I’ve noticed that some (as they are called) Baby Boomers are like Jews who are anti-Semitic. My mother was a classic Jewish anti-semite. Hateful rhetoric dropped from her mouth like crap from an owl’s cloaca. “The Jews will trick you every time,” she often said. “You can’t trust them.” Another of her favorites: “Money’s what they’re about. Money money money. Jews do one thing well, and that’s make money. It’s a shonda that Hitler didn’t succeed in wiping them out!” The word “shonda” is Yiddish for “shame” or “too bad”.
As I got into my early teens I stopped being afraid of my mother. I’d outgrown her. She couldn’t beat me up. “Mom”, I would riposte, dodging her clumsy right hook and restraining my urge to retaliate with a knockout uppercut. “You’re a Jew, I’m a Jew, dad’s a Jew, Sandy’s a Jew. How can you say this horrible Nazi crap?”
My mom was crazy. I mean truly bat-poo crazy. Her mind ran like the railroad tracks that led to Auschwitz. There were predictable stops at the same stations at the same times. There were no deviations. Is that one definition of crazy? “An extreme rigidity of thought in which facts and nuances cannot be accommodated lest the pathological structure of said rigidity be broken like a bridge without proper support.”
Let me get back to my original thesis, regarding Baby Boomers. I’m seventy four years old. Demographically I’m a baby boomer. In other cultures I would be a respected Elder but in Amerika I am seen by some as an irrelevant, un-hip old fart who still listens to Sixties pop music. Let me correct this misapprehension. I listened to (and still listen to ) John Coltrane, Charles Mingus and their ilk. I admit to being a huge musical snob.
I enjoyed post-1965 pop music. I bought a limited number of pop records. I bought the second Rolling Stones record. I bought five Bob Dylan records, starting with Bringing It All Back Home and ending with Blonde on Blonde. I hesitated at John Wesley Harding. I had to wait a few years for Dylan’s Multiple Personality Disorder to roll over like slot machine fruit to a configuration I recognized. I never bought a Beatles record. I wasn’t a fan. I am now, but I still don’t buy their records. Who needs to?
It’s weird when I read articles in which Baby Boomers are generalized into a sociological cluster that resembles a haul of mackerel in a giant net. Our nation has been dominated by some nebulous force called Youth Culture since we were Youth ourselves. Now, if we don’t understand or enjoy Hip Hop we’re relegated to the Outer Limits of cultural discard.
Some of the best music I hear is television tease-music. These are theme songs, fragments or background percussion/guitar riffs. They are sound-memes, identifiers of historic hit series like Sons Of Anarchy or Breaking Bad. My ear tells me, “Hey, that’s pretty good stuff..”. Fortunately there is a Breaking Bad CD, or several, divided by Seasons. They’re like playlists. Tasty!
The contemporary musical acts to which I am exposed are forgotten as soon I’ve heard them. I give Lady Gaga props for her science fiction wardrobe and catchy tunes. But most of the singers or bands I hear get me to wondering. Can they play at all? Have they spent fourteen hours a day practicing fundamental exercises on their chosen instruments? Can someone explain to me why the musical acts on “So You Think You Can Dance” are so abysmal? We love the dancing and choreography. Love it! I’m convinced that dance is in the midst of a golden revival, the invention of truly new languages. But when each week’s “musical guest” appears we shudder and watch in horrified dismay. Is some paradigm being revealed? Is music being sucked into a rip tide and washed out to sea?
I seriously doubt it. The distinction here is that the music that’s getting “play” is crappy. I have no refuge. If I want to listen to jazz I’m welcome, of course. But there is no more John Coltrane, no more Charles Mingus. Now we have Marsalis Gumbo, that well known New Orleans dish. It’s good stuff, it shows prowess, soul, it’s jazz. It seems, however, that musical innovation is being led by technology. One can buy a machine that makes sounds that seem to emanate from remote corners of the galaxy. It has no difficulty playing in 15/8 time. We can write and play whatever we want! Our imaginations have been unfettered. Where are the people putting these awesome tools to use? There are no musical categories any more. Jazz as a dynamic art form ran out of gas around 1970. It had played itself into a corner called “New Wave” or “New Thing” and hardly anyone could tolerate the caterwauling that emerged from the saxophones of Albert Ayler or John Tchicai. (A confession here: at the time, I loved New Wave. I was taking acid).
I’m not ashamed of being seventy four years old. The alternative is to be dead. Anyone who has reached such an age has survived a given amount of horrible shit. I’m proud to be a survivor. I know certain things. Shit is a great teacher.
My mother taught me by negative example not to feel contempt for my own tribe. Her railroad tracks ran out in 1980, when she committed suicide. She rolled up on the terminal station of her mental Auschwitz and it didn’t look very inviting.
I know this isn’t my best-written piece, I know it’s sloppy and barely hangs together. I’m trying to start a conversation. I’m tired of being dismissed by little kiddies half my age who are now taste-makers, trend-setters and power brokers.
I’m trying to make my mark as a writer and I passed Rejection Slip #500 a long time ago for my novel, CONFESSIONS OF AN HONEST MAN. It’s as profound and touching a story as all get-out, it will make you laugh and make you cry but it has no vampires, nor anything with long teeth, it’s just about people and the way they go about healing themselves from having crazy mothers. Seventy pages of this book take place in 1982 Afghanistan! It’s exciting as hell!
Literary agents, editors, publishers, taste-makers and other cultural filters and gate-keepers will some day be either seventy four years old or six feet underground. I invite them NOW, (before it’s too late) to get on my train, whose tracks are constantly being built right under the engine and we never know where we might end up.
(Today’s magic word is “Duck on a string”. Okay, four words.)
_______________________
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison.
These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
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Note: This is a just a fun little flash piece to get you in the mood for October. Happy Halloween, everyone!
Zombie Crave Human Exceptionalism
by Jeff Bowles
Dr. Everett J. Edmunds raised his zombies from nothing but spare parts and voodoo. He believed his living dead should crave the best, most exceptional brains. Therefore, in procuring their daily meals, he kidnapped only lawyers and doctors, novelists and scientists, Nobel lauriates, Olympians and the like. Late nights he’d strap these unfortunates to the chair in his subterranean laboratory and read them poetry whilst playing an old Bach vinyl.
“Why, Dr. Browning, you look pale,” he might say. “Perhaps some electrolytes before my darlings feast? Malaise in the system is no good at dinner time.”
And of course, upon devouring each subject, his zombies gained further appreciation for human exceptionalism, thereby endowing themselves with heightened intelligence, communication faculties, charm and wit. This was the theory, at least. Everett had found hard clinical proof difficult to come by.
One evening, as the sun set on his small, weed-infested home, his door buzzer rang, interrupting an attempt to teach his horde Calculus. Everett swore and hushed the zombies, climbing the steps into the house proper. All his life he’d been an achiever, which was why his bookcases and mantle were lined with trophies, awards, and certificates of excellence. The medical community valued his intellect, but people wouldn’t understand his true calling. Perhaps his walk-in freezer was full of arms and hearts and torsos, but he was no cold-blooded killer; rather Edmund was a brilliant scientist, the most exceptional brain of his generation.
He opened the door with a prolonged, rusty squeek. There stood the love of his life, the one who got away, a half-zombie named Camilla. If regret had a voice, it’d be soft and sweet as hers.
She cooed a loving, “Braaaaains!”
To which Everett replied, “My darling, you’ve come back to me!”
“Brains!”
“Of course, my love. Come inside. Your horde misses you, as do I.”
She followed dutifully, through the house and back down into the laboratory. The rest of the horde would eat him as soon as look at him, but not his Camilla. She’d been so beautiful in life, his favorite nurse at the hospital. The car crash that claimed her life hadn’t been entirely accidental.
From the book of voodoo spells he’d purchased on Amazon, he’d selected a special hex he used just once: the half-zombie, or Death’s First Kiss. Though her skin had rotted and her jawbone flopped like the useless handle of a can opener, Camilla was still the most beautiful woman Dr. Edmunds had ever seen. He embraced her. She smelled wonderful … ish.
“Dearest, why don’t you climb back in the cage where you belong? Your brothers and sisters would love the chance to pick your–”
“Braaaaains!”
“What do you mean they won’t like you anymore? Have you really changed so much?”
Camilla indicated she had, and then proceeded to describe her adventures in the world of the living. Apparently, she’d tried to go back to school, and had even attended her nephew’s bar mitzvah, a ghastly affair which had seen her own family chase her into the night. The doctor opened the cage door cautiously, sensing a lull in his zombies’ aggression.
“Dear heart, please step inside,” he said. “When you ran away, I lost a piece of myself.”
“Brains!” she said, which translated loosely as, I’m wearing a wire, Everett.
“What do you mean you’re wearing a wire?” he asked.
“Brrrrrains!”—What do you mean, what do I mean? The police have already arrived, and you are going to jail for what you’ve done. It took me years to realize it, but you’re the monster, not me. Now don’t struggle.
The door to the laboratory burst open. Waves of gun-toting police filed in, barking for him to hit the floor and put his hands behind his back. Dr. Edmunds refused. Though he always suspected this day might come, he somehow thought he’d be the one to betray himself, not his dear Camilla.
Everett ran into the cage, slammed the door, pressed in tightly with his zombies, and bellowed, “Take me now, my beauties!”
But his zombies ignored him. In fact, they paid him no more attention than Camilla paid basic rules of variative syntax. This, of course, was the real tragedy. For if they didn’t want to eat his delicious, fertile, exceptional brain … well maybe he wasn’t so exceptional after all. The police urged Camilla to yank him from the cage. She did so and they placed him in handcuffs.
“That’s the way the cookie crumbles, doc,” said one of the officers, brutish man with coffee stains on his uniform.
“How dare you!” Everett spat. “If they ever ate an imbecile like you, I’d burn my diplomas!”
The cops led him from his home. After reading his miranda rights on the street, they gathered around their police cruisers and watched Night of the Living Dead on a smart phone. Camilla wept softly from afar. Movie looked so fake.
Braaaains.
END
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
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Booked to the Gills by Aisley Oliphant is designed to help those participating in the National Novel Writing Month challenge to write 50,000 words in thirty days. Many writers who would like to be more prolific may find the advice and strategies outlined in this book to be quite helpful. In fact, many of the time management tips, such as time blocking, can come in handy for any writer who juggles several projects along with a day job, and relationships with family and friends, and ‘me time’.
For many of us, that ‘ me time’ is what is forfeited when things get to hectic. And the author openly admits that she has not a fun person to be around during previous NaNoWriMo challenges. For others, relationships might be strained when family and friends are put on the back burner and writing takes the forefront. And the author openly admits that she has not been a fun person to be around during previous NaNoWriMo challenges. This book is packed full of strategies to salvage relationships and keep your sanity, while still cranking up the word count.
Topics which are covered include time management, setting boundaries, adjusting wordcounts, prioritizing…
I have mentioned before that I am not a prolific writer. Authors such as Kevin J. Anderson, who can crank out right or ten books in a year, totally blow me away. But in these pages are strategies which will certainly be useful in increasing my writing output and helping me be a more productive writer, as well as giving me organizational tools that will be helpful in managing the numerous writing and publishing projects which I always seem to have going.
I attempted the NaNoWriMo challenge once, back in 2010, and failed miserably. When I picked up this book, doing this challenge was the furthest thing from my mind, but thinking about putting some of the strategies in Booked to the Gills to the test, I’m thinking it might be worth another try this year.
Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.
The Castle of Good Hope in Cape Town, South Africa, was built in 1665 and became the scene of many bloody and tragic events. The Castle came about as the result of a ship wreck, a common occurrence at the southern most tip of Africa where the Atlantic and the Indian Oceans meet.
On the 25th of March 1647, a Dutch ship called De Nieuwe Haerlem ran aground near present day Milnerton, as it journeyed from Holland to the East Indies. The ship sank and a junior merchant named Leendert Janszen was requested to stay near the site of the wreck, with about 60 crew members, to look after the cargo while the rest of the ship wrecked men boarded other ships and continued to Holland.
While he waited to be relieved of his responsibilities and return home, Janszen and his men grew vegetables, caught fish and bartered fresh fish from the indigenous people in the area. When he returned to Holland, he was requested to compile a report recommending the suitability of the Cape to serve as a refreshment station for the Dutch East India Company’s ships travelling to India and back. Janszen was in favour of the idea and so was Jan Van Riebeeck, a member of the crew of the ship that picked up Janszen and his men.
In 1651, Van Riebeeck, accompanied by 79 men and 8 women, set sail for the Cape to establish a refreshment station. Van Riebeeck built the original clay and timber fort, called the Fort de Goede Hoop, which was replaced by a new fort made of stone between 1666 and 1679. The new building which still survives and is the oldest Colonial building in South Africa, has five bastions named after the main titles of William III of Orange-Nassau: Leerdam to the west, the Buuren, Katzenellenbogen, Nassau, and Oranje clockwise from it.
The Castle was used as a prison and numerous prisoners were incarcerated for their sins (real or manufactured) in the ‘Donker Gat’ [Dark Hole]. This windowless dungeon was used as a torture chamber and it sometimes flooded during the winter, drowning any prisoners it contained.
The Castle is, of course, haunted and workers and visitors have reported hearing voices and footsteps in the Donker Gat and in The Castles narrow corridors. The bell in the bell tower sometimes rings of its own accord, despite having been bricked up centuries ago. It is believed that the ghost of a soldier who hung himself by the bell-rope rings the bell.
A vicious black dog is reported to haunt the castles grounds. It lunges and visitors and then disappears.
The most interesting of the ghosts, in my opinion, is that of Governor Pieter Gijsbert van Noodt. He had a reputation for mistreating his servants and the soldiers during his tenure. On the 23rd of April 1728, Governor van Noodt sentenced 7 men to hang for desertion. He was cursed by one of the men while he hung from the gallows and, that very same day, he was found dead in his office. Workers and visitors have seen him prowling the gloomy corridors of The Castle and heard him carousing and cursing in the upstairs rooms.
Do you know of any haunted castles? Share your story in the comments below.
An interesting historical connection
The Zulu King Cetshwayo also spent time as a prisoner at The Castle. This was after he was captured in the Ngome Forest after the defeat of the Zulu Nation by the British at Ulundi in 1879.
Subsequent to the defeat at Ulundi which dealt a death blow of the Zulu Kingdom, King Cetshwayo achieved the greatest victory against the British forces ever achieved by an indigenous army at the Battle of Isandlwana.
I have recently written two short stories about this battle, and this is a short extract from my story, written from the perspective of the Zulus, called “Hell Hath No Fury Like an Army Scorned.”
“22 January 1879
The narrow bottom of the gorge was filled with men, women, and boys. The grim, motionless ranks of over twenty thousand squatting warriors set the tone, ensuring that the several thousand uDibi boys, of which I was one, and the women conducted themselves soundlessly. The silence hung heavily, like early morning mist.
In accordance with the orders of King Cetshwayo, the Zulu army had marched the 62 miles from Ulundi at a slow pace. It was to “attack at dawn and eat up the red soldiers.”
Now, the men were resting and waiting for the ‘day of the dead moon’ to pass. Unless it was unavoidable, the army would not fight on this spiritual day.
“White men are coming!” The young herders appeared at the entrance to the ravine, driving the cattle before them. Their cries of warning echoed off the encircling rockfaces.
Looking up, I saw several white men on horseback starring down at our camp from the top of the overlooking ridge.
CRACK! CRACK! CRACK!
The observers fired down on us, before turning their animals and galloping away.
The dust from their horses’ hooves still hung in a thick cloud over the ridge when the great UNduna sprang into action.
“Prepare for battle, men,” Ntshingwayo kaMahole Khoza ordered. “We must attack now or lose the element of surprise.”
My belly roiled with fear.
The army’s not supposed to fight today. It’s bad khama, I thought.
“I hope the evil spirits in the air won’t bring bad luck,” my mother’s whispered words rang in my head as I set off with the other uDibi boys to prepare for battle.”
About Roberta Eaton Cheadle
Roberta Eaton Cheadle is a South African writer and poet specialising in historical, paranormal, and horror novels and short stories. She is an avid reader in these genres and her writing has been influenced by famous authors including Bram Stoker, Edgar Allan Poe, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.
Roberta has short stories and poems in several anthologies and has 2 published novels, Through the Nethergate, a historical supernatural fantasy, and A Ghost and His Gold, a historical paranormal novel set in South Africa.
Roberta has 11 children’s books published under the name Robbie Cheadle.
Roberta was educated at the University of South Africa where she achieved a Bachelor of Accounting Science in 1996 and a Honours Bachelor of Accounting Science in 1997. She was admitted as a member of The South African Institute of Chartered Accountants in 2000.
Roberta has worked in corporate finance from 2001 until the present date and has written 7 publications relating to investing in Africa. She has won several awards over her 20-year career in the category of Transactional Support Services.
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A deathbed curse in 1793. A murderous charlatan in 1888. A town profiting from its legendary past in 2022. Residents of Chatham Hollow may not survive the evil they’re about to unleash.
I think I may have mentioned that I’m a sucker for a good ghost story. The Haunting of Chatham Hollow by Mae Claire and Staci Troilo is an engaging dual timeline story which fullfills that description and more. This story is exquistely crafted to weave not two, but three mysterious tales into one. Filled with mystery and intrigue, this tale offers up a variety of questions which compell the reader to keep turning pages.
It’s time for the yearly Founder’s Day Festival in Chatham Hollow and this year’s celebrations will have a television crew as their special guests, in an attempt to raisethe spirit of the founding father, Ward Chatham and learn the location of his rumored treasure. But as the story unfolds we learn that the founding father may not have been the upstanding citizen one might think, previous attempts have ended in disaster, and not everyone in town is who they seem to be. An evil curse, and age-old fued, a hidden treasure, and banished spirits who refuse to stay gone. Who could ask for more in a spooky, ghostly tale.
I couldn’t wait to reach the end and have all mysteries explained and questions answered. The tension was palpable and kept me turning pages. I give The Haunting of Chatham Hollow five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Today, I am very excited to welcome Yvette Prior from Priorhouse blog as my September Treasuring Poetry guest. Yvette is among the first bloggers I met when I started Robbie’s Inspiration and she was always encouraging and supportive of my artwork and writing. Thank you, Yvette.
Today, Yvette, a talented poet and author herself and a huge supporter of other writers and bloggers, is going to share some of her thoughts about poetry and some readings from her lovely poetry book, Avian Friends.
What is your favourite poem and why?
Winter Chill
Stood and listened
to birds tweet and whistle
had breakfast to make
day to begin
stuff to do
but standing
in winter chill
at the back door
harmony
stopped me
hope flew in
melodious infusing during a winter chill
trees still bare
yet birds were there
dulcet air
momentary loss of care
cold days
soon to part ways
winter hard is exiting
birds returning
spring soon erupting
green grass, pleasant breeze
flowers, butterflies, bees
replacing freeze
shivering, I shut the door
musical deliverance once more
Behind the poem
Winter Chillwas written about a brief experience I had when I opened the backdoor one winter’s day. I was stopped in my tracks. It was the first time I had heard the birds in a long time and their “harmony stopped me” as “hope flew in.” I am not what people would refer to as a “birder.” I do not put out seeds and we don’t have any feeders on our property (although I might add some later). The birds have just found a nice little habitat on their own and I am grateful. In this poem, I described the scene exactly as it unfolded -opened the door, heard the birds, and I was reminded that a better season was on its way. This idea could apply to more than just a cold weather season ending – it could also apply to the trials and heavy times in life. Challenging times do not last forever and sometimes we might just need to pause – in the midst of a difficult season – and find small (healthy) ways to enjoy “momentary loss of care.” Hope can mean so much too – and so anytime we have Hope fly in – let’s embrace it.
Please share a poem you enjoy and why you enjoy it
This is just to say by William Carlos Williams
I have eaten
the plums
that were in
the icebox
***
and which
you were probably
saving for breakfast
***
Forgive me
they were delicious
so sweet
and so cold
Williams’ poem whispers so much to me and one takeaway is the freedom someone felt to indulge in the plum. There are times we sacrifice times we do outreach and hold back – but this depicts the opposite – it shows us someone so comfortable with the other person where they ate the plum (while knowing the person was saving it). The poem makes me smile because I can imagine how juicy and tasty it was. And the title and tone of the poem lets us know that the consumer here is not apologizing for eating it either. That’s my take.
What are your plans for your poetry going forward?
I try to write every day, in a paper notebook, and most of this year I have been busy working on non-poetry projects so I only wrote a handful of poems this year. My goal is to get back to my musings with poetry. Even if all of the poems do not make it into a future book, I enjoy writing them.
I started writing in middle school but really got into poetry while in college. In between classes, I created free verse poems. I moved words around andenjoyed simple rhyming schemes.
I know that folks sometimes put down the easy rhymes, but I like them. It is not about creating difficult poetry for me – it really is a type of solitude with words and ideas.
Thank you, Yvette, for your lovely answers and for being my guest today.
Yvette has shared a lovely YouTube video recital of some of her poems from Avian Friends.
My review of Avian Friends by Yvette Prior
What Amazon says
In Avian Friends, you will find more than forty poems that offer encouragement and uplifting stories. The poems are free rhyme and connect to different life scenarios. Each poem also includes a “behind the poem” section, which provides personal reflections, teaching tidbits, and ideas for wellness. Backyard birds inspired the poems and the topic of faith has been gently woven in (not in a religious way) with the hope that diverse readers can enjoy the content.
The poems in this book are not complicated poems; instead, they are light and can lift the reader’s mood. The poems are for those who do not always read poetry – as well as for the poetry lover.
My review
Avian Friends is a delightful book of poetry that centres around the author’s interactions with birds in her personal life. In the reactions and interactions of her avian friends, the author finds threads of similarity to human reactions to circumstances and experiences and in relationships. She weaves these thoughts into the observations expressed in her poems.
One of the most interesting section of poems for me where the ones written following the death of a young and close relative. The author’s grief is palpable and her understanding of nature and the role of all creatures in the cycle of life help her come to terms with her sorrow and emotions.
An verse from Part III Life and Death: “The nest was found on the ground after the storm nestlings didn’t make it we mourned fuzzy little creatures oversized eyes chests without air buried with care patting down soil reminded me that we, too, will die …”
I have referred to the poet as the author because there is a lot of reflective prose in this book. Each poem is followed by a discussion which provides the poet’s inspiration for the poem, and includes quotes and information about birds and other aspects of life that contribute to the meaning behind the poem. I really enjoyed these explanatory sections and gleaned a lot of insight into the poet’s emotions and thought process from it.
Enjoyment of this book is certainly not limited to people who love birds as, in many instances, the birds are a metaphor for human life. This book will be enjoyed by all lovers of poetry.
Yvette Prior lives on the East Coast of the United States with her spouse, Chris, and together they have three adult children, two grandchildren, and no pets (after having many dogs over the years).
Yvette enjoys working with people and her varied work background includes education, social work, hospitality management, and lots of outreach. Her passion area is studying about health and wellness and after earning a Ph.D. in I-O Psychology, she poured into waiting book projects and she has not stopped writing since.
Her goal as a writer is to educate, edify, and encourage readers. Her personal blog can be found at priorhouse.wordpress.com
About Robbie Cheadle
Robbie Cheadle is a South African children’s author and poet with eleven children’s books and two poetry books.
The eight Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie and Michael have also written Haunted Halloween Holiday, a delightful fantasy story for children aged 5 to 9 about Count Sugular and his family who hire a caravan to attend a Halloween party at the Haunted House in Ghost Valley. This story is beautifully illustrated with Robbie’s fondant and cake art creations.
Robbie has published two books for older children which incorporate recipes that are relevant to the storylines.
Robbie has two adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories, in the horror and paranormal genre, and poems included in several anthologies.
Robbie Cheadle contributes two monthly posts to https://writingtoberead.com, namely, Growing Bookworms, a series providing advice to caregivers on how to encourage children to read and write, and Treasuring Poetry, a series aimed at introducing poetry lovers to new poets and poetry books.
In addition, Roberta Eaton Cheadle contributes one monthly post to https://writingtoberead.com called Dark Origins: African Myths and Legends which shares information about the cultures, myths and legends of the indigenous people of southern Africa.
Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
LOST: ONE MALE LIBIDO This libido (center figure) was last seen on December 31, 2016. It is approximately ten feet tall, six feet wide and four feet deep. It has between twelve and twenty horns of various descriptions. It’s covered in long brown fur and has eyes all the way around its cylindrical body. The number of fingers, tentacles and hands it may possess are unknown as it can sprout extra limbs at moments of high stress. It is not very intelligent but possesses a wild cunning that can catch pursuers off guard. If you see this libido DO NOT APPROACH IT. DO NOT ATTEMPT A DIALOGUE. IT IS NOT AMENABLE TO REASON. Call the local sheriff’s department, dial 911 or email me at artsdigiphoto@gmail.com.
There are commonly available and well known techniques that calm this libido but I discourage their use except in extremely dangerous situations. Under proper conditions this is a highly trained and valuable libido. I am reluctant to cause it damage or harm. You might call it by one of its names: Thor, Zeus or Johnny. This tactic may backfire, however, for if it is Johnny and is called Thor or Zeus it gets very upset. Likewise if it is Thor and is called Johnny, etc… The best approach is simply to say, “Hey big guy. How’s it hangin’.” It has been trained to recognize this as a non-threatening mnemonic. It may trigger my libido’s desire to return to its so-called master.
I repeat: DO NOT APPROACH THIS LIBIDO. CALL THE AUTHORITIES OR NOTIFY ME AS SOON AS POSSIBLE at artsdigiphoto@gmail.com. REWARD OFFERED: I will give you, free of charge, my guaranteed technique for healing all stress, depression and emotional trauma.
SPECIAL CAUTION: Do not mistake this libido for the so-called Bigfoot, Sasquatch, Yeti or Skunk Ape. It is not a primate and is immune to veterinary drugs. Rather than seek out police or Forest Rangers it may be more useful to find an old shaman from the Chumash or Miwok tribes. A qualified shaman will likely be more useful in the safe return of this treasured libido.
Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
Last month, I discussed physical interactive books for children and their benefits. You can read this post here:
This month, I am sharing the pros and cons of digital interactive books for children.
Firstly, what is an interactive eBook?
An interactive eBook is an ebook that has elements with which the reader can directly interact. This type of ebook has a lot of touchpoints where the reader can interact with videos, audio recordings, links and other content.
I read several articles about the benefits of eBooks for children and the experts believe that reading print books to toddlers and small children results in a better reading experience for the child. Research shows that children and parents/caregivers interact more frequently with one another when they are reading a paperback book and turning pages, and the quality of their interactions are better. This translates into better language development, literacy and bonding with caregivers.
The above being said, there are benefits to eBooks. Enabling children to learn new words and improve their fine motor schools are two of the more obvious benefits. The ability to engage with the storyline and possibly make choices, teaches children to weigh up options and improves their decision making abilities.
For reluctant readers, animated sounds, actions and special effects in books makes them more interesting and helps develop an interest in books and reading.
For economically disadvantaged children or children in settings that do not allow for borrowing books from public libraries, eBooks are a cheaper option. Parents can accumulate a digital library for their children at a fraction of the cost of a physical book. eBooks are also a more environmental friendly option as they do not use as many natural resources.
Children whose parents work long or unusual hours and can’t read to their children, benefit from having stories read to them by a digital reader. eBooks also provide for parents to read to their children when they are not in the same location. Parents and children can synch their ipads or iphones so they can interact on their screen in real time while holding an audio conversation. This is beneficial for parents whose jobs involve travel.
The down side of eBooks in this context is that to many sounds, actions and special effects can distract the child from the story as they don’t focus on it, but rather on the interactive features. There is a concern among experts that many eBooks available commercially are targeted towards amusement and emphasis multimedia, colours, sounds and other interactions and do not encourage literacy and language development. Studies have concluded that multimedia elements that enhance an understanding of the text benefit children, while those that draw the child’s attention away from the story, are non-beneficial.
If you are interested in having a look at what is available for children in the eBook line, Amazon does stock them. Here is a link to one such book called Another Monster at the End of This Book…Starring Grover & Elmo! https://www.amazon.com/dp/B00B7S5FDG. There are a number of interesting reviews for this particular book.
What do you think about eBooks? Have you tried them? Do you think they are the future of children’s books?
About Robbie Cheadle
Robbie Cheadle is a South African children’s author and poet with eleven children’s books and two poetry books.
The eight Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie and Michael have also written Haunted Halloween Holiday, a delightful fantasy story for children aged 5 to 9 about Count Sugular and his family who hire a caravan to attend a Halloween party at the Haunted House in Ghost Valley. This story is beautifully illustrated with Robbie’s fondant and cake art creations.
Robbie has published two books for older children which incorporate recipes that are relevant to the storylines.
Robbie has two adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories, in the horror and paranormal genre, and poems included in several anthologies.
Robbie Cheadle contributes two monthly posts to https://writingtoberead.com, namely, Growing Bookworms, a series providing advice to caregivers on how to encourage children to read and write, and Treasuring Poetry, a series aimed at introducing poetry lovers to new poets and poetry books.
In addition, Roberta Eaton Cheadle contributes one monthly post to https://writingtoberead.com called Dark Origins: African Myths and Legends which shares information about the cultures, myths and legends of the indigenous people of southern Africa.
Want to be sure not to miss any of Robbie’s “Growing Bookworms” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
I often say that I am a one woman show at WordCrafter Press, and for the most part, that is true. I write stories and books, edit, publish and promote. But if I’ve learned only one thing throughout all of my writing and educational endeavors, it’s that there is just too much for a single person to handle it all. Especially when you are as over-ambitious as I am, and try to produce three different anthologies simultaneously.
One thing that I’ve found to be great about the independent author community is that most everyone is willing to extend a helping hand to others who are on the same journey, if perhaps at different points along the way. I have admired this in other authors whom I’ve met along my own journey, and aspired to do the same in my own writing endeavors. I do it by offering reviews on my blog, by doing author interviews, by running a newsletter swap group where members promote other members work in their newsletters, and by offering affordable editing and social media book promotion services.
A lot of this is just a way to pay it forward, and I’m a firm believer that it all comes back to me, in one way or another. Kevin J. Anderson refers to his writing community, which is growing with every cohort he takes in at Western Colorado University, his tribe. I was a part of that tribe and I guess I still am, although at a distance.
As I and my cohort members hang up our student hats and go back to our own individual writing lives, that network that we built during our course studies relaxes and becomes much more loosely knit, but I know they are all still there. Heck, I’m still in contact with most of the members of my original cohort, from my M.F.A., and some of those from my second emphasis cohort, too. Some drift away in time, but others have been, or will be, incorporated into my own tribe, the tribe that I’ve created right here, on Writing to be Read and social media channels. You, my friends, are a part of the writing community that I’ve created over a decade.
And that’s not a bad thing. This is the writing community which I have worked to build and create, and it’s filled with some really great people, who always seem to be there when I need them. (And hopefully, they can say the same about me.) Let me tell you a little bit about my tribe and the great people that make up my own writing network. if you’ve followed me for a time, you may know or recognize many of them.
First on the list is Robbie Cheadle, who puts out three different blog series on Writing to be Read, and coedits the Poetry Treasures anthology each year, is always willing to host tour stops for WordCrafter Book Blog Tours, and participates in WordCrafter Press anthologies and the resulting blog tours, and occasionally finds time to edit some of my works.
Next, is Jeff Bowles, who was in my second emphasis cohort. Jeff currently runs one blog series, but he has produced several others on the past, and he’s always willing to throw up a fill in post in a pinch. He has also participated in WordCrafter Press anthologies and the resulting blog tours, and in WordCrafter writing events.
Arthur Rosch has been a member of my blog team for many years, has participated in WordCrafter anthologies. D.L. Mullan has provided cover design services and helps with WordCrafter book events, and currently hosts tour stops and provides reviews for WordCrafter Book Blog Tours and has a story featured in the up coming Visions anthology.
Just as I depend on my blog team, WordCrafter Book Blog Tours couldn’t exists without my wonderful hosts: Miriam Hurdle, Patty Fletcher, Annette Rochelle Aben, Victoria Zigler, Carla Hicks, Barbara Spencer, James Cudney, and Jessica Bakers, in addition to those mentioned above.
My tribe is growing. I’ve recently added new friends, including Mark Leslie Lefebvre, who graciously joined in as a contributor for Ask the Authors 2022, and Sara Wesley McBride, who has two stories featured in the upcoming Visions anthology, and got her husband, Wes McBride, to design the fabulous new cover for it. And I am blessed with the opportunity to work with some truly talented authors with every anthology WordCrafter Press publishes, and every writing or book event WordCrafter hosts. And if you are a follower of Writing to be Read, or someone who pops in occassionally to see what content is offered here… You, dear readers, are all a part of my tribe, too. Without you, there wouldn’t be a blog.
So, you see, while my claim of being a one woman show is true in one sense, I really couldn’t do any of this without the members of my writing tribe. The world of the writers and authors is filled with marvelous writing communities from which we can all build and grow our own tribes.
Who’s in your tribe?
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Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.
When I picked up Canadian Werewolf in New York, by Mark Leslie, I must admit, I had visions of one of my favorite werewolf movies. But Leslie’s wolf isn’t one plagued by the spirits of his victims, as are the American versions. It was a pleasant surprise to find that I was wrong on that note.
Mark Leslie’s werewolf uses his more beastly senses like superpowers to come to the aid of the damsel in distress, making this story a cross between a pulp story and a werewolf cozy, as his writer turned wolf character goes about solving mysterious disappearances for the woman he loves, and fighting crime in a classic hero’s journey. Quite entertaining.
A Canadian Werewolf in New York
His main character, Michael, is a Canadian writer, trying to make it in the big apple, but of course he’s also a werewolf. The appearance of his old flame asking for his help finding out what her fiance is up to throws him into a mystery, calling his sleuthing skills into play. At the same time, there’s another wolf in town, and he must use all of his heightened wolf senses to sniff out his rival and protect the girl.
As an author, I know it can be very effective to use the senses to help put the reader in the story, but I also know it can be tricky writing in details of the senses other than those we use and think about most. But, Leslie has managed to skillfully craft in and use the sense of smell throughout this tale, taking the reader on an olfactory adventure like none I’ve had before. Brilliant!
I listened to this tale in the audio book form, and I must say that the narrator, Scott Overton, does a fantastic job, never once stumbling on difficult character nicknames like “Mr. Hyper-halitosis”. He also did a fabulous job with a Yorkshire accent and the female voice.
I truly enjoyed listening to Canadian Werewolf in New York. I found it fresh and entertaining, and I give it five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Mind Fields: Baby Boomers And Self Hatred
Posted: October 7, 2022 | Author: artrosch | Filed under: Commentary, Mind Fields, Opinion | Tags: Arthur Rosch, Baby boomers, Mind Fields, music, Opinion, Social Commentary, Writing to be Read | 1 CommentI’ve noticed that some (as they are called) Baby Boomers are like Jews who are anti-Semitic. My mother was a classic Jewish anti-semite. Hateful rhetoric dropped from her mouth like crap from an owl’s cloaca. “The Jews will trick you every time,” she often said. “You can’t trust them.” Another of her favorites: “Money’s what they’re about. Money money money. Jews do one thing well, and that’s make money. It’s a shonda that Hitler didn’t succeed in wiping them out!” The word “shonda” is Yiddish for “shame” or “too bad”.
As I got into my early teens I stopped being afraid of my mother. I’d outgrown her. She couldn’t beat me up. “Mom”, I would riposte, dodging her clumsy right hook and restraining my urge to retaliate with a knockout uppercut. “You’re a Jew, I’m a Jew, dad’s a Jew, Sandy’s a Jew. How can you say this horrible Nazi crap?”
My mom was crazy. I mean truly bat-poo crazy. Her mind ran like the railroad tracks that led to Auschwitz. There were predictable stops at the same stations at the same times. There were no deviations. Is that one definition of crazy? “An extreme rigidity of thought in which facts and nuances cannot be accommodated lest the pathological structure of said rigidity be broken like a bridge without proper support.”
Let me get back to my original thesis, regarding Baby Boomers. I’m seventy four years old. Demographically I’m a baby boomer. In other cultures I would be a respected Elder but in Amerika I am seen by some as an irrelevant, un-hip old fart who still listens to Sixties pop music. Let me correct this misapprehension. I listened to (and still listen to ) John Coltrane, Charles Mingus and their ilk. I admit to being a huge musical snob.
I enjoyed post-1965 pop music. I bought a limited number of pop records. I bought the second Rolling Stones record. I bought five Bob Dylan records, starting with Bringing It All Back Home and ending with Blonde on Blonde. I hesitated at John Wesley Harding. I had to wait a few years for Dylan’s Multiple Personality Disorder to roll over like slot machine fruit to a configuration I recognized. I never bought a Beatles record. I wasn’t a fan. I am now, but I still don’t buy their records. Who needs to?
It’s weird when I read articles in which Baby Boomers are generalized into a sociological cluster that resembles a haul of mackerel in a giant net. Our nation has been dominated by some nebulous force called Youth Culture since we were Youth ourselves. Now, if we don’t understand or enjoy Hip Hop we’re relegated to the Outer Limits of cultural discard.
Some of the best music I hear is television tease-music. These are theme songs, fragments or background percussion/guitar riffs. They are sound-memes, identifiers of historic hit series like Sons Of Anarchy or Breaking Bad. My ear tells me, “Hey, that’s pretty good stuff..”. Fortunately there is a Breaking Bad CD, or several, divided by Seasons. They’re like playlists. Tasty!
The contemporary musical acts to which I am exposed are forgotten as soon I’ve heard them. I give Lady Gaga props for her science fiction wardrobe and catchy tunes. But most of the singers or bands I hear get me to wondering. Can they play at all? Have they spent fourteen hours a day practicing fundamental exercises on their chosen instruments? Can someone explain to me why the musical acts on “So You Think You Can Dance” are so abysmal? We love the dancing and choreography. Love it! I’m convinced that dance is in the midst of a golden revival, the invention of truly new languages. But when each week’s “musical guest” appears we shudder and watch in horrified dismay. Is some paradigm being revealed? Is music being sucked into a rip tide and washed out to sea?
I seriously doubt it. The distinction here is that the music that’s getting “play” is crappy. I have no refuge. If I want to listen to jazz I’m welcome, of course. But there is no more John Coltrane, no more Charles Mingus. Now we have Marsalis Gumbo, that well known New Orleans dish. It’s good stuff, it shows prowess, soul, it’s jazz. It seems, however, that musical innovation is being led by technology. One can buy a machine that makes sounds that seem to emanate from remote corners of the galaxy. It has no difficulty playing in 15/8 time. We can write and play whatever we want! Our imaginations have been unfettered. Where are the people putting these awesome tools to use? There are no musical categories any more. Jazz as a dynamic art form ran out of gas around 1970. It had played itself into a corner called “New Wave” or “New Thing” and hardly anyone could tolerate the caterwauling that emerged from the saxophones of Albert Ayler or John Tchicai. (A confession here: at the time, I loved New Wave. I was taking acid).
I’m not ashamed of being seventy four years old. The alternative is to be dead. Anyone who has reached such an age has survived a given amount of horrible shit. I’m proud to be a survivor. I know certain things. Shit is a great teacher.
My mother taught me by negative example not to feel contempt for my own tribe. Her railroad tracks ran out in 1980, when she committed suicide. She rolled up on the terminal station of her mental Auschwitz and it didn’t look very inviting.
I know this isn’t my best-written piece, I know it’s sloppy and barely hangs together. I’m trying to start a conversation. I’m tired of being dismissed by little kiddies half my age who are now taste-makers, trend-setters and power brokers.
I’m trying to make my mark as a writer and I passed Rejection Slip #500 a long time ago for my novel, CONFESSIONS OF AN HONEST MAN. It’s as profound and touching a story as all get-out, it will make you laugh and make you cry but it has no vampires, nor anything with long teeth, it’s just about people and the way they go about healing themselves from having crazy mothers. Seventy pages of this book take place in 1982 Afghanistan! It’s exciting as hell!
Literary agents, editors, publishers, taste-makers and other cultural filters and gate-keepers will some day be either seventy four years old or six feet underground. I invite them NOW, (before it’s too late) to get on my train, whose tracks are constantly being built right under the engine and we never know where we might end up.
(Today’s magic word is “Duck on a string”. Okay, four words.)
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Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison.
These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.
Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.
More of his work can be found at www.artrosch.com
Photos at https://500px.com/p/artsdigiphoto?view=photos
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Want to be sure not to miss any of Arthur’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
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