“X Marks the Spot”: A creative collection of pirate fantasies

, X Marks the Spot

The X Marks the Spot anthology is a treasure trove of pirate lore ripe for the reading. Tales of pirates from ancient times to modern pirates in unexpected forms, this short story collection is filled with pirate fantasy gems of the highest quality and craftsmanship. Sail the high seas of time, or pillage the vast reaches of the universe, or plunder the intricate pathways of cyberspace. With this gathering of stories, there’s no telling where the fates will take you.

Pirates come in all shapes and sizes, and so do treasures in this anthology of treasure and theft, edited by Lisa Mangum. I particulary enjoyed Tracy Leonard Nakatani’s “The Pirate’s Cat”, told not from the eyes of the pirate, but from the point of view of the cat, a tale of mayhem and narrowly averted disaster told with a touch of humor. For a look into the life a cyber-pirate, check out “Annie Spark and the Pirates of Port 1337” by David Cole.  It takes common sense and magic to find the treasure in Linda Maye Adams’ “Tidying Magic”. If your looking for romance and adventure on the high seas, “Princess Yum Yum’s Challenge” might be the tale for you. “Silver Future” is a tale of piracy in the vast expanse of space, with a surprise twist. “Harry the Ghost Pirate”, by Robert J. McCarter is an adventure story that touched my heart. These are but a few of the hidden treasures within this anthology.

Entertaining, and often surprising,  X Marks the Spot is a thoroughly enjoyable read. I give it five quills.

Five Quills

Buy Link: https://www.amazon.com/Marks-Spot-Anthology-Treasure-Theft-ebook/dp/B0864ZH1VX/ref=sr_1_1?crid=2N0IZIVN88VLB&dchild=1&keywords=x+marks+the+spot+anthology&qid=1586033054&s=books&sprefix=X+Marks+the+Spot+an%2Cstripbooks%2C439&sr=1-1


Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


The Essence of Writing Good Dialogue

Jeff

It’s not what you say. It’s the way you say it.

by Jeff Bowles

I love good dialogue. In fact, it may be my favorite thing about reading a book or watching a truly excellent film. Many serious writers will tell you that it’s an important tool in the author’s toolkit, but that it is by no means the most essential. I respectfully disagree. I say good dialogue can elevate your writing like nothing else. After all, it’s not what you say. It’s the way you say it.

Looking back, I realize I’ve always been polishing up my ability to generate interesting, gripping, or just plain funny dialogue. I self-studied writers and filmmakers who made it a priority in their storytelling, folks like Douglass Adams, Elmore Leonard, and Quentin Tarantino. I read a lot of Marvel and DC comic books, which as you may or may not know, are almost completely composed of dialogue. I don’t know why it mattered so much to me, but I absolutely lit up whenever characters interacted with each other in snappy and surprising ways. I still light up when I read, see, or hear the good stuff, and maybe I can’t speak for everyone on this, but when was the last time you saw a well-produced Shakespeare production and thought to yourself, Gosh, that guy just couldn’t write people to save his life?

That’s the key. People live in dialogue. Not in long winded descriptions or deep internal navel gazing. Characters come to life in their interactions with each other. You could say it’s the one thing that makes them leap off the page. It’s how people work in real life, too. Which is to say, without conversation, people tend not to work at all. Sit together with someone in an awkward silence long enough and you’ll know exactly what I mean.

awkward

When it comes to short stories and novels, good dialogue is essential. Sure, you’re a master of scene setting and description, but do all your characters seem to communicate like wooden B-movie stereotypes? Or another problem many writers have, have you noticed you’re timid on engaging your readers with dialogue, and so you tend to rely on big blocks of text to get your message across? Scene setting, subtle character development, basic point-to-point plotting, visceral sense engagement and description, and basic personal style may be the rhythm of the music we call fiction, but truly inspiring dialogue is quite essentially the melody.

If you think about it, you don’t even really know characters until they open their mouths. If you struggle with dialogue, or if you’re just looking to brush up on the basics, there are a few exercises you can employ. One, of course, is to go to a public place and listen to people converse in real time. Admittedly, not really a viable option during Coronavirus lockdown, but you can easily work this exercise from the comfort of your own home. Tune into some reality TV, or simply listen to the conversations your family have. Write down every word verbatim, if you can. You’ll notice that people tend to speak in a pretty roundabout way, with lots of umms and starts and stops thrown in the mix.

Good dialogue should contain elements of realistic conversation, but you also need to focus it like a laser beam. If you were to write a scene in which people talk like they do in real life, you’d end up with so many pauses, ellipses, and false starts it’d drive your readers nuts.

“Hi, Jim, how’d work go?”
“Oh, you know, I don’t know … the boss, he’s real … umm … I don’t know, he’s real pushy when it comes to … when it comes to, uh … oh, I don’t know”

Doesn’t really flow all that well, does it? May I present the alternative that what you’re going for with good character interactions isn’t so much realism as pointed randomness. That is to say, make an effort to produce dialogue that cracks like a whip, pops and snaps like lightning. Only make sure also that it’s random enough no one can accuse you of stiffly holding your reader’s hand.

“Hi, Jim, how’d work go?”
“Ah, you know, the boss … ever get the feeling some people’s neckties are on too tight?”
“Uh-oh. I know that tone. He got pushy again, didn’t he?”
“Pushy? I haven’t slept in weeks. Pretty sure I had a waking dream while filing a client’s paperwork today. By the way, if the office calls asking why I’ve suggested one Dana Baker should just hit the clown on the nose and fly away on his trusted dragon, I’m not in.”

Also, don’t be afraid to surprise yourself. If you’re surprised by your writing, you can guarantee your readers will be, too. Zig instead of zag when you approach character interactions. Also, try producing more dialogue on the page than you’re used to. A lot of readers just kind of sift through text blocks anyway. They consider the dialogue the real meaty parts. Sad, but I think it is true. Readers are less interested in what’s happening now than in what happens next. You can fuel that burning need to find out.

Here’s something else you may not have considered. The first true novel written in the English language was likely published sometime in the 16th century, or thereabouts. A couple centuries later in the Victorian era, the novel had exploded in popularity, and that period is still a gold mine as far as writers who produced work we’re reading to this day. In all the time since, our concept of good narrative fiction has gotten lighter, not heavier.

Have you ever been chewing your way through a Victorian novel and thought to yourself, Why’s it taking this lady so long to get out of her house? Well, it’s because back then, the form and function of the novel was to in some fashion reproduce life. Entertainment is its form and function in the year 2020, because these days authors have to compete with film, television, internet memes, video games, just about anything that’s loud, fast, and gets its point across in seconds flat.

Unfortunately, you are therefore also competing with shortened attention spans across the globe. Do yourself a favor, don’t shirk your duty to write super fun, super engaging dialogue. It can save even the dullest story. Well, maybe not the dullest. Need something more specific? Well, for one, make sure all your dialogue tags (or at least most of them) are of the simple, he said, she said variety. Very few of these said-bookisms you’ve heard so much about.

Also, try bouncing back and forth between characters like they’re playing verbal tennis. Keep each line short and snappy; play a game of hot potato. And don’t forget to edit like crazy when you’re done. If you’re not removing bulk between those quote marks, you’re doing it all wrong. Even in my short examples above, I went back in and cut the detritus. Because good dialogue should flow, not lay inert like a dead body on some old science fiction TV show.

Similarly, characters should all sound distinct from one another. Don’t give them so many affectations they no longer sound realistic, but look, not everyone talks the same, do we? We have accents and ticks and odd regional slang we depend on. Try speaking your dialogue aloud as you’re writing it. Kind of helps to clear out the mental cobwebs. If you can hear it from your own mouth, and it sounds pretty good to you, odds are it’ll work well enough on the page.

The truth is, most readers depend on good dialogue to communicate story. You can build or establish character relationships with it, key in on essential plot points, foreshadow upcoming events, or just plain have fun and make people laugh. One more time, dialogue is the melody of this music we call storytelling. So make sure yours is enjoyable to listen to. Speech, language, it’s the engine that drives everything we do. It binds us together, tears us apart, and isn’t that the essence of story?

If you’re struggling with this, the old adage, practice makes perfect, is as always the essential factor. You’ll thank me once you’ve mastered this new superpower, and your readers will thank you. Is it possible to overdo it? Certainly. But wouldn’t you rather read a beautiful mess that sounds like Mozart rather than racoons rattling around in your trash cans late at night?

Heh. That’s a funny line. Maybe I should jot it down and have one of my characters say it someday. Until next time, everybody. Wooden conversation is as wooden conversation does.


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, Nashville Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, God’s Body: Book One – The Fall, is available on Amazon now!

GB Cover

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


Announcing the WordCrafter 2020 Stay in Place Virtual Writing Conference

SiP Header

We’re all tired of staying at home during this recent crisis. It seems like everyone has been affected in different ways, but no one has gone unscathed. Our world has changed in recent times. We, as authors and lovers of the written word had many of our in-person writing events – conferences, conventions, and book fairs – cancelled due to the appearance of COVID 19. To to emulate all those events we look forward to each year and are missing out on now, and to chase away some of the boredom of social distancing and isolation, WordCrafter presents the 2020 Stay in Place Virtual Writing Conference on Tuesday, April 28 from 8 am to 8 pm.

This is a unique event, the first of its kind, and one you won’t want to miss. Free presentations and author takeovers will be occurring on the Facebook event page, and interactive workshops and panel discussions will be offered for a minimal fee on the Zoom platform. Interactive panel discussions and workshop session can be accessed individually for $5, or an all access pass to all interactive sessions can be purchased for $50. Tickets can be purchased on the Facebook event page. Watch for your Facebook event invite from me or one of the many wonderful authors involved with this conference. Send me a message through my WordCrafter page or through the event page if you have further questions, or if you would like a half an hour author takeover spot to promote your own work.

This has been a huge undertaking to organize and set up an event such as this one, but I haven’t done it alone. Without my 22 talented presenters, this event couldn’t happen. We have a great line-up, with international bestselling science fiction and fantasy author Kevin J. Anderson presenting the keynote on the interactive platform.

Kevin J. Anderson

And that’s just the beginning. Take a look at the talent that has lined up for presentations, workshops and panel discussions.

Mario Acevedo

Award winning and national bestselling speculative fiction author Mario Acevedo will be offering a presentation – “The Power of Motivation: What Your Characters Do and Why”

Alatorre Bio

USA Today bestselling multi-genre author Dan Alatorre will be a member of the interactive book marketing panel discussion.

Chris Barili - B.T. Clearwater

Multi-genre author Chris Barili will be presenting “Writing in the Face of Adversity” and giving an interactive workshop on “Writing Across Genres”.

 

L.D. Colter - L. Deni Colter

Award winning fantasy author L.D. Colter will be offering a presentation on “Short Fiction”.

Candido Bio

World builder and speculative fiction author Kieth R.A. DeCandido will be offering an interactive workshop on “The Business of Writing” and he is the moderator for the media tie-in interactive panel discussion.

DeMarco Bio

Award winning novelist Guy Anthony De Marco will be a member on both the short fiction and world building interactive panel discussions.

Anthony Dobranski

Fantasy and science fiction author Anthony Dobranski will offer two presentaions, “How to Swim Upstream: Not being in the mainstream of your market/genre” and “Working with Others: How to direct others in a project”. In addition, he will offer two interactive workshops. “Business Class Tarot” and “The Savage Horror of Writing Back Cover Copy”.

Jason Henderson

Author for young readers, Jason Henderson will be presenting “Story Ideas and the Choices You Make” and moderating the interactive book marketing panel discussion.

Kevin Killiany

Media tie-in author Kevin Killiany will be a member on the interactive world building, media tie-in, and short fiction panel discussions.

L. Jagi Lamplighter

Award winning young adult fantasy author L. Jagi Lamplighter will be on the interactive panel on world building, and moderate the interactive short fiction interactive panel discussion.

Lawless Bio

Award-winning science fiction author J.R.H. Lawless will be a member of the book marketing interactive panel discussion.

Jonathan Maberry

Award winning and New York Times bestselling multi-genre author Jonathan Maberry will be a member on three interactive panel discussions: short fiction, world building and media tie-ins.

Bobby Nash

Award winning multi-genre author Bobby Nash will deliver a presentation on “The Importance of Promotion”, as well as being a member of both the media tie-in and book promotion panel discussions.

Nye Bio

Science fiction and fantasy author Jody Lynn Nye will offer a presentation on using humor in science fiction and fantasy writing, “Bringing the Funny: how to apply humor to your writing” and she will be a member of the world building interactive panel discussion.

Ellie Raine

Award winning fantasy author Ellie Raine will sit on both the short fiction and world building interactive panel discussions.

Art Rosch

Award winning multi-genre author Art Rosch will offer a presentation on “Creating Villains We Love to Hate”.

Sean Taylor

Award winning multi-genre author Sean Taylor will offer a presentation on “Visceral Story Beginnings”.

Vandenberg Bio

Science fiction author and marketing expert Alexi Vandenberg will be joining the book marketing panel.

Rosemerry Wahtola Trommer

Award winning poet and author Rosemerry Wahtola Trommer offers a livestream presentation “The Gateway to the Unknown: A Poetry Thought Shop”.

Rick Wilber

Author and educator Rick Wilber will be a member of the short fiction interactive panel discussion.

Dave Wolverton - David Farland

Award winning and New York Times bestselling science fiction and fantasy author Dave Wolverton/David Farland offers a”Promoting Your Book BIG” and he is a member of the interactive book marketing panel discussion.

You can find a full schedule here. I do hope all of you will join us for this unique writing event. It’s the first of its kind and we could be making history. You can be a part of it, too. Join us.


Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.

 


#SirChocolatestory – Sir Chocolate and the Valentine Toffee Cupid

Growing bookworks Jan 2020

Growing Bookworms

My sons and I have been working hard to bring some of our free Sir Chocolate stories and “How to Make” videos to children who are at home due to COVID-19. Greg and I are recording audio versions of our free stories and posting them to our new YouTube channel with a link to the free PDF download of the illustrated story. We are also creating free animated videos of our recipes and step-by-step instructions on how to make some Easter creations. The PDF instructions are also available for free as a download on my children’s books and poetry, blog https://robbiesinspiration.wordpress.com/.

This endeavor is part of Gregory and Michael’s outreach and community service project which has been put on hold while the schools are closed. We thought this was a nice way of keeping it going. It gives them an interest as they are helping me to make the videos and maintain the YouTube channel.

Today, I am sharing a fully illustrated free Sir Chocolate story called Sir Chocolate and the Valentine Toffee Cupid.

Slide1

Slide2

Slide3

Slide4

Slide5

Slide6

Slide7

Slide8

Slide9

Slide10

Slide11

Slide12

Slide13

Slide14

Slide15

You can find the audio reading of this book on our YouTube channel: Robbie Cheadle here: https://www.youtube.com/channel/UCVyFo_OJLPqFa9ZhHnCfHUA?view_as=subscriber

Greg did the filming this time and not the reading.

You can download the free PDF illustrated book here: https://robbiesinspiration.wordpress.com/free-story-sir-chocolate-the-the-valentine-toffee-cupid/

About Robbie Cheadle

IMG_9902

Hello, my name is Robbie, short for Roberta. I am an author with six published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.

I have recently branched into adult and young adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. My first supernatural book published in that name, Through the Nethergate, is now available.

I have participated in a number of anthologies:

  • Two short stories in #1 Amazon bestselling anthology, Dark Visions, a collection of horror stories edited by Dan Alatorre;
  • Three short stories in Death Among Us, an anthology of murder mystery stories, edited by Stephen Bentley;
  • Three short stories in #1 Amazon bestselling anthology, Nightmareland, a collection of horror stories edited by Dan Alatorre; and
  • Two short stories in Whispers of the Past, an anthology of paranormal stories, edited by Kaye Lynne Booth.

I also have a book of poetry called Open a new door, with fellow South African poet, Kim Blades.

Find Robbie Cheadle

Blog: https://www.robbiecheadle.co.za/

Blog: robbiesinspiration.wordpress.com

Goodreads: Robbie Cheadle – Goodreads

Twitter: BakeandWrite

Instagram: Robbie Cheadle – Instagram

Facebook: Sir Chocolate Books


Want to be sure not to miss any of Robbie’s “Growing Bookworms” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.

 


“Severed Wings”: A Mythological Urban Fantasy

Severed-Wings-temp

Severed Wings, by Steven-Elliot Altman is an urban fantasy of romance and new beginnings, where creatures of myth live and miracles happen. Skillfully crafted to weave together past and present to create a captivating storyline that kept me guessing.

When an accident leaves Brandon in a wheelchair and unable to persue his acting career, he thinks his life is over. He walks away from everything and everyone connected with his past life, searching for something or someone to give meaning to his life again. What he finds is a couple living across the hall who behave a little oddly. When he uncovers the secret which they carry, he doesn’t know if it’s his curse or his salvation, as he suddenly finds himself with supernatural abilities, in a battle for his life, and those of his friends, with a creature of myth and legend.

Severed Wings will make you believe in angels and demons and everything in between, at least until you turn the last page. I give it five quills.

Five Quills

Severed Wings will be available June 3, 2020


Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Judging for the 2020 W.W.A. Spur Awards

Judging the Spurs

It was a great honor to be asked to be a judge for the Western Writers of America’s 2020 Spur Awards, but I had no idea what I was signing up for. I envisioned hours of luxurious reading in one of my favorite genres, while leisurely sipping wine and taking bubble baths, and once the event opened to entries last August, for a while, a new book came in the mail every day or two and it felt a little bit like Christmas.

I began reading the first entry right off, and kept steadily working my way through them. The inflow trickled off mid-September, although there were a few later entries that didn’t come until November and December. The stack of books were large, but I’ve always been an avid reader and I felt confident that I could manage it easily.

Then, as often happens, life got in the way. I lost two dogs within a month and a half of one another, and in November, had a death in the family, and for a time my life was turned upside down. My work schedule received adjustments and travel arrangements were made for the viewing and services, and writing and school were shoved lower on the list of priorities. Suddenly, everything was up in the air and all my leisurely reading time disappeared like a magician’s rabbit. Abracadabra. Poof!

During the last part of December, I started trying to get back on track and found some reading time to begin trying to catch up on the Spur entries. At this point, the stack of books I had left to read seemed immense, and I began to wonder if maybe I should be worried about getting all of them read in time. I admit, I had to cram at the end and read every night until my eyes wouldn’t stay open, but I managed to read every entry and send in my judging choices before the deadline.

It was harder than I thought it would be to be a Spurs judge. Not because I ended up playing catch-up on the reading, but because there were some many really excellent stories submitted to the western romance category, and I had to narrow it down to the top five. Making the choices as to which were best was really tough. The opportunity to read some of the best westerns of 2019 made it worth every struggle. It was great!

I took my role as a Spur judge seriously. While reading I noted things like how well-crafted the story was, how prominent the elements of western and romance were in the story, how historically accurate the story was, and how well the story captured and held my interest, to base my choices on. Now that the winners have been announced, I am able to provide you with brief reviews of the ones that were my own personal favorites. All of the books reviewed below I found to be well written and historically accurate to their time period, and each would receive a five quill rating in my regular book reviews. They were my top picks and they include the winner in the romance category and one of the finalists.

 


MollyfarMollyfar, by Bonnie Hobbs: This is one of those stories that is just a fun read. It has strong western elements in a classic romance tale, but the unique and interesting characters are what carry the story.

Sometimes in the old west you had to grow up fast, and life wasn’t always kind, especially to members of the female persuasion. Molly finds herself on her own in the west at a young age, at a time when the choices for a girl on her own were very limited. She’s on her way to becoming a soiled dove for a life of squalor when she meets Wade and it’s love at first sight. Wade vows take care of Molly, so there will be no need for her to go down that road, but he is young and there are several obstacles preventing him from following through. Then Molly met Heeshe, the new amorphidite brothel owner and they saved each other, but there was always a place in her heart for Wade, if she could only admit it and let herself surrender to him.

Amazon Buy Link


This New DayThis New Day, by Harlan Hague: This book made Finalist. It has the strong western element of a true pioneer tale with a sweet romance that just feels right. The story line draws the reader in and doesn’t let go.  It made me cry.

When Molly’s husband dies, there’s nothing left to go back to. They sold up all their worldly goods to make the trek across the mountains to Oregon, and she is determined to complete the journey with her two children. She meets hardship and heart ache along the way, and Micah, a mysterious rugged rider, who turns up just at the right moment to save her from Jeb, an unsavory member of their party, who has had his eye on Molly and grown tired of just watching. Soon Micah is riding with she and the children, and bedding down near their wagon at night, working his way into the children’s hearts, as well as her own, but she has to wonder where he goes when he rides off for days and then, reappears. She has doubts as to whether she is strong enough to make it at times, but soon finds she doesn’t want to make it without Micah.

Amazon Buy Link


The Express BrideThe Express Bride, by Kimberly Woodhouse: This story has western and romance elements that are prominent. Likable characters make you care, and a fun and playful story line makes you want to keep reading. Jaquelin (Jack) is a strong, gritty female protagonist, who you can’t help but like.

Since her father died, Jack has run the Pony Express station in his stead. And why shouldn’t she? Even if she had to mislead to corporation heads a little, implying that she was male by signing her letter Jack instead of Jacquelin, she knows the workings inside and out, and the riders all like her and look to her with respect. Then Elijah Johnson looking for a mystery woman from the past arrives, along with a U.S. Treasury agent, Mr. Crowell, enlisted to help uncover a suspected conterfeiting ring operating in the area. As she unravels the mystery surrounding her own past, she ponders who she is, and who she wants to be, and struggles with the nagging feeling that Elijah Johnson may hold the key to revealing the truth.

Amazon Buy Link


The Outlaw's LetterThe Outlaw’s Letter, by Angela Reines: A classic romance story with a strong western element and a hint of mystery. Good, solid story line that is everything a romance should be.

Harriette “Hetty” Osgood is just school teacher in Kiowa Wells, but when a dying man stumbles into her school house, she vows to deliver a letter to his brother, Grant Davis. Dressed as a boy for safer travel, she sets off on an adventure to find Davis, and crosses paths with Conover Boggs, who she sent to prison in the past, and would like nothing more than a chance to make her pay. Boggs catches up with her just as she catches up with Grant Davis, who has ridden with Boggs in the past. To save them both, they claim to be married to fool Boggs. They have little choice but to help one another, but Grant is on a quest to clear his name and leave his past behind him. Could they each be what the other is really looking for?

Amazon Buy Link


A Slip on Golden StairsA Slip on Golden Stairs,  by Joanne Sundell: I actually reviewed this book before I was asked to be a judge. You can see my original review of this book here.

This paranormal western romance is really two romances, one in the present and one in the past, in one tragic searches for both love and riches. Sundell does an excellent job of weaving the past into the present in a tragic and heartfelt tale of lost love and possibilities.

Amazon Buy Link


The Yeggma's ApprinticeThe Yeggman’s Apprentice, by C.K. Crigger: Winner of the western romance category. Great characters and a captivating plot that draws you in and keeps you reading. Light natural flowing romance within a western setting and a truly enjoyable read. 

Wilke thinks her first solo job in Butte, Montana will be a piece of cake. Simply, lift the ledgers for the designated accounts from the bank safe for the client. What could be easier? But things quickly go awry when she finds there are two sets of ledgers and they don’t tally. Suddenly, she finds herself being pursued by the shady lawyers who hired her uncle, who will go as far as murder to cover their tracks. When Hixson rides her back to her hotel on his motorbike, they discover her uncle dead, Wilke finds herself on her own and in need of getting out of town with the falsified documents.

Hix agrees to help her, but gets more than he bargains for, when the shady lawyer’s henchman is waiting at the train station. Wilke isn’t sure she can trust Hix, there are several signs that he might have a shady past and could be an outlaw, but she doesn’t have much of a choice. Hix has reasons of his own for wanting to get out of  Montana, but he finds that Wilke is full of surprises, as they try to evade the bad guys.

Amazon Buy Link


Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.


Interview with author Alan Dean Foster

 

Alan Dean Foster with Mayotte brown lemur. M’bouzi island, French Comoros. Photo credit to Michael Medford.

Alan Dean Foster with Mayotte brown lemur. M’bouzi island, French Comoros. Photo credit to Michael Medford.

Today my author guest is a multi-genre author who dips into the western and weird western genres on occasion. He’s published over 100 books, including novelizations of several well-known science fiction films, such as Star Wars, Alien, and The Chronicles of Riddick. He’s also credited with the first ever book adaption of an original video game in his novel, Shadowkeep. He’s a New York Times bestselling author and he’s joining me here to share a few tidbits about the weird western genre, writing a novelization of a movie, and his latest book, Mad Amos Malone and other weird western works. Please welcome author Alan Dean Foster to Writing to be Read.

Kaye: The majority of what you write is science fiction or fantasy, so obviously these are your preferred genres, but you have western tales thrown into the mix here and there. What is it that draws you to the western genre?

Alan: For one thing, I have lived the past 40 years in a famous western town: Prescott, Arizona. Virgil Earp was the marshal here. Doc Holiday’s mistress, Big Nose Kate, is buried in one of the local cemeteries. The Palace Saloon, the oldest operating saloon in Arizona (since 1877) is here. And much more. You cannot live in such a place without soaking up some of the historic atmosphere. Also, like most kids of my generation, I grew up watching TV westerns in the ‘50’s. Hop-along Cassiday, The Lone Ranger, and more.  My favorites were the Cisco Kid (“Hey Pancho!…Hey Ceesco!) and Disney’s Zorro.

Mad Amos MaloneKaye: You have a collection of short western stories out that have a strange twist. What is so different about Mad Amos Malone?

Alan: Folks are fascinated by the mountain men who explored the American west. I thought it would be interesting to develop one who acts and lives like your typical mountain man, but who is considerably More Than He Seems. When you like a character but are never sure how he will react in a given situation it adds tension to a story. Think the character of Mike in “Breaking Bad”. Not quite what he seems. Also, in the end, thoroughly bad ass.

Kaye: In 1985 you wrote a novelization of the movie Pale Rider, with Clint Eastwood. How did that come about? Did you get to meet any actors from the movie? Did you consult with the screenwriters during the writing? What was the most difficult thing about doing a novelization?

Pale RiderAlan: Authors of film adaptations rarely get anywhere near a movie set (though I have, on occasion). Certainly I never met or consulted with anyone attached to the movie.

For me, the most difficult thing in doing a novelization is to expand on the characters without contradicting the characterizations in the film itself. That, and remaining true to the spirit and style of the filmmakers while simultaneously injecting a little bit of myself here and there. You always have to be aware.

Straight Outta TombstoneKaye: You have a story in Straight Outta Tombstone. The anthology is listed as fantasy, but its stories have kind of a western twist. Would you talk a little about that book?

Alan: The stories are fantasy with, generally, settings in what is called the American West. I think it would be more accurate to called them westerns with a fantasy twist.  Fantasy or science-fictional takes on actual history are a lot of fun to do, and can often be thought-provoking. Call it the “What if the South had won the Civil War”? trope, only often with more recognizable fantasy elements.

Kaye: What’s the most fun part of writing a western novel or short story? What’s the least fun part?

Alan: Working with actual western history. Many of the Mad Amos stories take place in actual western settings and involve real folks from history. Just with the occasional witch, dragon, Chinese demon, visiting gnomes, etc.

Kaye: What time of day do you prefer to do your writing? Why?

Alan: Mornings, because I’m fresh, and also because I prefer to go to gym in the afternoon. But I will work late if and when necessary. And if an idea hits me, I’ll head for the study no matter what time it is.

Kaye: What is the biggest challenge of being a writer?

Alan: Not getting bored with your own work. And persisting even when you are.

Kaye: What is the one thing in your writing career that is the most unusual or unique thing you’ve done so far?

Alan: I think my historical novel MAORI, which takes place in 19th-century New Zealand. That’s a long way from writing science-fiction or fantasy. Very hard to research such a subject from Prescott in pre-internet days. Might also consider SHADOWKEEP, which was the very first novelization of an original computer game.

Kaye: What do you think is the single most important element in a story?

Alan: Character. If your characters aren’t interesting, then you’ve lost the reader no matter what kind of language, special effects, settings, or action you employ. True of any kind of writing, be it theater, film, prose, even commercials.

Kaye: When did you know you wanted to be an author?

Alan: When I made my first two short story sales, to August Derleth and John W. Campbell. I figured if two giants in the field thought my words worth buying, I might have a shot at doing it full-time.

Kaye: What’s the best piece of advice you were ever given?

Alan: Don’t make your heroes too powerful (Campbell). You can be interested in Superman, but it’s hard to empathize with him. Hence the need to invent kryptonite.

Kaye: Which is your favorite type of writing? Short fiction or novels?

Alan: I enjoy them both, but if pressed I’d have to say short stories. Get the idea down and out fast and dirty. I also very much enjoy writing non-fiction. Essays, movie reviews, history, etc.

Kaye: What is next for Alan Dean Foster? What are you working on now? Any more weird westerns in the future?

Alan: No weird westerns at the moment. Putting together The Complete Mad Amos Malone was a bit of a project in itself.

Forthcoming: April – The Unsettling Stars – original Star Trek novel set in the Kelvin universe.  Later this year: Madrenga – original fantasy novel from Wordfire PressThe Director Should’ve Shot You – non-fiction; a history of my involvement with film novelizations from Centipede Press.

Hopefully next year: Mid-Death and other tales of the Commonwealth – a collection of all the short stories set in the Commonwealth, featuring the never before reprinted Midworld novella “Mid-Death”, from Haffner Press.  Short story “The Treasure of the Lugar Morto” – Analog; no date yet.

Forthcoming at a future date: the completed Commonwealth novel Secretions and the stand-alone SF novel Prodigals.


I want to thank Alan Dean Foster for sharing with us here as we delve into the weird western. It looks like his work is cut out for him for the next couple of years. Obviously, many writing tips and tricks are not restricted to a single genre, but can be applied across them all. You can learn more about Alan and his books on his website or his Amazon Author page.


Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.


“Death Wind”: The ghosts of the West do not rest easy

Death Wind

Death Wind, by Travis Heerman and Jim Pinto is a paranormal western, also known as weird western, that makes the reader believe in legends, if only for a short time. In a time of war between the white man and the Indians, there comes a foe of unspeakable power and cruelty only known through the stories of the native American people.

There is a great evil on the horizon, bearing down upon White Pine and the Lakota Souix reservation following the Wounded Knee Creek Massacre in 1891. The evil is hungry and it feasts on anyone in its path, threatening to consume them all, no matter the color of their skin. The only hope of survival lies in the ancient legends of the native peoples of the land and will unite white and Indian in a common goal.

Carefully crafted to produce graphic imagery and a captivating story line, Death Wind kept me reading until the last page. I give it five quills.

Five Quills

Amazon Buy Link: https://www.amazon.com/Death-Wind-Travis-Heermann-ebook/dp/B01L2EYKK8/ref=sr_1_1?keywords=Death+Wind+Pinto&qid=1583962493&s=books&sr=1-1


Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Chatting with the Pros: Interview with western author Cherokee Parks

Chatting with the Pros

My author guest today on “Chatting with the Pros” is a seasoned western author who has written many, many western novels and been quite successful. He lives and write by the western creed that he grew up with. He’s a cheerful guy with a good sense of humor. Please welcome Cherokee Parks.

me_book covers


Kaye: You believe in and stand behind some good old fashioned values and live by the code of the west. How do these things come through in your writing?

Cherokee: In every story, the main character does the right thing in every single circumstance. Even when characters like Colton Raines (the Colt’s Justice series) or any of the Creed family (the Creed Novels) are forced to kill large numbers of opponents, it’s done to save others, or to protect they and their family or possessions. They respect women, the law, the nation and all it represents – even in spite of possibly having been on opposite sides during the Civil War. They expect the same from everyone else, and accept no compromise. They always speak the truth, and if they can’t, they keep their mouths shut. They are never afraid to speak their mind, short of intentionally hurting a friend, unless that friend needs a wake-up call. They give both compliments and criticism sparingly, and only when necessary. They never give their word if they can’t keep it. They know that they can’t get along with everyone, so they don’t even try. And they all know how to laugh, mostly at themselves.

Kaye: You have co-authored several books along with other western authors, such as Scott Harris, whom I interviewed last year. What is the most difficult thing about co-authoring a story?

Cherokee: Actually, there have not been any truly co-authored books, only those where credits are given for inserting a foreword. Only once have I ever attempted to co-write a book, but things just didn’t work out. We envisioned completely different events and character development, and never got past the first chapter together. I have, however, had the distinct pleasure of co-writing a good number of songs, and found it very gratifying being able to feed off another person’s input. So would I work with another author to create a book? Honestly, probably not, as I already have a basket full of story ideas, as well as several books already in the works. I don’t know how I’d squeeze in the time to work with another author, although I think the creative juices might get a real boost, depending on how I got along with the co-writer from the beginning.

Kaye: What draws you to the western genre?

Cherokee: Growing up cowboy and around the western lifestyle, it was a natural changeover for me, and what I had always wanted to write. Unfortunately, I was very good at writing mysteries and suspense, and got pigeonholed by my publishers at the time – both saying “Westerns don’t sell.” Well, Westerns DO sell, and I’m enjoying a very happy resurgence of my writing career. It’s easier and far more enjoyable to write about things one knows and loves than to create things someone else wants an author to fantasize about on paper.

Kaye: What time of day do you prefer to do your writing? Why?

Cherokee: Mid-morning until mid-afternoon, while the two grandchildren we’re raising are in school, but I can write just about anytime, anywhere, when the inspiration strikes.

Kaye: Which author, dead or alive, would you love to have lunch with?

Cherokee: I’d love to once again have lunch with Louis L’Amour, as I learned more about my craft from him in a day than I did squirming in a seat during all those college class hours. Although I did study under James A. Michener, and enjoyed his classes, what I learned from him was about styles and research, but little about actually being creative. Michener taught strict adherence to storylines, only diverting if research showed it was necessary, while L’Amour had no idea where a story would go until after it was written, like myself.

Kaye: What’s the most fun part of writing a western novel? What’s the least fun part?

Cherokee: Wow! There are just so many fun parts to creating a western. Finding out where the story goes, and how it ends is a blast, as I never really know when I start out. Imagining how different characters react to situations is also a lot of fun. What’s not fun is having one of your books just sit on the market, not moving, not selling, just sitting there gathering dust. Although really poor reviews are also a knock, often a real punch to the gut… But I’ve learned from those knocks too, as the old commercial told us, “never let ‘em see you sweat…”

Kaye: How do you decide the titles for your books? Where does the title come in the process for you?

Cherokee: That’s difficult to say, really, as sometimes a book is created based on the title, while other titles are taken from a place or event that emerges in the book itself. And there have been times when a title needs to be changed, even after the work is published. Titles are among the hardest parts to creating a story, as a good story can die without a good title to launch and carry it. On the other hand, sometimes a story is soooo good, it doesn’t really matter what it’s called.

Kaye: Would you share the story of your own publishing journey?

Cherokee: How much time do you have? Seriously, I started out my career as an author of mystery and suspense, trying to fit into the most popular publishing mold of the time, mostly as a result of my publishers at the time insisting on my creating such stories. Eventually, I tired of writing what they wanted, and then having stories sell well while the publishers made all the money using “creative bookkeeping” while I received a mere pittance – not even enough to live on.

I stopped having any work published for over fifteen years, giving up completely on the honesty of the publishing business, though I still wrote stories. The difference was, I wrote to please me, not the publisher. One day, while I was writing a particularly interesting story, a friend stopped by, and insisted on reading what I had written up to that point. Now normally, I pretty much discount what family and friends say about something I’ve written, as I believe them to be absolutely biased. But that particular friend was very critical, and if he liked it, well… Not wanting to go the publisher route, I self-published. Epic fail. I’m an author, not a publisher.

So when a small publishing house opened near me, I presented the story to them. They jumped on it, and I became their third signed author. Over the next year, they published four more of my stories, but their management absolutely sucked. Given an opportunity to guide them, I was appointed Executive Director, lasting nearly five years at the job before they were forced to shut down due to IRS problems unrelated to the publishing side of things.

In a way, it was the best thing in the world for me, because I once again had time to write, something I had all but given up on while working with the books of many other authors and wannabes. But now, I had the writing bug again, and needed to find a publisher. After a couple of mistakes, I finally landed with a really good publisher specializing in the western genre (Dusty Saddle Productions), who had a great publicist (Nick Wale at Novel Ideas) under contract. I couldn’t be happier!

Kaye: When did you know you wanted to be an author?

Cherokee: I guess I was about thirteen, when I wrote a short story for an English class assignment. I had a lot of fun writing the story, and when our teacher had me read it to the rest of the class, I was embarrassed, but hooked. That teacher was a friend and understudy to James A. Michener, and gave it to Michener to grade. Michener drew a big star on it, penned a message, “Keep up the good work”, and signed it. Had I not been hooked on writing before that, I was after. I’ve been writing since then, with the two aforementioned lapses, continuing to try to perfect the craft.

Kaye: Do you travel to the places that end up in your books?

Wyoming Cowboys and girls.Cherokee: Yes, absolutely. In fact, I took a clue from L’Amour about knowing the geography and climate I include in my books. As a result, I only write about places I have been, doing my best to remain true to the area. But I also use a bit of artistic license in my stories. For example, in Hard Ride to Cora, set in the Green River basin of Wyoming, I slipped in a cave that doesn’t exist. Sometimes one has to enhance the story with little details that may or may not exist, but I do my best to “keep it real,” even though all I write is fiction.

Kaye: What advice do you have for aspiring authors?

Cherokee: Never depend on what family and friends say about what you create, as they are completely biased, and 99% of the time they don’t wish to hurt your feelings, or already believe anything you do is great just because you did it. Get outside opinions as your guide. Study the craft of writing, trying to make yourself the best you can be at it. ALWAYS give your work to an editor, as even the very best English teachers make mistakes when they write. But don’t allow the editor to change your style, only to correct your English (except dialogue), your punctuation, and all too often your sentence structure. Just make sure you improve with every attempt, and learn to accept honest criticism for what it is, not for what you want it to be. But above all, NEVER stop writing!

Kaye: Is there anything unique or unusual about your writing process?

Cherokee: Hmmm… Other than I don’t have a clue where a story will go, or where it will end up when it’s finished? I don’t think so, but then again I suppose we each have our little idiosyncrasies when we write, but we’re far too close to the source to know what is “unique” or “unusual” about our process. That’s my story, and I’m sticking to it!

Kaye: What do you like to do when you’re not writing?

Cherokee: Sleep… eat… Actually, in my younger and healthier years, I enjoyed hunting and fishing, exploring new areas, being around horses and dogs, just generally living the Western lifestyle. But now I’m old and half crippled up, suffering from the ravages of time, so I’ll go with my first two answers. Sleep… eat… But I will add that staying alive is real big on my list of things to do everyday now…

Kaye: As a western writer, what kind of research do you find yourself doing for your stories?

Cherokee: Mostly digging back into my memory banks and photo journals, though I do use a great deal of online research to confirm what I know already or think I know about history, clothing and weapons in use during the era I’m writing in. I have no choice, as my memory isn’t quite what it used to be. Additionally, finding historical documents, maps or writings that detail certain places and events, be they weather events or something of a physical/historical nature, always serve me well, and at times even help with my creativity.

Kaye: If one of your books was made into a film, who would you like to play the lead?

Cherokee: I suppose that would have to depend on which of my books was chosen… I think they’d all make great movies, but that’s the writer in me thinking I’m that good… For example, it would have to be a middle-aged man to play Jake Laughlin, while it would require a man in his twenties to play Mick Swinney from Hard Ride to Cora, and a very tall man to play Thomas “Tree” Bell in The Trader… Now, if I could chose which book was made into a movie, I would say Hard Ride to Cora, as it was my first full-length western, although the Colt’s Justice series ranks right up there, as does the Creed series and the brand new series, The Trader. But to pick an actor to play the lead in any particular book? I don’t think I’m capable. I’d leave that to the casting people, as that’s their job, and I’ve got my hands full just writing.

Kaye: Would you like to talk briefly about your latest books? (Those you sent covers for.)

Cherokee: Hard Ride to Cora was my first published Western, and will likely always be my favorite as a result. Besides, it’s a really good story involving a host of characters from many different backgrounds, and if I ever get time I’ll be able to write at least another half dozen stories based on those characters.

No_Town_for_OutlawsNo Town for Outlaws actually prompted a prequel (Silver, Gold and Blood in Arizona), and both books have sold consistently – and well – featuring a family of fast guns, including the women, bent on making certain the law is upheld, and good people are given a chance to live free.

Trader_cover_10_14_19My biggest Western hit so far is really a mountain man tale, The Trader, with the second book in the series due out early in March. The Trader sat in the #1 spot on Kindle in the Old West History of the U.S. category for over three weeks, and as of this writing is still at #3.

Kaye: How did you chose your pen name, Cherokee Parks?

Cherokee: I guess the easy answer would be—sentimentality. When I was a young teen, my father and I used to deer hunt in an area of Northern Colorado called Cherokee Park. They were some of the best times I had as a young man, and some of the best times spent with my father before he lost his health. So when it came time to create a new pseudonym for my western stories, Cherokee Parks was one of five I started out with. I kept narrowing the list down until only Cherokee Parks remained, mostly to honor the wonderful memories I shared with my father, and of him.

Kaye: Why did you choose to take a pen name?

Cherokee: It was a simple thing. In order to keep the genres separate, as well as multiple publishers back in the day, I used pseudonyms. I decided to continue using pseudonyms when I started writing again for some very personal reasons, primarily using Cherokee Parks to honor my father’s memory.

Kaye: Do you think it helps you sell books?

Cherokee: Yes, frankly, I think a good author’s name can help, depending on whether or not it fits the genre.

Kaye: What are you working on next?

Cherokee: Currently, I’m working on a sequel to No Town for Outlaws, called Death at Devils River, featuring the Creed brothers on a mission to help out an old friend facing disaster from a gang of Mexican banditos. I’m really enjoying it, and hope my readers will as well. Death at Devils River should be out by the end of March or early April.

Kaye: What do your readers have to look forward to in the near future?

Cherokee: Within the next ten days, I should have the second book in The Trader series back from the editor, meaning it will be released within a week of that. The first book in the series is subtitled West to the Stony Mountains, the second book subtitled Of New Life, War and Peace, and a third book already in the planning stages (as much as I ever plan a story!). I stay busy, and have at least a dozen story concepts floating around in my mind at any given time, as well as having anywhere from two to half a dozen at various stages of development or publication.

I have to say, Kaye, this was one of the more fun interviews I’ve had, and I appreciate not being buttonholed with my answers by your providing open-ended questions. Honesty is always the best policy, though not every writer has had the pleasure of enjoying life as much as I have. I’ve lived a hard life at times, but always a good life, even though there were times when I had no idea where my next meal would come from, or where I might be sleeping that night. But by the grace of God and the aid of friends, I made it through the hardest of times, making my current success all the sweeter. Thank you!


I want to thank Cherokee Parks for sharing here on “Chatting with the Pros”. He really came up with some great answers which are somewhat enlightening. It has been wonderful chatting with a seasoned western author, and it instills confidence to know that we share the same publisher. Nick Wale and Dusty Saddle have been great to work with. You can learn more about Cherokee and his books on his Amazon Author page or his Goodreads Author page. Join me next month on “Chatting with the Pros”, when the theme will be fantasy, and my author guest will be L. Deni Colter.


You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2019, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress. Please share content you find interesting or useful.


Are You Up To The WordCrafter Challenge?

Ghost Miner

I wanted the 2020 WordCrafter Short Fiction Contest to be a challenge, to motivate authors and writers to reach outside their comfort zones and write a short story in a genre they maybe hadn’t tried yet. But, from the low number of entries received thus far, I’m wondering if I didn’t scare a lot of writers off when I named the genre as paranormal western.

It’s one of those combination genres that have risen up in recent times, also called weird westerns, that has both elements of western and elements of paranormal. I presented it as western ghost stories, because the old west has plenty of potential for ghosts. (Mark and Kym Todd’s Wild West Ghosts is filled with the stories of many real life characters whose ghosts are said to haunt the west today, if you’re looking for inspiration.)  However, I fear our friends abroad may be shying away because they just don’t know a whole lot about the American western frontiers.

While westerns usually take place in the American west, they don’t have to. The movie Quiggly Down Under, with Tom Sellak comes to mind, taking place in the Australian Outback, but with plenty of western elements. Every country has its own frontier history that helped to shape it, some may be still developing their frontiers. So, let me re-itterate, a western does not need to be set on the American frontier, but it does need to have some of the elements of the western genre. Man (or woman) against the elements, man (or woman) fighting for justice in an untamed landscape where the only law may be what he (or she) can manage to dole out. Western characters lead nomadic lifestyles, carry guns, ride horses, drink whiskey and face their own mortality, sometimes on a daily basis.

Weird westerns tend to use these elements, but they add elements of the paranormal or speculative fiction. I’ve reviewed a few and found their authors to be quite creative in combining the two genres. Chris Barili’s Hell’s Butcher series features a gun toting Marshall who is tasked with keeping all the outlaws in hell and tracking down any who happen to escape into the realm of the living. In DeAnna Knippling’s Chance Damnation is a paranormal western fantasy, where hell breaks through and wreaks havoc on the western frontier. And a book that I’m reviewing this month is Death Wind, by Travis Heerman and Jim Pinto, tells a tale of ancient Indian legends come to life. (You can catch my review of this book on Friday, March 20th).

So, with this in mind, I’m asking each of you to re-consider entering your own paranormal western short in the 2020 WordCrafter Short Fiction Contest. It’s only $5 to enter, and the winner will be featured in the resulting anthology and receive a $25 Amazon gift card. Other entries may also be included in the anthology by invitation, so get those entries in to me by April 30. There’s still time, and you can find the complete submission guidelines here: https://wp.me/pVw40-49e


Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you know other writers that might be interested, please share.