Today’s interview kicks off the Full Moon Bites blog tour for Scerina Elizabeth, a paranormal romance erotica author, who has recently released four novellas: Nocturnia: Her Dark Angel of the Night and Spellbound: The Awakening, Eternally Yours, and Savagely Yours: The Beginning.
Kaye: How did it happen that you’ve had four novellas released so close together?
Scerina: Actually, Nocturnia: Her Dark Angel of the Night was originally released on May 1st, 2017. But due to it being my first ever published book and wasn’t edited nor proofread – I had to go back and edit and revise it than re-release it this month after being edited and revised.
Spellbound: The Awakening was originally released on July 1, 2017 and Eternally Yours: Bloodlines will be released don August 16, 2017.
Eternally Yours was accidentally published and am in the process of rewriting it. It will be about a woman who grows up in foster care. After moving to New York City at the age of eighteen, she inherits her biological family estate back in Louisiana where she will learn all about her biological family and who she truly is. She will also discover a dark family secret which she is now responsible for.
There is a prequel to Eternally Yours that I am about to release within the next week or so called Savagely Yours: The Beginning, which tells all about the beginning of Eternally Yours.
I am currently in the process of rewriting Eternally Yours which will be available on August 16, 2017
Kaye:Would you like to tell us a little about Her Dark Angel of the Night (Nocturnia #1)?
Scerina:Nocturnia: Her Dark Angel of the Night was really my first true published novella.I wasn’t planning on publishing it but while writing this little story, I discovered how easy it was to self-publish and publish my own writings. I was told by two close friends who read the early stages of Nocturnia: Her Dark Angel of the Night to have it published as it should be made into a book. That it had actual potential to make it in the literature world.
Kaye: What can you tell us about Spellbound: The Awakening?
Scerina: After re-releasing Nocturnia: Her Dark Angel of the Night, I was told that my stories and characters should be more developed with more backstory to them. I did this in Spellbound: The Awakening, but turns out it was information overload which in turn did more damage to the actual story. A close friend told me that Spellbound: The Awakening would work best as a full-length novel more than a novella – which I plan on doing sometime in the future. Extending it into a full-length novel along with Nocturnia: Her Dark Angel of the night.
Kaye:You’ve written some very distinct works. Vampires, Dragon Shifters, Witches… What, if anything, do the three works have in common?
Scerina: I am a huge lover of Vampires, Shifters, and Witches – that is my area of specialty when it comes to Paranormal Romance Erotica. I not only enjoy writing such stories but I enjoy reading them as well.
Kaye: What can we expect to see from Scerina Elizabeth in the future? What’s the working title of your next book?
Scerina: Right now, two other Paranormal Romance authors and I have come together to collaborate with other authors (who are interested) in a collection of Paranormal, Horror, & Erotica short stories called HallowErotica 2017 that is due to be released on Halloween – October 31, 2017. You can learn more about HallowErotica 2017 and how to enter your short fiction works @ https://scerinaelizabeth.wixsite.com/hallowerotica2017
As for me personally, my next projects are:
Bitten by A She Wolf: A New Moon Rising book which is an American who is in Europe with his best friends and girlfriend. While celebrating his twenty first birthday in a club, he catches the eye of a she wolf who is on the prowl for a new mate. A she wolf who will stop at nothing to get what she wants even if it means stealing him from his current girlfriend to make him hers.
This will be a very interesting story. I am also in the process of working on a prequel to Nocturnia: Her Dark Angel of the Night and also the first book of another series called
Angel Falls will be about a Dragon-Shifter who has just awaken after hundreds of years of being asleep underneath a frozen sea after a shipwreck. He comes across a woman who was attacked by some kind of creature and takes her back to his home where he tended to her. This is the start of a very intimate relationship and she could possibly be his true love.
Kaye: As a paranormal romance erotica writer, what kind of research do you find yourself doing for your stories?
Scerina: I have always been a lover of anything and everything Paranormal Romance & Erotica. I have read numerous books and novellas based around these genres, also based on movies and shows which I watch. I don’t really do research as I go by memory of what I learn from other books, novellas, movies, tv shows, folklore, and of course superstitions. I add my own little twist to them to make them my own for my stories, to keep them original.
I usually do my research when I read other Paranormal Romance Erotica stories as well as a bit more research when I need more information about something in particular.
Kaye:What time of day do you prefer to do your writing? Why?
Scerina:I basically write whenever I feel inspired or motivated which is basically anytime really. I love to write when is quiet so that I can focus more on my stories and the creations of my stories.
Kaye: What is the one thing in your writing career that is the most unusual or unique thing you’ve done so far?
Scerina:The ability to create a unique world or environment for my characters that is unlike any other – originality. The ability to add my own personal twist to a legend or folklore or something that we so often hear about to make it my own.
Kaye:Are you a plotter or a pantser? Why?
Scerina:I like to say am a plotter, but sometimes the plot takes an unexpected turn and that is when I go with the flow of the story.
I guess you can say am both a plotter and go with the flow kind of author because my the story lines tend to change depending on what my inspiration is at the moment when am writing.
Kaye: What works best to sell books for you, as far as marketing goes?
Scerina: I love posting on Goodreads related Groups to promote my books and novella as well as in Facebook related group to promote. Twitter is another excellent promotional tool as well. I also promote my latest releases on my own site as well.
I love to post excerpts from my current projects to catch the interests of the readers to give them a little glimpse of my newest project – keep them on their toes so to speak. So when my book is released, they will want to read it.
I also love the idea of book promotional trailer videos and banner ads with quotes from the book as well.
Kaye:What do you like to do when you’re not writing?
Scerina: I love to read other Paranormal Romance Erotica stories, as well as watch reality t.v. I am a huge fan of real life paranormal reality shows and I enjoy watching any kind of Paranormal/Horror movie.
Kaye:What’s your favorite social media site for promotion? Why?
Scerina: My official site of course. But, I love to promote on Goodreads, Facebook, & Twitter. I love these places mainly because they are very popular and a lot of people who share the same interest and passion for Paranormal Romance Erotica are on there looking for new books and novellas to read.
Kaye: What is the strangest inspiration for a story you’ve ever had?
Scerina:Well this is one for a short story that is based on an old eighties horror film called The Unholy – a demoness who seduces priests. Not only does she seduce them but she also becomes pregnant with their unborn child making it, the anti-Christ.
I have a very creative imagination that can sometimes be very sick and twisted which shows in my stories sometimes. Hopefully it is what makes my stories all the more interesting and keep the reader’s interest.
Kaye: Why do you think some authors sell well and others don’t?
Scerina:As I learn recently from a really negative review, too much information and too many characters can really kill a good plot. Especially if it is a short story.
I also learn that sex really does sell especially in these kinds of books as it keeps the reader’s interest and makes them hungry for more.
But if you are using sex as a sell too, you better have a good story line that goes along with it, as sex alone won’t keep the reader’s interest. Yah sure, they love a good sex scene and all that lust – but having a good story line makes it even better.
Kaye: What kind of Chinese food do you order all the time?
Scerina: Fried Rice and Dumplings 😊
I want to thank Scerina Elizabeth for joining us here on Writing to be Read today, and wish her the best of luck in her writing endeavors. I’m sure we’ve peaked the interest of many paranormal romance erotica readers. You can find out more about Scerina on her Website or Goodreads, or check her out on Facebook or Twitter.
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The Psychokinetic by Grace M. DeLeesie is Book 1 in her The Day Twelve Witches Burned series. If this first book is any indication of what’s to come, I might hesitate in reading the sequel books. There are many, many typos, missed words, and misspellings; the whole story is told, rather than shown; there is a lot of head hopping. But the biggest problem was an inability to suspend disbelief. I just couldn’t buy into the odd responses and behaviors of her characters.
Overall, the story line is a good one. Six teenage girls find themselves with extra-sensory powers which normal teens just don’t have. They feel they have been led to find each other, and they’ve bonded to form a tight knit group, who look out for one another, while they search for evidence of who or what they are. And before the first book is finished, we learn that there also exists an evil nemesis, who has followed them through many lifetimes, intent on destroying them. Which, is all pretty cool.
I spoke with the author, Grace M. DeLeesie about my concerns with this story, and she admitted she had some problems with a previous editor. She assured me many of the problems are already being addressed and a revised text will replace the current version. I have to say, I really like the story line, although it could have been written better. I still can’t buy into the story or its characters, but with the author’s assurance that at the least, the grammatical errors and typos will be corrected, I feel comfortable giving The Psychokinetic three quills.
So I’ve been trying to decide what my next major writing project will be, and my mind keeps circling back to the last couple years of my life. I’ve had a crazy run of things recently, and like any writer worth his salt, I’d like to capture these events.
Primarily I’m a fiction writer. I could probably disguise all this stuff and get a halfway decent novel out of it, but something’s telling me the true circumstances need the kind of veracity one can only achieve through nonfiction.
It seems to me many short story writers and novelists shy away from nonfiction. Perhaps the truth hits them too close to home, or more likely, it’s out of their purview. Which is fine of course. Nonfiction sells to a completely different segment of readers, different publishers, different literary agents. It may not make sense for an author to skew into a different genre altogether. In fact, some might see it as a waste of time.
But there is one thing nonfiction has on your average novel or short story, an element of the art form that has nothing to do with craft or overall viability. Not everyone deals with incredible, tragic, surprising, or uplifting events in their lives. Some people are born to breeze through this existence, though perhaps these people are fewer and farther between than we might otherwise surmise.
For the rest of us—for those with the linguistic and artistic capability to do something about it anyway—telling our personal stories can be extraordinarily cathartic. After all, psychologists have long advocated journaling as a means of self-healing. Writing about the key events which have shaped us can be both uplifting and enlightening, and it can help us make sense of an otherwise threatening or chaotic world.
Some might argue that the leap from journaling to penning an entire memoir leaves quite a bit to be desired. Only authors think this way, I suppose: “Well something terrible happened to me today. Guess I better write it down and try to sell it.”
The truth of course is that one needn’t publish such material in order for it to be of benefit. Good stories exist everywhere, and the will to look at yourself and your life unflinchingly is a skill more people should cultivate. I can only speak for myself and my recent history, but if I never told my own story, if it just receded into the background of my mind, only to resurrect itself in moments of repose and contemplation years later, I know I’d be doing myself a disservice.
The world of creative nonfiction is wide. Write about societal injustice, pop culture, the plights of your friends and neighbors. Tell stories that reduce the global perspective to something more personal, and in so doing, help us understand ourselves better.
Or, conversely, write about things only you know. Consider it an act of good will if nothing else. You’re doing this for yourself, and there’s not a damn thing wrong with that. Recognize, however, that you may uncover things you’d have otherwise preferred hidden. Know Thyself; is there anything scarier? Is it perhaps more dangerous to remain ignorant? If you’re so inclined, only time will tell.
Contained in every human life is the seed of expansion. We are not static beings, but nor are we entirely free to pursue our futures unhindered. Rather, many of us (if not most of us) find ourselves chained to our pasts. If I were to actually sit and pay attention to my thought processes throughout a single day, I’d likely discover I think about my past way too much. I’d likely also discover I tend to dwell on all the negatives, all my mistakes. Truly, we can never go home again, so why is it my mind is hell bent on constantly reminding me off all the crap I’ve done?
The truth is most of us don’t want to forget. We feel this unconscious pull to relive and recycle, even when it means the here and now is distant and vague by comparison. Perhaps we do so because we worship our identities, the classic psychological concept of the “ego.” These otherwise random events, if they were fully revealed to us, they’d make a mess of our flawed and often one-sided self-conceptualization. Recollecting rather than looking forward is commonly a hindrance, especially when all you’re really doing is reopening old wounds. I think this is me more often than not, though I have no way of knowing if it is also you. Imagine getting your story out, putting it down on paper, reading it, understanding that past is past and that there are certain things you don’t need to hold onto anymore.
Now extend your imagination a bit further. What would happen if you recognized your story could help others, too? Maybe you’ve learned from your experiences. Perhaps you could help prevent others from falling into the same pitfalls as you.
All of this is not to suggest everyone needs to write a memoir and sell it. You might say, “But, Jeff, my story just isn’t interesting enough. And anyway, it’s nobody’s business but mine.”
Which is fair enough. Some might also suggest attempting to profit from personal struggle is the opposite of altruism, and in fact, borders on exhibitionism. This attitude, it seems to me, comports with a general unease and discomfort with getting too close to the truth, which is another way of saying digging down deep on a personal level makes some people squeamish.
My writing mantra has always been if it’s worth writing, it’s worth reading. Write your story under a pseudonym, or in a pinch, write the damn thing and then bury it in your sock drawer. But as you’re doing so, do me a favor and look inward. Notice how you feel different, perhaps a bit freer. Recognize that in telling your story, you’ve performed a neat bit of alchemy. Maybe we can’t turn lead into gold, but through nonfiction, we can transmute pain and tragedy and allow them to release us.
If all else fails, write because your story is both unique and universal. I mean this. If in a hundred years all that could be said of us is that we strove to understand ourselves, that in itself would be a minor miracle. Don’t be afraid to quest. Maybe the answers you’re looking for can help your readers, too. Anything and everything is possible, right?
In my post,It’s All in the Packaging, I interview cover designer, Dawn Leslie Mullan and I issued a plea for your help and support as the cover art for Delilah made it to the second round in a book cover contest on Facebook. Unfortunately, we didn’t make it into round three, but I want to thank all those who took the time and went to the effort to vote. Delilah has a great cover that fits her story, and I appreciate everyone who jumped in a tried to help us win. I also want to thank DL Mullan for providing such a great cover and Robin Conley for nominating it.
Although I have participated in release parties, it was my first experience with an event like this on social media, so I learned a lot from the experience. I think there are several reasons why we didn’t make it to round three. The promoters of the event were romance authors, and many of the covers we were up against were romance covers, especially the ones which got the most votes, which leads me to believe romance readers were the majority of the audience attending this event, so I considered it lucky that I was able to get the votes I did. Again, all those that voted, whether from my previous blog post, or from my massive marketing campaign to gain votes, you guys are great, and greatly appreciated.
I also learned what not to do when hosting an event like this. The event promoters laid out a set of rules for voting, which had participants clicking and liking various pages, and although the rules were laid out, it seems several of the participants failed to do so, because in later rounds, new “Rules” posts were put up, saying those who failed to follow each step would not be counted. Also, at the end of round two, they announced that hearts did not count as votes, only ‘likes’, but this was not stated at the beginning, so anyone who had someone who loved their cover enough to give it a heart was disqualified.
I think these events should be made as easy as possible to participate in. Think about it. We’re asking people to take time out to go to a page and vote, or play silly games to win prizes in the case of release parties. The games should be fun, or at least funny. The prizes should be something that will be viewed to have some value. And voting should be quick and easy, only taking a few minutes of their time. And for heavens sake, if someone does accept your invitation and attends, or votes for you, show some appreciation and thank them. I know I do, and it keeps readers coming back for more.
I was happy that the cover for Delilah made it to round two, and disappointed that it didn’t go to round three. Maybe next time. Although, I am wondering how effective these social media events really are. A couple of authors I’ve talked said they’ve participated in release parties, but haven’t seen any real increase in sales from them. That could be partly because they are attended mostly by other authors, so we may be playing to the wrong audience there.
I’d be interested in hearing from other authors who participate in these events. I’d like to know how beneficial they really are. Do they bring in sales of your books? Or are they a waste of time? If you’d like to weigh in, leave a comment here, or contact me at kayebooth(at)yahoo(dot)com.
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Smothered by B.T. Clearwater is a paranormal romance that readers won’t want to put down. Paranormal and romance plot lines are skillfully woven together with well developed characters and just a dash of mystery, to create a well-rounded story that draws readers in and doesn’t let go. Smotheredis currently offered in a limited print run, as well as in digital format.
Annie and Mark are two hot messes who belong together. They both have crazy exes, who they can’t rid themselves of; both have issue that need to be resolved; and both need someone they can lean on in the low times. They’re the perfect fit for one another, but between their exes and Annie’s manipulative dead mother, they may not be able to see the rightness of their relationship. They must find a way to overcome the obstacles before them, or risk being forever “smothered”.
An engaging story, well-developed and likable characters, multi-dimensional plot lines – Smothered has everything a good story should have. I give it five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Today, we have the pleasure of chatting with author Kristy Centeno, who recently had her latest YA/NA paranormal romance released, Deliverance. In addition to being the author of the Secrets of the Moon saga and Keeper Witches series, and now, Deliverance, Kristy is a wife and mother to five children, and she holds down a day job, as well.This interview will kick off her book blog tour for the book with Full Moon Bites author promotions, so let’s give her a good send off.
Kaye: Your most recent paranormal romance released is Deliverance, and I hear it has received some great reviews. Would you like to tell us a little about it?
Kristy:Deliverance depicts the story of a young man who has been imprisoned in an Institute his entire life. Created in a lab, he has no clues as to what he is. Only that he’s not human. Tired of a life of suffering, he escapes to seek the assistance of a man that can help permanently free him and the other prisoners from his creator’s clutches. To do so, he requires the assistance of a young woman—one that will come to challenge everything he believed his enemies to be.
Deliverance delves into the paranormal, with a hint of romance, and some mystery thrown in as well. It took me a year to complete this project and enjoyed every minute of the process. Tiger wasn’t an easy character to develop as he isn’t quite your average hero. He’s both fierce and vulnerable. Strong yet weak. A potential killer yet innocent. As readers go through the story, they’ll better understand what I mean.
Kaye: Deliverance is listed under both YA and NA paranormal romance. Would you talk a little about what the difference in these two genre categories are?
Kristy: Young adult is basically geared more toward the teenage audience with coming of age scenarios that help shape the young character’s future, personality, or outlook in life. The main characters are usually in their teens, experiencing, learning, experimenting things for the first time.
New Adult, however, portrays characters that are a bit older and perhaps, a tad more mature. Think college age adults who undergo a series of scenarios that might have more of an impact on their lives than it would a younger person. They might have to deal with things that might not be an issue for someone in their teens.
Kaye:You are currently working on a sequel to Deliverance. Any hints as to what might be in store for your readers there?
Kristy: There is a bit more background story for some of the main characters as well as information on how the Legion works. It gives some insight on what Gerard’s next plans for the main characters were. And, of course, another mystery unfolds. One that will flip Tiger and Kristina’s worlds upside down.
Kaye: You have a large family, including five children. What are your secrets for juggling writing with family?
Kristy: Between my day job and my five children, finding time to write isn’t always easy. To be honest, even when I find time, I struggle between heading off to bed early to get some rest or get the next chapter completed. My days are full, but I try to make the best of what time I do have.
Most days, I get some writing done after the kiddies head off to bed. It’s nice and quiet. Not having anyone vying for my attention provides me with at least one to two hours of uninterrupted writing.
Basically, the way I work around my schedule is by tending to the kids first, house second, and then my writing. If the kids need something or the house is unorganized I can’t concentrate on my writing either so when I sit down to write, no matter what time of the day it is, I have to make sure that my to-do list is complete. Then and only then can I devote my full attention to those that live in my head.
Kaye: What is the one thing you hope to teach your children?
Kristy: There’s so much I wish to teach my children that I could go on forever naming each. But one thing that’s important for me is that they learn how to love themselves first and everyone else second. With so many issues about body shaming and public ridicule for being different, I don’t want my kiddies to feel as if they have to be like everyone else just to fit in the crowd. I always tell them that it’s okay to be different and there’s nothing wrong with being a little weird.
Kaye: You have two blogs dedicated to author promotions and writing. Would you like to tell us how they came about and what one might find there? How do you come up with enough content to keep them both active?
Kristy: When I was first published, I realized right away that one of the most difficult things to do as an author was, and still is, promoting. I had to develop an online presence and that took time. Fortunately for me, I found a network of authors that were willing to lend a hand when it came to promoting my work, offering advice, and some constructive criticism when needed.
While I was establishing an online presence, I found many new authors that like me, struggled to promote their work and would benefit from the same kind of help I received when I first got started. Thus, the idea was born to create not one but two blogs where I could assist anyone that needed it.
It didn’t take long at all for my inbox to start to fill up with requests from authors all over the States, Canada, and even the UK. I keep a calendar to track which author I’m hosting on what day due to the sheer volume of requests. Many of the authors I’ve worked with over the years also help cross promote my work on their sites/blogs, which is fantastic. Plus, I get to learn about new authors and their fabulous work that I’d probably have a difficult time locating if I didn’t hear from them directly.
Now, I also host blog tours for various book blogging companies as well. It’s something that I’ve come to enjoy over the years and continue to do as a hobby.
Kaye: What’s something most readers would never guess about you?
Kristy:I’m a bit of an introvert. Most people don’t believe this because I’m generally outgoing. Though at first I’m a bit shy, once I’m comfortable with someone I tend to talk a lot more and joke around. But I prefer the comfort of my own home as opposed to going out.
Kaye:What is the biggest challenge of being a writer?
Kristy: Aside from getting published and struggling with promoting your work once it’s published, I’d say one huge challenge is overcoming the dreaded writer’s block.
Kaye: Would you share the story of your own publishing journey?
Kristy: My story isn’t that different from most authors. At least, I don’t think. I must have queried close to thirty agencies that first year, receiving nothing but rejection after rejection. It was very disappointing, not to mention it really made me suffer through periods where I had serious self-doubt about my work and myself as a writer.
I didn’t understand that even if your first manuscript isn’t the best, you tend to improve overtime. I wasn’t in that state of mind though. I considered quitting before I even got started. That was until I heard a positive response from a publisher that was interested in reading the full manuscript of the first book I ever submitted.
They decided to pass, but that rejection ended up helping so much. When they got back to me, they were kind enough to say where my strengths lay and where and what I needed to improve. I took their advice to heart and worked on my manuscript some more. It wasn’t perfect by any means, but it read a lot better. When I submitted it again to another publisher, I was once more asked for a full manuscript. Three months later I was offered a contract. I was elated!
From there it has been easier but I’m still learning. I’m sure there’s still so much room for growth and I don’t mind. I love evolving my skills and developing my voice as I go along. With every publisher and every editor I work with, I learn something new. I learn where I have to improve and what areas I should focus on. It’s a never-ending cycle but one I don’t mind repeating.
Kaye: What’s the best piece of advice you were ever given?
Kristy: “No matter how hard life knocks you down, you better get right back up again and plow through. Life will never stop trying to knock you off your feet so don’t ever stop getting right back up again.”
Kaye:You are fortunate enough to have found a publisher for your books. How much non-writing work, (marketing & promotion, illustrations & book covers, etc…), do you do yourself for your books?
Kristy: Fortunately, the book covers are taken care of by the publisher. However, I do most of the marketing for my book. I organized takeovers, hire book blog companies, spread the word via social media, send emails, etc.
One of my publishers does quite a bit in terms of spreading the word about our books. They have put our books in local libraries, they send out newsletters with interviews, guest posts, etc. and we occasionally do author takeovers and Facebook events as well.
Kaye: What strategies and promotional tools work best to sell books for you, as far as marketing goes?
Kristy: It’s hit or miss with marketing to be honest. I have found that when I book a tour via a book blogging company, some will do extremely well and I immediately see an increase in sales. While there are other times when there’s barely a difference. However, I’ve found that when I do character interviews, guest posts, or giveaways my book does well and there’s a lot of online activity, which is great.
I prefer to schedule release tour weeks in advance to get the release off to a good start. Usually, this is when I see the most impact when it comes to sells as well as reviews. Giveaways do very well too so I have tend to partake in them more and more nowadays than I used to. Especially if I’m giving out a signed copy of one of my books. People respond positively to that.
I want to thank Kristy for joining us here, on Writing to be Read, and for sharing a little bit about herself and her paranormal romance, Deliverance. You can purchase Deliverance on Amazon, iTunes, B&N, Inktera, and Createspace.
As rare as it is these days to find a truly well written horror story which draws the reader in and gets a grip, Something Borrowed, Something Blue, by DeAnna Knippling was a pleasant surprise. This novelette gives off a feeling that something ugly lies just below the surface, something that we can’t quite see, but the feeling says that the situation will not end well, and in that we are not disappointed. In the fashion of classic horror, this story makes readers want to say, “No! Stop!” even when it’s clear that events have already been set in motion and there is no turning back.
Sometimes being prepared isn’t the best policy, especially when you’re faced with something no one could be prepared for; something unimaginable that makes the skin crawl, yet demands action. Something Borrowed, Something Blue makes a connection with readers because it’s a situation they can place themselves in, if only in the dark recesses of their minds. Sometimes, that’s where the monster’s dwell which we fear the most. The story’s resolution may leave readers with more questions than answers. This is the kind of story that makes you think, maybe for a long time, after you read it.
Something Borrowed, Something Blue is a well-crafted tale that honors great story telling tradition by capturing readers and not letting them go until long after they’re finished with the story. I give it five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
In last month’s memo I talked about ways you can use flashbacks in stories and it led to a discussion about flash forwards and a request from Kaye that I do a post about them, so I decided to focus on the difference between flashbacks and flash forwards. I’m going to primarily use films and TV shows for examples as the film/TV examples are easy to visually show what I mean.
(Disclaimer: I don’t own the rights to any of these video clips or shows. I apologize in advance for some of the quality of the clips but they were the only ones I could find at times. Many of these shows mentioned are on Netflix, so I recommend watching there if possible.)
Flashbacks:
A flashback is almost any moment when a story jumps from the present time of the story to show you something that happened in the past. It’s not just talking about the past, but actually showing the events that happened. The flashback can be just a quick glimpse, or it can be a very long section of the story.
Flashback Example 1 – The Usual Suspects:
This film opens with the explosion on the ship and then moves forward to Kevin Spacey in the police station being interviewed. When he starts telling the story of how all the “usual suspects” were rounded up the film flashes back to show this happening, and the story continues in the flashback time period until the end of the film when we return to Kevin Spacey in the police station again.
Flashback Example 2 – Forest Gump:
This one is pretty straightforward that it’s cutting to a flashback. Forest is in the present moment talking about things that happened in his past from his childhood to adulthood, and we constantly hear his voice over and see him in present day on the bench talking about his past.
Flashback Example 1 – Breaking Bad Season 1 Episode 1:
Again, we start in the present time where Walt is crashing the RV and already cooking meth, then we very clearly jump back after the opening credits several weeks in time to when he was a normal school teacher. The main story of this first episode is all flashback with the opening and ending being the present moments.
Flash Forwards:
Flash forwards are tiny glimpses of the possible future within a story. Basically you get a glimpse of the future and then return to the present afterward. This future glimpse doesn’t have to be true, and it doesn’t HAVE to happen, it’s just a glimpse of what COULD happen and the audience has to keep watching to see if it does.
This technique is often used in stories involving anything with psychics. The key is the events haven’t happened yet, and may never happen depending on how the present continues to unfold. It’s a glimpse of the potential future, but the story is still taking place in the present day and will return to present day once the future glimpse is over.
Flash Forward Example 1 – The Dead Zone (film)
When Christopher Walken shakes Martin Sheen’s hand he gets a vision of the potential future. We see clips of what Martin Sheen may do, but we don’t know if it will happen or not because it hasn’t happened yet, all we know is that it’s possible to happen. Once the flash forward is over we return to the present moment where Christopher Walken is.
Flash Forward Example 2 – Scrooged:
When Bill Murray leaves the elevator he gets several glimpses of the possible future he will encounter if he doesn’t change his ways. Again, these are all brief flash forwards showing potential future moments. It’s a little different because it seems like Bill Murray is in the flash forwards, but he has no ability to change them while he’s there so it’s still a flash forward to a potential future if he doesn’t change his ways in the present.
Flash Forward Example 3 – Terminator 2
When she lays her head down, Sarah Connor has a dream vision of the future if machines are allowed to get out of control. This vision is a potential future and is the motivation for her to try to stop this outcome with her actions in the present.
Flash Forward Example 4 – FlashForward TV Show Season 1 Episode 1:
This episode actually has a flash forward AND a flashback in it. I’ve started this clip right before the flash forward moment where the protagonist gets a glimpse of his future and then wakes up after the accident, but if you scroll back to the very opening of the episode you’ll see that the story starts with the accident, then there is a flashback to 4 hours earlier leading up to the accident again to show what caused it (which was actually the flash forward). Are you confused? I know, it’s a lot.
The flash forward is the glimpse of the potential future that the main character may experience at some point later on, and then you return to the present moment. The opening sequence at the start that shows the accident is NOT technically a flash forward because it’s not a glimpse of the future, it’s where the story is NOW. Then we flashback to 4 hour earlier to see how we got there and how the accident happened.
Flash Forward Example 5 – Sherlock Holmes (film)
This fight scene is a type of micro flash forward because it tells us what will happen moments before it does, even though it’s in verbal form. It’s more of an abbreviated flash forward because it’s verbal and it’s similar to how flash forwards are often used in fiction. The narrator gives the reader a glimpse of what will be to come, but we’re still in the present moment of the story where it hasn’t actually happened yet.
Distinguishing Between the Two:
Most of the time it’s pretty easy to tell whether something is a flashback or a flash forward because it’s in the middle of the story and the story either jumps forward or back for a short time before returning to the present. However, the one area that seems to cause the most confusion is when the flashback or flash forward is used immediately at the opening of a story. Is the story starting in a flash forward? Is the main story all in flashback? What is happening? To figure out whether you’re seeing a flashback or a flash forward, think about where the scene is currently taking place and where the protagonist is in the present.
If you look at the openings of Forest Gump and Breaking Bad, both are happening as we watch and we’re not seeing a future possible event, we’re seeing the events as they happen to the protagonist, then we (the audience) jump back to see how the protagonist got to that present moment, but all of it has already happened and the protagonist is still in the present at that opening scene waiting for us to catch up to him.
Flash forward scenes are events that have NOT happened yet, and may not happen, and when they end we are returned to the present moment where the story is taking place and the protagonist is currently. Everything between that present moment and the future event we saw has not happened yet, and may not happen, but that is why we’re watching to find out. The present moment may eventually lead to that flash forward moment, but there’s no guarantee.
One of the few times a show can open with a flash forward is if it opens with a psychic event such as a dream or prophecy where we get a glimpse of what may or may not happen before a character pops awake or something and reveals it all was a vision or dream. Then the rest of the show builds to reveal whether it is something that is going to happen or not.
Neither Flashbacks nor Flash forwards:
There are a few other story methods that some people confuse with flash forwards and flashbacks but one of the main ones I want to mention is time travel such as in the Back to the Future Series. This and other time travel stories are tricky areas because it is easy to say we’re flashing back because we’re going back in time, but that’s not true in most stories I can think of.
A flashback involves looking back at past events that have already happened exactly as the person remembers them happening, while most time travel stories involve a character physically going back to these past events such as Marty does, and having influence on those events. This makes it not a flashback because Marty has the ability to change things if he does something wrong. That means the events aren’t set and aren’t just a memory of what happened, they’re fluid and changing. Flashbacks are memories of what happened prior to the present so they can’t be changed unless someone is misremembering something or lying. Marty is physically there and it’s his present time even if he’s physically living in the past, and he can make mistakes (and does) that change the future, so it’s not a flashback.
The other thing I wanted to point out is that just because a story goes forward in time doesn’t mean it’s a flash forward. A flash forward is a glimpse into the future but it doesn’t move the story TO the future. When your story jumps forward in time to a future point, if the story continues from that point on and isn’t just a glimpse of that future time, then what you have is a forward time jump and not a flash forward.
Final notes
Every now and then you’ll see someone define those opening scene moments where we start the story at a major event as a flash forward because it shows a “future” event and then immediately goes back in time after to where a huge chunk of the story takes place. But these stories that start with a major event and then go back in time almost always say something like “x time earlier” which establishes that the first scene is the present time period and everything afterward is in the past, making everything after that opening scene a flashback.
Ultimately, if you’re asking “what happened to get us here?” then you’re probably about to see a flashback to find out. However, if you’re asking “what WILL happen to get us here?” then you’re watching a flash forward and you will return to the present to find out as events unfold.
Today, we have with us, the science fiction author of the conspiracy thriller, The Best Seller, Dina Rae. She’s tried both the traditional publishing and self-publishing routes, and her latest novel, The Best Seller, was recently released by Solstice Publishing. With this interview, we kick off her book blog tour with Full Moon Bites author promotions.
Kaye:Your latest science fiction conspiracy thriller, The Best Seller: Book 1 of 2 was recently released. It is the tale of a writer’s dream come true, turned nightmare. Would you like to talk about that? Tell us what it’s all about.
Dina: I thought it would be interesting to write about a Stephen King-like author who doesn’t write his work, but records it from extraterrestrials. I once listened to a podcast that talked about automatic writing that comes from the Akashic record and thought it would play well in a novel. Of course, the author doesn’t live happily ever after. That would make for a short, boring book. There’s a reason for it as you read on. My next novel, The Sequel, gets more into it.
Kaye: You’re a wife and mother in addition to being a writer. What are your secrets for juggling writing with family?
Dina: I also work full-time as a teacher and coach, so yes, it’s a lot to juggle! I bring a notebook with me at all times. When I am waiting at the dentist, it’s time to write; when I am waiting for noodles to boil, it’s time to write; when I am at a choir concert or softball game; it’s time to write… You can always find time to do the things you love to do. I wish I was that determined when it comes to working out! I have found that the most productive people on the planet are the ones who have no time. Ask the busiest person you know to do something and it’s done!
Kaye: What is the one thing you hope to teach your children?
Dina: Great question! I want them to be good people, but also know that it is okay to mess up. It’s okay to take a risk and fail. Learning from mistakes is not just a lesson, but a way to live your life. I want them to understand the value of a dollar. So many young people start out their lives in massive debt from college. Life’s expenses cause more debt. My college-aged daughters decided to attend junior college and work as a way to keep expenses down. They might just graduate debt free. They both have friends who already are in massive debt and have yet to graduate.
Kaye: Your books are filled with conspiracies and intrigue. A lot of your books don’t fit neatly into a genre category or subcategory. How do you describe your books?
Dina: I love a good conspiracy-left-wing, right-wing, alien, HAARP, contrails, 911, apocalypse, bring it on! All of my books take kernels of popular conspiracies and then build stories around them. The Best Seller delves into how the government not only knows about extraterrestrials, but partners up with them to maintain power. Of course, a humongous conspiracy always has a few that go rogue which messes up the plan. I also take the Roswell incident and fill in the blanks about how our government found a spaceship and aliens in New Mexico back in 1947. In The Sequel, The Best Seller’s second volume, there is a great deal of conspiracy about Hitler and his Nazis.
Kaye: You do a lot of research in order to write about things you haven’t ever seen and places you’ve never been? What are some of the strangest things you’ve ever had to research for your books?
Dina: In The Sequel, I spent a great deal of time researching races of aliens. David Icke’s name popped a few million times. Very, very strange. He believes a Reptillian race lives on earth among us. They shapeshift into key figures of the elite circle. These Reptillians prepare for New World Order. I loved it! He is very sincere in his beliefs as are the many who follow him.
Kaye: Are you a plotter or a pantser? Why?
Dina: I am a total pantser for the first half of the book. I start plotting later on, and then go back to change everything! I tend to work better without an outline.
Kaye: You’ve made some pretty awesome book trailers, which do a good job of capturing readers’ attention, but how effective have they been as far as selling books goes?
Dina: Thanks so much! The truth is the trailers do not generate a lot of hits. They are something that I will keep doing anyway. I think that I get most of my sales from interviews of bloggers and radio hosts. I also will have selling spurts after a great review from a review blog.
Kaye: If writing suddenly made you rich and famous, what would you do?
Dina: I would love to find out! I have everything that I want in a middle-class capacity. Extra money would mean lots of traveling.
Kaye: What’s the most fun part of writing a novel? What’s the least fun part?
Dina: Most fun-I oddly love to research. I also love putting the pieces together for the story-it’s like a puzzle. Yes, I am a geek! Least fun-editing and constantly promoting.
Kaye: What did your road to publication look like? How did you get to where you are today?
Dina: My first book was The Last Degree. My publisher was not entirely on the up and up. I didn’t know any better. I pulled the manuscript and canceled the contract. The book is now up on Amazon as self-published. My second book and third books, Halo of the Damned and Halo of the Nephilim, had much smoother rides. They were published by Damnation Books. They recently sold the business to another publisher, Caliburn Books. The Best Seller was picked up by Solstice Publishing and they have been great. The got back to me right away after my query. I signed and then they gave me a cover. While it was being edited, I started promoting the book.
My advice to new writers is this-check out Preditors and Editors. They keep tabs on the publishing world. Also know that not everyone is legit.
Kaye: Is there anything unique or unusual about your writing process?
Dina: Not really, but I do like to write longhand. I like to buy cool looking journals to write in.
Kaye: What is the strangest inspiration for a story you’ve ever had?
Dina: It’s certainly not an original idea, but genetic modifications, cloning, CRISP-R, and gene therapy scare the hell out of me. Fear of the future inspires me. I don’t see the progress, I see the pitfalls.
Kaye: What do you like to do when you’re not writing?
Dina: I love to play tennis and walk my two dogs. My husband and I also love to go to flea markets for fun.
Kaye: What is the biggest challenge of being a writer for you?
Dina: There are so many challenges. Advertising is so expensive. Authors have to be more creative in their promotions. There is a lot of trial and error.
Kaye:If you could have lunch with any author, alive or dead, who would it be? Why?
Dina: Jesus Christ/God because I believe they wrote the Bible. Meeting them would mean I made it into Heaven. On a less divine note, I would love to talk to Shakespeare (or Queen Elizabeth as some conspiracy theories claim is the real author of all of those plays). I want to know how it feels to have so many of your phrases used in today’s language. I would want to know how he feels about modern literature.
Thanks so much for interviewing me! Great questions!
I want to thank you, Dina, for sharing with myself and my readers a small glimpse into your life and your writing. I’m sure The Best Seller will be… a best seller, and I’m pleased to be able to help kick off your tour.
Unpredictable Webs by international award winning author, Darlene Quinn, is an intricately plotted and tightly woven story of mystery and intrigue. A vivid cast of characters, who all think they know what’s best keep the pages turning. Although the book is a single piece in a much larger tapestry, it easily works as a stand alone for those who have not read other books in Quinn’s Web series.
As moguls of a major department store chain, Conrad and Ashleigh Taylor are open targets for attacks from all directions. Whether from protesters, who don’t want the iconic name of John Stewart’s to be swallowed whole by their Jordan’s conglomerate, or predators who see only dollar signs when they consider the wealthy couple, the threats are always near. When one predator goes after one of their twin teenage girls in a kidnapping gone awry, there is no telling what will happen next, and the Taylors will stop at nothing to get their daughter back.
Unpredictable Webs is a complex tale of suspense, which keeps readers on their toes with skilled crafting and well developed plot. I give it four quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.