecca Moesta, head up the Superstars Writing Seminars each year in February, in Colorado Springs, Colorado, for those interested in learning the business of writing. If you’d like to become a member of the Superstars Tribe, or would just like more information about Superstars, visit the folowing link: superstarswriting.com. Visit the links below to learn more about Kevin J. Anderson and his works.
Wordfire Press: http://www.wordfire.com/
Join us next month on “Chatting with the Pros”, when I’ll be chatting with romance author Maya Rodale. You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2019, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress.
Every book is a collaboration. I work with editors, cover artists, and the publishers in so many ways behind the scenes. A few years ago, I got to collaborate in a different way. This time it was with a local illustrator, Aaron Siddall. He had an idea for a YA steampunk story. He would illustrate it and I would write it. We created a world of magic and mysterious creatures, and the book was released on November 14, 2018 from CHBB Publishing. *Hold for applause, wink wink.*
I would like to introduce Aaron Siddall to all of you. We met years ago when I joined the Utica Writers Club.
JE: When did you join the Utica Writers Club? What do you like most about it?
AS: The Utica Writers Club and I came together in 2010. I do write and occasionally read from things that I am working on, but I mostly attend for the creative energy. That and I find that writers make for excellent friends.
JE: How long have you been an illustrator?
AS: I’ve had a passion for art all of my life, but I had my first professional experience as an illustrator in 2001 working for Kenzer & Company and White Wolf Studios, both as a freelancer.
JE: What are some of the projects you’ve illustrated?
AS: Its hard to narrow down to favorites. But several stand out, such as; High Towers and Strong Places: A Political History of Middle Earth by Tim Furnish and published by Oloris Publishing. How Robin Hood Became an Outlaw by Learning A-Z. Ravenloft Denizens of Darkness by White Wolf Studios.
JE: How did you come up with the idea for FANYA?
AS: In a discussion concerning Steampunk and Fairy tales that I was involved with, I compared elements from both in relation to our world in the late 1800s (the Victorian era). In doing so, Russia and Alaska at the time were in the midst of tumultuous times, as there are many marvelous Russian Fairy Tales and the legends of the First Nations have many similar legends, these elements came together naturally in my mind.
JE: How did you come up with the title?
AS: Fanya is a name that shows up in both Russian and Inuit and Aleut peoples.
JE: What do you hope people take away from FANYA IN THE UNDERWORLD?
AS: Overall, I hope that people enjoy the action and magic of the setting. There is a great deal to think on and enjoy.
JE: What is your favorite illustration from the book?
AS: The one of Mr. Beisy on the doorstep in chapter two.
We hope you enjoy reading FANYA IN THE UNDERWORLD. Reviews and emails are always appreciated. If you love the artwork as much as I do, merchandise is available here.
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