Growing Bookworms – The importance of colour when illustrating children’s books #childrensfiction #readingcommunity #growingbookworms
Posted: November 9, 2022 Filed under: Books, Children's Books, Education, Illustrations, Literacy, Parenting, Reading | Tags: Children's Books, Color, Growing Bookworms, Illustrations, Parenting, Writing to be Read 43 Comments
Many children’s picture books make use of brightly coloured cartoon style illustrations. Children are attracted to bright colors such as red, yellow, green, blue, and pink. These colors create a sense of energy and playfulness and also emanate happiness. Colour impacts on children’s moods, behaviour, and educational performance.
Part of the reason children prefer bright colours is because saturated colours are easier for young, developing eyes to see. Bright colors and contrasting colors stand out more in a child’s field of vision than feinter shades.
Colour effects the way the brain functions and can be used by illustrators to encourage pattern recognition, memory, and the ability of young readers to absorb new information.
Here are a few examples of colours and how they can be used for learning:
RED – a powerful and attention-grabbing colour, red stimulates alertness and excitement. It encourages creativity and can also increase appetite.
BLUE – provides a sense of comfort by exuding calmness, loyalty, peace, serenity, and security.
YELLOW – encourages positive feelings and improves concentration by promoting creativity, clarity, and optimism.
GREEN – symbolises nature and the natural world. Green relieves stress and provides a sense of healing. It also represents balance, growth, tranquillity, cleanliness and calmness.
ORANGE – like red, orange is an energetic colour that promotes alertness. Orange creates a sense of passion, warmth, excitement and encourages communication.
PINK – symbolises love, romance, nurture, warmth, calmness, and imagination.
It is also important for illustrators, or writers engaging an illustrator, to note that colours can also overstimulate children, instead of inspiring them, so a balance of bright and neutral colours is required for illustrations.
I illustrate my own children’s books and I try to apply these principles in my own work. This is a collage of a selection of my fondant and cake art illustrations.

My illustrations have proved popular with children so I think I am getting the colour coding right.
These are some examples of famous children’s books and illustrators:



What do you think? Do you like bright colours? Have you written a children’s book and illustrated it yourself or engaged an illustrator? Let me know in the comments.
About Robbie Cheadle

Robbie Cheadle is a South African children’s author and poet with eleven children’s books and two poetry books.
The eight Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie and Michael have also written Haunted Halloween Holiday, a delightful fantasy story for children aged 5 to 9 about Count Sugular and his family who hire a caravan to attend a Halloween party at the Haunted House in Ghost Valley. This story is beautifully illustrated with Robbie’s fondant and cake art creations.
Robbie has published two books for older children which incorporate recipes that are relevant to the storylines.
Robbie has two adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories, in the horror and paranormal genre, and poems included in several anthologies.
Robbie Cheadle contributes two monthly posts to https://writingtoberead.com, namely, Growing Bookworms, a series providing advice to caregivers on how to encourage children to read and write, and Treasuring Poetry, a series aimed at introducing poetry lovers to new poets and poetry books.
In addition, Roberta Eaton Cheadle contributes one monthly post to https://writingtoberead.com called Dark Origins: African Myths and Legends which shares information about the cultures, myths and legends of the indigenous people of southern Africa.
Robbie has a blog, https://robbiesinspiration.wordpress.com. where she shares book reviews, recipes, author interviews, and poetry.
Find Robbie Cheadle
Blog: https://www.robbiecheadle.co.za/
Blog: robbiesinspiration.wordpress.com
Twitter: BakeandWrite
YouTube: https://www.youtube.com/channel/UCVyFo_OJLPqFa9ZhHnCfHUA
Facebook: Sir Chocolate Books
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Celebrating Graduation with July Book Releases
Posted: July 11, 2022 Filed under: Anthology, Book Covers, Book Event, Book Promotion, Book Release, Books, Classics, Collaboration, Dark Fantasy, Fairy Tales, Fantasy, Fiction, Horror, Illustrations, Mythology and Legend, Pulp Fiction, Science Fiction, Short Fiction | Tags: Book Release, Classic Literature, Dark Fantasy, Fairy Tales, Fantasy, Gilded Glass, horror, Science Fiction, Weird Tales, Weird Tales: Best of the Early Years 1926-27, Writing to be Read 4 Comments
Well July is finally here and the time I’ve been waiting for, when I will have completed all the requirements for my master’s degree in publishing, is fast approaching. I’ve worked long and hard to earn this M.A. in publishing and now comes the time for the payoff. There’s a few really cool things about earning this degree that I’m really excited about – one of which, is that this time, I actually get to walk commencement in cap and gown. Although this was offered at the time I earned my M.F.A. in Creative Writing, they held commencement in May and it would have required an additional trip to Gunnison, Colorado which I was unable to make at that time, so I had to decline. But, this time around, they are having commencement at the end of the summer residency, which makes a whole lot more sense, and makes it possible for me to graduate proper.
I’m also excited about the release parties which are associated with the books released by our cohort. This includes the release of our class project, Gilded Glass: Twisted Myths & Shattered Fairy Tales, and my solo project, Wired Tales: The Best of the Early Years 1926-27. The first is a virtual release party on July 20 and you are all invited to join us. The second release party will be in person the following week, on July 27, which will be weird after two years of pandemic precautions which have kept most interactions with the public virtual. Wierd, but exciting, too. If you happen to be in the Gunnison area, it would be great to see you there, too.
So now, let me tell you about the two fabulous books which I had a hand in publishing.
Gilded Glass: Twisted Myths & Shattered Fairy Tales was our class project. We ran a call for submissions, which you may have seen right here on Writing to be Read, and then read through a slush pile of over 600 submissions to choose eighteen to twenty of the best ones to include in the anthology. And thanks to a grant from Draft2Digital, we were able to pay professional rates for the chosen stories, create and send out contracts, and handle all the edits for assigned stories. I was assigned a story which I fought for, during the selection process and it was great to get to work with the author I had championed. I was also assigned one of the big name authors KJA solicited stories from for this anthology. I admit, it was a little scary to edit the story of an award winning and best selling author, but it was also exciting. We all collaborated on the cover image and back cover copy, and the final result is the Gilded Glass anthology.

A mirror is far more than meets the eye. When you gaze into the gilded glass, what do you see – and what looks back at you?
A beautiful woman hiding an ugly secret?
A malevolent king who delivers a fate worse than death?
An urban legend who will become an unlikely ally?
An alien gladiator with reflective armor?
A monster to the rescue?
A goddess?
A distorted version of yourself?
Dare to gaze into these 24 original tales of sweet deceptions and cursed truths by Sherrilyn Kenyon & Madaug Hishinuma, Jonathan Maberry, Alan Dean Foster, Kristine Katheryn Rusch, Michaelbrent Collins, and more.
Edited by international bestseller Kevin J. Anderson and Allyson Longueira and their Publishing graduate students at Western Colorado University. Gilded Glass: Twisted Myths & Shattered Fairy Tales offers stories with diverse roots, characters, and cultures, from frightening to funny, from once upon a time to far-flung futures and back to modern day.
Deals are made and wishes granted. Friendships are forged and enemies vanquished. You’ll love this anthology of modern myths, lore and fairy tales, because everyone enjoys a happily ever after…
…or do they?
Stare deep into the gilded glass.
What you find might haunt you.
Gilded Glass will be released on July 19, 2022 and is now available for preorder through your favorite book distributor here: https://books2read.com/u/bwKZ8Y
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Weird Tales: Best of the Early Years 1926-27 was my solo project, which I compiled and edited in collaboration with Weird Tales editor and award-winning author, Jonathan Maberry. For this project, I read through all issues of the iconic Weird Tales magazine for 1926 & 27 and chose the stories I felt were the best ones, or at least representative of the magazine for those years. Then I compiled and edited them, (or at least proofread them, you don’t really edit the classics), and set the book up for publishing. I didn’t have choice of cover design, as this was one of two volumes published this year and they wanted them to be consistent in design, but I did get to choose the three covers to be featured, as well as original illustrations for the header images, and I got to write the back cover copy myself. The result was the republication of some classic short fiction by some of the early masters of science fiction, horror and fantasy, from before genre fiction was a ‘thing’.

Spectral visitations…
World-conquering spiders…
An ancient feud with an enchanted forest…
Demonic paintings…
Zombies, mummies, vampires…
…and more.
Founded in 1922, Weird Tales is an iconic publication of fantasy, science fiction, and horror stories. Weird Tales is the forerunner to today’s pulp and speculative fiction genres.
Within these pages you’ll find some of the best of the classic stories originally published in Weird Tales during the years 1926 and 1927, collected into a single volume. Featuring stories by legendary authors such as Seabury Quinn, E. Hoffman Price, Greye La Spina, Edward Hamilton, Frank Belknap Long Jr., H. Warner Munn, August W. Derleth, A. Merritt, and H.P. Lovecraft.
Weird Tales: Best of the Early Years 1926-27 is scheduled for July 12, 2022 and is available at your favorite book distributor here: https://books2read.com/u/bx1e8k
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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.
Inspirational Visions: A Very Special Review
Posted: September 4, 2020 Filed under: Creativity, Fairy Tales, Fantasy, Illustrations, Inspirational, Review | Tags: Book Review, Fantasy, Illustrations, Inspiration, Inspirational Visions, Judy Mastrangelo, Oracle Cards, Review, Writing to be Read 3 Comments
When I received the Inspirational Visions Oracle Cards, created by Judy Mastrangelo, I was delighted. My previous experience with Tarot cards and the like is minimal, with an understanding of them that relates more to the archetypes found in storytelling more than anything else. However, these cards are not a deck of Tarot cards, used to tell you what your future will be, but a deck designed to reveal what you can make of your future through inspiration and interpretation.

The deck comes with a booklet which explains the meaning of each card and instructions in how to use them to guide your own destiny. Each card comes with an inspirational message attached and the use and interpretation of the cards is up to you. The intent is for each individual to find their own personal meanings in the cards.

The Inspirational Visions cards are designed to inspire creativity and encourage soul searching, with uplifting positive measages. There is no hangman lurking in the deck, no death or destuction images ushering in ill fate. Even the menacing dragon carries connotation here.
Even if you don’t believe in fortune telling, you’ll want to own a deck of these colorful and inspirational cards of your very own. I could sit for hours, just looking at the delightful illustrations on each one. I am particularly drawn to the Bunny Gardner card, which the book describes in part as, “Tending your beautiful flower beds is so healing, as you contact Mother Earth.” I have some gorgeous flower beds this summer, as I planted sixty-five gladiola bulbs in the spring, and my garden is bursting with color, and it is healing to go out and work amoung them. Perhaps this card represents a validation for who I am?
These lovely oracle cards are wonderful for personal enjoyment, spiritual enhancement, creative inspiration, or as a gift for someone special who is dear to your heart, the bright, colorful illustations and inspirational messages are sure to delight. I give the Inspirational Visions Oracle Cards five quills.

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
“God’s Body”: A post-apocalyptic tale with a new kind of hero.
Posted: July 20, 2019 Filed under: Book Review, Books, Fantasy, Fiction, Illustrations, Post-Apocalyptic, Pulp Fiction, Super Hero | Tags: Book Review, Fantasy, God's Body, Illustrations, Jeff Bowels, Pat R. Steiner, Post-Apocalyptic, Pulp Fiction, Superheroes, Writing to be Read 3 CommentsGod’s Body, by Jeff Bowles has one of the most masterfully crafted openings that I have read in a long time. By the beginning of the second paragraph, he had placed me in the setting, I knew this was like no other story I had ever read, and I was hooked, which is what a great opening should do. It impressed me so, that I asked the author’s permission to reprint it here.
“The toe was an ungodly mountain of flesh. As massive as it was inexplicable. It clung to the Earth like a bulbous pink tumor. Enormous, all-encompassing, the height of a skyscraper, the breadth of Niagara Falls. Rain water washed through its thick patchwork of crevasses and cracks. Long vertical rivers lapped at skin-cell canyon walls. There were flesh creeks and tidal waves. The toenail itself was the hanging shelf of the world.
Then Harold looked higher and saw the rest. Lord God Almighty…”
You just can’t read this and not want to know more. It’s obvious this isn’t going to be your average, everyday story, and you must read on in anticipation of what will come next. It’s clear this will be a story of epic proportions, and Bowels does not disappoint. God’s Body is an Armageddon story like no other; a post apocalyptic tale of good vs. evil in the best of pulp fantasy traditions, if such traditions existed. Bowles pulls out all the stops, using humor, irony and contemplation of the human condition to tell his tale with skill and craftsmanship. Everything about this story is of epic scale.
I’m not going to give you a rundown of this story line because the whole thing was such an entertaining read that I wouldn’t want to give out any spoilers, but what I will tell you is that in addition to the wonderful writing talent of Bowles, the artistic craftsmanship of Writer’s of the Future illustrator Pat R. Steiner accompanies this story with some truly awesome illustrations like the one seen here.
A truly original story that puts a new twist to an age-old theme. Written with skill and talent in a literary work of true craftsmanship, God’s Body is like nothing else you’ve ever read. I give it five epic quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Writing for a YA Audience: Interview with FANYA’S illustrator.
Posted: February 20, 2019 Filed under: Books, Collaboration, Dark Fantasy, Illustrations, Interview, Steampunk, Writing, Writing for a YA Audience, Young Adult | Tags: Aaron Siddall, Dark Fantasy, Fanya in the Underworld, Jordan Elizabeth, Steampunk, Writing for a YA Audience, YA, Young Adult, Young Adult Fiction 1 CommentEvery book is a collaboration. I work with editors, cover artists, and the publishers in so many ways behind the scenes. A few years ago, I got to collaborate in a different way. This time it was with a local illustrator, Aaron Siddall. He had an idea for a YA steampunk story. He would illustrate it and I would write it. We created a world of magic and mysterious creatures, and the book was released on November 14, 2018 from CHBB Publishing. *Hold for applause, wink wink.*
I would like to introduce Aaron Siddall to all of you. We met years ago when I joined the Utica Writers Club.
JE: When did you join the Utica Writers Club? What do you like most about it?
AS: The Utica Writers Club and I came together in 2010. I do write and occasionally read from things that I am working on, but I mostly attend for the creative energy. That and I find that writers make for excellent friends.
JE: How long have you been an illustrator?
AS: I’ve had a passion for art all of my life, but I had my first professional experience as an illustrator in 2001 working for Kenzer & Company and White Wolf Studios, both as a freelancer.
JE: What are some of the projects you’ve illustrated?
AS: Its hard to narrow down to favorites. But several stand out, such as; High Towers and Strong Places: A Political History of Middle Earth by Tim Furnish and published by Oloris Publishing. How Robin Hood Became an Outlaw by Learning A-Z. Ravenloft Denizens of Darkness by White Wolf Studios.
JE: How did you come up with the idea for FANYA?
AS: In a discussion concerning Steampunk and Fairy tales that I was involved with, I compared elements from both in relation to our world in the late 1800s (the Victorian era). In doing so, Russia and Alaska at the time were in the midst of tumultuous times, as there are many marvelous Russian Fairy Tales and the legends of the First Nations have many similar legends, these elements came together naturally in my mind.
JE: How did you come up with the title?
AS: Fanya is a name that shows up in both Russian and Inuit and Aleut peoples.
JE: What do you hope people take away from FANYA IN THE UNDERWORLD?
AS: Overall, I hope that people enjoy the action and magic of the setting. There is a great deal to think on and enjoy.
JE: What is your favorite illustration from the book?
AS: The one of Mr. Beisy on the doorstep in chapter two.
We hope you enjoy reading FANYA IN THE UNDERWORLD. Reviews and emails are always appreciated. If you love the artwork as much as I do, merchandise is available here.
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