It’s day two of the WordCrafter Chocolate Fudge saves the Sugar Dog Book Blog Tour, and today I’m bringing you my review of this wonderful little book. Robbie and her son Michael co-write the Sir Chocolate books, illustrated with lovely fondant scenes and filled with delectable recipes which will make your tummy rumble. Many of us know Robbie and are familiar with her “Growing Bookworms” blog series and the Sir Chocolate books, so today I’d like to bring you and interview with her son and co-author, Michael Cheadle and share my review of Chocolate Fudge saves the Sugar Dog.
The Authors –Robbie and Michael Cheadle
Author Interview
Kaye: How old are you, Michael?
Michael: I am 16 years old.
Kaye: How long have you been writing Sir Chocolate books with your mom?
Michael: Mom and I started writing the Sir Chocolate books when I was 7 years old and in Grade 1 at school.
Kaye: Being such a young author is quite an accomplishment. Does it make you a celebrity among your friends?
Michael: No, I have not told my high school friends about my books. It just hasn’t come up.
Kaye: Do you help your mom with the baking for the books, too?
Michael: I used to make a fondant creation for inclusion in the books although I haven’t done that for the most recent two books in the series. I don’t do fondant art anymore. I do enjoy baking with my mom and now I also cook with either mom or dad depending on who is doing the cooking that day.
Kaye: What do you like most about writing the Sir Chocolate books?
Michael: I enjoy thinking up a fun storyline with my mom and deciding on new and interesting characters for inclusion in the stories.
Kaye: What is the most difficult part of being a co-author with your mom for you?
Michael: My mom doesn’t always listen to my ideas and sometimes she changes them which can be annoying for me.
Kaye:Chocolate Fudge saves the Sugar Dog is the eighth book in the Sir Chocolate series. Which one is your favorite and why?
Michael:Sir Chocolate and the Sugar Crystal Cave story and cookbook is my favourite. I liked learning how to make sugar crystals. Mom and my first attempt to make the crystals was a failure because we didn’t let the water cool down enough before we inserted the sugar-coated sticks in the sugar mixture. The sugar on the sticks melted and no crystals formed. We redid the experiment and it worked very well.
Kaye: Do you think you might write books of your own when you are older?
Michael: Yes, I think I might write in the future. I have lots of ideas for stories.
Kaye: What are your aspirations for your future?
Michael: I want to go to university to study a Bachelor of Science: Computer Science like my brother, Gregory. I will write in my spare time like my mom does.
Kaye: What is the most important lesson gained from the collaborative writing experience?
Michael: I learned that if you put your mind to something, then you can achieve success in it. I wanted to write stories about a little man who lived in a world where you can eat everything. With my mom’s help, we have created Chocolate Land and all the creatures that live there and published 8 books in this series.
Kaye: Are you planning more Sir Chocolate books in the future?
Michael: Mom and I have a few books that are already written. My mom does most of the illustrations so it will depend on her and whether she wants to do more fondant and cake art. I think she will and the books will be published.
I want to thank Michael for agreeing to this interview. I think he provided some wonderful answers. It’s great to chat with an aspiring young author, and delightful to learn that Chocolate Fudge saves the Sugar Dog wont be the last in the Sir Chocolate book series.
My Review
I’m a huge fan of Dr. Suess, and the cadence and ryhming in the verse written by Robbie and Michael Cheadle is reminiscent of that found in the lovely books from Dr. Suess, so of course, I loved Chocolate Fudge saves the Sugar Dog. And then there is the beautiful illustrations created by the talented Robbie with fondant figurines making up the lovely scenes described in the verse, which let the story unfold before your eyes. (They may make you hungry too, because they look deliciously sweet.) One I found especially endearing is the scene for the actual rescue of the Sugar Dog, where Chocalate Fudge is emerged in the hot chocolate pond.
The extra added feature that the Cheadle books include which Dr. Suess never thought to include is the wonderful recipes, and the accompanying photo illustrations for each one are sure to make whet your appetite. Included in Chocolate Fudge saves the Sugar Dog, are recipes for scrumptious peanut butter cookies, delectable Oreo cupcakes, mouth-watering avacado and bacon scones, poured fondant icing, and chocolate chip shortbread dipped in chocolate. Yummy!
Chocolate Fudge saves the Sugar Dog is a delightful children’s book with delicious recipes sure to please both young and old. I give it five quills.
Thanks for dropping by and helping us celebrate the release of Robbie and Michael’s wonderful new book, Chocolate Fudge saves the Sugar Dog. In case you missed the opening day, yesterday on “The Showers of Blessings” with a post by Robbie and a review by blog host, Miriam Hurdle, you can still read it here.
I hope you all will continue to follow the tour, because we’ve got some great things planned for each blog stop. Tomorrow’s stop features an interview with Robbie and we have at least two more reviews coming, too, in addition to Robbie’s wonderful posts on Thursday and Friday. I hope to see you there.
I just took a short trip to Glenwood Springs, Colorado; one of many that I have taken in search of the truth about Doc Holliday; a curiosity that began while doing research for Delilah back in 2016. At the time, I found evidence connecting Doc Holliday with the mining camp of Leadville, where that story ends up, and I used that in my story line to give it authenticity. I learned a lot about John Henry (Doc) Holliday, but I also found a lot of facts which are conflicting, and those conflicts have tickled at my brain ever since.
Many of the facts which are not to be disputed are John Henry Holliday’s birthplace and date: Griffin, Georgia on August 14, 1851. In addition it is known that he attended the Pennsylvania College of Dental Surgery, but before he could get his practice well established, he was diagnosed with consumption, what we know of today as tuberculosis, ruining a promising career when no one wanted to be treated by “a lunger”, so headed out west to be a gambler, which was considered a legitimate way to earn a living in those days, similar to that of a professional poker player today, as differentiated from a gambler.
But it wasn’t until the 1881 events in Tombstone Arizona and the “shoot-out at the O.K. Corral”, involving Doc Holliday and the infamous Earp brothers that his noteriaty grew into legendary proportions. months to seek relief from the reported health benefits of the natural mineral hot springs and vapor caves located there. In those days there were close to fifty hot springs running up and down the banks of the Grand River (now known as the Colorado River), as this was before Walter Devereaux purchased the townsite of Glenwood Springs and secured funding to build The Hotel Colorado and The Hot Springs Pool, as well as the city’s first power plant in 1892.
Glenwood Springs is where Doc died in 1887. It is there that he was supposedly buried, although there are claims that the hillside cemetary was flooded and several graves were washed out into the streets below and bodies scattered, so that no one really knew whose bodies were reburied where, leaving the exact location of Doc’s final resting place a bit of a mystery. A more recent addition to the cemetary is a sign suggesting that because he was destitute and could no longer hold a job as a dealer in one of the saloons, that he may have been buried further up the hillside in the pauper’s graveyard where many were buried with no headstone. I find this assertion to be highly unlikely, and assume this sign was made in an attempt to deter vandalism.
Sign at the bottom of the trailhead to the hillside Linwood Cemetary in Glenwood Springs, Colorado.
When talking to the locals, I learned that vandalism has been a problem for the cemetary and particularly for the grave of the infamous dentist, gambler and gunman, and the headstone which currently marks Holliday’s alleged gravesite in the Linwood Cemetary is the third headstone to mark the spot. The one prior to this one is displayed in Bullock’s Store, where the basement houses The Doc Holliday Museum with an interesting collection said to be connected to the man, as well as the only surviving pieces of the original building, which was destroyed in a fire in a 1945 fire. The building is in the loction where The Hotel Glenwood stood, Doc spent the last six months of his life, in a room on the third floor, destitute and dying of consumption. It is rumored that, broke and unable to work due to his failing health, and according to Bill Kight of the Glenwood Springs Historical Society, it is rumored that a friend, Walter Devereaux and his longtime companion, Mary Katherine Horony-Cummings, also known as Big Nose Kate, cared for him during his last days and were at his side when he died. (Glenwood Springs: The Official Insider’s Guide 2021-22, “Get to Know Doc Holliday”, by Bill Kight)
These are pictures of the older headstones that have since been removed from the Linwood Pioneer Cemetary. You can tell how old they are because of the grainy quality of the photos. The one on the right is now on display at Bullock’s Store. There was too much snow to make the trek up to the hillside cemetary on this trip, so I wasn’t able to get a picture of the current headstone.
A few doors down on the block from Bullock’s is Doc Holliday’s Saloon. I couldn’t find any evidence that there was any real connection to Doc here, but they serve good food and historical atmosphere make it a favorite of mine whenever I visit Glenwood Springs. It’s a great place to relax and enjoy a rib-eye sandwich and a game or two of billiards. Nobody said a research trip has to be all work and no play.
It seems a little bit ironic that Glenwood plays up the association with Doc and Leadville doesn’t, knowing that he spent much more time in Leadville than Glenwood Springs, where Doc visited in hopes of improving his health to make his last days a bit more comfortable. Another irony of this move was that the moisture of the waters and the steam, as well as the altitude, would have actually been detrimental to his failing health, which is why Doc did better in the desert atmosphere of Arizona, but he was forced to flee and seek sanctuary in Colorado, due to being wanted for murder after the Tombstone affair. (Gary L. Roberts, True West Magazine, “Doc Holliday’s Lost Colorado Years”, June 2013)
Delilah
The story of Delilah takes place during the time when Doc would have been in Arizona, but Doc had visited Leadville prior to that and so he received a mention in my book, although he wasn’t present in the story. Delilah takes place in a very small time in Colorado’s vast history which I used bits and pieces of in my story, but there is much more history that the story didn’t cover, so don’t be surprised if Doc Holliday shows up in person in one of the books in the Women of the West Adventure Series, which Delilah may soon become a part of, now that I’ve spent all this time down a research rabbit hole.
There are quite a few poems I like – some for the flow, some for the imagery and some for the memories they bring back with them, there’s one poem that has stood the test of time. It’s a poem I penned when my girls were one and three respectively. Seventeen years later, the girls have grown – each into young ladies with a distinct personality, but it’s beautiful how the description of them in the poem still holds true. It’s special because this poem is one thing that the girls agree about.
Tender Moments
I sneak silently into the room A quick peak I take of my budding blooms Their breathing soft – rises and falls, a melodious rhapsody To the soothing sound of a Spanish symphony
Their countenance silken smooth; serene Tugs my heart, an enticing scene Each distinctly different, yet subtly the same Contrasting as night and day; asleep, they look- Oh! So tame
Their striking silhouette, in the mellow moonlit night Slightly stirring, they curl; enraptured I gaze at the sight One’s creamy-white skin peeps from the warm woollen quilt above And the other’s little chocolaty toe pushes its way from below
One, strong and athletic; the other, dainty and petite Poles apart in every way; a miracle I behold, a divine treat
The window slightly ajar, lets in the wintry wind Blowing their untied tresses over their satiny skin; I lean
O’er their tender frames, and sweep the bouncy, brown curls away And the silk-smooth strands of the other, as in deep slumber they lay
Both unique, both special, both a part of me Peas in a Pod, they are and shall forever be
What inspired you to write this poem?
I had walked into the children’s room one night, sometime in 2008; the girls were asleep. The curtains were drawn, and the moonlight cast a soft glow on them. I looked at them and I scribbled a version of the poem in my diary. However, it was only later, in 2017, that I reworked on the poem and published it on my blog for the NaPoWriMo prompt, ‘Write a poem that explicitly incorporates alliteration,’ on 12th April.
What are your plans for your poetry going forward?
I co-authored a poetry book ‘Roads- A Journey with Verses’ which was published in 2018. My poems have been published in various journals since then, but I haven’t got to publishing a solo book as yet. I’d like to do that, but I have a lot of starting trouble, and so, it’s taken me longer than I expected, to do it. Hopefully, I can do it this year.
What is your favorite poem?
It’s difficult to choose a favorite. I have quite a few that never fail to speak to me. However, if I have to choose it will be Emily Dickinson’s ‘Hope is a thing with feathers’ (copied from the poetry foundation)
“Hope” is the thing with feathers by Emily Dickinson
“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –
And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –
I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.
Why do you like this poem?
No matter how many times I read it I can not help being in awe of the choice of words, the simplicity and most importantly, how easily and perfectly ‘hope’ is described. Every line in the poem is a gem and anyone who has ever experienced ‘hope’ will vouch for it.
Roads: A journey with verses
What Amazon says
“Roads” is a poetic rendezvous that takes the reader on a panoramic journey, making one pause, ponder and celebrate life.
The book is a light, alluring read that instantly strikes a chord and elevates one’s spirits. A trove of 60 poems, it is quilled with beads of nine virtues: Courage, Wisdom, Serenity, Love, Hope, Strength, Joy, Compassion and Gratitude. The verses encapsulate life’s ebbs and flows while prompting the reader to enjoy its simple pleasures.
“Roads” is a book that you would want to keep on your bedside, for a quiet read before retiring for the night or for the morning wisdom to seize the day. With poems revolving around emotions that each of us experiences, “Roads” very easily develops a personal connect with the reader that is defiantly refreshing.
“Roads” is a journey with verses. Take it on yours.
My review
Roads: A Journey With Verses is a beautiful book of mainly freestyle poetry written by Smitha Vishwanath and Vandana Bhasin. I have read and enjoyed a lot of poetry on Smitha’s blog in the past, but this was my first introduction to Vandana’s poetry.
I thought this was a wonderful combination of work by two talented poets and I enjoyed the different styles of writing by the two contributors. Smitha writes delicately beautiful poems in which her messages are subtly shrouded as if within a loving cocoon of words. Vandana’s writing is more strident and forthright, but I enjoyed her style equally and her strong messages for women’s rights moved me greatly.
This book is divided into sections as follows: Courage, Wisdom, Serenity; Love, Strength, Compassion and Joy, Hope, Gratitude. Each section is divided into subsections setting out an arrange of delightful poems in each subcategory. Each subsection is introduced with a short introductory verse which conveys its meaning for the poets and each poem is introduced with a paragraph setting out the the meaning and purpose of the specific poem to the writer. I really enjoyed reading about the inspiration and meaning behind each poem.
A selection of my favourite verses from this book are as follows:
From the sub-section Strength –
Believe in yourself by Vandana Bhasin
“They’ll laugh at you, and even ridicule you
They’ll even endeavor to enervate your spirits
But let the force of their dissuasion empower your faith
and the sound of their derision echo your beliefs
Believe in yourself, even when none believes in you.”
From the sub-section Compassion –
Help! She’s calling by Smitha Vishwanath
“Her eyes shone a tear, her lips quivered with
fear; down her face ran a scar, like a spear.
Her leg bruised, her hand bleeding, she felt a
shooting pain.”
From the sub-section Joy –
Tender moments by Smitha Vishwanath
“Their countenance silken smooth; serene
Tugs my heart, an enticing scene
Distinctly different, yet subtly the same –
Contrasting as night and day; asleep, they look
– Oh! So tame
Their striking silhouette, in the mellow moonlit night
Slightly stirring, they curl; enraptured, I gaze at the sight
One’s creamy-white skin peeps form the warm woolen quilt above
And the other’s little chocolaty toe pushes its way from below
One, strong and athletic; the other, dainty and petite
Pole apart in every way; a miracle I behold, a divine treat.
Smitha Vishwanath is your quintessential ‘bored banker’ turned writer. After a rewarding career in Banking in the Middle East where she worked for leading banks in senior positions, she quit and moved to India in July 2018 with her husband who had been transferred to the country on an International assignment. Therein began her writing journey.
‘Roads’ is the first book she has co-authored. Having lived and studied in different countries and different states within India and worked with different cultures, Smitha understands that ‘change’ and ‘ups and downs’ are very much a part of life. It is this experience that reflects in her poems and her writing which are filled with positivity, acceptance and willingness to change for the better.
Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 2 poetry books.
The 7 Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.
Robbie has 2 adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories in the horror and paranormal genre and poems included in several anthologies.
Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.
Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
Today’s author must be both writer and marketer. Authors in the the world of digital media and the rise of independent publishing are responsible for not only writing the book, but selling it, too. Even authors who are traditionally published are often responsible for a good portion of the promotional efforts.
These days, everyone knows that people can and do judge books by their covers. Most authors emphasize the importance of a a good book cover in selling books, but they’re talking about more than just the image and text on the front. Perhaps as important as that front cover, is the book’s description or blurb, found on the back cover for print books, or in your ebook’s meta-data.
A good book description’s job is to capture reader interest and make them want to know more,. Whether we’re talking about the hook of the first line, which must make you read on to the next sentence and then the next, or about the description as a whole, which must hook the reader, making them want to buy the book to learn the rest of the story, the book description is one of the most powerful tools we have at our disposal to sell books. According to Brian D. Meeks, a good book description has three elements: a powerful hook, engaging copy, and visually appealing formatting.
Mastering Amazon Descriptions
In Mastering Amazon Descriptions, Brian D. Meeks offers a formulaic plan for writing book descriptions that will sell books, including examples of description re-writes for books in varied genres. Although these descriptions are specified as Amazon descriptions, I’m sure this technique will work equally well with Kobo, or Barnes & Nobel, or even the Apple Store. By the time you’ve read through this book, you’ll be writing back cover copy like a pro, because Meeks’ method is simple enough that almost anyone can do it.
To prove it, I’ll share with you the re-write I did of the description for Delilah, which I am preparing for its re-release in the coming year.
Here is the original description:
“Brutally raped and left for dead, her fourteen-year-old ward abducted, Delilah’s homecoming from prison quickly turns into a quest for vengeance. Tough and gritty, sheer will and determination take her to the Colorado mining town of Leadville in her hunt for her attackers and the girl, Sarah. Somehow along the way, the colorful inhabitants of Leadville work their way into Delilah’s heart, giving her a chance for a future she thought she’d lost along with her innocence.”
Here is the description I wrote for the re-release before I read Mastering Amazon Descriptions:
Delilah is a woman haunted by her past. Her homecoming from prison quickly turns into a quest for vengeance when she is brutally raped and left for dead, and her fourteen-year-old ward is abducted. Sheer will and determination take this tough and gritty heroine up against wild beasts of the forest, Indians and outlaws to the Colorado mining town of Leadville, where the colorful inhabitants work their way into Delilah’s heart, offering a chance for a future she thought she’d lost along with her innocence.
Now, here is the description I wrote using Brian D. Meeks’ method:
Haunted by her past.
Raped and left for dead; her fourteen-year-old ward abducted.
Sheer will and determination take this tough and gritty heroine up against wild beasts of the forest, Indians and outlaws.
Can the colorful inhabitants of Leadville work their way into Delilah’s heart, offering a chance for a future she thought she’d lost along with her innocence?
I don’t think anyone would argue that this last description is an improvement. It has a better hook, shorter sentences, and leaves the potential reader with a question to make them want to learn more and read the book.
How to Write Fiction Sales Copy
How to Write Fictin Sales Copy, by Dean Wesley Smith offers three different formulas for writing back cover blurbs and sales copy, which are aimed toward a wide distribution, and several different approaches. Smith is an old pro in this writing game and he’s good at what he does, (which is write). While his methods are not as formulaic and are not specific to Amazon, they are never-the-less effective in posing unspoken questions about the book and making readers want to know more. Smith also offers 32 actual story blurbs as examples in multiple genres.
To experiment with one of Dean Wesley Smith’s techniques, I thought I’d try to rewrite the blurb for my paranormal mystery novella, which is riddled with what Smith calls “The Author Problem”, which results from too many passive verbs and too much focus on the plot. My description doesn’t have a lot of passive voice, but it does focus on the plot too much, revealing more than necessary, which is a common author error. The idea behind the blurb is to give potential readers just enough to pique their interest and make them want to purchase the book. If you reveal too much of the plot, there’s no reason to buy.
Cassie is nervous about her return to her ancestral lands with her boyfriend Tony for more reasons than one. She hasn’t been up in these mountains since the unexplained drowning of her parents. And her parents aren’t the only ones who have died or mysteriously disappeared in the area. Cassie doesn’t really believe the old legends passed down from her Native American ancestors, but she harbors no desire to become the keeper of her tribal legacy or the protector of the gold that goes with it. In fact, she plans to tell her Grandmother to pass the legacy to someone else, perhaps her cousin Miranda, who has been searching for the treasure for years. Cassie wants nothing to do with it now that she carries Tony’s baby in her womb. When Cassie forces herself to go out on the lake that took the lives of her parents and she discovers a cave which holds the treasure of her people, she must admit that the legacy is real, which means the curse that guards the treasure and threatens the males of her tribe must also be real. When Miranda’s boyfriend, Jake disappears on the lake, Cassie must find a way to stop the curse, before Tony becomes the next victim.
So here is my attempt at a rewrite, using Smith’s basic blurb pattern, beginning with a character summary that “nails the genre if possible”.
Cassie wants nothing to do with the legacy her grandmother wants to hand down to her. She doesn’t believe in all those Native American legends anyway.
She and Tony plan to be married and start a family. They’re only returning to her ancestral lands now to tell her grandmother to pass the tribal legacy on to someone else, along with the cursed gold that goes with it.
When she forces herself to go out on the lake where her parents drowned, she discovers the cave which holds the tribal treasure and the lake takes another life. Now Cassie must rethink all that she believes. If the treasure is real, could the curse be real, too?
Can Cassie find a way to stop it before Tony becomes the next victim?
If you love paranormal mysteries, pick up a copy of “Hidden Secrets”.
Which one of these descriptions would make you more likely to buy the book? You can see what a difference a few simple changes can make.
Authors must be able to write sales copy, as well as fiction or nonfiction, because stories don’t sell themselves. On The 6 Figure Authors podcast suggest that if a book isn’t selling well, the first things to look at are cover art and blurb. We see here with the examples I provided, what a difference changing up the blurb can make. I recommend both Mastering Amazon Descriptions, and How to Write Fiction Sales Copy to any author who wants to polish their blurb writing skills and improve their sales copy.
The poet I was hoping to feature today, Walt Page, has been unwell and was unable to participate. I decided that I would share a beautiful poem of Walt’s today called Sometimes When it Rains. Walt told me I was the inspiration for this poem and I love it.
Sometimes when it rains
Sometimes when it rains she loves to go walking snuggled inside her warm rain jacket
Walking in the rain is a sanctuary for her a time when she can create her poetry
it is her time alone to be inspired she loves being with her family and she loves creating her poetry
those of us who follow her poetry are blessed with her friendship we know she is probably out walking and we look forward to her new poems
Walt is currently on a sabbatical from writing poetry, but he has years of wonderful poetry available to readers of his blog here: https://waltswritingsonlife.wordpress.com/
For the past 14 months, I have been deeply down a WW1 hole, reading book after book about this devastating and world-changing war.
My interest in books about WW1 is due partly to my general fascination with war and partly as research for my work in progress, The Soldier and the Radium Girl, a novel set in the USA and France from 1917 to October 1939.
My interest in war poetry was sparked by Sally Cronin from Smorgasbord Blog Magazine who shares poems by the war poets during the week leading up to Remembrance Day.
This year, Sally shared poems by two specific war poets which interested me so much, I read up about them and subsequently read one of each of their works.
Siegfried Sassoon
This is what Wikipedia says about Siegfried Sassoon:
“Siegfried Loraine Sassoon CBE MC (8 September 1886 – 1 September 1967) was an English war poet, writer, and soldier. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War. His poetry both described the horrors of the trenches and satirised the patriotic pretensions of those who, in Sassoon’s view, were responsible for a jingoism-fuelled war. Sassoon became a focal point for dissent within the armed forces when he made a lone protest against the continuation of the war in his “Soldier’s Declaration” of 1917, culminating in his admission to a military psychiatric hospital; this resulted in his forming a friendship with Wilfred Owen, who was greatly influenced by him. Sassoon later won acclaim for his prose work, notably his three-volume fictionalised autobiography, collectively known as the “Sherston trilogy”.”
Over the past few years, I have read the odd poem by Siegfried Sassoon and found them to be very moving. These poetic encounters were usually on Poppy Day when the world commemorates both WW1 and WW2. Although I had a high level appreciation of this war and knew about trenches and a little of the horror, I had never studied WW1 or read much about it outside of these Poppy Day poems.
Over the course of the last 14 months, I have been extensively researching WW1 and have read a number of books detailing life for both the soldiers in France and for the civilian populations at home. My research has covered the British, French, South African, and American perspectives of WW1. These books, which included All Quiet on the Western Front by Erich Maria Remarque, Farewell to Arms by Ernest Hemmingway, Testament of Youth by Vera Brittain, and Regeneration by Pat Barker, really opened my eyes about the dreadful conditions in the trenches, the filth, the rats, the dead bodies, and the fear, as well as the heartbreak of losing a generation of young men. As a result of all this reading and my immersement in life during this time of worldwide conflict, my appreciation and understanding of Sassoon’s war poetry grow and I decided to read it all.
Reading this book was an excellent investment of my time and energy. Siegried Sassoon’s words are powerful and hard-hitting, striking right to the core of the war time experiences of these young men – their hopes and dreams dying around them along with their friends and leaders. This is a book that all youngers should read, after being given some context to WW1, so that this time can be remembered and timeous steps taken to prevent a re-occurrence at any future date. Remembering history and the mistakes of mankind, are best weapons against complacency.
The poem that moved me the most in this collection was The death-bed. You can listen to me reading it here:
Vera Brittain
What Wikipedia says about Vera Brittain:
“Vera Mary Brittain (29 December 1893 – 29 March 1970) was an English Voluntary Aid Detachment (VAD) nurse, writer, feminist, socialist[1] and pacifist. Her best-selling 1933 memoir Testamentof Youth recounted her experiences during the First World War and the beginning of her journey towards pacifism.”
Finally, I am sharing one of my poems about a different kind of silent war. One that can still be contained and prevented from destroying our planet through carbon emissions and overuse of plastic if we reign it in. A compromise can be reached between profits and sustainability.
The Corporate Giant
It rears upwards
into the blue sky,
a monstrosity
of reflective glass, and
shiny stainless steel
towering over
the ant-sized people
who scurry about
in its imposing shadow.
***
An emotionless giant
it is bereft of a soul,
It feeds on small businesses
corner cafes, fruit and nut shops
independent butcheries, bakeries,
confectionaries and cake shops.
Even book sellers and
small stationers
are swallowed whole
disappearing into the gaping maw
of the corporate giant.
***
It shreds and ingests
taking the sustenance it seeks
spitting out the bones
independence and individuality
creativity and the unique
mere entrails, unwanted and discarded.
***
It stamps on difference
in its pursuit of profits
imperfections and blemishes
an unacceptable blight
on a perfect track record.
***
What remains will finally
emerge as a mirror
reflecting the sameness
uniformity and consistency
it holds so dear.
***
Providing its market
with the conformity
and rigidness
that has taken over
and turned the world grey.
About Robbie Cheadle
Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 2 poetry books.
The 7 Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.
Robbie has 2 adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories in the horror and paranormal genre and poems included in several anthologies.
Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.
Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
Even traditionally published authors need to have their work edited. In the past, authors who were traditionally published could count on their publishers for certain benefits, including help with marketing, editing, cover art, etc… But with the rise of independently published authors, those benefits can no longer be taken for granted and today, some publishers don’t provide any more, is editing. In their article “Why your publisher won’t edit your manuscript – and what to do about it”, (https://withoutbullshit.com/blog/why-your-publisher-wont-edit-your-manuscript-and-what-to-do-about-it), Writing Without Bullshit claims that publishers in 2021 are looking for ‘publishable as is’ manuscripts. That means that they are expecting your manuscript to be ready to publish, requiring at the most, minimal copy editing before sending it through the publication process.
If traditionally published authors still need to have their work edited, then it goes to figure that it’s just as vital for an indie author. Independently published authors once carried a bad rep, because of a flux of new authors, or want-to-be authors, who flooded the market with poorly written and badly edited, if edited at all, books with the new lack of gatekeepers which came with the rise of independent publishing. While self-publishing became more affordable and accessible to aspiring authors, there were not the quality buffers of traditional publishing, leaving gaps wide enough to allow a plethora of poor-to-horrible quality books out into the market.
Independently published authors have managed to overcome that initial bad rep for the most part, but only by putting on the work and creating books of excellent quality, which are professionally edited, with covers that are professionally designed, at some expense to the author. But of course, we all want are books to be the best that they can be. Right? Right.
So why are some authors tempted to skip the editing step in the writing process? Maybe they think that as writers they know all the rules so they can edit it themselves just as well. But another set of eyes can pick up things that editing with author’s eyes may not. It’s true. And even if you use a critique group, beta readers, or even relatives or friends to look over your story or book draft, chances are, they will pick up mistakes that you have missed.
No matter the reason, what it all comes down to though, is that editing is expensive, and many aspiring authors, who haven’t hit the bestseller lists yet, can’t afford to pay a professional editor. I know I certainly can’t. I do have my fellow authors, who are kind enough to help me out, (authors really are a great group, aren’t they?), give my manuscripts and stories a going over, but authors are busy people and editing takes time; time that could probably be used better writing, so it is not an ideal arrangement.
That’s why when I founded WordCrafter Quality Writing & Author Services, and added Write it Right Editing Services to those available, my motto was “You should not have to mortgage your house to have your book edited.” So, I tried to make Write it Right Editing‘s rates affordable, especially for those who haven’t risen to the top, or made it into the six figure authors club yet.
If you don’t want to spend a fortune to have your book edited, or you just want a quick proofread to be sure your work is ready for publication, maybe it would be worth your time to drop over to the WordCrafter website and give Write it Right Editing a look. I’ve been editing since 2010 and I am currently part of the Mirror, Mirror editorial team for Kevin J. Anderson and the Western State Colorado University‘s publishing cohort, as well as my editing duties for WordCrafter, so I have plenty of experience editing novels, anthologies, poetry and non-fiction. I’ll be taking on new clients in 2022, as I move my writing business into the full-time realm. If you’d like to learn more about Write it Right Editing Services, visit the WordCrafter website here.
Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing, writing is more than a passion. It’s a way of life.
She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you. She has short stories featured in the following anthologies: The Collapsar Directive (“If You’re Happy and You Know It”); Relationship Add Vice (“The Devil Made Her Do It”); Nightmareland (“The Haunting in Carol’s Woods”); Whispers of the Past (“The Woman in the Water”); and Spirits of the West (“Don’t Eat the Pickled Eggs”). Her western, Delilah, her paranormal mystery novella and her short story collection, Last Call, are all available in both digital and print editions.
In her spare time, she keeps up her author’s blog, Writing to be Read, where she posts reflections on her own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. She’s also the founder of WordCrafter. In addition to creating her own imprint in WordCrafter Press, she offers quality author services, such as editing, social media & book promotion, and online writing courses through WordCrafter Quality Writing & Author Services. When not writing or editing, she is bird watching, or hiking, or just soaking up some of that Colorado sunshine.
Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribing to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.
Welcome to the first post of 2022 in the Growing Bookworms series.
A lot of people and children face change at the beginning of a new calendar year. In the Southern Hemisphere, children change grades and sometimes schools. Parents often change jobs and this can trigger changes to homes, schools, cities, and even countries.
Adults are better equipped to cope with change because they have more experience of life than children. Adults have already transitioned from junior school to high school and then often on to a tertiary education institution. Most adults have looked for, and gained, employment and have moved from their parents home to their own dwelling. Some adults have moved jobs and homes numerous times. As a result of the many life changes most adults have faced, they have learned strategies to help them cope with the anxieties and concerns that arise from major life changes.
Children often have not faced big changes in their lives before and can be frightened and intimidated by anticipated changes to their routines and friendships. Most children thrive on predictability and repetition.
Reading books to children about child characters who have faced and successfully managed big life changes can be reassuring and give some context to change. Books can also be conversation starters for children and enable them to verbalise their worries and anxieties.
The following three books are popular chapter books for children that centre around successful adaption to change.
The Secret Garden by Francis Hodgson Burnett
What Amazon says
When orphaned Mary Lennox comes to live at her uncle’s great house on the Yorkshire Moors, she finds it full of secrets. The mansion has nearly one hundred rooms, and her uncle keeps himself locked up. And at night, she hears the sound of crying down one of the long corridors.
The gardens surrounding the large property are Mary’s only escape. Then, Mary discovers a secret garden, surrounded by walls and locked with a missing key. With the help of two unexpected companions, Mary discovers a way in—and becomes determined to bring the garden back to life.
“When she opened her eyes in the morning it was because a young housemaid had come into her room to light the fire and was kneeling on the hearth-rug raking out the cinders noisily. Mary lay and watched her for a few moments and then began to look about the room. She had never seen a room at all like it and thought it curious and gloomy. The walls were covered with tapestry with a forest scene embroidered on it. There were fantastically dressed people under the trees and in the distance there was a glimpse of the turrets of a castle. There were hunters and horses and dogs and ladies. Mary felt as if she were in the forest with them. Out of a deep window she could see a great climbing stretch of land which seemed to have no trees on it, and to look rather like an endless, dull, purplish sea.
“What is that?” she said, pointing out of the window.
Martha, the young housemaid, who had just risen to her feet, looked and pointed also. “That there?” she said.
“Yes.”
“That’s th’ moor,” with a good-natured grin. “Does tha’ like it?”
“No,” answered Mary. “I hate it.”
“That’s because tha’rt not used to it,” Martha said, going back to her hearth. “Tha’ thinks it’s too big an’ bare now. But tha’ will like it.”
“Do you?” inquired Mary.
“Aye, that I do,” answered Martha, cheerfully polishing away at the grate. “I just love it. It’s none bare. It’s covered wi’ growin’ things as smells sweet. It’s fair lovely in spring an’ summer when th’ gorse an’ broom an’ heather’s in flower. It smells o’ honey an’ there’s such a lot o’ fresh air—an’ th’ sky looks so high an’ th’ bees an’ skylarks makes such a nice noise hummin’ an’ singin’. Eh! I wouldn’t live away from th’ moor for anythin’.”
Mary listened to her with a grave, puzzled expression. The native servants she had been used to in India were not in the least like this. They were obsequious and servile and did not presume to talk to their masters as if they were their equals. They made salaams and called them “protector of the poor” and names of that sort. Indian servants were commanded to do things, not asked. It was not the custom to say “please” and “thank you” and Mary had always slapped her Ayah in the face when she was angry. She wondered a little what this girl would do if one slapped her in the face. She was a round, rosy, good-natured-looking creature, but she had a sturdy way which made Mistress Mary wonder if she might not even slap back—if the person who slapped her was only a little girl.”
The Railway Children by E. Nesbit
What Goodreads says
In this much-loved children’s classic first published in 1906, the comfortable lives of three well-mannered siblings are greatly altered when, one evening, two men arrive at the house and take their father away. With the family’s fortunes considerably reduced in his absence, the children and their mother are forced to live in a simple country cottage near a railway station. There the young trio—Roberta, Peter, and young Phyllis—befriend the porter and station master.
The youngsters’ days are filled with adventure and excitement, including their successful attempt to avert a horrible train disaster; but the mysterious disappearance of their father continues to haunt them.
The solution to that painful puzzle and many other details and events of the children’s lives come to vivid life in this perennial favorite, a story that has captivated generations of readers and, more recently, delighted television and movie audiences. In this inexpensive, unabridged edition, it will charm a whole new audience of young readers with its warmth and appeal.
This is a short reading of a paragraph pertinent to change in this delightful children’s book:
Little House on the Prairie by Laura Ingalls Wilder
What Amazon says
The adventures continue for Laura Ingalls and her family as they leave their little house in the Big Woods of Wisconsin and set out for the big skies of the Kansas Territory. They travel for many days in their covered wagon until they find the best spot to build their house. Soon they are planting and plowing, hunting wild ducks and turkeys, and gathering grass for their cows. Just when they begin to feel settled, they are caught in the middle of a dangerous conflict.
The nine Little House books are inspired by Laura’s own childhood and have been cherished by generations of readers as both a unique glimpse into America’s frontier history and as heartwarming, unforgettable stories.
Robbie Cheadle is a South African children’s author and poet with 9 children’s books and 2 poetry books.
The 7 Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie has also published 2 books for older children which incorporate recipes that are relevant to the storylines.
Robbie has 2 adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories in the horror and paranormal genre and poems included in several anthologies.
Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.
Want to be sure not to miss any of Robbie’s “Growing Bookworms” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
Well, we’ve all made it through another year and now have a whole new year ahead of us. I’m not into making resolutions that will just be broken, probably before the month of January has come to a close, but it seems like this time of year always brings about changes, so I thought I might share with you the changes planned for 2022, some of which are already in process.
Writing to be Read
On Writing to be Read, we have a few changes to the line-up. Jeff Bowles will only be doing one blog series, “Words to Live By”, on the first Wednesday of every month. Art Rosch will be doing “Mind Fields” and “The Many Faces of Poetry” bi-monthly, alternating every other Friday. Robbie Cheadle will still be offering all three of her monthly blog series. While “Growing Bookworms” and “Dark Origins” will keep their spots on the second and fourth Wednesday of each month, but “Treasuring Poetry” will be moving from it’s Saturday spot to the third Wednesday of each month.
My new series, “Writer’s Corner” will appear once a month on Mondays, as will my reviews, including any “Review in Practice” posts. I was considering making my monthly “Chatting with the Pros” series into a podcast, but I think that will have to wait, since I have so much on my plate already for 2022. So, what I’m wondering now, is does anyone miss this series and would like to see me bring it back on the blog? If you do, or you would, I’d love to hear about it in the comments. It will help me to decide whether or not this series is worth reviving.
Author Kaye Lynne Booth
Back in May, for the 2021 WordCrafter New Beginnings Virtual Writing Conference, Anthony Dobranski, author of Business Class Tarot, did a workshop on the use of the cards he created. We didn’t have a great turn-out in 2021 and there were numerous set-backs, including my loss of internet causing me to miss out on a full day of the conference I was hosting, so when no one showed up for this wonderful workshop, Anthony was kind enough to do a reading for me. It was a lot of fun and I was surprised at how accurate to my own life his reading was. One of the things that was revealed was that I was trying to do too much and I needed to enlist others to take a part of the load on me, because I have always tried to be a one woman show and do all the various tasks involved in being an independent author and publisher. (You can see the video of the full reading here.)
Acting on the revelations from that reading, as I ramp up to transition into a full time writing career, with several releases planned for 2022, I realized I needed beta-readers and reviewers, and others to just help spread the word on social media, and so the Kaye Lynne Booth & WordCrafter Press Street Team group was born. It’s a great group with members who support my writing endeavors and want to be a part of the process. Members have exclusive access to behind the scenes information, opportunities to weigh in on scene and cover creation, and early access to new releases and book events, in exchange for their support as beta-readers and reviewers, or their help in spreading the word through their social media channels.
I’m also reviving my newsletter after letting it fall by the wayside for over a year. Newsletter recipients will receive early notice of new releases and book events, and sometime news of works by other authors bi-monthly. You can sign up for my newsletter here.
My first release for 2022 is scheduled for June, with the re-release of Delilah, in an edition that is the story I originally intended to tell. (You can find out more about the decision for this change here.) The current edition of Delilah will come down from the Amazon shelves sometime in April, and the new edition will be released wide, so it will be found not only on Amazon, but on Kobo, Barnes & Noble, Apple, Baker & Taylor, Bibliotheca, Borrow Box, Overdrive, Scribd, and other selected digital book outlets because WordCrafter Press publishes through D2D. (I’m a member of their affiliate program. Sign up for your own D2D account here.)
In the past, I told you about my science fantasy series, Playground for the Gods. The first book in that series was my thesis project when I was earning my M.F.A. at Western State Colorado University, back in 2016, so the it has been finished since then, yet you’ve never seen the implied promise of publication come to fruition. In 2022, I plan to release not just Book 1: The Great Primordial Battle, but also Book 2: In the Beginning, and Book 3: Inanna’s Songsometime toward the end of the year, but release dates for these haven’t been set yet.
WordCrafter Press & Author Services
WordCrafter Press has some great releases coming in 2022 as well. An updated version of the writing reference, 2022 Ask the Authors, is scheduled to be released in March. The original Ask the Authors, was taken from a Q&A blog series I ran in 2018. While the much of the advice offered from the 17 different authors who participated in that project is still valid today, this edition will address the changes in the publishing industry since the original edition was published and will feature an anthology of essays on craft and publishing in addition to the Q&A advice. This edition will feature advice from 13 authors, including Bobby Nash, Mark Leslie Lefebvre, Roberta Eaton Cheadle, Nancy Oswald, Christopher Barili, Mario Acevedo, L. Jagi Lamplighter Wright, Kevin Killany, Paul Kane, Jeff Bowles, Enid Holden, Christa Planko, and myself, Kaye Lynne Booth.
The call for submissions for the 2022 WordCrafter Short Fiction Contest posted on January 3rd. However, in 2022, WordCrafter Press will be putting out not just this one anthology, but a total of three short fiction anthologies. In addition to the Visions anthology, which contest submissions may be included in, that will be released in August, there will be two by invitation only anthologies: Slivered Reflections, which will be released in September, and Once Upon an Ever After, which will be released in November.
In 2021, we released the first edition of Poetry Treasures poetry anthology, featuring the works of Robbie Cheadle’s 2020 “Treasuring Poetry” poet guests on Writing to be Read, and we’ve decided to do it again. 2022 Poetry Treasures will feature the works of the 2021 “Treasuring Poetry” guests for a spectacularly unique poetry anthology, and will be released April to celebrate National Poetry Month.
WordCrafter Quality Writing & Author Services
Last, but not least, Write It Right Quality Editing Services is open to new editing clients in 2022. If you’re looking for affordable quality editing, Write It Right could be the editing service you’ve been looking for. A part of WordCrafter Quality Writing & Author Services.
I’m looking forward to 2022. I hope you’ll all join me in the coming year, as it promises to be a good one.
____________________________________________
Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribing to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.
The first Wednesday of the month, writer Jeff Bowles muses on life, creativity, and our collective destinies as makers of cool stuff. You’re a writer, but have you ever thought about how or why? Here are some words to live by.
Paperback Writer
Over the holidays, I watched the new Beatles documentary released on Disney+, The Beatles: Get Back. I’m a huge fan of the group and always have been. I realize there are non-Beatles fans out there, but I have to admit, I’ve always been mystified by their lack of enthusiasm. To me and millions of other Beatlemanics, the band is a historical landmark, having written and recorded music that changed pop culture for generations to come.
This blog entry is about inspiration and legacy. I liked to write stories as a kid, but really, I wanted to be a rock star. This would’ve been in the mid-90s. At the time, many potential role models existed for me and every other outcast kid who picked up a guitar. I wasn’t into Nirvana or Linkin Park at that age, didn’t appreciate Red Hot Chili Peppers or Green Day. I loved The Beatles, plus lots of other groups from the 60s and 70s. Never mind that my older brother and mom began spoon-feeding me this stuff at a very early age, or the fact that I looked up to my brother and enjoyed liking the things he thought were cool. The Beatles were special, supernatural even. I believed that then and I believe it now.
But the truth is, I haven’t been feeling particularly inspired lately. Not even Christmas cheered me up. In fact, it only made me feel worse. This Get Back documentary, it’s exhaustive (and a little exhausting). Only a mega Beatles nerd could’ve pieced it together. Peter Jackson (director and co-writer of The Lord of the Rings trilogy) happens to have been that nerd. The film is almost eight hours in length, split over three episodes, focusing on just one month or so in the lives of the famous foursome.
The great thing about it is that we really get to see The Beatles’ creative process up close. Lots of labor and missteps, mistakes and dead ends. Critics have said this proves they weren’t as legendary as fans have always claimed. To me, it makes them more human, which is a comfort, because it proves anyone anywhere can muster enough talent and drive to produce work of honest significance.
Inspiration is great, but it’s not nearly as effective as perspiration. When I was learning to play and sing and write songs, John Lennon was my idol. I wanted to be him, and man did all the other kids in school think I was strange. I remember looking up at the stars one night when I was ten years old and whispering to the heavens,
“I want to be the greatest rock star ever.”
Or something to that effect. As it turned out, I lived a small (very small) portion of that dream. Played music with people all the way through my teens and early twenties. Lots of tiny coffee house gigs, open mic nights, bars, private celebrations. When I was twenty-one, I met the woman I would one day marry, and eventually I found I wanted different things out of life. Writing short stories and novels, the pursuit of some kind of career in this field, it replaced my desire to make music almost entirely. I grew dedicated to the craft and learned a hell of a lot. For the most part, writing has made me happy. I’m glad I took the years necessary to get good at it.
But I wouldn’t have found that dedication, that fire in my heart, if I weren’t already intimately familiar with it. There is an electric feeling that occurs inside the body and mind of a musician caught in the flow of her or his own creativity. The Beatles clearly knew that feeling well. It’s potent and wonderful, thrilling and powerful.
I came to learn that writing is a slower burn. Tons of work up front, and then maybe (maybe) a bit of adulation months or years later. But it still holds moments of intense creative gratification. No matter who you are, how popular or famous or legendary, this process, this mental birthing experience, it can be difficult and frustrating. John Lennon, Paul McCartney, George Harrison, and Ringo Starr were all wonderful musicians. They had nothing to prove to anyone, yet they still worked themselves to the bone to make stuff that simply had no equal.
So here’s my question for all of you: how dedicated are you to what you love? What thrills you and gets you excited for writing or anything else in life? Maybe it’s a bit unfashionable to admit that music recorded some sixty years ago makes me feel ready to take on the world, but it does. Especially when I get to see it up close, visceral, all the creative battles, coming to the logical and favorable conclusion of work that stands the test of time.
Next time you’re feeling down in the dumps and not at all creative, head back to the source—your personal wellspring of inspiration—and see if it won’t refill your cup a little. Pick up a guitar, or a pencil or paintbrush or a media powerhouse of a computer, or maybe just watch a good film about one of your favorite things on earth. All hail the makers of cool stuff. Be they Beatles or bestsellers or nobodies in particular.
Peace and love to you this new year. May it bring you everything you need, and maybe a few of the things you want, too. Until next time.
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
Want to be sure not to miss any of “Words To Live By” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it useful or entertaining, please share.
The 2022 WordCrafter Short Fiction Contest is now open for submissions. The submission deadline of May 31, 2022. The winner will receive a $25.00 Amazon gift card and their story will be guaranteed to be featured in Visions. All finalists will also receive an invitation to be included in the anthology, which offers a small royalty share for your story contribution. Submission guidelines are pretty simple, but as they are different from last year, I suggest you read and follow them carefully.
Submit your story with a cover letter to KLBWordCrafter@gmail.com with “Submission: [Your Title]” in the subject line and pay the $5 entry fee below.
Contest Entry
Enter the 2022 WordCrafter Short Fiction Contest for a chance at an invitation to the Visions anthology and a grand prize $25 gift card.
$5.00
WordCrafter Press wants your visions.
For 2022, WordCrafter Press is looking for original short stories in the fantasy, science fiction, horror or paranormal genres. Past contests and anthologies have been limited to paranormal, and for Visions, your story can still have a ghost if you like, but it is not required. What I’ll be looking for for the 2022 WordCrafter anthology are your very best thought provoking stories, the kind of stories that will stay with readers long after they close the book.
WordCrafter Press is looking for original short stories to include a mix of fantasy, science fiction, horror, magical, and paranormal elements. Previously unpublished stories only.
Genres: Paranormal, Science Fiction, Fantasy, Horror or any combination there of.
Length: up to 5000 words
Submission Deadline: May 31, 2022
Pay: Royalty share
Rights: First Anthology Rights and audio rights as part of the anthology; rights revert to author one month after publication; publisher retains non-exclusive right to include in the anthology as a whole.
Open to submissions from January 1 through April 30, 2022.
Submit: A Microsoft Word or RTF file in standard manuscript format to KLBWordCrafter@gmail.com
Words to Live By – Inspiration, Legacy, and Beatles Music
Posted: January 5, 2022 | Author: Jeff Bowles | Filed under: Commentary, Creativity, Opinion, Words to Live By, Writing | Tags: Inspiration, Jeff Bowles, music, The Beatles, Words to Live By, Writing to be Read | 3 CommentsThe first Wednesday of the month, writer Jeff Bowles muses on life, creativity, and our collective destinies as makers of cool stuff. You’re a writer, but have you ever thought about how or why? Here are some words to live by.
Paperback Writer
Over the holidays, I watched the new Beatles documentary released on Disney+, The Beatles: Get Back. I’m a huge fan of the group and always have been. I realize there are non-Beatles fans out there, but I have to admit, I’ve always been mystified by their lack of enthusiasm. To me and millions of other Beatlemanics, the band is a historical landmark, having written and recorded music that changed pop culture for generations to come.
This blog entry is about inspiration and legacy. I liked to write stories as a kid, but really, I wanted to be a rock star. This would’ve been in the mid-90s. At the time, many potential role models existed for me and every other outcast kid who picked up a guitar. I wasn’t into Nirvana or Linkin Park at that age, didn’t appreciate Red Hot Chili Peppers or Green Day. I loved The Beatles, plus lots of other groups from the 60s and 70s. Never mind that my older brother and mom began spoon-feeding me this stuff at a very early age, or the fact that I looked up to my brother and enjoyed liking the things he thought were cool. The Beatles were special, supernatural even. I believed that then and I believe it now.
But the truth is, I haven’t been feeling particularly inspired lately. Not even Christmas cheered me up. In fact, it only made me feel worse. This Get Back documentary, it’s exhaustive (and a little exhausting). Only a mega Beatles nerd could’ve pieced it together. Peter Jackson (director and co-writer of The Lord of the Rings trilogy) happens to have been that nerd. The film is almost eight hours in length, split over three episodes, focusing on just one month or so in the lives of the famous foursome.
The great thing about it is that we really get to see The Beatles’ creative process up close. Lots of labor and missteps, mistakes and dead ends. Critics have said this proves they weren’t as legendary as fans have always claimed. To me, it makes them more human, which is a comfort, because it proves anyone anywhere can muster enough talent and drive to produce work of honest significance.
Inspiration is great, but it’s not nearly as effective as perspiration. When I was learning to play and sing and write songs, John Lennon was my idol. I wanted to be him, and man did all the other kids in school think I was strange. I remember looking up at the stars one night when I was ten years old and whispering to the heavens,
“I want to be the greatest rock star ever.”
Or something to that effect. As it turned out, I lived a small (very small) portion of that dream. Played music with people all the way through my teens and early twenties. Lots of tiny coffee house gigs, open mic nights, bars, private celebrations. When I was twenty-one, I met the woman I would one day marry, and eventually I found I wanted different things out of life. Writing short stories and novels, the pursuit of some kind of career in this field, it replaced my desire to make music almost entirely. I grew dedicated to the craft and learned a hell of a lot. For the most part, writing has made me happy. I’m glad I took the years necessary to get good at it.
But I wouldn’t have found that dedication, that fire in my heart, if I weren’t already intimately familiar with it. There is an electric feeling that occurs inside the body and mind of a musician caught in the flow of her or his own creativity. The Beatles clearly knew that feeling well. It’s potent and wonderful, thrilling and powerful.
I came to learn that writing is a slower burn. Tons of work up front, and then maybe (maybe) a bit of adulation months or years later. But it still holds moments of intense creative gratification. No matter who you are, how popular or famous or legendary, this process, this mental birthing experience, it can be difficult and frustrating. John Lennon, Paul McCartney, George Harrison, and Ringo Starr were all wonderful musicians. They had nothing to prove to anyone, yet they still worked themselves to the bone to make stuff that simply had no equal.
So here’s my question for all of you: how dedicated are you to what you love? What thrills you and gets you excited for writing or anything else in life? Maybe it’s a bit unfashionable to admit that music recorded some sixty years ago makes me feel ready to take on the world, but it does. Especially when I get to see it up close, visceral, all the creative battles, coming to the logical and favorable conclusion of work that stands the test of time.
Next time you’re feeling down in the dumps and not at all creative, head back to the source—your personal wellspring of inspiration—and see if it won’t refill your cup a little. Pick up a guitar, or a pencil or paintbrush or a media powerhouse of a computer, or maybe just watch a good film about one of your favorite things on earth. All hail the makers of cool stuff. Be they Beatles or bestsellers or nobodies in particular.
Peace and love to you this new year. May it bring you everything you need, and maybe a few of the things you want, too. Until next time.
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
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