The Pep Talk – I Think We Need a Break

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Every month in this space, author Jeff Bowles offers advice for young and struggling writers. No one ever said becoming a first-rate storyteller is easy. This is the Pep Talk.

So let’s assume you’re a dedicated writer. Or at least you want to be, which is why you’ve decided to come back to your craft after months or even years of not writing a single word. Perhaps life got in the way. Maybe you got married, had kids, made the choice to focus on your family and career first. There’s nothing wrong with that, right? We all have the ability to pursue our dreams whole-heartedly or to lay them aside when more important things come along.

The truth is you’re not alone. Almost by definition, writing is a solitary and thankless job. Becoming motivated and staying that way can be tough, and if you’ve got other responsibilities and obligations in your life—and all of us have—setting aside time for yourself and your work can be a huge chore.

Several years ago, I was feeling the crunch in just this way. I’d gotten married, had bought a new home, and I was working a job that was financially stable but not personally gratifying in any way, shape or form. Many days I’d pick at one of my short stories over my cafeteria lunch, praying for the day I could dedicate myself to my writing and leave the confines of corporate America for good.

It’s often been noted that many great authors throughout history have had to suffer dead-end jobs on their way to literary nirvana. Writing is a for-passion proposition for the vast majority of us. We do it because we are compelled.

But what happens when you aren’t feeling compelled? What happens when all your desire dries up and the thought of putting words on the page fills you with dread? Further, what happens after you’ve already taken a long break? Is it possible to pick up where you left off?

Of course it is. Momentum is momentum, and when people pursue their dreams with everything they’ve got, the universe conspires to bring their stars into alignment. There’s nothing wrong with admitting you’re tired. Most writers I know have come to that place at least once or twice in their careers. When I was just starting to learn the craft, it seemed to happen to me at least once a week.

“I’m never writing another word! These people don’t appreciate my talent, and anyway, I’d much rather pursue things that aren’t so damn frustrating!”

So maybe you grumble and walk away from your computer and promise yourself you’ll never tell another story as long as you live. Your intentions here don’t actually matter that much, because like smoking or eating premium New York-style pizza, writing has a way of getting under your skin.

In truth, when we come to the point of extreme frustration, of no forward momentum, often the best thing we can do for ourselves is offer a little humility and compassion and allow the work to falter. This might not be a popular perspective, but from a holistic standpoint, it’s the correct one. Frustration in a creative field signals burnout, which is most often caused by internal factors like unrealistic expectations and uncontrolled anxiety. When you add publishing contracts and money into the mix—as all of us one day desire to do—it can make matters worse.

The good news is that the human animal is ever changing. No really, that’s the good news. We are not static beings. You never know who you’re going to be from one day to the next, let alone one month, year, or decade to the next. Imagine your surprise when after a long hiatus you discover you still like writing. What’s more, you’re not the same person now, and your work seems to reflect this new maturity. Hell, sometimes we just run out of ideas and need some distance in order recharge the batteries, right?

Some will tell you stopping is the worst thing you can do. A rolling stone gathers no moss. I might have done so myself a few years ago when I was stuck at that crappy job. I’d have been wrong, though. The intellect and creative mind are not eternal well-springs. They do not flow on command at all times, and they can run dry when pushed too hard.

Here’s a little test for you. Tell me the last piece of fiction, nonfiction, or poetry you wrote to completion. Was it difficult to finish? I mean, more so than usual (let’s be honest, writing is seldom easy—if it were, everyone would do it). Did you find thoughts and ideas hard to come by? Did the notion of hauling yourself to the computer one more damn time make a compelling case for alcoholism?

See, we come to these brick walls precisely because the act of creating meaning and order from abstract symbols (or writing, in the common tongue) is not a natural fit for our freeform, emotional minds. Given the choice, we’d spend our lives daydreaming—many of us do anyway. We come to this craft with the highest of hopes, our expectations completely untempered, like a piece of nascent steel. Time separates the tourists from the devout. Disappointment is the rule rather than the exception. Is it any wonder we need to hit the brakes sometimes?

Here’s what I’d like you to do the rest of the day. Don’t write, even if you were expecting to. Rather, choose an activity that’s bound to depress you. Count up all your rejection letters, read something you wrote five years ago, look up your publishing stats, and yes my friends, read them and weep. Stop telling yourself you’ve almost made it, just one more story, just one lucky break. This is a trust experiment, gut-check time. Have you chosen this craft because it will make you famous? Are you more interested in seeing your name in print than in revising a single piece of fiction until your fingers bleed?

You are more interested in that? Well you’re the strange one, aren’t you? Everybody knows writing is never thankless, is always a laugh riot, and makes you feel good every single day of your otherwise bleak life.

Writing sucks sometimes, people! It just does. We all know it, and if we’re ever going to get anywhere, we need to make peace with it sooner or later. You need to realize this is a long game. I mean a looooooong game. You will get burned out, probably more than once. You will feel the need to quit, and you might even hate yourself because you gave up better opportunities along the way.

Be kind to yourself, please. You aren’t alone. You’re a writer because you can’t quit. It isn’t in your DNA. You should be more trusting; have some damn faith. And I think it’s a beautiful thing, admitting you’re helpless in the face of your need to tell stories. Taking a break is not giving up, it’s just taking a break. You may notice when at last you return that your skills have atrophied somewhat, that you’re a bit rustier than you’d like. That’s okay. You had to start somewhere way back when, and really, nobody forgets how to write.

Jump start that mind, warm up with some finger exercises, write a piece of flash fiction to get the ball rolling, but know that your choice to rest up was made in service to yourself. Let’s just call it an act of love. After all, you know yourself best. You’re not a machine, as much as you’d like to be.

It’s a mind game sometimes. It’s a battle of will. But one does not cease to be a writer just because one ceases writing. We are who we are, enjoy what we enjoy, are passionate about that which nourishes our souls and allows us to feel free.

Far from feeling free, do you feel like your writing has become a prison? Then take some time off, dudes and dudettes! That’s an order! Sheesh!

Until next time, folks.


Interested in my writing? Check out my latest short story collection, Fear and Loathing in Las Cruceshttps://www.amazon.com/Fear-Loathing-Las-Cruces-Stories-ebook/dp/B06XH2774F

Twitter: @JeffBowlesLives

Facebook: http://www.facebook.com/jeffryanbowles

YouTube’s Jeff Bowles Central: https://www.youtube.com/channel/UC6uMxedp3VxxUCS4zn3ulgQ

Amazon Author Page: https://www.amazon.com/Jeff-Bowles/e/B01L7GXCU0/ref=sr_ntt_srch_lnk_1?qid=14794534940


It’s All in the Packaging: Interview with Writer, Poet and Cover Designer, Dawn Leslie Mullan

 

They say you can’t judge a book by it’s cover, but we do all the time. So, when sales for Delilah was faltering, I decided to change it up. Actually, I ran into an awesome cover designer, who came up with a great cover for not only Delilah, but one for Last Call, too. Subsequently, the sales for Delilah went up some. The new cover just came out for Last Call, so it remains to be seen if it will have the same effect, but I’m anticipating some positive results. It all goes to show just how important it is to find the right cover designer for your work. If you don’t believe a book cover can make a difference, take a look at the original cover for Last Call, below and compare with the new one, above:

Last Call Cover

Today I am fortunate to be able to interview my awesome cover designer, DL Mullen of Sonoran Dawn Studios, so I can share with my readers just what a talented cover designer this lady really is. And she’s so much more. Also a writer and poet,  Dawn Leslie Mullan spends a lot of time getting creative.

Kaye: In addition to being an accomplished poet, you have your own design company, Sonoran Dawn Studios. How did you get into cover art design?

Dawn: I got into cover design because I knew that beauty is in the eye of the beholder. People are attracted to book covers as well as read tag lines and brief synopses to make their decisions about purchases. Since I have had my digital art shown across the country in various exhibits and at conventions, the creation of my own cover art was a natural fit. Sonoran Dawn Studios is the intuitive progression from an artist and writer to designer and publisher.

 

Kaye: You’ve self-published two books of nature poetry, Effloresce, and Rain: Monsoon in the Desert and two books of dark poetry, Memoirs of a Psychotic Painting Elephant, and The Descent. Would you share the story of your own publishing journey?

Dawn: My publishing journey is much like many other writers’ careers. I have been writing since my formative years, but the confidence to write for publication did not happen until higher education. When I was exposed to literature and professors who understood the dynamics in literary context, my world expanded a thousand-fold. I was no longer in this cocoon of sensory deprivation. The experience allowed me to dream.

As I grew older my dreams also grew, but some obstacles were thrown in my way. I became disabled by Environmental Illness, so the future book tour I had envisioned for myself was replaced by severe reactions to an array of chemicals and molds. A collapsed immune system does not a national book tour make. With the help of natural doctors, nutrition, and lots of bed rest, I have been able to balance my disabilities with my goals. I began my website, Undawnted, to feature my writing. Later, I created Sonoran Dawn Studios to publish what I produced with the dream of helping other writers accomplish their goals of publications in the future.

Just because life happened while I was making other plans does not mean I still cannot fulfill my life’s purpose.  Creativity is more than a hobby; creativity also brings about choices through true authentic problem-solving. As a testament to my originality and perseverance, my publishing journey has become a triumph over adversity.

 

Kaye: Would you publish through Lulu again? Why or why not?

Dawn: Yes, I love publishing through Lulu. The ebooks I can disseminate are endless. I am researching beyond Lulu for other Print on Demand services to see what the best modality for my print books may be. I want to make sure my readers are taken care of, while not being intrusive or creating confusion. I do foresee my ebooks finding their way into print sometime in 2019.

 

Kaye: What is the single most important quality in a poem for you?

Dawn: The most important quality in a poem is based in the five W’s of journalism. What, where, why, when, and how. What image is the reader left with at the end? Where has the poem taken the reader? Why would this poem be important to the reader later on in life?  When will the poem reoccur in the memory of the reader long after the poem is read? How does the poem leave an indelible mark in the emotions of its audience?

Anyone can write a poem. The best poems are the ones that linger in the recesses of a reader’s mind. To stir there, be forgotten until an emotion brings up images of the poem that can only be satisfied by reading the poem again. Poetry is more than words and rhymes; poetry is the exercise in conveying emotions through imagery.

So, what do you see when you write?

 

Kaye: Where do your poetic inspirations come from?

Dawn: Everywhere. That is where my inspiration comes from. I am in awe of this world and our universe. I keep a child’s naïveté and wonderment lurking around every corner of my imagination. I view circumstances with that innocence as if I am seeing lightning, touching a cat, hearing a siren, or feeling the sun for the first time. Every time.

That juxtaposition allows me to combine youthful honesty, integrity, and virtue with the aged heartbreak, candor, and wisdom. No emotion is off limits to experience inside my soul. Every creative dimension is then available to express whether that would be in the forms of poetry or prose.

Inspiration is everywhere… you just have to feel it.

 

Kaye: What’s your favorite social media site for promotion? Why?

Dawn: None of them really are my favorites for any kind of promotion but I go where my audience travels. Social media is the ghetto harbors of the internet. Our creativity and objectivity are trapped in programmed cages that reverberate and sometimes crescendo our own confirmation bias. Social ghettos like their city namesakes limit opportunities for those individuals seeking advancement and relegate people into an inferior stasis with poor resources and tyrannical mismanagement.

I’d rather own my own website away from social media, but finances impede that dream at this moment. So I am stuck in the ghettos of Facebook, Google plus, and Blogger. I hope someday people realize how confining social media is so we can return to a time of free expression.

Won’t you join me?

 

Kaye: You are a creative person, writing award winning poetry and designing some pretty awesome cover art, etc… Were you creative as a child?

Dawn: Thank you. I have always had an active imagination. My formative years began in solitude, but after my family moved to the west coast, we ran a daycare, and so there was no shortage of company.

The lack of companionship, however, is a different matter. I knew I was atypical from other children of my age. I observed. I understood far beyond my years. I intellectualized, but I also empathized.

Creative maturity has given me the ability to recognize those evocative reactions and morph the feelings into a seasoned response. Empathy is a strong connection to other people and their plight, the trick is to find a positive way to express myself through art, writing, and problem-solving to avoid the pitfalls of negativity.

That is why so many creative people are depressed and feel rejected by society: improper context of sensory stimuli. Creative people need to step outside of a given situation and see all the moving parts. The ability to walk in another’s shoes is a gift, but when that gift creates blinders to the other parts of life, that is where creativity can destroy instead of uplift.

I had to find that balance. I had to find my own wisdom. Meditation and energy work are beneficial. A balanced perspective is everything.  I had to learn that being a creative child did not mean I had to be an explosive, renegade adult… that is what my characters are for!

Let your imagination work for you. Be calm, cool, and collected with your interactions with the world. Allow your creativity be the solution.

Make your characters say and do what society frowns upon. In creativity, you are free. In living imagination, you are the creator.

So design a better reality to inspire change: one person can make a difference.

 

Kaye: How would you describe yourself in three words?

Dawn: Innovative. Dynamic. Trendsetter.

 

Kaye: What’s the best piece of advice you were ever given?

Dawn: I really have no idea. Maybe it was: don’t play in traffic? Or, don’t stick your fingers in the light socket? I do not believe I have ever been given a lot of advice.

I have always been a self-starter. I am a person who walks forward in life. There have been some obvious setbacks, but I set short- and long- term goals. Whatever is attainable, I achieve. Whatever does not work for me, I change to fit my new timeline.

So I do not believe my life has been about being advised as much as it has been about who can keep up with me.

 

Kaye: You’ve had many poems published and won awards for quite a few. What is the biggest challenge in being a poet?

Dawn: The biggest challenge in being a poet, or an artist in general, is discovering new ways to compete with myself. How can I outdo my last creation? Achieve a better response? Create something thought-provoking or truly distinctive?

As a writer, I challenge my own status quo. I am in competition with no other person but myself. So the creative balance I endeavor to maintain has helped me restructure my point of view. I strive for self-betterment to take my writing to the next level.

This fresh perspective allows me to mature as a writer as well as be a cheerleader for other authors. When I removed the ego-driven, quantity over quality focus from my writing career, I discovered how the release from those negative aspects took my creativity to new heights.

I spent more time creating than worry about the industry, agents, publishing houses, and other writers. I could then help others without feeling jealous or anxious or petty. I could be happy for other writer’s successes because those writers were never in direct competition with me. That is an illusion I had to shed.

Once I realized that each person has their own goals and life path to fulfill, then I understood the dynamics with which creativity really springs: inside my own internal genesis.

People on a parallel career path weave branches from the same tree on which my creativity sprouts. Each branch is different from the others and reflects the health of the common root. If we do not tend to our roots, fertilize the soil, and water regularly, then the tree will falter in a coming storm. Angst ruins everyone’s creative efforts. So why bother with it?

That is a summation of the writing craft and our individual responsibility within our community. We must become the best writer we can be and also give a helping hand to another writer regardless of his or her success. Wisdom is in the balance.

Of course that also frees me from the cookie cutter manufactured industry standards I see dominating the writing craft. So watch out world! I don’t have a compass. I don’t have a quota system. I am following my own branch that is reaching for the stars.

And, everyone can change their stars.

 

Kaye: What advice do you have for aspiring writers and poets?

Dawn: Writers need about ten years to season well, marinate in their own juices. Raw writers tend to give their hearts but when constructively critiqued, lose their minds. So I advise aspiring writers to go in search of criticism, negative criticism. Take courses for a community college certificate or degree in creative writing. Go out and join your local Professional Writer’s Group. Seek out people who will guide and help you without sparing your feelings. Those people are gems.

When you receive constructive advice, use it. Correct your writing and erode your ego. Writing is not about dissecting words and mincing phrases, but about dismantling your hubris.

Once a writer can get out of their own way, their writing takes on a profound quality. Stillness. Wisdom. Maturity.

One should always know and understand their craft through hard work and education. One should also write from the heart. Writing from the ego only speaks to other egos. When a writer writes from the heart, their story resonates at varying degrees within their audience and their writing is called: literature. Then a writer can build a loyal readership and just not simply have hapless followers.

On that same note: never believe your own press. I have had forum critique comments like: that was the best poem I have ever read! Only to look a few comments down and read: I really didn’t think your poem was all that great.

You just have to laugh.

When a writer has been through the crucible of their own development, then a writer can discover their weaknesses and strengths. Until that level of discernment is achieved, a writer is not ready to meet the world. The world is full of wolves ready to take your money and tell you whatever you want to hear.

An educated, informed, and mature writer can espy the wolves, escape the traps, and only do what is right for their needs.

So become the writer you have always wanted to become. No one else can do it but you. What are you waiting for?

 

Kaye: What time of day do you prefer to do your writing?

Dawn: Any time is fine. I write during the day or night. I do like night though when I really have to concentrate and do not want to be disturbed. No phones. No television. No distractions.

I do write when the muse descends. When I first began writing as a hobby, I would wake up from a dead sleep to jot down notes or a poem. My mind was active during my dream state. Now with my own creative structure, I find myself less inclined to be so impulsive. I write until I am done with that scene and I move on to another activity.

I also rotate from art to poetry to nonfiction, and then fiction writing. It is very noticeable trend on my personal social media status. Those breaks help avoid creative lulls and downright boredom. Writing for me is a metamorphosis of the psyche more than it is a time and place.

 

Kaye: You’ve had to face some huge obstacles to get to where you are now. Would you like to talk about them?

Dawn: Which obstacles? Chronic illness, abandonment, or near death experiences? My life has run the gambit, but direct participation in life events is what writing is all about. When I go through a challenge, I meet the impediment head on. There is no sense in hiding from life.

Do whatever you have to do short of hurting yourself or others; I do not abide by those types of negative expressions, but if you must throw your shoes or scream out the window, then do it. Then learn from your interaction with the world so you can check your emotions to respond with a healthy regard to life instead of having meltdown reactions to it.

The more you deal with life’s ills; the more those issues become underwhelming. Oh, the car broke down in triple digit heat… that problem interfered with my day but not unexpected given the circumstances. If you structure your life with good planning, sensible organization, and attainable goals, then you can respond to the world from a point of important but not urgent. So when the car breaks down, everything else takes care of itself, and you do not feel overwhelmed… just slightly irked.

With my brain inflammation and neurological issues, I have had some unflattering behavioral repercussions. In a short amount of time, I have learned what my body needs to combat this inflammation so I can deal with life as it comes. For my emotions, I write to express my discontent with research, citations, and good ole-fashioned sarcasm. My awareness blog for my neighborhood news can be incendiary at times, educational and informative at others, but entertaining to thousands of people a month.

So huge obstacles are what you make out of them. I find that I must navigate in a sea of challenges that most people would just give up and let a shark eat them. I am not like most people. I will take your shark, fry him up for dinner, and raise you: writing and publishing careers!

It comes down to simplicity: you can spend your life saying: oh crap, not again. Or, looking at challenges from a different point of view: at least my toaster oven still works.

Well what did you expect? I react to microwaves.

 

Kaye: Which poet, dead or alive, would you love to have lunch with? Why?

Dawn: Just one? I kind of do this exercise with my poetry. I call my brand of talking with the creative masters as response poetry. I take a poem from Poe, Dickinson, and then write a response. Upon Reading Edgar Allan Poe is a literary take on many of his works. Death Responds to Emily Dickinson is the Grim Reaper’s rebuttal to her I Could Not Stop for Death.

If I had to pick between the two, I would like to sit down with Poe. Not because it’s “Poe,” but because Edgar was a literary critic in his time and quite combative with his contemporaries, which I find entertaining as well as educational.

What were Edgar’s pet peeves in writing? How did his critics respond to his opinions? Did his critics give constructive criticism to Edgar’s work or did they just attack out of ego-driven defensiveness?

As writers and critics, we can learn from the advice, mistakes, and behaviors from our forefathers, and foremothers. If you do not know the past, you are doomed to repeat it. Art and writing, much like society, cannot go forward always repaving the roads of the past. We must create new exits onto the roads less traveled by. The best way is to learn from the master artists, poets, and writers from their works to their own personal views of the craft itself.

On your journey, is your road already built or are you walking in a forest that has no name?

 

Kaye: What’s something most readers would never guess about you?

Dawn: I am overeducated.

Seriously, I have never met a topic I did not like or want to know more about. I do have six college degrees including a Master of Arts in Teaching and Learning with Technology. I have degrees ranging from general studies, foci in biology and geology, emphasis and focus in history and biology, and organizational management. I was also working on creative writing, marketing, computer science, and publication creation before I became disabled.

I was an active community member. I have lectured and had speaking engagements about technology, art, and the role of girls in our technotronic era. I have paneled at science fiction conventions. I have exhibited and won awards for my digital art. I have ghost hunted as a history major and aspiring medium. I have experience in film and stage. In addition, I have a background in medicine for about a decade as a family member’s caretaker.

My greatest achievements have not been the cords, ribbons, or degrees. Although I am grateful for the honors I have earned in their formation of my character as well as giving me the skills to navigate our ever-changing, technological world, I am interested in more intangible achievements at present. I am on a spiritual path to investigate the human condition. I seek to answer the mysteries of our universe and impart that wisdom onto others.

With that said, I feel my greatest achievement is leaving a creative and educational legacy. My illness precludes me from having offspring, but with management of my health, I have endeavored to become the person I have always wanted to be. I am a work in progress. I can be grumpy and irritable at times, but I am more patient and charitable than anything else.

I guess that comes from living a life less traveled by. I have shrugged off convention for a spiritual road on the superhighway of life. I may be in the slow lane, but I am not obsessed with the destination. The journey is my classroom and I am an enthusiastic student.

Will you like to hitch a ride?

 

Kaye: What is the one thing that is the most unusual or unique thing you’ve done so far?

Dawn: Strange is what I do. I combine real life scenarios in my creative works to give the contrived a reality check. When a reader experiences my characters and their challenges some of those obstacles may be rooted in my own life. I will not tell which is which, what fun is that?, but I will say that creative writing allows me the indulgence to work out some past issues in a positive and productive manner.

So the most unusual or unique quality to my writing is that I use creative fiction and nonfiction as my camp counselors.

Have a problem? Fantasy about justice? Do not have the energy to bury a body in a remote location? Then you need to become a writer. You have innovative ideas, a spark of madness, and a tinge of laziness that comes with sitting down at a computer to let your fingers do the trash talking.

Shovel, anyone?

Thank you Dawn, for joining us today and sharing your unique take on life, and writing, and shoveling. And thank you for allowing me to use you for the purposes of illustrating the important role cover art is in the sale of your book. You could write a masterpiece, but no one will ever know it if they never crack the cover to read the words inside.

We Need Your Help!

This post came at a good time, because today Dawn and I have some exciting news to share. The cover art for Delilah has made it to round two in the Joandisalovebooks Summer Loving Book Cover EVENT 2017. This is great news because it is a really great cover, but we can’t do it alone. The winner in each genre category will receive a great marketing package, which would be great for the promotion of Delilah.

We need your votes, so we can win first prize in the western genre category. You can find more information on how to place your vote at Sonoran Dawn Studios, where Dawn has been kind enough to lay out step by step instructions for you. So, if you are a follower of Writing to be Read, a fan of Delilah, or someone who has just discovered Kaye Lynne Booth author, please take a few moments to clink on the link and cast your votes for us. It will be greatly appreciated.

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“A Slapshot Prequel Box Set”: Good Stories, Bad Editing

Slapshot

A Slapshot Prequel Box Set (Slapshot Prequel Trilogy Book 4), by Heather C. Myers is a perfectly good story line, offering the POV of three characters, in three alternate stories, running parallel to one another. Nicely done. If you’re into hockey, A Slapshot Prequel Box Set (A Slapshot Prequel Trilogy Book 4), by Heather C. Myers may be just what you are looking for. The set contains three separate stories, which unfold simultaneously, the first a murder mystery with a romance element, the second and third romances.

In Blood on the Rocks, Serephina must learn to manage the hockey team she just inherited, and figure out who killed her grandfather at the same time. The problem is, she doesn’t know who to trust, and she finds herself strangely attracted to the prime suspect in her grandfather’s murder. In Grace on the Rocks, a romantic relationship is the last thing Emma is looking for. That is, until Kyle Underwood, the handsome young hockey player, skates right into her life. In Charm on the Rocks, Madison is a college student who goes for brainy guys, not athletic ones, until she meets Alec but she can’t let her dad know she’s a Gulls’ Girl, scraping ice for the Newport Beach Seagulls hockey team, or she may lose his love as well as her tuition, and Alec Schumacher provides a means for her to gain her independence, making her finally admit that she is interested in him.

I was glad this set is labeled prequel, because the overall story, doesn’t feel complete. In fact, I can’t be sure what the main story that ties these three together is. So it was good to think there’s more to come. But then, it is also labeled Book 4, so I’m not so sure about the continuation. I hope there is more to come, because the most serious conflict in any of them is the revelation of Serephina’s  grandfather’s killer.

The biggest criticism I have of A Slapshot Prequel Boxset was the editing, or lack thereof, distracts and pulls the reader out of the story repeatedly, to the point of annoyance. There are so many spelling errors, typos, and repetitive wording that it pulls the reader out of the story repeatedly. The stories were interesting enough to keep me reading, but the errors were bothersome and annoying at times.

The three stories in A Slapshot Prequel Boxset are nicely overlapped, but definitely feel like only three parts of a whole. Although the story lines are good, they are lacking true conflict and, combined with the poor editing, I  give it three quills.

Three Quills3

 

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Monthly Memo: 3 Uses for Flashbacks

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Flashbacks are something that go in and out of style as time passes. For a time you’ll see them used left and right in books and films, and it’ll feel like they’re everywhere. Then someone, somewhere, decides they’re forbidden and amateurish and you’ll hear whispers about how you should never use a flashback and they’re “lazy writing.”

In reality, what happens is the same thing that happens with any other writing technique. Someone uses it incredibly well and then a crop of other writers pop up and use the same technique with a hit or miss result. Eventually it becomes overused, and often poorly used, and people begin dreading seeing the writing technique because they’ve seen it done so poorly so often. Then someone uses it amazingly well again and the cycle starts over.

So when it comes to flashbacks, when can you use them, and more importantly, how can you use them well?

Openings

If your story has a lot of groundwork to lay such as character development or world development, it can often be useful to open with a flashback scenario. If your story really starts with a key event sometime in the past, but then nothing happens for 20 years, then again, starting with a flashback might be useful. A recent example of this is “Guardians of the Galaxy Vol. 2”. It starts with a flashback on Earth. It’s not a particularly eventful scene, but it lays the foundation for a huge plot reveal later on and sets the tone for what this movie will be about – Quill’s dad. If you’re going to start with a flashback, or start in the present and then use a flashback for the crux of the story, then there are a few key reasons to do so.

  1. You have a slow opening and need to create tension to buy yourself time with the audience and create suspense.  A lot of horror movies do this option to build suspense. Start with a big murder and then everything is calm for 20 minutes until the murderer returns. It creates suspense and puts the audience on edge, waiting for the next attack that could come at any moment.
  2. A major event happens far in the past and you need to establish it in order to set the tone or plot for the story to come. A lot of fantasy and science fiction stories do something like this for world building to show how we got to the world we have today. Sometimes it comes in flashback with a voice over summary (like “Lord of the Rings” talking about the Ring’s history in the beginning).
  3. A character defining moment happened in the past and it directly ties to what your story is about. A lot of these kinds of flashbacks are used in dramas where something major happens when the protagonist is a kid – maybe a key phrase is said to them – and then as an adult they are learning the truth of that phrase.

 

Memory

Another common use of flashbacks is to reveal memories of the protagonist. These can be recent or distant memories, but they usually have some relation to the plot or character development the protagonist is dealing with. Some examples include:

  1. The character meets someone they knew in the past and had a major event or experience with. An example of this is when a grown up individual meets their childhood bully and we see a scene of how the two interacted. Another could be if you have a protagonist gathering a group together. You might see flashbacks that establish the relationship with each of the group or their skills (like in many military or action movies when a group is brought together). The purpose of this type of memory flashback is to establish the new person’s character quickly, as well as often to establish that character’s relationship with the protagonist.
  2. A major event from the present connects with a major event from the past for the protagonist. An example of this is, let’s say, if a character discovers a family secret they might see flashbacks of all the things they saw as a child that didn’t make sense suddenly be given new meaning with this secret revealed. If you’ve seen those short YouTube videos going around Facebook where the son discovers the father he thought was lazy and poor was doing something special all those years that the son didn’t know about, it’s a great example of this. Once the son discovers the father’s secret, we see flashbacks that put everything the son saw in context.
  3. Another example of the memory from the past connecting to the present can be if something from the past is the foundation for a character – such as life advice they were told or something. Many times you’ll find in films and movies the character hears a phrase when they’re young that they didn’t completely understand and then during the film while they’re older something happens that makes them understand this. Often you’ll see a flashback in the film or story showing you the character receiving this advice.

 

Mystery

One of the most common uses for flashbacks is in mystery or suspense type movie and stories. In these stories it is imperative to create suspense and leave questions unanswered for a time. There are numerous ways flashbacks are used in mystery stories, but a few include:

  1. Evidence reveals where the protagonist or another character finds the evidence that is involved in the crime and the audience gets a flashback of how the evidence is related to the crime.
  2. The bad guy reveal. Often times once the bad guy is discovered there is a reveal that shows him committing the crime and how he got away with it, as well as numerous dishonest or secretive things the bad guy has done since then.
  3. The detective reveal. This is a common trick used in stories like the TV show “Leverage” or many Sherlock Holmes stories where there is a reveal to show how the con artist or Detective pieced everything together. In “Leverage” it is used to show how the team managed to make the bad guy think he was winning when the crew had the upper hand the whole time. In Detective stories it’s used to show the moment the detective found each key piece of evidence that led them to their brilliant conclusion at the end, which solved the crime.

Final Notes:

The key with any flashback used is that it’s 100% necessary for the story. If you could remove the flashback and the tone, character, and plot doesn’t change in the story, then it’s probably unnecessary. If you can show the events that span between the flashback and present in the story, and they add to the story, then it probably shouldn’t be a flashback and should just be part of the story.

Whenever you’re considering using a flashback, just ask yourself what it adds to the plot, character, and tone of the story and make your decision from there. Does it add tension? Does it put your audience in suspense so you can slow things down before a big event? Does it develop your character in a way that can’t be done otherwise? Does it lay foundation for the plot to come? Or does the flashback add unnecessary length and detail to the story? As long as you’ve analyzed your use of the flashback properly, and you’re positive it serves a purpose, then you should be okay to use one. But as with anything else, use them sparingly and deliberately.

 

Robin Conley offers great writing advice in her Monthly Memo on Writing to be Read. If you just can’t wait until next month to find out more, you can pop into her blog, Author the World, for more tips, or a weekly writing prompt.


Interview with Author Amy Cecil

Amy Cecil

I’m happy today to be interviewing Amy Cecil, author of the Knights of Silence MC romance series, as a part of her blog tour surrounding the release of Book 2 in the series, Ice on Fire. (See my four quill review of Ice on Fire.) Amy is married, and she and her husband have three dogs and a horse. She is also the self-published author of four novels. She writes both historical and contemporary romance.

Kaye: Your new release, Ice on Fire, is the second book in your Knights of Silence MC Would you like to tell us about the contemporary romance series, and how Ice on Fire fits into it?

Amy: The Knights of Silence MC series is my pride and joy.  It is my first attempt to write my own characters, develop them and subsequently fall in love with them.  And, it’s in a genre that is totally different than what I started in. It has been a challenge for me and the result is a product that is all my own. That makes me a very proud writer. The series right now is going to consist of four books, but who knows, that may change.  Ice, the first in the series was published in September.  I am currently working on book 3 in the series, Celtic Dragon, and I am hoping on a spring 2018 release.

Kaye: You wrote your first novel in thirty days and went on to be a two time NaNoWriMo winner, in 2015 and 2016, where contestants are challenged to write a novel in a month’s time. What is the secret to writing a novel length work in thirty days?

Amy: NaNoWriMo requires 50,000 words in 30 days to win.  That’s seems pretty tough to do, but if you break it down, it’s not so bad. I divide the 50,000 by 30 and come up with my daily goal.  It’s 1,666 words a day.  Doesn’t sound so overwhelming when you break it down.  And then the hard part is to adhere to that goal.  Some days I will write more, other days I will write less, but by the 15th of the month, you can bet I will make sure there is 25,000 words written and that I am on track.  And then periodically throughout the month, I make sure I am still on track.  NaNoWriMo does this for you and it is really helpful.

Kaye: Today many independent or small press authors are using what are called street teams to spread the word about their books. Could you explain what your street team does and how you go about building a street team?

Amy: When I first started writing, I never knew what a street team was, until my PA’s Alicia Freeman and Michelle Cates told me I needed one.  These girls are amazing and built my team to over 400 members in just a few months.  This is where I can talk with my fans and actually let them share in the writing process.  They have not only shared my books and teasers, they have contributed in many ways to my books.  They are a great group to bounce ideas off of and they are always there to support me when I am doing an author takeover event.  I’d be lost without them.

Kaye: What are some of the differences between writing historical romance and contemporary romance?

Amy: From a writer’s perspective, the biggest difference is how they talk.  Historical romance is more formal, more polite.  Things are very proper and liberties are not common.  Contemporary is more relaxed and casual.  They are less formal in the way they speak and you can use contractions.  That’s a big no no in historical writing.  Also, you can take liberties with your characters that you would normally have to be careful within a historical romance.  Because I write Jane Austen Fan Fiction, I have to be conscious of keeping my characters the way Jane Austen created them.

Kaye: What do you see as the pros and cons of independent, or self-publishing?

Amy: When I first started writing, I went the traditional route.  I sent my manuscript to several publishers and of course, was turned down by all of them.  Discouraged, but not ready to give up, I learned that I could self-publish.  Since then, I have self-published four novels.  I’m not sure what I would do now if a publisher wanted to publish one of my books.  I really like the freedom I have to write what I want and when I want.  I have no deadlines.  The hardest part of self-publishing and requires the most amount of work is PR.  Getting your name out there is difficult if you don’t have a publishing house or an agent behind you.  But I have found two great PA’s, Alicia Freeman and Michelle Cates.  They not only help me promote my works on social media, they all put together an amazing street team for me.

Kaye: Where does the title come in the writing process for you? How do you decide the titles for your books?

Amy: My titles usually come first. I don’t have any special formula to specific way I do.  Some just come to me, some have been suggested by friends and the latest one, Ice on Fire came from my husband.

Ice on Fire

Kaye: What’s the most fun part of writing a novel? What’s the least fun part?

Amy: I would have to say that my favorite part of writing a novel is coming up with the initial story line.  Creating the characters and just watching it all play out.  My least favorite part is the editing.  I know, it has to be done.  But it is always a struggle for me.  Luckily, I have an amazing editor Carl Augsburger of Creative Digital Studios who makes this process a little less agonizing for me.

Kaye: What’s your favorite way to get exercise?

Amy: I walk my dogs – I have three of them.

Kaye: Besides writing, what are your favorite things to do?

Amy: My husband is in the Air Force, so I spend a lot of time at home alone.  I work full-time for a home improvement company.  Also, I have three rescue dogs and a horse that keep me busy.  I enjoy other creative hobbies as well like painting and basket weaving.

Kaye: Where do you get your cover art?

Amy: Ellie Augsburger of Creative Digital Studios designs my covers.  We use stock photos and get most of them from Adobe Stock.  I’m not sure what other resources she uses.

Kaye: What’s your favorite social media site for promotion? Why?

Amy: I guess I would have to say Facebook.  I use it the most because I am most familiar with it.  I really want to expand my social media reach, but I guess that will come with time.

Kaye: What’s the best piece of advice you were ever given?

Amy: “Write your own.” These were the exact words from my best friend who encouraged me to write my own story.  I’m so glad I took her advice.

Kaye: What time of day do you prefer to do your writing?

Amy: I really don’t have a specific time of day to write. Usually it seems to be when the ideas hit me.  I don’t write everyday, but that doesn’t mean I am not working on my books.  I spend a lot of time doing research.

I want to thank Amy for joining us here, on Writing to be Read, and sharing some interesting facts about herself and her writing. You can find each of Amy Cecil’s books here:

getBook.at/ICEonFIREbyAmyCecil

getBook.at/ICEbyAmyCecil

getBook.at/ARoyalDispositionbyAmyCecil

getBook.at/RelentlessConsiderationsbyAmyCecil

 

Follow Amy:

Facebook: https://www.facebook.com/authoramycecil

Goodreads:  https://www.goodreads.com/authoramycecil

Twitter: https://twitter.com/acecil65

Amazon: https://www.amazon.com/author/amycecil

Website: http://acecil65.wix.com/amycecil

 

Learn more about Amy’s Amazing Street Girls:

https://www.facebook.com/groups/201903646918497/

 

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Ice on Fire: A Story Worth Reading

Ice on Fire

Ice on Fire, by Amy Cecil is the second book in her contemporary romance Knights of Silence MC series. An intricately woven story line, which ties characters to one another and to the other books in the series, takes readers on a journey into the violent, volatile world of motorcycle club mayhem, where broken souls heal and form family.

Book 2 of this series, Ice on Fire, follows the growth and development as three separate romances blossom, as Ice (or Caden), the president of the Knights of Silence, let’s the world believe he’s dead in an effort to protect those he loves from the retaliation of the Satans, after brutally killing one of their members, while he puts a plan into action to bring about a peace between the two rival clubs.

Although this story has the romance elements and some pretty steamy bedroom scenes, the main story line, mentioned above overrides all three budding romances, causing me to question if it can really be classified as the romance genre. For me, it was more a story of loyalty, with a theme of family sticking together, showing a different, softer side to the motorcycle club culture. With three budding romances in progress, the Knights of Silence certainly prove that they can be gentle and romantic.

It’s a good story line, and I will certainly read book 1, Ice, and maybe future books in the series, as well. My one criticism is that there were times when exposition pulled me out of the story, making me feel like a distant observer rather than a participant. I give Ice on Fire four quills.

Four Quills3

 

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


“The Day My Fart Followed Santa Up The Chimney”: A Unique Children’s Christmas Story

(No Cover Photo Available)

Most kids dream of hitching a ride in Santa’s sleigh at one time or another. In The Day My Fart Followed Santa Up The Chimney by Ben Jackson and Sam Lawrence, Timmy doesn’t get a ride, but his little fart does. Timmy’s Fart is a cute little green guy, kind of a cross between a Smurf and a chubby baby dragon.

The Day My Fart Followed Santa Up The Chimney is a delightful children’s picture book, which explores the magic of Christmas and takes Little Fart on a great adventure. It wasn’t what I expected, (I expected a lot of fart humor from the title), but I was pleasantly surprised. I give it four quills.

Four Quills3

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


“Wolves for the Holiday 1.1” has potential to be more

Wolves for the Holiday 1.1

Wolves for the Holiday 1.1, by Josette Reuel is a short story with the potential to be a longer supernatural romance. As with many short stories, it feels like there should be more. The ground work is laid for secondary characters to have relationships, providing plenty of subplot material that Reuel fails to take advantage of, and readers are left wanting more. This story has the potential to become a novel length work, if more fully developed.

When first three wolves, and then later, three naked men show up at a secluded mountain cabin, where three writer friends are taking a writer’s retreat, things promise to get a little weird. That’s where the problem lies, for three women in a secluded cabin just wouldn’t react the way these women do, so I had a hard time buying into the story. The premise is good. Actually, the premise is great, but Reuel fails to suspend my disbelief. 

Then there is the romance element, which is good, and almost believable. However, having our heroine submit to the Alpha male makes her appear weak, conforming to typical female stereotypes. The males are stereotyped as well, but I could buy that because they are wolves, after all.

After our two protagonists have their romp in the hay, there is no follow through. The story just ends, leaving the reader feeling cheated. Relationships with her friends and his pack members are alluded to, but not shown. We can only guess what was happening in the rest of the cabin while the main romance is blossoming in the bedroom. I will say the bedroom scene itself was done tastefully.

Wolves for the Holiday  1.1 has a great premise, but fails to deliver, doesn’t carry through the full romance arc, has a weak female protagonist, but does include a well written bedroom scene. I give it two quills.

Two Quills2


“Stress: How Stress Affects Your Life and How to Manage It”: Basics for Stress Management

Stress

Stress: How Stress Affects Your Life and How to Manage It, by Dr. Christine Rose, provides useful information which could be life changing if utilized. The book provides a basic overview of stress and its effects on the human body, and several methods of dealing with stress.It covers the different aspects of stress well. It tells readers what stress is, how our bodies respond to stress and why they respond that way,  and what the effects of stress on the body are, as well as how it might be controls to make us happier and healthier readers.

Dr. Rose neither talks over, nor talks down to, her readers, but uses layman’s terms that are easy to both read and understand. The suggested methods of managing stress are not new, but they are practical and effective. I give Stress: How Stress Affects Your Life and How to Manage It four quills.

Four Quills3

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Jeff’s God Complex

Image result for wonder woman movie

Wonder Woman vs. The God Complex

by Jeff Bowles

Here in the United States, we’re just a couple of days away from the release of the first big-screen adaptation of Wonder Woman, the legendary DC Comics character who’s been trading punches with bad guys since 1941. Early reviews of the film have been overwhelmingly positive, and I couldn’t be more excited to see it for myself.

Wonder Woman is one of my favorite comic book characters of all time. She’s strong, noble, and much like Superman or Captain America, she always seems to do the right thing. Diana Prince, otherwise known as Diana of Themyscira, is a Greek goddess who abandons the only world she’s ever known in order to fight for meek, flawed human beings. The island of Themyscira is home to the proud Amazons, a group of startlingly gifted women who’ll stab your eyes out just for looking at them the wrong way.

Actually, that’s beside the point. They are warriors, fierce battle-hardened females who’ve rarely glimpsed men and the world they’ve brought to the brink of destruction. DC Comics has done an amazing job curating and expanding upon the adventures of Diana Prince and her supporting cast of characters in the last fifteen years or so. Issue after issue of the comic has dealt with divinity, family and politics, and of course, myriad hot-button topics that have in some small way pushed the boundaries of what typical comic fans expect to see.

The upcoming film looks to do the same, though to what degree remains to be seen. As a character, Wonder Woman was created by a male psychologist who was inspired by early feminists. The guy was way ahead of his time, and over the intervening decades, Diana of Themyscira has been portrayed all kinds of ways.  For instance, in the 1970s she was both a television sensation and a hard-hitting exploitation-style street vigilante, minus the tiara and bracelets. Comic book characters rarely stray far from their roots long, however, and elements such as her Lasso of Truth, her invisible jet, and her long-time on-again, off-again love interest, Steve Trevor, have come and gone.

I find it difficult to speak about the impact Wonder Woman has had on young girls and women across the globe, not just because I’m a man, but because it seems like far too large a topic. I think she’s been good for people over the years, and I hope this film delivers the kind of role model kids need nowadays. She’s important to me because growing up on comics meant a steady diet of homogeneous male heroes, and though I don’t consider myself overly political, it always gave me a pleasant feeling digging into that latest issue of Wonder Woman and reading about a damsel who was not in distress, who could handle her own, and who could in fact put the likes of Batman to shame.

Some people out there, I take it, don’t feel the same way. In the news just this morning, some theaters across the country are choosing to run a small number of female-only screenings of the film the day it comes out, distributing advertisements that make clear boys are not allowed. I think this is kind of cool, but right-wing commenters have already made some hay.

Modern America is fraught anyway. If you’re not fuming about the man in the White House, you’re screaming at the other side for their assault on your guy. Very rarely anymore can we have civil conversations about simple things like movies and comic book characters, not without the whole thing devolving into an ideological ant-scatter.

It’s important to point out Wonder Woman is in the minority as far as these things go. Nobody was creating strong female characters back in the 1940s. It just wasn’t done. I read Wonder Woman comics as a kid not because I was interested in feminism but because she was so strong, so very essential to the DC Comics mythos. Every comic fan knows the holy trinity of DC characters: Superman, Wonder Woman, and Batman. Lose any of the three, and the books DC puts out every month just aren’t the same.

And of course, comic book movies in general are big business these days. Love them or hate them—and indeed, many people hate them—they’re a mainstay of cinemas and will be for some time to come. Though early word seems good, the naysayers will quickly poke holes in Wonder Woman’s cultural legend just because they can. Yeah, she’s a strong female character, but she still solves all her problems with her fists. And anyway, the male-driven conglomeration that is Warner Bros. will most likely try to pitch her in a way that doesn’t scare off men and young boys, the latter of which buy DC action figures and other tie-in merchandise by the bucket-full.

Such is the state of discourse in the modern world. Everything is an issue worthy of argument, even a symbol of strength and femininity who’s been around the better part of a century. I can’t say what Wonder Woman means to you. Maybe she means nothing at all, and when you go to the theater this weekend, you’ll be pleasantly surprised by her story. I hope that’s the case, because Wonder Woman has had a place in my heart for a very long time.

If, like me, you do have positive memories of her, perhaps it will be a treat to see Diana depicted in big-budget terms, regardless of whether the end product is actually any good or not. If Wonder Woman is more to you than some silly cultural icon, and if you feel like she’s never been more relevant than she is today, by all means go check the flick out for yourself.

I eschew politics when I can. I also have no children of my own. But if I had a daughter, and she was old enough to see an action film like this, I’d proudly take her down to the multiplex. Maybe afterward, I could turn the excursion into a conversation about standing up for what you believe in no matter what the cost. That’s who Wonder Woman is to me. She doesn’t know discrimination or inequality because she comes from a place where everyone is treated with respect and dignity. She stands up for the little guy, especially when that little guy is actually a girl.

I hate the need some people feel to turn her into a controversial figure. Is her story more than simple entertainment? Yes, I think it is. All the Wonder Woman comics I’ve read over the years are all the proof I need. Yes, she is a strong female who kicks butt and takes names, and yes, whether they want to admit it or not, this makes many people feel uncomfortable or even angry. But if you ask me, the politics is a cover. Wonder Woman is not and never will be just for girls. I love Wonder Woman, and I’m man enough to admit it.

There are so many ways to celebrate the world as men have made it. Is it too much to ask to celebrate the world of women? Even just for an afternoon?


Interested in my writing? Check out my latest short story collection, Fear and Loathing in Las Cruces — https://www.amazon.com/Fear-Loathing-Las-Cruces-Stories-ebook/dp/B06XH2774F

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