I originally wrote a version of this entirely too plucky Pep Talk just over eight years ago. I was twenty-seven then, and life until that point had treated me pretty good. That’s right, before I was writing monthly inspiration blog posts I was still keenly interested in, well, inspiring writers to do our thing. I offer this as a gift today. Eight years is a long time, long enough for the planet Venus to enter, exit, and then reenter retrograde.
And as Venus is the planet of love, I thought I’d share a proto-Pep-Talk that is very near and dear to my heart. Just goes to show you that no matter how far you think you’ve come, there’s always room to grow and many, many miles to go.
Let this serve as inspiration for you, especially if you’ve been feeling down about the world and your place in it. Keep working, keep your head down, but for gosh sakes, be a humanitarian to yourself while you’re at it. That’s the main message Jeff’s Pep Talk was always meant to impart. If you can’t be kind and compassionate to yourself when it comes to your work, how the hell are you ever going to be kind and compassionate when it comes to the rest of life?
Hope you enjoy this blast from my past. Twenty-seven years old. Yeesh. We were never that young. đ
2/13/2012
What? Me? Positive?
Firstly, an admission: Iâm a terrible writer. Honestly, I am. I happen to have it on very good authority. Right now, right here in my office, even as I write this very essay, thereâs a little man sitting in the corner, sucking down a Coca-Cola Classic, fiddling with his long, stringy hair, shouting de-motivators, anti-enthusiastics, and the highest-quality bizarro pep talks I have ever heard in my life. He tells me things like, âBoring!â and, âItâs been done to death!â and my personal favorite, âNobody in this world will ever care!â Heâs so good at his job that heâs even earned his own nameplate and the privilege of not having to sit on either of my shoulders.
Iâm 27 years old. When I was 17, he didnât even exist.
Thereâs a very simple reason for that, you know. When I was 17 it hadnât even occurred to me to give writing a shot. Oh, sure, Iâd begun and bailed on a novel or two. Once, I even made it a whole 90 pages, a feat that had each of my friends nodding and intoning, âcool,â before laying back into one another on my PlayStation. You know what I was when I was 17? First of all, I was a high school dropout. Didnât even make it through freshman year. I hold two degrees of higher learning at the moment, but hell, even Scarecrow got one of those, and he didnât even have a brain. Second of all, and infinitely more important, when I was 17 years old I was a future rockstar. Frontman? Check. Guitarist? Double-check. Writer of every song in my bandâs repertoire? Oh yeah, and you just knew the Benjamins would start rolling in at any moment.
I was good at it, too. Honestly, I was. Thatâs really kind of the point here. Music came naturally to me. Okay, so maybe I didnât come into this world kicking and screaming and nailing my do-re-mis, but put a Beatles songbook in my hand and a brand-new nylon-string guitar and just watch me put âLet it Beâ through its paces. A band, a breakup, another band, another breakup; four albums recorded in my Momâs basement; high school gigs and coffee house gigs and bar after bar after bar after bar after bar after…where was I? Oh, yes.
âCarrie?â I said to my then-girlfriend and now-wife. âI donât think I want to be a musician anymore.â
Oh really? How come?
Does it really matter? I was going to be a writer, damn it. Thatâs it, and thatâs all. Makes sense, right? If you canât be a rockstar, what, then, might you be? Easy. A millionaire bestselling novelist, at the feet of which the Stephen Kings and Anne Rices and J. K. Rowlings of this world but kneel and tremble.
Step 1: Decide to become a writer.
Step 2: Write first short story.
Step 3: Am I a millionaire bestseller yet?
No? Not yet? Okay, Iâll just go wait over there. I and the little man in the corner have pushed story after story into this world via the agonizing and miraculously miraculous miracle of brain-birth. And guess what, the brain-birth for each of them? More agonizingly agonizing than miraculously miraculous. I tell you what, man, itâs downright painful. Writing? Man, writing is for the dogs. Remember when you learned your first guitar chord? Remember how accomplished you felt? Now do you remember your first story and that first critique you ever got?
âI had three problems with this story. The beginning, the middle, and the end.â
Remember how your voice used to have all the girls quivering out there in audience land? Quivering? Really? Okay, maybe more like mildly interested. Still, when was the last time your readers were even slightly or infinitesimally interested? Readers? What readers? Youâve got readers now? Where the hell did you get readers? Mom! The little man in the corner got readers and I didnât!
Before I even joined the party, those in the know told me that rejection is the name of the game. Man, they werenât kidding. That first rejection hurts like hell. So does the second, and the third, and the fourth, and the fifth, and the…when exactly does it stop hurting?
Just keep your head down. Just keep working, keep honing, keep sharpening, keep getting better and better, keep…keep…aw, hell, just keep forgetting what rejection feels like, keep forgetting there are a million others better than youâll ever be, keep forgetting youâre not even as good as you want to be.
Yet…
So what keeps you writing? Why not just give up already? Oh, believe me, Iâve tried. Several times, seriously, studiously, not-joking-this-time. But you know what? Something always kept me going. Kind words? Ha! I wish. Publication? Okay, now youâre just making me sad. No, if I had to boil it down to one word, one, single, all-encompassing, all-revealing, all-enlightening, end-all-be-all explanation of why it is I keep doing what Iâm doing, it would be this, my friends…
…………………
âWhat,â says the little man between swigs of his Coke, âthatâs it? Ellipses? Youâre going to end with ellipses? Oh, real original, Hemmingway. How about a nice âhappily ever after,â or a âthe end…or is it?â or you know what, how about a big fat–â
To be continued…
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
Want to be sure not to miss any of Jeffâs Pep Talk segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
The Long-Term Effects of Rejection â No is Never the Final Answer
By Jeff Bowles
Every month, science fiction and horror writer Jeff Bowles offers advice to new and aspiring authors. Nobody ever said this writing thing would be easy. This is your pep talk.
To begin with, this article is written with the upstart in mind. The midnight worker, the weekend toiler, the writer whoâs still slaving away in obscurity, penning story after story, unpublished novel after unpublished novel, and for whom the word ârejectionâ has become a special kind of poison.
When I seriously started writing almost fifteen years ago–and by âseriouslyâ I mean âcared enough to finish a single story and try to publish itâ–I discovered pretty quickly that receiving rejections was almost as common as losing at a rigged carnival game. I couldnât figure out why my writing wasnât good enough, in what areas it was deficient, and to tell you the truth, it would be several years until such things were even remotely clear to me. Regardless, the absolute worst part of it all was receiving the rejections themselves, because Iâm kind of a sensitive guy, and damn, they really tended to bruise the old ego.
Writers vary pretty wildly in how we respond to rejection. Some of us never seem fazed by it. Regardless of how often, how impersonal, and how heavy a solid ânoâ is, these guys seem to take it all in stride. Iâve never been able to tell if the impressive shrug of their shoulders is a put-on, but I do know one thing for certain: I cannot count myself amongst them. When I got rejections, Iâd mope and whine and pout for hours or even days. Just ask my wife, who was my new girlfriend at the time. Iâd turn into a real bear, and it was because it hurt so much. Like I said, sensitive guy. Plus, no one could get through to me about one very crucial thing: this is the way itâs supposed to be.
If youâre like me, and you tend to take rejection hardâor even if youâre not like me, and moving on to the next story submission is the easiest thing in the worldâmight I recommend a little tried and true advice. Accept your rejection phase as a given, and if you can go just one more country mile with me, learn to welcome it as a friend. Your rejection phase is helping to make you the writer youâve always wanted to be. Your rejection phase is purifying your desire to write, and in so doing, allowing you to really decide if a writing career is what you want.
Because if it is, no amount of rejection will ever dissuade you. I thought Iâd quit a million times. Now I realize there is no quit. No is never the final answer. And anyone whoâs been publishing work for years and years will tell you rejection doesn’t end. Sure, youâre likely to receive less and less of it as you progress, but itâs not the kind of thing that disappears entirely. I know it hurts. Trust me, Iâm with you on that one. But unless you plan on going all-indie, it really is a necessary part of your growth as a writer. Kind of a raw deal, I suppose. But then again, nobody ever climbs Mount Everest because itâs easy.
Now a brief word on indie publishing. A lot of older writersâand I donât necessarily mean older in years, but rather older in experience level or maybe in their stance on traditional publishingâtend to believe that self-publishing inherently makes for worse writers. The idea being, of course, that without the resistance provided by steady rejection, a writer can never become all he or she is meant to become. I came up this way. Iâd published dozens of times before I ever self-published on Amazon. The thing is, I donât necessarily find it to be the case.
Sure, there is a lot of disposable material indie-published on the internet. And yes, I also believe adversity makes us better. But a writer can pick up all sorts of lessons and professional techniques in all sorts of different ways. Every time an indie author publishes something online and gets a few bad reviews, itâs not entirely unlike receiving a standard form rejection. In other words, the negative reinforcement can still become a positive.
All of this might lead someone to ask, what are the long-term effects of rejection? Well, this can go one of two ways. The majority of people who try their hand at writing will never even finish a single manuscript. Statistically, that is absolutely the case. Of those who finish, few will ever submit their work for publication. Now, those who do submit their work (or as the case may be, self-publish it) are likely to meet up with a little adversity. Iâd say 90% of them will cut and run as soon as rejection gets too much to bear. But that remaining 10% will soldier on, and theyâll likely receive quite a bit more rejection in the months and years ahead. Is there a long-term legacy of rejection? Yes, there is, but itâs seldom a negative one. I think youâll find one day that you treasure all those formal beat-downs you received.
Hereâs what I would say. No matter how you ply your craft, regardless of whether you choose the path of the traditional publisher or the indie upstart, continuous work, practice, blood, sweat, and tears, are the only things that will make you better. Rejection is at times the name of the game, true enough, but it never has to be the final word on anything. Right?
Right.
Until next time, everybody!
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, God’s Body: Book One – The Fall, is available on Amazon now!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
Want to be sure not to miss any of Jeffâs Pep Talk segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
Roleplaying Games – Alternative Means of Expression Part III
By Jeff Bowles
The first Wednesday of every month, science fiction and horror writer Jeff Bowles offers advice to new and aspiring authors. Nobody ever said this writing thing would be easy. This is your pep talk.
Earlier this year, I wrote two articles about finding new writing inspiration in what I called alternate means of creative expression. In the first article, I talked about creating new non-writing projects to jumpstart your inspiration, and in article two, I shared the perspective that sometimes the best thing you can do for yourself in the face of writing burnout is toâget thisâquit for a while. If youâve read the Pep Talk before, you know Iâm a huge advocate for treating yourself well as a precursor to good creative output. Iâve seen too many very talented, very capable writers hit a wall in their work and tear themselves to pieces because they can no longer commit to a regular writing schedule. Being an author can be a pretty tough gig, and it does most people no good to pretend burnout doesnât exist. Be kind to yourself. Recognize human creativity is not an inexhaustible resource, but rather, is more like a battery that occasionally needs a recharge.
This month Iâve got some new ideas how to go about said recharge, all centered on a little thing many adults have a hard time engaging in: play.
I like to play. In fact, you could say Iâm an enthusiast. When I was a kid, sometimes the only refuge from school, bullies, and the pressures of modern family life was in fun and games. The thing about kids is nobody has told them yet itâs not okay to use their imaginations. You may not believe me on this, but a lot of people learn to ignore their creative impulses because theyâre not âpractical,â âserious,â or âvaluableâ enough for the adult world.
But you and I are storytellers, which means we know better. I say the day you stop playing is the day you lose contact with your own heart and soul. When I was getting too old for make-believe on the playground, I got into playing video games. Later, I got into playing music with my friends. In either case, I refused to sever contact with that part of myself that required the emotional release of a rollicking good time. And since we’re all storytellers here, odds are you may be a lot like me, in the sense that some part of you still feels the need to bring to life concepts, characters, and worlds that previously only existed in your head.
In my very personal experience, video games are a good way of nursing a bruised and battered creative drive, and if youâre so inclined, or if you simply havenât played a good game in years, you might be surprised to learn modern gaming offers so much more quality and variety than players had access to in decades past. Only problem with video games is that although theyâre interactive by nature, theyâre often no different than watching a movie or a TV show, at least as far as these things go. In gaming, I donât get to create the story, not really. Some other storyteller is graciously offering his or her talents, which in itself offers a fine respite, but it doesnât always help me find my own inspiration.
So may I offer an alternative, one that might shock you in its sheer unabashed nerdiness. Back in the 1970s, people used to have toâwait for itâuse their imaginations if they wanted to play. On a whim inspired by fantasy literature like The Lord of the Rings, a small group of very talented and enterprising nerds created something brand new from some very old storytelling traditions. (Nerds is not a pejorative, by the way. Not in the year 2019. These days, Iâm a nerd, youâre a nerd, the old lady down the street is a nerd, and so is her pet poodle.) In 1974, a man called Gary Gygax published the very first version of Dungeons and Dragons, and the world of tabletop roleplaying was born. Now I know what you’re thinking.
âDungeons and Dragons? Isnât that only for people with bad acne, social issues, and a penchant for dwelling in their mothersâ basements well into their mid-40s?â
Iâll admit, the stereotypes tend to cling to D&D like a shirt of fine mithril clings to the back of a frightened halfling. But hereâs the thing, tabletop roleplaying games engage an individualâs storytelling capacity in some pretty surprising and dynamic ways. For those not in the know, roleplaying games (RPGs) involve a shared storytelling experience between players and a game runnerâin D&D parlance, a Dungeon Master. The game is all pretend and dice rolls, slowly and joyfully co-creating and co-experiencing an unfolding adventure completely unique to you and your group of friends. And let me tell you something else, here in 2019, there are so many variations, spin-offs, and reinventions of the basic RPG schema itâd make your head spin. Thereâs fantasy roleplaying, sci-fi roleplaying, horror roleplaying, romantic roleplaying, and even roleplaying based on Saturday morning cartoons. And Iâll tell you another thing, these kinds of games have experienced a huge resurgence in recent years.
Iâll make a confession at this point: my wife convinced me to write this article. I didnât grow up playing D&D. Like many of you, when I was a kid and teenager I scoffed at it. Sure, I collected comic books, wrote speculative fiction stories, played video games, and enjoyed the heck out of entertainment properties like Star Wars and Star Trek, but for some reason, tabletop roleplaying was simply a bridge too far. My prejudices continued well into adulthood, but very recently my wonderful wife turned me on to a new way of experiencing RPGs.
Round about the time internet culture discovered people like to watch others game electronically, it also discovered the joys of watching a group of strangers play D&D. The most successful example of this is Critical Role, which you can watch on internet apps Twitch and YouTube. Critical Role is a weekly show populated by a group of eight Hollywood voice actors who just so happen to be best friends and hopelessly devoted D&D enthusiasts. These guys arenât your prototypical basement trolls, either. Theyâre charming, attractive, talented, incredibly funny professionals who are as dedicated in their own ways to the craft of storytelling as you and me. They play D&D like no one else, personifying their characters with impressive skill and gusto to generate an incredibly engaging and entertaining storytelling experience that shouldnât be tons of fun to watch but is. And they show you whatâs possible when you engage your imagination in a completely improvised way.
Admit it, sometimes the act of writing is lonely. Itâs just you, your word processor, and your dedication to the craft. Fun is not at all required, as much as we’d like it to be. So hereâs my advice if youâre dead tired of laying down one paragraph after another, one concept after another, one character, theme, or narrative arc after another, and your mind is aching for a bit of a vacation: go out and play a little bit. Not everyone has access to a group of people who like roleplaying. This much is true. Itâs also true a huge chunk of the adult population considers such things frivolous at best. But look, roleplaying can be a hell of a good time, and as modern pop psychology often reminds us, sometimes youâve got to nurture your inner child before you can fully embrace what it means to be a grown up.
RPGs force players to think on the fly, to produce results from nothing but their own creativity and random dice throws. Itâs extreme storytelling, if you think about it, and if youâve tried everything else to combat that nasty spell of writerâs block, it may be just what the doctor ordered. There are plenty of online resources that can help you find local games in your area, but if youâre still not sure, maybe just start with a little passive viewing. Do yourself a favor and check out some internet shows like Critical Role. There are a lot of options out there. See if it doesnât spark something within you, and if it does, maybe consider giving it a try yourself.
We live in such a take-no-prisoners world. Is it really too much to ask of yourself to slow down every once in a while and just have some good, clean, creative fun for the sake of, well, good, clean, creative fun?
Until next time, folks, keep those storytelling skills limber and toss a couple d20s. Thatâs roleplaying parlance, by the way. Itâs your adventure. Tell it how you want it.
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, God’s Body: Book One – The Fall, is available on Amazon now!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
Want to be sure not to miss any of Jeffâs Pep Talk segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
The first Wednesday of every month, science fiction and horror writer Jeff Bowles offers advice to new and aspiring authors. Nobody ever said this writing thing would be easy. This is your pep talk.
Are you an influencer? You might want to think about it a moment before you answer. In our culture, to influence is to make a big splash, to inform what individuals and groups value, how they think and interact. Iâm an influencer because Iâve got a Mom and Dad, a wife, a brother, friends. Iâve had a huge impact on them, and it goes without saying, they’ve impacted me. We all influence each other, right? We canât help it. If I know you and you know me long enough, weâll start to get under each other’s skin. Science even suggests weâll start to look alike, as terrifying as that sounds.
Human beings are the influential type. Weâre social creatures, and usually, when one of us has trouble, thereâs a whole baying wolf pack of supporters and naysayers coming up behind. One of the things I dislike most about our modern storytelling ecosystem is the fact writers today tend to favor death, tragedy, betrayal, all the nasty things in life. Whereas love, respect, loyalty, they seem to get left in the dust. So youâre a writer. You like to tell stories and communicate complex ideas that might otherwise mystify people. Youâre an agent of truth, an avatar of righteous disclosure, and you need a clear mind and a firmly rooted foundation.
Enter the influencers. They come in all shapes and sizes. They can be that grade school teacher who first read you your favorite book. Or the acclaimed author who, after forty years of alcoholism, workoholism, and abject failure, produced that one brilliant novel that sets your soul singing every time you read it. You can be your own influencer, too. Who is it that forces you to sit down at the computer and write? Is it your work ethic? Where’d you pick that up? Iâm an all-or-nothing guy, much more comfortable working in bursts and spurts. Also more likely to face periods of intermittent burnout because of it. But even I get uncomfortable when Iâve allowed myself to rest on my laurels too long. Knock me down, I get back up (eventually). Who influenced me to perform this way?
It may sound sappy, but I don’t believe people come into our lives by accident. I learned to work hard from my family. They taught me to laugh as well, which means my stories are par-boiled and strange as hell. I didn’t know I had talent until people close to me told me in no uncertain terms. Even as an adult, there have been those moments a special person has come out of nowhere and made me feel suddenly and delightfully valuable. A little encouragement goes a long way, right? And thank god for that.
But letâs not forget the negative influencers in our lives. The people who tell us we canât, shouldnât, mustnât, that weâd never. Sometimes, especially when we’re just starting out, our naysayers seem more numerous than our supporters. I was an indie singer/songwriter until I turned twenty-three and decided I was a writer. Just about everyone in my life, my family, friends, even my fiancĂŠ, were puzzled by the sudden turnaround.
âDonât you still want to do music on the side?â they asked, oblivious to the fact I might interpret their concern as doubt in my abilities.
I wasnât born to write, not really, and neither were you. We worked at it, honed our abilities to finely pointed instruments of literary destruction. Sure, people like us have a natural aptitude for this sort of thing. But for crying out loud, my first completed short story was such a godawful mess I havenât had the strength to look at it in all the years since. No, my family wasnât super supportive of my choice. I think they wanted to be, but perhaps they didn’t know how. To say they were unequivocally negative about my chances wouldnât be fair, but I was their golden boy when I had a guitar in my hands, something substantially less than that when I started cranking out sub-par stories. Like you do. Because we all have to crawl before we can crawl just a tiny bit faster.
Here’s the thing. I’m grateful for their doubt. I recognize now that if not for a little healthy adversity, there’s no way I’d be the writer I am today. Do you feel the same? Who influenced you? Who told you you could or couldnât? You may be surprised to realize you needed both groups in equal measure. We never really know how bad we want something until it’s denied us. Ask any hard-case of unrequited love out there, it’s always so much more romantic when the answer is a resounding “no.”
Iâve got a brief writing exercise for you, a small motivational tool to unearth where you’ve been and help you ponder where you’d like to go. Write down the top ten people who have influenced you on your writing journey. Could be anybody, teachers, authors, loved ones. Now for each one, assign a numerical value from one to ten. Your high school language arts teacher, what was her name? She gets a seven because sheâs the first person to compliment your out-of-the-box ideas. Tally up the final score for all ten influencers and answer one very simple question: did you do this alone?
No! Of course you didn’t. There were people ushering your progress the whole time, laughing at you, cheering you, doubting you, praising you. There were ghosts of old writers in all the books you collected, urging you to follow in their footsteps, to find truth in their work, such that it could be found. The sheer joy of the struggle, the artistic and cerebral strains, buoyed by hearts buoying hearts, the ability to sit down and craft a narrative that takes everything you are, were, believe, love, hate, condense it into chalky baby formula, slap it in the food processor, and then ka-blam! Gourmet word smoothies (literally speaking, of course).
Itâs no small thing to think about these people from time to time. For so many of us, real support doesnât manifest until we’ve been working for years and years. Imagine you were raised to go into business. Mom, Dad, I want to be a writer instead. Professors, Dean, sorry Iâm leaving your wonderful but boring academic program. Iâve got the bug, you see, and there really is only one cure.
The older I get, the clearer it seems to me our desires don’t come to us by chance. Plenty of people try their hands at penning their first novel and never make it further than a chapter or two. So take for granted the fact that if the urge to create is so strong in you youâve never been able to lay it down, obviously, much gratitude and respect, you are MEANT (thatâs all caps, MEANT) to keep working. Saying nothing about MEANT to be super rich or super successful, MEANT to win awards, MEANT to change the world. No, simply MEANT to write, which is no small MEANT at all, thank you very much.
Do yourself a favor today and give some gratitude to all your many influencers. Without their love, support, disinterest, and bad advice, you wouldnât be able to influence others in kind. Oh no, you didn’t think you were getting out of it that easy, did you? Of course youâre the biggest influencer of all. We donât live in bubbled slip-space isolation, present state of geopolitical affairs notwithstanding. You never know whoâll come knocking on your door. That special individual may become the most important author of the millennium. Then again, they might just be a friendly guy or gal who needs a friendly pep talk and a kind word or two.
Donât make your job harder, and donât make them feel they should abandon theirs. Writers who make a point of discouraging others give me indigestion. Probably for the best, in the long and short of things. I never really listened to their sort anyway. Until next time, folks. Dream large. After all, if you donât, who will?
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars.
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
Want to be sure not to miss any of Jeffâs Pep Talk segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
The first Wednesday of every month, science fiction and horror writer Jeff Bowles offers advice to new and aspiring authors. Nobody ever said this writing thing would be easy. This is your pep talk.
If youâve been following the Pep Talk, you know Iâm big on writers cutting themselves some slack. Burnout kills creativity and breeds writerâs block. So while Iâve always been a fan of the idea that we need to keep working in order to evolve, grow, and succeed, Iâm incredibly cognizant of the ever-present reality most writers hit a wall every now and then, and that itâs okay to admit and even embrace that.
Now, a bit of an admission. The past two years or so, Iâve been struggling to rebound from my own slowdown. This decade has been intense for me, particularly on the creative front. I went from earning my MFA in a very hard and fast environment, to publishing short stories at a fairly decent rate, to suffering some unfortunate circumstances in my personal life, to not writing a single word for several years.
Really, this has been the worst burnout phase of my life. Iâm in my mid-thirties now, so it stands to reason that ten years of working, practicing, and publishing finally caught up with me. Furthermore, we canât stop living very human lives under very human circumstances. If I hadnât experienced such a shake-up on a personal level, I might have been able to keep working. But things being what they wereâŚ
So this Pep Talk is not about showing yourself some love when youâre slowing down. Itâs about being eager and ready when youâre speeding back up. I recently started a new writing project, a novel, and Iâm pleased to report Iâm about 9,000 words in. If that doesnât sound like much of an achievement to you, itâs probably because youâre a hard-nosed writer who puts in your time, come rain or shine. And before my productivity started to drop off, I was right there with you. But the truth is we all need a break sometimes. All of us. Actually, very often life forces us to take breaks, and we can bemoan, resist, and condemn them, but it doesnât change the fact that a career in the publishing industry isâin its most ideal formâa long-term project. As such, detours are something of an obligation.
For several years on end, my average yearly wordcount was around 120,000. And that was after a few years of maybe 75,000 to 100,000 words. Really, I was ramping up to something big. Iâm a short story guy with some long-form publications in the indie realm. Not precisely a best-seller, but not a newbie either. And as I said, grad school was intense. I think a lot of people who go after an MFA have a similar experience, right on down to needing time off after graduation. The sad and torrid fact of the matter is I havenât attempted a book-length project since I completed my thesis novel four years ago. Thatâs a huge dry spell for me, so Iâll take that nice 9,000-word head start, thank you very much.
If being kind to yourself in the face of writerâs block is about realizing youâre not a story machine (no matter how much you want to be), booting up your systems after some downtime requires acknowledging any fears or insecurities that might come up. Itâs scary getting back in the saddle, or at least it can be. Itâs also pretty exciting, isnât it? Maybe, like me, you started wondering if youâd ever be productive again. Am I finally done with this whole writing thing? Where are my abilities?! Why donât I feel like telling stories!? WHY, GOD, WHY!?
Got a flair for the dramatic? Well step right up, âcause this next one could be a doozy: in almost any case, we need to be able to accept the fact we might be rusty. Now I took a break of a few years, but Iâve known authors who went ten, fifteen, or twenty, and who were startled to encounter really crummy writing on their part. I know, itâs disappointing. Turns out none of us is a miracle worker. So a little piece of advice, maybe start slow, a short story or two. Heck, start writing blog posts or flash fiction or maybe even try your hand at a new genre, like creative nonfiction or poetry. Thatâs actually a good place to start. Writing truth is, in my experience, almost always easier than writing fiction. The point is you need a jumping on point, something you can sink your teeth into that doesnât require you to ⌠well, break your damn teeth.
And respect yourself enough to know when itâs time to work and when itâs not. Again, I really do appreciate the workhorse model of writing. Thatâs how the beast feeds itself. Itâs the lifeblood of what we do. I just think itâs a bit self-deluded and unkind to think you can go on like that forever. Maybe some of us can, but for the majority, it does no good to crash and burn. Donât knock yourself for it, man. And donât let colleagues or friends and family make you feel bad or lazy or lost.
When itâs time to get back to work, itâs time. Youâll know youâre ready becauseâhey, hereâs a nice big no-brainer for youâyouâll actually feel like it. Donât push yourself too hard too soon. Itâs a pretty organic process when it comes down to it. You canât get blood from a stone, though Iâm sure if you hit yourself in the head enough times with said stone blood would ensue. Never imagine yourself to be something you arenât, a literary god, born of good fortune and the primal mud from which warriors emerge, Achilles of the word processor, Odysseus of plot structure and acute character psychology. Nah, youâre just a humble guy or gal who likes to crank out some good writing every now and then. Maybe you thought this day would never come. How do you feel now that it has?
I believe that life is almost always a matter of two steps forward, one step back. Itâs how we progress as human beings. So two steps forward, one step back, two steps forward: hey look, the math checks out. Youâre one step ahead of where you were last time. Itâs like a Jacobâs ladder, right? You zig left, zag right, but youâre always climbing higher. Donât feel like writing today? Consider, if you will, investing in some fun. Watch a few old movies that always manage to inspire you. Read a good book. Listen to some music, or try your hand at painting, sculpting, songwriting, video production, anything that engages your creativity and that doesnât have all that unbearable weight built up behind it.
This is a fun job. Remember that. Itâs fun. We get to tell stories and entertain people with our words. If youâve been at this a while, and youâve done silly things before, like attempting to quit but finding it quite impossible, then consider the possibility youâre meant for this life. You shouldnât shirk being meant for something. Any way you slice a lifelong love affair, itâs fate, my friends. Itâs kismet. Maybe you arenât a literary god, but rest assured, the real gods up on Mount Word-lympus have plans for you that go back eons. One last time, do however much you actually feel you can do, and get excited about the prospects. If, lord forbid, you someday end up in a terrible driving, skying, skydiving, or rogue spelunking accident, youâre going to want a surgeon who can put you back together with slow and steady hands. Do yourself a favor and be that surgeon for your writing.
Until next time, everybody. The straightest line between two points is ⌠wait, you guys are using straight lines?! So thatâs why my writing is so crooked.
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars.
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
The first Wednesday of every month, science fiction and horror writer Jeff Bowles offers advice to new and aspiring authors. Nobody ever said this writing thing would be easy. This is your pep talk.
I donât think thereâs a soul on earth who likes criticism. Thereâs just something about it that can cut to the bone. Human beings have such fragile egos anyway, those pesky little conscious seats of individuality that get bruised and battered when others make us feel small, less talented, less competent, perhaps even less valid as people. Some more than others, right? Iâve had writers tell me they never feel offended, angry, upset, or in any way discouraged after a round criticism. I donât think I believe them. I mean, not at all? Even just a little? Really?
And of course, if youâre checking out this blog, odds are youâve seen your share of creative criticism. Itâs essential to the process, right? Every writer can benefit from it, from the newest of newbs to the most seasoned authors. And a change in attitude often occurs once a writer actually gets neck deep in a viable career. At that point, criticism has become just another part of the job, kind of less of a hassle than, say, making deadlines you have no hope of making or enduring long, drawn-out revision cycles.
But thereâs another dimension to writers thatâs so common itâs a clichĂŠ. Many of us suffer from mental illness. I know I do, and lots of my associates and acquaintances are in the same boat. Most of the time their personal stories boil down to a bit of depression here and there, but look, thereâs something about a creative profession that requires long periods of solitude that seems to attract folks who are maybe a bit less emotionally equipped than the rest of humanity. Plus, you know, the ubiquitous link between genius and madness. Some of the greatest writers in history should have been in the nut house. Some of them were.
Now thereâs a big difference between getting your feelings hurt over some bad comments from a crit group and losing your mind completely. We subject ourselves to the honest (and often brutal) opinions of our colleagues because we understand in the end criticism will make us better. Especially when weâre just starting out. If we can find a few people who really get what weâre all about and who consistently offer good feedback, we’re wise to consider them valuable resources. The fact remains, writers pour ourselves into our work. In many ways, stories and novels, articles and memoirs, theyâre like our children. Sometimes itâs hard not to take criticism personally. And I donât think thereâs anything wrong in admitting it.
So as a writer whoâs had one or two creative outbursts himself (sorry about that black eye, prof), hereâs a few tips to soothe the wounded beast. Number one, and going back to the crit group thing, it really does help to know a few people who are on the same page as you creatively. Itâs old advice, but it is enormously beneficial. Also, try not to work with writers who arenât quite as skilled as you are. Likewise, learn to recognize when you’ve gotten in with folks who have a lot more ability and experience. Writers who punch in above your pay grade arenât going to be able to help as much as you might expect, and you may even struggle trying to understand and disseminate their feedback.
Next tip: always keep a few pots on the fire. Okay, this new story didnât work out for me, but at least I have that other one that shows way more potential. Dive into this process head first, if you can. Conceive, draft, and revise in cycles. Nothing blunts criticism like a sense of forward momentum. Keep an idea notebook handy. Never miss an opportunity to dream up something new and play with it a little. Weâre still growing here. Got lots and lots of stories to tell in the future. Stagnation sucks. It crushes the life out of creativity. Avoid it if at all possible.
Tip number three: make sure to honor your private life. I mean that. Some people throw themselves into their work at such high velocity their relationships and daily routines suffer. Youâve got friends, right? Hang out with them, have some fun. While weâre at it, donât neglect your romantic life, either. Seems like kind of a toss-off to some people, but look, youâre human. Biology is a factor, and itâs just a basic fact that people tend to be happier when they consistently engage this part of their personality. Family, hobbies, even other, more practical career goals, these can all serve as a refuge when your creative mind is battered and tired. Conversely, writing itself can act as a pretty powerful refuge from things like, oh, family, hobbies, career goals, romantic life, friendsâŚ
Fourth tip: donât worry about developing a thick skin. Focus more on developing a keen critical mind. Say someone tears your latest to shreds. You can either A) get emotional about it, B) decide this loser doesnât know what the hell he or she is talking about, or C) penetrate the matter a little more deeply, choose which criticisms are valid, discard everything else, move on to the next thing. Your lizard brain is your lizard brain. Itâs a given. But your analytical mind, that you’ve got to hone. So get clinical if you can. Easier said than done? For some it really is. Youâre not a robot. At least I donât think you are. I mean, you havenât blinked in several minutes. Iâm watching youâŚ
Do the best you can to stay neutral during and after a round of feedback. Or if not neutral, at least receptive and pragmatic. This is a process. Repeat it to yourself if it helps. This is a process. This is a process. And donât forget to ask plenty of questions. Stay engaged. Again, criticism affects people differently. I imagine some will read this blog post and think, âI donât see what the big deal is. This Jeff Bowles guy must be a total train wreck.â
To which I might reply, âStop staring at my mangled caboose!â
âŚAhem, yes. Anyhoo, thereâs no accounting for temperament. Look, itâs always seemed to me writers just arenât honest when it comes to these things. And why should we be? Nobody likes a hot head. No oneâs particularly desperate to work with a soppy, spongy mess. But thereâs always the case to be made for blowing off steam when necessary. Never let it jeopardize your work, your reputation, or your sense of professionalism, but don’t bottle it up, either. If you find the situation becomes chronic, do a little soul searching. Whatâs really bothering you here? Why does criticism seem to affect you so much? Self-analysis, some say, is the path to divinity. Not that divinity has anything to do with the life of a writer.
Speaking of which, and if all else fails, thereâs still good old-fashioned counseling and therapy. It might sound dopey and overwrought to even remind you of it, but sometimes in life, it helps to get serious about ourselves and consider our own triggers and shortcomings. No shame in it, and never let people tell you there is. Mental health is extremely important, much more important than the modern world ever seems to recognize. And even simple depression can become dangerous if left unchecked.
And now to spoil the mood completely, some depressed writer jokes!
âWell doc, I guess it all started when they said my steampunk riff on The Notebook was even lousier than my 50 Shades of Grey fan fic written from the whipâs perspective.â
âReally? And how did that make you feel?â
âLike we should have used a safe word.â
Why did the anxiety-riddled writer cross the road? Are you crazy? Iâm not going outside. That road is clearly a death trap.
[end of joke digression]
Ready to tackle another round of critiques? Well, in a perfect world, I guess you would be. Do what you need to do to combat discouragement and self-defeatism. One of the healthiest attitudes we can adopt as professional writers is the macro, career-long perspective and an abysmal memory. If the fates allow, youâre in this for the long haul, so just remember this or that little hiccup will mean nothing in the end. Itâs a basic fact that we learn more from failure than success. So what are you waiting for? Get out there and fail as hard as you can!
Pep talk concluded. Feel better now, donât you?
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars.
Check out Jeff Bowles Central on YouTube – Video Games – Music – Entertainment – So Much More!
Want to be sure not to miss any of Jeffâs Pep Talk segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
Permission to Quit Granted – Alternative Means of Expression: Part II
By Jeff Bowles
The first Wednesday of every month, science fiction and horror writer Jeff Bowles offers advice to new and aspiring authors. Nobody ever said this writing thing would be easy. This is your pep talk.
A couple months ago, I talked about YouTube and alternative ways writers can express themselves in order to clear out writerâs block or perhaps simply gain perspective on career or creative issues. I consider the writerâs life a long-haul experience. Very often, we go through bursts of creativity and sheer writing bliss, only to end up in a long, slow burn of doldrums and low output. The first five to ten years of any writing career are all about figuring out our voices, our skill-levels, our likes and dislikes, and most importantly of all, our individual thresholds for, letâs say, soul-crushing rejection. After that, ultimate longevity is kind of a crap shoot, right? Well, sort of.
The workhorse model for professional writing doesnât suit everyone. You may not believe me on that, but trust me, pragmatic holistics matter. Yes, in general itâs best to stay productive and avoid periods of low output, but itâs also a bare bones fact people seek and find inspiration in their own unique ways. For instance, itâs not uncommon for some very successful authors to disappear from the literary scene for years or even decades at a time, only to return in incredible, blinding flashes of brilliance. What do they get up to during those so-called creative droughts? Mostly, on an internal level, they live and experience a few more things until they feel they have something new to say.
If youâre the kind of writer who must hit the brakes every now and then, and by the way, I count myself among you, it may come as a surprise that there doesnât exist a whole lot of information and support for your way of doing things. The workhorses of the world would have you believe youâre failing if you donât put down your 2,000 words every single day. But you arenât. Trust me on this. Youâre still doing the job. Even quitters are doing the job. Youâre smelling the roses, paying the mortgage, getting married, divorced, remarried, having kids, whatever it is. In essence, youâre telling the story so you can, you know, tell some more stories.
Quitting is a misnomer anyway. Iâm not sure good writers ever actually quit. We say we want to, go through the motions, but sooner or later, the bug bites us again. Shamefully, we may disappear into our little domiciles and caverns and pine away for all the stories we never got to tell. But this attitude is borrowed, I can assure you, from a culture that sees reflection and seclusion as things slightly lower than sin.
Just quiz yourself for a moment. The last time you got yourself into a writing funk, wasnât it because you had something bigger to do? You had to work on your insecurities or your fear of success, or maybe your great aunt died and left you a billion coupons for that buffet place she loved so much but that only serves your favorite brisket on Sundays. An unlikely scenario, sure, but you get the point. Writing doesnât occur in a vacuum. As much as we may dislike the idea, every word we lay down reflects who we are, who weâve been, what we believe and value, and the places we yearn to go.
It all depends on your purpose as a storyteller. Does anyone really have a purpose in this world? Yes, I believe we do, though you may feel free to disagree. As an avatar of the workhorse archetype (Family: workhardimus, Genus: unflappabilititus), your purpose may be to write whatever, however, whenever, and for as much money and prestige as possible. A worthy fate if there ever was one. If, by way of alternate example, your countenance and mean represent the BIG IDEA archetype (Family: trickleinspirationmaximus, Genus: deletekeywornout), you may make a habit of cooking a single manuscript for fifteen years before realizing it was good enough to show people eight years ago.
Is there a wrong or right answer here? I donât think so. Is one of these writers lazier than the other? Arguably, but I donât think dedication is the ultimate watch word. Weâre looking at the sum rather than the parts here, and that makes all the difference.
Art, like life, is a product of time and gestation, and some ideas simply canât be rolled out in the span of a few months or a few years. Letâs say all you want to write about is a clan of trolls that need to hatch a plan to infiltrate the Kingâs armory (why not? Substitute a diatribe for or against the Trump Administration, if you like). Every one of your writer friends tells you to plug away until the damned thing is finished, but instinct screams at you to put the story away because you donât fully understand family dynamics during wartime, social patterns in relation to ground-dwelling malcontents, or the trials and tribulations of Diet Coke-swilling Presidents. Iâm telling you to follow the instinct.
The relative complexity of the story you want to tell and your ability to execute it depend entirely on where youâre at as a person and a creator. An eighteen-year-old could write her magnum opus as easily as a fifty-year-old, itâs just the soul of one finds itself prepared many years prior to the soul of the other. So prep your soul a little. Hereâs my recommendation if youâve tried the 24/7, 365 model and found it wanting: live a little between projects. Forget what youâre working on right now, shelve it; yes, Iâm giving you permission to quit. Hereâs a real test of mettle. Can you forget all about your big dream? Can you go back to being a regular civilian non-writing-combatant? Knowing in the back of your mind when you return to work at some distant point in the future, youâll be changed, the world will have changed, youâll have packed on a few years, losses, wins, regrets, and that your stories will thank you for it?
Sometimes alternative means of expression require us to express nothing at all. To me, making something from nothing is a lot like breathing. The inhale, the brink, and then at last, the release and relief of a nice grateful exhale. Take in oxygen like a prize fighter or a Buddhist monk. Breathe until your belly fills with all the desire and longing you can stand, and then let it rightfully explode. Awaken to the possibility of laziness. I mean that. Sit on your butt and watch The Price is Right, or go to work every day and pretend to care about earning a living. In one hundred years you will be dead. Sorry if thatâs a bit of a spoiler. Now did you write two books or forty? Would you rather have written fifty? No doubt, but tell me, was it your role to do so? Were you driven to do it? And can you really call that life of yours a waste because you lived how you were compelled to live?
To be blunt, donât live by other peopleâs standards. Just in general, don’t do it. If youâve got the drive and the nerve to chase your star, chase it as hard as you can. But if survival and struggle are all you know and you’re damn tired of it, understand thereâs nothing to be gained by producing a mountain of crap for your name to sit atop as you relax into a neat pile of old bones. Individuality is far more central to our world than most people have the ability to recognize. One-size-fits-all only works in plumbing fixtures and baseball caps. Donât knock yourself out with this story or even the next. Put it down if you need to. Put it down. Put it down. Put it down.
Then go for a walk and pick up a winning lottery ticket, meet the love of your life, or get an autograph from the leader of the free world that sends you reeling back through space and time to meet the man who invented Diet Coke. Stranger things have happened. I’m sure of it. Until next time, everyone.
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars.
Check out Jeff Bowles Central on YouTube – Video Games – Music – Entertainment – So Much More!
Want to be sure not to miss any of Jeffâs Pep Talk segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
This is the time of year when I like to take a look back over the year to see what worked and what didn’t for Writing to be Read, but there are exciting changes coming as well. So let’s move forward in the logical order and talk about the old first. Let’s take a look at the past year on Writing to be Read. For me, there were several surprises and if you are following, they may surprise you, too.
I feel like we had a really great year in 2018, featuring two rounds of Ask the Authors, with two wonderful and diverse author panels sharing writing tips and advice in many aspects of writing with almost seven thousand views. Now that may not seem like a lot to some, but when you consider that it’s over three thousand more views than in 2017, that’s not too bad.
For those who don’t know Ask the Authors is a twelve week blog series, where an author panel responds to questions on the many aspects of writing. Panel members in the original series of Ask the Authors, which ran from February through April, included author and ghostwriter DeAnna Knippling, dark fantasy author Cynthia Vespia, Y.A. author Jordan Elizabeth, literary author Margareth Stewart, action novelist Tim Baker, action and speculative fiction author Chris DiBella, women’s fiction author Janet Garbor, multi-genre author Chris Barili, and Y.A. author Carol Riggs. Round 2 ran from October through mid- December with the first four authors from the previous list as returning panel members and seven new panel members, including multi-genre author Dan Alatorre, nonfiction author Mark Shaw, pulp fiction author Tom Johnson, thiller author Ashley Fontainne, romance author Amy Cecil, multi-genre author Art Rosch, and speculative fiction author R.A. Winter. I’d like to thank them all once again for taking time out to share with us here.
We also were blessed with three new Wednesday blog series with three new team members. The team member from the 2018 Wednesday line-up with the most views was Jeff Bowles with Jeff’s Pep Talk, but Jordan Elizabeth and Art Rosch brought in their fair share with Writing for a Y.A. Audience and the Many Faces of Poetry, respectively.
To my surprise, the team member with the mosts post views over 2018 was Robin Conley, who is currently not an active team member, but readers continue to seek out her writing advice in her writing Weekly and Monthly Writing Memos from 2017; the most popular was her Weekly Writing Memo: Word Choice is verything, which had the second most views of all blog posts this past year. Right up there with that is her review of Pride and Predjudice and Zombies, with over one hundred post views.
I was also surprised to learn the most viewed interview was tied between children’s author Nancy Oswald from the 2016 series Pros and Cons of Traditional vs. Independent vs. Self-Publishing and action novelist Tim Baker from the 2017 series Book Marketing; What Works. But those interviews were focused more towards information on publishing and marketing, respectively, so I don’t really count them in the same category as author interviews, because readers may view the series posts for different reasons than they would author interviews.
My author interviews provide a focus on the author, so in this category the most post views came from my interview in 2018 with screenwriter J.S. Mayank. My interview with author Alexandra Forry was next in line, and my interview with performance poet Rosemerry Wahtola Trommer recieved the third most post views.
In 2018, the top book review was Dan Alatorre’s dark fiction anthology, Dark Visions. Another surprise – the second and third most post views in the review category are both from 2016, with my review of Simplified Writing 101 by Erin Brown Conroy coming in second, and Wild West Ghosts by Mark Todd and Kym O’Connell Todd coming in third.
The other review that I feel is worthy of mention is my review of Mark Shaw’s new release, Denial of Justice. I did the review in December, so it hasn’t been available long enough to acrue a great number of views to rank in the yearly statistics, but it is a tale that deserves telling and Mark did a smash-up job of telling it. I’ve no doubt this book will be as popular or more so than the original tale, The Reporter Who Knew Too Much, because we all love mystery and intrigue, and the story of Dorothy Kilgallen is a true life tale filled with both. I am privilaged to have been allowed to review both of these books.
Along the lines of other content, again my 2016 post Why is Fact Better than Fiction recieved the most viewed, and surprisingly, a post from 2011, The Process Takes Time close on it’s heels, with my 2016 post, A Writer’s Life in No Bowl of Cherriesfollowing not far behind them. Not one of my top three posts was from this past year. My post from 2018 which recieved the most views was Join Me in My Protest Against Facebook, a rant I did about Facebook and their changing policies after I got blocked from posting in groups, including my own group, for a twenty-four hour period. I think this post was my cry in the dark from the frustration I felt as a busy author who promotes her own work and limited time. It makes me laugh to think it was my most popular post published last year.Â
Views outnumber visitors, so I’m thinking that the increased views of all the older posts comes from new viewers who popped in to read a newer post and decided to browse the site, which is great. If I gained some new followers due to this, I certainly won’t complain.
Overall, it was a great year and my following has steadily grown, as well as post likes and comments. I have to extend thanks to my readers, my followers, my team members and my guests on Writing to be Read for helping me make it happen. I couldn’t have made such strides without all of you.
2019 promises to be an even better year for both Writing to be Read and for me, and I’m excited to share my plans with you here. To start, this site will be getting a facelift: a new theme which will coincide with my new WordCrafter website and a new logo. The WordCrafter site will be the new home of Write it Right Editing Services and WordCrafter Copywriting, now housed here, as well as WordCrafter Press and WordCrafter Online Courses in the near future. Writing to be Read, although remaining here, will operate under the WordCrafter trademark. I was hoping to launch it tonight to start the New Year off right, but time constraints have not favored me. The launch of my WordCrafter and new image and logo for Writing to be Read will happen sometime in January. That’s the revised goal.
On Writing to be Read, look forward to some great new content beginning in January. To start the year off right I already have scheduled reviews for Freedom’s Mercy, by A.K. Lawrence and Fanya in the Underworld, by Jordan Elizabeth, and an interview with western author Loretta Miles Tollefson.
Let’s not forget the new addition to the Wednesday line-up. Starting in January, children’s author Robbie Cheadle will be joining us with her blog series, Growing Bookworms. You can learn more about Robbie and her exciting and creative new series in my introduction and welcome post last Monday.
I also have an exciting new monthly blog series planned for the third Monday of each month, called Chatting with the Pros. Starting in January, I will interview a successful professional author in a different genre, who will graciously allow me to pick their brains for tips and tidbits of writing wisdom from authors who are making it work. I can’t reveal the guest line-up yet, but it shows promise of holding some well known names. And I’m thinking about doing a writing contest, with entrants recieving an invitation for inclusion in an anthology and other cool prizes.
A third round of Ask the Authors is also in the making for this coming summer and I’m planning an Ask the Authors book to follow, which will include material from all three segments. I already have a cover for the book, created by D.L. Mullen of Sonoran Dawn Studios. I hope to have it out by the end of the year.
And of course, you’ll be able to get updates on my other works in progress: The Great Primordial Battle, book one of my science fantasy series, Playground for the Gods; The Homecoming, book two of my western series, Delilah; and my memoir about losing my son to teen suicide, His Name Was Michael. I hope you will all join me in the coming year.Â
With that, I’ll just say see you next year.
Until then, happy writing!
Don’t miss a single post in the coming year. Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
The first Wednesday of every month, science fiction and horror writer Jeff Bowles offers advice to new and aspiring authors. Nobody ever said this writing thing would be easy. This is your pep talk.
When I was deciding to go back to school for an MFA, I noticed that a lot of writersâparticularly those working in Science Fiction and Fantasyâlooked down on the need to earn a secondary degree in what is essentially a field dominated by outsiders and formerly independent upstarts. Most successful writers have no MFA, after all. They learned to write successfully on their own. Teachers and professors need MFAs, but not writers. Thatâs the general feeling out there.
And I had no intention of becoming a teacher. I did, however, have a strong desire to tell stories at a higher level than I was capable of at that time. The thought of going back to school was both exciting and nausea inducing. Like many writers, Iâve got a touch of anxiety and isolationism. Meeting new people, lots of new people, it can be tricky for me. I also knew if I chose the wrong program, itâd set me back in my career rather than push me forward.
If you are considering a creative writing MFA, know there are basically two categories these kinds of programs can fall into: literary and traditional vs. everyone else. I write genre fiction. Iâm a hopeless pop culture nerd and it never occurred to me to write anything else. Luckily, that made my decision much easier. Sensing correctly that most traditional master’s programs can get snobby about what and how you write, I knew I needed to place myself among like-minded people. At the time I decided to apply, the early part of 2013, there were only a few programs in the United States that specialized in genre fiction (that is to say, Sci-Fi, Fantasy, Horror, Crime; you know, the good stuff). Two of these were clear across the country, and all had a âlow residencyâ requirement, which is just another way of saying students have to live on campus a few weeks of the year.
The third program I found was a fairly new entry into what has since become a growing category of alternative MFA programs and certificates. It was also in my home state, Colorado, about 150 miles west of the little prairie town where I live with my wife. Western State Colorado University is a small but growing mountain college nestled in the Gunnison Valley, absolutely beautiful place, especially in the summer. The setting is rustic, but Iâm a rural Colorado guy anyway, so it suited me just fine. Like I said, I was pretty nervous about meeting a whole new group of people, but I was hopeful in the very least that Iâd come out of the program a much better writer, ready to take on the literary world in all its many serpentine manifestations.
During the two years I attended Western, I wrote an enormous amount of material, the majority of which I published. Actually, I started publishing it in the middle of my coursework, which impressed my classmates. Iâd already been writing seriously for seven or eight years, and thatâs kind of a stereotypical calibration mile marker at which point writers ‘stop being just okay’ and ‘start getting good’. Anyway, maybe the timing was on my side. Make no mistake, writers can be a jealous and fickle lot, and many who doubt their own abilities fall victim to popular whims and the nasty habit of clinging to others who, ehem, smell like success. Thatâs actually a constant in entertainment industries far and wide, so it really shouldnât come as a surprise that nastiness and in-fighting can and do occur in MFA programs.
So while I can honestly say I produced a large amount of quality (and more importantly, saleable) work, the sum total of the experience was perhaps not exactly what I expected. For one, if you find that youâre a bit of a lonerâas many authors areâyou may consider other avenues. The notion of community is indeed important, but in programs such as these, group dynamics are a factor. You may experience interpersonal drama as the natural course. Heck, you may even participate in it. Some people think competition is good, that it breeds character, dedication, and an overall positive, can-do attitude. I donât agree. I think it usually brings out the worst in people. The problem is that folks get into the mindset there is only so much success to go around, a grand lie if there ever was one. And really, a high-stress creative environment can only exacerbate insecurities, anxiety, and small-minded thinking. Itâs entirely possible youâll experience nothing of the sort during your time at an MFA, but then again, you may find yourself crawling through a big stinking pile of it.
The other thing worth mentioning is that if you as a writer are prone to overwork or burnout, you may consider getting a certificate or simply attending a really good writing workshop or two. There are plenty of those to go around, and they donât require tens of thousands of dollar to attend, either. I wouldnât trade my time at Western for anything. Really, I wouldnât. The experiences I had, the people I met (even the ones I ended up disagreeing with), shaped me in unexpected ways. Pressure cooker situations can make you better at what you do, but they can also cause a slowdown or even complete stoppage of your natural creative drive. Ultimately, this is what happened to me, though luckily, writer’s block is perfectly surmountable given enough time and patience.
As Iâm sure you well know, creative writing can be pretty difficult, especially when we as writers are put into situations or contracts under which weâre required to maintain constant output. But writing isnât like most other creative professions, in that it doesnât just require your creativity and imagination, but also your intellect and higher reasoning skills. To string one word after another, continuously, until a fully realized narrative emerges, thatâs pretty hardcore, right? So again, if you are prone to periods of overwork or burnout, if you make a habit of pushing yourself too hard or of not being forgiving or gentle enough to allow yourself time to recoup your creative energy, an MFA may not be for you.
Yes, you can teach with one, and that may be the most useful outcome. Not every writer wants to teach. In fact, I think most donât. But if youâve been doing this a while, Iâm sure youâve also recognized the very real truth that superstar authors are few and far between, and even fewer simply got lucky on their paths, as opposed to agonizing over their craft for years and years before anyone showed even the slightest interest. So to teach or not to teach? Well, a paycheck is better than an empty bank account under any circumstance, and since reality is (unfortunately) rather persistent, you may find you need to pay some bills before your incredible new urban fantasy novel sees the light of day.
At the time I attended Western State, the schoolâs Genre Fiction program was still pretty new, and as such, the faculty still had a few things to iron out. This led to an uneven learning experience at times, but as far as a basic academic progress went, I always felt satisfied. Some of my classmates had a bad habit of complaining about certain aspects of our coursework, but I was always of the opinion that you get out what you put in. In other words, I never even bothered second-guessing individual assignments or their value. I simply treated them as writing challenges, opportunities for me to have fun and excel. And I loved to write, so I committed myself to telling the best stories I could, and at least in the short term, it paid off for me.
One thing is certain, if you go into an intense learning environment with a bad attitude, youâre already behind the eight ball. I had a great attitude, though my somewhat imbalanced mental health picture (at the time I suffered from some pretty bad depression) set me apart from my classmates, in that I occasionally needed extra help and time in order to get my work done. My teachers were more than willing to accommodate me, and thanks to them, I graduated on time and with (mostly) straight A’s. I used that lovely piece of frameable paper to bounce myself into some editing and freelance work, but if I’m being honest, sustained productivity become an issue after that. Perhaps I was just dog tired. Can you really blame me?
When all is said and done, the choice to pursue an MFA comes down to what you value and what you think you can accomplish on your own. An intense, focused experience like this can make you a better writer. I know it made me better. But itâs also true that you can get better on your own, through dedication, persistence, and a healthy work ethic. I think I was open and ready for something that allowed me to hone my abilities in a safe, nurturing, and output-driven environment. Iâd like to thank all the faculty and staff at Western State Colorado University for their generosity of spirit and willingness to pass on their considerable knowledge and expertise. Don’t forget, folks, this is your story. Tell it how you want to sell it!
Until next time!
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like Tales from the Canyons of the Damned, Black Static, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars.
Check out Jeff Bowles Central on YouTube – Video Games – Music – Entertainment – So Much More!
Want to be sure not to miss any of Jeffâs Pep Talk segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
The first Wednesday of every month, science fiction and horror writer Jeff Bowles offers advice to new and aspiring authors. Nobody ever said this writing thing would be easy. This is your pep talk.
Hey, kids. Life got you down? Writing career in the gutter? Why not put those keen authorin’ skills to the test and express yourself in new and exciting ways? You never know. You might just become an overnight internet celebrity!
I Thought I’d start this month’s Pep Talk under the guise of a made-for-TV salesman. Sometimes the promises of freedom and vocational enjoyment seem too good to be true. Then again, crashing and burning after writing up a storm for ten years straight isn’t all that appealing either, now is it? Not to be too gruff, but I’d rather be a slick salesman and get you to buy a decent breather every now and then than a stereotypical “pro-level” writer selling you a load of BS about “Writers write, always!” How are we doing so far?
There have been plenty of times I haven’t felt like writing a word. I know you’ve felt the same way. Lots of writers throw everything they’ve got at their careers. Best-seller or bust, you know what I mean? And while I appreciate that kind of discipline and have even managed to embody it once or twice in my life, it certainly is nice to have some alternative creative shelters into which I can disappear and revitalize myself.
I guess for me, it often doesn’t matter how I choose to utilize my writing skills, just as long as I’m still working to bring new storytelling experiences into the world and entertain the heck out of people. I think I was born to entertain. I’ve worn a lot of hats in this respect. I’m a singer-songwriter, an artist, a photographer; you name it, I’ve tried it. For some, choosing to engage in alternative creative pursuits seems like indulging a certain lack of focus. I completely understand. I’d love to be the kind of guy who can be single-minded enough to churn out one or two novels a year ad infinitum, but I’m just not wired that way.
One of the things I’ve dedicated myself to this past year has been my new YouTube channel, Jeff Bowles Central. It’s kind of a hodgepodge of all the things I love most: video games, movies, music, writing. I’ve even taken to reading some of my short stories in the style of old radio programs. I throw in sound effects and add some cool processing to my voice. Really, it’s a blast. One such video has gotten a pretty great reaction from people: Blue Dancing With Yellow, a flash fiction story about thunder beings crash landing in Central Park during a hurricane. The great thing about it is that I allowed myself to express my own written words in far more dynamic terms than simple text-on-page could allow. Here, check it out for yourself: https://www.youtube.com/watch?v=DXBx8hSRj7c
Of course, I’m not saying you’ve got to do as I did and put your own YouTube channel together. The point is in this day and age, you needn’t feel chained to or limited by the work you do. If you’re a storyteller–a good one who’s dedicated to your craft and who has worked incredibly hard to get those skills of yours into tip-top fighting shape–the sky is the limit.
Maybe get a bit more creative about what you can do and where you can ply your talents. The Internet has opened up a slew of new and burgeoning opportunities for folks like us. It’s not like your writing will disappear. It’ll always be there waiting for you when you’re ready to go back to it. Always. And do your best not to get so discouraged you decide to hang your writer hat up for good. If you’re feeling run down and discouraged, go make something new, something interesting. Play some guitar, make some videos or hire an illustrator to take your work into the visual realm. Are these alternative avenues always lucrative? No, very often they are not. But hey, they can be a hell of a lot of fun, and it seems to me that very few overworked writers consider the intrinsic value of that all-important F-word: fun.
Until next time, everyone. Why not share some of your extra-curricular creative pursuits in the comments section below? All of us here at WtbR would love to see them.
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Black Static, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars.
Check out Jeff Bowles Central on YouTube – Video Games – Music – Entertainment – So Much More!
We also were blessed with three new Wednesday blog series with three new team members. The team member from the 2018 Wednesday line-up with the most views was Jeff Bowles with Jeff’s Pep Talk, but Jordan Elizabeth and Art Rosch brought in their fair share with Writing for a Y.A. Audience and the Many Faces of Poetry, respectively.
2019 promises to be an even better year for both Writing to be Read and for me, and I’m excited to share my plans with you here. To start, this site will be getting a facelift: a new theme which will coincide with my new WordCrafter website and a new logo. The WordCrafter site will be the new home of Write it Right Editing Services and WordCrafter Copywriting, now housed here, as well as WordCrafter Press and WordCrafter Online Courses in the near future. Writing to be Read, although remaining here, will operate under the WordCrafter trademark. I was hoping to launch it tonight to start the New Year off right, but time constraints have not favored me. The launch of my WordCrafter and new image and logo for Writing to be Read will happen sometime in January. That’s the revised goal.
Let’s not forget the new addition to the Wednesday line-up. Starting in January, children’s author Robbie Cheadle will be joining us with her blog series, Growing Bookworms. You can learn more about Robbie and her exciting and creative new series in my introduction and welcome post last Monday.
Jeff’s Pep Talk: Blast From My Past
Posted: June 29, 2020 | Author: Jeff Bowles | Filed under: Commentary, Pep Talk, Writing | Tags: Pep Talk, Rejections, writer's life, Writing, Writing to be Read | 4 CommentsBlast From My Past
I originally wrote a version of this entirely too plucky Pep Talk just over eight years ago. I was twenty-seven then, and life until that point had treated me pretty good. That’s right, before I was writing monthly inspiration blog posts I was still keenly interested in, well, inspiring writers to do our thing. I offer this as a gift today. Eight years is a long time, long enough for the planet Venus to enter, exit, and then reenter retrograde.
And as Venus is the planet of love, I thought I’d share a proto-Pep-Talk that is very near and dear to my heart. Just goes to show you that no matter how far you think you’ve come, there’s always room to grow and many, many miles to go.
Let this serve as inspiration for you, especially if you’ve been feeling down about the world and your place in it. Keep working, keep your head down, but for gosh sakes, be a humanitarian to yourself while you’re at it. That’s the main message Jeff’s Pep Talk was always meant to impart. If you can’t be kind and compassionate to yourself when it comes to your work, how the hell are you ever going to be kind and compassionate when it comes to the rest of life?
Hope you enjoy this blast from my past. Twenty-seven years old. Yeesh. We were never that young. đ
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
Want to be sure not to miss any of Jeffâs Pep Talk segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
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