Welcome to the WordCrafter Poetry Treasures 3: Passions Book Blog Tour! This is a very special tour, because at each stop, you will meet not one, but two of the contributing poets of the anthology. We’ve got a great tour planned with readings and inspiration posts from the authors, and book reviews. (Scroll down for the tour schedule with links, but be aware that the links won’t function until each post goes live.)Plus we have a great giveaway, so follow the tour to meet the contributing authors and additional chances to win a digital copy of Poetry Treasures 3: Passions!
Giveaway
Comment and let us know you were there, and get a chance to win a copy of Poetry Treasures 3: Passions in the digital format of your choice.Follow the tour and leave your comments along the way. One entry per stop.
About Poetry Treasures 3: Passions
Passions treasures within.
Open the cover
and you will discover
the Poetry Treasures
of guests on
Roberta Eaton Cheadle’s
2022 “Treasuring Poetry” blog series
on Writing to be Read.
Included are treasures from:
Patty Fletcher, D. Wallace Peach, Yvette Prior,
Penny Wilson, Colleen M. Chesebro, Abbie Taylor,
Yvette Calliero, Smitha Vishwaneth,
Chris Hall, Willow Willers, Rosemerry Wahtola Trommer,
and Roberta Eaton Cheadle
Purchase Poetry Treasures 3: Passions from your favorite distributor through Books2Read
Today’s Stop
On today’s stop, we have video readings from Rosemerry Wahtola Trommer and Smitha Vishwanath. Rosemerry is sharing a reading of her poem, “Twenty Years Ago, Ten Years Ago, Last Week”, and Smitha is sharing a reading of her poem, ” “. Both of these lovely poems are featured in Poetry Treasures 3: Passions.
Meet Rosemerry Wahtola Trommer
Today’s stop features a peotry reading by contributing Rosemerry Wahtola Trommer, which is a real treat. Rosemerry is a performance poet, and I was privileged to attend one of her live performances back in 2010. She was spectacular. The way she draws you into the poem and makes you feel her words is amazing. Rosemerry is a wonderful, vibrant lady, who embraces the written word as if it were a lover, caressing and shaping it into what she needs it to be. I had the pleasure of featuring an interview with her, right here on Writing to be Read. That’s why I asked Robbie to invite her to be a guest on “Treasuring Poetry”, and why I am so pleased to have her work featured in this WordCrafter anthology. It is a privilege and an honor to work with her. I hope you will enjoy this reading as much as I have.
Rosemerry Wahtola Trommer co-hosts Emerging Form (a podcast on creative process), Secret Agents of Change (a surreptitious kindness cabal) and Soul Writer’s Circle. Her poetry has appeared on A Prairie Home Companion, PBS News Hour,O Magazine, American Life in Poetry, onCarnegie Hall stage, and on river rocks she leaves around town. Her collection Hush won the Halcyon Prize. Naked for Tea was a finalist for the Able Muse Book Award. Her most recent collection is All the Honey. Her daily audio series, The Poetic Path, can be found on the Ritual app, her daily poetry practice can be read on her blog, A Hundred Falling Veils, and her book of mindfulness poetry prompts is Exploring Poetry of Presence II. One-word mantra: Adjust.
If I could go back in time and offer advice to my younger self, I wouldn’t. I would let her fail all over again. I’d let her falter. I’d let her lose. I’d let her stumble and struggle and bomb. But I would lean in close and let her know I am deeply in love with her. It’s so easy now to give her this, this self-compassion in full bloom, this thing she believed was impossible.
Reading of “Twenty Years Ago, Ten Years Ago, Last Week”
“Twenty Years Ago, Ten Years Ago, Last Week”, by Rosemerry Wahtola Trommer
Meet Smitha Vishwanath
I first met Smitha Viswaneth through her interview with Robbie Cheadle on the “Treasuring Poetry” blog series, right here, on Writing to be Read, so I can’t say that I know her well, but I’ve been learning a lot about her. Smitha is an award winning poet of a National Poetry Month Challenge two years in a row, and she’s been nominated poet of the month several times on Spillword. She has poetry published in several online publications, and her debut novel, Coming Home, just came out last month.
Smitha Vishwanath is your quintessential ‘bored banker’ turned writer. After a rewarding career in Banking in the Middle East where she worked for leading banks in senior positions, she quit and moved to India in July 2018 with her husband who had been transferred to the country on an international assignment. Thereon she began her writing journey.
‘Roads’ is the first book she has co-authored. Having lived and studied in different countries and different states within India and worked with different cultures, Smitha understands that ‘change’ and ‘ups and downs’ are very much a part of life. It is this experience that reflects in her poems and her writing which are filled with positivity, acceptance and willingness to change for the better.
A child called, Passion, I met him on my walk, one day and asked him to come home. He replied, ‘On one condition- only if you give me your undivided attention.’
‘How difficult could that be? aloud, I wondered, I raised a family with children- two!’ Smiling impishly, he said ‘Not much, if you surrendered.” I laughed at his presumptuousness Little knowing how true to his words he’d be.
The moment, Passion, walked in through my door He obscured the rest of the world from sight and kept me waking into the night He pranced around all day-tireless, and unbound. It made me loathe the day, him, I found.
Passion was a stubborn child demanding complete allegiance. His appetite was unappeased, his thirst unquenched; he made no allowance!
A ruthless master, a sorcerer He turned me into a willing slave. I fulfilled his every bidding; the years went by, I couldn’t tell and the children flew before I knew.
But, Passion, he stayed behind. I grew old, and he grew kind. Passion, that stubborn child remained wilful until the end and refused to leave,
even though my body was hard to mend. He nourished my body and fed my soul And made me feel as good as whole. Passion, that stubborn child, simply would not let go; no doctor could understand that child’s miraculous cure.
So, if you ever cross paths with a child called, ‘Passion.’ Hold onto him with a firm hand Even if you must endure. Lug around for a while if you must- but don’t ever let go.
For when all the others leave- He will be standing by your side For, Passion, is a stubborn child and loyal as can be Let nobody tell you otherwise.
Reading of “A Child Called ‘Passion'”
Wrap Up
That’s it for the first stop on the WordCrafter Poetry Treasures 3: Passions Book Blog Tour. I hope you’ve enjoyed meeting Rosemerry and Smitha and the samples of their works. As an extra added treat, you can catch an interview with Robbie Cheadle and I on the Word Craft Poetry site with Colleen Chesebro, which happens to coincide with our opening day. So, after you’ve met our two poets, Rosemerry and Smitha, you might click on the link above to pop in and check that interview about the anthology, too.
A raving five-star review of Poetry Treasures 3: Passions on Goodreads.
Raving Revue
“…It’s an eclectic collection and a fabulous way to discover new poets to read. Expect varying interpretations of poetic passions. Not all are amorous! Some are thoughtful, personal to the author, (the author’s interests, experiences and loves,) and many have deep insight into human trials and tribulations…”
Follow the tour to meet other contributing authors and for more chances to enter the giveaway. The links in the schedule below won’t work until each post goes live. Tomorrow we will be over at Patty’s World with Patty Fletcher with a guest post from Contributing author, Colleen Chesebro and a reading by Robbie Cheadle of contributing author, Chris Hall’s poem, ” What Will Become of Us?”, so don’t miss it. I hope to see you there.
Tour schedule 4/17 – 4/21
Monday – Opening Day – Readings by Rosemerry Wahtola Trommer & Smitha Vishwanath – Writing to be Read
Tuesday – Guest Post from Colleen Chesebro & Reading by Robbie Cheadle of poem by Chris Hall – Patty’s Worlds
Content for Everyone is a must-read for creative entrepreneurs looking to improve the usability and accessibility of their website, email and social media content.
With over a billion people living with some form of disability worldwide, it’s more important than ever to make sure your content is accessible. In this easy-to-follow practical guide, you’ll learn techniques to make your content more accessible, without needing any in-depth technical knowledge. From adding meaningful alternative text to images, to choosing colors with enough contrast for easy readability, to adding captions to your videos and more, Content for Everyone has everything you need to reach a wider audience and improve the user experience for everyone.
Don’t miss out on the opportunity to improve your content and reach more people.
We all want to be inclusive, right? Of course, we do.
But how do we, as authors and creatives do that? Many authors don’t have the first clue as to how to do that. I know I didn’t.
Content for Everyone, by Jeff Adams and Michele Luchini is a book which tells you how to make your website content more accessible to a huge audience who many authors overlook or bypass. Adams and Luchini talk about how we can create more accessible content for visual or hearing impaired readers on our websites, in emails and newsletters, in blogposts and in social media posts. They talk about ways in which we can reach a much wider audience by making our content inclusive for readers regardless of whatever adaptive technoloy they’re using, or whatever device is their preference for consuming content.
With the right amount of time and effort, websites and digital communications can be made accessible to those with disabilities or use adaptive technology in accessing digital content. But it requires work and/or money to make that happen, and many authors probably wonder why they should go to the trouble.
I’m here to tell you why. When you make your website or your books accessible to those with disabilities and impairments, you are reaching out to a whole new audience with your writing. It is a large community, “with millions of impaired or disabled readers, who would read if they could access the content” (Patty Fletcher, email March 24, 2023), and it makes good sense to make your content inclusive to these potential readers. Awareness of the large audience of potential readers who are visually impaired was the main reason that I sat up and paid attention when I heard about this book.
Content for Everyone deals with how to make digital content accessible. There are many things we can do to make our content more accessible including providing the right contrast for visually impaired individuals, or even the proper use of headers. It’s no secret that I’m a bit old fashioned and I’m not always aware of the incricate details of the tech I use, although I am always learning. Content for Everyone discusses many ways in which you can make your content accessible to those with disabilities, who must use adaptive technology in order to access online and digital content. Some of these areas wouldn’t seem to be problematic to those of us without disabilities, but they are for individuals who are impaired.
Although all of this is a lot of work, Adams and Lucchini offer up individual steps which can be performed singularly, instead of trying to undertake the enormous task of accessiblility as a whole, which could be daunting. Picking one area of accessibility at a time seems to make the goal more attainable. I found that I hadn’t been using my headings correctly, and this is something that I never dreamed made any difference to anyone. But it does make a difference to those using adaptive technology, such as screen readers. after finishing the book, the first thing I did, was to go and change all the headers on my upcoming blog posts. Then, I went through and fixed them all through my blog site. It’s not anything a sighted person would probably notice, but for someone who uses a screen reader, it can make a difference as they try to navigate my site. Knowing that it makes a difference to some people, and knowing that by making it accessible, I will be widening my potential reader audience considerably, makes my decision to use headings correctly from now on seem a small step to take.
Something else which I’ve been working on since reading this book is adding the alt text for the screen reader crowd. Doing this is not hard, and should be done when you set the image in the post, but it does take extra time. I work with several visually impaired authors who use screen readers, so I know this audience is quite large. This is a simple thing to do, which really doesn’t take much time if you do it as you go. My site is image heavy, with lots of book covers, so it may take some time to add alternate text to the visuals which are already there. Even though it does take time and effort, the increase in portential readers from taking a few simple steps is so great that I have to ask, why would you not want to take this step to ensure that your content is accessible to more potential readers?
I am so pleased to be able to work with the wonderful authors within the visually impaired and print disabled community. It would be a shame to not be able to include their content within the WordCrafter tribe because of inaccessibility. And it would be a shame to have them miss out on WordCrafter content because they can’t access it. As Poetry Treasures 3 comes out this month, I’m pleased to be able to say it is the first book I have ever published with alternate text for each image. It’s just a small step in making Wordcrafter Press books more accessible to all.
You can learn more about these authors and their book, as well as learning a few things you may not know about accessibility in their interviews on the Stark Reflections podcast (episode 294), and on The Creative Penn podcast (March 13, 2023).
National Library Services
My grandmother was blind, and as a little girl, I often listened to her “talking books” with her and didn’t think much about it. I’m not sure, but I am thinking that those little cassette tapes that used to come to her in the mail, were sent by the National Library Services for the Blind and Print Disabled Library of Congress was behind them, even then. Yep. The visually impaired were doing “audio books” before they were even a thing. Today’s audio has caome a long way from those talking books on cassette, and there are now many adaptive technologies available to make books accessible to visually impaired and print disabled readers. And it makes sense for authors to tap into this audience by enrolling their their books in the NLS programs that are available. You can find out more about the National Library Services here.
Author Patty Fletcher encourages authors to enroll their books in the National Library Services to make them accessible to those who are visually impaired or print disabled to widen your audience and make many overlooked readers happy. She recomends that you read “That All May Read: Technological Innovations Extend Reach of National Library” by Wendy Maloney and then, if you are interested in making your books accessible, email nlscollections@loc.gov to find out how.
What is Accessibility and Assistive Devices?
“To know what accessibility is, one must first know what assistive technology is.”
Author Patty Fletcher
You can find out more about accessibility, what it is, and why we need it in our content. Patty Fletcher shares the following articles, which talk about assistive technology, how it works, and why it is important:
The subject is vast, and this book and the above articles are a good place to start.
Patty Fletcher is a visually impaired author and member of the American Council for the Blind, which is a large community of visual and print disabled readers. Patty’s goal is to bridge “the great chasm which separates the disAbled from the non-disAbled.” Toward that end, Patty is organizing a virtual event to help authors understand what adaptive technologies there are and steps we can take to adapt our websites, digital correspondence and books to be inclusive of these potential readers. Please reach out to myself or Patty if you would like to participate in this event.
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
When I first started writing, I wrote poetry. In fact, my first sale of my writing, back in 1996, was for a poem. I wrote on a manual typewriter and submitted via snail mail, (I know. I’m dating myself terribly.). My poem, “A Prayer for Guidance” was published in a small poetry magazine called Dusk & Dawn, which is no longer in publication, and I made a whole $5 from it, but boy, was I ever proud of that sale.
I put my poetry on backgrounds, like the one above for my very first writing event. It was a local event that a friend saw advertised in the paper and said, “You should see if you can get a table. I called and got a table at the event, then realized I had nothing to offer at my table. I hadn’t yet published a book or anything, so I printed up my poetry on backgrounds , which I sold at my table for $5 a piece, and made almost $100.
For that event, I had a poem called “Voices” about the different voices that speak in my head, and as I was searching for backgrounds, I came across a painting of the same title, that I knew was the perfect background for this poem. So I poked around on the internet until I found a way to contact the artist, Mitchell Barret, and sent him an email, requesting to use his painting as my background. I was more than surprised when I recieved a phone call from him all the way from England. You must understand that this was right at the beginning of the internet era, and I still had a land line with long distance charges, so a call from another contentent was a pretty big deal to me, and I absolutely adored his English accent, although I had to ask him to repeat himself a couple of times during the call. He gave me permission to use his painting for the writing fair, and we conversed for a while, sparking up a friendship that was one of my first internet networking experiences.
Poetry & Art
In a later contact, Mitch said he was working on a series of paintings and he would like to include some poetry with them. He sent me the sketches for the paintings, and I wrote a poem for him. “Intimacy and the Harliquin Dance”. To my knowledge only one of those paintings ever came to fruition, but he did use a portion of my poem in his painting, which he titled “Intimacy”. The painting was on display and was sold at the Keliedescope Gallery, in Battle Sea Park, London in 2010.
After Michael
When my son died in 2009, I wrote poetry almost constantly. When I wasn’t physically putting words to page, I was putting my feelings to verse in my head. I wrote enough poetry about Michael and my loss of him to fill a chapbook. It was my way of processing my grief, I think. I don’t know if any of it was really good, but I felt it to be some of the most powerful writing I’d ever done.
Most of my poetry was rhyming, and by this point, I had taking some creative writing courses, where my poetry professor informed me ryhming poetry was no longer in vogue. Because of the rhyming, sing-song style of my poetry, it was evaluated by one critic as childish. And perhaps it is a bit childish. Rhyming poetry is fun to write. I’m a big fan of Sid Shelden and Dr. Suess, after all.
When I enrolled at Western State Colorado Unversity to earn my M.F.A. in Creative Writing, my focus shifted away from poetry and I began writing fiction, which has taken up my energies ever since, but I’ve never lost my love for poetry. I still submitted poetry here and there, even getting a few published in magazines such as Colorado Life Magazine, and anthologies such as Manifest West #5: Serenity and Severity. I just wasn’t writing anything new in the poetry realm.
Renewed Interest
A couple of years ago, I came across a book by Colleen Chesebro, WordCraft Prose & Poetry: The Art of Crafting Syllabic Poetry, which delves into the art of syllabic poetry. I couldn’t read this book without dabbling with the different forms myself, reviving my love for poetry all over again. (See my “Review in Practice” of WordCraft Prose & Poetry here.) And I used my newfound poetry skills to answer a creative challenge posed on the blog of Teagan Riordan Geneviene with a Shadorma poem with an image.
Now that my M.A. in publishing is completed, I find a have more time in which to ponder the words which I place on the page, and play with poetry. For that is what poetry ultimately is – play with words. I don’t mean that it shouldn’t be taken seriously, but that creating with words, no matter the form it takes, should be fun and satisfying for the creator, and poetry offers a wider license for this than do other forms of writing. This is known over at Colleen M. Chesebro’s WordCraft Poetry blog, where every Tuesday brings a #TankaTuesday challenge involving syllabic poetry, introducing readers with all kinds of new poetic forms. And so, I’ve been revisiting poetry once again, playing with sllybic poetry and rhymes. (I still love rhyming poetry, even if it is out of fashion.)
A New Poetry Collection on the Horizon
As I look through the poetry I’ve done in the past, I’m finding a plethora of poetry that needs to be shared. So, in addition to the two novels, and two anthologies which I had planned to publish through WordCrafter Press in 2023, I’m going to publish my first collection of poetry, some old, some new; some rhyming, some syllibic, and maybe even some freestyle to be included. It will take me down an old road to go through the poetry already written, and over a new road to experiment with forms of poetry both new and old, and the process of compiling the collection will be fun. Heck, it may even get me an invitation to be a guest on “Treasuring Poetry” with Robbie Cheadle.
To me, poetry is word play at its finest. What does poetry mean to you?
April is National Poetry Month here in the U.S., so it is fitting that the release of the annual Poetry Treasures anthology, from WordCrafter Press comes sometime in April each year. This year’s volume will be Poetry Treasures 3: Passions. It will be released on April 18, 2023, and is available now for preorder.
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER will sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
Poetry Treasures 3: Passions will release on April 18 and is available for pre-order now. This exceptional collection of poets & poetry includes the works of guests from the 2022 “Treasuring Poetry” blog series, as they share their passions with us. Learn more about this anthology and help WordCrafter Press send this poetry anthology off right with a book blog tour April 17 – 21, starting right here, on Writing to be Read.
About Poetry Treasures 3: Passions
Passions treasures within.
Open the cover
and you will discover
the Poetry Treasures
of guests on
Roberta Eaton Cheadle’s
2022 “Treasuring Poetry” blog series
on Writing to be Read.
Included are treasures from:
Patty Fletcher, D. Wallace Peach, Yvette Prior,
Penny Wilson, Colleen M. Chesebro, Abbie Taylor,
Yvette Calliero, , Smitha Vishwanath,
Chris Hall, Willow Willers, Rosemerry Wahtola Trommer,
and Roberta Eaton Cheadle
Poetry Treasures 3: Passions is available for pre-order now from your favorite book distributors through Books2Read: https://books2read.com/u/b5qnBR
I’m excited to welcome you to the WordCrafter Delilah Book Blog Tour. We’ve got interesting behind the scenes posts from all three books in the Women in the West adventure series at each stop, which introduce you to some of the characters in the series, Robbie Cheadle shares an author interview, a couple of reviews, and I think there’san excerpt from Delilah in there somewhere. Maybe I should just post the schedule here. I’ll post it with links, but they won’t work until each post goes live.
Tour Schedule
Mon. 3/20 – Opening Day Post– Writing to be Read/ Guest post (Baby Doe Tabor/Delilah) – The Showers of Blessings
Wed. 3/22 – Guest post (Big Nose Kate/Sarah)/Review – BookPlaces
Thurs. 3/23 – Guest post (“Aunt” Clara Brown/Marta)- Roberta Writes
Fri. 3/24 – Closing Post (Ute Indians of Colorado in 1880s/Delilah Excerpt) – Writing to be Read
Follow the tour and learn more about Delilah and the Women in the West adventure series, with an opportunity to enter the giveaway at every stop.
Delilah Give Away
I’m giving away two digital copies,
and one signed print copy
of
Delilah
Leave a comment to enter.
Multiple entries are allowed,
so leave a comment at each stop for more chances.
The Trailer
Delilah and the Women in the West
On with the tour…
Our first stop on the tour is over at Miriam Hurdle’s The Many Showers of Blessings, with a guest post from me on the historical supporting character in Delilah, Baby Doe Tabor. So, follow the link for a behind the scenes post from Delilah.
The Cripple Creek Ice Festival is an annual tradition, but for the past two years it has been canceled due to Covid. So, when I heard that they were holding the Ice Fest this year, you can bet that I made sure to attend. The Ice Festival is open to the public and admission is free. Ice sculptures are lined up and down Bennett Street, along with street vendors, who provide plenty of food and refreshments for all. Visitors walk up or down the street, appraising the sculptures and stop in at the main tent to place their votes for the sculpture they think is best. Past year’s themes include Under the Sea, Mythological Wonderland, Old West, Mountain Wonderland, and Story Time. The first year that I attended was 2015, with the Story Time theme. I also had the pleasure of attending in 2016 with the Old West theme. You can see those ice sculptures here.
This year, the shape each sculpture took was the carver’s choice, so there was a wide variety of sculptures. For the 2023 Cripple Creek Ice Festival, (February 18-26), I attended on both the first Sunday and the final Sunday. On Day 2 of the festivities, only select sculptures were complete, as the chisel and chain saw weilding ice carvers work on their masterpieces all week long, so visitors are sure to catch them in action. Many large blocks of uncut ice lined the street, waiting for the carver’sto work their magic and turn them into spectacular works of art.
Partially Carved Ice BlockBlocks of Ice Waiting to be Carved
Even on the final day, there were still carvers demonstrating their talents. The way they carve the ice and shape it into their own visions is amazing.
Ice MagicCarver Carving Out a Block of IceArtists at Work
Through their talented efforts, for two weeks out of the year, Bennett Street in Cripple Creek turns into a fabulously creative winter wonderland. Since the theme was carver’s choice, the sculptures took on a wide variety of shapes and sizes.
Although beautiful during the day, the addition of color lighting them up at night has unique effects.
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
A Kickstarter campaign allows authors to find supporters who believe in thier work and want to support them, and it is a method of direct sales for authors, which allows us to cut out the middle-man distributors and their percentage and make more money from our books. But it is also a platform where readers and fans can get some really cool stuff for their supporting dollars. It’s just a “Give me… Give me… Give me…” platform, but one where it is our job to make sure our fans and readers can get a good value for their buck, providing cool rewards in exchange for monetary support of the project. It is similar to the famous artists of the past, who found patrons to support them and their works, so they would have the time to create their art. A Kickstarter campaign is a similiar type of patronage available to authors. And what’s really cool is, we’re not begging, we’re selling books and other cool stuff without the middle man. No book distributors to take their cut. Of course, Kickstarter gets a cut, but the also provide the platformand tools to run a successful Kickstarter campaign, and the analytics to measure your succcess, which, I think, is well worth it. (More on direct selling with Kickstarter here.)
In Jaunuary, I ran my first Kickstarter for Delilah and the Women in the West adventure series. The goal I set was $500 and I decided on a thirty day campaign.
This series has three books planned so far, each featuring a strong female protagonist and appearances by historic female characters. Delilah is a western, but it is also historic women’s fiction and will appeal to all three audiences. Delilah was my first novel to be published, but the publisher really didn’t get what Delilah is all about, because they billed it as western romance. Although there is a romance thread running through this story, it’s not the main thread. Western romance is not a good way to categorize this book and it did not do well. When my contract ran out, I decided to revise it, making it read closer to my original story. I guess you could say this is the “unimproved” version, that goes back to before I veered from my original plot line. As I did the rewrite, I realized that there were other characters in this story who bear to have their stories told, and the idea for the Women in the West adventure series was born. But, this post is about the Kickstarter campaign experience rather than the books, and I’m veering from the topic.
So without further ado, let’s take a look at my Kickstarter campaign, what I might have done wrong, and what I might have done right.
How a Kickstarter campaign works
Kickstarter was designed with the creative economy in mind, before it was labeled the creative economy. You start with a project. In my case, it is Delilah, which is book one of my Women in the West adventure series. I chose this project because the book is finished, and already scheduled for release on March 21, so I knew for sure that I would be able to deliver the goods.
Once the campaign launches, your readers, fans, and others who would like to support your work can pledge their support at the different reward levels you’ve set up, or pledge for any amount, just because they believe in your project. I set up three levels: $5 with an early digital copy of the book, $25 with a signed print copy, and $50 with an opportunity to name a character in book two.
You can also offer add-ons for each level so they can get even more cool stuff if they choose, because you want to offer your fans as much value as possible, since this is a method for direct sales, not digital pan handling. I offered a PDF copy of my short story, “Don’t Eat the Pickled Eggs”; an audio reading of my flash fiction Western story, “I Had to Do It”; and an interview with Delilah.
You set a goal for the amount you need to raise. You don’t want to set it too high, because Kickstarter is an all or nothing deal. If you don’t reach your goal by the end of the campaign, your backers don’t have to pay anything and you don’t have to deliver anything. However, if you make it and are funded then you get anything over your goal amount, minus Kickstarter’s cut, of course.
I was fortunate to be able to follow Kevin J. Anderson’s Kickstarter campaign for his book, Double Booked and his Dan Shambles Zombie P.I. series, from start to finish and it was amazing. His Kickstarter funded within the first 36 minutes, which I thought was phenomenal. His campaign was one of the things that made me decide to give Kickstarter a try.
My Kickstarter Experience
I sent out media blasts in December announcing the pre-launch page, which received a total of five folks signing up to be notified when the campaign launched, which I did not take to be a good sign, but I figured that it could be because the pre-launch page did not reveal the rewards offered for supporting the campaign.
On launch day, I published a blog post about the campaign, asking for people’s supportand sending out social media blasts on Facebook, Twitter, LinkedIn, and Pintrest. I also sent out a newsletter dedicated to the Kickstarter on opening day to alert my readers to the campaign. And, I know of several individuals who sent out social media blasts on my behalf. I even went out on a limb with some paid advertising aimed at super backers, for a minimal amount, since it was my first time using Kickstarter. Now if my campaign didn’t fund, I’d be in the hole, but I wanted to do everything I could to make this a successful campaign.
That first day, the campaign only funded 13%, but I was thankful that I had even a few backers. I launched on January 3, which was News Year’s Day (observed), so technically, still a holiday, so people may not have been back on social media. It went up to 19% on the second day, and it stayed there through day 4, when it went up to 20%. I sent out more social media blasts to promote the campaign. Then I watched and waited… And waited… And waited… But it stayed at 20%. I really started to worry.
What if it didn’t fund? Then all my hard work would be for naught. And a Kickstarter campaign is work, make no mistake. I know I’m not Brandon Sanderson, or even Kevin J. Anderson. I didn’t expect my campaign to fund within 23 minutes. But this was ridiculous. I couldn’t even get a quarter of the way to my modest goal of $500. I tried to keep a positive outlook, but it was frustrating.
I was driving myself nuts, checking the status of the campaign several times a day, so I vowed to stop, and instead, watch for the morning and evening updates from Kickstarter in my email inbox. My constant checking couldn’t make people want to support this project. They would come on thier own, if they were going to. I had known that the possibility of not being funded existed going into this. All I could do was wait…, and see what would happen.
I sent out more media blasts. I checked my twice daily updates. There’s was still no change by Day 8. I emailed Kevin, because he’s the only author I know of who has actually done a Kickstarter, and even though he is no longer my professor, he is a really nice guy, so he sent out an additional blast and sent me suggestions of things to try.
Day 10, and still no growth. What was I doing wrong? Are the rewards I’ve chosen to offer not appealing? Am I missing the mark with my target audiences? Was I targeting the wrong audiences? Is there really only five people out there who believe in me and my work enough to support me? All these thoughts were going through my head.
Friday the 13th saw the project past the 20% mark, which made me feel a little better, even if it was only up to 23%. And on the 15th, the campaign bumped up to 34%, which was downright heartening. It was a single pledge, at the $50 level – the first pledge I’d had at that top level. That fact was exciting to me, in and of itself.
Then, on the 16th, there was no growth once more, and I bagan to forsee another stall just below the $200.00 mark. I knew I wasn’t going to fund on the first day, like better known authors might, but I had thought that I would be funded by the halfway mark, so I could relax and have fun adding stretch goals and rewards. I wasn’t expecting to still be trying to reach the origianl goal at this point in the game, so I couldn’t help but to be feel a bit disappointed. I had a total of eight backers. Was there really so few people that believe in me and this project? So again, I waited… and waited… and waited some more.
I boosted a post on Facebook, in hopes of pulling in some more backers. Although it showed that people were engaging with the post, it didn’t seem to be bringing me any new backers. Was it because I chose a western for my project? I knew my covers for these books weren’t great, but if funded, some of that money was to go for improving the cover design. The boost ran out on the 26th, with a reach of 86, an engagement of 168, thru plays of the video 162 and one click through. The numbers didn’t seem to say the boost did all that great, even if the one clickthrough decided to back the project.
Heavy Competition
On the 18th, Kevin J. Anderson launched his Kickstarter for Dragon Business & Skeleton in the Closet, and his campaign funded almost immediately. By the time I checked in around noon, he already had double the goal that he’d set. I was definitely doing something wrong. I was still stalled at 34%, which might as well have been 0%, because if mine didn’t fund and reach my $500 goal, I wouldn’t recieve anything. Of course, it could still fund, but there was only 13 days left, and I wasn’t even close to halfway there.
I took a look at KJA’s successful Kickstarter campaign. His covers are very colorful, his story is humorous medievil fantasy, and one must keep in mind that his fan base is huge and he has worked to build it for many years. The campaign Dragon Business & Skeletons in the Closet gained 200 backers in two days. Mine was 20 days in and I had a total of 12 backers.
The one that I followed from behind the scenes for Double-Booked and the Dan Shamble P.I. series also featured colorful covers for humorous tales of fantasy or speculative fiction, and Delilah and the Women in the West covers are almost montone, with a minimal amount of color, and then they are westerns. Perhaps I picked the wrong project for my Kickstarter campaign. At the very least, I wasn’t getting it in front of the correct target audience.
Heading this section “Heavy Competition” is a bit misleading. It would be a joke to compare my Kickstarter campaign to Kevin J. Anderson’s. His has multiple support levels, with a variety of rewards such as personalized messages from the author, and mugs and tee-shirts featuring the very cool artwork connected to the cover art, with a numerous variety of add-ons available. Once his campaign funded on the first day, he began adding stretch goals, which means backers get even more more cool stuff as he reaches each one, if I understand them correctly. And his video attains a level of professionalism which I can’t hope to reach with my very limited skills in this area.
My three support levels and rewards couldn’t compare in any manner. My campaign goal was $500 and I couldn’t hope to launch a campaign the caliber of his, which was earning literally thousands of dollars, well exceeding his $2000 goal. But that didn’t mean I couldn’t learn from it.
Desperate Measures
On the 20th, I sent out an email blast manually to other authors I have worked with, asking for their support. I just came out and said that I was stuck at 34% funded and asked them to help me reach my goal. I had to do something to find backers for this project. It is a good project, (I think), but I needed a little over $300 still to reach my goal. And the next morning, I woke up to find I had 2 new backers from the email of the night before, so maybe it wasn’t such a bad idea. I still wasn’t fully funded, but it brought me over the $200 mark (41%), and got things moving in the right direction once more. Later that day, I gained another backer, pushing it up to 43%. It seems those $5 pledges add up. It wasn’t a lot, but I was quite happy to have made even this much progress. Yet, I also knew I still had a long way to go and the clock was ticking. There were only 10 days left in which to find enough backers.
The email blast brought out at least a few more backers. It was the best results I’d had from everything I had tried so far, so on the 22nd, I sent out another blast to folks on my other email contacts. This email was older, and had people in the contacts who I hadn’t contacted in a while and may not have made the switch to my new WordCrafter email. I knew each one of them, so even though it might be coming out of the blue, they weren’t cold calls. I got a couple of new backers out of that, bringing the project up over the half-way mark, (51%), but with only eight days left, I had my doubts that it would bring enough. It just didn’t look very promising.
I did have one recipient who recieved a message from the second blast, from my older email, who promptly notified me that I’d been hacked. Since I don’t usually send out form letters in email blasts, she was sure someone else must be behind it. She was looking out for my best interests, and I appreciated that. Even though I wasn’t asking something for nothing, and I was offering some appealing rewards, or at least I thought I was, this was beginning to feel like a I was just saying, “Hey, give me money.”
The 24th brought some excitement, with a second $50 pledge, bring the campaign to 63% funded. I was getting closer to my goal. I’d still need to find backers for another 37%, but I was closer. It was a brighter outlook than I’d had recently, as I was thinking I wouldn’t have a chance to make it. Now, it suddenly seemed more of a possibility again. This up and down Kickstarter rollercoaster was crazy. It seemed it might be easier to just send out posts and emails saying, “Buy my book!” Buy my book!”
Waiting for something to happen to raise the bar toward the goal was excruciating, and the days drug out as nothing significant happened. I knew I needed to make something happen, so I sent out one last blast on Facebook to see if I couldn’t muster some more support. I still saw no growth.
In the end, being stalled at 63% wasn’t that much better than being stalled at 34%, because neither of them can make a successful Kickstarter campaign. It’s 100% or nothing, and with only two days left, it was looking more and more like it would be nothing.
On the 30th, I put out a last ditch effort to fund this project by putting out a plea in my WordCrafter News post. And I sent out another small media blast with a ticking clock. There was only one day left in the campaign, but it could fund in that time. It’s not likely that a rush of backers would show up at the last minute and save the campaign, but it could happen, so I put it out there. At this point, things looked bleak.
At the 36 hour mark, I recieved another pledge at the top tier, which brought it up to 80% funded, leaving only $99 to go. With 36 hours left, it was possible, but not probable. But this was really close to the goal. Closer than I thought it would get as I watched of the past couple of weeks. I allowed my hopes to be raised a little, but deep down, I feared that it wasn’t enough.
Final Outcome
It came down to the final day of the campaign and the campaign was still stalled at 80%. It was close, but close doesn’t make a successful campaign. I intentionally did not check my Kickstarter pages again until we were down to the 3 hour mark. When I finally did check in, I was pleasantly surprised to have moved up to the 90% mark. Now this was exciting.
The last needed $50 pledge came in with 2 hours left to go, and the campaign funded. I think I was in shock, at first. I’d been resigned to it not funding, and now here I was fully funded. I had an additional pledge come in My Kickstarter campaign was successful!
Acknowledgements
A successful Kickstarter doesn’t happen without the people who believe in it enough to back it. These are the external backers, which means they were not generated within the Kickstarter platform, but their support was the result from something I did to promote the campaign. I believe most of these backers were generated from the email campaigns which I sent out. In other words, I know these folks in some capacity, some in person, and others across vast distances over the internet, and that makes it more personal. These are the people which I’m lucky to have in my corner.
A big thank you to:
Cheryl Boyd – my best friend from junior high
Kevin J. Anderson – my friend and mentor
Robbie Cheadle – blog teammate, WordCrafter Press author, and multiple anthology contributor
Nancy Oswald – author friend
Christy Burmingham-Reyes – blog follower
Sara Wesley McBride – an anthology contributor and writing friend
Kieth Hoskins – an contributor to multiple anthologies
Ligia deWit – anthology contributor
Amy Cecil – anthology contributor and author friend
Mark Leslie Lefebvre – anthology contributor and author friend
Marie Whitaker – WordFire Press contact and author friend
James Richards – a WordCrafter Press author
Avily Jerome – anthology contributor
Tim & Wanda Ward – friends and neighbors
Miriam Hurdle – blog tour host and anthology contributor
Also, a big thanks to those who supported the campaign in non-monetary ways, such as spreading the word to garner support for the campaign. In promoting the campaign, I said repeatedly that all support was appreciated, and I meant that, including social media blasts, retweets and sharing on social media. Although I don’t have names for all of you, since these things went on behind scenes and there are probably many who I don’t even know about, but I thank you all so much for your support. I could not have done it without you.
Lessons Learned
Kickstarters are a lot of work. I knew that going into this, after watching behind the scenes for KJA’s campaign, so that was no surprise. Most of the people I know who supported the campaign are not big western fans. But enough people believed in me, and believed in this project, that it was able to fully fund in the end.
There are many things which could have affected negatively on my campaign: choosing to run a Kickstarter at the beginning of January, on the heels of the holiday season; chosing a project in the western genre; not spending more on paid advertising, etc…
But my analysis leads me to believe that I failed to reach my target audience effectively for this cross-genre series, which should appeal to lovers of westerns, and women’s fiction and even those who enjoy historical ficton, but it seems I missed the mark in the promotions. I thought I would reach a wider audience, since this series has strong female protagonists, bringing it into both the women’s fiction and historical fiction realms. Maybe, I don’t know how to find my target audience, but I will keep searching for them. An author friend of mine thinks I may be using the wrong social media channels, and suggested that I launch myself on Tik-Tok to tap into my target audience. Maybe I’ll consider it in the future, but for now, I must continue on my planned path and give things time to work out.
Kickstarter can be a successful way of direct selling. Not all campaigns will be as successful as KJA’s campaigns, but this proves that even the little, unknown, independent authors like me can have a successful campaign. Maybe my audience wasn’t big enough? Maybe I wasn’t reaching the right audience? Perhaps a different project would have done better. Maybe I’ll try again in the future with a different book, different genre and see what happens. Maybe…
The release date for Delilah is March 21, 2023. You can preorder a digital or print copy from your book distributor of choice here: https://books2read.com/DelilahWIW
Delilah is a woman haunted by her past.
Her homecoming from prison quickly turns into a quest for vengeance when she is brutally raped and left for dead, and her fourteen-year-old ward is abducted. Sheer will and determination take this tough and gritty heroine up against wild beasts of the forest, Indians and outlaws to Leadville.
Can the colorful inhabitants of the Colorado mining town work their way into Delilah’s heart, offering a chance for a future she thought she’d lost along with her innocence?
If you like strong and capable female protagonists, you’ll love Delilah.
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER will sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
I get a wide variety of birds visiting my bird sanctuary, but today I’d like to focus on the different types of woodpeckers. Woodpeckers are curious birds that use their beaks in ways which other birds do not. No matter the type, they all have long, pointed bills, which they use to drill through wood and tree bark in order to locate and get to the insects underneath or to mark their territories. With strong claws, they cling to tree trunks, using their tails as props, and their flight patterns are termed undulating. There are many varieties, including woodpeckers, sapsuckers, and flickers, and several of them visit my yard on a regular basis.
Some varieties are similar in appearance with their black and white coloring, which always make them look as if they’re wearing formal attire. Among these black & white beauties are the hairy woodpecker, Nutall’s woodpecker, and Williamson’s Sapsucker, featured in the gallery below. The Hairy Woodpeckers are Robin-sized, (9 inches), with a loud distinctive peek sound and single-pitched rattled, and they are found all across the United States. Slightly larger, (9 1/2 inches), makes a soft churring sound. The Nuttall’s Woodpecker is smaller than those two, (7-7 1/2 inches), has a rolling preep call and a sharp pit-it sound.
Woodpeckers get their food by hammering holes in the bark, and extracting insects or grubs with long, flexible tongues. They start with a soft tapping to locate the food, and once located, they get down to business. It’s chow time! Hard, rapid drumming on dry limbs indicates that a woodpecker is claiming its territory and can be loud enough to be audible from great distances. One summer I had one who kept claiming its territory on my metal ladder, which was quite the alarm clock on early mornings.
More colorful are the grey and tan Northern Red-shafted Flickers, like the young one shown here, which I rescued last summer. (You can read about that here.) These birds are in the woodpecker family, building their nests in holes in trees, but feed on ants and ground insects, as well as berries, and repeat a loud wicka, wicka, wicka sound. They are elusive birds which are difficult to photograph. I only was able to get the photos like the one above because the little guy was stranded. He took off and disappeared into the forest just as soon as he was able.
Although they aren’t in the woodpecker family, Nuthatches have many similarities to them, especially in their ‘formal attire’, their long, pointed beaks, and the fact that they are cavity dwellers. They also nest in holes in hollow trees, and use their long, sharp beaks to tap-tap-tap on the trees, but their tapping is not as fast or as loud as that of the woodpeckers. They tap on the trees to crack open seeds, rather than to drill into the wood. But these small birds, (4 1/2 – 6 inches), don’t use their tails as props like the woodpeckers do, and are often seen moving down the tree trunk head first. I call them little forest acrobats because of this and the fact they they also can go the full diameter of a tree branch, walking on the underside with their heads toward the ground. Usually I have the slightly larger White-breasted Nuthatches, like the one above, but this past year, I also had visits from the Red-breasted variety, as well.
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER will sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
Dream a vision of the Joy you have always wanted. Through this 59-card deck, learn the author’s technique of “Mind Painting” to create an ideal picture in your mind of the way you would like things to be. Although we have aspirations throughout our life of doing wonderful things and becoming an amazing person, sometimes those dreams go unfulfilled, affecting our health—physically, mentally, and spiritually. Let the guidebook’s card descriptions and interactive activities, including dream meditations, affirmations, dance and pantomime exercises, automatic drawing experiments, and color correlations, provide the inspiration to help you seek answers inside your soul. Let the colorful, whimsical, “inner childhood” images of these cards empower you to feel the great joy and love in the universe, even through the darkness that may surround us. It’s never too late to continue building your ideal dream!
I was thrilled to be asked to review the Dream Your Joy Oracle Cards. I have long been a fan of the beautiful illustrations of Judy Mastrangelo. In 2019, I had the privelage of reviewing Flower Fairies: Portal to the Land of Fea, a brightly illustrated children’s book, which you can read here: https://wp.me/pVw40-46F. And you can find my 2020 review of her Inspirational Visions Oracle Cards here: https://writingtoberead.com/2020/09/04/inspirational-visions-a-very-special-review/
My Review
In The Dream Your Joy Oracle Cards, each individual card features one of the beautiful illustrations by the talented artist, Judy Mastrangelo, in colorful pastels that will brighten every day, as well activities and actions to help find answers to your deepest questions and take steps to become the person you long to be. There is no darkness is to be found in these oracle cards, only positive energies that will refresh your outlook on life. The perfect gift for anyone who needs some cheer and positivity.
You will enjoy perusing this deck, even if you don’t hold stock in the power of oracles and divination. This deck is not designed to predict the future, but to help bring out the natural brightness of your being that is generated from within. It comes complete with a book which tells you about each card and how to use it effectively, although your attitude is likely to improve from just looking over these wonderful llustrations. These cards are sure to be enjoyed by adults and children alike.
Since I’m a bird lover, I couldn’t help but fall in love with the “Our Animal Friends” card above, which shows us the important roles which animals play in all of our lives and offers ideas on how to identify our animal spirit guides, and “Butterflies”, below speaks of symbols of rebirth and offers ideas fir bringing about your own transformation.
“Seasons of Enchantment”, above, introduces exploration of the seasons through the fantasy realm to spark inner creativity, and “Garden Party”, below, helps us to find and explore our inner child.
The illustrations speak for themselves. See if you don’t agree.
Fairy PathForsest FolkJoyful FairyLight a CandleShy VioletRainbow Cloud CastleIllustrations by Judy Mastrangelo – Dream Your Joy Oracle Deck
John Henry Holliday, was a man of many talents. Born and raised in Georgia, he practiced dentistry, earning him the handle of “Doc”. He contracted tuberculosis while caring for his ailing mother before her death, and eventually had to give up his practice, as no one wanted to let “a lunger” work on their mouth for fear of contracting the disease. He came west, trying to take up dentistry, but supplementing his income with gambling, often dealing cards at the local faro tables. He was a heavy smoker, and a heavy drinker, with a hot temper and considerable skill with a gun, earning him a reputation as a notorious outlaw andl killer, as well.
He left his mark in frontier towns such as Dodge, Kansas; Tombstone Arizona; and Leadville, Colorado, but he spent his final days in Glenwood Springs, Colorado.
Doc Holliday’s Final Days
John Henry Holliday traveled to Glenwood Springs from Leadville, where he had resided for the previous year and a half, to see if the mineral baths, which at that time were scattered up and down the canyon, could improve on his failing health, as he struggled with tuberculosis, which he’d contracted while caring for his ailing mother, who died of the same disease.
Holliday worked at one of the saloons in town as a faro dealer for a short time, probably about a month, following his arrival in Glenwood Springs, but he was soon too ill to keep the job. He did a few odd jobs to pay the rent on his room, but was eventually too sick to climb the stairs to his second story lodgings at the Hotel Glenwood, (which burnt in 1945), so thereafter was confined to bed. The photo below is believed by some to be Doc in his final days at the Hotel Glenwood. It is displayed in the Doc Holliday Museum, in the basement of Bullock’s western store, which now sits where the hotel was in 1887.
Photo of unknown man – Doc Holliday Museum, Glenwood Springs, Colorado
Too sick to earn a wage, Doc may have found himself on the street were it not for his friendship with Walter Deveroux, one of the town’s leading citizens, who would later build the hot springs pool. Deveroux stood by Doc in his last days, bringing nourishment when he could no longer leave his second story room, and contacted Doc’s long time companion, Kate Elder, (Mary Katherine Harony-Cummings), also known as Big Nose Kate, requesting that she come to Glenwood Springs and help to care for the ailing Doc. (The same Big Nose Kate who had traveled with Doc for several years and had saved him from a mob in Fort Griffin, Kansas, ten years earlier, in 1877).
Doc’s Final Resting Place
There is some question about Doc’s final resting place. According to signage at the beginning of the trailhead for the Linwood Cemetary, the organization of the hillside cemetery, which requires a steep walk up the trailhead to reach, was rather haphazard to begin with, and graves were placed wherever a spot could be found. Then heavy rains came along and washed the cemetery and many of the graves and caskets down the hillside, which then had to be re-interred. It is said that it was such a mess that no one could tell who was who, and so graves were mismarked and some headstones may not actually have anything lying beneath them.
Others claim that he was buried in the pauper’s cemetery which lies above the main cemetery, Potter’s Field, and still others claim his body was shipped back to Georgia, where his family buried him in an unmarked grave. Any of these stories could be true: Doc died penniless, so may have been buried in an unmarked grave in Potter’s Field; or his friends in Glenwood Springs, who assisted him during his last days could have paid for his burial; or his family could have paid to have his remains shipped back to Georgia. Vandalism may have caused these various claims to spring up as efforts in misdirection, and only those present in Glenwood Springs at the time would know which is true, and they aren’t telling.
There have been three different headstones for Doc Holiday’s grave in Glenwood Springs, Colorado. The one above is supposedly the original grave marker, which had to be removed due to vandals. It can be found today on the floor of Bullock’s western store, where Doc spent his last days in one of the rooms above. Below is the headstone which is currently found in the Linwood cemetery. In the hillside cemetery the current headstone is protected from vandalism by a barred fence which look a little like a jail cell. Doc was never a friend of the law, so perhaps this is a fitting end for the notorious gambler.
Doc may have died penniless, but he was wealthy in friendships. Kate did come to care for him, gathering firewood to sell from the nearby hills, to help to pay his expenses, and caring for him when he no longer had the strength to care for himself. It’s not every man who had friends of such devotion. Kate arranged to send Doc’s dental equipment and other belongings back east to his family members, although they were pillaged before they arrived at their destination. It says a lot for Doc’s character that he had loyal friends like Kate and Deveroux.
John Henry Holliday died in Glenwood Springs on November 8, 1887 at the age of 36.
Sources Cited
Not only did the mineral baths not improve his health, they most likely exacerbated it, with the moist air surrounding the pools, and he died less than two months later, penniless. In the Doc Holliday Museum, located in the basement of Bullock’s Store, they display the picture below, surmising that it might be Doc in his final days, taken in his second story room in the Hotel Glenwood above, which was the although they do not state this as fact.
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER will sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
