Writer’s Corner: What I learned from NaNoWriMo

November is National Novel Writing Month

The first time I tried my hand at NaNoWriMo was back in 2010. I had only recently discovered the opportunities for authors and writers offered on the internet, and had decided to try once more to make a go of writing, so I was exploring my options, but didn’t really know what I was doing as a writer at that point. And I had no idea how to go about writing a book, or how to go about writing a book very quickly, and I failed miserably.

Since then, I’ve put an M.F.A. and an M.A. under my belt in the creative writing arena, and so I gave it a second shot in November of 2022. I chose to write The Rock Star & the Outlaw, a western time-travel romance adventure. This time I was better prepared, with my project outlined and actually had a 21,000 word start before the writing challenge began. I also had recently read Booked to the Gills, by Aisley Oliphant, which offers strategies like time blocking and reserving out time for self-care in order to be easier to live with during the challenge, and prioritizing, and I was anxious to see if I could apply some of these strategies in my own writing. You can read my full “Review in Practice” here.

The challenge, for those who do not know, is to write 50,000 words in 30 days, which is no easy task. I figured if I succeeded, I would have a 71,000 word novel, but even if I didn’t complete it, I wouldn’t be far from a completed novel. What you’re about to read is a summary of my experience with the 2022 NaNoWriMo and what I learned from it.

Lessons learned

  • Time blocking – this was a strategy suggested by Aisley Oliphant in Booked to the Gills. It involves planning out your schedule and making blocks of time specifically dedicated to the writing of your story. It’s good advice, which is helpful in getting the story written in the allotted amount of time. I found that with my busy and unpredictable life, it was better for me to block out shorter time frames, sometimes only 15 minutes, to squeeze writing in between everything else. It was nice when I could dedicate a few hours to a stretch, of course, but that wasn’t possible every day, espesially days I had to work my day job. I tried blocking out writing times during different times during the day, and I didn’t hesitate to create an unscheduled block at three a.m. when I couldn’t sleep.
  • Prioritze self-care – also highly suggested by Ms. Oliphant in order to maintain friendships and family during and following the challenge. Self-care should be a priority and not allotting time for tending mental, physical and spiritual needs can make one cranky and unbearable to be around. I made sure I took time out for personal pleasures, such as going out to dinner, allowing myself to clear my mind and gather my thoughts, along with all the other activities I have going on in my life. This was another reason that shorter time blocks seemed to work better for me.
  • Get adaquet sleep – This is a necessity. While I could write into the wee hours of the morning when I was younger, I find that these days, I can barely stay awake past 10 p.m. I now find myself falling asleep at the keyboard. Also, I find that when I’m tired, my thoughts become muddled and I have difficulty focusing. This was another reason that I wasn’t very productive on days when I worked the day job.
  • Be prepared – This one wasn’t a strategy offered up by Ms. Oliphant. This was one I learned on my own. Going into a writing challenge like this, with a 21,000 word head start, I assumed I was ready to do this. But on November 1, I realized that I should have matched up what I had written with my working outline. When I did that on the first day I found a couple of places where it didn’t match up, creating plot holes which needed fixing before I could move forward, so my whole first week was spent smoothing those out and it wasn’t until Day 8 that I was able to exceed the daily goal of 1,667. To truly succeed with the NANoWriMo challenge, I think it is important to be ready to hit the ground running.
  • Choose a project you are passionate about – This may be the most important lesson for me, because I don’t think I would have done as well as I did, had I not been so exciting about writing this story. Inspired by the music of my favorite rock band, The Pretty Reckless and other artists, I had began writing this story two years prior, and was writing on it full speed ahead when I ran into a road block concerning music copyrights. But I never forgot about it. In fact, over the past year I came up with a work-around to my roadblock, so it was never far from my mind. Even two years later, pulling it out still stirred the excitement within me, and that’s how I knew this was the project I wanted to use for this challenge. To write prolifically, such as the 1,667 words per day required for this challenge, I believe one must have this passion for the project to be properly motivated.

Final outcome

There were good days, when I was able to exceed the daily word count, and there were days when I didn’t even come remotely close. Although I tried to clear my November schedule as much as possible, scheduling blog posts a month ahead of time, etc…, I still had to struggle through life’s trials, and go through the motions of daily life, making the blocking of writing time tricky at times. At the end of November, when all was said and done, I had a manuscript of 52,000 words, but I did not truly meet the challenge, because of my original 21,000 words. The NaNoWriMo gang congratuated me when I hit the 50,000 mark and gave me a winner’s certificate. My real word count at that point was 29,000 words, and I knew that, but I claimed the winner’s certificate anyway, because in my mind, I was a winner in my own challenge. I was walking away from this challenge 29,000 words closer to having a completed story, and I managed to bang out another 2,000 words before the month came to a close.

I kept working on the story through the month of December. Although I couldn’t dedicate as much time to it, as I prepared for the Kickstarter for Delilah in January, I finished off the month with 59,000, but the story still wasn’t finished. I hope to have the first draft done by the end of February. Of course, even then, it won’t be publish-worthy. It will need to have a first edit by me, then go to beta readers,then another editing pass by me with revisions, then to another set of eyes for an edit, then back for a last pass by me. The idea for NaNoWriMo wasn’t to produce a polished manuscript, but just to get the words down on the page. The polishing comes later. I’m estimating a release date for The Rock Star & the Outlaw toward the end of 2023.


For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.


Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER will sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.

Lessons learned from NaNoWriMo

Let me start by saying, I did not write 50,000 words in November. I can’t say that I accomplished the goal, but I did come out with a manuscript of over 50,000 words, so I didn’t walk away empty handed.

For NaNoWriMo this year, I decided to work on my Western time-travel romance adventure, The Rock Star & the Outlaw. I already had a start on this story of 21,175 words, so I figured if I did manage to do 50,000 words, I would damn near have a full novel. And I did that, so I’m pleased with the results of this experience.

I’ve known that I am not a prolific writer like some authors I know. I will never crank out four or five novels in a year’s time, and I’m okay with that. But NaNoWriMo did teach me a few things about my own writing process which help to explain why I’m not prolific, which is like to share with you.

Time Management

I began this endeavor with the idea of trying out some of the writing strategies offered in Booked to the Gills, by Aisley Oliphant. It’s one of the books included in the valuable Writer’s Career Toolkit Bundle, curated by Kevin J. Anderson. (By the way, this is the lady day that you can get that bundle here.)

Her time blocking strategy was of particular interest to me, and I did find it to be useful. I found that when I put in the time without distractions, I was able to get a lot of words on the page, which was cool. But for me, the time blocks didn’t always work because life kept getting in the way, and things kept coming up that had to be tended to, so my blocks got cut short, or canceled. I found that it worked better for me, if I used smaller time blocks, with short breaks to do non-writing activities in between.

Although I did make the daily wordcount once on a workday by waking in the early morning hours before going to work, for the most part I found that I shouldn’t expect too much productive writing for these days. I found that these days, I’m generally too tired in the evenings to manage much in the way of productive writing, often only managing somewhere undr 500 words per day. Trying to time block my evenings on workdays didn’t work well and I was forced to accept that lower word counts were the norm on these days.

I was surprised to realize this, because I used to be able to write after work into the late night or early morning hours, and I did so frequently when I was earning my degrees in genre fiction and screenwriting. I must be getting old. Other things I used to be able to do, that no longer work for me include writing in the car while someone else is driving. I now get car sick when I try this tactic. Also, writing in bed. I can no longer stay awake into the late night hours, so I end up dozing off with my computer in my lap. But I also found that I am often awakening in the early morning hours and not being able to go back to sleep, and I am able to use those times to effectively write.

I also found Ms. Oliphant’s suggestion to take frequent breaks helpful. I used to be able to sit at my computer for hours on end, but it wears on me more as I get older. Frequent breaks to do other things allowed me to keep my head clutter free and improved my focus when I was writing. And I was surprised that most of these lessons are more about time management than they are about writing.

The Rock Star & The Outlaw

Writing Process

After compiling two Ask the Authors anthologies and organizing two virtual writing conferences, and working with over fifty authors, there’s one thing I’m sure of. Not every writer’s process is the same, and it is important for you to understand your own process. Some writer’s are pantsers, writing blind and allowing the story to develop organically, while others are plotters who outline down to the last detail, but most are somewhere in between. Some writers need quiet while writing, and others like to write while their favorite playlist plays in the background. Some writers are binge writers, who lock themselvews in a room and don’t come out until the book is finished, or they set crazy word counts for themselves each day and write like mad, while others take their time pecking out every word and editing as they go.

Now I know that for NaNoWriMo the idea is to get out a first draft, which is supposed to be rough. I get that. It doesn’t have to be perfect. There will be time to refine it later. However, my writing process doesn’t work like that. Try as I might, I repeatedly ran into scenes where I had to go back and add in foreshadowing for the story to work. Binge writing without editing as I go simply is not part of my writing process. I’m not wired that way. This could be a part of the reason that I am not prolific, but for me, editing as I go is essential.

I started with a rough outline for this story that I hadn’t looked at in almost two years, and 21,175 words already written, so I really only wrote about 24,000 words when I reached the 50,000 word mark. What I ran into early on was that my outline had a logic error which I had to go back and fix, so this quickly became a working outline, which changed as the story progressed. But that meant that any time I changed something in the story, I had to go back and change the outline, too. Again, this takes extra time away from the actual writing, but it was necessary to keep my story moving smoothly.

It also made the second half of the month a blind writing process, requiring time to think through things and figure out what came next. You can’t write fast when you don’t know what you are writing. And many of the events added later required me to go back and foreshadow the new event, or change things which had come before and no longer worked.

Although the goal was to write 1,677 or more words per day, very seldom was I able to meet that goal. Binge writing works for some, but it doesn’t work for me. However, it did help to make the story a priority. Not one day went by that I didn’t add at least a little, even on workdays. My lowest day was 123 words.

When I set out to get my M.F.A. in 2012, I thought I was a pantser, mainly because I hated outlines and prefered to just write. Unfortunately, that process left me with several stories which went no where. Then, I learned that outlined could offer my story direction which I didn’t have otherwise, and it helped to have some idea of where my story is going. So, it turns out that maybe I’m a plotter, and I’ve gone along believing that ever since, which is why I already had an outline for The Rock Star & The Outlaw.

Fortunately, outlines can be changed, since the trajectories for my stories frequently change. My characters often do things that were unexpected, which change the direction of the story, and I must go back and change things in both the story and in the outline. I now view my outlines as working outlines and change them as the story changes, and I changed this one frequently. I guess that makes me a plantser, which is somewhere in between a plotter and a pantser, because I plan, but remain flexible enough to adjust things as I go. It probably takes more time, but that’s how I roll.

Although this story was inspired by the music of The Pretty Reckless and others, I did not try listening to music while I wrote. I did however, listen while I was commuting or cleaning, or ironing, because this is when I do my pre-writing, thinking out the story as I did these mostly automatic tasks. Music is what inspired this story, and it plays a huge role, but if I try to listen while I write, I often catch myself singing along instead of writing.

The Main Take Away

I think what is important to take away from all of this, is that you have to do what works best for you. Every writer’s process is different, and what works for one writer may not necessarily work for the next. The advice offered in Booked to the Gills is valuable, but some of it just didn’t fit my lifestyle. However, I was able to find ways to adapt it by creating smaller blocks that worked better with my busy life and many obligations. Binge writing didn’t work for me either, but I was able to apply some of the same dedication that binge writing requires. And I adjusted my process when my outline wasn’t getting me to where I needed to be, and I went back and revised the story when I felt it necessary, because that is the way my writing process works.

Every author needs to explore different avenues until they find the methods which work with their life and writing styles. Then they can develop a writing process that works for them. There is no right or wrong way to write. Whether you’re a pantser or a plotter, or somewhere in between, whether you’re a binge writer or edit as you go, whether you listen to music or talk your books on a mountain trail. Whatever works for you is the right way for you, and don’t be afraid to try new methods and strategies.


For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.


Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.

Ask the Authors 2022 is featured in KJA’s Writing Tools Bundle

Ask the Authors 2022

Where can you find publishing industry experts willing to share their secrets? 

Ask the Authors 2022 is the ultimate writer’s reference, with tips and advice on craft, publishing and marketing. Eleven experienced and successful authors share what works for them and offer their keys to success in traditional publishing, hybrid, and indie. You’ll learn industry wisdom from Mark Leslie Lefebvre, Kevin Killiany, L. Jagi Lamplighter, Bobby Nash, Paul Kane, Nancy Oswald, Chris Barili, Jeff Bowles, Roberta Eaton Cheadle, Mario Acevedo and Kaye Lynne Booth.

This book offers up-to-date and tried-and-true ways to improve your craft, explores current publishing and book marketing worlds. Take a peek inside and find out what works for you.


Every year, Kevin J. Anderson curates a Writer’s Career Toolkit Bundle in coincidence with NaNoWriMo, because we all know that those crazy writers who knock themselves out at this time of year to produce 50,000 words in 30 days, need all the help they can get.

This year, Ask the Authors 2022 is one of those books to be included in this useful bundle of books for writers! We are in great company. L. Jagi Lamplighter has a book of her own in the bundle, The Art and Craft of Writing and Mark Leslie Lefebrve has a book co-authored with D.F. Hart, MBA, Accounting for Authors. Also included are books by big name authors such as Joshua Essoe, Joanna Penn, Kevin J. Anderson, and David Farland. There’s even a book by one of my cohorts, Aisley Oliphant, Booked to the Gills, which is aimed at writers of 30 day writing challenges, and will be helpful to those preparing to participate in NaNoWriMo. (You can see my “Review in Practice” for Booked to the Gills, here.)

The Writer’s Career Toolkit Bundle

The Writer’s Career Toolkit Bundle  – Curated by Kevin J. Anderson

This is the time of year when a lot of people turn their thoughts to writing. Challenges such as the National Novel Writing Month (November) and other writing groups and workshops encourage you to push your craft and productivity. So, each year I put together a big writing StoryBundle packed with insightful books on a wide range of topics relevant to writers, both newbies and old pros. I include craft books, basic advice, time management and productivity, careers planning, publishing, and marketing—the complete bag of tricks!

This year we have fifteen titles, enough to keep you busy planning your next project and your entire writing career.

For basics, I’ve included Kaye Lynne Booth’s comprehensive Ask the Authors 2022, the ultimate writing reference anthology, with writing tips and advice from eleven different authors on everything from pre-writing rituals, to character development and world building, editing and revision, publishing, book marketing and more.

L. Jagi Lamplighter’s sharply insightful The Art and Craft of Writing delves into the nature of storytelling itself to discover simple and practical steps that can bring our writing to the next level.

And if today’s most successful publishers, editors, and writers wanted to share the lessons they’ve learned, would you listen? Here’s your chance in Titans Rising: The Business of Writing Science Fiction, Fantasy, and Horror in the 21st Century by William Alan Webb and Chris Kennedy.

Next, if you’re ready to write that novel, Joanna Penn will get you started with How to Write a Novel, everything you need to write your book from idea to finished final draft.

David Farland’s Million Dollar Outlines is the seminal writing manual on outlining and structuring a book to make it reach the largest audience, written by well-known master and teacher.

And Kevin Ikenberry’s Mercenary Guide to Story Structure gives a great overview of your story: All stories have structure—learn the ins and outs of the most common modern structures and how they enhance your characters and thestories they inhabit.

And you can’t get anything done unless you learn how to find and organize your writing time. Booked to the Gills: How to Crush Thirty-Day Writing Challenges for Busy People teaches time management, workload distribution, and other skills for writers who feel they have no time to participate in writing challenges such as National Novel Writing Month. Now to more specific skills, depending on what you’re writing.

Joshua Essoe continues his series of Guides with Worldbuilding, written by an editor from the perspective of tackling all the most-common issues writers struggle with when creating worlds. 

On Writing (and Reading!) Short by Ron Collins is a celebration of writing, reading, and living short fiction.

Interested in writing scripts? My own book of Clockwork Angels: The Comic Scripts contains nitty-gritty inside examples of how to write a comic script, all six complete scripts for the BOOM! Studios comic series from bestelling author and award-winning comic writer.

In The Non-User-Friendly Guide for Aspiring TV Writers by Steven L. Sears, a veteran successful TV writer shares tips and inside knowledge on how to break in to writing for TV.

Once you have your masterpiece completed, you need to turn your mind to the business. If you decide to go the indie publishing route, a vital guidebook is Chris Kennedy’s Indie Publishing for Profit: How to Get Your Book Out of Your Head and Into the Stores, which teaches both the craftand business of writing.

Sarah Painter’s Stop Worrying; Start Selling:The Introvert Author’s Guide to Marketing shows you how to take control of your success as an author and build your readership through authentic, low-stress marketing.

Christopher D. Schmitz sells thousands of paperbacks every year by identifying his fanbase and targeting where those folks go… and he shows you how to replicate his success in Sell More Books at Live Events.

And finally, you can’t forget about the numbers. Read Accounting for Authors by D.F. Hart and Mark Leslie Lefebvre. Regardless of how you are publishing, having a solid understanding of basic accounting principles allows you to make the most out of your author earnings and calculate your
pathways to success. With this StoryBundle, you’ll be well equipped for your writing and
publishing journey. – Kevin J. Anderson

For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of five books in any ebook format—WORLDWIDE.

On Writing (and Reading!) Short by Ron Collins
The Art and Craft of Writing by L. Jagi Lamplighter
Essoe’s Guides to Writing: Worldbuilding by Joshua Essoe
Indie Publishing for Profit by Chris Kennedy
Booked to the Gills by Aisley Oliphant

If you pay at least the bonus price of just $20, you get all five of the regular books, plus ten more books for a total of 15!

Million Dollar Outlines by David Farland
Clockwork Angels – The Comic Scripts by Kevin J. Anderson
The Non-User-Friendly Guide for Aspiring TV Writers by Steven L. Sears
Stop Worrying; Start Selling by Sarah Painter
Accounting for Authors by D.F. Hart, MBA and Mark Leslie Lefebvre
The Mercenary Guide to Story Structure by Kevin Ikenberry
Ask the Authors 2022 edited by Kaye Lynne Booth
How to Write a Novel – From Idea to Book by Joanna Penn
Sell More Books at Live Events by Christopher D. Schmitz
Titans Rising edited by William Alan Webb and Chris Kennedy

This bundle is available only for a limited time via  http://www.storybundle.com .

It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file
transfer, email, and other methods. You get multiple DRM-free formats (.epub, .mobi) for all books! It’s also super easy to give the gift of reading with StoryBundle, thanks to our gift cards – which allow you to send someone a code that they can redeem for any future StoryBundle bundle – and timed delivery, which allows you to control exactly when your recipient will get the gift of StoryBundle.

Why StoryBundle? Here are just a few benefits StoryBundle provides.

• Get quality reads: We’ve chosen works from excellent authors to bundle together in one convenient package.

• Pay what you want (minimum $5): You decide how much these fantastic books are worth. If you can only spare a little, that’s fine! You’ll still get access to a batch of exceptional titles.
• Support authors who support DRM-free books: StoryBundle is a platform for authors to get exposure for their works, both for the titles featured in the bundle and for the rest of their catalog. Supporting
authors who let you read their books on any device you want—restriction free—will show everyone there’s nothing wrong with ditching DRM.
• Give to worthy causes: Bundle buyers have a chance to donate a portion of their proceeds to the Challenger Center for Space Education!
• Receive extra books: If you beat the bonus price, you’ll get the bonus books!

StoryBundle was created to give a platform for independent authors to showcase their work, and a source of quality titles for thirsty readers. StoryBundle works with authors to create bundles of ebooks that can be purchased by readers at their desired price. Before starting StoryBundle, Founder Jason Chen covered technology and software as an editor for Gizmodo.com and Lifehacker.com.

For more information, visit our website at storybundle.com, tweet us
at  @storybundle  and like us on  Facebook . For press inquiries, please
email  press@storybundle.com .


The 2022 Writer’s Career Toolkit Bundle launched on September 29th and will be available thorugh the end of November. So, before you sharpen your pencils and limber up your fingers for the upcoming writing challenge, grab you bundle and warm up your brain cells to do your best writing ever!


In celebration of this momentus event, eight of the contributing authors to Ask the Authors 2022 are getting together to tell us more about this great bundle and offer more writing tips and advice. Contributing author Mark Leslie LeFebrve will host myself, Bobby Nash, L. Jagi Lamplighter, Kevin Killiany, Roberta Eaton Cheadle, Nancy Oswald, and Mario Acevedo, on his Stark Reflections podcast. I’ll keep you posted as to when that podcast session will air.

Open Call for Submissions

Merciless Mermaids: Tails From the Deep

The call for submissions for the 2023 Western Colorado University & WordFire Press anthology is open… the theme revealed. So, put on your author caps and break out the keyboards, and submit your story today. Professional rates paid. Read full guidelines here: https://wordfirewestern.moksha.io/publication/merciless-mermaids-tails-from-the-deep/guidelines

MERCILESS MERMAIDS: Tails from the Deep 

Think deep—the deep of the sea, the deep of space, the deep of our souls, our fears, ourselves. Here, it’s not the monsters under your bed; it’s the mermaids under your boat.

Can you see the shapes in the waters that watch you? Can you hear the mermaid’s call?

Old sailors tried to warn us. You can find their stories in water-stained journals and letters throughout histories and cultures. People of the land laughed at them, calling their stories mere legends and fairy tales. Now it’s your turn to tell the real stories behind these tails found in the deep, the dangers in dark waters.

Will the merfolk prey on humans once the land-bound civilizations fall? Do they snatch men for research? What of the siren who is wildly tone deaf? Does your merman surface on some faraway planet, stare through mists at the newcomers and think Never. Again.

We’re sounding the ship’s bell for stories about malevolent and merciless merfolk of all kinds. Give us your mermaids who fought for the wrong reasons, made tough by their circumstances or by their own choices. Show us their schemes and villainous wiles, the fairytales that end in blood. Or laughter. Tempt us with their twisted workings across time and space, colors and creeds.

Deep down you know that the darkness has a tail.

Edited by Kevin J. Anderson and Allyson Longueira with an editorial team provided by Western Colorado University Graduate Program in Creative Writing, Publishing MA students. Anthology made possible by a generous contribution from Draft2Digital.


Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.

Fun Poetry Challenge: Mothers Are Special People

This is a poem I wrote about my mom back in 2010:


I miss how your smile lights up your face and makes you shine.

I miss having someone there who trusts and believes in me.

I miss your kindness, and your generosity, your willingness to share.

I miss how you always see the glass as half- full.

I miss your energy and enthusiasm.

Most of all, I miss the way your arms envelope me in a hug.

I miss you, Mom.

Do you have a mom who is, or was, pretty special? Of course you do. We all feel our moms were, or are the best mom on the planet, right? I know my mom was. She was my best friend. She was special to me.

Moms are pretty special people. They put in countless hours to care for and comfort us. They love us unconditionally, no matter how bad we mess up. And they don’t stop caring and being our moms just because we grow up and move away. Our Moms are always there for us. Yep. Moms are pretty special.

So for this poetry challenge, I want you to write a poem, in your choice of form, telling me what makes your mom so special. You can send them to me at kayebooth@yahoo.com by March 15, to be shared in a special post in honor of Mother’s Day on May 9th, 2022.