It’s All in the Packaging: Interview with Writer, Poet and Cover Designer, Dawn Leslie Mullan
Posted: July 3, 2017 Filed under: Books, Cover Art, Interview, marketing, Poetry, Promotion, Writing | Tags: Books, Cover Art, Cover Design, DL Mullan, Poetry, Sonoran Dawn Studios, Writing 1 Comment
They say you can’t judge a book by it’s cover, but we do all the time. So, when sales for Delilah was faltering, I decided to change it up. Actually, I ran into an awesome cover designer, who came up with a great cover for not only Delilah, but one for Last Call, too. Subsequently, the sales for Delilah went up some. The new cover just came out for Last Call, so it remains to be seen if it will have the same effect, but I’m anticipating some positive results. It all goes to show just how important it is to find the right cover designer for your work. If you don’t believe a book cover can make a difference, take a look at the original cover for Last Call, below and compare with the new one, above:

Today I am fortunate to be able to interview my awesome cover designer, DL Mullen of Sonoran Dawn Studios, so I can share with my readers just what a talented cover designer this lady really is. And she’s so much more. Also a writer and poet, Dawn Leslie Mullan spends a lot of time getting creative.
Kaye: In addition to being an accomplished poet, you have your own design company, Sonoran Dawn Studios. How did you get into cover art design?
Dawn: I got into cover design because I knew that beauty is in the eye of the beholder. People are attracted to book covers as well as read tag lines and brief synopses to make their decisions about purchases. Since I have had my digital art shown across the country in various exhibits and at conventions, the creation of my own cover art was a natural fit. Sonoran Dawn Studios is the intuitive progression from an artist and writer to designer and publisher.
Kaye: You’ve self-published two books of nature poetry, Effloresce, and Rain: Monsoon in the Desert and two books of dark poetry, Memoirs of a Psychotic Painting Elephant, and The Descent. Would you share the story of your own publishing journey?
Dawn: My publishing journey is much like many other writers’ careers. I have been writing since my formative years, but the confidence to write for publication did not happen until higher education. When I was exposed to literature and professors who understood the dynamics in literary context, my world expanded a thousand-fold. I was no longer in this cocoon of sensory deprivation. The experience allowed me to dream.
As I grew older my dreams also grew, but some obstacles were thrown in my way. I became disabled by Environmental Illness, so the future book tour I had envisioned for myself was replaced by severe reactions to an array of chemicals and molds. A collapsed immune system does not a national book tour make. With the help of natural doctors, nutrition, and lots of bed rest, I have been able to balance my disabilities with my goals. I began my website, Undawnted, to feature my writing. Later, I created Sonoran Dawn Studios to publish what I produced with the dream of helping other writers accomplish their goals of publications in the future.
Just because life happened while I was making other plans does not mean I still cannot fulfill my life’s purpose. Creativity is more than a hobby; creativity also brings about choices through true authentic problem-solving. As a testament to my originality and perseverance, my publishing journey has become a triumph over adversity.
Kaye: Would you publish through Lulu again? Why or why not?
Dawn: Yes, I love publishing through Lulu. The ebooks I can disseminate are endless. I am researching beyond Lulu for other Print on Demand services to see what the best modality for my print books may be. I want to make sure my readers are taken care of, while not being intrusive or creating confusion. I do foresee my ebooks finding their way into print sometime in 2019.
Kaye: What is the single most important quality in a poem for you?
Dawn: The most important quality in a poem is based in the five W’s of journalism. What, where, why, when, and how. What image is the reader left with at the end? Where has the poem taken the reader? Why would this poem be important to the reader later on in life? When will the poem reoccur in the memory of the reader long after the poem is read? How does the poem leave an indelible mark in the emotions of its audience?
Anyone can write a poem. The best poems are the ones that linger in the recesses of a reader’s mind. To stir there, be forgotten until an emotion brings up images of the poem that can only be satisfied by reading the poem again. Poetry is more than words and rhymes; poetry is the exercise in conveying emotions through imagery.
So, what do you see when you write?
Kaye: Where do your poetic inspirations come from?
Dawn: Everywhere. That is where my inspiration comes from. I am in awe of this world and our universe. I keep a child’s naïveté and wonderment lurking around every corner of my imagination. I view circumstances with that innocence as if I am seeing lightning, touching a cat, hearing a siren, or feeling the sun for the first time. Every time.
That juxtaposition allows me to combine youthful honesty, integrity, and virtue with the aged heartbreak, candor, and wisdom. No emotion is off limits to experience inside my soul. Every creative dimension is then available to express whether that would be in the forms of poetry or prose.
Inspiration is everywhere… you just have to feel it.
Kaye: What’s your favorite social media site for promotion? Why?
Dawn: None of them really are my favorites for any kind of promotion but I go where my audience travels. Social media is the ghetto harbors of the internet. Our creativity and objectivity are trapped in programmed cages that reverberate and sometimes crescendo our own confirmation bias. Social ghettos like their city namesakes limit opportunities for those individuals seeking advancement and relegate people into an inferior stasis with poor resources and tyrannical mismanagement.
I’d rather own my own website away from social media, but finances impede that dream at this moment. So I am stuck in the ghettos of Facebook, Google plus, and Blogger. I hope someday people realize how confining social media is so we can return to a time of free expression.
Won’t you join me?
Kaye: You are a creative person, writing award winning poetry and designing some pretty awesome cover art, etc… Were you creative as a child?
Dawn: Thank you. I have always had an active imagination. My formative years began in solitude, but after my family moved to the west coast, we ran a daycare, and so there was no shortage of company.
The lack of companionship, however, is a different matter. I knew I was atypical from other children of my age. I observed. I understood far beyond my years. I intellectualized, but I also empathized.
Creative maturity has given me the ability to recognize those evocative reactions and morph the feelings into a seasoned response. Empathy is a strong connection to other people and their plight, the trick is to find a positive way to express myself through art, writing, and problem-solving to avoid the pitfalls of negativity.
That is why so many creative people are depressed and feel rejected by society: improper context of sensory stimuli. Creative people need to step outside of a given situation and see all the moving parts. The ability to walk in another’s shoes is a gift, but when that gift creates blinders to the other parts of life, that is where creativity can destroy instead of uplift.
I had to find that balance. I had to find my own wisdom. Meditation and energy work are beneficial. A balanced perspective is everything. I had to learn that being a creative child did not mean I had to be an explosive, renegade adult… that is what my characters are for!
Let your imagination work for you. Be calm, cool, and collected with your interactions with the world. Allow your creativity be the solution.
Make your characters say and do what society frowns upon. In creativity, you are free. In living imagination, you are the creator.
So design a better reality to inspire change: one person can make a difference.
Kaye: How would you describe yourself in three words?
Dawn: Innovative. Dynamic. Trendsetter.
Kaye: What’s the best piece of advice you were ever given?
Dawn: I really have no idea. Maybe it was: don’t play in traffic? Or, don’t stick your fingers in the light socket? I do not believe I have ever been given a lot of advice.
I have always been a self-starter. I am a person who walks forward in life. There have been some obvious setbacks, but I set short- and long- term goals. Whatever is attainable, I achieve. Whatever does not work for me, I change to fit my new timeline.
So I do not believe my life has been about being advised as much as it has been about who can keep up with me.
Kaye: You’ve had many poems published and won awards for quite a few. What is the biggest challenge in being a poet?
Dawn: The biggest challenge in being a poet, or an artist in general, is discovering new ways to compete with myself. How can I outdo my last creation? Achieve a better response? Create something thought-provoking or truly distinctive?
As a writer, I challenge my own status quo. I am in competition with no other person but myself. So the creative balance I endeavor to maintain has helped me restructure my point of view. I strive for self-betterment to take my writing to the next level.
This fresh perspective allows me to mature as a writer as well as be a cheerleader for other authors. When I removed the ego-driven, quantity over quality focus from my writing career, I discovered how the release from those negative aspects took my creativity to new heights.
I spent more time creating than worry about the industry, agents, publishing houses, and other writers. I could then help others without feeling jealous or anxious or petty. I could be happy for other writer’s successes because those writers were never in direct competition with me. That is an illusion I had to shed.
Once I realized that each person has their own goals and life path to fulfill, then I understood the dynamics with which creativity really springs: inside my own internal genesis.
People on a parallel career path weave branches from the same tree on which my creativity sprouts. Each branch is different from the others and reflects the health of the common root. If we do not tend to our roots, fertilize the soil, and water regularly, then the tree will falter in a coming storm. Angst ruins everyone’s creative efforts. So why bother with it?
That is a summation of the writing craft and our individual responsibility within our community. We must become the best writer we can be and also give a helping hand to another writer regardless of his or her success. Wisdom is in the balance.
Of course that also frees me from the cookie cutter manufactured industry standards I see dominating the writing craft. So watch out world! I don’t have a compass. I don’t have a quota system. I am following my own branch that is reaching for the stars.
And, everyone can change their stars.
Kaye: What advice do you have for aspiring writers and poets?
Dawn: Writers need about ten years to season well, marinate in their own juices. Raw writers tend to give their hearts but when constructively critiqued, lose their minds. So I advise aspiring writers to go in search of criticism, negative criticism. Take courses for a community college certificate or degree in creative writing. Go out and join your local Professional Writer’s Group. Seek out people who will guide and help you without sparing your feelings. Those people are gems.
When you receive constructive advice, use it. Correct your writing and erode your ego. Writing is not about dissecting words and mincing phrases, but about dismantling your hubris.
Once a writer can get out of their own way, their writing takes on a profound quality. Stillness. Wisdom. Maturity.
One should always know and understand their craft through hard work and education. One should also write from the heart. Writing from the ego only speaks to other egos. When a writer writes from the heart, their story resonates at varying degrees within their audience and their writing is called: literature. Then a writer can build a loyal readership and just not simply have hapless followers.
On that same note: never believe your own press. I have had forum critique comments like: that was the best poem I have ever read! Only to look a few comments down and read: I really didn’t think your poem was all that great.
You just have to laugh.
When a writer has been through the crucible of their own development, then a writer can discover their weaknesses and strengths. Until that level of discernment is achieved, a writer is not ready to meet the world. The world is full of wolves ready to take your money and tell you whatever you want to hear.
An educated, informed, and mature writer can espy the wolves, escape the traps, and only do what is right for their needs.
So become the writer you have always wanted to become. No one else can do it but you. What are you waiting for?
Kaye: What time of day do you prefer to do your writing?
Dawn: Any time is fine. I write during the day or night. I do like night though when I really have to concentrate and do not want to be disturbed. No phones. No television. No distractions.
I do write when the muse descends. When I first began writing as a hobby, I would wake up from a dead sleep to jot down notes or a poem. My mind was active during my dream state. Now with my own creative structure, I find myself less inclined to be so impulsive. I write until I am done with that scene and I move on to another activity.
I also rotate from art to poetry to nonfiction, and then fiction writing. It is very noticeable trend on my personal social media status. Those breaks help avoid creative lulls and downright boredom. Writing for me is a metamorphosis of the psyche more than it is a time and place.
Kaye: You’ve had to face some huge obstacles to get to where you are now. Would you like to talk about them?
Dawn: Which obstacles? Chronic illness, abandonment, or near death experiences? My life has run the gambit, but direct participation in life events is what writing is all about. When I go through a challenge, I meet the impediment head on. There is no sense in hiding from life.
Do whatever you have to do short of hurting yourself or others; I do not abide by those types of negative expressions, but if you must throw your shoes or scream out the window, then do it. Then learn from your interaction with the world so you can check your emotions to respond with a healthy regard to life instead of having meltdown reactions to it.
The more you deal with life’s ills; the more those issues become underwhelming. Oh, the car broke down in triple digit heat… that problem interfered with my day but not unexpected given the circumstances. If you structure your life with good planning, sensible organization, and attainable goals, then you can respond to the world from a point of important but not urgent. So when the car breaks down, everything else takes care of itself, and you do not feel overwhelmed… just slightly irked.
With my brain inflammation and neurological issues, I have had some unflattering behavioral repercussions. In a short amount of time, I have learned what my body needs to combat this inflammation so I can deal with life as it comes. For my emotions, I write to express my discontent with research, citations, and good ole-fashioned sarcasm. My awareness blog for my neighborhood news can be incendiary at times, educational and informative at others, but entertaining to thousands of people a month.
So huge obstacles are what you make out of them. I find that I must navigate in a sea of challenges that most people would just give up and let a shark eat them. I am not like most people. I will take your shark, fry him up for dinner, and raise you: writing and publishing careers!
It comes down to simplicity: you can spend your life saying: oh crap, not again. Or, looking at challenges from a different point of view: at least my toaster oven still works.
Well what did you expect? I react to microwaves.
Kaye: Which poet, dead or alive, would you love to have lunch with? Why?
Dawn: Just one? I kind of do this exercise with my poetry. I call my brand of talking with the creative masters as response poetry. I take a poem from Poe, Dickinson, and then write a response. Upon Reading Edgar Allan Poe is a literary take on many of his works. Death Responds to Emily Dickinson is the Grim Reaper’s rebuttal to her I Could Not Stop for Death.
If I had to pick between the two, I would like to sit down with Poe. Not because it’s “Poe,” but because Edgar was a literary critic in his time and quite combative with his contemporaries, which I find entertaining as well as educational.
What were Edgar’s pet peeves in writing? How did his critics respond to his opinions? Did his critics give constructive criticism to Edgar’s work or did they just attack out of ego-driven defensiveness?
As writers and critics, we can learn from the advice, mistakes, and behaviors from our forefathers, and foremothers. If you do not know the past, you are doomed to repeat it. Art and writing, much like society, cannot go forward always repaving the roads of the past. We must create new exits onto the roads less traveled by. The best way is to learn from the master artists, poets, and writers from their works to their own personal views of the craft itself.
On your journey, is your road already built or are you walking in a forest that has no name?
Kaye: What’s something most readers would never guess about you?
Dawn: I am overeducated.
Seriously, I have never met a topic I did not like or want to know more about. I do have six college degrees including a Master of Arts in Teaching and Learning with Technology. I have degrees ranging from general studies, foci in biology and geology, emphasis and focus in history and biology, and organizational management. I was also working on creative writing, marketing, computer science, and publication creation before I became disabled.
I was an active community member. I have lectured and had speaking engagements about technology, art, and the role of girls in our technotronic era. I have paneled at science fiction conventions. I have exhibited and won awards for my digital art. I have ghost hunted as a history major and aspiring medium. I have experience in film and stage. In addition, I have a background in medicine for about a decade as a family member’s caretaker.
My greatest achievements have not been the cords, ribbons, or degrees. Although I am grateful for the honors I have earned in their formation of my character as well as giving me the skills to navigate our ever-changing, technological world, I am interested in more intangible achievements at present. I am on a spiritual path to investigate the human condition. I seek to answer the mysteries of our universe and impart that wisdom onto others.
With that said, I feel my greatest achievement is leaving a creative and educational legacy. My illness precludes me from having offspring, but with management of my health, I have endeavored to become the person I have always wanted to be. I am a work in progress. I can be grumpy and irritable at times, but I am more patient and charitable than anything else.
I guess that comes from living a life less traveled by. I have shrugged off convention for a spiritual road on the superhighway of life. I may be in the slow lane, but I am not obsessed with the destination. The journey is my classroom and I am an enthusiastic student.
Will you like to hitch a ride?
Kaye: What is the one thing that is the most unusual or unique thing you’ve done so far?
Dawn: Strange is what I do. I combine real life scenarios in my creative works to give the contrived a reality check. When a reader experiences my characters and their challenges some of those obstacles may be rooted in my own life. I will not tell which is which, what fun is that?, but I will say that creative writing allows me the indulgence to work out some past issues in a positive and productive manner.
So the most unusual or unique quality to my writing is that I use creative fiction and nonfiction as my camp counselors.
Have a problem? Fantasy about justice? Do not have the energy to bury a body in a remote location? Then you need to become a writer. You have innovative ideas, a spark of madness, and a tinge of laziness that comes with sitting down at a computer to let your fingers do the trash talking.
Shovel, anyone?
Thank you Dawn, for joining us today and sharing your unique take on life, and writing, and shoveling. And thank you for allowing me to use you for the purposes of illustrating the important role cover art is in the sale of your book. You could write a masterpiece, but no one will ever know it if they never crack the cover to read the words inside.
We Need Your Help!
This post came at a good time, because today Dawn and I have some exciting news to share. The cover art for Delilah has made it to round two in the Joandisalovebooks Summer Loving Book Cover EVENT 2017. This is great news because it is a really great cover, but we can’t do it alone. The winner in each genre category will receive a great marketing package, which would be great for the promotion of Delilah.
We need your votes, so we can win first prize in the western genre category. You can find more information on how to place your vote at Sonoran Dawn Studios, where Dawn has been kind enough to lay out step by step instructions for you. So, if you are a follower of Writing to be Read, a fan of Delilah, or someone who has just discovered Kaye Lynne Booth author, please take a few moments to clink on the link and cast your votes for us. It will be greatly appreciated.
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A Writer’s Eye View of Social Media Promotion
Posted: May 29, 2017 Filed under: Books, marketing, Opinion, Promotion, Publishing, Self-Publishing, Writing | Tags: marketing, promotion, Time, Writing 2 Comments
Social media is great. Or is it? From a writer’s perspective, maybe a little of both. On the one hand, promotion on social media can and often does bring readers to your blog, or book, or article, or whatever you are promoting. Some sites are more helpful than others in this regard. There is no doubt that social media promotion draws attention, but then you have to figure out the other side of the equation.
Promotion on social media takes a lot of time. And I mean a lot of time. Think about it. First you have to share a link on your timeline, or page, or wall, or whatever. That doesn’t take long. But then you have to share it in groups, and for me, there are a lot of groups to share in. Okay, so after you’ve spent between thirty to forty-five minutes or even up to two hours, (depending on how fast your internet connection is operating, how fast the site you’re sharing on is operating, and how many groups you are sharing the post with), and the post is shared everywhere you wish to share it, you’re still not done.
No. Because you see, social media is set up for social networking. You don’t want to drop into each group and post your promotion, then go about your business. No. When you join a group, you are expected to participate, rather than just promote. If you want people to like, comment, or share your posts, you’ve got to do the same for them. That’s how social networking works. And let me tell you, it is easy to get caught up thanking folks for liking or sharing your posts, responding to comments on your posts and liking, commenting on and sharing the posts of others, and before you know it, several hours have elapsed. This part of networking needs to be done each day, even when you don’t have any promotional posts to make.
So, now consider that I spend up to two hours promotion, two or three times a week, which is what I do for Writing to be Read. You need to socialize daily. I try limiting myself to one hour of socializing online on days I’m not promoting, so I can promote my work, but not appear to be a self-absorbed spammer. Just doing that adds up to ten hours a week.
Most recently, I participated in a Book Release Event on Facebook for the promotion of my recently released western, Delilah. I was one of many authors who did either half-hour or hour long takeover slots in a two night event. In a takeover slot, the author makes posts aimed at both promotion of their own book and entertainment in the form of silly, but fun, party games and giveaways. My investment was several hours in planning and preparation, plus one evening and a partial, and another afternoon responding to comments and contest wrap-up, and it’s yet to be seen if there will be a significant rise in sales which might be attributed to the event.
Of course, it isn’t just Delilah I must promote. I also promote my short story that I have on Amazon, Last Call, and writing that I have in online publications such as Across the Margin and Zetetic: A Record of Unusual Inquiry. And of course, I spend a good deal of time promoting this blog, Writing to be Read. It’s not that I don’t like social media promotion. It allows me to interact with my readers others in the business, and I truly do enjoy that, but it takes a lot of time. That’s time that is not spent writing.
Promotion is a necessary evil to me, and it must be done on top of writing queries and cover letters and submitting completed novels to publishers or agents, and articles, stories and poetry to the publications they might appear in, checking and responding to emails, searching the web and applying for freelance jobs, in addition to holding’s down a full-time day job. And then, I have to find time to live some resemblance of a life. Oh yeah, and somewhere in there, I have to actually sit down and write, both for my freelance jobs and my own stuff, for blog and for sale. And I must find time to read the books I review. So, you see than ten hours a week can be tough.
This isn’t the first time I’ve brought this subject up. In Today’s Authors Wear Many Hats, which I posted back in October, I wrote about the different roles an author must play and how they’ve expanded because of the digital age and the rising trends in self-publishing. Promotion and marketing are just two of those hats, but they’re important ones. Most of us are among the starving artists, and can’t afford to hire someone to do it for us, or spend a lot of money boosting posts to reach more people, and social media is an avenue of promotion which is free, or at least fairly inexpensive.
Bottom line – Promotion and marketing do require that we spend at least a minimal amount of time on them, but as writers, it’s a necessary part of the job. Like the artist, who must sell her own paintings, or convince a gallery owner to display her wares, we must peddle our creations, whether we publish them ourselves, or are picked up by a small press or traditional publisher. And social media is a big part of that in today’s market. Social media drives traffic, and we need traffic, because traffic leads to sales, at least theoretically.
Most People Won’t Put Their Money Where Their Mouth Is
Posted: May 15, 2017 Filed under: Books, Opinion, Promotion, Uncategorized, Writing | Tags: Book Reviews, Books, Delilah, Kaye Lynne Booth, marketing, promotion, Reviews 11 Comments
Warning: Rant Ahead
I’ve been seriously writing for seven years, and I can’t tell you how many friends and family members have been there offering support and encouragement. For the last year, since I graduated for my M.F.A. with two novels completed they have all continued to urge me on with enthusiasm, promising to purchase a book if I get published and inquiring about getting on pre-order lists. I felt myself fortunate to have so many staunch supporters.
I’m not talking about all those folks out there that ‘like’ your posts without actually following the link and reading the blog posts, or buying the book. That kind of thing happens all the time and is to be expected, because these folks don’t really know you. No, who I’m talking about are those who actually know me, people I felt I could depend on to be there and back me up in all circumstances.
So, maybe you can see why I might experience confusion when, after my western novel, Delilah, was finally published, I expected to have a few sales, not hundreds or anything, but at least a few. When checking on it’s progress, I found Delilah had two reviews so far, with a four star rating, which pleased me to no end. In fact, one of the reviews compared me to a feminist Louis L’Amour, which is pretty high praise for a western.
However, when I inquired as two my sales, my publisher informs me that I have only two. At least both buyers wrote reviews. So where are all my avid followers who love me and couldn’t wait to buy my book? It seems all of my supporters have disappeared into the woodwork, so to speak. Not one has honored their vow to buy my book, not even my own family members.
I think the thing that makes me the angriest is the fact that they all know how hard I’ve worked to get this far, but as soon as they are asked to fork out some cash, and we’re only talking ninety-nine cents here, they vanish. I don’t see or hear from them anymore, or if I do, the subject of the book isn’t mentioned, but rather, it is skillfully danced around. And now it is apparent, they are not willing to spend a buck on my book, the work they claimed to have so much faith in. Am I wrong to be hurt and disappointed?
Since the publication of Delilah, I have worked hard to promote the book and stir up some sales. I have made blog posts talking about it, shared them all over social media like crazy, sent out ARCs to be reviewed. I did an interview with author Dan Alatorre on his authors blog, which can be viewed here. My publisher even set up two days, where readers to get the book for free, and still only two sales.
I wasn’t expecting to be an overnight best seller, and I suppose I need to keep in mind that those two sales produced very good reviews. I want to take time out here to thank those two readers who actually bought Delilah and took the time to write a review. Because, as I’ve mentioned before, these days, reviews are everything. Not that good reviews will bring increased sales, but they do make a difference.
According to Amazon you have to have the magic number of fifty reviews before they will deem your book worthy of their promotion, and I’m learning fast that fifty reviews will not be easy to get. I’d venture that most books available on Amazon don’t make the grade, and that marketing and promotion can make or break a book, because to gain readers, people have to be able to find your book and want to read it. Because they can’t write a review, if they haven’t read the book.
I imagine many authors go through these same feelings. It’s all a part of the writing game. Now that I have that out of my system, I’ll get back to the business of writing, and promoting my writing. So, wish me luck, and if you like gritty westerns, spend a buck on Delilah.
A Published Author At Last – Now It’s In My Readers’ Hands
Posted: April 24, 2017 Filed under: Book Review, Books, Fiction, marketing, Promotion, Publishing, Western, Writing | Tags: Books, Colorado, Delilah, Fiction, Kaye Lynne Booth, marketing, Novels, promotion, Review, Reviews, Western, Writing 2 Comments
The exciting news this week is, Delilah is now available in digital format! It’s something I’ve been waiting for for quite a while, so of course, I am ecstatic. But, something many aspiring authors may not realize is that publication isn’t the end of the road. No, it’s actually just the beginning of a new chapter in the book of writing, this one titled Sell that Book.
For those of you who aren’t familiar with my road to publication, I started Delilah back in 2012, when I entered the M.F.A. in Creative Writing program at Western State Colorado University. The assignment given by my instructor, Russell Davis, was to write an excerpt in a genre outside our comfort zone. I was assigned to write in western genre, and low and behold, I found not only am I good at it, but I like writing western. Four years later, that small excerpt, grew into a 60,000 word western novel which I’ve been trying to find a publisher for over the past year.
You see, writing the book, while a great accomplishment unto itself, is only half the battle. It doesn’t do any good to write a story, if no one ever reads it. In order for that to happen, the book must be published, and while I could self-publish, (I had considered it), I held out hope of finding a publisher, and in the end my persistence paid off.
So, now that I got Delilah published, with the help of Dusty Saddles Publishing, I must get the word out through marketing and promotion. I must get people to read, and maybe more important, write reviews.
Reviews are where it’s at these days. According to Amazon, reviews are how you get your book promoted, and I just read somewhere that Amazon has recently increased the number of reviews needed for them to promote your book, from thirty-five to fifty or one hundred.
The question is, where do I get reviews from? Although I do honest reviews here, on Writing to be Read, I don’t know many other bloggers who do. So, it comes down to appealing to you, my readers, to buy Delilah, read it and then go onto Amazon and Goodreads, (Delilah will be listed there soon -another thing I still need to do), and leave a review.
If you are willing to go to the trouble of doing all that, I thank you, but I also ask that you leave a review that is honest. While I would love you to leave a review which sings Delilah’s praises, I want it only if it is heartfelt. If you see problems with my story, I need to know what they are, in order to improve my writing of future books, so I am asking for honest criticism, if you are kind enough to leave a review at all.
In the end, it’s up to you, the reader, how successful Delilah, or any book, will be. So, buy the books you want to read, (which I hope includes my debut novel), and be kind. Leave an honest review.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
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It’s All in Finding the Right Market
Posted: January 9, 2017 Filed under: Books, Fantasy, Fiction, marketing, Promotion, Science Fiction, Writing, Young Adult | Tags: marketing, Pitching, Playground for the Gods, promotion, Revision, Young Adult Fiction 2 Comments
My friend and cohort, author Jeff Bowles wrote a post Choosing to Become a Better Writer vs. the God Complex, where he offers advice on what to do when your novel hasn’t been picked up by a literary agent as soon as you’d hoped, as is currently the situation with his thesis novel. I had to chuckle when I read this, not because the post was meant to be funny, (it wasn’t), but because of the timeliness of the post, as I find myself in the same situation and I have been pondering what to do with my own thesis novel, Playground for the Gods: Book 1: The Great Primordial Battle.
Jeff’s advice is sound. Revise. Submit. Repeat. And he’s right in saying that to achieve success in writing, as in most things in life, you must persist in your efforts and endeavor to persevere. In fact, I’d decided on the same course of action for my novel, with a slight twist and a lot of determination. So, my first 2017 New Year’s writing resolution is to get my thesis novel published in the coming year.
Since completing my thesis novel, the first novel in my science fantasy Playground for the Gods series, I’ve submitted it to seven publishers and four literary agents. It was rejected by two agents and four publishers, and is still waiting for word on three publishing houses and two agents. I don’t hold out hope of hearing from the agents, many don’t even bother to respond unless they’re interested, but the publisher who has had my submission the longest has had my submission for six months. There may still be hope there, but I have to wonder.
I’ve been feeling a bit discouraged with these results, so I started thinking about why my novel wasn’t catching the interest of publishers or agents. e first thing I looked at were my query letters. So, the first thing I looked at were my query letters. As I said, I’ve sent out multiple queries for the first book and been rejected multiple times. I looked at all my queries to see if the problem might be in my presentation.
The query letter is an author’s introduction and it is very important. It’s the first thing an agent or publisher sees, and it determines whether they chose to get to know you and your work better. A query should look professional, and it should tell the publisher or agent about the work you want them to buy into and about the author. It raises their interests and gets them to ask for more than just the excerpt you sent with it. A request for a complete manuscript is the ultimate goal.
Some of you may know the story behind this novel, but for those who don’t I’ll relate it briefly. The summer I presented the proposal packet for my thesis novel was the worst summer of my college career. I had this great idea for a story about a species from a different planet, who come to Earth and present themselves as deities. It was to be a science fantasy novel with a strong female protagonist, Inanna. I presented my idea to my cohorts and nobody got it, (this was partly because I was trying to cram way too much into one book, but at the time it just felt to me like the idea wasn’t well received and I was crushed). So, maybe publishers and agents weren’t getting it now, the same way my cohorts and instructors didn’t get it then?
This led me to take a hard look at the audience which I thought I was writing for and the types of agents and publishers I’ve been pitching to. I’ve sent out my queries for my science fantasy novel to publishers and agents who handle both science fiction and fantasy. Something I had overlooked was that the biggest audience for science fiction and fantasy are young adult readers.Epiphany! I’ve been pitching to the wrong audience!
Because of the summer from hell, mentioned above, my thesis novel has turned into a four book science fantasy series, Playground for the Gods. Book 1: The Great Primordial Battle shows the destruction of the Atlan home planet, which explains the reason they are searching for a new home and chose Earth, and how it was almost destroyed before they could make it their home. Book 2: In the Beginning tells the story of how the Atlans made Earth their home and cohabited with humans, and how Inanna becomes the goddess of war and love, forcing her to deal with the dualities within herself. The hero’s journey that Inanna takes in my original story will now be the Book 3: Inanna’s Song. In Book 4: Enki’s Folly, Enki, (the sort-of anti-hero), tries to fix his past mistakes by traveling through time.
By the end of my courses, I had Book 1 and it’s complete submission packet, Book 2‘s chapter outline, synopsis and partial first draft, along with the outline, synopsis and a few chapters of Book 3 completed. If I could do that major transformation in less than a year’s time, I’m thinking I should be able to transform my books into a YA series with minimal revision.
Next, I took another look at the story itself, and I realized that aside from a few instances of harsh language, this book almost reads like a YA novel. Most of the characters are teens, although Atlans don’t experience time the way humans do, (what passes for a year for us is comparable to a millennia for them), and still, some are more mature than others. The series has many of the YA tropes already: a young female protagonist who is idealistic, (Inanna); a perfectly perfect Mary sue character in Inanna’s BFF, (Ki); missing, or at least distant parents (Atlan familial units are pretty messed up); plenty of half-human/half-something else characters – mermen and Minotaurs, the characters are diverse; and there’s a rebellion against the existing power structure, (in reverse).
The one thing that might prevent Playground for the Gods from becoming a successful YA science fantasy novel is the degree of sexual content, which is actually vital to the story line. We’re not talking about unnecessary sex here. We are talking about the story doesn’t work without it. Although it could be toned down some, I imagine I would have several parents who were hot, should I try to market this series as YA, even though it has a lot of the expected tropes. So, I had to look once more at audience, where I took an in-depth look at a market called New Adult.
New Adult has protagonists aged 18-24, and is aimed at audiences aged 18-30, but may appeal to readers of 30 or more. Just as some YA may appeal to adult readers, so New Adult may appeal to older readers, as well. It carries steamier sexual content, that you probably wouldn’t want your thirteen year old reading, but is perfectly acceptable for older readers. In a 2014 article on Book List Online, YA or NA?, by Michael Cart, Harliquinn Senior Editor Margo Lipschultz points out that “NA rose to popularity as a subgenre that bridged the gap between contemporary YA and contemporary romance, it’s gradually expanding… ” NA is not just a romance market any more, and I’m thinking that the steamier scenes in the PfG series could find a home there.
Another 2014 Book List feature article, What is New Adult Fiction?, by Gillian Engberg, Donna Seaman and others quotes Neil Hollands, adult services librarian at the Williamsburg (VA) Regional Library as stating,
“…librarians talking about NA are often thinking of books that appeal to “both male and female readers, in their late 20s and 30s. The books we’re looking for try to capture the feel of a generation, including integrating technology’s effects on communication and relationships, new outlooks on a range of political and social issues, and more recognition and blending of the genres that younger readers are most familiar with.”
Now that sounds like my series. While it still has some of the YA tropes and qualities, it also has more mature content and deals with social and relationship issues, the value of technology for better or for worse, and characters in the right age bracket basically, (give or take a few million years), and would appeal to an older audience of new adults.
From my very first M.F.A. class it was drilled into us the important of knowing your audience and doing the research. And I did do my research in the adult market, and now I’ve done my research in the YA market. But, after discovering that it’s a little too steamy for YA, I’ve gone back to research the NA markets, and I’m currently revising The Great Primordial Battle for an NA audience. When I’m done, I plan to promote to the NA markets with high expectations, while I get busy on Books 2 and 3.
Leave a comment to let me know if you think I’m on the right track with PfG: Book 1: The Great Primordial Battle.
You can find updates on the Playground for the Gods series on its Facebook page, here.
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Pros and Cons of Traditional vs. Independent vs.Self-Publishing (Part 10): Conclusions
Posted: December 19, 2016 Filed under: Books, Commentary, Promotion, Publishing, Self-Publishing, Writing | Tags: Books, independent publishing, marketing, Opinion, promotion, Publishing, Self-Publishing, Traditional Publishing, Writing 7 Comments
This series on publishing has been a lot of fun to create, and I hope maybe there are some of you who have read all of parts 1-9. I started it because I found that while those in my academic career seemed to be in favor of traditional publishing, with many instructors providing information about self-publishing as an option only reluctantly, while authors all around me were getting their work out there by self-publishing their books.
As I looked into the topic more, I found that some folks used the terms independently published and self-published as if they were interchangeable, while independent publishers are really smaller independent publishing houses that are not among the “big five” traditional publishers. As stated in Part 2, for the purposes of this series that is how I will refer to and view independent publishers.
One of the reasons I enjoyed writing this publishing series was that I am fortunate to know many authors, from all three publishing models, and I was able to gather many different viewpoints, examining it from all sides. Overall, I was able to obtain a pretty healthy balance between the three models. I interviewed self-published authors Jeff Bowles, Tim Baker and Arthur Rosch. In the traditional publishing arena, I talked with children’s author, Stacia Deutsch and historical and biographical author, Mark Shaw. I was only able to interview one independently published author, YA author Jordan Elizabeth, but to even it out, I also interviewed two independent publishers, Curiosity Quills Press and Caleb Seeling, owner of Conundrum Press. And for a nice rounded point of view, I spoke with my friend and children’s author, Nancy Oswald, who has published under all three models.
Now is the time to look at the series as a whole and see what conclusions can be drawn. While I think all authors secretly long for a traditional publishing deal, because being picked up by a major publishing house is ingrained in us as a symbol of success, I see independent publishing houses as a feasible alternative to holding out for the big boys, which can take a long time and for some of us, may never pay off. In some instances, debut authors have a better chance of being picked up by a smaller independent press. With both these options identifying markets which would be a good fit for your work, preparing submissions, writing cover letters and queries, synopsis and outlines will take up a lot of time which might be better spent on writing stories. Once accepted by either a major or a smaller publishing house, the author may be expected to do a good portion of the marketing and promotion, as well, although services such as editing and illustration may be provided.
The upside to signing with a traditional publisher is that the major publishing houses pay out an advance on projected royalties, so major money can be seen in your near future. Independent houses may also pay out advances, but they won’t be nearly as big, and some do pay out a higher percentage of royalties. Of course, as Tim Baker pointed out in Part 2, the flip side to collecting a sizeable royalty is if your book flops. It would be a drag to have to pay it all back. Independent houses may also pay out advances, but they won’t be nearly as big, and some do pay out a higher percentage of royalties.
For self-published authors, there are no advances, but they keep a higher portion of their royalties than with traditional or independent publishing houses. Still, there is no big money now, and no guarantee that there ever will be. Authors may be waiting a long time for their writing to pay off.
As Stacia Deutsch mentioned in Part 4 of the series, traditional publishers provide professional editing and illustrators, to be sure your final product is of good quality. I believe this is true of independent publishing houses, as well, but you won’t find it available through the self-publishing process; one reason self-publishing carries with it such stigma. Gatekeepers insure the book you put out will be the absolute best it can be.
Despite the stigma surrounding self-published authors, due in part to a few self-publishers who like to take short cuts in lieu of putting out a quality product, there are some very good self-published authors out there. As Jordan Elizabeth pointed out in Part 6, self-publishing has a lot to offer. Self-published authors have a lot more control over their work than traditionally published authors, who do not chose their own cover art, and may not even get to keep their own title.
As Jeff Bowles pointed out in Part 1, another possible advantage to self-publishing is the ease and relative inexpense for today’s authors. You can publish a book with Amazon almost for free, and collect either 35% or 70% of your royalties, depending on the price you place on your book. I can attest to this as it is what I did with my short story, Last Call, and it didn’t cost me one cent. At least that way, if my story doesn’t rise to the top of the best sellers lists, (which it hasn’t), I really haven’t lost anything. The important thing to remember when self-publishing is that you need to put out a quality product. It is worth it to find a good editor, and for all of us starving writers out there, an editor can be employed for a minimal expense. I also suggest utilizing a good critique partner when funds are low, but be sure to have some type of editing done, by someone other than yourself, before publishing your book.
Although Amazon has made publishing extremely easy and inexpensive for authors, they have also monopolized the industry and are making it more difficult for independent publishers, as Caleb Seeling explained in Part 8. Learn more about the negative effects Amazon has had on the publishing industry in the Institute for Local Self Reliance’s report, which emphasizes, from a consumer standpoint, the need to buy local and battle monopolization. If readers heed this warning and buy their books from local independent, or chain, bookstores right down the block, the publishing industry may change yet again.
Amazon’s monopolization affects authors and reviewers as well, as is discussed in What Amazon’s New Review Policies Mean for “Writing to be Read”. As much as Amazon’s review policies effect the reviewer, they also effect the authors who are depending on those reviews to get their books sold.
Author Mark Shaw gave us a heads up about vanity, or subsidy publishers, charging unsuspecting authors exorbitant fees to publish their work as Mark Shaw warns in Part 5. They prey on authors who desire to get their work published so bad that they are willing to empty their coffers to do so. These publishers can get outrageously expensive for authors, so don’t be drawn in. The kicker is that even if you publish on Amazon or Create Space in order to fit your budget, you still may need to spend quite a bit of time and/or money on marketing as Art Rosch tells us in Part 3.
Independent publishing houses, also referred to as small or medium-sized presses, work along the same lines as traditional publishers, but they don’t publish as many books each year as the big five do. In addition, they tend to be more specific in what they are looking for, with most having very specialized niches that your book must fit into to be published. Although all independent publishers may not follow this practice, publisher Caleb Seeling says he actually seeks out authors whose work fits into his niche. In any case, authors should be familiar with submission guidelines of the publishing house they are submitting to, whether large or small. In her article, How to Smartly Evaluate a Small Publisher, Jane Friedman, of The Hot Sheet, (the publishing industry’s news letter for authors), offers some great tips on what to look for.
In Part 7, Nancy Oswald points out one of the big advantages to publishing with a small press is the more personal relationship between author and publisher. Whereas a traditional publishing house may not be able to put a name with a face, independent publishers work closely with their authors because they only have a few at any one time. Independent publishers may also have a shorter wait time for publication than traditional houses, which can be quite lengthy.
And then there are the new kids on the block, like Curiosity Quills Press, which are hybrid publishers, offering various combinations of traditional percs with self-publishing author responsibilities. These small independent presses may charge authors for some services, like subsidy publishing, but they also provide a certain amount of author copies at no cost, provide author support, and the services they do charge for are optional. You can find out more about this new model of publishing in my post, Hybrid Publishers: What are they all about?
After hearing from the experts, it seems no matter which model you choose to publish under, there is still a lot of non-writing activities required of authors, including marketing and promotion, resulting in the need for Today’s Authors to Wear Many Different Hats. Of course, you can also do as author Jeff Lyons suggests in his interview with Arwen Chandler, and hire a third party to handle such tasks, so we, as authors can get down to the business of writing. The only problem I see with this is that you must make money before you can spend money, paying someone else to do the tasks that don’t come as naturally as writing does.
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The top post of 2016 was my book review of 
Sadly, I only attended two events that were reported on, on Writing to be Read in 2016 – the 
One of the great things about doing book reviews is that you get to read a lot of great books, in with the okay and not so great ones. In addition Simplified Writing 101, my five quill reviews in 2016 included Jordan Elizabeth’s Runners & Riders, Mark Shaw’s
Of course, not all books get a five quill rating. Other books I reviewed that I recommended with three quills or more include three short story anthologies: 























What’s a Reviewer to Do?
Posted: February 13, 2017 | Author: kayelynnebooth | Filed under: Book Review, Books, Commentary, Fiction, Opinion, Promotion, Self-Publishing, Writing | Tags: Book Reviews, Feedback, Honest Book Reviews | 4 CommentsI started Writing to be Read to promote my own writing and to help other authors, through writing reflections and reviews. We’re all in the same situation. Marketing and promotion are a big part of writing these days, and authors are expected to self-promote to some extent, even if they are traditionally published. The way that books are being rated now, in many places, including Amazon, by the reviews they receive. I post partial reviews on both Amazon and Goodreads for this reason, and have even taken the time to post on Smashwords and Barnes and Nobles upon request from the author.
But, what is a reviewer to do when a book she’s reviewing falls short of all expect a film, like my review of Angel Falls Texas on Friday? Every review I publish has an end note at the bottom which reads like this:
“Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.”
I don’t believe in charging for a review because I don’t believe in paying for a review. And I don’t believe in that because I don’t think you can get an honest review when it is paid for. And I do believe a review should be honest. While I amin favor of promoting other authors with my reviews, I don’t believe in hyping up a work when it is not deserved.
Too many authors get their books on the best sellers list simply by having great reviews posted by those who love the author, but don’t honestly reflect the quality of their book. It’s sad but true. (To learn more about what that best seller label really means, check out this article by Brent Underwood.)
As I shared my post for my review of Angel Falls Texas last Friday, I reacted with a sad on each one, because I hated having to publish such a negative review. It’s certainly not going to help the author sell books, which is usually my goal. In this case, to post a review to encourage sales would have made me feel dishonest to my own readers.
I do both solicited and unsolicited reviews. Those that are unsolicited are from books I purchased on my own and I use them as fill in posts when I don’t have any solicited reviews to publish. With reviews that have been solicited by the author or I have requested an ARC from the author, which don’t rate at least three quills, I usually contact the author, tell them my assessment, and offer them the chance to not have the review published. Most authors, like my author friend Chris Tucker, opt to publish the review and take their licks, but there have been a few who have requested that I hold off publication. These authors, hopefully, then go and make revisions to improve their book and then have me give it another chance. I’d rather do that than post a review that may hurt sales.
I try to be fair in my reviews. If a book is one of a genre that is not one of my favorites, I will state that in the review, being upfront about anything that may have influenced the my opinion. But honestly, as authors who are putting their work out there, we all take the chance that someone out there will not like our work, for whatever reason, and will post an unfavorable review. After all, we are only human, and we are never going to please everyone.
As a reviewer, I know I’m not going to love every book that I review. There will be times when my reviews will be less than shining, but I have to be true to myself and to you, my readers, and publish how I honestly feel. All I can do is try and be specific about what I didn’t like in the hope that the author will take it like a critique and find something useful from my feedback to help to improve their writing or the value of the product they put out.
I think the number one thing we, as writers, can do is remember what one of my Creative Writing professors, Russell Davis, said when talking about receiving critiques from our cohorts,
“Remember, it’s not about you. It’s not personal. It’s all about the writing.”
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