Writer’s Corner: Independent Author (Key Word – Independent)

Posted: August 4, 2025 | Author: kayelynnebooth | Filed under: Book Covers, Indie Publishing, Publishing, Self-Publishing, Writer's Corner, Writing | Tags: Author, Books, independent publishing, Publishing, Self-Publishing, Writer's Corner, Writing, Writing to be Read | 6 Comments

Caracature of a woman typing on a keyboard at a very messy desk. Text: Writer's Corner with Kaye Lynne Booth

Author’s Note: This was mistakenly published last Monday, along with the “WordCrafter News” post, so you may have already seen it. I’m re-publishing it on its scheduled day for those who may not have caught it on the earlier date. I’m not sure what happened, but please forgive the misposting.

I studied the craft of writing in the master’s program at Western State Colorado University from 2012-2016. At that time, the term ‘independent author’ left a bad taste in most author’s mouth. Times were rapidly changing in the publishing industry as independent publishing grew in popularity among authors who were tired of waiting to be discovered, which often took many years, and sometimes, not at all. But at that time, the term was associated with poorly written and cheaply manufactured books which were flooding the market by authors who not only wanted to bypass the gatekeepers of traditional publishing but also wanted to use independent publishing as a short cut, skipping over editing, as well, which in most cases, was badly needed.

As I said, things were rapidly changing in the publishing industry, and today, we’ve seen the ‘Big Five’ traditional publishers, dwindle down to the ‘Big Three’, as they struggle to try and keep up with those changes as independent authors take advantage of new technology which make it possible to publish themselves both cheaper and easier. With digital eBooks and aggregates like Draft2Digital, which use P.O.D. (Publish On Demand) for print books, there are no up-front costs to publish your work, and once everything is ready to publish, the whole process can be done in just a few hours. The rise of independent authors has forced traditional publishers to change and adapt, or become extinct.

The key word in ‘Independent Author’ is Independent. Independent authors don’t need to wait for someone to take interest in their work, but we must remember that this also makes us a business and we’re the boss, and we are solely responsible for the quality of the product we put out. Independent publishing should not be used as a short cut to avoid having your book edited, because in most cases, it’s pretty obvious.

That being said, many authors today chose independent publishing because of the control it gives them. Like I said, we are our own bosses. That means we can control the quality of our work, and everything else: title, cover, price, production, and promotion. Certainly, this was one of the main reasons that I chose to become an independent author after gaining a five-year contract for my first novel and finding that having a publisher wasn’t giving me any advantage in selling Delilah. The cover they had given me was not representative of the character or the story, and as far as I could tell, they provided little or no promotion. I began WordCrafter Press and started publishing collaborative projects long before that contract ran out, and when it did, I revised Delilah to be the first in my Women in the West series. I had to learn new skills to provide my own covers, and find people willing to edit my work in an exchange of services due to my limited budget, but when the book was re-released, I sold more copies a month than my publisher had in five years.

With my recent computer issues, I was glad that I had control of my work and the decision-making process. Because I had limited computer time and was writing in longhand and doing most of my publishing and promotional tasks on my phone, I wasn’t able to keep up with my promotion schedule and had to push back the publishing dates on my own work in order to keep my collaborative projects on schedule and as the boss and decision maker, I was able to do that. It was a tough decision. I have the second book in my Time Travel series near ready to publish, and although I’ve outlined the third book in the Women in the West Adventure series, I’ve not yet begun to write it. Both of these books may need to be pushed back so far as to be added to next year’s production schedule, but I’m thankful for the freedom to do so. Had I been working with traditional publishers, my deadlines would have been set in stone, and I would not have been able to make them.

Just as the child who can’t wait to grow up soon learns that growing up means taking responsibility for one’s self, so the independent author is also responsible for creating and presenting their own work to the world. Hopefully, we all want that to be the best work that it can possibly be, and we will take the proper steps to ensure that it is, making the best decisions possible for our work. With freedom, comes responsibility, so use both wisely in your author journey.

Until next month,

Happy Writing!

About Kaye Lynne Booth

Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.

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This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.

Writer’s Corner: Creating Characters from Historical Fiction

Posted: July 7, 2025 | Author: kayelynnebooth | Filed under: Fiction, Historical Fiction, research, Writer's Corner, Writing | Tags: Historical Fiction, Kaye Lynne Booth, research, Writer's Corner, Writing, Writing to be Read | Leave a comment

I recently completed the research and outline for Marta, the third book in my Women in the West Adventure series. Or maybe I should say, I completed the outline, because the research will continue as I work through the writing. The research is never finished until the book is finished. In any case, one of the things I love about writing historical fiction is researching different times and learning about the people and their true life adventures.

With the Women in the West, each book features a historical female character which the protagonist meets during the course of the tale. Delilah meets Baby Doe Tabor, saloon girl turned high society mistress, in Leadville, Colorado. Sarah made the acquaintance of Big Nose Kate, Doc Holliday’s gun toting companion, in Glenwood Springs, Colorado. And Marta…, well I originally had a different journey in mind for Marta, until I discovered the very interesting historical figure of actress and Union spy, Pauline Cushman, and I knew that was who Marta would have to meet.

You’d think that writing a historical characters might be easier than creating fictional ones from scratch. After all, you may save time by having a ready-made history to draw from. But, all you really have is the recorded history to draw from, and when dealing with semi-famous or infamous characters, recorded history can be very sketchy. It is the Author’s job to do the research and find as many pieces as possible, and then, try to fit those pieces together to give a clear picture of that ready-made history I mentioned above. And if there are still pieces missing when you’ve finished, you may still have to create character to fill in those missing pieces.

For the character of Pauline Cushman, in Marta, I read the rather biased 1865 biography, reprinted in 2019, written by Ferdinand L. Sarmiento, Life of Pauline Cushman: The Celebrated Union Spy and Scout, which tells the tale, at least in part, of her time working with the Union Army during the American Civil War. Since Marta takes place in 1890, many years after the war ended, I had to search the Internet for any information I could find about Pauline’s later life, as well.

In 1890, Pauline separated from her third husband in Arizona. The next information I could find on her, found her dying in poverty in El Paso, Texas, in 1893. So, Pauline could have been traveling from Arizona to El Paso at the same time as Marta was traveling there from Colorado, and that is how they meet in my story. They share a train ride from Antonito, Colorado to Santa Fe, New Mexico.

From there, the story is fictionalized and the character of Pauline is based in my knowledge of her previous experiences, the actual events which occured in the real Pauline’s life. Likewise, her actions in the story are reflective of her life events, if I write them to be true to character. That’s my goal as I prepare to put my story to the page.

Something else I like to do when researching historical fiction is to go to the locations in the book, or travel the route my characters would have taken to get a feel for the landscape and terrain. This helps me in describing settings, although at times, I’ve found it difficult to imagine the location as it was at the time of the story, which is often quite different from what it is today. While the present day Glenwood Springs, Colorado has many tourist attractions, include the Glenwood Springs Hot Springs Pool, in 1887, when Sarah takes place, there were hot springs scattered all up and down the banks of the Colorado River, and the Ute Indians considered the area to be big medicine. It looked a lot different. I made many visits there, to the many small museums there, and I made the trek up to Doc Holliday’s gravesite to learn as much as I could about the history of the area.

For Marta, I hope to be able to take the historic train from Antonito, Colorado. Although today, it only runs as far as Chaco, New Mexico, it ought to be far enough to get a feel for the landscape along the route and also some ideas about what my characters might experience as they embark on that leg of their journey.

About Kaye Lynne Booth

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This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.

Writer’s Corner: Dark Fiction

Posted: June 2, 2025 | Author: kayelynnebooth | Filed under: Anthology, Books, Dark Fantasy, Dark fiction, Fiction, Horror, Paranormal, Short Fiction, Stories, Writer's Corner, Writing | Tags: Anthologies, Dark fiction, Short Stories, Writer's Corner, Writing to be Read | 11 Comments

I’ve been drawn to dark fiction from a very young age. In my teens, I read Carrie and The Hobbit at the age of 13, The Shining at 14, and by 16,I was devouring anything I could get my hands on by Stephen King, John Saul, or V.C. Andrews that I could get my hands on, and of course, The Lord of the Rings trilogy. From there, I moved on to Dean Koontz, Peter Straub and Jonathan Kellerman.

One day, while reading a King book, I think it was Salem’s Lot, or maybe Christine, or Cujo, I discovered that what I liked about that type of book was the fact that they often didn’t have a happy ending. But I didn’t tell anyone that fact about myself, because, well… what kind of person doesn’t love a happy ending? So, mum was the word.

But you see, it had been my experience that real life seldom had a happy ending, and I had a hard time buying into the happy-sappy life is so beautiful stories that adults felt were appropriate for my age. To me, dark fiction felt more realistic than romance, or western, or fantasy, even when it dealt with very not-realistic subject matter like vampires, or monsters coming out of the fog, or ghostly presences. Like a young girl who was attracted to bad boys because they made her feel a little naughty, a little sinful. That’s what I liked about reading dark fiction.

So it should come as no surprise that dark fiction is what I like to write, too. However, growing up the adults around me frowned on my reading that sort of thing. I was told at 13, that I was too young to read Bless the Beasts and the Children, by ( ). I had to get my mother to sign a permission slip, before my language arts teacher would allow me to read it, giving me the feeling that it was not nice to read such things, making it feel as if I was doing something a bit naughty. As an almost adult, reading Stephen King and the other dark writers felt kind of like that.

So, it made sense that as I began to explore the craft of writing, my attentions often turn to darker genres, and darker subject matter. I had to work my way into it slowly, starting with a few paranormal short stories, and working my way up to supernatural, dark fantasy, and horror tales. But first, I had to work my way through the stigma of feeling naughty and bad about myself because I wanted to write that kind of thing. I didn’t want to write my heart out and then, let my stories sit unread in a file, but if I put out this dark stuff for people to read, what would they think of me? Would they think me evil or deranged?

I knew people who believed this type of content was sinful and evil. I’d heard of authors who’ve been boycotted because a group of people believed their work inappropriate or distasteful. I’ve never been one to write to market, because I am compelled to write what is in my heart. And one thing Russell Davis told me once kept running through my head. “Know who you are writing for.”

Those people who would disapprove of my subject matter or content are not the people I’m writing for. They are not in my target audience, and because of that, it is highly unlikely that they would even come across my writing to notice it at all.

And, I came to the realization that not everyone will love my writing, and that’s okay. Not everyone is a Stephen King fan, and he has plenty of folks who say he has a sick mind, but he doesn’t let that stop him. Those folks won’t read his work anyway, and there are plenty more who will. Those are the ones he focuses on.

Today, the short fiction that I’ve written is mostly dark. I don’t worry about what people will think because I surround myself with like minded authors in the anthologies I publish through WordCrafter Press each year. And I promote to a dark fiction market, people who are looking for dark tales.

Once this year’s two anthologies are published, I will have over a dozen stories published in WordCrafter anthologies, listed below.

Paranormal Series

Whispers of the Past – “Woman in the Water”
Spirits of the West – “Don’t Eat the Pickled Eggs”
Lingering Spirit Whispers – “The People Upstairs “

Midnight Anthology Series

Midnight Roost – “Melina”
Midnight Garden– “The Puppet Men”
Midnight Oil– “The Tokoloshe and the Zombie Elelphant”

Stand Alone

Once Upon an Ever After – “The Story Witch”
Refracted Reflections – “The Not So Perfect Prince” and “The Devil Made Her Do It”
Visions – “If You’re Happy and You Know It”
Tales From the Hanging Tree – ” ” and “The One That Got Away”
Curses – “Death Clock” and “Caverna del Oro (Cave of Gold)”

I’m the type of author who must follow my heart. I write because there are stories inside me crying to get out. I write to be read.

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About the Author

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This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.

Writer’s Corner: Endeavor to Persevere

Posted: April 7, 2025 | Author: kayelynnebooth | Filed under: Book Sales, Books, Fiction, Kickstarter, Writer's Corner, Writing, Writing Life | Tags: Women in the West, Writer's Corner, Writing Life, Writing to be Read | 1 Comment

When I was in the creative writing program at Western State Colorado University, bestselling author Kevin J. Anderson gave a talk he called “The Popcorn Theory of Success”, where he shared his journey to become a bestselling author back when traditional publishing was the only door leading to authordom. His theory involved saying, “Yes, I can do that.” to every opportunity that came to him. He’s giving this talk many times, including when he was the Keynote Speaker at the WordCrafter 2020 Stay in Place Virtual Writing Conference, hosted by WordCrafter Press. (You can see Kevin’s “Popcorn Theory of Success” on YouTube at the link above.)

For me, this was inspiring and I’ve tried to follow Kevin’s advice whenever an opportunity presents itself, even when imposter syndrome rears it’s ugly head and tries to tell me that I can’t. The publishing world today is different from when KJA was a rising star, and authors can’t just wait for opportunities to come to us. There are simply too many of us out there, and many of us don’t have time to wait around to be discovered by the movers and shakers of the publishing world. The Big 5 has shrunken down to the Big 3 as the big boys merge to stay alive in a changing publishing landscape that has shifted over to favor the independent publisher, and that’s where a plethora of opportunities are found, and authors must take the initiative to get their works published.

That’s how WordCrafter Press came about. I tried the traditional publishing route, submitting my works wherever I could, like I’d been taught while earning my M.F.A., and I even found a publisher, although not one of the Big 5, for the first edition of Delilah. But my sales weren’t nearly as good as I had hoped. Perhaps the publisher made attempts to market the book, but I never saw them. I believe this is typical for small independent publishers, and even traditional publishers have lightened up on thier marketing efforts, depending more on the author to market the book. I began self-publishing my other works through Draft2Digital and was quite happy with the results, so when my contract ran out, I didn’t renew. Instead, I revised the story and created book 1 of my Women in the West adventure series in 2023, and I did, indeed, through my own efforts, sell more copies than I had through the publisher in my first Kickstarter campaign. Sarah, book 2, was published last year, and this year, I’m working on the third book, Marta.

Today’s author must go beyond saying yes when opportunities present themselves, and find or create those opportunities and make them happen. In the movie, The Outlaw Josey Wales, Chief Dan George’s character, Lone Wadi tells Josey Wales (Clint Eastwood) that the U.S. government told his people to ‘endeavor to persevere’, which basically means, ‘keep on keeping on’. I’ve made that my personal philosophy, to ‘endeavor to persevere’. When I run into obstacles in my path, I try to fix them or find a way around them, and then I carry on. I don’t allow those obstacles to stop me. I’ve been told I am persistent, but I think I’m just determined.

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About Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw,as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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This segment of “Writer’s Corner” is sponsored by the Robbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.

Writer’s Corner: Listening to Your Characters

Posted: March 3, 2025 | Author: kayelynnebooth | Filed under: Books, Character Development, Dialogue, Fiction, WordCrafter Press, Writer's Corner, Writing, Writing Process | Tags: characters, Kaye Lynne Booth, Writer's Corner, Writing Process, Writing to be Read | 11 Comments

Do your characters talk to you? I’ve met authors who say, “How could they? They aren’t real. They are fictional characters which I made up.” But if you are in touch with the characters which you created, I don’t see how they could not talk to you. I believe these authors who claim to not hear their characters maybe just aren’t listening.

My characters talk to me and help guide my stories. My characters refuse to stay silent. I don’t actually hear or see them, of course, but they do talk to me in my head. I hear the dialog as it goes on the page, and they are sure to tell me if I get it wrong.

I recall when this first happened while writing my first novel, Delilah. There was a scene in the story which I recognized wasn’t working, but I couldn’t figure out why. I sat in front of my computer re-reading the chapter, which was the dialog of a conversation between Delilah and another character. I said to myself, “Something isn’t right here, but what is it?” And a voice in my head replied, “I wouldn’t react that way.” Re-reading it once more, I realized that the voice of Delilah was right. I had my character reacting in a certain way because it was necessary in order for events in the future to occur, but it wasn’t a reaction that would come naturally from the character I had created. I rewrote the conversation, changing Delilah’s reaction to be true to her character, and it changed the direction of the story, completely. It required extensive revisions throughout the story, including total rewrites of the chapters which came after that scene, but it made it a much better tale than the one I had planned to write, so it was better for the story in the long run.

While writing Sarah, my character hijacked a conversation between her, Big Nose Kate, and a high-society woman, and her opinions on corsets set off an unexpected suffrage movement in Glenwood Springs, complete with a protest and corset burning. When I began writing the story, I had no idea that this would happen in the book, but when I placed the words upon the page, it all just clicked, and I said, “Oh, yeah”.

With both books in my Time Travel Adventure series every chapter is paired with a song. All of Amaryllis’ music was done by The Pretty Reckless, which first inspired her character. But for LeRoy and the other characters who were given P.O.V. in the second book, the music from various artists were used. As I perused the radio stations, searching for just the right song for each chapter. I can think of several times when a song I wasn’t familiar with would come on and LeRoy would give my mind a nudge that said, “Listen to this song.” Paying attention to what he had to say, I focused on the music, listening to the lyrics, and found that the song was perfect for a specific chapter, and the song ended up in the book and on LeRoy’s play list.

Of course, I’m aware that my character’s voices are really voices from my own subconscious, because every one of the characters I create are a part of me. But being in touch with them enough to them to hear their voices in my head makes them feel more like old friends and helps me bring the story to life.

We all have the ability to hear our characters if we’ll only listen to what they have to say. I’ve found that their observations are right on the money. My stories turn out better for listening to them. So, tell me. Do you listen to your characters?

About Kaye Lynne Booth

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This segment of “Writer’s Corner” is sponsored by the My Backyard Friends Kid’s Book Series and WordCrafter Press.

The My Backyard Friends kid’s book series is inspired by the birds and animals that visit the author Kaye Lynne Booth’s mountain home. Beautiful illustrations by children’s author, poet, and illustrator, Robbie Cheadle, bring the unique voices of the animal characters to life.

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Heather Hummingbird Makes a New Friend (Ages 3-5): https://books2read.com/MBF-HeatherHummingbird

Timothy Turtle Discovers Jellybeans (Ages 3-5): https://books2read.com/MBF-TimothyTurtle

Charlie Chickadee Gets a New Home (Ages 6-8): https://books2read.com/MBF-CharlieChickadee

Writer’s Corner: My Self-Editing Processes

Posted: February 3, 2025 | Author: kayelynnebooth | Filed under: Editing, Writer's Corner, Writing, Writing Tips | Tags: Editing, Kaye Lynne Booth, Writer's Corner, Writing to be Read | 6 Comments

Editors can be expensive. WordCrafter offers editing services at low prices, but even then, the words add up and I wouldn’t say it’s cheap. As an independent author, it’s not always easy to come up with the money to hire an editor, but it is imperative to have another set of eyes go over every word of my manuscript, so I can publish a quality product. As The D.I.Y. Author, I’ve come up with a few methods of accomplishing this without straining my pocketbook too much.

Novel Length Works

For novel length works, once I finish the first draft, I do one pass over of self-editing when the manuscript has sat for a day or two. I’ve heard that it’s important to let it sit for a while, so I do, but I limit the time it sits, keeping the story fresh in my mind. This is where I find the weak spots which need enhancing, embellishing my descriptions and extending or cutting dialog. In The Rock Star & The Outlaw 2: Seeing Doubles, I also used this opportunity to plant little easter eggs which connect back to the first book, for those who have read it.

When that is done, and the necessary edits have been made, I do another run through, reading it aloud. When you read aloud, you catch errors that a silent reader might skim over. Sometimes I can find a beta-listener to help me with this. This is where I do my developmental edit, looking at things like if the storyline flows smoothly, and if my characters are staying true to who they are. My beta-listener doesn’t have to be versed in the craft of writing, because their job is to offer an opinion from the listener’s, or reader’s, perspective.

Only when this is completed is the manuscript ready for a second set of eyes. Editing is a difficult job, and I think it’s important to send your editor or beta-reader as clean a manuscriptas possible. It saves making major changes at the end, too. If I can’t afford to pay an editor, I seek out a beta-reader to do the job. I have a few other authors who I exchange services with who can be called upon for this task.

To finalize, I do a final proof read before I publish, making sure all the ‘t’s are crossed and ‘i’s dotted. During this part of the process I use the editing tool which come with MS Word and ProWriting Aid Everywhere, which are both free and help me spot places which could be worded better and possible misspellings. Both of editing programs are AI powered, but they don’t always agree on corrections, or agree on things which should be changed. And they don’t have the final say. I still reserve the privilage of acceptance or rejection of all AI suggestions.

This system is not fullproof, and I use a professional editor whenever I can. When writing The Rock Star & The Outlaw 2: Seeing Doubles, I referred back to the first book a lot, and found many errors that all of these processes had missed. I’m now in the process of revising and correcting those errors, so I can republish the first book, before releasing the second.

Short Fiction

For short fiction, I follow the same basic processes as novel length works, but because they are collaborative works, it is much easier to get a second, and sometimes even a third set of eyes on each story. When putting together an anthology, I read story individually and request the desired edits from the authors. For my own stories, I recruit a beta-reader to go over it while I’m editing everyone elses. (This is after I’ve read it through twice; once aloud.)

After I receive the revised stories, I put the manuscript together, and give it yet, another read through, checking for any errors which may have been missed. Once it is formatted and ready to publish, I send the entire manuscript out to each of the authors, requesting that they proof read their story and one or two others, so that each story has at least two or three sets of eyes, other than my own, scrutinizing it. This collaborative form of editing ensures a quality product and it doesn’t cost me or any of the contributors anything but our time and keen eyes.

Author’s Note: You can find these editing tips and more writing tips for writing and publishing yourself in The D.I.Y. Author.

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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw, her the first three books in her kid’s book series, My Backyard Friends, her poetry collection, Small Wonders, and her writer’s resource, The D.I.Y. Author. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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This segment of “Writer’s Corner” is sponsored by The D.I.Y. Author and WordCrafter Press.

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Writer’s Corner: Writing in Multiples

Posted: January 6, 2025 | Author: kayelynnebooth | Filed under: Books, Character Development, Fiction, Science Fiction, Time travel, Writer's Corner, Writing | Tags: Kaye Lynne Booth, The Rock Star & The Outlaw 2: Seeing Doubles, Writer's Corner, Writing, Writing to be Read | 1 Comment

Caricature of a woman typing on a computer at a very messy desk.
Text: Writer's Corner with Kaye Lynne Booth

In December, I finished writing the first draft of The Rock Star & The Outlaw 2: Seeing Doubles. This book will be the second book in my Time Travel Adventure Series, and I have to say I have been having so much fun writing it. Time travel is cool to write about, because it is pure fiction, so you have a lot of lee-way in your story, although there are still some scientific parameters that should be kept in mind.

In The Rock Star & The Outlaw, my protagonists created some time-loops, which crossed. In The Rock Star & The Outlaw 2: Seeing Double, they create a few more , intersecting with the time-loops created in the first book. What that means, is there is multiple versions of some characters, and the story is dealing with multiple time lines. While the first book dealt with two alternating P.O.V.s, those of the two protagonists, the second book also deals with multiple P.O.V.s from several different characters.

Multiple character P.O.V.s

This will be the first book I’ve written and published with so many different P.O.V.s. Because I have multiple versions of some characters, I had to differentiate which version’s eyes we were seeing things through. Thus, I ended up with ten different P.O.V.s and I must admit, it was challenging keeping track of which P.O.V. I was in, as well as which time line. My hope is that I did a good enough job with all this to not confuse my readers.

I chose to follow the method used by George R.R. Martin in his epic fantasy series, Game of Thrones. Each chapter has the name of the character whose P.O.V. readers will see the story unfold through. I don’t believe Mr. Martin used anything but the name of the character, but my chapters will also have chapter titles that are, in line with the first book, song titles. And, each chapter has to have a time designated so that readers won’t get confused about what time they are in, as well.

Multiple Time Lines

Writing about time travel, and thinking about time travel, and trying to reason out how things would work if time travel were real, can be enough to give an author a migraine. I admit there were times when I had to set the writing aside because it almost hurt to try and wrap my brain around the implications. But, mostly, it was just fun trying to figure out what would be possible and what wouldn’t.

When I first started writing this second book, I thought the first book was written and done. But by crossing time-lines and changing things in previous time lines, I realized my characters changed what happened in the first book. Each thing they change in the time line from the first book, changes things that happened in that story, and I found that it changed the way the first story comes out. So, I ended up rewriting the first story with an alternate ending.

Multiple Versions of Characters

This was where writing the second book got really confusing. With two Amaryllis and three LeRoys, all running around in different timelines, things get crazy. As mentioned above, each version of the character is designated with a different moniker. The characters from this second story are Amaryllis and LeRoy, while the characters from the first story timeline are “Rock Star” and “Cowboy”, and the very first LeRoy even makes an appearance as “Original LeRoy”. And there are two Moniques, (one designated “Shaman Woman”), although they never cross paths. I even have a duplicate horse, Blaze, who gets aggitated when her other self is in the vicinity.

Each of these characters were the same but different than their duplicates. In the first book, Amaryllis is a rock star, living in the fast lane, an adreneline junkie who gets off on facing danger. That Amaryllis is “Rock Star” in this story and the Amaryllis character is one who was changed by her time travel experiences and the lessons they taught her. But one thing is certain, they are both in love with their own version of LeRoy.

It did get confusing at times, but it was a lot of fun to write. The first chapters had to be rewritten halfway through because I realized that the time jumps I had initially planned wouldn’t work, but the new beginning works much better. I’m bad about editing as I write, but it is a part of my writing process. Writing about time travel, I found it to be necessary, especially when things were changed in the story, so earlier chapters had to be edited or revised to keep the storylines consistant.

Even though I edited as I wrote, I consider the completed manuscript a first draft. Now, it must go through a first and second edit by me and be passed through at least one very thorough beta-reader. The beta-reader for this story has done research and written in the time-travel genre, so I’m expecting her to be tough in her commentary. As you can see, I’ve still got a ways to go before doing the final revisions and publishing, but every step brings me closer.

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About Kaye Lynne Booth

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This segment of “Writer’s Corner” is sponsored by The Rock Star & The Outlaw and WordCrafter Press.

A time-traveler oversteps his boundaries in 1887. Things get out of hand quickly, and he is hanged, setting in motion a series of events from which there’s no turning back.

In 1887, LeRoy McAllister is a reluctant outlaw running from a posse with nowhere to go except to the future.

In 2025, Amaryllis Sanchez is a thrill-seeking rock star on the fast track, who killed her dealing boyfriend to save herself. Now, she’s running from the law and his drug stealing flunkies, and nowhere is safe.

LeRoy falls hard for the rock star, thinking he can save her by taking her back with him. But when they arrive in 1887, things turn crazy fast, and soon they’re running from both the outlaws and the posse, in peril once more.

They can’t go back to the future, so it looks like they’re stuck in the past. But either when, they must face forces that would either lock them up or see them dead.

Purchase Link: https://books2read.com/RockStarOutlaw

Writer’s Corner: Using Story Bundle to Sell Books

Posted: October 21, 2024 | Author: kayelynnebooth | Filed under: Book Sales, Nonfiction, Story Bundle, Writer's Corner, Writing, Writing Business, writing craft, Writing Life, Writing Resource | Tags: 2024 Novel Writing Story Bundle, book marketing, Book Sales, Books, Self-Publishing, Story Bundle, The D.I. Y. Author, Writer's Corner, Writing | 9 Comments

As many of you may know, if you follow Writing to be Read, The D.I.Y. Author is included in the Novel Writing Story Bundle, organized by Kevin J. Anderson. But what you may not know is how useful Story Bundle is as a marketing tool. The fact is, it’s a great way to sell books.

This is the second Story Bundle in which I have had a book included. Back in 2022, Ask the Authors 2022 was included in the Writer’s Toolkit Story Bundle, also organized by KJA. That bundle sold quite well and WordCrafter and the contributing authors made a little bit of money from it. This year, the Novel Writing Story Bundle promises to do just as well, if not better, so I highly recommend it.

What is Story Bundle?

What Story Bundle is, is a platform that gathers together several authors with books in the bundle category, whether it is writing references, such as the two I’ve had books in, fantasy books, science fiction books, or romances, etc…, and they all get together virtually and cooperatively market and promote the whole bundle. This extend’s the reach of single authors immensely, and I can testify to the fact that their efforts are effective. By using the power of the masses, promotions are found on all of the social media sites, not just those of any one single author, and it gets your book in front of the readers of every author in the bundle. But I’m just an author with a couple of books in a couple of Story Bundles, and I’m still learning, too. So to give you all the details, I chatted with Story Bundle founder, Jason Chen, to let him tell you what Story Bundle is, how it works, and what the advantages are.

Interview with Jason Chen

Kaye: What inspired the idea for Story Bundle?

Jason: I started StoryBundle all the way back in 2012 because back then, the concept of bundling similar books in one package hadn’t been done yet! Selfishly, I wanted somebody to make bundles of similar books—if you like this book/author, then you’ll like all THESE—and because nobody had, then I saw the need for it. Also, in 2012, the indie authors were lacking for a place to reach more readers, which made it a perfect fit for letting folks discover authors they would have a hard time finding otherwise.

Kaye: Story Bundle uses the power of numbers, gathering many authors together and offering their books as a group, rather than individually. Could you explain the advantages of having a book included in a Story Bundle?

Jason: Not only does being part of a StoryBundle get you in front of the StoryBundle fans, but the core concept is that it gets you readers from other authors who write in similar genres as you. Because all our bundles are curated, the books in them make sense together, which means that if you like one author in it, you’re more than likely to like another. So getting awareness of your books out to fans who already like the genre is a big plus.

Kaye: What determines whether a book is included in the original bundle for the minimum amount , or as a bonus book for a larger donation?

Jason: There’s no secret to the sauce. The curator and I work together to make sure both the regular bundle and the bonus bundle are balanced for the amount that they cost. Sometimes an author will be in the bonus bundle and if they’re in another bundle, they’ll be in the regular bundle. It depends on what makes sense for that particular bundle.

Kaye: The Novel Writing Story Bundle is the second Story Bundle which I’ve been a part of, mainly because I am fortunate enough to know Kevin J. Anderson, who organizes the ones I’ve participated in. I know other big authors like Dean Wesley Smith and Kristine Katheryn Rusch organize them, too. But how do you get into a Story Bundle if you don’t know someone organizing one? Can you create your own?

Jason: Yes! The only caveat we have is that (99% of the time) the bundles are curated by someone who’s been in a bundle before. Once you’ve been in a bundle, you understand what the bundle is about and what makes for a good bundle and what works for participating in a bundle. This way you know which authors to look for when you’re assembling one. You work with us to figure out a genre that you want, and we refine the idea and can help you get in touch with some other publishers if you need to.

Kaye: Both Story Bundles I’ve had books in are writing resource bundles. Can you make a story bundle of any genre?

Jason: Yes, any genre is fine, but to get a little inside baseball, there are a couple of genres that don’t do well on StoryBundle. The biggest one is romance, which for whatever reason doesn’t appeal to StoryBundle readers. But even more of a surprise is that romance authors’ own fans don’t really enjoy the bundling concept—at least on StoryBundle. We’ve tried all types of romance bundles in all varieties of flavors, but none of them ever have good uptake.

Kaye: Is there a cost to organize your own Story Bundle?

Jason: There’s no cost to curating a bundle!

Kaye: Now I know why as an author, I might want to have my books in a story bundle. But why would readers wnat to buy books through Story Bundle? What are the benefits to readers in purchasing a Story Bundle?

Jason: As a reader, there are a few benefits. First, there’s just the core concept of vetting—we choose our books carefully with our curators, and they have to meet a certain bar of quality to get in. Of course, it’s impossible to guarantee that you’ll like all the books in the bundle, but if you already like one or two of the authors in it, you’re likely to enjoy the rest.

There are other tangible benefits, such as getting DRM-free copies of books that you can load on any ereader, tablet or phone without having to worry about compatibility. You’ll also support indie authors and be able to donate to a worthy cause!

Kaye: Does every Story Bundle donate to charity?

Jason: Every bundle has a charity donation, but it’s up to each person if they want to donate part of their purchase to charity. If they don’t, that’s perfectly fine!

Kaye: What types of charities does Story Bundle support?

Jason: We have a long list of charities that we’ve supported before, from literacy charities, animal charities, science and gaming charities, to health and medicine and worldwide refugee focused charities, so there’s no real limit to what can be a charity target for StoryBundle. If there’s a specific one that a curator would like to have in their bundle, we can make it work!

Would you like your book to be in a Story Bundle?

Now that I know what it takes to currate a Story Bundle, I’m thinking of trying one of my own, because I know that they sell books. Since I’m a multi-genre author, I could do western, women’s fiction, paranormal, science fiction, dark fiction, or children’s books. If you’re interested let me know and tell me what genre(s) you write in. Either let me know in the comments, or email me at KLBWordCrafter@gmail.com. Let’s see if we can get together and sell some books.

About the Novel Writing Story Bundle

The Novel Writing Story Bundle features writing references on writing craft, writing business, and the writing life, which should be on every author’s bookshelf. In addition to my own The D.I. Y. Author, which is a bonus book, there are also featured Dollar by Dollar and Word by Word, by Kerrie Flanagan; Romance Character Tropes, by Jessica Barber and Tara G. Ericson; Booking the Library, by Jessica Brawner; Kevin J. Anderson’s On Being a Dictator; Steps to Self-Editing, by Jana S. Brown; A Writer’s Guide to Branding Success, by Mark Leslie Lefabvre; Mood & Atmosphere, by Joshua Essoe; From Page to Platform, by Matty Dalrymple and M.L. Ronn; Wit & Wisdom, by Craig Martelle; Wulf Moon’s Illustrated Super Secrets of Writing, volume 1; Falling to Fly, by Todd Fahnestock; and a year’s subscription to Indie Author Magazine. That’s 13 writing references plus the magazine subscription. What a deal!

A note on the designated charity for this StoryBundle, the Neil Peart Brain Cancer Research Fund from Cedars Sinai. In 2020 we lost Neil Peart, legendary drummer and lyricist for the rock band Rush, to glioblastoma. He was my mentor, friend, and collaborator on numerous books, and his loss affected me deeply. Neil’s friends and colleagues and fans worldwide have contributed to this glioblastoma research fund in Neil’s name, and we are proud to add our efforts on this Novel Writing StoryBundle as well. – Kevin J. Anderson

You can get in on this great Story Bundle here: https://storybundle.com/writing

About Author Kaye Lynne Booth

Author Kaye Lynne Booth sitting on a rock in an Aspen grove.

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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This post is sponsored by The D.I.Y. Author and WordCrafter Press.

Topics Include:

Becoming Prolific

Writing Tools

Outlining

Making Quality a Priority

Publishing Models & Trends

Marketing Your Book

Book Covers & Blurbs

Book Events—In Person & Virtual

And more…

Book Cover: Typewriter in front of bookshelf. Text on page: Write a Book, Format the Story, Publish the Manuscript, Crate an Outline, Create a Marketing Plan, Generate Reviews, Hide Under the Covers Cover Text: The D.I.Y. Author, Kaye Lynne Booth

Purchase your copy today: https://books2read.com/The-DIY-Author

Writer’s Corner: Writing Short Fiction

Posted: September 2, 2024 | Author: kayelynnebooth | Filed under: Anthology, Books, Short Fiction, Stories, WordCrafter, WordCrafter Press, Writer's Corner, Writing | Tags: Anthologies, Kaye Lynne Booth, Short Fiction, Writer's Corner, Writing Tips, Writing to be Read | Leave a comment

WordCrafter Press runs an annual short fiction contest and publishes a resulting anthology. It began back in 2019, with a short fiction contest which resulted in the Whispers of the Past paranormal anthology. That anthology ended up with nine stories, by seven different authors for a total of 107 pages. Last year’s (2023) dark fiction anthology, Midnight Roost: Weird and Creepy Stories, was a combination of contest entries and submissions by invitation, included twenty-three stories, by twenty different authors for a total of 403 pages. So, the annual anthology has grown in both scope and quality over the years.

To date, WordCrafter Press has a paranormal and a multi-genre (fantasy, science fiction, paranormal,and horror) anthology trilogy, (which is made up of both contest entries and submissions by invitation), and I’m currently building a dark fiction triology, as well.

**Whispers of the Past:** https://books2read.com/WhispersPast

***Once Upon an Ever After:*** https://books2read.com/OnceUponanEverAfter

This year’s dark fiction anthology, Midnight Gardens, will be spectacular as Book 2 of the WordCrafter Midnight Anthology Series, partnering up with last year’s Midnight Roost.

***Midnight Roost:*** https://books2read.com/MidnightRoost

Writing short fiction is different than writing novel length works in many ways. Although short stories still require most of the same story elements as longer tales do, writers of short fiction must deal with them in a condensed format. There is no room for wasted or unnecessary words.

Likenesses with Short and Long Fiction

Like longer fiction, many of the story elements are still required to make a good story. Both formats need:

A good hook to draw the reader into the story: For longer fiction, this can be accomplished in the first few paragraphs, or maybe even the first page, but for short fiction, it must be accomplished quickly, within the first paragraph, or even with the first sentence.
An inciting incident: The inciting incident occurs at the beginning of the story and usually involves the main character making a choice which propells him into the tale and gets things moving. This is usually what makes the reader care about the character and what will happen next, making them keep reading.
Well developed and interesting characters: With short fiction, this can be tricky because you don’t have a lot of time in which to build character. I make my short fiction characters dynamic and colorful to make them stand out from the page and bring them to life for my readers quickly. No matter the length of the work, the author should always know way more about the character than they will ever use in the story. A character which is alive in the author’s mind first and foremost, making it easier to bring them to life for the reader. (I discuss several methods of character development in my “Writer’s Corner” post from September 2023, “Developing Characters with Depth”.)
Meaningful dialog: In short fiction, every word must count, so there is no room for everyday chit-chat. Every piece of dialog must serve a purpose. It is possible to let the reader see every nuance of your characters through the dialog consisting of both outer and inner dialog, as well as subtext, or unspoken body language, which can be used to emphasize or contradict spoken dialog. (I talk more about the use of subtext in my April 2024 “Writer’s Corner” post, “Visceral Character Portrayal”.)
Descriptive details: Use one or more senses to describe the setting and set the scene for readers, allowing them to experience the setting or location through the character’s eyes, ears, nose, mouth and skin.
Conflict and tension: Conflict can be either internal or external, or ideally, both, but it must force the character to make a choice and take action. Tension is created by events which involve opposing forces within the character (internal), between the character and opposing characters or forces beyond the character’s control (external). Obstacles are often placed in the way of resolving the conflict, making it even harder and increasing the tension even more.
A satisfying resolution: All conflicts should be resolved at the end of the story in a manner that will satisfy readers and not leave them feeling cheated. This can happen in any number of ways, but the conflicts that we’ve spent the last few pages building up to must be resolved in a manner that is logical and believable for the reader. Things don’t have to be all fixed, but we at least need an inkling that things have changed and are now headed in the right direction.

Differences with Short and Long Fiction

The right point of view and tense for the story: Many longer tales are told in the third person, past tense, which serves them well. Because we want to move through a short story rather quickly, we may need the story to move along at a faster clip. Often, this can be accomplished in short fiction by using a first person, present tense, giving the tale an intensified sense of immediacy, making short fiction better suited to this approach than for longer fiction.
Quick build up to climax or turning point in the story: This is what the reader has been waiting for, the climatic moment that will change everything from this point out. It could be an epiphany where the character realizes what must be done, or maybe he knew it all along and this is the moment when he decides to do it, but it should bring about some sort of resolution. In short fiction, you don’t have the luxury of a slow build, making it necessary to ratchet up the tension quickly and get to this point directly.
Descriptive dialog tags: For longer fiction, I was taught to stick to basic dialog tags, such as “said”, “asked”, “replied”, and maybe, “cried”, and then, use descriptors to illustrate the mood and tone, and raise emotion in and connect with readers. However, I have found that more descriptive dialog tags such as “smirked”, or “bellowed” are quite acceptable and even preferable for setting the scene with a minimal amount of words. I’m also beginning to see the value in leaving out the dialog tags all together where it is clear who the speaker is, to help keep the word count down by cutting out unnecessary words.

My Tips for Writing Short Fiction

Begin close to the end. The beginning of the story illustrates what was and the ending illustrates how things have changed or at least, the direction in which they are now headed. A trick used in screenwriting is to mirror the ending at the beginning, and then go back in time to show how we got to that point. So the first and last scenes act like bookends to your story. By mirroring your first and last paragraphs, this technique can also work well with short fiction, where there is limited space in which to tell your tale.
Each character should get their own paragraph containing dialog and subtext to show how the dialog is being delivered and making it clear to readers who is saying and doing what. When you switch characters, you switch to a new paragraph, (but not to a new point of view).
Include enough setting description to let readers get a visual image in their minds, but only include those details that will add to the story or help progress the plot, moving the story forward.
Choose a single point of view and stick with it. In short fiction, there isn’t enough room to develop multiple characters, so put us into one character’s head and leave us there.
From an editor’s perspective, (one who reads through and edits a lot of short fiction), please format your manuscript in standard manuscript format, with title and author name centered at the top of page, in a legible 12 pt. font, double spaced. And most importantly, follow submission guidelines!

Advantages of Anthologies

So, why do I go to all the trouble of reading through all these submissions, compiling and editing, formatting and publishing all these anthologies?

I’ll tell you. It takes a lot less time to write a short story than it does a novel, so publishing two or more per year allows me to get my name out there on more books each year. And it’s mutually beneficial to all contributors, as they are able to claim the book for their own author pages, so they are getting more books out there, too. It’s a win-win.

Plus, if all the contributors help with promotion, broadcasting to their readers about the book, you get the results of a much wider reach with your marketing, which means we sell more books. WordCrafter antholgies pay out with a royalty split, so the more books we sell, the more we all make. Again, win-win.

If you’d like to get a story into a WordCrafter anthology, watch for the call for submissions for next year’s contest in October, after the release of Midnight Garden on October 8. I’m putting it out early this year, (I usually do it right at the beginning of each year), and may be changing the submission deadline, so even if you have submitted to past contests, be sure to keep an eye out for the call. I will also be announcing the title for next year’ s anthology and cover reveal. (For now, I can tell you that it will be the third volume in the Midnight Anthology Trilogy, so it will be more dark fiction).

About Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Want to be sure not to miss any of Kaye’s “Writer’s Corner” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it useful, interesting, or just entertaining, please share.

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This post is sponsored by The D.I.Y. Author and WordCrafter Press.

Topics Include:

Becoming Prolific

Writing Tools

Outlining

Making Quality a Priority

Publishing Models & Trends

Marketing Your Book

Book Covers & Blurbs

Book Events—In Person & Virtual

And more…

Purchase your copy today: https://books2read.com/The-DIY-Author

Writer’s Corner: Being Prolific

Posted: July 9, 2024 | Author: kayelynnebooth | Filed under: Books, WordCrafter Press, Writer's Corner, Writing, Writing Life, Writing Resource | Tags: Author, Becoming Prolific, Books, Kaye Lynne Booth, Publishing, The D.I.Y. Author, WordCrafter Press, Writing | 2 Comments

When I hear the word prolific, I think of Kevin J.Anderson, who puts out between 7-9 books per year. He’s one of the most prolific writers that I know of, although veteran bestselling authors, Dean Wesley Smith and Kathryn Christine Rusch, may rival, or even surpass him. But we cannot all be that prolific. But we can learn from authors like these, who have spent their lifetimes writing professionally, and making a decent living at it.

For many years, I did not know how to be prolific. Delilah took me three years to write, and then I worked almost another year revising it to re-release as the first book in the Women in the West Adventure Series. I even wrote a post in about accepting the fact that “We Can’t All be Prolific” because of how not-prolific I was back in 2022. It was something which I didn’t know could be changed or how to go about changing it.

Since then, I’ve learned a few things that have helped me to become more prolific, and I’m now publishing between 5 – 8 books per year. That’s why the first section of The D.I.Y. Author is dedicated to the methods I’ve used to increase my productivity and become a more prolific author; because I wanted to share some of the methods I’ve used to increase my writing productivity. By becoming prolific, I’ve been able to get my name out there where it can be recognized and having more products, in this case, books, to sell. When you publish 5 books per year, that’s 5 different chances to reach new readers, but its also five chances to remind current readers that you’re still around and active.

The following, are tips that I’ve accumulated, from The D.I.Y. Author.

Becoming Prolific

Outlining: Creating at least a working outline to help guide the direction of your story. If you have an idea of where you are going before you start, you can get words on the page faster.
Doubling Down on Research and Promotional Materials: Research is something that needs to be done for every book, regardless of genre. If you can find other uses for this same research, you can essentially make it do double duty. For example, during the historic research I did for the Women in the West Adventure Series, I uncovered many interesting facts that may or may not have been used in the story, and could also be used to make interesting blog posts for the tours for their releases, thus becoming a marketing tool, as well as a good story inspiration. Or you can use the same inspiration for a second story in some cases.
Write the Damned Book: Just sit down and write. It’s a simple piece of advice, but one many authors, or would-be authors, fail to recognize. In The D.I.Y. Author, I offer a couple of methods of achieving the desired results, including Binge Writing, which isn’t always for everyone, and Persistant Determination, which is plugging away at it every chance you get.
NaNoWriMo: The principle is to set aside the month of November to work exclusively on your novel at every opportunity and setting a daily wordcount which will allow you to reach a goal of 50,000 words within that timeframe. But you don’t need to wait until Novemeber to do this. Just set aside a 30 day period and dedicate to writing your story. I use NANoWriMo to get a start on one of the two novel length works I write and publish each year. In the book, I offer a couple of strategies for making the most of your time, including Time Blocking, and Tracking Your Word Count.
Dictation: This is a strategy for becoming prolific that isn’t right for everyone, but works well for those who are comfortable with it.
Networking and Collaborations: It takes longer to write a novel length work than it does to write a short story or two to include in an anthology, and it’s a great way to add more titles to your author pages. Through WordCrafter Press, I publish at least two anthologies per year, and sometimes more.
Maximizing Your IP: Intellectual Property are the rights to your creative endeavors, or copyright, and an author needs to understand their copyrights, and take care not to sign away more than absolutely necessary when entering into a contract with a publisher. It is also important to understand when your rights will be returned, because when you hold the copyright, you can use that work in any way which you deem fit, allowing your writings to do double, or even triple duty.
Optimizing Your Backlist: Many authors don’t put a lot into their backlist, but there are things you can do to keep your backlist items in front of readers’ eyes and on their minds, such as creating multiple formats, special editions, and price promotions.
Taking Care of Mind, Body & Spirit: Keeping yourself healthy is also condusive to being prolific, as we all write better when our minds are sharp and alert, out bodies are well rested and healthy, and we have a place of our own, dedicated to writing.
Outsourcing: When there is too much for one person to do it all, and believe me there will be, outsourcing certain tasks can be of great advantage, even to the D.I.Y. author.

Why Become Prolific?

To put it simply, the more prolific you are, the more books you have to sell. The bigger your library of books, the more opportunities for readers to discover you and your writing.

I’ve offered a basic list of the methods I’ve used to become more prolific. Some have worked better than others for me and I talk about them in more depth in The D.I.Y. Author. To learn more, you can get your copy from your favorite retailer here: https://books2read.com/The-DIY-Author.

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About Kaye Lynne Booth

Author Kaye Lynne Booth sitting on a rock in a grove of aspen trees.

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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This post is sponsored by The D.I.Y. Author and WordCrafter Press.