Writer’s Corner: Visceral Character Portrayal

Posted: April 22, 2024 | Author: kayelynnebooth | Filed under: Character Development, Writer's Corner, Writing | Tags: Character Development, Kaye Lynne Booth, Writer's Corner, Writing, Writing to be Read | 4 Comments

Caricature of a woman typing on a computer at a very messy desk. Text: Writer's Corner with Kaye Lynne Booth

This post has been a long time in coming. It was promised back when I posted “Writer’s Corner: Creating Characters with Depth” back in September. I finally got back around to tackling this subject, so let’s delve in.

While our characters need to be deep, they also need to be characters which readers can relate to and feel like they know, so that readers will care about what happens in our story enough to keep reading. A good part of this work is done at the beginning of the story, where we first introduce our characters. There are several methods we can use to make our characters feel more real to readers.

Save the Cat

All characters are flawed, just as all people are flawed, but they must also have redeeming qualities if readers are going to care about what happens to them. This method of redeeming our characters comes from Blake Snyder and his screenwriting book of the same name, Save the Cat. The idea is to reveal the good qualities of your protagonist through a good deed, like saving a cat in an opening scene.

Not all protagonists start out a story as the good guy or hero. In fact, in a story which follows the hero’s journey, the protagonist is usually reluctant to take on the role which he or she has been given. Bilbo Baggins comes to mind from J.R.R. Tolkien’s The Hobbit, where the character has no desire to leave his cozy hobbit hole and go on the adventure he’s been called on to take.

In Sarah, which will be released next month, I have a scene where we see Sarah, who goes by Hair of Fire in her Ute family, sits at the bedside of a sick child, administering healing medicines and showing concern for the child. Sarah is a nice character and this small act is enough to show reveal her caring qualities. Her hero’s journey begins when she is snatched away from her tribe and has no choice but to embark upon her journey.

Often our characters are not nice people to start out with, and developing redeeming qualities may be a part of their character arc, so the changes won’t be seen until fiurther along in the story. But they must have some redeeming qualities or the readers may not like them enough to route for them.

The worse a character is, the bigger the redeeming deed must be. So if you have a character like Dexter, a serial killer who kills serial killers you must try harder to show the softer, caring side, by showing how he supports his sister and can really be a nice guy. I would think it could be really rough getting readers, or viewers, to relate to someone who goes out and brutally kills people, even if they might deserve it. Dexter’s save the cat event comes when he saves the next victim of the serial killers who become his victims, a tricky ploy to pull off for the writers. Redeeming a character like Dexter could be quite a challenge.

Heart’s Desire

I was listening to Wulf Moon on the Stark Reflections podcast, episode 341. Wulf is a writer who found success at a young age and winner of the Writers of the Future contest, who turned his own success into a way to help his fellow writers to learn about the essentials of writing a good story. He claims readers must see & feel what is important to the character, what drives them to action and propels the story forward in order to care about the character and carry them through the story or series. Wulf calls this the “Heart’s Desire” and he claims that he’s found that one of the mistakes beginning writers make often is to not tap into the heart’s desire and let your readers see this aspect of your character.

I discussed this a bit in that previous blog blog post, (linked above), on giving your characters depth using the character triangle to identifying the character’s flaws, their need, and their “want”, but “Heart’s Desire” is stronger and more applicable term for the motivating factor for your character. No matter what you call it, by revealing what matters to your character, and what makes them take action, and their flaws, readers get a glimpse into what makes your character human.

Subtext and Inner Dialog

In The Rock Star & The Outlaw, Amaryllis is an adrenaline junkie who thrives on taking risks with her life through drugs, alcohol, and dangerous behaviors. Not a very savory character to start with at the beginning of the story, she winds up killing her boyfriend in self-defense and running from his cronnies and the law. In order to make readers care about her, I had to reveal things about her past, and show her vulnerablities through her relationship with Monique, her interactions with LeRoy, and her determination to stay by his side when she could have run and saved herself. To be sure my readers didn’t overlook the hints as to her motivations, I revealed them through inner dialog and subtext, putting her thoughts out there so there would be no misunderstandings about her motivations.

Subtext is found in body language and tone of voice. It is the feelings which lie just below the surface and may indicate things are quite different from what they appear. You can check out my archive post from 2017, “Dialog: Talking in Subtext” to get a deeper discussion on how to use subtext to make your characters feel more real.

Inner dialog can be used anywhere it is needed to clarify character motivations and help readers see where the character is coming from or understand the direction in which they are going, helping readers to relate to them. When Dexter’s inner thoughts are revealed, and they use this a lot in that series, viewers come away feeling that his actions are, if not justified, then at least understandable, making Dexter seem like maybe not such a bad guy, if misguided by his background. If readers, or viewers, can see the character’s point of view, they understand the character better, even if they don’t agree with it.

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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Book 1 of her Women in the West adventure series, Delilah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Writer’s Corner: A Bump on the Road to Writing Success

Posted: February 19, 2024 | Author: kayelynnebooth | Filed under: book marketing, Book Promotion, Book Release, Book Sales, Books, Children's Books, Fiction, Historical Fiction, Kickstarter, Publishing, Western, Women in History, Women's Fiction, WordCrafter Press, Writer's Corner, Writing | Tags: Kaye Lynne Booth, Kickstarter, Sarah, Women in the West, WordCrafter Press | 5 Comments

Caracature of a woman typing on a keyboard at a very messy desk. Text: Writer's Corner with Kaye Lynne Booth

What went wrong?

I have to admit I was more than a little disappointed when my last Kickstarter campiagn for Sarah didn’t fund. I only run Kickstarters for books that I’m going to publish anyway, and Sarah is no exception, so the book will still go out to distributors, it just won’t have that extra boost the funding from the campaign would have offered. As an avenue for direct selling, I make more than when my books sell through direct sales, so I like to run the Kickstarter campaign first.

For those who did try to back the campaign and were looking forward to reading Sarah, it will be released in May, instead of March. I was behind on my production schedule, and rushing to have the book finished, so as not to delay reward fulfillment. Since I don’t have any rewards to fulfill, I thought I’d slow down the process and leave ample time for editing, so I bumped the release date back to a May release. I’ll send it off with the usual fanfare and book blog tour, so you’ll be sure not to miss it. I do hope you’ll all join us for that.

I’m not letting the failure to fund discourage me from doing other Kickstarters, but instead, I’m evaluating the campaign in an attempt to figure out what went wrong. There are a number of factors to be looked at to determine where the problem might lie. Here are a few.

Duration

In the past, I’ve run 30 day campaigns which were successful. For Sarah, I only ran a 21 day campaign, which Russel Nohelty recommended as the optimal length for a campaign in an interview on The Creative Penn podcast. 30 day campaigns involve a lot of promotion, and I already feel like a pest as I push to get backing for my campaign and sell books, so the thought of doing a shorter campaign felt like a good one. Could an extra week have made a difference? Possibly. I know of at least one backer who didn’t get a chance to check it out before it ended, so maybe, but I was almost $200 short of my goal, so perhaps not.

Rewards

With my first Kickstarter, for Delilah, I offered a higher reward level, in which backers at that level got to name a character in the second book in the series, Sarah. This was limited reward, meaning only two of these rewards were offered, and both were taken. So, I did that again with Sarah, offering two character naming rights in the third book in the series, Marta, and again had both rewards taken, so I’m guessing that it was a sound decision to offer that again.

The Rock Star & The Outlaw campaign offered merchandise, including a poster and a tote bag, which were popular, but also more difficult to deliver. Merchandise is also a bigger expense for the author, which is why I didn’t do anything like that for my last camapign for Sarah. Merchandise reward levels are higher, due to necessity, but the author must consider their cost into the overall funding goal before offering to be sure it is worthwhile. On a small $500 funding goal, there’s not a lot of room for extras without cutting into the profits.

The campaign for Sarah offered rewards of Special Illustrated Editions of both books, which I thought would be a big hit, but they tanked. To my surprise, not one backer pledged at the Special Edition levels. I offered these as exclusive rewards, only available to Kickstarter backers, planning to put them out through distributors at a later date, probably after the third book was out, so I could offer all three as a set, or bundle. Again, I will still publish these through distributors, because the illustrations, done by DL Mullan of Sonoran Dawn Studios, are really, really cool, as are the Special Edition covers, also done by Mullan. But I really want to figure out why these books didn’t draw more interest as rewards, so I’ll be looking at these closer. I even dropped the price on their reward levels, and added an add-on of digital copies, both books for $5, which is a great deal.

Promotions

With my first Kickstarter campaign, for Delilah, I chanced across a promoter who made some ads for me and ran them on their channels for $15. Did they help? I don’t know, but I can tell you that the campaign was successful. However the campaign for The Rock Star & The Outlaw was just as successful, and it had no paid promotions. In fact it even did a little better than the first, so who is to say.

One thing about running a Kickstarter is, you expect your inbox to fill up with messages from people you don’t know, telling you how impressed they are with your campaign, and how they can help you make it a success. It goes with the territory. When it started to look like my campaign was faltering, I checked out some of these cold call messages, thinking maybe I could pay a little for a boost. Unfortunately, the cheapest one I found was $150. For a campaign with a $500 funding goal, that’s a lot. Especially when I’m not sure the one campaign I did paid promos with really benefited all that much from it.

Conclusions

In conclusion, I think I will go back to running my campaigns a full 30 days, as that seems to be a better fit for me and my books. But I will continue with Kickstarter as a part of my marketing plans. I may also take another look at merchandise for rewards for my next campaign, but I don’t think I’ll be looking seriously at using paid promotions, especially not at such inflated prices. I will continue to promote my own campaigns, just as I do my blog and my books.

*Heather Hummingbird Makes a New Friend*

My next campaign is scheduled for July for the first three books in the My Backyard Friends series; a project I’ve been working on for many years, but unable to publish for lack of an illustrator. I’ll be launching these three books; Heather Hummingbird Makes a New Friend, Charlie Chickadee Gets a New Home, and Timothy Turtle Discovers Jellybeans with wonderful illustrations by our own Robbie Cheadle. I’m looking forward to finally getting these books out there, so I hope you will all watch for the July campaign, and back the project or share to help promote it. All support is appreciated, even when the campaign doesn’t fund. I always appreciate my supporters.

About Kaye Lynne Booth

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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.

Writer’s Corner: Why I changed my Twitter(X) handle

Posted: February 12, 2024 | Author: kayelynnebooth | Filed under: Book Promotion, Books, Branding, Nonfiction, Social Media Promotion, Writer's Corner, Writing | Tags: Book Promotion, Kaye Lynne Booth, Nonfiction, Social Media Promotion, The D.I. Y. Author, WordCrafter Press, Writing | 7 Comments

Branding is Important

I recently changed my Twitter handle, or X handle, or whatever it is we call it now. I can’t say that I like all the new changes to the platform, but honestly, although I’ve been on Twitter since 2010 as @GodsAngel1, I’ve not used it a lot, so many of the changes may have slipped my notice. Back in 2022, when I graduated, my cohorts pointed out that my Twitter handle was different than all my author social media call names, which either associated me as an author, or as a publisher with WordCrafter Press. I said that I had been @GodsAngel1 for so long that to change, well, no one would be able to find me.

But the thought of changing my Twitter handle never left me, and I knew they were right. @GodsAngel1 was a personal handle used when Twitter first came out, and you were limited to so few characters, that I couldn’t post a tweet with what I wanted to say. It didn’t really fit in with my author and publisher branding. Since 2022, I’ve been using Twitter, now known as X, more, and the idea of changing my handle kept popping into my head when using the platform. I don’t know why I kept dragging my feet on the issue, but I did until recently when a friend of mine wanted to help me out with promotions, and ask me if I could change my handle to something less personal, more professional. I decided that I couldn’t fight it any more, especially when I knew how important consistant branding is, so I gave in and changed it.

Making the Change

First, I had to figure out how to change my Twitter handle, but with some solid guidance from one of my cohorts, I found the proper channel in the app. I erased my previous handle and entered WordCrafterPress, and ws informed it was too long, as was AuthorKayeLynneBooth. So, I tried just putting in WordCrafter, and was informed that name was already in use by someone else. So much for branding.

Then, it occured to me that with the new nonfiction book on the process of becoming an independently published author, and doing it all yourself will add a new deminsion to my branding, and I could use this change to strengthen that connection, as the D.I.Y. Author. That’s what I am, and it’s what the book is about: becoming a D.I.Y. author as inexpensively as possible and still get results. So, you can now reach me on Twitter, or X, using my new handle @DIY_Author.

I hope you’ll look me up, like and follow because I need all the peeps I can get. Or does that have a new name, too? What are followers on X called? And when we post is it still a tweet? I can’t keep up with all the changes, and I’m still learning the ropes, so to speak, so please be patient with me.

Coming in 2024

Book Cover: A manual typewriter with a page of typed words visible in foreground. A shelf of books in the background.
Text on page: Write a Book, Format the Story, Publish the Manuscript, Create an Outline, Create a Marketing Plan, Generate Reviews, Hide Under the Covers
Text: The D.I.Y. Author, Kaye Lynne Booth

How to work through the stages of the writing process on your own. The D.I.Y. Author shares the expertise I’ve spent years to acquire in one volume that will save new and aspiring authors both time and money, and inexpensive, but successful strategies for marketing and promotion.

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Writer’s Corner: Publishing with Draft2Digital

Posted: January 15, 2024 | Author: kayelynnebooth | Filed under: AI Technology, Audio Books, Books, Drat2Digital, Publishing, WordCrafter Press, Writer's Corner | Tags: AI Technology, Audiobooks, Draft2Digital, Publishing, WordCrafter Press, Writer's Corner, Writing to be Read | 14 Comments

I’ve posted on the value of publishing wide with Draft2Digital and Books2Read links. You can see my previous article here. I am in no way compensated for sharing information about D2D, but I am a big fan of publishing with them.

As an author and publisher who uses Draft2Digital to publish wide, distributing my books globally, including subscription services and libraries, I’m a huge advocate of their services. But I recently caught episode 333 of the Stark Reflections podcast with Mark Leslie Lefabvre titled, “10 Things You Likely Didn’t Know About Draft2Digital”. In this episode, Mark shares a replay of a presentation he gave at 20BooksVegas in early November of 2023, and I was pleasantly surprised to find that there were several cool things about publishing with D2D which I didn’t know.

I’ve used D2D to publish since 2018, and I was already aware of many of the great tools and services that they offer, such as royalty payment splitting for collaborations, which I use with WordCrafter anthologies. And of course, I knew about using Books2Read links, so potential readers can find your book through most of the major distributors in one place, and in any format in which your book is available.

The ability to publish through most of the publish on some subscription services and get your books onto the major library distributors was one of the reasons that I chose to go with D2D in the first place. What I didn’t know, was that some authors even use D2D’s free tools to create their book files, probably because it is easy and doesn’t require you to have Vellum or a Mac, and then publish direct onto other platforms without using D2D’s aggregating services, and they are okay with that. I use these tools to create my files for my ARC copies, but I prefer to let D2D do all the heavy lifting for me. Publishing direct to all the distributors that I use through D2D would be an outrageous amount of work.

I was also aware of D2D’s “Refer a Friend” program, which provides you an affliliate link you can share for folks to sign up. Any author who signs up to D2D with your affilliate link earns you a percentage of money earned by D2D from any books they sell over the next two years. Any D2D user can get an affiliate link. If you read this and decide to give Draft2Digital a try, you can sign up through my affilliate link, below, and it doesn’t cost you anything. My affilliate link is paid outof D2D’s cut of any works you sell using D2D as an aggregator. Here is my affilliate link: https://www.draft2digital.com/WordCrafter

There are some promo services which I was not aware of. I knew you could create your own independent promos. In fact, I used this feature to set up the WordCrafter Holiday Book Extravaganza in December, discounting the entire WordCrafter Press backlist. In episode 333, I learned how I can also get my book into D2D promotions, which is really pretty cool when you think about it.

I also learned that D2D now offers free AI narration of audio books through Apple Books. Now this is something that interests me, as audio books have previously been out of reach for me due to the expense of narration. You can see my post and discussion on the use of AI here.I knew they had this coming, but it was in the beta stage the last I had heard. Apparently they have rolled it out, and I will be looking into this further in the near future.

I was so excited to learn about this feature of D2D that I just couldn’t wait to check it out.I’m happy to announce that the AI narrated audiobook of The Rock Star & The Outlaw will be available through Apple Books soon.

Audiobook Cover: Sundial and planet with lightning bolts in background. Black leather clad woman and man dressed as a cowboy standing behind a large guitar in foregroound.
Text: The Rockstar & The Outlaw, Kaye Lynne Booth, When a woman with a guitar meets a cowboy with a gun, it's time to travel, AI Audio Narrated

Mark Leslie Lefabvre is an expert in the publishing industry, having worked for Kobo before coming to D2D, in addition to being a succesful hybrid author. Honestly, he says it all better than I do, and he knows a lot more about the inner workings of D2D. So if you want to know more about what D2D has to offer, listen to episode 333 here: https://starkreflections.ca/2023/11/17/episode-333-10-things-you-likely-didnt-know-about-draft2digital/

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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Book 1 of her Women in the West adventure series, Delilah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Writer’s Corner: Using the NaNoWriMo challenge to get the book done

Posted: December 18, 2023 | Author: kayelynnebooth | Filed under: Fiction, NaNoWriMo, Western, Writer's Corner, Writing, Writing Challenge, Writing Process, Writing to be Read | Tags: Historic Fiction, NaNoWriMo, Sarah, Western, Women in History, Women in the West adventure series, Writer's Corner, Writing to be Read | 2 Comments

NaNoWriMo 2023 – Writing a novel in 30 Days

This year, for NaNoWriMo, I chose to work on the second book in my Women in the West series, Sarah. In 2022, I chose a book that I had already been working on, so even though I completed the 50,000 word goal, I wasn’t truly a winner. So this year, I had to ask myself, “Can I truly meet the NaNoWriMo challenge?” I began with nothing but an outline and a partial opening chapter, just to see if I could do it.

NaNoWriMo isn’t designed to help you write fast, not well. That part is up to you. The idea isn’t to emerge after thirty days with a perfect novel, but with a rough draft, a place to start and build from.

Week One

During the first week, I met my writing goal of 1,667 words every single day and the writing was coming along fine. I stuck to my outline, for the most part. A couple of times I had to push to get those words out, but they were out there on the page.

In 2022, I tried to use methods suggested in Booked to the Gills, by Aisley Oliphant, such as time blocking. This was only one of the tips offered to get in 1,667 words per day to culminate into 50,000 words in 30 days. (You can read my review of Booked to the Gills here.)

Time blocking is an excellent strategy for getting words to page, if you can stick to it. I couldn’t. I found that, for me, time blocking only worked when events in my life were going smoothly. Too often things came up that prevented me from writing at my scheduled times, including working unscheduled shifts or other emergencies that just can’t wait.

This year my life is not structured enough to make time blocking feasible for me. I’m not working, but that leads to other situations that must be dealt with, things that can’t be scheduled around. But, I knew they would come and so I decided instead to move ahead with my natural stubborn bullheadedness, and endeavor to persevere. I simply sat at my laptop and wrote every chance I had.

Week Two

The second week was filled with those immediate distractions, things which couldn’t be ignored, and I’m sad to say, I had the first day that I didn’t meet my daily goal. On Tuesday of that week, I only got in about 160 words. But the good part is that I exceeded my daily goal enough in the previous week, that it didn’t take much to catch back up, and I finished off the week being right where I should be or maybe even a little better.

Most of my writing sessions were in shorter time blocks, with longer stretches once or twice a day. I was willing to take what I could get, and I seemed to be getting enough time in to meet my daily goal most of the time.

Week Three

I had two days in a row during the third week where I didn’t quite meet my daily goal, but came close. One extra good day with over 2000 words, and a couple where I made it over my daily goal by smaller amounts kept me floating right about where I should be in the overall word count, at over 35000 words. So overall, I was fairly pleased with my results.

I continued with my write every chance you get strategy, and it seemed to be producing the results I needed. I used modified time blocking by taking advantage of extended time blocks of several hours at a time, breaking them into 15, 20, 30, or 45 minute segments as life demanded.

During longer blocks of time, I often found myself stopping to research the details for certain scenes. Since this book is historical western fiction, I needed to be historically correct to the best of my abilities. I had to watch myself, and on few occasions, found myself falling down a research rabbit hole. Research is a necessary part of the writing process, so I didn’t fault myself for these excursions. At first I tried putting disputed facts in brackets, but leaving whole setting descriptions blank wasn’t helping my word count, and my word count wasn’t suffering for it, so I continued in that manner.

Week Four

I got a bad start to week four. My laptop has seen better days, and on Tuesday the 21st, I was unable to back up my work, because it quit registering my USB drive, and then I lost my screen image. Let me tell you you can’t write, or do anything else, on a blank screen with no curser. This was a set back that could, and in fact did, end my chances for a successful NaNoWriMo.

It was quite a disappointment. I had gone into town to shop for Thanksgiving dinner, and on the way back, I had worked out what would happen in the final scenes of Sarah. I was at over 35,000 words, closing in on the end of the challenge goal of 50,000. I knew what needed to happen, so I was ready to pound it out into the page. And suddenly, I was at a dead stop.

Alas, I have a guardian angel, in the flesh. My oldest and dearest friend has always watched out for me. When she heard I needed a computer, she sent me one. It doesn’t have the storage space my old one did, so I’m still trying to figure out how to access all my files, but it will do in a pinch, until I can afford to get a new one. It didn’t arrive in time for me to meet the NaNoWriMo goal, but it is allowing me to finish the book, and that is what is important.

I made the 50,000 word goal on December 10th, ten days after the NaNoWriMo deadline, so I might have made the goal for the challenge had I had a functioning computer. I’m happy to say that Sarah is back pretty much on schedule and should be ready for editing in January, as planned.

What I Learned

Even though I wasn’t able to finish the challenge and declare myself a “winner”, I now have a story with over 50,000 words completed, which is a darn good start, and I still learned a lot about my writing process from the experience.

I used to be a binge writer. I could focus on my story and tap away at the keys, blocking out everything around me. I learned that I don’t write like that anymore. As I’ve gotten older, I find I need those fifteen minute breaks every so often. This helped me to get the other things in life that I needed to tend to done, as well. Daily tasks and obligations are good excuses to put the writing down and take care of business.
Along with that, I learned that grabbing shorter time segments whenever I can works well for me. Even if it’s only 15 minutes, it gets a few words on the page, and those 15 and 30 minute segments add up when you look at the word count.
I also learned, not for the first time, that the best advice for me as an author is, “Butt in chair, write the damn book.” Those short segments did add up. I made the daily word count this way all but one day, prior to my computer quitting on me.

Conclusions

I am using the NaNoWriMo challenge to help me become a more prolific writer. I found the whole month of November to be a learning experience, because writing processes change. I learned that the way I used to write doesn’t work for me anymore, and I developed a few writing strategies that seemed to be more successful for me. Overall, I enjoyed doing the NaNoWriMo challenge, grew as a writer, and would recommend it to anyone who wants to test themselves or improve their writing process through trying out new strategies.

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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; and book 1 of her Women in the West adventure series, Delilah. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.

Writer’s Corner: Let’s Talk About AI

Posted: December 11, 2023 | Author: kayelynnebooth | Filed under: AI Technology, Audio Books, book marketing, Book Promotion, Book Sales, Editing, Fiction, Illustrations, Writer's Corner, Writing | 23 Comments

The Debate Over AI

I got an email the other day title, “Use AI to Write Your Book in a Flash”. I think Alexa, and Siri, and Google Assistant are annoying, and only correct a portion of the time. So when I saw this email, my first thought was, “Who would want to read a book written by AI?”

AI applications and tools are improving rapidly, so the idea of AI writing my book for me isn’t that far fetched. But the more I though about it, the more offended I became. I write as a means of expressing myself using my ideas, my words, my voice. I wouldn’t want an AI to write my whole book, no matter how fast it can do it. How could they actually believe an unfeeling, inhuman AI tool could even attempt to write for me?

The fact is, most of us already use AI in our daily lives, and we probably don’t even give it a second thought anymore. Most of us an Alexa, or Siri, or Google Assistant, or an equivilant AI device which we use to gain information, turn on our lights, play music, or even tell us a joke. We’ve come to accept AI as a part of daily life.

But when folks start talking about using AI for writing or narrating a book, concerned voices come out of the dark to express displeasure, siting several reasons why using AI with books and literature is not a desirable thing, but one or two stand out: AI created or narrated books are cheating, and take away human jobs.

We’re going to look at the validity of that argument, but first, let’s talk about the different types of AI and what they can and can’t do. Many of us already use AI in our writing, too, but we may not even realize it. Do you use the automatic spell checker that is built into Microsoft Word? Or maybe you use Grammerly or ProWriting Aid to help polish your words? Not so many because not all authors have audiobooks out, but some, may take advantage of the free AI narration for audio books available on Google Play. And then of course, there is Chat GTP, or [ ] which many authors use to help them in their research or in creating setting or character description.

The Creative Penn Podcast on AI

Joanna Penn is a futurist author and podcaster who is usually at least two or three steps ahead of the trends on The Creative Penn podcast. AI has been a hot topic on her poscast and she has many episodes which cover this topic. Penn is transparent in her use of AI in her writing and in creating illustrations. She has played with AI narration, and even had an AI voice created from her own voice, which she claims has saved her tremendous time in creating her audiobooks, which she previously narrated herself. In a couple of her podcast episodes, Penn plays the AI narrations for one of her audiobooks in a couple of different voices to illustrate the quality of AI narration that could be achieved. And I know that quality has improved even more since she recorded those episodes.

If AI is cheating, then with the narration, Penn is only cheating herself. She places disclaimers, letting readers know if a creative work is made with AI and in what capacity, so no one feels fooled or tricked. Although some people are out there pushing the use of AI to ‘write your book quick’, Penn points out that AI technology are simply tools to be used by the author or artist in the creative process. On The Creative Penn podcast, Joanna talks about how she uses ChatGPT and Mid-Journey to assist her in her research, and how she tells the AI what she is looking for and then can refine her search or tell it to make adjustments to a paragraph or an image until it meets what she has envisioned in her own head.

If you are interested in hearing what Joanna Penn has to say about the use of AI, you might try one or more of the episodes listed below.

Episode #562 – Co-Creating with AI Writing and Image Tools with Shane Neeley
Episode #589 – Digital Narration with AI Voices with Taylan Kamis from DeepZen
Episode #649 – Using AI for Art, Images, and Book Covers with Derek Murphy
Episode #660 – Co-writing Fiction with Generative AI with Charlene Putney
Episode #686 – Improve your writing with ProWritingAid with Chris Banks
Episode #690 – The AI-Assisted Artisan Author with Joanna Penn
Episode #691 – Generative AI and the Indie Author Community with Dan Wood (Draft2Digital), Michael Anderle (LMBPN, 20BooksTo50K), and Joanna Penn
Episode #700 – Using Sudowrite for Writing Fiction with Amit Gupta
Episode #701 – “9 Ways That AI Will Disrupt Authors and the Publishing Industry in the Next Decade [2023 Update] with Joanna Penn and Nick Thacker“
Episode #707 – “How AI Tools Are Useful For Writers with Disabilities and Health Issues with S.J. Pajonas”
Episode #712 – “Using AI Images in Your Book Cover Design Process with Damon Freeman”

Now, I don’t pretend to understand a lot of this because I haven’t used Chat GPT or Mid-Journey myself yet, so I can only go by what I hear, but I think it is something that is definitely worth looking into. As a DIY author, publisher, and book marketer, anything that can save me time and help me improve my writing or help sell more books is worth further exploration.

How I Use AI

As I write, I use the AI generated grammar and spellchecker that is built into MS Word, and I bet you do, too. I also employ the free version of ProWriting Aid as I do the final pass on all manuscripts, for myself and others. The AI generated tools pick up errors that I have missed, because hey, I’m only human. I don’t accept every suggestion offered, but they show me things I need to look at, and then I decide if changes are in order, and what type of changes should be made. But again, the AI tools are helpful in pointing out where there are possible errors, or suggesting a better way to say something, but the AI isn’t always right. Suggested corrections don’t always take voice or tone into account, and I, as the author make the final decisions about what goes on the page.

I have not tried using an AI tool such as Chat GPT, but I can see the potential. If I had a tool that could assist me in thinking through each scene, with suggestions for options at my fingertips, I think it would save me a lot of time. And a tool that could help me, who cannot draw well and is not artistic in that way, to create my own images for book covers, illustration and promotion, is something I want to know more about. I’m creating my own images anyway, but perhaps AI could help me make my images better.

Doing my own audiobooks is something I’ve been looking at for a while, but haven’t yet been able to pull off. The idea of creating an AI voice from my own definitely appeals to me, since audiobook creation requires a lot of time that I don’t seem to have. I don’t know enough about it right now to make any rash decisions, but I certainly want to know more. I have listened to AI generated narration that sounds pretty good, and I’ve heard Mark Leslie Lefabvre’s AI narration created from his own voice, which offers few clues that it isn’t the real Mark. (I can’t find the episode now, but at the end of one recent episode of the Stark Reflections podcast, he plays his final reflections read by his AI voice.)

WordCrafter Press also used an AI generated image and voice in the book trailer for the 2023 anthology, Midnight Roost, created by DL Mullan and Undawnted. And frankly, I think it is an outstanding book trailer and the AI made it really cool. This is an awesome way to showcase the authors and the anthology as a whole. Give it a watch below and see what you think. I can definitely see how a tool such as the one used by Mullan could be a great asset in my advertising tool kit.

Midnight Roost Book Trailer

AI is Just a Tool

You can guess from the above post that AI tools are something I have an interest in using. Many of us already use AI tools, even if we don’t look at it that way. I know I used the AI spell checker on MS Word and ProWriting Aid without thinking twice, because they made my life as a writer easier. But as Joanna Penn repeatedly points out, AI can’t do it alone, it needs your input, your humanity, to do what it is programed to do. Alone AI can’t write a thing.

Let me know what you think about the use of AI tools in the comments.

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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; and book 1 of her Women in the West adventure series, Delilah. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Writer’s Corner: Who Needs an Editor?

Posted: December 4, 2023 | Author: kayelynnebooth | Filed under: Editing, Fiction, Write it Right Editing, Writer's Corner, Writing | Tags: Editing, Editors, Write it Right Quality Editing Services, Writer's Corner, Writing to be Read | 2 Comments

Even Stephen King Needs an Editor

In my graduate publishing classes, Kevin J. Anderson talked about how traditional publishers have tried to cut corners by providing minimal editing, and how they won’t even look at a manuscript that will require heavy editing, unless you are a big name author. Then he told the story of how Stephen King submitted something to a publisher who didn’t thinkm his work needed editing because he is a bestselling author, and Stephen King said something like, “What? No, wait. Part of the reason I’m a bestselling author is because I have fantastic editors to make me look good.”

Even bestselling authors need editors to help them make their writing the best that it can be. They don’t whip out stories that are grammatically correct and properly spelled right off the cuff. They work at it, and they have others input to help them improve their writing, and together, they turn out well written novels which then, become bestsellers.

For me, KJA’s story drove home a point. I’m an unknown author, and writing is a learning process which never stops. So, if bestselling author Stephen King believes he needs editors then, what makes me think that I don’t? Of course I do. I don’t claim to write as well as King, not by a long shot, so of course I need to have someone knowledgeable in all things writing to take a look at my works before I share them with the world.

Advantages of Having Your Work Edited

You’ll produce a better quality work that you can be proud of.
Readers will appreciate not having to struggle through poorly spelled, or poorly structured sentences and paragraphs, just to follow the plot of the story.

So, What Does an Editor Do That I Can’t?

There are many types of editing, but for the sake of this discussion, we’ll talk about line editing, or copyediting in the world of advertising and content marketing. For our purposes, we’ll use line editing.

A line editor sits down in front of your manuscript and goes through it line by line, marking misspellings, inconsistancies and grammar errors. If you’ve got a good repore with them they may also point out plot holes, but that really falls under the deep dive of developmental editing. And about now, you’re saying, “Well, I can do all of that.” And you can, but the thing is, they are not as close to your work as you are. And because you are so close to it, (if you’re anything like me, your stories are like your babies, so you’re biased toward your own writing), they may see things that you don’t, even though it’s right there in front of your eyes.

A Second, (and Maybe a Third or a Fourth), Set of Eyes

Editors are expensive, because editing takes a lot of time, when it’s done right. And I realize that not all authors can afford to hire an editor, especially when you are just starting out, and sometimes even years down the road, when you’re still trying to gain traction. I know because I’m one. I don’t make enough from my writing yet to give up my day job, as much as I would like to. Of course, I want my work to be its absolute best before publishing, so what is an author to do?

I’m a DIY author, but I believe that you really do need that second set of eyes that are distanced from your writing to get an objective opinion, but you don’t always need to pay a professional editor to get that. I don’t mean have Aunty Em give it a look, but someone who is knowledgeable about grammer and spelling, perhaps another author like yourself. I’ve found in the indie author and blogging worlds that there are many authors willing to trade services, or even pay things forward, if you just reach out and ask. The worst that can happen is they’ll say, “No.” If they do, try someone else.

You can try to find an editor on Fivver, but I would caution that you may get what you pay for there. Editors on Reedsy don’t usually come cheap either. But these are two options that are available to authors where you might find an affordable editor.

I utilize several of my author friends as a second set of eyes to beta read or edit my stories. When I can get them, I employ both. I know authors are busy people, so in turn, I must be willing to do the same for them, and I’ve also done a good share of paying forward. I’ve had some author friends turn me down because they were too busy at the time. I get that. Most of the authors I know have a lot going on. I happily move on, although I may come back to them latter.

Self-Editing Tools for Writers

I came across this great blog site, KD Did It Edits, which offers free editing tools for authors who can’t afford an editor, or those who just like to make their writing their absolute best before sending it to their editor, or second set of eyes. The whole site is filled with editing tips and tools, so drop in and browse around. I use many of the resources and tools that she has listed in my own work, including the Perdue Owl, and several of the style guides.

I also use Pro-Writing Aide in my final proof, before I upload my manuscript for publishing, which is basically an AI editor, similar to the one that catches my mistakes in MS Word. These AI tools catch errors which I may have overlooked on the first passover and point them out, so I can decide if they need correction, and how any corrections should be made. So, the AI tools are not writing for me, but they do assist me in catching as many errors as I can. I use them with my own writing and when I’m editing for others. I know I am human and can make mistakes or miss things, and they help me to make all my work the best that it can be. These tools are not a substitute for another set of human eyes on my own work, and I still use beta readers or my fellow authors to see other things that I might not have noticed. For the work of others, it goes back to the author with my comments and the author decides which corrections will be made, and which will be discarded.

Speaking as an Editor

As I mentioned, I do editing for others in a professional capacity through my Write it Right Quality Editing Services. Of course, I want writer’s to employ my editing services, but like I’ve said, I understand that many can’t afford an editor. I’ve always tried to offer my services at affordable prices, but today, I find my services offered at right around the going rate. I do offer discounted rates and special deals, at times. And of course, if you publish through WordCrafter Press, my line editing comes as a part of the publshing package, which is a 50/50 royalty split.

I do offer developmental editing services, but I don’t advertise it on my site and charge for them on an individual case-by-case basis, depending on how much work is needed. You can reach out to me for a quote on the contact form on my site through the link above, or at KLBWordCrafter@gmail.com.

Conclusion

In my opinion, any author that is human will make mistakes, so every author needs an editor, or someone else knowledgable in writing, to go over their manuscript or story. I hope that authors will find my site and chose to employ my services, but I understand when they don’t. As a reader who enjoys good writing, I hope that they are striving for perfection in their work, and will find someone else to do it, so that whatever they put out into the world will be the absolute best that it can be.

Do you agree? Disagree? Let me know your thoughts in the comments.

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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Book 1 of her Women in the West adventure series, Delilah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Writer’s Corner: The Value of Going Wide & Books2Read Links

Posted: November 6, 2023 | Author: kayelynnebooth | Filed under: Book Sales, Commentary, Indie Publishing, Publishing, Self-Publishing, Writer's Corner | Tags: Books2Read, Publishing Wide, Writer's Corner, Writing to be Read | 14 Comments

Why Publish Wide?

We’ve all heard of Amazon. They are the single largest book distributors out there, but they aren’t just a book distributor, but they require exclusivity and they make authors jump through hoops for them to give us a second glance. Now, I admit, I have a problem with going exclusive with Amazon KU, although I know there are may authors out there who do quite well. But Amazon also has a habit of cancelling author accounts for percieved infractions to their Terms of Service. So, just stop and think for a moment what would happen if Amazon were to decide that something you do violates their TOS and cancels your account. You can appeal the decision, and you might even win, but in the meantime, your books are not available anywhere and you’re loosing money, or at least the potential for money.

Most of us have heard of Barnes & Noble, Smashwords, Apple Books, and Rakutan Kobo. These are the larger book distributors, and books are what they do, so authors can get a little loving care when dealing with these guys, but with the exception of Smashwords, you may have to be an author with a bigger name to get noticed. But here’s the thing. Publishing on each of these platforms is possible, (with the exception of KU, which requires exclusivity, but Amazon will let you publish without being in KU), but it would be very time-consuming. Any time that I spend publishing, is time that I’m not writing, so for me, publishing once to D2D and letting them take care of the rest is appealing.

Some distributors are only available in certain countries outside the U.S. Others are subscription services, or like Overdrive, sell only to libraries. My books are available on all of them and I only have to hit publish twice: once for the digital format and once for the print book. To me extending my reach in this way just makes good sense.

Why Use Books2Read Links?

I work with a lot of authors doing WordCrafter anthologies, and I ask them all to use Books2Read links in their promotions. I’ve had several people feeling the need for an Amazon link, because that is what they’ve become accustomed to. I had to explain that the Amazon link shows up under the Books2Read link, along with links for Barnes & Noble, Apple Books, Rakutan Kobo, Scribd, Smashwords, Baker & Taylor, Overdrive, Tolino, Bibliotheca, Odilo, Borrow Box, Palace Marketplace, Gardners, Vivlio, and others. Google Play is the only one I know of that D2D does not work with. If you haven’t heard of some of the above distributors, don’t be surprised. I hadn’t either until I started publishing through Draft2Digital.

Books2Read landing page for "The Rock Star & The Outlaw"
Book Cover, Tabs for All, ebook and print. Available in Ebook: icons for Kindle, Apple Books,nook, Rakutan Kobo, Scribd, Thalia, Smashwords, Angus & Robertson, Vivlio, and palace Marketplace. Available in Paperback: icons for Amazon and Barnes & Noble.

Every book I publish through D2D gets a Books2Read link, so with one click readers can find links for all the distributors carrying my book and select their favorite distributor in order to make their purchase. This makes my books available on all devices, not just Kindle. Above is a screenshot of my Books2Read landing page for The Rock Star & The Outlaw. You can see the distributors where my books are available. There may be others where print is available, but print links must be added manually, so I’ve only added the two largest ones. I’ll add others down the road when I find time. There are enough distributor choices here to reach readers on any device in many different countries.

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Author Kaye Lynne Booth sitting at a desk

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Book 1 of her Women in the West adventure series, Delilah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Writer’s Corner: Direct Selling Through Kickstarter

Posted: October 2, 2023 | Author: kayelynnebooth | Filed under: book marketing, Book Sales, Fiction, Kickstarter, Writer's Corner | Tags: Book Sales, Direct Selling, Kaye Lynne Booth, Kickstarter, Writer's Corner, Writing to be Read | 5 Comments

Note: “The Viscareal Character Portrayal” segment of “Writer’s Corner” promised last month has been postponed, but will be featured soon.

Why sell direct?

Many of you may be aware of my use of the Kickstarter platform to sell my books direct, before they are released through distributors. My business model utilizes both direct selling and offering my books wife through distributors and libraries. But, ‘why bother?’ you might ask. By my own admission in previous posts, Kickstarter campaigns are a lot of work, create a certain amount of tension as I wait to see if they will fund, since Kickstarter is an all or nothing deal, and since I am not Bryan Sanderson, Kevin J. Anderson, or Joanna Penn, have produced only a small amount of money, just barely funding each time.

But, did you know that authors who sell direct make more money from their books by cutting out the percentage that distributors take, so they get to keep more of their royalties. I would make even more if I sold direct from my site, but I’m not set up to do that yet.

So, by buying direct from an author’s site or through a Kickstarter campaign, you are supporting that author more than you do by purchasing through a distributor. I’m all for anything that makes me more money from my books and gives less to Amazon. While I do have to give a cut of the money I make on each campaign to Kickstarter, it’s only 5%, which is much less than the 30 – 70% that have to give distributors.

Why Kickstarter?

Traditionally, authors would submit their work to publishers, and if they were lucky enough to have their book catch a publishers eye, they would get a contract and an advance on their earnings, and their book would be published eventually. But that advance was basically what most authors would make on their book unless it hit the best seller lists, because you had to earn out the advance before any more royalties would be distributed. With the rise of indie authors, traditional publishing, publishers began offering less and less for advanced, and doing less and less marketing, until I hear now, that in many traditional publishing deals today, authors are lucky to get any kind of advance at all, and they are expected to do most of the marketing, as well.

I look at Kickstarter as the indie authors advance for their books, and the best part is, you don’t have to earn that out before receiving more royalties from distributors. So, while $500 isn’t a lot of money, that’s where I set my funding goals for now, because it’s low enough to offer me a chance to reach it, since I don’t have a big reach… yet. I figure that’s a pretty good advance, and it gives me more funding to keep my writing business operating for a while longer.

Not all crowd funding is equal. I understand that other crowd funding platforms charge a lot more to host, are more general in their uses, and feel a bit like begging. But Kickstarter is set up to accommodate creative projects, and they have formed their own inner eco-system, so you can reach out to a whole new audience. Backers from earlier campaigns are automatically notified when you launch a new campaign, and they have internal messaging set up, so you can engage directly with your backers and develop more of a relationship. And I’m not begging. I’m offering real value to my backers in exchange for their support. The going may be slow, but this is one way to find those 100 true fans that will read everything I ever wrote, just because I’m me.

How Does It Work?

Why you might want to back a Kickstarter?

There are several reasons for backing Kickstarter campaigns. You might know or be familiar with the author and want to show your support. I support Kickstarter campaigns of authors I know, and they, in turn, back my campaigns, as well. That’s one thing I love about most author communities – we support one another.

But, there is another reason which can be even more motivating – the value offered through the Kickstarter system. Of course, the higher pledge levels offer more value through bigger and better rewards.

Plus there are add-ons, which you can get for an additional pledge. Since international shipping is beyond my reach at this time, I offer plenty of digital goodies for my add-ons. I tried offering an interview with the author, but as a still relatively unknown author, I didn’t have any takers on that one. Hopefully, that will change soon.

But there’s more. Once the funding goal is reached, stretch goals can be added, which offer bonus goods if a new goal is reached, as I touched on above. For example, you might receive a bonus book for everyone who backed the project at the $5 level or higher for hitting a certain amount of pledges, or bringing in a certain number of new backers by a given deadline. The more goals reached, the more rewards backers get. And it’s not just books. Kevin J. Anderson offers audiobooks. Dean Wesley Smith and Kristine Kathryn Rush offer workshops valued at $150. Other authors offer artwork, interviews, in-person hang outs or Zoom calls, or consultations. Backing a Kickstarter at the $5 level can return some great value.

My campaigns offer an early digital copy of the book, before its release through distributors at the $5 level, and a signed print copy for U.S. backers at the $25 level. For Rock Star, my highest level offered a goodie bag with all the rewards from the lower levels and more. For Delilah, backers at the highest level got to name a character in the second book. I’ve had a lot of fun developing the characters of Lillian Alura Bennett and Owoz Crebo for Sarah.

Things to be aware of

Kickstarters are a lot of work. Seriously. And you must keep in mind that Kickstarter is an all or nothing deal, so if you don’t reach your funding goal, you get nothing, and neither do your backers.

On the other hand, it’s a great way to engage with readers, as Kickstarter provides internal messaging which allows you to interact directly with your backers. Backers for one campaign are automatically notified when you run the next one, so it helps to build your following. Because it is a form of direct sales, you profit more than you would selling through distributors.

A look at my past Kickstarters

I have done two Kickstarter campaigns, and both successfully funded. The first was in January, for Delilah and the Women in the West adventure series. You can learn more about that campaign here: . I’m planning another series Kickstarter in January 2024 for Sarah, book two of the series.

The second campaign was in July of this past year for The Rock Star and The Outlaw, my new time-travel adventure. Although I am not a big author, with a big reach, this campaign also funded, and it did so a little faster than the first, leaving me three whole days of campaign to offer a stretch goal. Stretch goals are extra added goodies, which can be offered to try and gain more pledges, thus making more money once you’ve reached your goal. I added a stretch goal for reaching an additional $100, but didn’t quite make it. Still it was excited to have the opportunity to offer it to my backers. I like being able to offer cool things to my supporters. It felt good to be able to offer an extra value. Maybe next time, we will make it.

Looking forward

I have two Kickstarter campaigns planned for 2024. The first is the January Kickstarter for Sarah, mentioned above. I’m really looking forward to sending off the second book in this wonderful western series, with its strong female protagonists and historic female characters. Big Nose Kate will make an appearance in the second book, along with young Sarah, the fiery youth who was kidnapped and sold to the Utes in the first book.

The second campaign will be in July, for the first three books in the My Backyard Friends children’s series. I almost had this one published back in 2015, but problems with the illustrator prevented it from coming to fruition. You can learn more about the difficulties encountered here: . This series is inhabited by characters based on birds and wildlife which visit me at my Colorado mountain home. Each book is stand alone, so they need not be read in order, and I will be launching the first three from the Kickstarter platform Heather Hummingbird Makes a New Friend, Timothy Turtle Discovers Jellybeans, and one other story to be determined.

I finally found a wonderful illustrator for these books, and she was right under my nose. I’m happy to announce that this series will be illustrated by our very own, multi-talented Robbie Cheadle! I am thrilled to have Robbie doing the illustrations, and can’t wait to present the first three books on the Kickstarter platform.

In conclusion

I hope this post has given you a better idea of what Kickstarter is all about, and how it might be useful to you, as an author. I also hope it has encouraged you to check out my Kickstarter campaigns, and maybe even throw your support behind me. I’ll keep an eye out for you next January and July.

To learn more about Kickstarters

Here are a few places where you can learn more about Kickstarter and get tips on what to do when launching your own campaign.

Get ting Your Book Selling with Kickstarter, by Russel Nohelty and Monica Leonelle. (Watch for my “Review in Practice” for this book next week.)

Stark Reflections Podcast: Episode 149 – Killing it on Kickstarter with Russell Nohelty

The Creative Penn Podcast: Episode #627 – Kickstarter for Authors with Monica Leonelle

The Creative Penn Podcast: Episode #619 – Kickstarter and Multiple Streams of Income with Bryon Cohen

About the Author

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; and book 1 of her Women in the West adventure series, Delilah. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Writer’s Corner: Creating characters with depth

Posted: September 4, 2023 | Author: kayelynnebooth | Filed under: Character Development, Fiction, Writer's Corner, Writing | Tags: Character Development, Fiction, Writer's Corner, Writing to be Read | 7 Comments

Caracature of a woman typing on a computer on a very messy desk.
Text: Writer's Corner with Kaye Lynne Booth

Character Development

Masterclass Articles offers eight tips for character development: establish motivation and goals, choose a voice, do a slow reveal, create conflict, create backstory for important characters, give characters believeable traits, create a visual image of characters, and give supporting characters conflicting traits. While these are all useful tips in character development, and they all kind of mesh in together, although the reveal, the visual image, and the supporting characters have more to do with the presentation of your character to readers once you have a fully developed character. You can read the full article here: https://www.masterclass.com/articles/how-to-develop-fictional-characters#4Zt0GK2DaQjsNILtGsWJYO

There are many ways to grow and discover your characters. We will talk about two methods of character development here. One method I use are character triangles, which give characters motivation and goals. And Shadow Theory is useful in creating a history and backstory for your characters, and are useful in determining what the points on your character triangle are. Determining your characters fears or flaws attributes them with believable and relatable traits.

Character Triangles

It is important that a writer creates unique and interesting characters by giving them a history, and both internal and external conflicts that are similar and relate to the theme. No one wants characters which are flat and two-dimensional. In order to write characters with depth you must know what their motivations are, and for that, characters must have a good idea of their background or where they’ve come from, and where they are going, or what their dreams are, in order to understand who they are in your story.

Let’s take a look at one of my characters from a horror screenplay that I wrote. During the writing, I found that the characters in this piece lacked depth, and I will take you through the process I used to make them more complex and well rounded. The screenplay now sits in a virtual trunk somewhere and will likely never see the light of day, but for the purposes of demonstrating how more depth might be revealed in a character, it serves my purpose well. This is the format we use introduce a character in a screenplay, but I find it helpful to use in my fiction writing, enabling me to see how fleshed out my characters are. The words in parenthesis indicate the function a trait serves (want, need, or fear/flaw) on the character triangle, which I use to determine character motivation.

My protagonist, Justine Avery is a young journalism student who goes to stay at a purported haunted house on a dare.

This was my origianl introduction for the protagonist: JUSTINE AVERY – 24, naive, fresh out of college with a degree in video/cinematography, she thinks the chance to work on Kaylee’s documentary might be her big break (want), so she wants this gig more than anything, bad enough to take it even though she’s scared to death of what might happen (fear). She needs to keep her integrity, so she can look at herself in the mirror every morning.

Now here’s the rewrite I did to try and deepen Justine’s character: JUSTINE AVERY – 24, naive, fresh out of college with a degree in video/cinematography, she thinks the chance to work on Kaylee’s documentary could lead to her big break into the business (want), so she wants this gig more than anything, bad enough to take it even though she’s scared of blowing it (fear), because of her low self-esteem and an inability to believe in herself and her abilities (flaw). She needs to learn to believe in herself and have confidence in her talent and skill.

A Character Triangle for Justine Avery. Each corner marked: Want, Need, Fear/Flaw. Want marked "Big Break in Journalism", Fear/Flaw marked "Low Self-Esteem", Need is unmarked.

I think this version is a little better. I changed her fear and I gave her a fatal flaw which could be her downfall unless she can triumph over it. (And the fear is directly connected with her flaw, which ties in with my theme: Self-Reliance. This offers her the potential for the needed transformation in the scene where her boyfriend, Mitch, forbids her to go on the gig and she chooses to walk away.)

It shouldn’t take much to also work in the details of her added backstory, which isn’t in my original bio for her: Raised by controlling, overbearing parents, she learned early in life that it is easier to go with the flow than to risk tipping the boat over with resistance. Currently in a relationship with Mitch, an overbearing, controlling guy who managed to turn their first overnight date into his moving in party so smoothly, Justine still isn’t sure how it happened. Mitch is verbally and emotionally abusive to her, but he derides her so much, she has come to believe the things he says about her and she harbors huge doubts about her own self-worth.

Justine is beginning to seem more like a character with some depth and we can get some idea of what motivates her actions. Allowing her a flaw of low self-esteem not only turned her into an imperfect human, but it offers her the choice of staying in a stagnant relationship and continuing to employ behaviors which are no longer effective, or transforming into the self-reliant woman hinted at in that early scene with Mitch. It is much clearer now what her arc will be, and it’s all tied in with the theme.

The character triangle which I use represents this transformation loosely, depicting the character’s want and need, which are not the same, although the character may believe that they are, and their fear or flaw, which is an obstacle to be overcome in order to achieve the character’s want. The want is the concious desire that motivates the character, while the need may not be so obvious, because their need is subconcious and the character may not realize that their need exists. The need is what the character ends up with, and is often in opposition to what the character desires.

A figure pointing one way, while its shadow points in the opposite direction.

Shadow Theory

Another method that seems to work well in creating in-depth or complex characters is the shadow theory of character building, which is the idea which delves into the hidden or repressed aspects of a character, and these traits usually play a part in the character tranformation which must occur for the character to complete their arc. I’ve been experimenting with incorporating this method into my own character developemnet.

This theory claims that traits that are apparent on the outside, have an exact opposite trait residing on a subconcious level, and the two opposites may be in conflict-kind of like the two little guys sitting on the character’s shoulders, telling him what to do. This type of depth is often revealed through subtext, because the dialog is what the character says, but it may conflict with what they are actually thinking.

K.M. Weiland explains it this way – “I call this trick shadow theory, and it’s simply this: whatever is visible in a person’s external personality is an indication that the exact opposite resides in the shadow.” You can learn more about the shadow theory, which stems from the theories of human behaviors developed by Carl Jung and how to use shadow theory to create deeper and more complex characters here: “How to Create Insanely Complex Characters Using “Shadow Theory”“

Both of these methods can be used to delve into your characters and give them depth and complexity. I have used just the character triangle to shape my characters

In next month’s segment of “Writer’s Corner”, we’ll talk about the visceral portrayal of your characters , which will cover the Matips we didn’t hit on here, so be sure to drop by.

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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; and book 1 of her Women in the West adventure series, Delilah. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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