I reviewed the first in this series, The Gamma Sequence, when it came out, so when a chance to review the third book, Terminal Sequence, I jumped at the chance. With this series, Dan Alatorre has created a horrifying conspiracy where, Hauser, one maniacle mind, holding genetic power over human life in his hand, tries to play God. Of course, he created a team of protagonists to combat this evil genius.
In Terminal Sequence, our heroes develop a computer virus with the ability to launch a terminal sequence into Hauser’s network and bring his operations to a halt. But injecting the sequence into the network is a challenge, and with Hauser’s operatives knocking off the good guys right and left, we also have to ask if there will be anyone left to do it. And if any of the team members do survive, can they accomplish the task before Hauser has a chance to complete his evil plan? They may succeed with some help from surprising allies, but you’ll have to read the book to find out.
Thrilling action from start to finish, Terminal Sequence, is one that you won’t want to put down. I give it five quills.
Writing to be Read
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
This month’s genre theme is thrillers, and it has been exciting exploring the many facets of this widely encompassing genre. Some of the great thriller writers include James Patterson, Dean Koontz, Jonathan Kellerman, Stephen White, Patricia Cornwell, J.A. Jance, Stephen King and John Grisham. Thriller authors seem to have a knack for keeping readers on the edge of their seats, chewing their nails down to the quick, and fighting off sleep to finish reading the last few pages. Many great thriller novels become thriller movies, such as The Firm, Night Train to Munich, Odd Thomas, The Girl on the Train, The Andromeda Strain, The Foreigner, The Pelican Brief, The Silence of the Lambs, and Die Hard to name just a few. Thrillers make the adrenalin flow and the heart pump with anticipation. In a broad sense, a thriller is an adventure or mystery novel, (or movie), that feeds on suspense to get readers’ adrenelin pumping and keep them turning pages, because they have to learn what… happens… next.
Within this context, there are many subgenres of thriller, including spy novels, political thrillers, psychological thrillers. My review books this month, The Gamma Sequence, by Dan Alatorre and Only Wrong Once, by Jenifer Ruff are both medical thrillers, but they are two very different stories. My interviews this month are with International bestselling novelist Dan Alatorre and my “Chatting with the Pros” author guest is psychological thriller author John Nicholl. The subgenres are many, and sometimes the lines are blurred between thrillers and horror novels, or thrillers and mysteries, or thrillers and crime fiction, but as master thriller author James Patterson said in his book Thrillers: Stories to Keep You Up All Night (2016),
“But what gives the variety of thrillers a common ground is the intensity of emotions they create, particularly those of apprehension and exhilaration, of excitement and breathlessness, all designed to generate that all-important thrill. By definition, if a thriller doesn’t thrill, it’s not doing its job.”
Yes, it’s the excitement we feel when we read a good thriller, the sudden rush of adrenaline when catastrophy strikes and it seems there is no way out for the hero(es), or the anticipation that makes us jump in our seat when the villian attacks even though we saw it coming, these are the feelings that keep thriller readers coming back for more. Good thrillers are usually fast paced to keep the action moving and keep the adrenaline pumping from the first page to the last, throwing in twists and turns, and maybe a series of ups and downs, that keep readers on the edges of their seats and never quite give them a chance to rest until that last page is turned.
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Only Wrong Once, by Jennifer Ruff is a fast paced medical thriller that deals with international bio-terrorism on a personal level, bringing it all home in a big way. Maybe the reason this tale hits a nerve is that there are similar stories in the news every day, and Only Wrong Once made me wonder about the stories we don’t hear about.
Quinn Traynor is a U.S. intelligence agent out to save the world from terrorism, but his next case will hit closer to home than most of the terrorist attacks he’s worked to thwart. When a plot to strike terror into Americans in pandemic proportions with a bio-terrorism attack, the clock is ticking to find and stop the terrorists before they can carry out their deadly plan. Time is running out for the terrorists, too, maybe faster than anyone thinks, and if they succeed, time may be running out for the entire nation. Quinn and his team work against all odds to stop the bio-terrorism weapon from being released on the country, but can they succeed in time to make a difference?
Only Wrong Once will be released next month in the medical thriller box set, Do No Harm. It is available for preorder now.
The ticking clock lends Only Wrong Once just the right amount of urgency to keep the pages turning. It is well-crafted and keeps readers sitting on the edge of their seats. The plot is downright scary, because it could happen. I give it five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
I”m chatting with International bestselling author, Dan Alatorre. He has written in several genres, including humor, science fiction time travel, and even children’s books. With his most recent book, The Gamma Sequence, Dan delves into the world of medical thrillers. This isn’t the first time Dan has dabbled in the thriller realm though. You can see my review of Dan’s suspense thriller, Double Blind, here: https://wp.me/pVw40-3Li. Today, he’s going to share his perspective on the thriller genre, and medical thrillers in particular.
Kaye: You are a multi-genre author, but your most recent release is a medical thriller, The Gamma Sequence, which is featured in a collection of medical thrillers, Do No Harm, that will release in July. Why have you chosen to delve into medical thrillers?
Dan: I got invited to participate in a box set with a bunch of New York Times best-selling authors and USA today bestselling selling authors, and I thought it was too good of an opportunity to pass up. It’s like being invited by a bunch of major-league baseball players to come play on the All-Star team. So I jumped at the chance. That experience was a lot of fun, but when they asked me again to participate in a medical thriller, I initially said I didn’t think I should because I wasn’t really known for that and I wasn’t an expert in that. My friend Jenifer Ruff disagreed and said that a lot of my stuff had the basic elements; I just needed to kind of paint with a different color. I looked into what readers of that genre expect from their stories, and she was right. Writing a medical thriller was a lot of fun and people really are going to enjoy The Gamma Sequence, because there are just surprises you’re just never going to anticipate. It has a great villain. It has conflicted good guys. There’s a lot to like on a lot of layers.
Kaye: How do medical thrillers differ from other types of thriller?
Dan: A typical murder mystery is: a murder happens and the detective goes about solving it. With a medical thriller, you take those basic elements and you set them in a medical scenario but often the person doing the detecting is not a cop or a detective but somebody from the sciences, or the victims are from the medical sciences, or it has a general medical background setting that is going to be part of the solution. If murder mysteries are typically painted in blue, then this is painted in purple because it’s those things with some shades of other things.
Kaye: What was the biggest challenge in writing thrillers for you?
Dan: I needed to learn what readers of the genre expect in their stories so they wouldn’t be disappointed. I needed to lay out a decent outline so I could hit the points I needed to hit, and I had an extremely short deadline. Most books like this take the author a year to write. I had this completed in about 1/4 of that time – by necessity. And it literally went almost right up to – the day I had to submit it, I was still getting some feedback from beta readers and making a few tweaks. But it’s really, really good. People are really going to enjoy it. The early reviews are tremendous.
Kaye: Can you briefly tell readers about The Gamma Sequence?
Dan: Geneticist Lanaya Kim must do what authorities haven’t—tie together the “accidental” deaths of several prominent scientists around the country to show they were actually murdered. Over the past two years, geneticists have died in what appear to be accidents, but Lanaya knows otherwise. If she tells her secrets to the authorities, she risks becoming a suspect or revealing herself to the killer and becoming an open target. Hiring private investigator Hamilton DeShear may help her expose the truth, but time is running out. The murders are happening faster, and Lanaya’s name may be next on the killer’s list. But when Lanaya and DeShear start probing, what they discover is far more horrifying than anyone could ever have imagined.
The more they look, the more they find – and the bigger the problems get. In the meantime, they’re getting shot at and having to run for their lives because people are trying to kill them!
Kaye: What elements of storytelling do you feel are specific to the thriller genre?
Dan: For me, it is a fast pace that goes from one interesting thing to the next without slowing down. Now, that sounds like any good movie or book, and that’s the challenge. You really don’t have time to slow down and get distracted but you still need red herrings and false leads and multiple suspects. So at the same time you’re hitting the accelerator, you have to be looking down the side roads, too. Here’s the key: what’s interesting? How fast can you get to it? What’s the next interesting thing? How fast can you get to that? Each chapter has to ask another question and add to the mystery while it’s answering something early from earlier. The reader can’t put it down. I’ve had people tell me they missed their stop on the train because they were so engrossed in The Gamma Sequence!
Kaye: Do you feel thrillers require a faster pace to keep the adrenaline flowing?
Dan: I think most stories should have a fast pace. Some should not but most should. Thrillers definitely should. Murder mysteries definitely should. Comedies definitely should. But you can see how romances might really benefit from taking a slow pace, and there are certain dramatic stories that definitely want to dive deep. But thrillers need to be a roller coaster ride, and The Gamma Sequence definitely is that. It has beautiful settings and a terrific villain, and a pace that keeps it moving, nonstop.
Kaye: Thrillers are action packed and filled with conflict and tension. What techniques do you use to keep the story moving, the readers on the edges of their seats, and the pages turning?
Dan: Conflict and tension. Internal dilemmas. Stuff a reader would relate to – in a good guy and a bad guy. You have to have likable characters and multi-dimensional characters. You have to have an interesting villain with a compelling reason for doing what he’s doing. I prefer if the villain does not see himself as a bad guy but sees himself as having different goals than the good guy, and their goals happen to be in conflict with each other. And a fast pace is definitely helpful.
Kaye: Are there any particular thriller authors that you fashioned your writing style after as you approached writing in the medical thriller genre?
Dan: I can’t say I styled myself after any particular author in the genre, but I have been compared very favorably to Robin Cook and Michael Crichton. A few others. That’s good company.
Kaye: You have also written, horror, murder mystery, sci-fi time travel, and humor. What are the differences in writing a thriller from the other genres you’ve written in?
Dan: The broad strokes are still the same: What’s interesting and how quickly can you get to it? So, if it’s a horror story, I get to the scary as fast as possible, but I horror you build lots of tension and suspense. In a murder mystery, you have to make it be exciting and move along quickly while really baiting the hook each and every chapter, building to the big reveal at the end. A medical thriller is very similar to that because it all keeps building until it reaches a critical mass and then you finish with a bang. So far, nobody has seen the surprise ending coming in The Gamma Sequence. I love that. I get emails: I did NOT see that coming! That’s fun.
Kaye: As you prepare to write in a genre that is new to you, what kind of pre-writing preparations do you make?
Dan: I talk to fans of the genre to find out what types of books or movies are their favorites, and what they liked about them. I try to make interesting characters including the villain. I want to have a fast pace because a good story feels like it has a fast pace, regardless. The fact is, it’s a lot of work to make a story appear effortless. And I definitely sit down with some trusted advisors to hammer out an outline that is going to fulfill the expectations of what readers of the genre have. Then I have my boundaries drawn and I go crazy and have a lot of fun inside those lines, occasionally straying a little here and there outside the lines, because you have to push the envelope, but always delivering intensity on every page. The Gamma Sequence does that.
Kaye: What is your favorite genre to write in? Why?
Dan: Comedy. It’s so much fun! Making people laugh is a lot of fun. Scaring them in a horror story is a lot of fun, too. And taking them on a roller coaster ride in a thriller is a lot of fun, too!
Kaye: What is the one thing in your writing career that is the most unusual or unique thing you’ve done so far?
Dan: Probably what’s most unusual is that I’m not afraid to try something new, and then I kick ass to make it amazing. A lot of authors develop something and stay with it, and that’s great. I do that, too – but I’m not afraid to jump over into something new.