“The Wolf Leader”: An origins story of sorts
Posted: January 4, 2021 Filed under: Book Review, Books, Classics, Fiction, Review, Speculative Fiction | Tags: Alexandre Duma, Book Review, The Wolf Leader, werewolves, Writing to be Read Leave a commentThe classics were written in another era and literature was viewed differently than it is in modern times. The language, although often lavish and eloquent, can also be pretentious and difficult to decifer. There are some sixteenth century words that are just plain confuddling to my twentieth century brain. Over the past year, I’ve tried a few times to read the classic authors. After all, their works survive them over centuries, and set the historical standards of contemporary literature. But I couldn’t get through The Call of Cthulhu by H. P. Lovecraft due to all the pretentious purple prose, and although I finished the first story in The Mysteries of Edgar Allen Poe, I had to put it down or risk dying from sheer boredom. While clearly a predecessor to murder mystries which came later, such as Sherlock Holmes, I found Poe’s style too dry to be considered entertaining.
With The Wolf Leader, by Alexandre Dumas, I did not find this to be the case. In spite of a few words which required defining, I had no trouble following the flow of the Dumas’ story. Alfred Allison did a fine job of translating this classic novel and Jonathon Maberry does the literary world a service by bringing it back into print. Dumas’ style is more along the lines of a Don Quixote, silly but entertaining type of story, than the borishness of Poe’s Detective Dupin, or presumptious fluff and verbage of LoveCraft’s Chtulhu Mythos.
The Wolf Leader is a Faust meets The Wolfman story. Contempory werewolves have grown well beyond what Dumas envisioned, but in his work, one can see the origins from which they sprang. Thibauld is a peasant shoemaker, angry at the injustices he feels he has suffered under the hands of French burgious land owners, who makes a deal with the devil, or in this case, the black wolf, to have all of his wishes granted, for the price of one hair per wish. Each time he wishes for something, one hair on his head turns fiery red, and his wishes seldom turn out as he intended. Instead of being rich and loved, as he had desired… well, you can see where this is headed.
The reason we can foresee what’s to come in the tale described above is that we are familiar with the story of Faust, so we might read it and think it a bit tropish with the ‘deal with the devil’ thing. There are no silver bullets or full moons in this tale, but Thibauld does eventually take the form of the black wolf and there is a lot of howling, so it may even be the first werewolf story ever penned, as Jonathon Maberry points out in his introduction. As such, it could could be the trope setter for an entire genre.
How many quills do I give to a classic work of literature? I’m not sure I’m qualified to rate this work which has survived the centuries. The very fact that is has survived speaks volumes more than any opinion I could ever give.
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“The Encyclopedia of American Animated Television Shows”: Everything you always wanted to know about the history of animation.
Posted: May 1, 2020 Filed under: Animation, Book Review, Books, Classics, Comic Hero, Nonfiction, Super Hero | Tags: Animated Series, Book Review, Cartoons, David Perlmutter, Saturday morning cartoons, Super Heroes, The Encyclopedia of American Animated Television Series, Writing to be Read Leave a commentIf you are a cartoon buff or just miss Saturday morning cartoons, The Encyclopedia of American Animated Television Shows, by David Perlmutter could prove to be a valuable resource. Who created them? When did they air? Who produced them? Who played the character voice? Summaries of many of these programs are included.
This book has animated series from Abbott and Costello to Zorro. Opening the pages of this book made me feel like Saturday morning cartoons all over again. I found the histories of all of my favorite animated series within its pages; Scooby-Doo, Where Are You?; Casper the Friendly Ghost; The Jetsons; Fat Albert and the Cosby Kids; Bugs Bunny; The Flintstones; and The Smurfs. It even features School House Rock.
There is sure to be something for fans big and small, and they aren’t all from out of the distant past. Younger generations still harboring that inner child may place higher value on more recent animated series, including American Dad; King of the Hill; Southpark; The Simpsons; and Beavis and Butthead.
Of course, it features all of the super heroes from both Marvel and D.C. Comics, from Flash Gordan; Teen Titans; Spider-Man; Superman; Batman and Robin; Wolverine and the X-Men; The Fantastic Four; and even Mighty Mouse and Underdog. Although, none of them have series named for them because they are the bad guys, all our favorite super villains are in there, too.
The Encyclopedia of American Animated Television Series is an invaluable resource if comics are your thing, providing an overview which illustrates how animated series and literature hold a valuable place in the evolution of American entertainment outlets. Filled with a plethora of information on the evolution of animation and comic characters. I give it five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Contemporary versus classic books for children
Posted: November 13, 2019 Filed under: Books, Children's Books, Classics, Reading | Tags: Children's Books, Classic Children's Literature, Contemporary Children's Literature, Growing Bookworms, Robbie Cheadle, Writing to be Read 43 CommentsI have read a lot of children’s books. Some I read to myself as a girl and others I read to my sons, nephews and nieces and the children who attended our local Sunday school, over the past sixteen years. Many of the books I have read over the past six teen years are contemporary fiction which is defined as a fictional book (events, settings, characters etc. described are not real) set in contemporary times (modern times).
A few examples of popular contemporary fiction book series for children I can think of are Horrid Henry written by Francesca Simon and illustrated by Tony Ross, Winnie the Witch written by Valerie Thomas and illustrated by Korky Paul and the Percy Jackson, Kane Chronicles and Heroes of Olympus series written by Rick Riordan. All of these books share the common characteristic that they are set in our modern world and the main characters have access to television, email, cell phones and the internet.
Two common traits I have noticed with contemporary fiction books for children are that these books tend to be far more plot driven than classic children’s books and that there is often, but not always, a theme of disregard and even disrespect for authority figures.
The books I have mentioned above are the ones that I think deal with this growing concept of disrespect towards authority figures by youthful characters in books in an acceptable manner. Horrid Henry, for example, is a naughty pre-teen boy. His brother is his complete anti-thesis and many of the stories revolve around the tension and conflict between the two boys. In these stories, however, the parents always come out on top and Henry is always disciplined and made to toe the line.
Books that are more plot driven can be more appropriate for modern children than classic books which focus more on characterisation such as Little Women by Louise May Alcott and What Katy Did. Our children are used to the fast pace of television and computer games so if we want a book of compete with these other choices, it needs to keep their attention. Modern children also have shorter concentration spans due to modern electronic devices and do not want to read long flowery descriptions. I think the same can be said for many modern adult readers too. Short stories and novellas have become more popular due to time constraints and more available choices when it comes to relaxation. Many modern readers do not want to trawl through the lengthily descriptions included in books like Great Expectations by Charles Dickens and The Scarlet Letter by Nathaniel Hawthorne.
Given everything I have said above, are classic books worthwhile for modern children, or even books written post World War II like Enid Blyton’s books?
Let us look at the definition of a classic book: “The classic that keeps on being read is the book whose situations and themes remain relevant over time—that miracle of interpretive openness that makes us feel as though certain stories, poems, and plays are written with us in mind.”
I group classic books in my mind into fairy tales and other classic books. Fairy tales spark the imagination and this is an important aspect of children’s development. In addition, fairy tales help children confront and overcome their fears, which are featured in these enduring stories and also, provide a lot of social messages about how to behave in order to achieve a good life outcome. Fairy tales also introduce children to the idea that life has pitfalls and things don’t always go the way you hope and want them to. They teach children to be resilient and enduring.
Classic books feature humans experiencing life and all it has to offer. The often contain thought-provoking socio-ethical situations such as I am David, which depicts the life of a boy on the run from a concentration camp. Classic books introduce children to history in an interesting and understandable way such as the Little House series of books which depict the pioneer life of Laura Ingalls Wilder and her family. As with fairy tales, classic books contain messages the teach children about perseverance to overcome injustice such as the Count of Monte Cristo. Classic books are also a challenge which stimulate the mind, which can only be a good thing.
What are your thoughts and experiences with contemporary and classic books for children?
About Robbie Cheadle
Hello, my name is Robbie, short for Roberta. I am an author with six published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.
I have recently branched into adult and young adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. My first supernatural book published in that name, Through the Nethergate, is now available.
I have participated in a number of anthologies:
- Two short stories in #1 Amazon bestselling anthology, Dark Visions, a collection of horror stories edited by Dan Alatorre;
- Three short stories in Death Among Us, an anthology of murder mystery stories, edited by Stephen Bentley;
- Three short stories in #1 Amazon bestselling anthology, Nightmareland, a collection of horror stories edited by Dan Alatorre; and
- Two short stories in Whispers of the Past, an anthology of paranormal stories, edited by Kaye Lynne Booth.
I also have a book of poetry called Open a new door, with fellow South African poet, Kim Blades.
Find Robbie Cheadle
Blog: https://www.robbiecheadle.co.za/
Blog: robbiesinspiration.wordpress.com
Goodreads: Robbie Cheadle – Goodreads
Twitter: BakeandWrite
Instagram: Robbie Cheadle – Instagram
Facebook: Sir Chocolate Books
Want to be sure not to miss any of Robbie’s “Growing Bookworms” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
Should children read abridged classics?
Posted: June 5, 2019 Filed under: Books, Children's Books, Classics, Growing Bookworms, Reading | Tags: Children's Books, Classic Literature, Growing Bookworms, Reading, Robbie Cheadle, Writing to be Read 50 CommentsThere are many wonderful classic books available to people who are interested in reading them. I have recently re-read War of the Worlds and The Time Machine, both by H.G. Wells and also Dracula by Bram Stoker. I read these books in my early teens and, while I did enjoy them, I don’t remember appreciating any of the subtleties of the development of the characters in these books or the psychological and philosophical aspects either. This is because I did not have the life experience at that time to appreciate these concepts and their incredible appropriateness and cleverness.
I have never restricted or limited my children’s reading choices. This is because I believe that children can only experience and visualise the written world in the context of their own life experiences. If a child has never attended a funeral, they cannot visualise the white and haggard faces of the surviving family, smell the heavy and potent aroma of the funeral flowers or understand extreme expressions of grief such as throwing oneself onto a coffin as it is slowly lowered into the ground, in the same way someone who as actually witnessed such events could. They can read and appreciate the words but their ability to picture the detail is limited to their own visual experiences. This is not the case with television which supplies a ready-made visual to put the image into your mind regardless of your own experience. It is for this reason that I think that abridged classics are appropriate, and even ideal, for children.
Abridged classics expose children to the joys of great literature and enable them to appreciate their stories without struggling to understand words and concepts that are beyond their current reading and life abilities. In other words, abridged classics stimulate an interest in the storyline and characters while not burdening the child with all the deep emotion and psychology that is present in many classic books. If the child is excited by the story, there is a high chance he will revisit the book as an adult and read the full, unabridged version with greater understanding and appreciation.
If you are interested in purchasing the Classic Starts books, you can find them on Amazon US here: Classic Starts series
I bought all the Classic Starts books as well as a set of abridged Shakespearean plays and Chaucer’s stories for my son. My older son was mesmerised by certain stories such as The Phantom of the Opera, The Secret Garden and The Red Badge of Courage. I well remember him recalling these books with such fondness that a few years later, when he was about 13 years old, he read the unabridged versions of these books with great enthusiasm. He also went on to read a significant number of other classic books and represent South Africa as part of the St John’s College Prep team at the Kids Lit Quiz in New Zealand in 2016. I remember Gregory laughing aloud over the abridged versions of Canterbury Tales and The Taming of the Shrew. I do think these cultural experiences of English help set him up with a love of reading for life.
Reading abridged classics also allows children to access books that have been written in old English and are difficult for modern children [and adults] to read for that reason. These books allow us all access to humorous, dramatically and other situations from the past and allow us to learn more about our own history and path of evolution and change.

I believe there is a lot of benefit to be had from reading abridged classics to your child and letting them read them on their own. What do you think? Let me know in the comments.
About Robbie Cheadle
Hello, my name is Robbie, short for Roberta. I am an author with five published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.
I have recently branched into adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. I have two short stories in the horror/supernatural genre included in Dark Visions, a collection of 34 short stories by 27 different authors and edited by award winning author, Dan Alatorre. These short stories are published under Robbie Cheadle.
I have recently published a book of poetry called Open a new door, with fellow South African poet, Kim Blades.
Find Robbie Cheadle
Blog: https://bakeandwrite.co.za/
Blog: robbiesinspiration.wordpress.com
Goodreads: Robbie Cheadle – Goodreads
Twitter: BakeandWrite
Instagram: Robbie Cheadle – Instagram
Facebook: Sir Chocolate Books
Want to be sure not to miss any of Robbie’s Growing Bookworms segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.