WordCrafter “Will Write For Wine” & “Stories I Stole From Lord Byron’s Bastard” Book Blog Tour Day 4Posted: June 30, 2022 | |
Stories I Stole from Lord Byron’s Bastard is a collection inspired by Venetian history. The fictional character, Alexis Lynn, wrote these stories in the novel Will Write for Wine by Sara W. McBride, but they are fun stand-alone adventures to be enjoyed with an excellent glass of Italian wine.
Today’s tour stop comes with a fun interview with author Sara W. McBride in addition to her guest post. So kick back a while and enjoy the tidbits offered here as you learn more about Sara and her wonderful books.
Sara W. McBride, like many modern-day biological researchers, invents new swear words to sling at million-dollar machines while locked in a dark hole of a decaying academic hall. This has caused her to witness ghosts and create a romantic fantasy life within her head, which she now puts down on very non-technological paper with her favorite Jane Austen style quill pen.
Her first novel in the Alexis Lynn series, Will Write for Wine, and the companion short story collection, Stories I Stole from Lord Byron’s Bastard, both set in Venice, Italy, were recently released by Puck Publishing. She’s hard at work on the second Alexis Lynn novel, a Regency mystery series, and a haunted play. She strongly feels the world needs more haunted plays.
Don’t forget the awesome giveaway Sara is running on this tour, with a digital copy of each book up for grabs. You can enter the give-away for a chance to win at the link below:
Interview with author Sara W. McBride
Why do you write?
Sara: To be immortal! Just kidding. It’s my fabulous mental escape into worlds and lives that I wish I could live.
Please tell us a bit about your publishing journey?
Sara: In 2014, I organized, edited, and published the first two NaNoWriMo Los Angeles anthologies. Then I helped with the next three. The group is still producing an annual anthology. It was a great way to learn the logistics of self-publishing and how to shape short stories. This year, my husband and I launched Puck Publishing, and we’re hoping to publish something every month.
Over the past twenty years, I’ve written fourteen bad novels that I’m glad I never published. LOL!
What made you decide to self-publish?
Sara: In the late 1990s, I was an assistant to a Hollywood book agent and I learned the ins and outs of traditional publishing and movie book deals. The agents and publishers were so parasitic on the author, it gave me the willies. In those days, traditional publishing paid high advances, but the treatment of the authors still put a bad taste in my mouth.
Today, they rarely pay above a $10,000 advance to a new author, they expect the author to do all the marketing, and then the publisher keeps the copyright and sells it off whenever they like, to whomever they like, and the book goes out of print.
I’ve seen too many friends get screwed by traditional publishing.
Will Write for Wine takes place in the artistic and romantic setting of Venice. Have you explored the physical locations for your books in the flesh, in order to get the details right when writing about these locations? Have you been there? Have you lived there? Why did you choose this setting?
Sara: I’ve had five research trips to Venice, totaling about five weeks. I’ve been in almost every church and museum of Venice, and a few places I probably wasn’t supposed to enter. I apparently don’t understand the meaning of yellow caution tape or closed doors.
Most of the Venice locations in the book are real places, but Manu’s osteria is fictional. However, I stole menu items from many of my favorite osterias in Venice.
I think Venice is one of the most magical and haunted cities in the world. Many people describe it as a floating museum; the entire city is trapped in the Renaissance. But if you simply sit still, sip a glass of wine in a campo or piazza, listen to the opera singers, and watch the people and pigeons, there’s a vibe that sinks into you. Every part of the city is simultaneously dead and alive. It is that barrier, that thin line between life and death that pervades every stone, stench, and serenade of Venice. Delicious!
Stories I Stole From Lord Byron’s Bastard involves Venetian history. What is the fasciation of this area for you?
Sara: I’m a history nerd! Venice is one of those cities that drips with history, but not just through architecture and museums, through the people, the food, the many generations that still live in the same house, the ghosts that are accepted as common place, and the street signs. Ponte del Diavolo, the Devil’s Bridge is bound to inspire a story in anyone. Gheto Novo, or the New Ghetto, caused me to question the history of the Jewish community within Venice.
It’s difficult for me to walk from one piazza to another in Venice without my mind percolating a story based purely on the sights, sounds, and smells. And I love the smells of Venice. Both the good and the bad. Only Venice can induce an entire story purely through its smells. I’ve learned to navigate the labyrinth of Venice by sniffing the air. How is that not a story!
Is there anything unique or unusual about your writing process?
Sara: I don’t know the end until I get there. I just write into a dark void and somehow it all works out. It keeps the process magical and fun. I used to outline, but I always got bored with the book before I finished it. Outlining turned writing into work. Ick! Writing needs to be fun for both the writer and the reader.
Is your writing process plot driven or character driven?
Sara: Character driven! Definitely.
Do you write with music, or do you prefer quiet?
Sara: Quiet! Or the hubbub of a coffee house crowd, hotel lobby, airplane terminal.
Atmosphere is important. What do you do to get into the writing zone?
Sara: There’s a zone? How do I find that? I want a writing zone. I just go about my day and jot down paragraphs, dialogue, and then type them in when I’m next at my computer.
How much of the story do you know before the actual writing begins?
Sara: NONE! Okay, maybe the opening scene. But usually not even that. Just a character in a place, who is feeling something.
Wine plays a big role in your character, Alexis Lynn’s life. What is the attraction?
Sara: I love wine! I also love beer, whisky (Scottish spelling), Compari cocktails, and most dishes cooked with truffles. However, to preserve my liver, I typically only drink once-a-week, so it’s a big event for me. I cherish my weekly glass of wine and how it complements my meal. Alexis drinks way more than I do. Fictional wine can’t damage a fictional liver.
Are you a wine connoisseur? What is your favorite wine?
Sara: I love wine! I once dreamed of becoming a wine sommelier. Isn’t my favorite wine obvious? Soave! Like Alexis Lynn, I also discovered Soave on my first trip to Venice. It’s been a favorite ever since, but difficult to find in America. Hence, more motivation to travel!
What’s something most readers would never guess about you?
Sara: My husband and I got engaged four days after we met. Unlike Alexis Lynn and her marital troubles, my husband and I have had a relatively easy, adventurous, crazy, happy and supportive marriage. This summer, we’re celebrating out twenty-five year anniversary. But I don’t know how we’re celebrating. Any suggestions?
You’ve got a scientific background, like your character. How much of Alexis Lynn is you?
Sara: Um … She’s totally me! Are authors allowed to confess that?
What time of day do you prefer to do your writing? Why?
Sara: Morning, if given a choice. But it happens all day.
What’s the hardest part of the story for you to write: beginning, middle or end?
Sara: I write chapters as if they are short stories, and then I arrange them into a book when I think I’ve developed something that has a beginning, middle or end. Is that weird? I don’t write chronologically. And I have chapters/stories that didn’t make it into this book that will be in the next one.
Alexis Lynn has a conversation and wine tasting with Casanova. Would you like to talk a bit about the inspiration for that scene?
Sara: I was enjoying my weekly glass of wine while reading the memoirs of Casanova and thought, “Man, this guy would give horrible marriage advice!” Then I grabbed my computer.
Besides Casanova, which author, poet or artist, dead or alive, would you love to have lunch with?
Sara: Lord Byron, or course! He’s bloomin’ brilliant, but people only remember him as a seducer. Sure, he seduced a few women, usually married ones, and has some famous bastards; the famous mathematician, Lady Lovelace, is one of his illegitimate children. But he also wrote the first English-Armenian dictionary, and was a very, charming, intelligent debater. His letters are filled with wisdom and humor. In an incredibly elegant manner, almost complimentary, he was able to inform someone of their idiocy. I would love to have lunch with Lord Byron, even if he spent an hour politely insulting me.
Besides writing, what are your favorite things to do?
Sara: Travel! I also love hiking, playing board games, reading every genre, watching cheesy Hallmark Christmas movies in the middle of summer, and learning Italian so I can one day move to Venice.
What is the biggest challenge of being a writer?
Sara: Pulling together a bunch of short stories into a cohesive novel and then figuring out what scenes are missing.
It was funny with Will Write for Wine, my husband included a little gondola and gondolier on the cover, and I suddenly realized that I didn’t have any gondola scenes in the book. Both the gondola scenes were the last scenes I wrote.
If writing suddenly made you rich and famous, what would you do?
Sara: Move to Venice and write more!
What’s the most fun part of writing a novel or short story/screenplay? What’s the least fun part?
Sara: Most fun? Dialogue! I’m originally a playwright, so I love dialogue.
Least fun? Killing a character I like. Killing a nasty character is delightful, but killing a kind character, or a character I’ve spent years with, is heart-wrenching.
How much non-writing work, (research, marketing & promotion, illustrations & book covers, etc…), do you do yourself for your books?
Sara: I do everything myself, but my husband does the cover art and most of the website maintenance. We have fun working together.
If your book was made into a film, who would you like to play Alexis Lynn?
Sara: Oh! Juicy question. Reese Witherspoon. Yep, definitely Reese Witherspoon. Mid-40s, cute, and like Alexis, she exudes positivity even when her world is falling apart.
What goals do you set for yourself in your writing?
Sara: Don’t plan ahead. If I don’t know what’s going to happen, neither does the reader. This is really funny because I’m writing a murder-mystery right now and halfway through the book, my murderer, who I didn’t know was the murderer, just totally confessed to the murder. So, um, geez, I guess that book is going to be a different style of murder mystery. LOL! So, I guess my goal in writing is to always be surprised.
As you can see, Sara is an author who loves what she does ad is pretty comfortable in her own skin. Now, let’s hear about her inspiration for the fourth story in Stories I Stole From Lord Byron’s Bastard, “Lazzaretto Vecchio: A Dowry for Saffron”.
Guest Post by Author Sara W. McBride
Inspiration for “A Dowry for Saffron”
What inspired the story, “Lazzaretto Veccchio: A Dowry for Saffron?”
“Sia laudato il signor Iddio non ci sono stati morti.”
Bless the Lord, there have been no deaths [today].
December 24, 1630, in Sant’Eufemia, Venice.
* * *
This quote is from the opening of a Nature paper, “A digital reconstruction of the 1630-1631 large plague outbreak in Venice,” by Gianrocco Lazzari, et al. Published Oct. 20, 2020.
* * *
I’ve always been fascinated by the European plagues, but when I read the above Nature paper, the effects of the 1630-31 plague on Venice consumed my mornings for several weeks. This especially seemed relevant while living through a new global pandemic, thankfully with much lower mortality rates.
In 1348-49, bubonic plague killed one-third of the European population, up to 25 million people, and Venice, as a crossroads for international trade, lost half its residents. Imagine living in a bustling city of 100,000 people, and half of them die within 18 months. It would be horrifying and haunting.
In response to the devastating plague of 1348-49, Lazzaretto Vecchio was established in 1423 as the first quarantine island in the Mediterranean region, and was used to separate the healthy from the sick during Venetian plagues. Lazzaretto Nuovo was established shortly afterward as a place where ships suspected to carry sickness among their passengers or crew were anchored for 40 days. English acquired the word “quarantine” from the Italian term for 40 days, quaranta giorni. The lagoon island of Poveglia also became a quarantine outpost sometime in the 15th century. It’s rumored that half the soil of Poveglia is human ash from burned plague corpses. Then it became a mental hospital from 1922-1968. No wonder the place is one of the most haunted locations in Europe.
Considering the 15th century world had no idea how disease was spread, the idea of quarantining the sick or foreigners arriving from plague stricken areas was very innovative.
The story, “Lazzeretto Vecchio: A Dowry for Saffron,” takes place during Venice’s plague of 1630-31, which killed a third of the city’s population. Both plague islands were used to isolate and treat the sick, however, caregivers were needed to work at the island hospitals, mostly because, I assume, workers kept dying of plague.
The Italian city of Ferrara had a long history of successfully avoiding plagues that ravaged other parts of Italy. They closed their city gates and screened all arrivals for any signs of disease. They insisted that Fedi, proofs, identification papers from a plague-free zone must be presented. Ferrara, starting as early as medieval times, engaged in public sanitation campaigns, sweeping away garbage and liberally spreading lime powder on any surface that had come into contact with an infected person.
When an Italian physician, Girolamo Fracastoro, published a text in 1546 describing the “seeds of disease” as something that could stick to clothes and objects, Ferrara increased their sanitation practices during plagues and burned the clothes of any infected people. Removing garbage, spreading lime powder and burning infected clothing probably reduced the flea pestilence that actually carried Yersinia pestis, the bacterium that causes plague.
Many natural remedies were prescribed for protection against the plague, but a medicinal oil designed by a Spanish physician, Pedro Castagno, was written into Ferrara’s, “Reggimento contra la peste,” regimen against the plague. The oil, called Composito, was recommended to be applied to the body.
“Before getting up in the morning, after lighting a fire of scented woods (juniper, laurel and vine shoots), warm the clothes and above all the shirt, rub first the heart region, near the fire to ease balm absorption, then the throat. [Afterwards], wash hands and face with acqua chiara (clean water) mixed with wine or vinegar of roses, with which sometimes all the body should be cleaned, using a sponge.”
Ferrara city’s regimen against the plague
The contents of Composito was never fully disclosed, but researchers examined the records of materials ordered by Castagno and determined that the oil contained venom from scorpions and vipers, and myrrh and Crocus sativus, which is a saffron flower from which the filaments produce the golden spice saffron. Both myrrh and saffron are known to have antibacterial properties, as does scorpion venom with the bonus that it’s also a pain reliever. So basically, Composito was an early antibiotic and pain reliever combo. Pretty nifty!
According to census records, Venice’s population was around 140,000 in 1624. By 1633, that number had fallen to 102,000. More than 43,000 deaths were recorded over just three years, with nearly half of them taking place between September and December 1630. The city of Venice began several public works projects, like the grand Baroque church, Santa Maria della Salute, greeting guests at the entrance to the Grand Canal. The church’s construction began in November 1630 with the goal of keeping citizens employed and maintaining art and labor skills.
The city of Venice also purchased food for the quarantined, both in the city and on the plague islands. It is logical to speculate that in the early months of 1631, Venice might have asked Ferrara, a city with success at conquering the plague, if their convents could be paid in order to encourage volunteers to work at the plague islands. My story is fictitious, but the stage was set for the events I describe in the story. I also talked about pirates in the story. Yes, there were pirates at this time: mercenary pirates and government deployed pirates (particularly from England).
My story focuses on a group of nuns who have been “volunteered” by their convents, and how they sacrifice one nun into a marriage in order to secure their much needed ingredient of saffron for Composito, their only hope for survival on the plague islands. The politics and finances of Venice in 1631 created a world where this story could have happened. There’s a lot of history not recorded in text books, and this is a story that no one would want recorded.
Something fun for readers:
In my research of the plague islands, I was surprised by the lack of ghost ship stories haunting the Venetian lagoon. If you know of any, please write me at firstname.lastname@example.org. If you’ve ever visited the eerie lagoon island, Poveglia, the plague island, turned insane asylum, turned old-folks home, which now stands empty—less the chilling screams on foggy nights—I want to hear about it.
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Today, I am delighted to welcome author and poet, Geoff Le Pard to Writing to be Read as my “Treasuring Poetry” guest for October.
Geoff is sharing some interesting information about his favourite poem and poetry and I am sharing my review of Geoff’s inaugural poetry book, The Sincerest Form of Poetry.
My favourite poem
Of course, everyone will say this is impossible, there are too many and that is true. But put on the spot I will plump for High Flight by John Gillespie Magee. You may not have heard of Magee and that’s probably because he was killed in WW2 in 1941 aged 21. I suppose I am drawn to the poignant and the powerful, having enjoyed the WW1 poets, if that’s the right word – Wilfred Owen, Siegfried Sassoon et al – from when I was introduced to them. There’s something raw about the emotions they carve out of a few lines, often the passion or despair that, because it is coming from someone so young, who is probably experiencing such exhilaration for the first time it is clean and honest and timeless.
Oh! I have slipped the surly bonds of Earth
And danced the skies on laughter-silvered wings;
Sunward I’ve climbed, and joined the tumbling mirth
Of sun-split clouds, — and done a hundred things
You have not dreamed of — wheeled and soared and swung
High in the sunlit silence. Hov’ring there,
I’ve chased the shouting wind along, and flung
My eager craft through footless halls of air . . .
Up, up the long, delirious burning blue
I’ve topped the wind-swept heights with easy grace
Where never lark, or ever eagle flew —
And, while with silent, lifting mind I’ve trod
The high untrespassed sanctity of space,
Put out my hand, and touched the face of God.
This is a paean to the excitement of flight, of the sense of rapture and wonder that being alone in the cloud-smudged skies gives him. His freedom. Battle of Britain pilots had a very short life expectancy which he would have known. He would have sat waiting for the call, to scramble. He would have taken to the air full of fear and adrenaline, seen his friends and colleagues blasted out of the sky and felt relieved and guilty that he was glad it wasn’t him and desperate that it was them. I can imagine the intensity of the Mess, the quiet voices, the unspoken terrors, the shared desperation that being on the ground forced him to confront. And even though taking to the air meant an almost inevitable appointment with death, it also took him away from the mundane realities of life as a pilot. He could give rein to the child he still was, tumbling, living, on the edge, but to the full. Every sense heightened, every nerve and sinew stretched to the max. Those images would be burned, seared into his imagination. And once again he’d return, be a man, debrief the day, go through the appalling motions of paying his respects and yet, for the sake of his own sanity not really engaging in the awfulness of the loss, of what his friends’ families and loved ones would be going through and knowing that these moments could be his soon enough. So he losses himself in a sonnet that captures those few moments of true freedom when death, like the ME109 behind him is breathing down his neck. I admit I have no faith, a happy committed and convinced atheist, but even I can understand his last sentiment, in those moments, in that bounteous, beautiful firmament when he can feel he is so near his Maker, so enraptured by His creation that he can touch it.
I have never experienced war but my parents did and I can put my poetry-loving father in that plane and imagine him finding the same extraordinary inspiration that Magee found. And it’s a sonnet, too, the perfect format for this love poem, a love of life, a love of the person to whom he is writing, a love of what it is just to be, to be in the moment and breath and take in something of the wonder of being alive and aware.
I have goosebumps every time I read this as I’m there in that plane, not sure if I’m about to be ripped apart by some egregious unnecessary act of slaughter, yet, just then I’m like him, delirious with the gift I’ve been given to be alive.
My favourite poet
Again it is an almost impossible question. There are those, like Magee who wrote the one poem and while that is delightful, I think we must consider a poet with a proper oeuvre and decide across several examples. So who I am drawn to and who uniformly triggers in me the delight response? Some poets have been so prolific that they almost count themselves out by failing to maintain a uniform appeal – I can’t fault their quality. I’d include Wordsworth, Kipling, Thomas and Duffey in that list.
So, I’m going to default to the poet whose poetry collections I’ve amassed more than any other: Roger McGough. I was first aware of McGough in 1975 when I went to University and a friend took me to my first poetry slam, of Liverpool poets. McGough read from his book ‘Sporting Relations’ and I laughed and was hooked. Since then I’ve read so many and been struck by the combination of off-beat humour, much like my own, his quirky punning, again which I do a lot and his oblique view of the human condition. If Douglas Adams or Terry Pratchett, whose novels I absorb like nectar wrote poetry, then McGough might be their inspiration.
This one, from Sporting Relations is a case in point. Read out loud there’s some simple humour but it is when you see it, realise it’s also playing on the absurdities of English spelling that the poet’s visualization becomes clear. And you still have the last line of punning word play with ‘grass’. Simple, effective, accessible and fun. That’s the sort of poetry I aspire to write.
Cousin Angelina owned a yacht
And smoked pacht a lacht.
So when things got haght,
Away sailed Angelina (so regal)
To where the grass was greener (and legal)
Thank you, Geoff, for visiting here today and sharing these thoughts and poems.
Review of The Sincerest Form of Poetry
I know Geoff Le Pard as an author of hilarious books that frequently poke fun, in the tongue-in-cheek way of the British, at many of the situations and achievements we humans hold the most dear during the course of our short lives. I am a big fan of this type of humour and have enjoyed several Geoff’s short stories and pieces of flash fiction. Geoff’s writing has another side to it, a more serious and family orientated side which also comes through in some of his books and writing.
The unusual book of poetry by Geoff Le Pard is his inaugural poetry book and is a mix of these two sides of his writing. The poems forming the first part of this books are a hilariously slapstick take-off of the works of many famous English poets. The poet has reproduced the exact tempo and rhythm of the original poem, replacing the original wording with his own amusing poetic descriptions of topical events and circumstances.
My favourite of these poems was the very first one in the book, which is based on one of my favourite poems, The Listeners by Walter de la Mare. The Listeners tells the story of an unnamed traveler who approaches an abandoned house which seems to be occupied by ghosts. In Le Pard’s version, the public toilet is held up for discussion and probing commentary. Here is an extract from The Relief of Waterloo:
“Is there anybody there, said the traveller
To open up this loo?
It’s surely wrong that one must pay,
For our numbers one and two.
It’s not a function of the state
To limit where I go.
My body ain’t so politic
But it has some rights, you know.”
The second part of the book is devoted to sonnets which generally have a more sophisticated and serious flavour. One of my favourite poems in this second part is The Hand That Guides. Here are a few lines to give you a sense of the poet’s sonnets:
“I continually try to do it my way,
To give into weakness of flesh and of soul
But you hold my love tight, I cannot stray
And we remain linked, two parts of one whole.”
If you enjoy poetry, in all its varying shapes and forms, you should not miss out on this collection.
Purchase The Sincerest Form of Poetry
About Geoff Le Pard
Geoff Le Pard (not Geoffrey, except to his mother) was born in 1956 and is a lawyer who saw the light. He started writing (creatively) in 2006 following a summer school course. Being a course junkie he had spells at Birkbeck College, twice at Arvon and most recently at Sheffield Hallam where he achieved an MA in Creative Writing. And what did he learn? That they are great fun, you meet wonderful people but the best lessons come from the unexpected places. He has a line of books waiting to be published but it has taken until now to find the courage to go live. He blogs at https://geofflepard.com/ on anything and everything. His aim is for each novel to be in a different style and genre. Most people have been nice about his writing (though when his brother’s dog peed on the manuscript he was editing, he did wonder) but he knows the skill is in seeking and accepting criticism. His career in the law has helped prepare him.
About Robbie Cheadle
Hello, my name is Robbie, short for Roberta. I am an author with seven published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.
I have recently branched into adult and young adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. My first supernatural book published in that name, Through the Nethergate, is now available.
I have participated in a number of anthologies:
- Two short stories in Amazon horror anthology, Spellbound, compiled by Dan Alatorre;
- Two short stories in #1 Amazon bestselling horror anthology, Dark Visions, and three short stories in #1 Amazon bestselling horror anthology, Nightmareland, both edited by Dan Alatorre;
- Three short stories in Death Among Us, an anthology of murder mystery stories, edited by Stephen Bentley; and
- Two short stories in Whispers of the Past, an anthology of paranormal stories, edited by Kaye Lynne Booth.
I also have a book of poetry called Open a new door, with fellow South African poet, Kim Blades.
Find Robbie Cheadle
Instagram: Robbie Cheadle – Instagram
Facebook: Sir Chocolate Books
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My “Chatting with the Pros” guest today is an award winning epic and dark fantasy author. She may not be as prolific as some writers, but everything she writes seems to shine in the fantasy realms. She is a two-time winner of the Colorado Book Award, and a Writers of the Future winner. That is three books and three awards. She must be doing something right. Please help me welcome fantasy author L. D. Colter.
Kaye: Would you briefly share the story of your own publishing journey?
Liz: I seem to have done a bit of everything along the way. My short stories have been traditionally published in magazines and anthologies. My first novel, A Borrowed Hell, was published by a small press that closed only a few months later, but fortunately the book was picked up again almost immediately by another small press. My epic fantasy novel, The Halfblood War, was acquired by a mid-sized publisher, and I chose to self-publish my latest novel, While Gods Sleep.
Kaye: Your books written under L.D. Colter are contemporary and dark fantasy, while your epic fantasy, The Halfblood War, is written under the name L. Deni Colter. What was the reasoning for the change of pen name?
Liz: I didn’t actually change my pen name, just added a second one. I started with L. D. Colter for my contemporary fantasy. When my epic fantasy novel was published, I decided to add the pseudonym L. Deni Colter to make it easier for readers to differentiate my writing by genre. While plenty of readers, like me, enjoy multiple sub-genres of speculative fiction, not everyone does, and I feel I write the two styles quite differently. I don’t separate my work in any other way, though. My website and author sites include my actual name, Liz, both of my pseudonyms, and all my books.
Kaye: When did you know you wanted to be an author?
Liz: I didn’t consciously decide to write with a view to publishing until well into adulthood, but I’ve been a daydreamer all my life—I nearly flunked out of 5th grade due to it—so I was hard-wired from the start to create fiction. I started toying with the idea of writing during high school but stayed too busy through college and for a long time after as I pursued of different interests, more school, and many different careers. Finally, I found myself with a seasonal job, a rainy winter off, and my first computer. I started a novel that winter and wrote 10,000 words in the first week. I’ve never looked back.
Kaye: Your first book, A Borrowed Hell,won the 2018 Colorado Book Award for Science Fiction/Fantasy. Were you surprised? Can you tell me a little about that book?
Liz: Yes, I was very surprised and honored to win. When I wrote A Borrowed Hell, I set out to write a contemporary fantasy with literary themes about a man forced to face his difficult past in order to move forward in life. To receive an award for this book, and especially one from Colorado Humanities—an organization dedicated to the humanities and the ways in which the human experience is documented—was very rewarding.
The story follows my protagonist’s challenges, which take place in both the real world and an alternate world. I think this last bit of the back-cover copy sums up the plot pretty well. “July is willing to do anything to end his world-hopping, right up until he learns the price: reliving a past he’s tried his whole life to forget. He’s not sure his sanity can take it. Not even to get back to his own world, a woman he’s falling in love with, and a life he finally cares about.”
Kaye: While Gods Sleep won the 2019 Colorado Book Award for science fiction/fantasy. Where did you get the idea for this story?
Liz: As to the origin of this, I’ve loved mythology ever since discovering a fascination with ancient religions and cultural myths in high school. Greek mythology was my first passion, and it seemed the natural place to start when I decided to write a set of fantasy novels based on different mythologies. It was great fun to finally write a book rooted in the Greek myths I love, but better still was getting to play with them in completely unique and original ways that were entirely my own creation. It was a goal of mine from the start to avoid the more common tropes and to take this in unexpected directions, beginning with setting it in an alternative 1958 Athens ruled by conjoined queens. From there, I threw a mortal man into the eerie underworld of Erebus where he becomes entwined with sleeping gods, the factions that seek to control them, and an enemy powerful enough to destroy them all.
Kaye: Your latest release from Wordfire Press is The Halfblood War. What can you tell us about that book and the inspiration for it?
Liz: These days I read widely across speculative fiction genres, but I grew up reading epic fantasy almost exclusively. Those books shaped my love of reading and were a huge part of my life. I enjoy the current directions epic fantasy is taking, but it was very fulfilling for me to get to write my own traditional epic fantasy and mold it into something unique and, hopefully, compelling. This novel took me longer to complete, by far, than my others. It was a true labor of love and I’m grateful to Wordfire Press for acquiring and publishing it. The premise revolves around Tirren, heir to the ruler of Thiery, who is raising his half-Elven bastard son in a land that hates and fears the Elves. It’s a stand-alone novel, written with an adult audience in mind, and weaves themes of prejudice and acceptance with love and betrayal, capricious and dangerous elves, and epic battles.
Kaye: What do you consider to be your biggest writing accomplishment to date?
Liz: I have to laugh, because my answer is always the same: my latest project, whatever that may be. Right now, that would be an unpublished novelette and my work-in-progress novel.
Kaye: In my review of the Undercurrents anthology, I refer to your story, “Songs to Sing and Stories to Tell”, saying that it explores saying good-bye. Can you tell me about this story from the author’s point of view? Did I get it right?
Liz: Yes, absolutely, I see that story as being about letting go, or as you put it, saying goodbye. Not my protagonist letting go of her past or her memories or her love, but trusting her instincts to let go of fear of change and false security and to embrace the unknown. That said, though, once a writer publishes their work, it belongs more to the reader than the author so different readers might see different themes.
Kaye: Which type of writing do you prefer, short fiction or novels? Why?
Liz: I enjoy both. There’s a lot of reward in completing and polishing short stories more quickly (faster for me, anyway) and getting them out in the world. If writing is going to be a career, though, conventional wisdom says it’s going to be based on producing novels. I’m not a fast writer—if I manage one book a year I’m doing well—so it’s a huge commitment for me to start a new book, but there’s also the fulfilment of really delving into story and character and the pleasure of wrapping up multiple storylines in a satisfying way.
Kaye: What is the strangest inspiration for a story you’ve ever had?
Liz: That might be my short story that won the Writers of the Future contest, “The Clouds in Her Eyes.” I had no notion what I was going to write when I began and went to my odds and ends file, where I toss all my passing and partial story ideas. I was trying to choose between three different prompts: a title idea (The Clouds in Her Eyes), an image of an old windmill on a dry and barren farm, and an image of a ship’s wooden figurehead. When I challenged myself to combine all three, the story was born.
Kaye: Are you a plotter or a pantser? Why?
Liz: I have to side with the pantsers on this. That said, though, I don’t really see pantsing and plotting as black and white options, but as a continuum. People who outline in the thousands of words still have to let go of the outline at some point and wing it. Likewise, most pantsers have some level of plotting going on, even if it’s at a scene-by-scene level as they get there. For me, I usually start with atmosphere (dark, humorous, gothic, whatever), an idea of the main character, sometimes a theme, and then an opening scene. While all that’s coalescing in my head, I usually get a sense of the ending, which gives me a rudimentary arc. At that point I start writing and figure the rest out as I go.
Kaye: What do you think is the single most important element in a story?
Liz: Wow, that’s a tough one. Tomorrow I might have a different answer, but today I’m going to say detail. Not excessive detail, but those sharp, specific details that bring stories to life. The level of detail in a story enhances so many other elements: character, setting, emotion, pretty much everything except plot. And a good plot, poorly told doesn’t make for a good story. Evocative writing is what engages me as a reader.
Kaye: What’s the best piece of advice you were ever given?
Liz: A local author was kind enough to read an early draft of the first novel I wrote (the epic fantasy). She gave encouragement but advised me to seek out workshop opportunities to get detailed feedback for the many things I now realize were very novice mistakes. It was hands down due to her advice that I started on the right road to becoming a professional author. I followed her advice and joined a 10-week online workshop led by a well-published author. I’ve been a part of critique groups in one form or another almost constantly since that time, as well as attending conferences and workshops when possible, especially during my early years of writing.
Kaye: What advice do you have for aspiring authors?
Liz: Don’t write in a vacuum. Along the same lines as the advice I was given when starting out, I feel it’s hard to be objective about what you’re writing without some external input and feedback. Find fellow writers who are genuinely invested in helping to improve your work and, hopefully, at least some who are further along the career path than yourself. We know how we intend our work to read, but without a sounding board, it can be difficult to know if we’re succeeding.
Kaye: As a fantasy writer, what kind of research do you find yourself doing for your stories?
Liz: As a reader, I’m a huge stickler for logistics so it’s very important to me in my writing that I get details right in my own books. Not just big things, like avoiding plot holes, but small details, too. You never know what expertise your readers might have and, as a reader, I hate having my suspension of disbelief suddenly ruined in the middle of a story by a detail that’s blatantly wrong. So, yes, I get lost down research rabbit holes all the time. I research online mostly, but I’ve been known to read multiple textbooks for a novel as well as reaching out in person to experts or sensitivity readers.
Kaye: What can your readers look forward to in the near future? What are you working on now?
Liz: My current work in progress from L. D. Colter is the next in my mythology-based novels, this one centered around Slavic paganism. It’s a contemporary fantasy (working title: When the Winds Sing) set in far Northern California, near where I lived for 12 years. There are many wonderful settings and inspirations in that area, and I’m looking forward to playing with them all. The book is about 1/3 written and I hope to have the first draft completed before too long.
I hope, in time, to get back to an epic fantasy set I started and set aside some time ago. I had other projects needing attention, but it’s well started and has a concept and characters I still love.
Liz has followed her heart through a wide variety of careers including draft-horse farmer, field paramedic, Outward Bound instructor, athletic trainer, and roller-skating waitress, among other curious choices. She is a two-time Colorado Book Award winner in Science Fiction/Fantasy, a Writers of the Future winner, and her short stories have been published in a wide variety of magazines and anthologies. She writes contemporary and dark fantasy as L. D. Colter and epic fantasy as L. Deni Colter.
I want to thank Liz Colter for joining me here today and sharing so much about writing in the fantasy genre. You can learn more about Liz and her books on her website or her Amazon Author page. Join me next month, as we celebrate Superheroes and Supervillains, and my “Chatting with the Pros” author guest will be fantasy and science fiction author Kevin J. Anderson.
You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2019, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress. Please share content you find interesting or useful.
Today my guest is an author who I’ve gotten to know well, because she is a member of the Writing to be Read team, where she writes a monthly blog segment on children’s literature that’s proven to be very popular, “Growing Bookworms”. By day she walks in the world of fondant and children’s fiction, but when darkness falls she transforms into an emerging horror author. But this author doesn’t just emerge, she explodes onto the scene with this month’s release of her first novel length horror tale, Through the Nethergate. In addition, this month she also has a short story appearing in Dan Alatorre’s Nightmarland anthology, and another coming out in the WordCrafter paranormal anthology, Whispers of the Past. I’m really excited to be able to interview her about her experiences with horror, so please help me welcome author Roberta Eaton Cheadle.
Kaye: You started out writing children’s stories with your son, but you’ve recently leaped into the horror realm, which is kind of at the opposite extreme of the spectrum. Was that a hard transition for you?
Roberta: It wasn’t a hard transition for me at all. I have always loved supernatural, horror and dark psychological thrillers so I think this genre comes naturally to me. More recently I have been reading and re-reading a lot of dystopian fiction such as Fahrenheit 451 by Ray Bradbury and The Long Walk by Richard Bachman (aka Stephen King).
I can remember reading my Mom’s copy of Stephen King’s The Shining behind the couch in the lounge when I was ten years old. After that book, I worked my way through the rest of her Stephen King collection and several other adult horror books too.
Kaye: Can you name one thing you have to think about when writing horror that you might not ever think about when writing for children, (or any other genre, maybe)?
Roberta: When writing from the point of view of the victim, I need to imagine their fear and describe this in a way that brings out the same emotion in the reader. When writing from the point of view of the party who sees a ghost or discovers a body, I need to imagine their shock and horror at what they are seeing. To describe the tumultuous feelings that would bubble up inside them at seeing something truly frightening or gruesome.
I would never attempt to scare children or invoke feelings of fear and anxiety in them. My Sir Chocolate books series is my attempt to draw children into a happy and safe world of complete fantasy where good always wins and any less likable characters are drawn into the circle of friendship and become part of the team.
Kaye: When making the move into adult fiction, why did you choose to write horror? What draws you to the genre?
Roberta: As mentioned above, I have always liked supernatural horror. I was drawn to it from a young age even though it scared me half to death when I read both The Shining and Salem’s Lot by Stephen King.
I have also always gravitated towards psychologically disturbing books that make me think such as Roald Dahl’s short stories for adults. I have never forgotten Lamb to the Slaughter about a pregnant woman who kills her husband after discovering he is having an affair. She saved her own skin, and that of her unborn baby, by making the murder weapon disappear in the most innovative way imaginable.
The idea of writing about ghosts came to me while I was writing While the Bombs Fell, a fictional biography about my mom’s life, growing up in the small English town of Bungay, Suffok, during WWII. My extensive research while writing this book led me to discover the history of one of the oldest inns in the town which is purported to be haunted by over twenty ghosts. The little bit of information that is available about each of these ghosts intrigued me, and I decided to write a selection of short stories, each featuring the circumstances leading up to, and the death of, a specific ghost.
As I went along with Through the Nethergate, Margaret injected herself into this story and it took on a whole new direction with her having the power to reincarnate the ghosts.
Kaye: What is the biggest challenge for you in writing horror?
Roberta: I think like many other new writers, my biggest developmental area has been learning to show instead of tell in my stories. I believe I have improved a huge amount in this area. As I came from a non-fiction writing background, I have also had to learn to write more descriptively and really reach into myself and find the whirlpool of emotion my characters are feeling in any given circumstance. These emotions must be shown and not told which takes me back to my first point.
Kaye: Your latest release is a work of horror, Through the Nethergate. Where did your inspiration for this story come from?
Roberta: As mentioned above, my original idea was to write a selection of short stories, each featuring the death of one ghost.
As I went along the idea for Margaret with her power to reincarnate ghosts and experience their deaths and pain came along. Margaret has recently lost her parents which gives her heightened sensitivity to the world around her.
At the same time, the idea of having one ghostly master to rule over the others popped into my head and this evolved into the ghostly black dog, or Black Shuck, which is an ancient myth in Suffolk and its surrounds. Legend in Bungay has it that Hugh Bigod, a most evil descendant of the original Normandy invaders and the man who erected Bungay Castle during the 12th century, still haunts the castle in the form of the black dog. The inn around which Through the Nethergate is centred, shares a wall in its cellar with Bungay Castle.
There are four other descendants of the Bigod family who are also alleged to haunt the town in their ghostly carriage drawn by fire breathing horses.
Initially, the reader will believe that Hugh Bigod is the villain of the book, but this is not the case. There is a far greater evil force at work who covets Margaret’s power and who makes Hugh Bigod look quite pathetic and ridiculous in his small attempts at evil.
Kaye: Can you tell me a little about Through the Nethergate?
Roberta: Through the Nethergate is intended to demonstrate to the reader how evil has always existed in our world and how evil forces manipulate human inventions and greed for power and wealth to their own ends. Evil has always existed, and it always will, but there is the counterbalancing force of goodness and the kindness and empathy that exists in an equal number of people. This is a book about faith and my belief that goodness and faith always prevail.
Kaye: If Through the Nethergate were made into a film, who do you see playing the lead as Margaret? Who do you see playing your villain, Hugh Bigod?
This is a tough question for me as I don’t watch movies or television. I will have to base it on my previous experience of movies.
I would choose Drew Barrymore to play Margaret in a similar manner to her portrayal of Charlie (Charlene) in the movie version of Firestarter by Stephen King. She would need to be a few years older, however, as Margaret is sixteen in my book. The mixture of innocence, toughness and a strong will to survive are the qualities in Charlie’s character portrayal that underpin my selection.
For Hugh Bigod I would choose Richard Chamberlain in a mixture of his portrayals of Father Ralph de Bricassart in The Thorn Birds and Captain John Blackthorne in Shogun. In both series he portrays someone who is able to separate himself from the anguish of the people around him and ruthlessly pursue his own ends and survival.
Kaye: The setting for Through the Nethergate is an ancient inn with quite the history. How much historical research went into it?
Roberta: I do a massive amount of research for my books with partial or total historical settings.
Each ghostly character in Through the Nethergate came from a different historical era and I had to do meticulous research into what people wore, drank and ate during those particular time periods, as well as how they traveled and the political agendas and attitudes towards servants, masters, females and religious figures that prevailed at the time of their stories and deaths.
For example, Katharine is a reluctant Benedictine nun who comes from a wealthy background and is forced into Bungay Priory during the 14th century. She is in love with William and conspires to escape her dreary life by running away with him. James Wilson was a Benedictine monk who was the cellarer at Glastonbury Abbey during the 15th century when Richard Whiting, the last Abbot of Glastonbury Abbey, presided. James originates from Bungay where his father was the local blacksmith. Peggy and her husband and child are survivors of the great fire that destroyed much of Bungay in the 17th century. The book also includes other historical figures such as John Collins, the famous Chartist from Birmingham, Countess Elizabeth Báthory de Ecsed, a Hungarian Countess and one of Europe’s most prolific serial killers, as well as Tom Hardy, a highwayman who rode with the infamous Dick Turpin and Amelia Dyer, Britain’s most famous female serial killer.
When featuring real people, I must research their stories in as much detail as possible to ensure I get the facts correct. I usually check between five and ten sources, depending on the amount of information available.
Kaye: You also do a lot of short dark fiction, and have stories included in several dark anthologies. In fact, you have two stories “Last of the Lavendar” and “Missed Signs” coming out this month in the WordCrafter paranormal anthology, Whispers of the Past, and “The Siren Witch”, “A Death Without Honour” and “The Path to Atonement” are featured in Dan Alatorre’s Nightmareland horror anthology, also released this month. Do you prefer writing short dark fiction or novel length horror? Why?
Roberta: I like writing both kinds of story.
Short stories are fun to write, but they are restrictive because of their length of 1 500 to 3 000 words. It can be tough to get all the necessary background and detail into a short story in a clear and concise way. I had to cut quite a lot out of “A Death Without Honour” to get the length and sharpness right. Dan Alatorre was great at helping me with that. Sometimes I struggle to get the ending wound up in a concise and exciting way with short stories, as I did with “Last of the Lavendar”, the ending of which you helped me improve greatly. I like writing for anthologies because I learn so much. I also get a lot of guidance from the experienced editors and also from reading the stories included in the anthologies by other authors. They really are a wonderful learning and growing experience for me.
I have written two novellas now, While the Bombs Fell, and my recently completed A Ghost and his Gold which is about the Second Anglo Boer War fought between the “Boers” [farmers] and the British Empire in the early 19th century. I love the length of novellas because it allows for more detail and depth than a short story, but is still fairly short and concise. I think that modern readers prefer shorter stories due to their busy lifestyles.
Through the Nethergate is my first full length novel and I enjoyed writing it and “seeing” how my imagination could take off and extend to a much longer story.
I am currently 40 000 words into a dystopian novel which will be part of a trilogy about a future world dealing with drastic climate change and the fourth industrial revolution. Trilogies are popular and this idea came along so I thought I would jump right in. I love to experiment and learn about new things.
Kaye: What is your biggest fear? What scares you?
Roberta: Real life scares me. The prospect of climate change wreaking devastation on our planet, overpopulation, poverty and criminality which are changing the way society operates as well as the Fourth Industrial Revolution which will forever change the nature of the working world, these things scare me far more than “monsters under my bed.”
Dystopian novels like 1984 by George Orwell and The Long Walk by Richard Bachman (aka Stephen King) really disturb me, but I can’t help reading them. It is better to be informed than not. Even H.G. Wells gives great insights into the nature of society and how it could evolve in his books The Time Machine and War of the Worlds, which are really frightening.
Kaye: What is the scariest story that you’ve ever read and why do you think it is the scariest?
Roberta: I think 1894 by George Orwell is the scariest dystopian novel I have read. Living in the world he describes is so awful I think people would be better off dead.
The Shining is the scariest supernatural horror book I have ever read. The ghosts in the Overlook Hotel that become visible and can harm Danny and his family are most frightening. The invasion of his father’s mind in order to bend him to the will of the evil in the hotel was terrifying. Stephen King has a way of describing things in such a visual way, you feel as if you are living them with the character in the book.
Kaye: What is the scariest story that you’ve ever written?
Roberta: My short story about Amelia Dyer called “Justice is Served” in the murder mystery anthology, Death Among Us, is quite scary as it is based on a real serial killer who murdered babies.
From a purely fiction point of view, I think “The Path to Atonement” in the forthcoming Nightmareland anthology is quite eerie and chilling. “Missed Signs” from the forthcoming Whispers of the Past is frightening because it is within the realms of probability.
Kaye: What methods do you use to create suspense and make a story scary?
Roberta: I use a slow build up to the deaths as a tool to create suspense as well as a lot of visual descriptions and emotional language. Dialogue and onomatopoeia are good ways of conveying literary “sound effects” and tension in a story.
Kaye: Who is your favorite villain or monster from a horror story or film? Why?
Roberta: My favourite villain is Dracula. I loved his sly intelligence and sneaky ways of manipulating his victims and also the heroes of the book.
Kaye: Is there more dark fiction in store for the future readers of Roberta Eaton Cheadle? What are you working on now?
Roberta: I have recently finished the first draft of A Ghost and his Gold and sent that off to my developmental editor. I am hoping to have it available on Amazon in March/April 2020.
I am also working on book 1 of my dystopian trilogy about a world where drastic measures are required to address climate change and the unemployment caused by the Fourth Industrial Revolution. The first book is called Russian Roulette Anyone? And will probably be available in October 2020. I also hope to participate in more anthologies next year as I really enjoy those.
I want to thank Roberta for sharing with us today. I too have been a fan of dark fiction since a young age, and at one time delved into all works Stephen King. I read The Shining while babysitting one night when I was 15. I was totally immersed in the story and couldn’t put the book down, but I had to call and wake up my mother to talk to me about three a.m. because the story scared me silly. I finished the book before the sun came up though. Although I grew up reading the masters like Stephen King, Dean Koontz, Anne Rice, John Saul, and Peter Straub, doing so set a high bar for the writing of horror.
Roberta gets cudos though for having the nerve to do what I’ve not found the courage to do, the nerve to immerse herself in a world of fear and terror in order to write a novel of dark fiction. You can learn more about Roberta and her books by visiting her on her Amazon Author page or on her Facebook page. You can also learn about her children’s books and her creativity with fondant at Robbie’s Inspirations. And don’t forget to catch her “Growing Bookworms” blog segment on the second Wednesday of every month right here on Writing to be Read.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
As we seek out Christian fiction, I’m reviewing two books from the recently released Thanksgiving Books & Blessings collection – a gathering of Christian western romance, authored by six Christian fiction authors. I have the privilege of reviewing two books from this collection; book two: Mail-Order Misfire, by Davalynn Spencer, last Friday, and book three: Texas Tears, by Caryl McAdoo. In addition to reviewing these Christian western romances, I’m pleased to be interviewing both authors. Last Monday, Davalynn was my guest, and today I have the pleasure today of chatting with the author of Texas Tears and founder of the Thanksgiving Books & Blessings collections, Caryl McAdoo. Please give her a big welcome.
Caryl: Hey, Kaye! It’s great being here with you, and I want to thank you again for this opportunity. I love meeting new bloggers who enjoy reading!
Kaye: It’s great to have you here. To start, can you share a little about your author’s journey? How did you come to be a Christian fiction author?
Caryl: My husband Ron and I wrote a three hundred eighty-five page novel by HAND back in the late 1980s. We paid to have it transcribed and sent it to New York! Again and again and again . . . rejections were aplenty! So in 1993, the Lord led us to a writers’ workshop where we were mentored and learned the craft of writing creative fiction.
That took six years before the first book was published in 1999. For the next nine years, we contracted an average book a year, all with smaller publishers. Then we met a New York agent at an East Texas Writers’ Conference. She said to write her a “Christian historical romance” set in the 1800s and she’d sell it. We did, and she did! To Simon and Schuster’s Howard Books Imprint! We thought we had arrived. That was our tenth title to be published, VOW UNBROKEN, and also where my dearly beloved’s name was removed from the front cover. First the agent then the editor at S&S said one author’s name was best, and female’s preferred for the genre.
So though we were Christians most our lives and our first ten titles were “clean” for the most part. It was our agent who caused us to write our first ‘Christian’ book. And we still write them all together—that’s why I have such strong heroes. We love discussing the story’s plot and about the characters. I adopted the tagline “Praying my story gives God glory!” and that’s exactly what I do! It’s a joy writing clean novels with no cursing and no on-scene intimacies!
Plus, I love the “community of Christian authors and readers. It is such a blessing and honor to serve God’s Kingdom on earth by writing.
Kaye: When did you know that you wanted to become an author?
Caryl: Well now, that goes WAY back to 1962 when I was in the 7th grade and wrote a homework essay on what I’d be doing in the year 2000. I was twelve then and would be fifty in 2000. I wrote about being an “intergallactically” famous author rocketing from planet to planet autographing books! But what can I say? The space program let me down!
Kaye: What do you like to do when you’re not writing?
(image of HEARTS book cover)(image TEARS book cover)
I guess after marketing, I mostly play games! Ron and I play a game called Quirkle almost every day at breakfast, lunch, and dinner.We’re very competitive and keep all the scores and stats and know who won the most games for the month and had the most points accumulated.We also play bridge Thursday nights and once a month on Tuesday at our bridge clubs, and there’s a couple who comes to our house every Friday night to play,too. We take turns fixin’ dinner. One night a week is planned or dinner and games at my son’s, usually Farkle.
Kaye: What is the biggest challenge of writing Christian fiction?
Caryl: Hmm . . . I guess I’d have to say getting the stories out there to the readers. To me, there’s no challenge in the actual writing. In the beginning there was — understanding point of view! POV was not easy to grasp, but once you’ve got it, you’ve got it! An author’s good understanding of POV is why readers feel like they are right there IN the story WITH the characters; why they love the characters so much.There was a LOT of other stuff to learn, but it was easy to get. After writing as many books as I have now, the writing isn’t really a challenge. I’d say it’s fun and rewarding, exhilarating!
Kaye: What is the biggest joy of writing Christian fiction?
Caryl: Working with so many awesome people! Readers and authors and promotion folks, the whole nine yards! I get to write awesome stories that help people learn to forgive, stop worrying, not be fearful, watch the words they say . . . doing all these things cause one’s life to be more peaceful. If they get the principles down,they will find they have more joy, too. What a blessing to affect lives in such a positive way!
Kaye: You write in several sub-genres of Christian fiction: both historical and contemporary romance, Biblical fiction, and mid-grade/young adults. Which is your favorite to write in? Why?
Caryl: Without a doubt, my favorite is the historical romance genre. I love the stories of falling in love and the gentler times of bygone days. Folks worked hard, and families stuck together back then. Women were more modest, and children had plenty of time to be kids. Most of the time, Father went to work and earned the income that housed and fed the family while Mother stayed home to keep the house, cook, and care everyone. Children helped out, too. They felt no entitlement and didn’t resent their chores. It was what was expected. They didn’t have air conditioning back then or so many of our modern-day conveniences, but they had each other and shared so much that the younger generations today have no concept of. Those adventurous souls who left hearth and home to settle the new lands in the West were a rare breed indeed.
Kaye: Texas Tears is your most recent novel, featured in the Thanksgiving Books & Blessings Collection. What can you tell me about that story?
Caryl: It’s a continuation of my Cross Timbers Romance Family Saga, book three, and there’s a big Thanksgiving dinner surprise at the end. Set in 1845, the Texas Congress is deciding whether to join the Union or remain a Republic, thus the“Texas tears.” Plus there’s this one handsome Prince Charming kind of fellow and two best friends both think they love him . . . more tears. It’s a romance and there’s a happily ever after for at least one of the young women.
Kaye: What is the Thanksgiving Books & Blessings Collection and how did you get involved in the project?
Caryl: Back in 2013, I planned a multi-author Facebook party I called the Thanksgiving Books & Blessings Bash, inviting some of my author friends to participate. That’s my favorite holiday of the year. I did that every November following until last year in 2018.
Since it was the event’s fifth anniversary, I wanted it to be special, so I came up with the collection idea and asked the authors that year to write a Thanksgiving story. I had nine that first year, and so this will be the second year for the collection. I’m so excited about having Mary Connealy, Samantha Bayarr, Allison Pittman, Davalynn Spencer, and Liz Tolsma joining me this year! It’s going to be so special! We’re all writing stand-alone novels or novellas with Thanksgiving playing a big part in the story. Readers loved the idea last year, and this year is already surpassing all my expectations. I suspect it will grow every year as I plan on keeping it going!
Kaye:What do you think is the most important element that makes a Christian story?
Caryl: To my way of thinking, all Christian stories will be free from on-scene intimacies and cursing. But what makes it ‘Christian’ is at least one character, maybe several, who live their lives seeking God, His Word and wisdom. I try to include themes such as dealing with fear or worry, the value of forgiveness, responding in love when hurt or disappointed instead of anger or bitterness.
This all makes for some great conflict. In TEXAS TEARS, one of the young heroines has a wonderful character arc, from being self-centered and prideful to caring for others as much as herself. So without being preachy, Godly principles are lived out through my folks.
Kaye: In addition to being an author, you also teach creative fiction. Tell me a little about that. How did you get into it? Why do you find it fulfilling?
Caryl: Well, that aspect of my daily activities came from receiving so much help and mentoring as a new writer. I want to give back, help others on their writing journey to be successful by sharing what I’ve been so privileged to learn. We all pretty much make the same mistakes when we first start.
I determined that from editing professionally for eleven years. I put out a great help a few years back in STORY & STYLE, The Craft of Writing Creative Fiction, told in an easy to understand conversational format with tons of examples. It helped me to not repeat the same things over and over.
Writing creative fiction is different from every other kind, and it can be learned. The same tools—Point of View (POV), scene and sequel, active versus passive, where to open a story to hook your reader, and a satisfying third act, bring the story to an end readers will love and remember.
But the writer must be a storyteller first, and that, I believe, is a gift. And every writer must be willing to rewrite. One of my favorite sayings is ‘Only God writes in stone, the rest of us rewrite!” I googled that one day to quote its originator, and dear Google gave me the credit. I think it might actually have been my husband.
Kaye: How many different series do you have published? Tell me a little about them.
Caryl: I have the two historical romance family saga series, Texas Romance and the Cross Timbers Romance, plus the historical collections I’m in: Lockets and Lace, Prairie Roses (covered wagon stories), Gold Diggers, and Thanksgiving Books & Blessings we’ve already discussed.
As a reader I always loved family sagas and I find I enjoy writing those just as much. I come to love the folks in them. It’s so hard to leave them behind. When my patriarch of Texas Romances passed in book eight, COVERING LOVE, I wept through the writing and the reading at my writers’ workshop!
That series has ten titles, but then there are six extras (so far) I call “Companion Books” with more tales of either ancestors or descendants. And I’ve started the new Cross Timbers that TEXAS TEARS is book three. I have a Red River Romance series of contemporary stories.
The Generations is my Biblical fiction series that so far covers from Adam to Abraham in the generations of God’s book. I love reading Biblical fiction that bring those old familiar characters to life, but am adamant that the fictional story does not deviate from the Bible’s. I mean how dare anyone think they can improve on God’s stories!
Kaye: You are pretty prolific in your writing. How many books have you released in 2019?
Caryl: Seven, and it was almost overwhelming! I believe all of them were over fifty-thousand words, but four of them are full length novels (around ninety to a hundred twenty-five thousand words). If it was just the actual writing, no problem, but being an Indie, I deal with editors and proofreaders — making their corrections and considering their suggestions, getting graphic artists to get the covers done, the formatting of the book’s interior, uploading to publish at Amazon, then the marketing with ‘Cover Reveal’ and ‘Launch’ events, and always on-going promotion.
Kaye: How big a part does networking play in the success of Christian writers?
Caryl: Huge. Christian authors for the most part all help one another. It’s beautiful how there’s so little jealousy and infighting in the community. The large majority want to see the others succeed as much as we want to be successful ourselves, so it just makes everything run so smoothly. And in God’s economy, everyone involved in any project or endeavor walks away blessed.
Kaye: What is your greatest writing accomplishment to date?
Caryl: There is one novel, my first ‘Companion Book’ that went back to the ancestors of the family first met in book nine MIGHTY TO SAVE, the Harrises, who I love. Its title is THE BED WARMER’S SON. One reader says it is her favorite all-time book of all the ones she’s read. Many called it the best of the best or my Magnum opus or my piece de resistance. I love the story, too, and have been thrilled at its reception!
Kaye: What’s next for Caryl McAdoo? What can your readers look forward to seeing from you in the future?
Caryl: Well, I’m planning five new titles in 2020. One for each of my collections — Prairie Roses, Gold Diggers, and Thanksgiving Books & Blessings, a special year as the authors will all set their stories in the Civil War era—and the Sweet Americana Sweethearts’ collection lockets and Lace, plus an extra story LEAVIN’ TEXAS for the Cross Timbers Romance Family Saga series. That one is coming in January. I’ve just passed the sixty thousand word mark writing that one.
Caryl: Thank you so much again, Kaye for inviting me to share with your readers! I so appreciate the opportunity and would like to offer a GIVEAWAY for them! For one of those commenting, I’ll send a print copy of either family saga’s book one—VOW UNBROKEN or GONE TO TEXAS, winner’s choice—AND—an eBook of the same to a second winner, so readers in other countries can win, too! (Print books to U.S. only please)
Please answer this question to enter: How many books do you prefer in a series like mine and how many is too many? (if there is such a thing)
Thank you so much Caryl for joining me here and sharing with my readers. This has truly been a fun interview. I hope everyone will be sure to take part in the giveaway by responding to her question. You can learn more about Caryl McAdoo and her many books on her website or on her Amazon Author page. And don’t forget to pick up your copy of Texas Tears today, too.
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I’m pleased to be chatting today with a prolific author who has burst onto the western scene in a relatively short amount of time. Her debut novel, Freckled Venom, was a Laramie award winner, and she recently signed on with Delilah‘s publisher, Dusty Saddle Publishing. The amazing part is she manages churn out all of her many books, while still holding down a traditional job outside the home, as well. Let’s see if she has any secrets to share. Please welcome western author Juliette Douglas.
Kaye: Your website says you are a new voice in the western genre, but it seems like you have written a lot of books. How long have you been writing western?
Juliette: I was a new voice 5 years ago, as I tend to have more grit in my novels then most women western writers.
I was 1st published in 2013, but the publisher was awful so ditched them and became indie and re-issued my books with new covers and re-edited interiors in 2014. So that’s when I like to say I’ve been published.
Kaye: What did you write before westerns?
Juliette: I have never written a thing before in my life. So I guess you could say I’m a late bloomer.
Kaye: Do you think it is more difficult for a woman to author a western novel and make a success of it?
Juliette: No I don’t. When I began to promote my novels at local events, I sold more to men then women. Since then I have all ages who read my books.
I personally feel it’s easy for me to write strong female characters in an old western setting then to write a contemporary western.
I love history, so it’s a good match for me. I’ve been blessed with my success. I know I am up against many good male western writers who have been around much longer then I have, but I’m making strides.
Kaye: What’s the biggest challenge in writing westerns for you?
Juliette: Making sure the things I want to happen are in the right time frame, I use the weapons for that era etc. For example: smokeless gunpowder did not appear until the 1890s.
Kaye: Your female characters are bold and brassy in a genre where women are typically portrayed as damsels in distress needing rescued by a big strong man. How do you write your heroines in a way that makes them believable, yet allows them to remain independent?
Juliette: I try to put myself into the situation. How would I feel, behave, emotions I might hide or display. Would I be angry or decide these are the cards I was dealt and how would I go about living my life with these secrets or circumstances thrown at me. Women who carved out a future for themselves in the old west had to be some of the strongest I have ever read about and I try to portray that with my characters.
Kaye: What can you share about your Freckled Venom Series?
Juliette: It was a great experience for me as a writer. I loved how my characters took over and I was just the messenger typing out their words and feelings.
The Freckled Venom Series is very different then most western novels out there because it has a gun toting rugged female who bounty hunts instead of the usual male filled westerns. I’ve reversed the roles you might say.
In Freckled Venom Skeletons I tried something different. I had two points of view going on. One from the children’s POV and then the adults and it worked very well.
There will be many more stories in the FV Series. This summer I will have Freckled Venom Vixen The Early Years and for Christmas, Plum Dickens of a Christmas. A reunion of sorts with all the characters brought together in this book.
Kaye: What do you consider to be the single most important element in a western?
Juliette: Good storylines & plots. Plenty of action and hair-raising adventures.
Kaye: Would you talk a little about Perfume, Powder and Lead: Holy Sisters?
Juliette: Hahaha…This was one of the most fun books I have written. The idea is so absurd that this would have happened, but a possibility in those days.
Three soiled doves are tired of that life and set out to the gold fields, but they need money to get there. They stumble across nuns killed by raiders, and the girls change their habits, so to speak and make plans to rob a bank dressed as nuns.
But there are deeper elements also allowing the reader to form a bond with these girls.
It’s raw, it’s gritty and it’s not for everyone to read.
Kaye: Are there any of your books which you’d classify as western romances?
Juliette: I have the teasing potential of romance in most of my novels and my readers seem to like that.
Kaye: One of your most recent releases, Bed of Conspiracy, sounds to me like an
historic thriller involving political conspiracy, assassination plots and cloak
and dagger action, all set during the Grant administration? Was it difficult for
you to stray outside of the western genre?
Juliette: Oh man, I had wanted to do this story for 3 years before I finally found time to write it.
Loved writing this one! Set in 1876 it wasn’t hard for me at all. I loved weaving actual events into the story. Looking at maps of Washington DC from 1876 to learn the layout of the city to include actual street names and places scattered about in the fictional story. It has ended up being one of my most popular novels and due to the high interest has spawned a series. Next one titled: Death Deals the Hand, A Ross & Sam Adventure.
Kaye: Where do you find inspiration for your stories?
Juliette: Every where. Everyday stories and situations that can be transported back in time to the old west!
Kaye: What’s the most fun about writing westerns?
Kaye: The first book in your Freckled Venom series was also your debut novel, Copperhead, which you won a Laramie Award. What is the Laramie Award and how does one receive it?
Juliette: The Laramie Award is the western division of the Chanticleer awards. I submitted Copperhead on a whim and won over very stiff competition.
For 2019 I will be entering Bed of Conspiracy in the Laramie Awards Adventure & Caper category. Will see what happens!
They also have a category for children’s books and I will be entering my 1st Children’s book: We Are Awesome Possums.
Kaye: Would you recommend aspiring authors attempt the western genre? Why or why not?
Juliette: You need to know the history of the old west for sure. There are still many untold stories out there to share, but it takes hard work to come up with a fresh idea with the old tales that would be marketable.
The American Old West is our history, no one else can claim it. It speaks to the hearts of men, women and children across the world. It is America’s claim.
Kaye: If you could have lunch with any author, alive or dead, who would it be? Why?
Juliette: Louie L’Amore. A fascinating man. His stories are based on a lot of his own actual experiences. It would be neat to visit and talk with him.
I want to thank Juliette for sharing with us today. It has been an absolute pleasure. You can learn more about Juliette Douglas and her work on her Facebook Author page or her Amazon Author page. I’m proud to share a publisher with Juliette. I hope you will join me next week on “Chatting with the Pros”, when my author guest will be another Dusty Saddle author, Scott Harris. I hope to see you then.
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My author guest today is a prolific writer, who must publish an average of at least six books per year, in numerous romance series. Patricia PacJac Carroll writes historical and western Christian romance at a rate that I find amazing. The books on her Amazon Author page scroll in what seems like a never ending flow. In addition to her own series, which are many, on occasion, she’s invited to participate in series with a collection of other authors, as is the case with her most recent release. Let’s see what she has to share with us today.
Kaye: In what ways is writing a Christian western romance different from writing a western romance?
Patricia: For me, saying it is Christian means at least some of the characters have a Christian world view. Faith and hope in the Lord are evident in their lives. No preaching or sermons or a lot of verses, only faith as it relates to the story and the characters.
Kaye: Your latest book was recently released, Sandra’s Journey. Would you like to tell me a little about the story?
Patricia: Sandra is struggling, she’s walled herself in away from others. Her little brother’s death and the fact that a fiance left for Calfornia the year before and she only received one letter from him, have stolen her courage. She meets a corporal who is escorting the wagon train, and he challenges her to dream. Romance blossoms along the California trail where by trails end she will have to choose between the two men. A story of courage rediscovered and dreams coming alive.
Kaye: Sandra’s Journey recently came out as a part of a historical western series with a wagon train theme, which includes your book and those of several other Christian western authors. Would you like to tell me about the Lockets and Lace series?
Patricia: The Locket and Lace series is made up of several different authors. I was asked to join in 2018 and wrote Oregon Dreams for the Locket and Lace series for 2018. And then this year again for the Locket and Lace series for this year with Sandra’s Journey.
Every book has a connection to the Bavarian Jeweler in St. Joseph, Missouri. They have a locket that was made in the shop and a piece of lace. We had 9 books last year and 10 this year. They are all wonderful books
Kaye: The Lockets and Lace series books are not the only books you’ve written, by far. You have written several other series, including the Mail Order Brides and The Law Keepers series. How many books have you written? How long have you been writing?
Patricia: I have been writing seriously for thirteen years and began publishing in 2012. I have 40 books out right now and plans for many more. I have several series ~ Mail Order Brides of Hickory Stick, Montant Brides of Solomon’s Valley, and several others.
Kaye: Tell me a little about your author’s journey, if you would?
Patricia: I began writing and attending critique groups in 2006. I loved it, but my friends would call me the book of the week person because story ideas would attack me. I love the thrill of a new story and still do. Finally, I decided I better finish a book and my first book was Liberty Belle that I published in 2012.
Kaye: Your husband is instrumental in your writing, so much so that you’ve incorporated both of your initials into your author’s name – PacJac. Would you talk about how he enables you to write?
Patricia: My husband is a wonderful prince of a man who gives me the time to do what I love. He let me retire in 2006 so I could write. And now, my writing has enabled him to retire. We are a wonderful team and are enjoying our lives. I added the PacJac to my writing name because I found there were other Patricia Carroll’s out there in the writing world. It works well though because you put PacJac in Amazon and it will pop up my books.
Kaye: Your female characters of the contemporary strong and independent variety, or do they follow the traditional damsel in distress variety of heroine?
Patricia: I’d say they are a combination. While I want to be historically correct, readers live in the 21st century. I do like spunky women, but I also enjoy writing about a character who grows in courage and strength, too.
Kaye: What part of writing do you find to be the biggest challenge?
Patricia: The self-discipline. I am a seat-of-the-pants writer, and I tend to live my life the same way. I enjoy fun, family, and friends as well as writing so at times the need to balance comes into play.
Kaye: Where does your inspiration come from?
Patricia: The Lord. He gives me the stories. I am amazed at how He has made sure I understand that. One time I had the opportunity to put a Christmas story in an anthology and had a weekend to write it as it was due Monday at noon. Now, I had bragged that if you just give me a name and a place, I will come up with a story. Well, after my haughty attitude, my friends gave me a name and place and my imagination heard crickets. Nothing. Nada. No story. Now, that was a bit scary to me. A writer isn’t much without a story. So I figured I missed the anthology. But then at 5:30 Monday morning I woke up with a picture in my mind of a cowboy on a horse pulling a Christmas tree and knew I had a story. And I wrote it and turned it in before noon. You can find that story in my book Christmas in Texas. The Richest Christmas. So I will give the Lord all the credit for anything good that I do. Any mistakes are mine.
Kaye: Your books obviously are portrayed in a western landscape, based on historical times and events. What kinds of research do you find yourself doing for your books?
Patricia: Documentaries, books on the old west. I have always loved the west and westerns.
Kaye: Do you feel you draw pieces from your own life into your stories? How so?
Patricia: Yes, and I tell my friends anything may be used in a story. I know I often have my characters state “How hard can it be?” That is all me.
Kaye: What is the most fun part of writing western romance for you?
Patricia: I enjoy the characters and the things they get themselves into. Plus horses, I love horses and they have always been part of the draw to westerns for me. I also love the idea of the wide open wild country.
Kaye: What is something many of your readers wouldn’t guess about you?
Patricia: For twenty years, I owned and ran a pet store. Sea Horse Pets in Arlington, Texas. As you can guess I love animals. And people. I love to write, and my heart is that readers will enjoy my stories and be strengthened and encouraged by reading them. I enjoy making readers happy.
I want to thank Patricia for joining me today to share her thoughts with us. I don’t know about all my readers, but I am astounded by the sheer volume of her works. You can learn more about Patricia at the links below. Stop in and see if you too are not awed by the books she’s produced within the span of the past seven years.
Author page on Amazon: https://www.amazon.com/Patricia-PacJac-Carroll/e/B008R9JCN2/
Facebook Author page: https://www.facebook.com/PatriciaPacJacCarrollAuthor/
Newsletter sign up http://eepurl.com/bpPmbP
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I’m talking today with fantasy author Laurel McHargue, a woman with a lot of energy. She’s written eight books including her Waterwight fantasy series and an adult fairytale, The Hare, Raising Truth, she hosts her own podcast, Alligator Preserves, is a former teacher and active community member, networks and promotes her works online, and finds time attend writing events for face to face interactions with her fans and potential new readers, as well as other authors. Even through email the positive energy radiates from this author. I could give you a lengthy fanfare on how impressed I am with this lady, but I think it’s better to let you see for yourselves. So, without further ado, please welcome Laurel Mchargue.
Kaye: Would you talk about your author’s journey? How did you come to come to be a writer?
Laurel: When I was quite young, I learned I could get attention by telling stories. As the fourth of five girls, I was low on the proverbial totem pole when it came to feeling important, so I had to be creative. I think my wild dreams helped, though eventually, my parents would roll their eyes when I’d come down in the morning with an “unbelievable” dream I’d just have to share. Who knew a dream would launch my first fantasy series? I didn’t then, but hey, I was just a kid!
Fast forward through a lifetime of unique experiences that people were curious about—I was frequently told, “You should really write about that!”—and I finally made the decision to make writing my career. I always did well in classes that required writing, and there were teachers along the way who encouraged me greatly.
I think I always knew I’d write stories someday, but until I made the commitment, it was always a “someday” kind of dream.
Kaye: What can you tell me about your YA fantasy series, Waterwight, and specifically about your Waterwight Breathe which will be released on March 15th?
Laurel: Waterwight started with a dream in which I was running away from bad guys through a dilapidated town, and I came up against a large body of water. The only way across it was to fly, and so I flew. Halfway across, however, I doubted my ability to make it to the other side and started to fall. A flying frog appeared and said, “Grab hold!” and I grasped his leg. He got me to the other side and then died in my arms. The dream had other elements I was able to use in my story as well. Anyway, I shared the dream with my author friend Carol Bellhouse (because I wasn’t living at home anymore!) and she told me I needed to write a story around it.
At the time, I’d never written fantasy, and the thought of turning a dream into a story thrilled and terrified me! Over the course of a year my story unfolded chapter by chapter, and by the time I got to the end, I wasn’t ready to leave my characters. I knew there was more for them to do, and there were questions I needed to answer. So, Waterwight Flux answers questions, develops characters, and sets up more challenges for Celeste, the orphaned protagonist.
I chose to write Waterwight Breathe, the final book, in first person present tense perspective after reading The Hunger Games. I love the immediacy of the thoughts and actions, and having the last book narrated by the protagonist seemed like the perfect way to end the series. I know it’s unconventional to have different points of view in the same series, but my life decisions have frequently been unconventional, and I have no regrets!
Waterwight Breathe is available on March 15th, and it might be my favorite work yet. I couldn’t wait to get to the ending, the only part of the book I actually planned!
Kaye: You received three CIPA EVVY awards for the first book in the series. That’s quite an accomplishment. What is it about this book that makes it EVVY Award worthy?
Laurel: The CIPA EVVY awards are highly competitive, and each book is evaluated with a rubric—not against other submissions. The judges look at everything from cover design to editing to plot and character development. Waterwight is a fantasy adventure with mythical and mystical elements and a female protagonist; it received praise from Kirkus Reviews and many readers. I’d like to think those readers and the EVVY Awards judges felt compelled to keep reading at the end of each chapter. I had fun ending most of my chapters with cliffhangers!
The first book is also divided into three parts, so readers get to see what’s happening from different perspectives in each part. As a bonus, and because I’m a former English teacher, I added a synonym glossary and questions for discussion in the back of each book in the series. I don’t dumb down my prose for YA readers.
I used 99designs.com for my cover design and couldn’t be happier! The same artist created my covers for all three books in the series. Also, I paid a professional proofreader to ensure there weren’t any annoying typos or misspellings.
Kaye: Your novel Miss? is based on your own experience as a first-year teacher and earned the IndieReader Approved Award. Tell me about this book.
Laurel: I’m incredibly fortunate to have friends who are authors too. In 2012, one of those friends, Stephanie Spong, challenged me to do NaNoWriMo with her. I had never heard of such a beast! Well, being the competitive individual I’ve been told I am, I looked into it, and after thinking the 30-day personal challenge was ludicrous, I signed up on October 31st!
This was about six years after my first year of teaching 7th grade English in a doomed middle school. As a resigned Army Major, I honestly thought teaching 7th grade Language Arts would be a breeze. Oh…Em…Gee! I was very wrong.
Because I couldn’t believe what I was experiencing each day, at the end of the day I’d create a bullet-point list of everything that happened. I walked into NaNoWriMo with a year’s worth of those bullet points and had all the material I needed to write my first novel.
I remember telling my students, “Someday, I’m going to write a book about you all!” I said it as a humorous threat, and every class would be filled with hands going up and exclamations of, “Oh, Miss! Can I be in it?”
Although I couldn’t put all 130 students in “Miss?”, I meshed together many of them and included actual events from that year. I say it’s “loosely fictionalized” because of that, and because I added some romance and a scary situation that didn’t actually happen, but could have.
Kaye: Could you talk about your adult fairytale, The Hare, Raising Truth?
Laurel: The same friend who challenged me to NaNoWriMo challenged me to a 3-Day Novel Writing Contest! Stephanie Spong discovered the contest and really wanted to do it, so what choice did I have? (smiley face).
I sent my husband away for Labor Day Weekend (official contest dates), stocked my house with food and beverages, and set up little workout stations around the house. Stephanie came to my house ready to write for 72 hours and we agreed on rules: She could have the dining room, I had the “Red room” (that may have influenced my writing!), and no talking unless we happened to bump into one another in the kitchen.
We were very good girls!
As I enjoy challenging myself with different genres (and contests with crazy time limits), I decided to try something completely different for this contest. “I’m going to write it in 2nd person perspective,” I told Stephanie, and she warned me about the difficulty. Bonus, I thought. I also thought I’d write something light and funny.
Something happened, however, when I heard Rod Serling’s voice from The Twilight Zone in my head (in the Red room). My story turned darkly comedic quite fast, and there was nothing I could do about it . . . I had to see where it would take me.
I completed The Hare, Raising Truth—a Grimm’s Fairy Tale/Twilight Zone mashup—in about 38 hours. It’s novella length, and it was an absolute blast to write. My husband read it when he returned from his banishment and said it’s the best thing I’ve written so far, and I’ve had many people ask, “How did you get into the head of a horny teenage boy so well?”
Well…it wasn’t that difficult!
Kaye: You have a podcast called Alligator Preserves. What is that about?
Laurel: I started my podcast Alligator Preserves—which is about storytelling and the human condition—for several reasons. I wanted to be able to narrate my own books, so my husband set me up with the equipment I’d need to do that (even after I banished him that Labor Day weekend!). Also, friends had suggested that many of my blog posts should be recorded, since blog posts tend to get buried and lost once they’re posted. I wanted to be able to “tell” stories as well as write them.
When I started recording, I realized I had a great set-up for interviewing other people who’ve “done things” too, so I started asking racers and Reiki practitioners and authors and challenge seekers if they’d like to share their stories. The response was overwhelming, and now I have a hard time figuring out how to fit them all into my own schedule while still having time to do my writing.
Recently, I’ve gone to a pay-for-service model for anyone with a book or product they’d like to promote. Creating a podcast with another person is a lot of work. I value the time I spend reading and researching (prior to the interview) and editing and posting to social media (post recording). I provide all the links to the audio and video I create to my interviewee for use on their social media as well. For authors, it’s another plank to add to their author platform!
Kaye: What is the biggest challenge of writing fantasy?
Laurel: I can visualize scenes in my head so clearly, and most of them are fast-paced. The challenge is in slowing down my writing to help readers see what I’m seeing. Also, sometimes my writing is dream-like, and I have to find ways to convey that not-quite-real feeling.
That’s how multiple drafts help. I may blast through several chapters, totally believing that I’m conveying what my mind is seeing, and then I’ll have someone read them and they’ll say, “Huh? What just happened here? I don’t get it”!
My challenge is usually in adding more to a scene rather than deleting. There’s always more an author can do to make their writing sing more clearly!
Kaye: What’s the most fun part of writing for you?
Laurel: I think many authors might say that writing “The End” upon completing a project is the most fun, and I won’t lie—a happy dance always follows—but really, the fun is in the little surprises that happen along the way. It’s the unexpected character that pops into my head while I’m walking the dog or the funny thing a character will say. I’m more of a “pantser” than a “planner,” so I’m surprised all the time!
Sharing my work and having a fan say, “Wow! I loved that!” is another obvious fun part, but that’s after the writing is published. I brought my work to the 2018 Denver Comic Con and was blown away by the interaction I experienced with readers. I’ll attend the 2019 Denver Pop Culture Con (new name) this year with my completed trilogy and a new graphic novel! Now, that will be fun!
Kaye: Fantasy isn’t the only genre that you write in, and you hope to explore as many genres as possible throughout your writing career. What is your favorite genre to date?
Laurel: I’m horrible when it comes to “what’s your favorite” questions, but I’d have to say that I’m really enjoying short stories right now. I’ve entered several “flash fiction” contests with very short time limits, and being able to complete a project in a week or less exhilarates me!
I’m putting together a short story collection now. I’ve promised my Patreon patrons a new short story every month (which I narrate on my podcast Alligator Preserves) and when I’ve created enough, I’ll publish them and acknowledge my partons.
That said, many of my fans tell me they love my nonfiction blog posts. Once Waterwight Breathe is launched, my next big project will be a nonfiction piece based on my dad’s WWII letters. I hope to have a draft completed by the end of 2019!
Kaye: Where does your inspiration come from?
As Neil Gaiman said when asked where he got his ideas, “I make them up . . . out of my head.” (http://www.neilgaiman.com/Cool_Stuff/Essays/Essays_By_Neil/Where_do_you_get_your_ideas%253F). But how does inspiration get into my head? It gets there from every sensory experience throughout my days and from the Technicolor dreams I’ve had since I was a child. Someone said dreams are your brain’s way of dealing with all the things bombarding your senses during the day, and when I remember my dreams, I can often link them to something that has happened, or something that’s been “on my mind.”
Real people and creatures inspire my characters as much as imaginary ones (and who says the bizarre creatures in my dreams aren’t “real”?). Old Man Massive, the mountain spirit in my Waterwight trilogy, was inspired by an outcropping of stone on Mt. Massive that looks like an old, bearded man. Names and superpowers were inspired by real people I’ve known or met while writing the series. Zoya, my tragic octopus, was inspired by a paddleboarding experience on Twin Lakes, as was Noor, my fire-breathing dragonfly. The whole series started with a crazy dream I shared with a friend. I see and find inspiration all around me.
People have asked me where I get my imagination from, and all I can say is that it must be a gift from the universe! It’s certainly not a “thing” you can buy, and I’m not even sure it’s a “thing” you can learn. I consider myself quite fortunate that I was born with an imaginative brain.
Kaye: What do you do when you’re not writing?
Laurel: When I’m not writing, I’m thinking about writing or I’m marketing my writing (sure wish I could clone myself for that task) or I’m reading or I’m recording a podcast episode or I’m cooking a yummy dinner or I’m brushing a pillow’s worth of hair from my German Shepherd or I’m cleaning out my sock drawer (because, where do all those socks come from?) or I’m swimming (several mornings per week, and not very fast) or I’m chatting with my friends or with one of my four sisters or I’m worrying about my sons (because I’m a mother) or I’m wondering how the day has passed so quickly. And other things, too.
Kaye: Hunting for Red Meat is a collection of memoir-style essays based on your own adventures hunting elk. When did you get the idea to make them a published collection?
Laurel: Several friends have told me how much they enjoy my blog posts, and one of them, Erin Sue Grantham (who also hunts), suggested I put them into a book. When I looked at putting them all in a book, I was overwhelmed by how many stories I had, and realized a book containing them all would be too big. So I thought about segregating them into topic areas.
After three years of hunting (and never filling a tag), I had plenty of hunting blog posts, so I decided to start there. Our oldest son, Nick, suggested it would be a “blook” a blog book, and I had fun coming up with the title.
I really thought I’d have a lot more sales by now with a title starting with “Hunt for Red…,” but alas, no. I honestly think many readers would enjoy it as it’s far more of an appreciation of the majesty of the wild outdoors than it is about hunting. I share my awe and my suffering, my adrenaline and my poetic moments.
My next “Blook” will probably be about our camping adventures.
Kaye: You have also published two books on Haiku. Do you have a special love for that poetry form? What is it that draws you to it?
Laurel: I love Haiku because—like a short story—they finish quickly. You have only seventeen syllables to play with, and it’s like completing a puzzle. Five-seven-five. That’s it.
Teaching grades 7-12 also gave me an appreciation for Haiku. When the word “poetry” comes from a teacher’s mouth, it’s generally followed by groans. Once a student learns how to count out syllables, though, and fit them into a “puzzle,” or a “math challenge,” for those more inclined toward that side of the brain, poetry suddenly becomes fun.
I was always amazed by the final products my students would create, boys as well as girls, and what fun it was to watch them tap on desktops or count on fingers while figuring out the syllabic pattern.
Haikus Can Amuse: 366 Haiku Starters “happened” after I dropped my cell phone into the ocean. Cell phones don’t like salt water. Anyway, I had a few weeks to kill before getting a new phone (I was away on vacation when it happened), and it was Leap Year, so I figured, why not come up with 366 first lines! I put that together as a gift journal for people who like filling in blanks and journaling just a little bit.
Hai CLASS ku is a spinoff of my cell-phone-debacle book, and it’s designed as a classroom workbook with a semester’s worth of haiku first lines (90) and space to draw a sketch and write a bit about inspiration. It’s also a great tool for substitute teachers.
Kaye: Which author or poet, dead or alive, would you love to have lunch with? Why?
Laurel: Dead? Steinbeck. Why? Because I love his writing. Alive? Margaret Atwood. Why? Because I love her writing. So many tremendous authors, so, so, so little life to experience them all.
I want to thank Laurel for joining me and sharing a little about experiences and her work. You can learn more about both at the links below.
SoundCloud (Alligator Preserves podcast): https://soundcloud.com/user-564361489
Stitcher permanent show link: http://www.stitcher.com/s?fid=165314&refid=stpr
(this link is optimized for mobile and Twitter posts)
Amazon Author page: https://www.amazon.com/Laurel-McHargue/e/B00INB9OO6
Blog link: http://leadvillelaurel.com/
LinkedIn: Laurel (Bernier) McHargue
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After writing an excerpt of Delilah for an assignment in grad school, I remember thinking, ‘this could be a book’. But I also remember thinking that a western by a female author probably wouldn’t sell. Women weren’t supposed to write westerns. After all, the western frontier was for rugged men. I knew there were women in the west, but I guessed that they weren’t protagonist material. Then, I wrote and published Delilah anyway. It was a story that wanted to be told. My character, Delilah spoke to me and the writing of the tale was too important for me to let the idea that it might not be a best seller stand in the way.
In the meantime, I was happy to learn that there are other female western authors out there. I’m pleased to have one as my guest today. Her books are set in the historical New Mexico landscape based on factual historical people and places. Western fiction author Loretta Miles Tollefson will share her thoughts on the matter of gender in the western genre and other aspects of writing and her books.
Please welcome Loretta Miles Tollefson.
Kaye: Would you share the story of your own publishing journey?
Loretta: When I was fifteen I won a writing contest in a Sunday School paper and that triggered a deep desire to continue to see my words in print. I published a couple more pieces in that same paper, then branched into short stories and poetry in my 20s and 30s. I had a few things published and received a co-publication offer for a novel. Unfortunately, I didn’t have the financial resources to follow up on that. I continued to write and had some poetry published in my 40s and early 50s. I self-published a couple novels in my mid-50s and then The Pain and the Sorrow was published by Sunstone Press in 2017. I was frustrated by the lack of opportunities to advertise a novel that had been traditionally published and went back to the self-pub route with Not Just Any Man.
Kaye: When did you know you wanted to be an author?
Loretta: I was 15 but, because I come from a very practical family, I chose to take the pragmatic approach of going into newspaper and magazine work instead of stepping into the uncertain waters of fiction. Eventually, I became a Special Projects Manager for a regional planning organization here in New Mexico, a job which utilized both my writing and research skills. I didn’t realize my dream of writing full time until I retired about five years ago.
Kaye: What is the most enjoyable part of writing westerns for you?
Loretta: For me, the most enjoyable part of writing is finding ways to bring the historical details, my characters’ personalities, and the storyline itself together. It’s like weaving a tapestry. And then there’s always the sudden inspiration that seems to come out of nowhere, when my characters seem to be telling me what they want to say. Although I, as the author, always have control, I’m sometimes surprised at where the story takes me.
Kaye: What is the biggest challenge of writing western fiction for you?
Loretta: I think my biggest challenge in writing historical fiction set in the West is feeling like I need to double check all the details. Even though I grew up on a small farm and we had horses and cows and chickens and hung the clothes on a line and pretty much all the rest of it, there’s a great deal I don’t remember or took for granted at the time. And, of course, I didn’t actually live in the early 1800s. I have to be careful not to assume certain ways of doing things or specific pieces of equipment were common back then. I’m always concerned that I’ll slip into an anachronism.
Kaye: You follow the old adage “write what you know”, setting your books in areas where you have lived and are familiar with, yet you must envision those settings in another time period. It seems perhaps your own setting acts as inspiration for your stories?
Loretta: It does. Very much so. I’ve lived in New Mexico almost thirty years and was fortunate enough to travel all over the state in connection with my job. Then, after I retired, we moved to Eagle Nest, New Mexico, on the northern end of the Moreno Valley. We lived there five years and that experience really brought together my love of history and my desire to write full time. There’s so much history here in New Mexico that I don’t think I will ever run out of ideas. We recently moved to Santa Fe, New Mexico, and that will continue to inspire me and to provide me with great resources for my research.
Kaye: Your novel, Not Just Any Man, was recently released. Would you like to tell us a little about that book?
Loretta: Not Just Any Man is about a black mountain man in 1820s New Mexico named Gerald Locke, Jr. It’s an adventure story, as Gerald traps in Northern New Mexico and then joins a fur trapping expedition across the Arizona desert and up the Colorado River. The group includes Enoch Jones, the only mountain man in the West who seems to have an issue with Gerald’s skin color. Jones has a few other issues as well, and the conflict between the two men is a crucial plot element.
But this isn’t just an adventure story. Gerald has met a young woman in Taos who seems far above his station in life and he can’t stop thinking about her. Even if he can survive the Sangre de Cristo mountains, the Mohave Indians, and the arid rim of the Grand Canyon, as well as Enoch Jones, can Gerald prove to himself and the girl he loves that he is, after all, not just any man?
Kaye: Do you think western readers are more receptive to male protagonists?
Loretta: There certainly are a lot of male protagonists in the western genre. I think this is because the traditional Western initially reflected the cultural assumption that only men played an active role in events in the West. As we broaden our understanding of the historical West, both before and after the United States was the primary actor there, we’re realizing just how often women played critical roles on the frontier. Life was harsh. Any family that was going to survive needed everyone in it to be fully engaged. Women had to take on roles they hadn’t necessarily played before. If anything, I believe their experiences on the frontier helped to begin breaking down the barriers that we’re still disassembling today. As we do that, I suspect Western readers will become more and more receptive to all kinds of protagonists.
Kaye: You have wonderful covers with beautiful landscapes that cry out ‘western’! Where do you get your covers?
Loretta: Well, thank you! I’m glad you like them. I worry about my covers. Other than The Pain in the Sorrow, I’ve designed them all myself and created most of them using a combination of Publisher and Gimp. The pundits’ advice is to have someone else do them, but I tend to have very specific ideas about what I want, and I haven’t yet discovered anyone who can quite catch my vision.
Loretta: The Pain and the Sorrow was strongly inspired by New Mexico history. Its characters actually existed and the primary incidents in the story are based on historical artifacts.
The plot of Not Just Any Man is also strongly situated in actual events. While the protagonist and villain are both fictional, most of the mountain men in the novel, are based on actual people—Old Bill Williams, Milton Sublette, Ewing Young, etc.—and much of the story line is based on their first-hand accounts.
Kaye: The Pain and the Sorrow has historical basis, as do all your books as I understand it. And it’s obvious that you strive to make your details as accurate as possible. Do you weave the history into your stories or is it the New Mexico history that inspires the stories?
Kaye: The Pain and the Sorrow is based in New Mexico history and a historical figure of legend, but the story about your female protagonist. Not all of your novels have female protagonists though. Was the female protagonist easier to write since you have a natural female perspective?
Loretta: The Pain and the Sorrow was a very difficult story to tell because of the abuse my teenage protagonist suffers at the hands (and other body parts) of her husband. I think that writing Gregoria’s story may have been more difficult for me precisely because I am female. My emotions were very raw during the entire process. I might have found it easier to tell Gregoria’s story if I didn’t have a “natural female perspective” and felt less connection with her.
Kaye: Do you think it’s more difficult for a female to make it in the western genre than it is for male authors?
Loretta: I think it’s difficult for any author to break into any genre today, regardless of their gender. However, it seems to me that more women are writing Western-style stories and getting them published than has been true in the past. For example, of the fourteen authors showcased in Five Star Publishing’s recent The Trading Post and other stories, four or five are women. In early December 2018, the twenty top-sellers in Amazon’s Western category included at least two women. There may have been more, publishing under a male pseudonym. We’ll really know that women have made it in western fiction when no one finds it necessary to use a male, or male-sounding, pen name when they do so.
Kaye: My publisher slapped Delilah into the romance category, listing it as a frontier romance. While there is a romantic element to the story, I didn’t make it the major focus of the story. I guess they thought it was more marketable as a romance, and I do think that because my protagonist is female, the book might have a stronger appeal to a female audience. Do you think western readers are more receptive to stories with a male protagonist?
Loretta: That’s hilarious. I really liked Delilah and I enjoyed the romance element in it, but classifying it as a frontier romance seems to me to diminish its marketing potential. I never search for frontier romance. As a result, I would have missed Delilah entirely if that’s the only place it could be found. I feel strongly that the current way the market is being sliced into finer and finer categories does us all — readers and writers alike — a disservice because it makes it more difficult to find the well-written, well-conceived books like Delilah that transcend easy categorization.
Kaye: Do you feel that it is harder for women authors to be taken seriously in the western genre?
Loretta: To a certain extent, this may be true. After all, as I mentioned above, some women authors of Westerns apparently feel that it’s necessary to use pseudonyms to obscure their gender. But I think that as we persist, this will become less and less of an issue.
Kaye: You are also a poet and you have out several poetry books. Would you talk a little about what inspires your poetry?
Loretta: My poetry is very personal, especially But Still My Child, which contains the poems I wrote after a miscarriage over thirty years ago. The poems I wrote during that time and afterwards helped me process that grief and I hope publishing them will support others in that same process.
My other volumes of poetry were the result of an attempt to blend my interest in poetry with my love of story. For historical stories, now that I think of it. The poems in But Then Moses Was There and Mary At The Cross try to get inside the heads of Biblical characters to express what living their experiences might have felt like.
Kaye: You’ve also written other non-western novels. What other genres do you write in?
Loretta: I’ve written an urban fiction about coming of age/homelessness in 1980s Seattle and a chick lit novel about a New Mexico couple who wins the lottery. I’m not working in either of those genres now. I’m focusing my energies exclusively on historical fiction set in Old New Mexico.
That focus on historical fiction has also resulted in two short story collections set in New Mexico: Valley of the Eagles and Old One Eye Pete. Valley is a collection of micro-fiction. The stories are all 500 words or less. Old One Eye Pete contains longer pieces, with stories featuring the mountain man Old One Eye Pete acting as the narrative thread.
Kaye: What is the working title of your next book?
Loretta: It’s called Not My Father’s House. It’s a sequel to Not Just Any Man and (spoiler alert!) focuses on Suzanna’s struggle to adapt to living high in New Mexico’s Sangre de Cristo mountains. I’ve just finished the second draft, so it should be out by the middle of 2019.
Kaye: Besides writing, what are your favorite things to do?
Loretta: I research material for my upcoming books — or at least I tell myself it’s for my upcoming books. Hah! And I read fiction: historical, mystery, suspense, Westerns, and pretty much anything else that looks interesting to me at the moment. I review most of everything that I read, unless it has 100 reviews or more. I would love to review more historical fiction set in 1800s New Mexico and Southern Colorado, since Southern Colorado was part of New Mexico at one time.
Kaye: Would you tell us a little about your blog? What will readers find there if they visit?
Loretta: My blog is at http://www.LorettaMilesTollefson.com. About once a week, I post a short piece about a historical event or a flash fiction story set in Old New Mexico, which I define as anything prior to statehood in 1912. The site also includes news about, and links to, my books.
Kaye: Which author or poet, dead or alive, would you love to have lunch with?
Loretta: I have so many favorites. This is a hard question to answer. I think right now, given the work I’m doing, the person I would most like to have lunch with would be Paulette Jiles. I really enjoyed her News Of The World and the way she brought actual events to life in that book.
Kaye: What do you like to do when you’re not writing?
Loretta: I read and explore the region with my husband. Ultimately, it’s all research.
Kaye: Is there anything unique or unusual about your writing process?
Loretta: My writing process consists of writing the first draft, letting it sit a month, revising, letting it sit a month or so, then revising again until I feel it’s really ready. This process seems to be becoming more unusual in today’s fast-paced writing environment.
Kaye: How much non-writing work, (research, marketing & promotion, illustrations & book covers, etc…), do you do yourself for your books?
Loretta: At the moment, I’m doing all my own research, marketing, promotion, book covers, and so forth. I’m stretching myself pretty thin with all these different activities, but doing it all gives me a lot of control. I may have to start farming some of the non-writing work out as I move along in my journey.
Kaye: If your book was made into a film, who would you like to play the lead?
Loretta: To tell you the truth, I watch so little television and so few movies these days, that I’m not sure who would be the best actor to play Gerald or Susanna in a movie based on Not Just Any Man or Gregoria or Charles Kennedy in The Pain And The Sorrow. I’d love some input from your readers on this question.
Kaye: I can and will reach out to readers for input on who should play your leads were your story made film, but now you have to answer another question: Since many of my readers may not have read your books, can you tell us what characteristics these characters would have so they can better imagine who would be a good fit?
Gerald: square forehead, gray eyes. Half black/half Irish. Late 20s.
Suzanna: slim, tall for a woman (about Gerald’s height). long black hair, dark brown eyes. Half anglo (WASP), a quarter french, a quarter Navajo. About 16.
Alright readers. Here’s your chance be heard. Who do you think would be good for the roles of Gerald and Suzanna? Please comment with your suggestions. Loretta and I would both love to hear the possibilities.
Kaye: What advice do you have for aspiring authors?
Loretta: In a nutshell: read, revise, revise again.
If you plan to write fiction, read fiction. Especially classic fiction: Hemingway, Steinbeck, Austen, Dickens, and so forth. Also, read contemporary fiction, and not just books in your genre. Some of my favorite authors right now are Louise Penny and Donna Leon. They teach me pacing and character development. I’m especially fascinated by the way their protagonists develop over the course of the series. Everything’s research, even the books you don’t like. And don’t be afraid to express your opinions and trust your instincts. It’s okay to not like a book even if everyone else is saying how wonderful it is.
Most of all, revise! As Anton Chekhov said, “rewrite everything five times.” Well, maybe not that many, but you see what I mean. I would add “but not immediately” to that advice. Take the time to let your work rest, and then go back and look at it again. When you start changing sentences back to the way you had them in a previous version, that’s when you should stop. But not until then.
Revise it, let it rest, then revise it again. There’s a popular saying that “Perfection is the enemy of done.” I am uncomfortable with that statement. While no work is going to be absolutely perfect, rushing to publication is the enemy of quality work. Try to get your story as well-written as possible. Producing quality work is what will keep your readers coming back for more.
I want to thank Loretta for joining us today and sharing a glimpse into the world of western writing from a female author’s perspective. I have admired her work since I reviewed The Pain and the Sorrow last May, and it’s a thrill to have the privelage of interviewing her. It’s a real treat to hear from another female author in the world of western fiction.
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Being a newly published author is a big deal. At least it is to me. Now that I have a book to promote, that’s where I’ve been spending a lot of my time. After all, I want to send my book off right. So, for the past few weeks, that’s all you’ve heard from me, talk about Delilah.
I’ve learned that promoting my book is even more work than I had anticipated, which is not to say that I’m not relishing every bit of it, even though I moan and groan about most marketing activities. I’ve promoted my heart out, appealed to readers for reviews, applied for a Goodreads author page, (next, I have to figure out how to do the same on Amazon), contacted people about release parties, and I’m doing an author interview with Dan Alatorre.
You can read my author profile, which includes that interview on Dan’s blog today, so I hope you all will check it out. You can read my author profile here. And don’t forget stop in here and read my interview with Dan, which will be posted here on Writing to be Read next Monday.