Words to Live By – BE HERE NOW (Sanity for the Modern Writer)

Jeff Version_Words to Live By 2

The first Wednesday of every month, writer Jeff Bowles muses on life, creativity, and our collective destinies as makers of cool stuff. You’re a writer, but have you ever thought about how or why? Here are some words to live by.

BE HERE NOW (Sanity for the Modern Writer)

What does a successful writing career look like to you? Have you ever thought about it? Do you believe you need one in order to call yourself a real writer? It may seem like a foreign notion to you, but many burgeoning authors won’t even acknowledge their favorite creative pastime in a serious way until they’ve sold a few short stories, picked up that dream book contract, or collected enough poems to turn into a collection.

I was like that when I was just starting out. I never gave myself credit for doing the work. In general I have this problem, as I understand it. People are always mystified by my apparent inability to cut myself slack. I refused to call myself a real writer until I’d made my first professional-level short story sale. That took seven years, and the funny thing is, it didn’t make me as happy as I thought it would. Oh sure, I was ecstatic for about an afternoon. But then things went back to normal, and a feeling of unease crept over me, the subtle realization that although I’d finally arrived at my destination, I hadn’t moved an inch.

In the last few years, I’ve experienced something of a paradigm shift when it comes to these things. You see, I finally had to admit to myself that no matter how many accolades I could garner, no matter how many times I saw my name in print, the writing itself often made me feel miserable, worn-out, and sometimes, just plain fed-up.

Do you have this same issue? Never give yourself credit for a job well done? Do you feel like a bit of a failure because you haven’t managed to reach your major writing goals yet? Trust me, you aren’t alone. You know the grass is always greener, don’t you? Imagine wandering into that other pasture, that creative promised land you cherish so dearly, only to find weeds and impassable thicket. Yes, you should make and maintain goals, because of course, you might not accomplish anything at all otherwise. And yes, each of us should dare to dream. I can’t stress that enough. Dreaming isn’t the problem. It takes a great beaten child of an adult to believe dreams are for fools.

But why dream if you’re only going to use it as a benchmark for your future happiness? Let’s say you’ve been writing off and on for twenty-five years, and you’ve yet to publish anything important. From the outside looking in, it may appear as though you wasted all that time. Your friends and family may not take your dreams seriously, or even worse, they may openly mock or criticize you for them. First off, if this is the case, you really owe it to yourself to find some new friends. Secondly, how do they know you didn’t enjoy every last second of those “wasted” twenty-five years? How do they know you didn’t have the time of your life, and in fact, wouldn’t trade a second of it for all the gold in Fort Knox?

The truth of the matter is if you can’t be happy with your work now, odds are you won’t be happy later. I mean that. Seeing your name in print will give you fleeting pleasure, but the more you see it, the less it’ll impress. You’ll have to trust me on this, and I’d like you to read this next part very closely, nothing you do in this life will make you happy if happiness eludes you here and now. Signing copies of your latest book or being able to share a cool story with the world via a very impressive and illustrious magazine or anthology, all of that is super cool. But after the proverbial new car smell wears off, you may feel a startling sense of anxiety and emptiness. Especially once you realize, aw hell, now I have to do it all over again.

Like I said, dreaming isn’t the problem. Expectations, however, will kill you every time. Because human beings often believe they cannot be happy until and unless something specific comes their way. I can’t be happy until I’ve found the love of my life. I can’t be happy until I buy my family a new house. I can’t be happy until I’m a bestseller. It’s always the destination that drives us. We so very rarely seem interested in the journey to get there.

Do me a favor the next time you sit down to write. Take your seat, open up your laptop (or grab your pen and paper, if you’re old school) and just sit there. Close your eyes if you’re so inclined. Be present in the moment, don’t think about the work ahead as a chore or a means to an end. Think of the work as the end itself. You are alive right now. Miracle enough for anyone with their priorities straight and their sanity intact. From the infinitesimal outer regions of statistically impossible microspace, you have arrived in all your glory. You’re breathing right now. Your butt is firmly planted in that chair, and you, my friend, are about to lay down some of the best writing of your life.

You can approach this moment as the incredible phenomenon it is. You can set your fingers to the keyboard and put one word after another, and you can experience an act of personal, almost spiritual fulfillment. Not because you expect this piece of writing to set the world on fire, but because for you, this passion, this instant, it’s all there is.

Be here now, as they say. The future will take care of itself, and as for the past, let’s just say ruminating on it too much is a recipe for disaster. No, now is all you have, and now is all you need. Dance like no one’s watching. Remember that many successful authors suffer from what we call impostor syndrome, which is a real shame if you ask me. What is a writing impostor? I mean really, what is one? A writer, set in terms even a chimpanzee could understand, is someone who writes. It’s as simple as that, isn’t it?

You’re not an impostor. You’re not anything more or less than the writer doing the thing, writing, and writing, and writing some more. And that truly is enough, no matter where you find yourself in terms of success or recognition or even money. Great pleasure and joy can be found in the simplest things, and though I’d never call writing a simple activity, profession, pastime, hobby, loving and fond nuisance, or obsession, the truth is—and you know this deep down in your heart of hearts—no outside thing, no future goal, no perfect outcome will give you the satisfaction you’re looking for.

If not now, when? If not now, when? If not now, when?

Slow down for a moment. Consider how lucky you are, how fortunate, how present and aware and full of life, and then go ahead and rock it out, lay down those beautiful words. I won’t keep you. You’ve got important and timely truths to express, new worlds to birth and share with us, and if you don’t do it, who will?

Until next month, everyone. I hope you can see the value of letting the present be, just be. You may never accomplish your goals, live your dreams, be anything more subjectively impressive than you are right now. But should it matter? Or should you simply learn to love yourself, your work, your creativity, now, now, now?

Peace! Joy! And don’t forget to proofread!


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!

Love Madness Demon Cover Final

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


Want to be sure not to miss any of Jeff’s “Words to Live By” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found this useful or just entertaining, please share.


Meet poet Kevin Morris and a review of his latest book, Light and Shade; serious (and not so serious) poems

Treasuring Poetry

Today, I am very excited to share poet, Kevin Morris’, thoughts about poetry and his favourite poem. I met Kevin a few years ago soon after I started my blog and I was immediately captivated by his interesting poetry which frequently presents new angles on current events and even some historical events. I have read and enjoyed a number of his lovely poetry books, including his latest book, Light and Shade; serious (and not so serious) poems which I have reviewed later in this post.

Over to Kevin

Choosing a favourite poem is a difficult task, as my head is full of poems, many of which are favourites of mine. However, as I have to make a choice, my favourite poem is Vitae Summa Brevis Spem Nos Vetat Incohare Longam, by Ernest Dowson, which runs thus:

“They are not long, the weeping and the laughter,

Love and desire and hate:

I think they have no portion in us after

We pass the gate.

They are not long, the days of wine and roses:

Out of a misty dream

Our path emerges for a while, then closes

Within a dream.” 

Dowson’s poem deals poignantly with the brevity of life. We are here for a short time. Our lives are full of “weeping”, “laughter”, “love”, “desire” and “hate”. But all of these are but a passing show for, when we “pass the gate” (the gate signifying the entrance to the land of the dead), all are loves, joys and sorrows are at an end, and we are no more.

Whilst the poem invokes in me a feeling of sadness (it is, after all about the shortness of existence), my primary response to Dowson’s lines is one of admiration. I say admiration for he sums up admirably, in 2 short verses the brevity of life. Other writers expend pots of ink on the subject of our mortality, but Dowson gets to the heart of the matter in a mere 8 lines of poetry.

I never deliberately copy any of the well-known poets. Although, doubtless their work impacts on my writing.

Whilst Dowson’s poem has a Latin title (a language unfamiliar to many people, including me), the message and style of his poem is simple, and it’s the poem’s very simplicity which I so admire.

Thank you, Kevin, for sharing your favourite poem and your reasons for loving it. Your choice greatly interested me as the brevity of life and the inevitability of death is common topic in your own poetry.

My review of Light and Shade; serious (and not so serious) poems

What Amazon says

Life is full of light and shade. For to be human is to experience joy, beauty, love, pain and laughter. This collection reflects all facets of human experience. hence the title Light and Shade; serious (and not so serious) poems.

My review

Light and Shade; serious (and not so serious) poems is another delightful collection of poems by talented poet, Kevin Morris.

Section 1 – Love, nature and time includes poems written mainly in freestyle, that tell of these aspects of human life. Each poem has a streak of melancholy running through it which is extremely effective – a bit like biting on tinfoil – in the way it highlights the underlying certainty of death even in the midst of life. There are a few poems that hint at the trauma of the coronavirus and the related lockdown.

One particular extract that demonstrates this is from a poem called “Oh Creature of Night”:
‘Twas a strange thing
To hear.
Yet I
Felt no fear
But pondered on your incongruous cry,
And a virus, invisible to the eye.”

Section 2 – Humour
The second part of the book comprises of amusing takes on life. I personally prefer the poems with the underlying dark undertones, but these are a lovely and light relief. A large number of these poems comprise of limericks, a form of poetry that the author excels at. One of the verses that entertained me from this section of the book, also relates to Covid-19, and goes as follows:

“Sunscreen on skin
Is no sin.
The birds sing
For it is spring.
One may go outside
But woe betide
The man who offers resistance
To the concept of social distance.”

From At a Time of Social Distancing.

I highly recommend this book of poetry to all poetry lovers who enjoy unpacking meaning and delighting in subtle messages of humour and darkness.

Purchase Light and Shade; serious (and not so serious) poems

Kevin’s recently released poetry collection, Light and Shade: Serious (and Not so Serious) Poems is available from Amazon as follows:

For amazon.com customers please click here https://www.amazon.com/Light-Shade-serious-not-poems-ebook/dp/B08B4X3GVX/ (for the Kindle edition), and here https://www.amazon.com/dp/B08B37VVKV/ (for the paperback).

For amazon.co.uk customers please follow this link https://www.amazon.co.uk/Light-Shade-serious-not-poems-ebook/dp/B08B4X3GVX/ (for the Kindle edition), or click here https://www.amazon.co.uk/dp/B08B37VVKV/ (for the paperback).

About Kevin Morris

Kevin Morris was born in the city of Liverpool, United Kingdom, on 6 January 1969.

Having graduated from University College Swansea with a BA in history and politics and a MA in political theory, Kevin moved to London where he has lived and worked since 1994.

Being visually impaired, Kevin uses software called Job Access with Speech (JAWS), which converts text into speech and braille enabling him to use a Windows computer or laptop.

Contact Kevin Morris

Links:

Blog: https://kmorrispoet.com/

Twitter: https://twitter.com/drewdog2060_

About Robbie Cheadle

IMG_9902

Hello, my name is Robbie, short for Roberta. I am an author with six published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.

I have recently branched into adult and young adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. My first supernatural book published in that name, Through the Nethergate, is now available.

I have participated in a number of anthologies:

  • Two short stories in #1 Amazon bestselling anthology, Dark Visions, a collection of horror stories edited by Dan Alatorre;
  • Three short stories in Death Among Us, an anthology of murder mystery stories, edited by Stephen Bentley;
  • Three short stories in #1 Amazon bestselling anthology, Nightmareland, a collection of horror stories edited by Dan Alatorre; and
  • Two short stories in Whispers of the Past, an anthology of paranormal stories, edited by Kaye Lynne Booth.

I also have a book of poetry called Open a new door, with fellow South African poet, Kim Blades.

Find Robbie Cheadle

Blog: https://www.robbiecheadle.co.za/

Blog: robbiesinspiration.wordpress.com

Goodreads: 

Twitter: BakeandWrite

Instagram: Robbie Cheadle – Instagram

Facebook: Sir Chocolate Books


Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.

https://www.goodreads.com/author/show/6879063.K_Morrishttps://www.goodreads.com/author/show/6879063.K_Morrishttps://www.goodreads.com/author/show/6879063.K_Morris


Shadow Blade: Audio book brings characters to life

Shadow Blade Audio

Audiobooks. They are the latest digital form of literature, quickly rising in popularity with readers on the go. And why not? What a great way to multitask. Instead of having to find a quiet time to sit and read the printed word, you can listen to the story while getting multiple things accomplished. I listened to Shadowblade, by Chris Barili, narrated by Marc Swezczyk while ironing, while cleaning the bathroom, while driving, and while sitting at the campfire. It was kind of cool to do chores when I’d rather be reading, and actually be able to do both.

As my first experience with audio books, I found it to be a convenient form of literature. I received my copy via my Kindle Fire, through Amazon. Like digital books through Amazon, it downloaded to my Fire automatically. It was time saving, in that I could listen to it at times that normally would be uproductive to my writing. It reminded me of the old radio serials, but you can start and stop whenever it is convenient, and don’t have to wait a week to find out what happens next. I think I could have gotten through the book a lot quicker in overall time spent reading, had I read it myself, just because I read faster than the pace of narration, but by allowing me to listen at times when I normally wouldn’t be able to read, it was helpful with my very busy schedule.

Marc Swezczyk was a good choice for a narrator on this story, in that his dialects and difficult name pronunciations sounded quite natural. His voice changed slightly for each character switch, making dialog easy to follow, as well. However, outside of the dialog, his narration falters with an unvaried pace and lack of inflection. This causes the some of the pain stakingly crafted action scenes to fall flat and the narrative seems to drone on in places. Having previously reviewed Shadowblade, I honestly didn’t feel as though Swezcyyk made this story shine as brightly as it could have.

Shadowblade is a great fantasy story, and Marc Swezczyk’s narration brings the interesting and diverse characters to life in the audio version, however he was unable to draw me into the scenes, which does not do this superbly written story justice. I give Shadowblade audio four quills.

Four Quills

I see the audio book being the future of literature, so I wonder how it is from the author’s side of things. If you are an author who has tested the waters in the audio realm, please comment to share your experiences with audio books. Is it easy to publish audio? Was it difficult to find a narrator? Is it expensive? We here at Writing to be Read want to know.


Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Craft and Practice with Jeff Bowles – Writing for Catharsis

Craft and Practice

The third Wednesday of each month, writer Jeff Bowles offers practical tips for improving, sharpening, and selling your writing. Welcome to your monthly discussion on Craft and Practice.

Writing for Catharsis

Writing is a hard enough gig without the existence of one persistent, unceasing fact: things change, nothing lasts, and all things pass away. You could make a decent mantra out of that, couldn’t you? I mean it’s true enough I don’t even really have to repeat it. I will though. Several times, in fact, because I’d like to impress upon you the urgency of a world in desperate need of good, personal, dare I say it, emotional storytellers.

This month’s Craft and Practice will be a little different. We’re going to talk about our feelings. Wait! Don’t click off! You can’t run from them any more than I can. Things change, nothing lasts, all things pass away. And if you and your incredible writing superpowers are needed anywhere in the world, it’s quite possible they’re needed at home most of all.

You see, people can recognize the transience of life without too much effort, but they’re either too locked into their own experiential tangents to do anything about it, or they simply keep their stories to themselves. Writers don’t have that luxury, and nor should we be afforded it. It’s our job to comment, profile, report, extol, condemn, codify, decode. If not for everyone living today and for a hundred generations beyond, then at least for ourselves, right here and now. What does this all boil down to? We can write about all the crazy stuff that happens to us and call it catharsis. Neat, huh?

I recently released a novel called Love/Madness/Demon. It deals, in part, with a psychotic episode I experienced four or five years ago. Now at that time I didn’t know or understand what was happening to me. If you or someone you know is struggling with mental health issues, I urge you seek qualified help, because once I was able to do so, once a true diagnosis came my way, things slowly began to turn around for me. But I knew as I started recovering that what I’d gone through—what I’d put my loved ones through—it constituted serious traumatic territory, and I also knew that it might make me feel better to write about it someday.

It did. That’s the long and short of it. Moreover, spending sufficient time with my story as a finished manuscript tended to help even more. I had to tread, retread, and re-retread the same ground again and again. The worst moments of the ordeal tended to lose their hold on me. Now writing as catharsis implies you’ve repressed or buried something. Some people haven’t done anything of the sort, though I’d wager that to one degree or another, the vast majority of us have. This is life, after all, the greatest bare-knuckled, knock-down cage match of them all. If you’ve taken a few lumps in recent years, you aren’t alone.

I think it’s best to approach cathartic writing from a place of complete honesty. What are you doing it for otherwise? And realistically, you’ve got endless literary modes available to you. I chose fiction because it’s what I’m most comfortable with, but maybe you prefer poetry or nonfiction.

Nonfiction may be the best way to approach the craft for the sake of healing because you can just write the truth as it seemed to you. Now, you may have to wrestle with legalities, ditto with fiction, but I tend to believe most of the advice given to writers about these things are of the overblown, cover-one’s-own-ass variety. Can you write about things that really happened to you? Of course you can. Who says you can’t? What you can’t do is drag someone’s name through the mud in the process, but I’ve got a good feeling about you. You’re not interested in hurting others with your writing. You’re a paragon of humility and moral excellence. I mean, I can just tell by looking at you. What a punim.

I hurt after my psychotic break. A lot of people around me did. Because I was delusional, because I didn’t understand what was happening to me, I lashed out frequently and did things it’s taken me a lot of time to try and get over.

But your experience with cathartic writing will be wholly different. I hope and pray you haven’t got any major traumas in your direct experience. But if you have, and if you’re lucky enough to have been given an aptitude for the written word, I highly suggest putting your emotional self on the line and trying to do a little self-evaluation and self-nurturing. Even if you intend on never letting another soul read it, the initial intimacy and privacy of the act are paramount. I’d never suggest a person try to write their pain away rather than seek the help of a licensed professional, but I’ve found that a good therapy program lines up very well with cathartic writing. In fact, there were times in my recovery I didn’t have the ability to engage in counseling, so the writing of Love/Madness/Demon was even more crucial to me.

I feel better now. I don’t feel perfect. In fact, I still have a lot of bad days. But it was worth it to me to at least try to alleviate some of the pressures of everything I’d gone through. Maybe you can do the same for yourself. I hope you can. Things change, nothing lasts, all things pass away. It’s sort of a very painful time for many people out there. Writing about what ails us? There are worse ways to cope.


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!

Love Madness Demon Cover Final

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


Want to be sure not to miss any of Jeff’s Pep Talk segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress


Introducing non-fiction to children

In our modern world, sources of information assail us from every direction. An internet search turns up dozens, and sometimes even hundreds, of links to information on every conceivable topic. Television provides documentaries on historical events, scientific topics and numerous programmes that cover every aspect of nature. A visit to a grocery store exposes children to newspapers and magazines which share articles on a wide variety of political, social and other topics, not to mention the headlines of newspapers that glare at us from street light and other poles as we travel from home to school and other places during our day.

High school learners are provided with numerous texts and sources of additional information on each and every topic they cover in nearly all of their subjects.

The quantities of information available are huge and not all of it is factually accurate. There is a lot of inaccurate and even total fake information out there.

It is, therefore, vital for children to learn to filter text and identify the important facts and information, in other words, to summarise it. It is also important for children to know they should check information to more than one source in order to ensure it is factually accurate.

Providing children with non-fiction books is an excellent way of ensuring they get accurate and reliable information and, if you select good non-fiction books, they are also appealing and exciting for children.

Here are four tips for choosing non-fiction books:

  1. Books with large clear photographs are attractive to children and help them contextualize the content of the book;
  2. Look for books that present the facts succinctly and without becoming bogged down in to much unnecessary detail. After reading the content to or with your child, summarise the main message/s about that topic or on a particular page;
  3. For very young children, ensure that the content is simple and fairly repetitive with only a few new vocabulary items so as not to overwhelm them; and
  4. Look for books that provide additional information for adults at the back. This is helpful for expanding on a given topic with your child and answering any questions.

A few great ways of encouraging an interest in non-fiction reading by children are as follows:

  1. When you are doing something that provokes questions like why is the sky blue or why do bees sting, take the time to look up the answer to this question with your child and show them how to use internet sources and books to find the answers to their questions;
  2. Integrate non-fiction with play. I did this with my children by showing them how to read recipes when we were baking, using ideas from books when building and constructing with lego or blocks and even with marshmallows and reading to them about mountains, hills, lakes and rivers when we were playing in a sandpit or on the beach. We used sand for lots of fun activities like building forts and a pirate island. I used these opportunities to follow up with a non-fiction story about pirates and soldiers. I did the same thing when we visited any places that lent themselves to learning more about a specific topic like mining or farming; and
  3. Make your own non-fiction materials and demonstrate various learning points. I build a mountain out of paper mache and showed my children how water carries seeds down into the valleys, Michael and I made a sword and a roman helmet out of paper mache and learned about the Roman Empire and we made a sheep out of cardboard and cotton wool and learned how animals help to distribute seeds.
An airplane Greg and I built in the sand at the beach
Gregory learning about prehistoric mining at Grime’s Graves in Norfolk, England

About Robbie Cheadle

IMG_9902

Hello, my name is Robbie, short for Roberta. I am an author with seven published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.

I have recently branched into adult and young adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. My first supernatural book published in that name, Through the Nethergate, is now available.

I have participated in a number of anthologies:

  1. Two short stories in #1 Amazon bestselling anthology, Dark Visions, a collection of horror stories edited by Dan Alatorre;
  2. Three short stories in Death Among Us, an anthology of murder mystery stories, edited by Stephen Bentley;
  3. Three short stories in #1 Amazon bestselling anthology, Nightmareland, a collection of horror stories edited by Dan Alatorre; and
  4. Two short stories in Whispers of the Past, an anthology of paranormal stories, edited by Kaye Lynne Booth.

I also have a book of poetry called Open a new door, with fellow South African poet, Kim Blades.

Find Robbie Cheadle

Blog: https://bakeandwrite.co.za/

Blog: robbiesinspiration.wordpress.com

Goodreads: Robbie Cheadle – Goodreads

Twitter: BakeandWrite

Instagram: Robbie Cheadle – Instagram

Facebook: Sir Chocolate Books



Want to be sure not to miss any of Robbie’s “Growing Bookworms” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.


Announcing the Winner of the WordCrafter 2020 Short Fiction Contest

WordCrafter Press

It’s taken twice as long as it should have, but I am now proud to announce the winner of the 2020 WordCrafter Short Fiction Contest. This year’s theme genre was western paranormal, requiring story submissions to contain both western and paranormal elements.  WordCrafter left the guidelines open to loose interpretation, resulting a wide variety of story submissions, in which the required elements were used in some very creative ways. It was a difficult choice, but I’m happy to congradulate Enid Holden on her wonderful story, “High Desert Rose”.

Spirits of the West cover image

As the winning submission author, Enid will receive a $25 Amazon gift card and her story will be published in the WordCrafter western paranomal anthology, Spirits of the West. We’re aiming for a release date sometime in October, so be sure and watch for it. The anthology will also include “Gunsmoke”, as a tribute to the author, the late Tom Johnson, as well as stories by several of authors from last years antholgy, Whispers of the Past.


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Jeff’s Pep Talk: Blast From My Past

Jeff's Pep Talk2

Blast From My Past

I originally wrote a version of this entirely too plucky Pep Talk just over eight years ago. I was twenty-seven then, and life until that point had treated me pretty good. That’s right, before I was writing monthly inspiration blog posts I was still keenly interested in, well, inspiring writers to do our thing. I offer this as a gift today. Eight years is a long time, long enough for the planet Venus to enter, exit, and then reenter retrograde.

And as Venus is the planet of love, I thought I’d share a proto-Pep-Talk that is very near and dear to my heart. Just goes to show you that no matter how far you think you’ve come, there’s always room to grow and many, many miles to go.

Let this serve as inspiration for you, especially if you’ve been feeling down about the world and your place in it. Keep working, keep your head down, but for gosh sakes, be a humanitarian to yourself while you’re at it. That’s the main message Jeff’s Pep Talk was always meant to impart. If you can’t be kind and compassionate to yourself when it comes to your work, how the hell are you ever going to be kind and compassionate when it comes to the rest of life?

Hope you enjoy this blast from my past. Twenty-seven years old. Yeesh. We were never that young. 🙂

2/13/2012

What? Me? Positive?

Firstly, an admission: I’m a terrible writer. Honestly, I am. I happen to have it on very good authority. Right now, right here in my office, even as I write this very essay, there’s a little man sitting in the corner, sucking down a Coca-Cola Classic, fiddling with his long, stringy hair, shouting de-motivators, anti-enthusiastics, and the highest-quality bizarro pep talks I have ever heard in my life. He tells me things like, “Boring!” and, “It’s been done to death!” and my personal favorite, “Nobody in this world will ever care!” He’s so good at his job that he’s even earned his own nameplate and the privilege of not having to sit on either of my shoulders.

I’m 27 years old. When I was 17, he didn’t even exist.

There’s a very simple reason for that, you know. When I was 17 it hadn’t even occurred to me to give writing a shot. Oh, sure, I’d begun and bailed on a novel or two. Once, I even made it a whole 90 pages, a feat that had each of my friends nodding and intoning, “cool,” before laying back into one another on my PlayStation. You know what I was when I was 17? First of all, I was a high school dropout. Didn’t even make it through freshman year. I hold two degrees of higher learning at the moment, but hell, even Scarecrow got one of those, and he didn’t even have a brain. Second of all, and infinitely more important, when I was 17 years old I was a future rockstar. Frontman? Check. Guitarist? Double-check. Writer of every song in my band’s repertoire? Oh yeah, and you just knew the Benjamins would start rolling in at any moment.

I was good at it, too. Honestly, I was. That’s really kind of the point here. Music came naturally to me. Okay, so maybe I didn’t come into this world kicking and screaming and nailing my do-re-mis, but put a Beatles songbook in my hand and a brand-new nylon-string guitar and just watch me put “Let it Be” through its paces. A band, a breakup, another band, another breakup; four albums recorded in my Mom’s basement; high school gigs and coffee house gigs and bar after bar after bar after bar after bar after…where was I? Oh, yes.

“Carrie?” I said to my then-girlfriend and now-wife. “I don’t think I want to be a musician anymore.”

Oh really? How come?

Does it really matter? I was going to be a writer, damn it. That’s it, and that’s all. Makes sense, right? If you can’t be a rockstar, what, then, might you be? Easy. A millionaire bestselling novelist, at the feet of which the Stephen Kings and Anne Rices and J. K. Rowlings of this world but kneel and tremble.

Step 1: Decide to become a writer.

Step 2: Write first short story.

Step 3: Am I a millionaire bestseller yet?

No? Not yet? Okay, I’ll just go wait over there. I and the little man in the corner have pushed story after story into this world via the agonizing and miraculously miraculous miracle of brain-birth. And guess what, the brain-birth for each of them? More agonizingly agonizing than miraculously miraculous. I tell you what, man, it’s downright painful. Writing? Man, writing is for the dogs. Remember when you learned your first guitar chord? Remember how accomplished you felt? Now do you remember your first story and that first critique you ever got?

“I had three problems with this story. The beginning, the middle, and the end.”

Remember how your voice used to have all the girls quivering out there in audience land? Quivering? Really? Okay, maybe more like mildly interested. Still, when was the last time your readers were even slightly or infinitesimally interested? Readers? What readers? You’ve got readers now? Where the hell did you get readers? Mom! The little man in the corner got readers and I didn’t!

Before I even joined the party, those in the know told me that rejection is the name of the game. Man, they weren’t kidding. That first rejection hurts like hell. So does the second, and the third, and the fourth, and the fifth, and the…when exactly does it stop hurting?

Just keep your head down. Just keep working, keep honing, keep sharpening, keep getting better and better, keep…keep…aw, hell, just keep forgetting what rejection feels like, keep forgetting there are a million others better than you’ll ever be, keep forgetting you’re not even as good as you want to be.

Yet…

So what keeps you writing? Why not just give up already? Oh, believe me, I’ve tried. Several times, seriously, studiously, not-joking-this-time. But you know what? Something always kept me going. Kind words? Ha! I wish. Publication? Okay, now you’re just making me sad. No, if I had to boil it down to one word, one, single, all-encompassing, all-revealing, all-enlightening, end-all-be-all explanation of why it is I keep doing what I’m doing, it would be this, my friends…

…………………

“What,” says the little man between swigs of his Coke, “that’s it? Ellipses? You’re going to end with ellipses? Oh, real original, Hemmingway. How about a nice ‘happily ever after,’ or a ‘the end…or is it?’ or you know what, how about a big fat–”

To be continued…


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!

Love Madness Demon Cover Final

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


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Poet and blogger, Christy Birmingham-Reyes, shares her thoughts about poetry and a review

thumbnail_Treasuring Poetry

Treasuring Poetry

Today, I am featuring Christy Birmingham-Reyes as my Treasuring Poetry guest. No only is Christy a wonderful and heartfelt poet, but she has a superb blog where she shares insightful and useful posts about life, parenting, working, caring for elderly relatives and many other amazing topics. You can follow Christy’s blog here: https://whenwomeninspire.com/

Over to Christy

Hi Robbie, thank you for offering me a spot in this great series on poetry! It’s a pleasure to be here. I enjoyed the time spent thinking about my answers to the five questions on this rainy, windy day on Canada’s west coast. Here we go:

My favourite poem is Nothing Gold Can Stay by Robert Frost. It was written by Frost in 1923 and published that same year.

My interpretation of this poem is that nothing stays in bloom forever. The moment is fleeting when the flowers blossom and trees are abundant with leaves. As the season ends, the flowers and leaves fall, just as humans too have a period where they are “in their prime” and grow frailer over the years.

While the interpretation above could be one that you might say is depressing, I disagree and find hope in the words of Robert Frost. To me, the poem is a reminder to enjoy today and to fill ourselves full of the golden moments we experience in life.

Cherishing the moments of happiness and taking in nature’s beauty is something we must not forget to do amidst the business of daily life. Now, more than ever, I feel grateful for the “small” things that are so big in their importance.

For example, today, I went for a walk between the rainstorms. The smell of the air was amazing to me, and I breathed it in deeply. That moment was golden, and it renewed my energy.

Nothing Gold Can Stay by Robert Frost

Nature’s first green is gold,

Her hardest hue to hold.

Her early leaf’s a flower;

But only so an hour.

Then leaf subsides to leaf.

So Eden sank to grief,

So dawn goes down to day.

Nothing gold can stay.

I would not want to write like any other poet, although I do certainly admire Maya Angelou’s writing style. To be a copy of someone else is not possible, and I would not succeed in doing so. Instead, I choose to put my efforts into trying to be my best self, in my writing, as a wife, as a daughter, and in other areas of life.

Maya Angelou’s poetry is candid. It is full of moments that take my breath away with their authenticity. She was true to herself on each page she wrote, and I can tell she wrote from her soul.

Thank you for having me over for a visit today! It has been a pleasure to chat about poetry and the emotions it draws out of us as readers. Stay safe xx

About Christy Birmingham

Christy Birmingham

Christy Birmingham is a freelance writer in Victoria, BC, who has a BA in Psychology and has taken professional writing courses at the University of Victoria. She is the author of Pathways to Illumination (Redmund Productions, 2013), her first poetry book. Her work also appears in the Poetry Institute of Canada’s From the Cerulean Sea: An Anthology of Verse (2013) and the literary journals The Claremont Review and Tipton Poetry Journal.

Versions of the Self

Imagine a shift to the way you see the world that arises through poetic narration.

Imagine the world, at its base level, is a collection of selves. These selves collide, disperse, intermingle, and share themselves in lines of free verse. Such is the premise of Versions of the Self, poetry that assumes multiple types of selves exist and relate in ways that alter them. Each of the eight chapters looks at a different type of self, including the singular “I” and romantic interactions. These unique 80 poems definitely color themselves outside of the lines.

My review of Versions of the Self

Versions of the self is quite an extraordinary book of poetry. The poet, Christy Birmingham, has a very unique style of writing which I found very intriguing. I also thought this style worked exceptionally well for the content of this book which is all about different versions of self. It imitates the flow of thought but in an easy to read and fascinating way.

I felt I would like to get to know the poet as I read her poems. While she does write about a mixture of various emotions, there is a thread of sadness or melancholy that runs through many of them and I felt that the writer had suffered pain in her past relationships. The poems become lighter and happier as you move through the book and I found myself hoping that this is a reflection of Christy’s life.

These are a few of the verses I found the most compelling in this beautiful book:

“You direct me forward but

I want to go back,

Back to when we were wrapped in

Clean sheets, before the

Lies melted on your tongue.”

From Lack of Direction

***

“You were once a masterpiece

Now, your colors run down the fabric of

My past,

Shades of yellow and orange that have

Grown thick in consistency,

As the price of fine art rises with inflation.”

From You, Colors, and Realization

***

“You came to see me at a pillow rich with creativity,

Where I had hope beyond reason for tugging at my heartstrings.

You know exactly which strings to play on your

keys to keep me smiling.

From You, Unique.

Purchase Versions of the Self

About Robbie Cheadle

IMG_9902

Hello, my name is Robbie, short for Roberta. I am an author with six published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.

I have recently branched into adult and young adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. My first supernatural book published in that name, Through the Nethergate, is now available.

I have participated in a number of anthologies:

  • Two short stories in #1 Amazon bestselling anthology, Dark Visions, a collection of horror stories edited by Dan Alatorre;
  • Three short stories in Death Among Us, an anthology of murder mystery stories, edited by Stephen Bentley;
  • Three short stories in #1 Amazon bestselling anthology, Nightmareland, a collection of horror stories edited by Dan Alatorre; and
  • Two short stories in Whispers of the Past, an anthology of paranormal stories, edited by Kaye Lynne Booth.

I also have a book of poetry called Open a new door, with fellow South African poet, Kim Blades.

Find Robbie Cheadle

Blog: https://www.robbiecheadle.co.za/

Blog: robbiesinspiration.wordpress.com

Goodreads: Robbie Cheadle – Goodreads

Twitter: BakeandWrite

Instagram: Robbie Cheadle – Instagram

Facebook: Sir Chocolate Books


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Is Shakespeare still relevant 400 hundred years after his death?

Bust of Shakespeare at The Globe Theatre, London

My son and I have different opinions on the relevancy of Shakespeare in our modern world. Greg thinks Shakespeare’s works have become irrelevant and would prefer to study more modern writers who have written about issues that have shaped our modern world.

He would rather study 1984 by George Orwell which is about totalitarianism, discrimination, tracking and other issues that, in his opinion, are still a concern today. He sees Fahrenheit 451 by Ray Bradbury as being relevant because he does not see people burning books in Western society.

I disagree with Greg on both counts but I am limiting this post to my thoughts about the relevancy of Shakespeare, who just happens to be one of my favourite authors.

These are the reasons that I think it is still worthwhile for students to study literature:

We quote Shakespeare all the time

Shakespeare invented over 1700 of our common words. He did this by changing nouns into verbs, changing verbs into adjectives, connecting words never before used together, adding prefixes and suffixes, and devising entirely original words.

Some of my favourite Shakespeare originated words are green-eyed, assassination, bloodstained, lustrous and obscene.

In addition to all the words Shakespeare invented, he also put words together in new ways to create phrases and idioms. Most people know the famous quotes which are commonly attributed to Shakespeare including:

  • All the world ‘s a stage, and all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts;
  • Some are born great, some achieve greatness, and some have greatness thrust upon them; and
  • How sharper than a serpent’s tooth it is to have a thankless child!

Many people don’t realise, however, that many everyday sayings are attributable to Shakespeare such as be all and end all, catch a cold, heart of gold and to much of a good thing.

Inside The Globe Theatre, London – the stage

His works are universal and enduring as are his characters

Shakespeare’s plays portray timeless themes of human experience and interaction that have remained relevant since his death. They are also considered to be among the most expertly written and beautifully poetic works in the history of literature.

The outstanding features of Shakespeare’s play are as follows:

  • Characterization: Shakespeare created very real and intense characters who deeply feel all of their emotions. This makes them alive and real to the reader and/or audience;
  • Language: As detailed above, Shakespeare contributed a significant number of words, phrases and idioms to the English language. His usage of language was masterful and make his works enduring and memorable;
  • Range of plays: Shakespeare wrote at least 37 plays and collaborated on several more. His plays comprised of comedies, histories, tragedies and sonnets. Nearly all of his work was of an extraordinary high quality of excellence which is one of the reasons his plays are still studied by students of literature;
  • Shakespeare has had a massive influence on literary culture: In addition to the use by modern writers of his words, idioms and phases in their work, allusions to Shakespeare and his plays have influenced a number of well-known subsequent literary works including the following:
  •              Moby-Dick by Herman Melville (allusions to Macbeth/King Lear);
  •              The Daughter of Time by Josephine Tey (Richard III);
  •              The Dogs of War by Frederick Forsyth (Julius Caesar);
  •              Love in Idleness by Amanda Craig (A Midsummer Night’s Dream);
  •              The Talented Mr Ripley by Patricia Highsmith (Macbeth);
  •              Brave New World by Aldous Huxley (The Tempest);
  •              Cakes and Ale by W Somerset Maugham (Twelfth Night);
  •              The Black Price by Iris Murdoch (Hamlet);
  •              Wise Children by Angela Carter (The Taming of the Shrew et al); and
  •              A Thousand Acres by Jane Smiley (King Lear);
  • Exciting plots: Shakespeare’s plots are exciting and are filled with romance, horror, bloodshed, family feuds, fairies, ghosts, witches and comedy.
Open ceiling inside The Globe Theatre, London

What is your view? Do you think Shakespeare is still relevant? If not, what would you have preferred to study instead?

Balconies inside The Globe Theatre, London

About Roberta Eaton Cheadle

IMG_9902

I am an author who has recently branched into adult horror and supernatural writing and, in order to clearly differential my children’s books from my young adult and adult writing, these will be published under the name Roberta Eaton Cheadle. My first young adult supernatural novel, Through the Nethergate, has recently been published.

I also have two short paranormal stories in Whispers of the Past, a paranormal anthology edited by Kaye Lynne Booth.

Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.


Craft and Practice with Jeff Bowles – To Self-Publish or not to Self-Publish

Jeff

The third Wednesday of each month, writer Jeff Bowles offers practical tips for improving, sharpening, and selling your writing. Welcome to your monthly discussion on Craft and Practice.

To Self-Publish or not to Self-Publish

I guess I’m a bit of a dreamer when it comes down to it. Head in the clouds much of the time, projecting myself right out of reality because, well, I take more comfort in worlds inside my mind than the world as it really is. I’ve always been that way, and it’s helped me enormously as a creative individual. Has it helped me much in life? That’s a conversation for another time. Or, you know, maybe never.

For me, the dream was always the most important thing, because I understood dreams become reality with startling frequency. I mean, that’s essentially what storytelling is, right? Making something whole, tangible, expressive, from nothing at all. It’s something I have to believe in order to do what I do. If I didn’t think anything and everything was possible, how could I convince you?

I like self-publishing. It’s a good speed for me. I made great efforts to publish short fiction in the traditional form for more than ten years, and I wouldn’t change anything about that time. But then I went off to earn an MFA in Creative Writing, and it slowly dawned on me that recognition, fans, and even money will only get you so far. If you’re dedicated to your craft, you can do it penniless. In no way does it make or break your enjoyment of the act of writing. In fact, achieving something like the ever-ubiquitous yet disappointing “best-seller” status often throws unsuspecting authors into a rut, one that can be difficult to climb out of. With success so comes stress and an urgent need to produce. I’m not good with stress, suffer from some anxiety and other mental health issues, and I somehow knew about myself that if I wanted to put my books out, I’d have to do it in a manner congruent with my everyday tolerance levels.

So when it came time to publish my first novel, I did it myself. I got the most amazing help from a friend of mine to render a cover and some gorgeous chapter-to-chapter artwork, I set the date, released it through Amazon, and then plugged it as best I could, also knowing I’m not a natural salesman. The truth is I would’ve made far more money if I’d snagged a traditional publisher. The truth also happens to be that I don’t care all that much either way, because I’m still the writer guy doing his writer thing, albeit at a somewhat reduced level.

I like controlling the whole process from beginning to end. The product I end up with, for better or worse, is all on me. The people who’ve read my first novel have enjoyed it immensely. Living the kind of life that’s cool and confident and down for lower-case “success”, simply because I’m not sure the upper-case kind is actually all that much fun, well it works for me right now. Maybe a few years down the line I’ll really push for the traditional publishing route. I’m not sure. What price success?

Given the choice, most writers would opt for more sales over fewer. I don’t think I’ve used the word “duh” since I was thirteen years old, but duh. The point is, you can write as much or as little as you want, and you can shoot for the stars or just keep your work on the down-low, but the real question is what fuels you? What keeps you satisfied? Is it money in the bank or pure creative expression? A happy mix of both? What do you want? What do you want? WHAT DO YOU WANT?!

If you’re working on a book or have recently completed one, first of all, congratulate yourself. You’ve done something most people on the planet want to do but never seem to get around to doing. Secondly, ask yourself the question in capital letters up in that last paragraph there. It’s harder to find sponsorship than to put it out yourself. That’s true no matter what you do, so consider it numero uno. Are you willing to risk rejection aplenty and month after month of waiting for an agent to reach out and tell you your work is magnificent (or abhorrent)? Or do you want to produce your book on the fly and handle all the publicity yourself later on? Know that for the vast majority of self-publishers, a hundred lifetime sales is considered superb. That’s a slow lunchtime minute in February for one of the major houses.

Work the traditional route, you’re likely to feel under-the-gun and underappreciated by your publisher. DIY it, and you’ll probably feel like you’re grinding your gears, working your butt off just to make a few lousy sales. Release your work through an established house, and perhaps struggle to earn out your advance and start bringing in those royalties. Put it out yourself, and claim your dividends immediately, meager though they may be.

See? Plusses and minuses for both. Nice work if you can get it, but look, your best bet is to keep producing and put your work out however you can, whenever you can. That’s the shotgun method, and it works. I know what’s been right for me in the past several years, but I also claim the right to change my mind someday. In the grand scheme of things, it’s all benefit and no loss. Just keep doing your thing, and if you get the opportunity to publish your work in a major way, absolutely go for it. If you can’t, however, or you simply would rather not, don’t sweat it, because magnificent career legacies have been built on less. Just don’t sell yourself short, and whatever you do, remain true to your vision and your goals.

Now for a little practical advice. You knew it had to be buried in here somewhere, right? If you’re in the market for an agent, find yourself a good searchable database like AgentQuery.com, or if you’re so inclined, think about picking up the 2020 edition of the Guide to Literary Agents, which many writers throughout the years have found great success with. Your manuscript must be in tip-top shape before you send it to anyone. I know that seems like common sense, but you’d be surprised how often people mess this up. Tip-top means thoroughly revised, edited, and proofread. If you can make it any better, you’re not done with it. Remember to remain professional and courteous, even when you get shot down. Especially when you get shot down.

On the flip-side of the publishing coin, the final state of your book is just as important in self-release, perhaps more so, because you won’t get an assigned editor to walk you through the process. If you can afford one, hire the services of an independent editor, and if you’re not super artistic, hire someone to do the cover and book layout, too. A lot of people, like yours truly, release their stuff through Amazon and call it good, but this is by no means your only option. Vanity publishing, independent print-on-demand, and independent ebook distributors all exist, though do your homework, because some are more attractive than others. Vanity publishing, by the way, try to eschew it if you can. I like Amazon because it’s one-stop shopping, and their KDP publishing system is easy to use, but your mileage may vary, and you may have bigger plans for your work than I’ve had for mine.

Regardless of how you publish, just remember it’s incredibly important to put out the best work you can. You want words you can feel proud of. In the end, your writing legacy is completely in your hands. That’s it for this post, everybody. I’ve got an overdue book to edit, and you’ve got more awesome Writing to Be Read articles to peruse. See ya next time.


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, Nashville Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, God’s Body: Book One – The Fall, is available on Amazon now!

GB Cover

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!



Want to be sure not to miss any of Jeff’s “Craft and Practice” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found this useful or just entertaining, please share.