Looking Back Over 2016

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This will be the last reflective post of the year. Next Monday’s post will find us in 2017. For my writing career it has been a slow take off, but I’ve seen progress. In July, I completed my Master of Fine Arts degree in creative writing. With emphasis in both genre fiction and screenwriting, and two completed novels, Delilah and Playground for the Gods Book 1: In the Beginning, two full feature film scripts and one comedy series pilot script in hand, I eagerly jumped right in to get my feet wet in either the publishing and/or screenwriting industry. I began submitting my work to agents, publishers, and competitions like crazy. I received mostly rejections, as expected, and although I still haven’t found a home for either novels or scripts, I did manage to find a home for two poems and two short stories. Not too bad. While the poems, Aspen Tree and Yucca! Yucca! Yucca!, appeared in print, (in Colorado Life (Sept.-Oct. 2016) and Manifest West Anthology #5 – Serenity and Severity, respectively), my short story,  I Had to Do It was published on Zetetic: A Record of Unusual Inquiry, and my not so short, short story, Hidden Secrets was published on Across the Margin.

2016 has been a pretty good year for Writing to be Read. The revamping of the blog site was completed in March, I’ve managed post things on a fairly regular basis, we were honored with guest posts by my friend Robin Conley, and my visits and page views have risen, with almost 2000 visitors and over 2,500 page views. Looking at this, makes me feel pretty good about the blog, as a whole. Another good change is the addition of screenwriting content, which I believe has drawn a larger audience by widening the scope of the content.

13595804_10208551605339796_604487774_nThe top post of 2016 was my book review of Simplified Writing 101, by Erin Brown Conroy, which is an excellent tutorial on academic writing, including writing advice that every writing student should know. After that, the reflective post Writing Horror is Scary Business would be second in line. Other popular posts include my four part Making of a Screenplay series,( Part 1, Part 2, Part 3, and Part 4), my Tribute to My Son, and What Amazon’s New Review Policies Mean for Writing to be Read. More recently, my ten part series on publishing, Pros and Cons of Traditional vs. Independent vs. Self-Publishing gave me the opportunity to interview some awesome names in the publishing industry: self-published authors, Jeff Bowels, Tim Baker and Art Rosch; traditionally published authors Stacia Deutsch and Mark Shaw; independently published author Jordan Elizabeth; and children’s author Nancy Oswald, who has published under all three models; as well as Caleb Seeling, owner of Conundrum Press and Curiosity Quills Press – with the final installment summarizing the conclusions made from those interviews. Snoopy Writing

Many of my posts were reflections of my own writing experience. These included: Why Writing is a Labor of LoveFear is a Writer’s Best FriendI’ve Come A Long Way, BabyWriting the Way That Works For YouCreating Story Equals Problem SolvingWhat’s A Nice Girl Like Me Doing Writing in a Genre Like This?; Acceptance or Rejection – Which Do You Prefer?; A Writer’s Life is No Bowel of Cherries; Write What You Know; Discouragement or Motivation?; What Ever Happened to Heather Hummingbird?; How You Can Help Build a Writer’s Platform; and Why Fiction is Better Than Fact.

2013-03-16 Ice Festival 014Sadly, I only attended two events that were reported on, on Writing to be Read in 2016 – the 2016 Ice Festival in Cripple Creek, and the 2016 Writing the Rockies Conference in Gunnison, Colorado. What can I say? I’m a starving writer. This is something I hope to improve on in 2017 by attending more events to report on. One possible addition to the 2017 list that I’m very excited to think about is the Crested Butte Film Festival. The details are not ironed out yet, but I’m keeping my fingers crossed.Fear of Laughter

Screenwriting content included this past year seemed to be popular. In addition to my Making of a Screenplay series and Writing Horror is Scary BusinessWriting to be Read also featured Writing Comedy for Screen is a Risky Proposition, and a book review for Hollywood Game Plan, by  Carole Kirshner, which I can’t recommend highly enough for anyone desiring to break into the screenwriting trade. Robin’s Weekly Writing Memo also included several writing tips that could be applied equally to literature or screenwriting.

Another project I’m particularly proud of is my ten part series on publishing, Pros and Cons of Traditional vs. Independent vs. Self-Publishing, which I just finished up last week. In this series I  interviewed nine professionals from within the industry to get the low down on the three different publishing models. My interviews included self-published authors Jeff Bowels, Tim Baker and Art Rosch, traditionally published authors Stacia Deutsch (children’s books) and Mark Shaw (nonfiction), and independently published YA author Jordan Elizabeth. To balance things out a bit, I also interviewed children’s author Nancy Oswald, who has published with all three models, Clare Dugmore of Curiosity Quills Press and Caleb Seeling, owner and publisher at Conundrum Press.

bottledOne of the great things about doing book reviews is that you get to read a lot of great books, in with the okay and not so great ones. In addition Simplified Writing 101, my five quill reviews in 2016 included Jordan Elizabeth’s Runners & Riders, Mark Shaw’s The Reporter Who Knew Too Much, Nancy Oswald’s Trouble Returns, Carol Riggs’ Bottled, Jeff Bowles’ Godling and Other Paint Stories, Janet Garber’s Dream Job, Art Rosch’s Confessions of an Honest Man, and Mark Todd and Kim Todd O’Connell’s Wild West Ghosts. I don’t give out five quills lightly and every one of these books are totally worthwhile reads.

Point Break 1Of course, not all books get a five quill rating. Other books I reviewed that I recommended with three quills or more include three short story anthologies: Chronology, Under a Brass Moon, and Cast No Shadows; two poetry collections: Suicide Hotline Hold Music by Jessy Randall and Walks Along the Ditch by Bill Trembley; Escape From Witchwood Hollow, Cogling, Treasure Darkly, The Goat Children, and Victorian by Jordan Elizabeth; Dark Places by Linda Ladd; Chosen to Die by Lisa Jackson; Wrinkles by Mian Mohsin Zia; Full Circle by Tim Baker; The 5820 Diaries by Chris Tucker; The Road Has Eyes: An RV, a Relationship, and a Wild Ride by Art Rosch; Hollywood Game Plan by Carol Kirschner; Keepers of the Forest by James McNally; 100 Ghost Soup by , and A Shot in the Dark by K.A. Stewart. I also did two movie reviews: Dead Pool and Point Break.

I feel very fortunate to have had Robin Conley join us with her Weekly Writing Memo and her guest movie reviews. The useful writing tips in her Weekly Writing Memos covered a wide range of topics including critiquing, using feedback, ways to increase tension, Relatability or Likeability?, 3 Types of Plot, story research, what to write, making your audience care, world building, handling feedback, writing relationships, establishing tone, editing, word choice, How to Start Writing, endings, queries, Parts of a Scene, making emotional connections, the influence of setting, Building a Story, Inciting Your Story, movement and dialog, Writing Truth, time, Overcoming the Blank Page, Networking, character names, theme, set up, cliches, parentheticals in screenwriting, horror inspiration, and Learning to WriteRobin’s guest post movie reviews included Pride and Prejudice and Zombies, Batman vs. Superman, Miss Perigrin’s Home for Peculiar Children, and The Neon Demon13624744_10104024218870042_2001375168_n

I am thankful for Robin’s valuable content and am glad that she will still be contributing Memos on a monthly, rather than a weekly basis. Although I was sad to lose her weekly content, I am happy for her as she moves forward in her own writing career and I wish her well in her writing endeavors. For those of you who looked forward to her weekly posts, you can catch more of her content on her own blog, Author the World.

2016 was a great year for Writing to be Read, even if it was kind of rough for the author behind the blog. You readers helped to make it a good year and I thank you. Now it’s time to look ahead and see what’s in store for 2017 Writing to be Read. I mentioned some of the things I hope to achieve above: more posts pertaining to the screenwriting industry, and coverage of more events throughout the year are two of the goals I have set for my blog. I also plan to add some author, and hopefully, screenwriter profiles into the mix. I had good luck with author profiles during my Examiner days, and I think they will be well received here, as well.

I also hope to bring in some guests posts by various authors or bloggers, or maybe screenwriters, just to give you all a break from listening to me all the time. I believe Robin plans to continue with Monthly Writing Memos, which will be great, too.

I look forward to all the great books that I know are coming my way in 2017, too. The first reviews you have to look forward to are a short memoir, Banker Without Portfolio by Phillip Gbormittah, a YA paranormal romance, Don’t Wake Me Up by M.E.Rhines, a Rock Star romance, Bullet by Jade C. Jamison and a short story, How Smoke Got out of the Chimneys by DeAnna Knippling.

Happy New Year

I hope all of you will join me here in the coming year. Follow me on WordPress, or subscribe to e-mail for notifications of new posts delivered to your inbox. Have a great 2017 and HAPPY WRITING!


2016 Write the Rockies Conference Growing with Success

 

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When I attended my first Writing the Rockies Conference at Western State Colorado University, back in 2012, it was a three day event, with panels and workshops on genre fiction, screenwriting, and poetry. It had a couple of publishing workshops, too, but the poetry symposium was a major event. You could sign up for critiques and pitch sessions with small presses and agents, and they served delicious sack lunches made by Western State’s great kitchen staff. Every year since, the conference has gotten bigger, including more and more great events for authors, poets, screenwriters and publishers future.

The 2016 Writing the Rockies Conference has continued in that growth trend. Director of Western State’s M.F.A. in Creative Writing program and head organizer of the conference, David J. Rothman tells us that Writing the Rockies is now the most diverse of all college hosted writing conferences, boasting writing workshops, keynotes and panels, 3-day intensive workshops and critical seminars in five individual concentrations: genre fiction, screenwriting, creative nonfiction, publishing, in addition to their wonderful poetry symposium. It is now five day event, which takes advantage of inspirational surroundings of the beautiful Gunnison Valley, with one whole day for group hikes in the beautiful area surrounding near-by Crested Butte. Gone are the sack lunches of the past, but the food is still good, with Western’s kitchen staff providing both breakfast and lunch for conference attendees.

The conference is so packed full of wonderful writing events and opportunities that no one can do them all. Aspiring writers must pick and choose those events that will be most beneficial to them. I had the pleasure of attending events in all five concentrations, creating a well-rounded educational experience, from which I learned a lot.

I started off with the genre fiction panel, which featured three former presidents of the Science Fiction & Fantasy Writers of America – authors James Gunn, Robin Wayne Bailey and Russell Davis gave a grand overview of the history of SFWA and the science fiction genre. I was also privileged to attend the screenwriting panel, featuring screenwriters for both feature films and television – J.D. Payne, Alan Wartes and J.S. Mayank, where we discussed how to take notes on your screenplay or series, who to take notes from, and ways to politely disregard notes that are detrimental to the structure of your script.

Unfortunately, I was unable to attend Conference Keynote, by George Sibley, or the Poetry Keynote, by Julie Kane on Wednesday evening. If they were anywhere near the quality and usefulness of the four Keynotes I did hear, then I have truly missed out.

Rebecca McEwen

Fulcrum Press Editor Rebecca McEwen

Publishing Keynote Speaker

The Publishing Keynote was given by Fulcrum Press editor, Rebecca McEwen, who talked about the value of small presses and when you might want to consider submitting press that is not among the big five. According to McEwen, there are currently 30 small independent publishers in Colorado.

Robin Wayne Bailey

Author Robin Wayne Bailey

Genre Fiction Keynote Speaker

The Creative Nonfiction Keynote was delivered by author Broughton Coburn, who has created story from many of the events in his extraordinary life and turned them into bestselling books. His touching story of bringing an elderly Indian woman to America with him, brought smiles to all faces in the audience. He talked about finding common threads in your true-life story which can then be used to tie things together as you put the story on the page.Broughton Coburn

Author Broughton Coburn

Creative Nonfiction Keynote Speaker

Author Robin Wayne Bailey, gave an inspiring Genre Fiction Keynote on the importance of life experience in writing, and how moving writing can be, coming near to tears himself as he spoke of times past as he recounted parts of his own personal history for emphasis. And, there were chuckles from the audience throughout screenwriter J.D. Payne’s Screenwriting Keynote on the journey to becoming a screenwriter, ways to handle the criticism and rejection that are so very prominent in the Industry, and how to take notes, another big part of writing for television or film.

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Screenwriter J.D. Payne

Screenwriting Keynote Speaker

I attended a genre fiction workshop and two screenwriting workshops, since these are my major concentrations. The first screenwriting workshop, led by screenwriter, Mary Beth Fielder, was on the transformational arc that every story and every major character needs to have. She talked about looking at the subtext to indicate what’s really going on in each scene, and how to use basic human needs to determine what your characters goals are.

The second screenwriting workshop, on creating conflict, was led by screenwriter J.S. Mayank, pointing out that in story we do the opposite of what we do in real life. In real life, we tend to avoid conflict, while in story we invite it. To provide examples of scenes with well-crafted conflict, video clips from several different movies were shown, some that made us laugh, others that made us want to cry.

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J.D. Payne, J. S. Mayank, and Alan Wartse

Screenwriting Panel at the

2016 Writing the Rockies Conference

The genre fiction workshop, on creating complex female characters, led by women’s fiction author Candace Nadon. She talked about the female stereotypes used in creating female characters, and ways to recognize and avoid them in your writing. Most of her advice for creating strong female characters, was in the form of what not to do, proving that there is a fine line to balance strength and feminity.

Screenwriter and co-organizer of the Crested Butte Film Festival, Michael Body was both educational and entertaining in his screening lecture. He used actual clips submitted to the festival for consideration. Two of the clips were humorous, but the other one was just plain bad, illustrating well the many reasons films do, or don’t get into film festivals. The bad one was so bad that the audience elected not to finish watching it.

Micheal Brody

Screenwriter Michael Brody

Co-Founder of The Crested Butte Film Festival

Along with everything else, the talent featured at the Writing the Rockies Conference also grows each year. In addition to the genre fiction and screenwriting names above, this year’s poetry symposium featured were renowned poets and critics, such as A.M. Juster, Jan Schreiber, John Talbot, Bruce Bennett, Christopher Norris, Emily Grosholz, Thomas Cable, Paul Edwards, Natalie Gerber, Niles Ritter, Frederick Turner, Richard Wakefield, and Robert Maranto.

Of the thirty publishers in Colorado today, at least seven were represented at the 2016 Writing the Rockies Conference: Conundrum Press Publisher, Caleb Seeling; Fulcrum Press editor, Rebecca McEwen; Slant News editor, Kyle Harvey; Dave Trendler, of VeloPress; Fred Ramey of Unbridled Books; Lithic Press Publisher, Danny Rosen; and Senior Acquisitions Editor of NavPress, David Zimmerman.

Creative Nonfiction is a new concentration which was added this year, featuring award-winning author, Kase Johnstun; essayist, Kelsey Bennett; and nature writer, Alissa Johnson. Genre fiction authors not mentioned above included Clay Reynolds; children’s author, Stacia Deutsch; and speculative fiction author, Michaela Roessner.

The 2016 Writing the Rockies Conference appeared to be a great success. It holds many opportunities for aspiring writers, and 2017 promises to have e1ven more, becoming larger and more prestigious than ever before. I anticipate 2017 conference attendees will have quite a treat in store.

 

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“Walks Along the Ditch” takes readers along on a walk through later life

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Walks Along the Ditch, by Bill Tremblay, is reflective poetry collection themed on the everyday awe found in nature and the world around us. Tremblay masterfully crafts simile and metaphor to form vivid word pictures that fill the mind’s eye and cause readers to contemplate the human condition and our natural environment, such as the vision he creates in his poem, Blue Heron.

“…It flaps its wings, one-thousand one,

one-thousand two, its pitch is changed,

its back-flaps open like Fred Astaire’s vest

on a mirrored floor. Settled, its crest

shaken out, the Ichabod steps slow

on his stalks with ganglionic grace

toward bull rushes gathering clouds

like a weaver at her shuttle, then

darting his long yellow chopsticks,

pulls a wriggling crawfish out,

cracking its shell, guzzling the meat

down its sink-catch throat…”

This collection of poems are calming and meditative, stirring new consideration of things familiar and known, but perhaps not often noticed. The artistry of his descriptions is no more apparent than in two lines from his poem, Before Dawn, “…Dawn light trills its piccolos. / Huge back ghosts become watermelon pink foothills…” It’s a new turn for Tremblay, whose moving narrative poetry of the past, such as The Magician’s Hat, a historical poetic collection around the life of Mexico’s muralist, David Alfaro Siqueiros, has commented on historical events, persons and eras. Walks Along the Ditch marks growth of Tremblay’s talent and takes his word craft to another plane.

I give Walks Along the Ditch four quills.         Four Quills3

Kaye Lynne Booth does honest book reviews on Writing to be Read, and she never charges for them. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


The Poetry of Jessy Randall Shows Us How to Laugh at Life

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Suicide Hotline Hold Music, by Colorado Springs poet, Jessy Randall, is a quirky collection of poetry and poetry comics which present a comic outlook on some life’s realities that makes the reader want to slap her forehead and exclaim, “Why didn’t I see that?!” Randall’s poems take on thier own unique individual forms, which utilize rhythm and emphasis to the fullest, giving her works a conversational tone, like an old friend pointing out oddities. In “A Different Kind of Stupid”, which was first published in Asimov’s, Randall gives us a fresh analysis of a well-known fairytale.

A Different Kind of Stupid

Rapunzel never compared the weight

of the witch and the prince. How dumb,

if she did. No, she was pregnant,

that’s how the witch found out.

 

So, a different kind of stupid, up there

in her tower. You could argue

she loved him, and sure, she may have,

but he was the only man she’d ever met.

What kind of love is that?

 

The stupidest thing of all is how the prince

left her up there, day after day. Some might say

he knew what he was doing, never bringing a rope.

 

This collection of poetry makes complicated issues seem simple and manageable. The poems allow us to laugh at ourselves and at life, reminding us of times forgotten and left behind. Their innocent nature reminds us of the people we once were.

I give Suicide Hotline Hold Music 3 Quills.          Three Quills3

 

Kaye Lynne Booth does honest book reviews on Writing to be Read and she never charges for them. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Hurry Up and Wait

My fingers fly across the keys
As fast as they can go.
I hit publish and wonder why
The Internet is so slow.

Hurry up and wait!
Hurry up and wait!
Seems that’s all I ever do.
If my computer would go faster
I’d already be through.

I watch the little hour-glass
That tells me it’s working hard
But nothing seems to happen
From what I’ve seen so far.

Hurry up and wait!
Hurry up and wait!
Seems that’s all I ever do.
If my computer would go faster
I’d already be through.

I have stories bouncing in my head
Just waiting to be written down.
My computer won’t go faster
No matter how I scowl and frown.

Hurry up and wait!
Hurry up and wait!
Seems that’s all I ever do.
If my computer would go faster
I’d already be through.

Copyright ©2009 Kaye Lynne Booth

I published this on the old blog in 2009. Just thought I’d reprint it today to share with my new readers. Hope you like it.


“The Green Lamp” sheds a light of a different color

The Russian flavor in Mishka Zakharin’s The Green Lamp makes this collection of short stories, parodies, poetry and plays delightfully different. The poetic plays are true tragic comedies, (or comic tragedies), reminiscent of the work of Samuel Beckett and other Dada playwrights from the era of the Theatre of the Absurd. In fact, much of Zakharin’s humor has a hint of the surreal, with just a pinch of slapstick thrown in for good measure. Fans of Crime & Punishment and Anna Karina will find it impossible not to chuckle, as one reads Zakharin’s parodies of these classic Russian tales. His poetry, too, is oddly fascinating, although I never have understood Zakharin’s apparent preoccupation with spleens, which presents itself in the poetry here, as well as in his previous book of poetry, From The Spleen of Fiery Dragons. The Green Lamp (not to be confused with The Green Lantern), may be purchased on Amazon or on Mishka’s website. I recommend that you get your copy of this unique collection today.


It’s Up to You, the Reader

New Years is almost here and what writer doesn’t include in their list of resolutions a resolve to improve their writing? In 2010, I had the privilege of reviewing many truly good reads, by some really awesome authors. With 2011 just around the corner, I thought it might be beneficial to take a look at those reviews to see what worked and what didn’t. The only problem is I don’t really have an unbiased opinion, so I thought that I’d leave it up to you. So, here are links to twenty-two book reviews, both here and on the Southern Colorado Literature Examiner. Please take a look at them, if you haven’t already,  and then vote for the ones that you think are the best in the comments section. You can choose more than one, but please include a brief explanation as to why you liked each particular review, or why you didn’t, so that I can identify areas that might need some work. If you read the book, do you agree or disagree with my review? I will approve all comments as long as they are not downright nasty. Next week I will publish a list of the top reviews, according to you, the readers. I couldn’t do it without you.

“The Ruby Notebook” holds the key to many secrets

When “Mosquito” gets hold of you, it sucks you in and doesn’t let go

Anna Strong is a force to be reckoned with in “Chosen”

Storyline in “The Truth Comes Out” keeps readers guessing

You’ll think twice about water after reading “Water Hazard”  

“Reprisal! The Eagle Rises” gives readers something to think about

“I’ll Be There to Write the Story” – A true tale that will touch your heart and stir your spirit

“The Last Lie”: a perplexing tale that will keep readers guessing

“Why Did This Happen to Me, Aunt Lou?” Inspires and Delights  

“Killing the Cobra” is packed with action

“The Midnight Ride of Blackwell Station” is delightfully entertaining for all ages

“The Secret to Lying” holds the key to more than one secret

“Raw Edges: A Memoir”: a journey of self discovery and revelation

“Star in the Forest”, a glimpse of reality through a young girl’s eyes

Pamela Clare brings another sizzling romance in, “Naked Edge”

“The Spirit Lens”, a spellbinding tale that will captivate readers

“From the Spleen of Fiery Dragons”, by Mishka Zacharin  

From the Old Blog to the New – Reviews of “Demon Hunter: The Chosen One” and “Demon Hunter: Seek and Destroy”

“The Fishing Trip: A Ghost Story”, by Chris Keys  

“Beneath the Mask of Holiness” depicts the human side of Thomas Merton

“The Secret of Everything” is an absolute must read


What’s in a Poem?

When this blog was on the Today.com site, as I’ve mentioned before, I published a poem at the end of every post. In “Poetry Worth Noting” I reposted two poems written by others that I had posted on the old blog site, which received several views, making me think that perhaps the poetry is something that my readers might have an interest in. So, in this post, I will publish two of my own poems and tell you a little about the stories behind them. Please leave comments to let me know if this is something that you would like to see more of here, on Writing to be Read.

The first is called Voices and it really has a lot to do with the point where I really began to feel like a writer. I was preparing for the 2008 Fremont County Writers’ and Artists’ Fair. I had a table at the fair, but I had no book to sell, so I was putting each of my poems on an illustrated background for display. While looking for a suitable background for this particular poem, I discovered a painting, by artist Mitch Barrett, of the same name. I contacted the artist and obtain copyright permission to use his painting as the background for my poem. This was all very exciting for me for several reasons. First, the painting fit absolutely perfect with the content of the poem, with a central head, surrounded by faces that all seemed to be screaming at him. Second, this was the first time that I had every participated in any type of writing function, and I was beginning to feel like a “real” writer. And third, Mitch Barrett lives in England, and that is where he called me from. I was thrilled that this man would go out of his way to make an international call to me and grant me permission to use his work!

Voices

Is what I hear voices from above?
Or are they the voices of foolish love?

Sometimes they tell me to open my eyes,
And not believe your blatant lies.
Sometimes they tell me to forgive all.
At times they warn that I’m about to fall.

Sometimes they whisper, so I can barely hear.
Other times, they are so near
That it sounds as if they’re shouting in my head.
Sometimes they caution; I could end up dead.

They tell me I’m heading for dangerous ground,
Or tell me I shouldn’t have you around.
Sometimes they say I’m headed straight for the top.
Other times, they scream that I must stop.

They urge me to go faster,
Then they say slow way down.
They seem to speak most
When there’s no one around.

They tell me to do what I feel is right,
But then they say that it’s not worth the fight.
When I feel that my heart is shattered glass,
They say that I’d better get off my ass.

They that I might just think for a bit,
But they never allow me to give up or quit.
I listen, sometimes long into the night,
And they always say that I must do what is right.

They push me one way, then pull another.
Sometimes they sound just like my mother.
Often, I wonder if they’re from my past.
Sometimes, I long for silence at last.

Is what I hear voices from above?
Or are they the voices of foolish love?      

Background Painting by Mitch Barrett, Poetry by Kaye Lynne Booth

The second poem that I would like to include here, came about because of Voices and that first initial contact with Mitch Barrett. Not long after the fair, Mitch contacted me about some paintings he was working on that he wanted to display with poetry, and he asked me to see what I could come up with to go with them. He explained what he was trying to do in the painting and sent me sketches of what the intended works would look like. This past summer, his painting, Intimacy went on display at the Kaleidoscope Gallery at Battle Sea Park, in London, featuring my poem, Intimacy and the Harlequin Dance. Just recently, the painting sold, which thrilled me to no end. It now has a home in Milan, I am told. It is a great painting, with my poetry, and there has been interest expressed by gallery owners of exhibiting more artwork/poetry combinations, so I may be collaborating with this talented artist again in the future.

Intimacy and the Harlequin Dance
By Kaye Lynne Booth

We dance through the masquerade of life
Disguised to fit the music
Of so many different melodies
That at times, we forget which tune
Holds the heartstrings of who we really are.

Then one day, we find the perfect dance partner,
But to attain the perfect rhythm
We must open ourselves up and reveal our souls.
Intimacy requires that we relinquish the mask
To expose the genuine self that lies beneath.

After all the years of dancing to false tunes
Will we be able to keep time
To the genuine dance and the original rhyme?
Or shall we don the mask once more and continue to
Keep time to the false melody of the Harlequin dance?

Intimacy and the Harlequin Dance

Painting by Mitch Barrett, Poetry by Kaye Lynne Booth


Poetry Worth Noting

When I started this blog, on the Today.com site, I published a poem at the end of every post. It seemed to be something that readers liked, and I had many poems that weren’t doing anything else at the time, so I just made it a practice. I tried to use poetry that fit in with the subject matter, and soon ran out of things that I had already written that fit. So, I found myself trying to write poems on the fly that would fit in with my posts. Some of those poems were okay, some were my worst attempts at poetry, but most were not really worth noting. However, there were two poems that I published on that site that were definitely worth noting. I was not the author of either one.
The first was written by a young man, named Brandon Boyd. He is the son of one of my oldest and dearest friends, and his poetry has depth for one so young. He now has a Facebook page dedicated to his poetry, which caqn be viewed at: I was proud to publish this poem by this as yet, undiscovered poet.

The Sands of Time
The sun once again breaks the horizon,
With the ball of fire my hopes begin risin.
The past is far gone and future is near,
My once foggy mind is starting to clear.

The cold wind blows but worse pain has been felt,
A new beginning and new cards have finally been dealt.
Grit my teeth at the past lettin go is a war,
But it’s time to look forward, rekindle the core.

Takin steps on each path with each step comes a choice,
Must not follow my instinct but only Gods voice.
Ill walk straight and narrow on my given path,
Nothin will stop me not even hells wrath.

The past is now gone into the depths of history,
What happens next in life is simply a mystery.
Each memory passes into the sands of time,
Never felt better I’m back in my prime.

The day is done the sun falls into night,
Awaiting tomorrow’s promising light.
My body falls asleep but my mind has awaken,
God with me through all I’m never forsaken.

-Brandon Boyd-

The other poem was written by a lady that I never even met. My husband was taking a creative writing class and had shared something about our son, who died two years ago, and his dog. I don’t even know what it was that he shared, but it inspired one of his classmates to write this lovely poem that just brought me to tears. She wrote it about our son and his dog, based on what my husband had said. I knew who it was about before I ever knew the story behind it. With her permission, I published this exceptional poem and would like to reprint it here.

Dance

when the air is brisk
and the breeze cool,
a presence is felt
and he invites me to dance with him

when i remember his smile
i swirl around to find him
he teases me, ready to play
and he invites me to dance with him

when i jump and run
along the mountain, my stage
i laugh and sing
and i invite him to dance with me

when we sprint down the hill,
wind whips through our coats
we fall into the yard
and we invite you to dance with us

when we call your name
and you don’t even answer
we continue to play
and we invite you to dance with us

look a little closer
at what you think you cant see
because we are here waiting
and we invite you to dance with us

Elizabeth Sansone


“From the Spleen of Fiery Dragons”, by Mishka Zacharin

Here is another review that was originally posted on the Today.com site. A unique collection of poetry that delves into this very unique poet. Enjoy.

"From the Spleen of Fiery Dragons", by Mishka Zacharin

 

“From the Spleen of Fiery Dragons” by Mishka Zahkarin
I truly enjoyed some of the poetry included in this anthology by Mishka Zahkarin, as poetry is one of my favorite genres. The poetry included in “From the Spleen of Fiery Dragons” is unique and unusual, ranging from beautiful love sonnets, reminiscent of Shakespeare, to the truly bizarre and disturbing. Obviously, Zahkarin’s talent runs the gamut of poetic form and style, with some rhyming and some not, but most speaking of the bleak existence of one who searches for more, but doesn’t really expect to find it, (which is kind of depressing), intermixed with the poetry of love, (or at least, lust), that takes you aback and makes you draw in breath:
 

In Our Place
In waking dreams,
she comes to me…
I see passion in her eyes—
believe it the tempest of a kiss…
I feel her touch,
The urgency of her embrace,
                  flesh to flesh,
minds and bodies intermingling…
the inferno of our desires
rampaging unchecked,
consuming—fulfilling—
                overflowing—
each’s essence surging
through the other,
as if two souls
                might soar as one…

Humor finds a place within Zahkarin’s works, as well, leaving no choice but to chuckle:

MEAT! (reprise)
I told her we should pork—
but she said not to give her any beef…
I said she was only acting chicken—
but she told me: “Go fish!”
(I haven’t got any nines…)

The poetry of Mishka Zahkarin is rich and varied, and definitely worth reading. It reminded me of all the reasons that I love to write poetry: the freedom it allows; the structure it offers; the fun of playing with words that it offers… In The Spleen of Fiery Dragons, it is evident that each and every poem, whether you like them or not, is written straight from the inner fire of his being; emotion and feeling pouring forth. His small anthology was very enjoyable and I would recommend it to poetry lovers from all backgrounds, as there seems to be a little something in there for everyone.