Ask the Authors 2022 Book & Blog Series: Writing Life

Ask the Authors 2022

Welcome to Writing to be Read, where we’re celebrating the release of Ask the Authors 2022, the writing reference anthology that features essays by ten wonderful authors who have agreed to share their writing wisdom with us, along with an extensive Q & A, divided by topics. Contributing authors are myself – Kaye Lynne Booth, Bobby Nash, Roberta Eaton Cheadle, Chris Barili, L. Jagi Lamplighter Wright, Nancy Oswald, Mario Acevedo, Jeff Bowles, Mark Leslie Lefebvre, Paul Kane, and Kevin Killiany.

“Ask the Authors is an up-to-date and broad-based compendium of advice from today’s working writers, to help you with understanding your own writing career. Great information!”

—Kevin J. Anderson, New York Times bestselling author of Spine of the Dragon

Every Saturday, this blog series will introduce you to one contributing author and share a portion of the Q & A session. Today you will meet myself and Kevin Killiany and the Q & A topic is “Writing Life”. To gain access to all of the writing wisdom contained within the book, you can get it at the special price of 3.99, (regularly 4.99) from your favorite book distributor through the Books2Read universal book link (UBL) for the duration of the blog series: https://books2read.com/u/3LnK8e

Here is the schedule for this Saturday series:

Segment 1: You are here. Introductions for me, multi-genre author, Kaye Lynne Booth & media tie-in and science fiction author Kevin Killiany/Q & A on Writing Life

Segment 2: An introduction to award winning author & media tie-in writer, Bobby Nash/Q & A on Pre-writing Rituals.

Segment 3: An introduction to multi-genre author & poet, Roberta Eaton Cheadle/Q & A on Plot/Storyline.

Segment 4: An introduction to best selling horror author, Paul Kane/Q & A on Character Development.

Segment 5: An introduction to multi-genre author, Mario Acevedo/Q & A on Action, Pacing & Dialog

Segment 6: An introduction to award winning middle grade author Nancy Oswald/Q & A on Tone: Voice, Person, Tense, & POV

Segment 7: An introduction to multi-genre author Chris Barili/Q & A on Setting & Worldbuilding

Segment 8: An introduction to speculative and horror author Jeff Bowles/Q & A on Editing & Revision

Segment 9: An introduction to award winning author and publishing industry expert Mark Leslie Lefebvre/Q & A on Publishing

Segment 10: An introduction to Y.A. & middle grade author L. Jagi Lamplighter/Q & A on Book Marketing

*Note: The Q & As include answers from several authors on each question and they may run rather long, but they are packed full of useful information, so I hope you will stick with us until the end of the series.

I’ll start things off today by introducing myself.

My name is Kaye Lynne Booth, and I live, work, and play in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing, writing is more than a passion. It’s a way of life. I’m a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you. My first novel, Delilah, found a home with a small independent press, but I’ve published all of my other work independently.

For more than a decade, I’ve kept up my authors’ blog, Writing to be Read, where I post reflections on my own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. In addition to creating my own imprint in WordCrafter Press, I offer quality author services, such as editing and social media book promotion, through WordCrafter Quality Writing & Author Services. When not writing or editing, I am bird watching, or hiking, or just soaking up some of that Colorado sunshine.

Oh yeah, and I am the editor and contributor to Ask the Authors 2022 and your blog series host, which means I’m the one asking the questions. And now that is out of the way, let’s move on to the Q & A and see what the contributing authors have to say about…

Writing Life

Please tell us your top 5 rules for writing success.

Mario Acevedo: I’ll give you one. From W Somerset Maugham: “There are three rules for writing a novel. Unfortunately, no one knows what they are.”

Paul Kane: I only really have three, and it boils down to the three P’s which I used to teach in my Creative Writing classes when I still did them. Patience, Persistence, Perspiration. Patience, because basically if you’re going to be a writer you need to be in it for the long haul. Some people are lucky, they get success really early on in their careers, but most have to work at it for a long time, winning little battles as they go.

This of course feeds into the second and third P’s, in that you’ll need to be prepared for knockbacks and rejections. You’re going to have to pick yourself up when you get a no, dust yourself off and get back on the horse. I’ve had countless rejections from publishers and editors in the past, but you just have to keep going, and remember that it’s all subjective. What one person hates another might love. Take on board any advice or feedback that makes sense to you, but don’t change anything you’ve written if it doesn’t because it’s your writing ultimately. Only you can write like you, with your background and experience and voice. If the advice you’re getting messes with that too much, then don’t do it.

And finally, Perspiration, because you’re not going to get anywhere unless you work for it. You should always strive to be better, even if you’ve been writing all your life. You’re never too long in the tooth to learn new things, to try new writing techniques or whatever, and the only way to be a good writer is to write, write and write. Oh, and to read a lot too.  

Chris Barili:

  • Write.
  • Keep writing.
  • Write more.
  • Write daily.
  • And write whenever you can.

Bobby Nash: I wish I had a list of rules to share here. I have never thought of it in those kinds of terms. Certainly, treating it like a job has been invaluable in keeping on track. Writing daily is probably good advice. Learn to market your work is also a good one.

Robbie Cheadle:

  • Write as much as possible given your personal circumstances.
  • Seize opportunities to participate in writing and poetry challenges.
  • Seize opportunities to participate in writing competitions and anthologies.
  • Take advice that is given to you by more experienced writers, and I mean really embrace it and incorporate it into your writing going forward.
  • Enjoy your writing.

Nancy Oswald: Sit down, write, rinse, and repeat.

Kevin Killiany: I don’t have 5 writing rules, but I do have one reading rule: read as much as your write; some weeks read more. And I highly recommend these guidelines to your reading:
A. Whenever possible read authors who will stretch your horizons. By that I mean authors who have histories, ethnicities, worldviews, cultures, gender identities, etc., different from your own. This is particularly important for white, cis-male, American writers such as myself, because we’ve been programmed from birth to see our culture as universal. [A codicil for writers who are of colors other than beige or whose identities otherwise differ from my own: read strong writers who share your identity or heritage in addition to (and maybe even before) seeking out others who could expand your perceptions.]
B. Do NOT “read like a writer” as some guides suggest, with a highlighter and notebook at your elbow and underlining “important” passages. Read like a reader. Enjoy the story, lose yourself, don’t think about the writing. If, and only if, six months later you find yourself being haunted by a passage you can’t forget (scene, setting, dialog, etc.) go back and deconstruct how the writer pulled that off. Look for how the writer prepared the reader for the scene, the structure of the scene itself, etc.—learn how the writer did it so you can give your readers the same experience.
C. Don’t read books you don’t like. If the story isn’t working for you—if the characters don’t work, the story doesn’t interest you, if the writing is dull—you are not going to learn anything. Time spent finishing a poorly written book is time wasted. [HOWEVER: If you hate the book because the writing is so powerful and evocative, it may well be worth reading. An example from my past: I hate The Bluest Eye. The hopelessness is so deep that every time I read it, I want to slit my wrists. But I’ve read it more than once because it is a master class in characterization and worldbuilding.]

Describe your personal writing space.

Mario Acevedo: Some writers claim their writing space as a sacred sanctuary that invites the Muse to drift in. My writing space is a sausage machine. I sit down on a schedule, flip a switch, and get to writing. The Muse is expected to clock in while wearing work clothes.

Paul Kane: We recently moved, so I have my pick of where to work at the moment. But I’m actually writing on my laptop on the couch, because it’s comfortable. I’ve done most of my work on there in the last few months and enjoyed it. For a while back there, whether it was to do with lockdown or whatever, I felt like I’d lost my writing mojo, but it’s slowly returning. Maybe I just got burned out as I did a lot of writing in the months after COVID hit big time – a crime novel and most of a collection called The Naked Eye for Encyclopocaplyse – and this change of scenery now has really boosted my fiction, as well as giving me the opportunity of working on a few new projects I hadn’t expected.

Chris Barili: Nothing special. Just a small home office on the first floor of my home. I also have a desk beside my bed (next to the fireplace) for those wake-up moments.

Bobby Nash: I have a very cluttered desk in an equally as cluttered office. I clean and straighten it on occasion, but the clutter always returns.

Nancy Oswald: Really? It’s my grown son’s old bedroom. No bed, but my mom’s sewing machine occupies one corner, my husband’s mom’s antique writing desk occupies another. There’s a dying plant, a small Navajo blanket, a horse painted on a plate, painted by my great grandmother is above the file cabinets, my son’s dusty karate belts on a hangar and several maps related to my research are on the wall next to that. The doors of the closet are also covered with maps—at the moment, these are insurance maps from 1896 Colorado Springs. There’s a chair with toppling books, book piles underneath the wrap around desk I purchased when I retired. You don’t even want to know what’s on top of the desk or what’s on the rest of the floor. Right now, it’s boxes and bags in various states of readiness for the marketing at crafts fairs I’m doing between now and Christmas. I’m looking forward to being able to walk in it again.

Kevin Killiany: Where I am now—wherever that is whenever ‘now’ happens.

Which of your books would you like to see turned into a movie? Who do you see playing the lead? Why?

Paul Kane: I’m lucky in that a few of my stories have been turned into TV episodes, short films and even a feature in 2021 called Sacrifice, starring Re-Animator’s Barbara Crampton. So that’s sort of happened for me anyway… There was talk a while back of turning my post-apocalyptic Robin Hood novels – gathered together in Hooded Man – into a movie, and we were hoping to interest someone like Michael Fassbender or Dominic West. But I’m not sure that’ll happen anyway now because the jumping off point is that 90% of the world’s population dies from a deadly disease. Of the books that haven’t been adapted yet, I’d love to see Before as an American Gods type TV streaming show for somewhere like Amazon, Netflix or Apple. I think the scope of that one, dealing as it does with past lives, is so massive it would be hard to fit it all into a movie. Arcana would make a great film, though, because of the mix of magic and crime; action and adventure. Leads for that one? I think someone like Charlie Hunnam and Emily Blunt as Callum and Ferne. The one people always ask me about is Sherlock Holmes and the Servants of Hell, which pitted Hellraiser’s Cenobites against the world’s greatest detective. That would be a rights nightmare film-wise, plus would take a budget in excess of most of the Marvel movies, so I wouldn’t hold your breath folks. That being said, never say never, and stranger things have happened.

Chris Barili: Guilty, with Frank Butcher played by either clint Eastwood or John Wayne (in their primes).

Bobby Nash: I think Evil Ways, Deadly Games!, or Suicide Bomb would make great movies. Snow and Sheriff Myers respective series would work better as a TV series, I think. As for who would play who, I don’t know. I try not to play that game because if it happens, I don’t want to be disappointed if the actor I had my heart set on is unavailable.

Robbie Cheadle: I think my Sir Chocolate stories would make a lovely TV series for small children. There could be a baking element to the show, where children learn how to make one of the recipes.

Nancy Oswald: I’d like to see the Ruby and Maude Adventures made into a movie. I’d like my donkey, Daisy, to play Maude. 

Kevin Killiany: I have a young adult science fiction series, Dirt and Stars, that I would love to see become a TV series. The stories are set in an alternate history where most of the gee-whiz predictions Golden Age sci-fi of the 30s and 40s made about America in the year 2000 came true—fusion rockets, giant space stations, colonies on the moon, etc.—but the US is fiercely isolationist, cut off from the rest of the world. With the 21st century came the Civil Rights movement and the growing realization that America cannot sustain its monopoly on space. The Dirt and Stars series is set in the 2020s and follows several young people (15-18) coming of age even as the world around them is reinventing itself. Down to Dirt introduces Mara, a spacer—born and raised on Tombaugh Station—who’s been conditioned from birth to believe dirt (Earth) is little more than a prison for the diseased, criminal, unstable, or otherwise unfit for life in space; Beth, Mara’s Earth-born cousin, who believes in the fundamental goodness of everyone and is horrified by Mara’s racist elitism; and Jael, Beth’s best friend, grimly determined to be the first Black person to break the Space Service’s color barrier. Life on Dirt continues their stories and introduces Lije, first generation Ukrainian American whose father is spearheading a legal battle to break America’s control of access to space; and Fatima, a spacer of exceptional intelligence struggling to overcome a social communication disorder that makes interacting with others difficult, confusing, and sometimes painful. Rise from Dirt follows all five of them, but focuses on Jael’s fight to qualify for the Space Service training program. Book four (a work in progress that has gone through a few working titles) will introduce two new high school age spacers—one on Brahe Station, the other on Luna—as they deal with the unimaginable addition of “earthers” to their world.

Who do you see playing the lead? Why?
Talented young actors that no one knows about. For every TV/movie star there are dozens of equally talented people who weren’t in the right place at the right time. I’d really like to play some small part in helping some of those young actors get their shot.

Is there anything unique or unusual about your writing process?

Paul Kane: Personally, I don’t think there is. I don’t have to sacrifice a chicken or something before I start or write upside down or anything; it’s all pretty normal stuff. I think that comes from my previous career as a journalist, just sitting at a desk getting the words down. I also had to do that for my BA and MA when I was writing essays, so all that was a good training ground for penning fiction too. It makes you disciplined about the craft. I am quite a superstitious person, so I suppose I do have little rituals I’ve developed over the years. I used to only be able to write novels on a laptop, and shorts on a desktop – when I still had one – but I’ve learned to adapt to circumstances. And I’m very reluctant to show my work to anyone too early, except perhaps my better half Marie (O’Regan), who’s also a writer and editor herself. Or to discuss my ideas with anyone other than her, unless it’s an editor or publisher I’m pitching to, so they’ll buy the work. 

Chris Barili: I outline a bit differently than most people. I outline just a third of the story at a time, which allows me to make changes early in the story line much more easily.

Bobby Nash: I don’t think so. I sit down and write. Sure, I sometimes go over story points, scenes, etc. in my head before I start typing, but nothing out of the ordinary.

Robbie Cheadle: I think all writers have an individual writing process. I always write my endings first so that I know the direction my story must take and where I am heading. The endings never change. I also outline the bones of my stories before I start. I do this in my head and rarely write much down. People ask me if I don’t forget my outlines, but I don’t. I have a very good memory which is why I rarely re-read books; I can nearly always remember the characters and plot of books I’ve read, even when I read them many years ago.

Nancy Oswald: Unfortunately, when I was working full time, my motto was to find any scrap of spare time and move forward on whatever the project was. This led to some bad habits, because even though I’m retired, I have never let go of the idea that I have to fit writing in around other things. I’ve never been able to schedule writing time and stick to it. However, my husband did buy me a “ships” hour glass, and sometimes when I’m stuck or reluctant to write, I tell myself I can do one hour. Once I start, it usually goes beyond that, and once I’m into a project, I find I don’t need the hourglass at all.

Kevin Killiany: My first time through college (in the early 70s) I was a theatre major—an aspiring actor with the acting skills of a stage techie. I saw many, many plays in college, repertory, dinner, and community theaters from light booths, sound boards, and prop tables. As a result, I see stories as narratives built from discrete scenes, and frequently storyboard on graph paper: scenes are circles, boxes, or triangles linked by arrows denoting possible paths. When brainstorming a scene, I always start with dialog, spoken words without attributions, because a play begins as dialog, the script providing only broad suggestions for blocking and business, and comes alive as the directors and actors become familiar with the characters and the reasons for the words.
Oh, and the scenes are never written in order. I write each part as it occurs to me.

What is the function of a story?

Mario Acevedo: To tell that story. Beyond that, to entertain, to educate, and if you’re like me, because you’re a constant day dreamer.

Paul Kane: I believe, first and foremost, that a story should entertain. You should get some enjoyment out of reading it, even if it’s a sad tale – in a sort of masochistic way, we think to ourselves at least that’s not happening to me.

It should be believable, and I don’t mean that it can’t be fantastical, just that the reader needs to believe in what you’re telling them. A lot of this comes from good description and characterization, because if you don’t believe in a sense of place or your characters then everything falls apart. If characters are just cardboard cutouts, you’re not going to care what happens to them or why.

So, the entertainment value first and foremost, because remember people are parting with their hard-earned cash to buy your story or book. If it can say something important as well, then all the better. I like to try and have a message or theme, like for example in my novel Before I was trying to say something I thought was important about the human condition. About what it means to be human, about life, love, the nature of good and evil, and everything in-between. Heady stuff. It doesn’t always have to, but if a story is educating and saying something you feel is worth saying, then all the better.

Bobby Nash: My first and foremost goal with my stories is to entertain. That’s what I’m here to do so that’s where I put my focus. I want the reader to enjoy the experience.

Robbie Cheadle: The function of my stories is to entertain while reminding readers of history and historical events. I believe strongly that we must remember our history and the terrible things that have affected humanity in the past so that we can make a good attempt to avoid reoccurrences.

Kevin Killiany: To entertain and through entertaining inspire thought.

What is your biggest writing challenge? Your biggest reward?

Paul Kane: The hardest thing I find, the hardest challenge, is to get started. Ideas come to me all the time, I write them down in little notebooks. In fact, I have different sized books for different things: small for just ideas, or snatches of dialogue; medium-sized for novellas and the like; and A4 ones for novels, because I work up chapter breakdowns and do research in those. For each novel I’ve written there’s an A4 notebook to go along with it. So, you have your idea and all your working out. No matter how prepared you are – and some people do more prep than others… I’m a big planner personally – just looking at that blank screen before you start is the most daunting thing in the world sometimes. It might not even be at the beginning of a project, either; just getting up every day and starting, even if you’re halfway through, can be hard. You have to force yourself to do it, push through those pain barriers – and if you look for distractions, you’ll find them, so try to keep focused on the task at hand. The flip side of that, of course, is when you’ve got your first draft done. You have a chunk of words you can play with, then refine and make better. That’s the most rewarding part for me, when you’ve done all that, or maybe even when the story’s finished – or as finished as it can be, because nothing’s ever truly done; you could fiddle with things forever. When you see it in print and people enjoy your work, that’s something truly special. 

Chris Barili: Self-confidence followed closely by Parkinson’s Disease. One hits me psychologically, the other physically

Bobby Nash: My biggest writing challenge is me. Sad, but true. I am my own worst enemy. Once I get out of my own way, push distractions aside, and actually sit down and get started, I’m okay. Getting started is a big hurdle.

Robbie Cheadle: My biggest writing challenge is finding a stretch of about 2 ½ hours undisturbed time to write. I can write for a shorter time, but I usually find it takes me about 30 to 40 minutes to get back into the mindset of the story so shorter writing periods are not very efficient for me. I usually write on weekend days from 6 am to 8.30 am. Sometimes I write for an hour in the afternoon during the week but that depends on work. I am supposed to work from 9am until 3pm but that rarely happens and if I don’t start writing by 4pm, the day is lost to me from a writing perspective. I don’t write in the evening as I am tired. I do sometimes edit later in the day though.

Jeff Bowles: For me the challenge is always the sheer amount of time and work required to bring a new book to market. At the moment, I’m favoring indie publishing, which means everything from editing to production is riding on my shoulders. It takes a lot of effort to bang a fresh manuscript into shape. Luckily, I’ve got a lot of support from family, friends, and other professionals, so it’s always worth it in the end. The reward, as always, is seeing your book in the hands of others. It never really gets old.

Nancy Oswald: Getting started on a new project. Biggest reward, well, of course, finishing. Beyond that, I love holding the first printed copy of a new book.

Kevin Killiany: My biggest challenge is stopping. I write 500-word postcards, and I would have a wonderful time extending my narrative, exploring my characters, expanding my world. My biggest reward is having stopped. Because then I have a story to give people.

What is the single most important story element? Why?

Paul Kane: Probably characters, like I say. If you don’t believe in those then there’s no point to the story in the first place. I’m a big one for character studies – actually I have to rein it in sometimes because I get carried away. I’ll include various details about a person’s life when I’m only writing a prologue sometimes and people just want to cut to the chase and get to the meat of a story. I had to chop a lot of that at the start of my PL Kane crime novels Her Husband’s Grave and The Family Lie. All interesting stuff, but not the right time or the place. One of my Controllers stories ‘Eye of the Beholder’ was basically a character study of a woman called Lucy, taking you through her life, and at the end you realise these god-like creatures have been manipulating events for their own satisfaction. In a case like that, it’s actually working to help tell the story. 

Chris Barili: Character. Without a dynamic, well-developed, and relatable character the story stops mattering.

Bobby Nash: I firmly believe that it all starts with characters, so that’s where I put my focus first. Telling a cohesive story is important.

Nancy Oswald: I think it’s character. As a reader, if I can’t latch onto or relate to a character, the reading is tedious.

Kevin Killiany: Character. People care about people.

Are you a plotter or a pantser (I believe ‘discovery writer’ is the trending term or as Dean Wesley Smith refers to it: “Writing into the Dark”)?

Mario Acevedo: I’m in between. I started as a panster and then after writing myself into a corner, I became a plotter. My plot outlines are brief chapter summaries—two-three sentences. I’ve learned however to keep the doors open for the Muse to suggest changes.

Chris Barili: Seriously addicted to outlining.

Bobby Nash: I’m somewhere in the middle. I have loose plots, but I leave open the possibility of the characters taking me to unexpected places, so sometimes the plot has to be adjusted. I’ve heard the term plantser used, but I don’t really like that term.

Robbie Cheadle: I am a plotter. I always have the ending of my stories in mind before I start, and I write towards that ending. As I write historical fiction, I usually follow the real path of the events that occurred heading in the direction of the ending. I often discover new and interesting information while I am researching for my stories, but that doesn’t ever knock me off my chosen storyline, it just adds to some of the ‘meat’ in the middle of the story.

Kevin Killiany: A bit of both. I work out what needs to happen when at the outset (storyboarding) but beyond that I usually don’t know how the narrative will get from point to point until I’m on the journey.

What is your best piece of advice for aspiring authors?

Mario Acevedo: Have faith in yourself. Keep learning and improving. Read a lot in every genre. You’ll be surprised how much blends from one category to another. And nothing happens until you sit down and write.

Paul Kane: Just to never give up. It always makes me sad when I see a talented writer walk away from the business or become so discouraged that they never send anything to editors, agents or publishers. It always makes me think ‘what great writing have we missed out on’? If Stephen King’s wife, Tabitha, hadn’t fished Carrie out of the bin, we’d have been missing out on all his excellent writing from that point onwards. No Shining, Salem’s LotNo Stand. Heartbreaking. So keep going, keep fighting, because you never know where it might all lead.

Chris Barili: Don’t quit your day job until writing IS your day job. Then, really don’t quit your day job.

Bobby Nash: Determine where you want your writing to take you and set attainable goals to help get you there. Not every writer has the same goal, so you have to decide what success looks like for you, so you know what to aim toward. Then, once you do that, work to achieve those goals. Also, don’t forget to celebrate when you attain the goals. That’s important too.

Robbie Cheadle: Keep writing as much as possible. Practice makes perfect. I can’t believe how much I have learned between the launch of my first Sir Chocolate book in August 2016 and now. It’s been an amazing journey.

Kevin Killiany: I submitted my first short story in 1967. I sold my first story in 2000. I would have sold one sooner, but I kept giving up. Don’t keep giving up. Just as a musician perfects their craft through practice, we perfect our writing through writing. Approach everything you write as something you are creating for your own satisfaction, no one outside your head matters. Then do your best, because it is through doing your best every time that your best will steadily improve.

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Before we end this first segment, I’d also like to introduce you to contributing author, Kevin Killiany. Unfortunately, due to the pandemic we’ve all been experiencing, he was unable to submit an essay to the work, but I want to introduce him here, so you’ll know who he is when you see his responses throughout this series in the Q & A portions. He’s a multi- genre and media tie-in writer and a generally all around good guy.

Meet Kevin Killiany

Growing up in Florida, Kevin was fascinated with space—he witnessed every manned launch from Cape Canaveral in the 60s, and never fully recovered from the discovery there were no rainforests on Venus for him to explore. Forced to stay on Earth, he eventually became a teacher, working with students at all grade levels before moving on to community support services, where he was a crisis intervention counselor and case manager for mental health and family preservation programs.

Kevin wrote his first story in 1967 and, after only thirty-three years of writing and submitting, became an immediate success with his first sale in 2000. In the years since he has written fiction for both Star Trek and Doctor Who and written web content, campaign books, stories, novels for various role playing games. Down to Dirt, book one of his original YA science-fiction series Dirt and Stars, was published in 2016.

The “Ask the Authors 2022” blog series is a 10 week Saturday series, so be sure to drop by next Saturday for an introduction to contributing author, Bobby Nash and a Q & A on Pre-Writing Rituals. If you grab a copy of Ask the Authors 2022 writing reference anthology while this blog series runs, from now until July 9th, you can get it at the special send-off price of 3.99, from your favorite book distributor through the Books2Read UBL here: https://books2read.com/u/3LnK8e

Ask the Authors 2022

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Sign up for the Kaye Lynne Booth & WordCrafter Press Newsletter for and book event news for WordCrafter Press books, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of Kaye Lynne Booth’s paranormal mystery novella, Hidden Secrets, just for subscribing.


Coming to “Writing to be Read” – “Bowlesian! – Short Stories from the Brink

Bowlesian!

Jeff Bowles has been a member of the Writing to be Read team since March of 2017, as well as being a talented science fiction and horror author with his own unique style. He’ brought us blog series such as “Jeff’s Pep Talk”, “Words to Live By”, “Craft and Practice”, “Jeff’s Movie Reviews” and Jeff’s Game Reviews”. He’s been on haitus for several months, but now he’s coming back with a fantastic new blog series, “Bowlesian!: Short Stories from the Brink”, which will feature some of his amazing short fiction each month. You can catch it on the first Wednesday of every month starting… tomorrow, March 2, 2022. You won’t want to miss it!

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Love Madness Demon Cover Final

Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The FallGodling and Other Paint StoriesFear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s novel, Love/Madness/Demon, is available on Amazon now!

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


Writer’s Corner: Launching a writing career

Writer’s Corner

Some beginning writers may have delusions of overnight success, but any seasoned writer will tell you that it usually doesn’t happen that way. There are instances where it has, of course, but in most cases, launching a career in writing requires time, money and a lot of hard work to be successful. Writers who have realistic expectations may start out writing part time and get a solid book marketing plan under them, through trial and error and lots of A/B testing to figure out what works and what doesn’t, before trying to take their writing career to a full-time level.

I’ve been working to get my writing career off the ground for over a decade, but I’m a D.I.Y. girl and most things that I try to do, I started out doing things backward. I started my writing career right here, on Writing to be Read in 2009. At the time, I had no idea what I wanted to write, but write I did. In 2012, when I didn’t have the huge following I had hoped for and undertaking a book length work seemed an insermountable hurdle, I decided I needed some help, so I enrolled in the graduate program at Western State Colorado University and by 2016, I had my M.F.A. in Creative Writing with a dual emphasis in genre fiction and screenwriting.

The Six Figure Authors Podcast offers the general advice for aspiring writers to pick a genre you’ve had some success with and stick with it until you are firmly established. Then if you feel the need to cross genres, you can probably venture into a new territory without risking everything. Because that’s what you’re doing when you cross over to a genre other than the one in which you already have established a fan base.

But here I am. To date, I have published a Western, Delilah; a collection of short stories, Last Call and Other Short Fiction, which is a mish-mash of genres: time-travel, vampire, origins, satire, etc…; and a paranormal mystery novella, Hidden Secrets. I also have published a number of short stories. My flash fiction horror story, “The Haunting of Carol’s Woods”, is featured in Dan Alatorre’s Nightmareland, and my futuristic science fiction story, “If You’re Happy and You Know It”, and my crime fiction love story, “The Devil Made Her Do It”, are each featured in The Collapsar Directive and Relationship Add Vice anthologies respectively, both published by Zombie Pirate Publishing, as well as a paranormal story in each of the three WordCrafter paranormal anthologies, Whispers of the Past, Spirits of the West, and our newest release, Where Spirits Linger. I even have published a nonfiction author’s reference, Ask the Authors, which arose from a blog series I ran right here on Writing to be Read.

I am ecclectic in my tastes, including music and reading, and thus the stories that percolate in my brain are also rather ecclectic. I don’t listen or read in any one genre. Why would I think up stories in only one? I don’t think I could write to market and be successful. And I’ve tried the writer for hire thing, too, but didn’t care for it. No one is saying you can’t be successful as a multi-genre author, but what all of this means is that my books are more difficult to market, because my target audience are splintered into multiple reader groups, so I have to be more creative in reaching an audience who will actually read what I write. And I have to research and know what I’m doing, because book marketing and advertising can get expensive, especially if you do all the A/B testing and stuff that you they say we need to do. Since it’s not feasible for me to stick with only one genre, I think figuring out how to attract readers for each of the genres that I write from a wider audience will be my biggest challenge.

I’m an author who listens to my characters and let’s the story unfold naturally. (I’m not really a pantser, although at one time I thought that I was. Now I find that I need to have a general idea of where my story is going and how it gets there, and a basic outline does that for me.) But the stories don’t all unfold in a single genre, and so I’ve become a multi-genre author, although that probably isn’t the fastest way to build a full-time writing career.

Readers here, followers of this blog, are the fan base that I have built over twelve years of blogging and I appreciate your support, in whatever fashion you choose to demonstrate it. I’m not sure what genre any of you read, or if any of you actually read my books, but you pop over and read my posts, regardless of the subject matter, and occasionally, some of you even comment. I really do appreciate that.

As you can see, I’m the kind of gal who decides what I want to do and plunges ahead, learning as I go. I’ve reached a point in my life where I not only want to write full-time, but I need to be a full-time writer. My love for the written word can be seen in everything I do. In addition to this blog, I’ve reported on local writing communities, attended and participated in writing fairs and conferences, hosted online writing events, created my own small press, and gone into student debt in order to become an expert on my craft. For me, writing truly is a passion and I need to do this as a career for my own mental health and well-being. In order to do that, I need to make some changes.

But, I write for the love of writing. It’s the reason that I put so much energy into this blog. I write to be read, and I’ve not monetized my blog, although I have recently had inquiries for advertising. I’ll need to research more before I make a decision on that front, but I don’t really want to monetize Writing to be Read. I like what I’ve built this site into, with the help of my wonderful Writing to be Read team members: Robbie Cheadle, Art Rosch and Jeff Bowles. I’m afraid if I monetize it, it will become something different, and perhaps unintended. I don’t want that.

That’s why I’m only making one small addition on this site and leaving the rest as is, to develop naturally into what it will become. I’m developing a plan that I can follow to transition into a full-time writer and continue this very slow launch of a writing career. I’ll keep you apprised of other upcoming changes, but for now, the only change here is a new “Buy me a tasty beverage” button in the sites top right-hand corner, where you can make a donation if you should choose to show your support for Writing to be Read in this manner.

If you do make a donation, know that it will be greatly appreciated. I’m glad that you enjoy the content here or find it helpful. Thank you all for being my readers.

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Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing, writing is more than a passion. It’s a way of life. She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you. She has short stories featured in the following anthologies: The Collapsar Directive (“If You’re Happy and You Know It”); Relationship Add Vice (“The Devil Made Her Do It”); Nightmareland (“The Haunting in Carol’s Woods”); Whispers of the Past (“The Woman in the Water”); and Spirits of the West (“Don’t Eat the Pickled Eggs”). Her western, Delilah, her paranormal mystery novella and her short story collection, Last Call, are all available in both digital and print editions.

On her authors’ blog, Writing to be Read, she posts reflections on her own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. She’s also the founder of WordCrafter. In addition to creating her own imprint in WordCrafter Press, she offers quality author services, such as editing, social media & book promotion, and online writing courses through WordCrafter Quality Writing & Author Services. When not writing or editing, she is bird watching, or hiking, or just soaking up some of that Colorado sunshine.

WordCrafter: https://kayebooth.wixsite.com/wordcrafter

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Day 2 of the WordCrafter “A Ghost and His Gold” Book Blog Tour: Meet Peiter Van Zyl

A Ghost and His Gold Book Blog Tour

Welcome to Day #2 of the WordCrafter A Ghost and His Gold Book Blog Tour. Yesterday Roberta Eaton Cheadle shared the origins of the story for this historical paranormal novel and I added my review of the book right here on Writing to be Read. Today we get a look at one of Cheadle’s characters, Boer, Pieter Van Zyl. Please join us as we snatch a glimpse into the author’s thoughts as she developed a character who represent one side of the Second Anglo Boer War in South Africa.

A Ghost and His Gold Give Away

Each stop on this five-day book blog tour will offer the opportunity to win a $10 Amazon gift voucher. (*Winners must be able to retrieve Amazon US gift vouchers.) Author Roberta  Eaton Cheadle will also give away 2 paperback copies of A Ghost and His Gold. All you have to do to enter is drop by each tour stop and leave a comment!

Guest Post by Roberta Eaton Cheadle: Pieter van Zyl characterisation 

Pieter van Zyl is a Boer living on his farm in Irene near Pretoria in the South African Republic when war between the British Empire and the two Boer republics breaks out. Although the historical sections of the book are narrated from the points of view of a British soldier stationed in Mafeking during the siege, Robert, and Pieter’s eldest daughter, Estelle, as well as Pieter, he is central to the backstory and background of the other ghosts as well as the main themes of the book which are human greed, the horror of war, the desire for control and power and, most importantly, the erosion and corruption of the human spirit and individual’s morals, and ethics, under conditions of continuous war, destruction, and death.  

Pieter’s late grandmother was English, and he is familiar with the ways of the British and more understanding of their characteristics and motivations that most of his peers.  

Pieter is highly intelligent and well read and, although he is ready to play his role in fighting for the independence of his country, he is pessimistic about the eventual outcome of this war in the face of his peers excited optimism for a quick victory. Pieter is an introverted loner who keeps his thoughts to himself having learned his opinions and views on many topics are not popular with his peers. Pieter is a peacemaker and does not like conflict in his life. This is apparent in his relationships with his wife, Marta, and oldest daughter, Estelle. Pieter is incapable of dealing with the conflict between the pair and taking positive action to control his wife’s resentment towards her unusual oldest child. 

The suffering and trauma that Pieter experiences during the war, in particular the loss of his farm and the confinement of his family in a concentration camp, wear down his abilities to tolerate and cope with his circumstances and his will to live is destroyed long before he dies.  

Photograph credit: http://www.theheritageportal.co.za/review/war-reporter-anglo-boer-war-through-eyes-burghers

Relevant extracts from A Ghost and His Gold 

Extract 1 

He believed he would be safer among family and friends, having quickly learned that being obligated to fight for your country did not necessarily translate into an eagerness to do so. The reluctance of some of the Burghers to take up arms surprised him, and he chuckled at some of the conversations he’d overheard.  

“I don’t want to go to war now,” said François Naude, “it’s spring and I need to be here to oversee the planting.”  

Pieter, who was waiting to collect his grocery order from the proprietor of the Irene General Store, hid a smile at this amusing comment.  

What does he think our government should do? Ask the British if they mind waiting for a more convenient time before we commence hostilities. 

Extract 2 

Grabbing his loaded Mauser rifle from its hooks on the wall near the door, he hesitates for a moment to admire its smooth and shiny wooden length. The feel of the gun in his hands gives him confidence; he is an excellent marksman.  

This gun brought me a lot of respect.  

His ability with a gun had been his saving grace when, as a young man, his peers had been mystified by his interest in books and writing and had liked to share their derogatory thoughts in that regard. 

Extract 3 

Willem was in high spirits. “This war will soon be over, Pieter. It’ll be the same as the last one. We’ll defend our borders against the invaders, and it will be over in three months. We’ll be home by harvest time.”  

Willem shared the sense of excitement and euphoria that many of his fellow countrymen were experiencing, but Pieter did not.  

War brings bloodshed, grief and tears. This time the British will probably send 36 many more soldiers. I think this war is going to be a much harder win.  

He had not shared his own thoughts with Willem. There was no point and he had learned many years ago to keep his unpopular opinions to himself. 

Extract 4 

Pieter stops talking and gazes into space. Memories assail his mind in a kaleidoscope of sounds, smells and visions.  

“At about midday, we saw a large cloud of dust coming our way. Having no idea how many horsemen there were, ten other Burghers, Willem and I quickly set up an ambush. As they drew closer, we could make out a mass of at least seven thousand horses and men. It was a hopeless situation and we prepared to withdraw, but the Khakis saw us and started shelling our position. My horse took fright at an exploding shell and bolted. I fell and broke two ribs, but luckily my horse is well trained, and he came back to me. Oom Willem hoisted me back onto my horse, and we were able to escape.”  

Marta’s pale face and the tension around her mouth and eyes suddenly register with Pieter.  

Is she upset because of my injury or because the Burghers ran away?  

“It was cowardly of you men to flee, you should have stayed and fought,” said Marta, her lip curled with contempt.  

How does she think I could have carried on fighting with broken ribs? She’s being ridiculous; if we’d carried on fighting, we would’ve all been killed. A handful of men couldn’t hold back such a significant force.  

Smiling wryly, he took a sip of water. “Maybe you are right, Marta, but I was in too much pain to influence that decision.” 

The Blurb 

After Tom and Michelle Cleveland move into their recently built, modern townhouse, their housewarming party is disrupted when a drunken game with an Ouija board goes wrong and summonses a sinister poltergeist, Estelle, who died in 1904.  

Estelle makes her presence known in a series of terrifying events, culminating in her attacking Tom in his sleep with a knife. But, Estelle isn’t alone. Who are the shadows lurking in the background – one in an old-fashioned slouch hat and the other, a soldier, carrying a rifle?   

After discovering their house has been built on the site of one of the original farms in Irene, Michelle becomes convinced that the answer to her horrifying visions lies in the past. She must unravel the stories of the three phantoms’ lives, and the circumstances surrounding their untimely deaths during the Second Anglo Boer War, in order to understand how they are tied together and why they are trapped in the world of ghosts between life and death. As the reasons behind Estelle’s malevolent behaviour towards Tom unfold, Michelle’s marriage comes under severe pressure and both their lives are threatened. 

About Roberta Eaton Cheadle 

I am a South African writer specialising in historical, paranormal and horror novels and short stories. I am an avid reader in these genres and my writing has been influenced by famous authors including Bram Stoker, the Bronte sisters, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.  

I was educated at the University of South Africa where I achieved a Bachelor of Accounting Science in 1996 and a Honours Bachelor of Accounting Science in 1997. I was admitted as a member of The South African Institute of Chartered Accountants in 2000.  

I have worked in corporate finance from 2001 until the present date and have written seven publications relating to investing in Africa. I have won several awards over my twenty year career in the category of Transactional Support Services. 

I have been published a number of anthologies and have two published YA books, While the Bombs Fell and Through the Nethergate. I have recently published my first adult novel called A Ghost and His Gold which is partly set in South Africa during the Second Anglo Boer War. 

Other books by Roberta Eaton Cheadle 

Through the Nethergate 

Margaret, a girl born with second sight, has the unique ability to bring ghosts trapped between Heaven and Hell back to life. When her parents die suddenly, she goes to live with her beloved grandfather, but the cellar of her grandfather’s ancient inn is haunted by an evil spirit of its own. 

In the town of Bungay, a black dog wanders the streets, enslaving the ghosts of those who have died unnatural deaths. When Margaret arrives, these phantoms congregate at the inn, hoping she can free them from the clutches of Hugh Bigod, the 12th century ghost who has drawn them away from Heaven’s White Light in his canine guise. 

With the help of her grandfather and the spirits she has befriended, Margaret sets out to defeat Hugh Bigod, only to discover he wants to use her for his own ends – to take over Hell itself. 

Follow Roberta Eaton Cheadle at: 

Website 

https://www.robbiecheadle.co.za/

Blog 

https://wordpress.com/view/robertawrites235681907.wordpress.com

Goodreads 

https://www.goodreads.com/author/show/19631306.Roberta_Eaton_Cheadle

Facebook 

https://www.facebook.com/robertawrites/?modal=admin_todo_tour

Amazon

Purchase Links:

TSL Publications (paperback) 

Lulu.com (ebook and paperback) 

Amazon  

https://www.amazon.com/Ghost-Gold-Roberta-Eaton-Cheadle/dp/1913294943 


Exciting Happenings for Writing to be Read and WordCrafter

2021 is off to a great start and today, I wanted to take a minute to update you on the really cool stuff scheduled on Writing to be Read in the coming months. I’ve talked about some of these new additions previously, but one or two have only come together recently and I can’t wait to share them.

Dark Origins

You’ll find Robbie Cheadle’s new series, “Dark Origins”, posted on the fourth Wednesday of each month, and the first post will be this coming Wednesday, January 27th. Robbie will be delving into the origins of nursery rhymes and fairy tales, which can be very dark indeed, so be sure and watch for it.

Jeff’s Game Reviews

Jeff Bowles already shared the first post in his new video game review series, “Jeff’s Game Reviews”, where shared his thoughts on Hitman 3. This series will post the fourth Friday of each month, and each post includes a link to the video version of the review.

WordCrafter Book Blog Tours

Last but not least, February will see the launch of WordCrafter Book Blog Tours. The first tour will be for the Spirits of the West western paranormal anthology. Later in the month, tours are scheduled for Arthur Rosch’s poetry and photography collection, Feral Tenderness, and Barbara Spencer’s first book in the Children of Zues trilogy, A Click of a Pebble. I do hope you’ll all join us in learning about these wonderful books and their authors. Tours include interviews, book reviews and informative posts by the authors. You’ll find the complete tour schedule, as well as instructions for scheduling your own book blog tour on the WordCrafter Book Blog Tours page.

Where Spirits Linger

I’d also like to remind everyone that there is still time to submit your story in the 2021 WordCrafter Paranormal Short Fiction Contest, and to have it included in the resulting anthology, Where Spirits Linger. See the full submission guidelines for details. There is a $5 entry fee, which you can pay with a button right on the contest post, and the winner receives a $25 Amazon Gift Card and guarenteed inclusion in the anthology. But don’t wait too long. The deadline is April 30th.

2020 was a pretty good year for Writing to be Read and WordCrafter, in spite of the unusual circumstances of the pandemic and the “new normal”, which isn’t normal at all. After all the lock downs and mask mandates and social distancing, I think everyone needs a little makeover, and this blog is no exception. Writing to be Read may be getting a facelift with new types of content which will change it’s appearance a little, but the end result is that the blog will be so much better for them. Jeff’s and Robbie’s new series, the WordCrafter Book Blog Tours, and this year’s contest and anthology, are all welcome improvements, and I for one, can’t wait.

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Looking Back on 2020 and Forward to 2021

2020 has been an difficult year for all of us as Covid 19 turned lives upside-down. Here at Writing to be Read and WordCrafter, we saw some great accomplishments, in spite of the fact that my genre theme schedule fell apart half-way through the year on the blog and content was a little more sporadic. I had to figure out how to adjust to my own “new normal”, which life changes brought my way, but they also led me to remember who I am. Now, I’ve analyzed and regrouped, and I’m ready to head into the new year with new ideas and projects.

WordCrafter’s 2020 Virtual Writing Conference

One of the biggest things for WordCrafter was the 2020 Stay in Place Virtual Writing Conference back in April. We ended up with twenty-two distinguished authors, offering live stream and video lectures, and interactive workshops and discussion panels, with free content for the Facebook event and a Zoom platform for the interactive stuff. We had a good turn-out with only a few glitches, and we’re preparing to do it again in 2021.

WordCrafter Press releases in 2020:

Ask the Authors

In April, the Ask the Authors writing anthology was released after two years of compilation. This book is an ultimate writer’s reference with tips and advice from twenty-two authors, and it started right here, from a 2018 blog series of the same name. In November, the print edition of this book, (and all WordCrafter Press books), became available, as well.

Spirits of the West

The Spirits of the West western paranormal anthology resulted from the 2020 WordCrafter Short Fiction Contest, and was released in October. The winning story, “High Desert Rose”, was written by Enid Holden and is included in the anthology. The theme for the 2021 WordCrafter Short Fiction Contest was announced and WordCrafter Press is now taking submissions to be considered for next year’s anthology, Where Spirits Linger.

Hidden Secrets and Last Call

Two of my own books were also released. Last Call and Other Short Fiction is a collection of my short stories, and my paranormal mystery novella, Hidden Secrets, is now available in print on Amazon, but the digital edition can be purchased through other retailers. In the coming year, I will have a story in the Where Spirits Linger anthology, and I’m working on a new book, The Outlaw and the Rockstar which I hope will be ready to release before the end of 2021.

Raise the Tide

WordCrafter Press‘ first stand alone author’s book was released in December, Raise the Tide, a devotional book by James Richards. We also look forward in anticipation to adding the January release of a massive poetry collection by Arthur Rosch, Feral Tenderness, to this list.

Feral Tenderness

Writing to be Read 2020:

We had some great guests on Writing to be Read. On “Chatting with the Pros”, my author guests featured Diana Raab, Amy Cecil, Cherokee Parks, L. Deni Colter, and Kevin J. Anderson. I’m hoping to transform this blog series into a podcast, which can be accessed through the blog, in the coming year, and I hope you all will join me there. Other authors interviewed in 2020 included Mark & Kym Todd, Jade C. Jamison, and Alan Dean Foster. The most viewed interview was with erotic romance author Nicky F. Grant. Interviews fell by the wayside along with the genre themes, but I’m planning to bring back author interviews for 2021, and I’m working on a new blog segment, “The Authors’ Covid Coffee Clache”, which will address issues of the pandemic specific to authors.

Treasuring Poetry

Robbie Cheadle’s poet guests included Sally Cronin, Colleen Chesebro, Victoria Zigler, Sue Vincent, Annette Rochelle Aben, Christy Birmingham, Kevin Morris, Frank Prem, D. Avery, Geoff Le Pard, and Balroop Singh. Of course, each segment on “Treasuring Poetry” are filled with poetry examples and includes a review of the poet’s latest poetry collection.

Growing Bookworms

Robbie Cheadle’s “Growing Bookworms” has great ideas for promoting literacy in children. Topics discussed “Making Learning the Alphabet Fun“, “Reading and Mathematics“, obtaining a balance of parental approval, “Sir Chocolate and the Valentine Toffee Cupid“, the benefits of singing and rhyming verse for children, “Teaching Children to Read“, “Introducing Non-Fiction to Children“, “The Future of Education“, “The Great Roald Dahl“, “Chapter Books vs. Short Stories for Children“, “The Joy of Nursery Rhymes: Twinkle, Twinkle Little Bat“, and “Incorporating Reading into Christmas Activities“. The post with the most views this year was a “Growing Bookworms” post from 2019, “Developing Imagination and Creativity Through Reading“, and in fact, it is also the post with the most all time views.

Words to Live By

On “Words to Live By”, Jeff Bowles offers up his thoughts on writing and life, and writing life. In 2020, he reflected on “The Creator in the Creative“, “The Kid in the Machine”, “Sex, Love, Warfare and Death“, “Fear, Creativity, and that Pesky Pandemic“, “Love in the Time of Covid“, “Be Here Now (Sanity for the Modern Writer), and”Creative Legacy“. The most viewed “Words to Live By” post was “The Big Chill“.

Mind Fields

With Art Rosch’s “Mind Fields”, you never know what the topic will be, but in 2020, they included “T.V. Addicts Annonymous“, “Nightmare with Tracphone“, “The Power of Villians in Story Telling“, “The Big Grief or Computer Wipe-Out“, “The Air in the Sky“, “Obsession: Craving Flashlights“, “Curvature: An Essay on Discernment“. The most view “Mind Fields” post was “Am I Real“.

Super Heroes and Supervillains

In May, Jeff Bowles took over the spotlight as he took over the Super Heroes and Super Villians theme, with a look at “The History and Evolution of Comic Books“, “The Rise of the Comic Book Film“, “DC Comics Gets Animated“, “D.C. Comics vs. Marvel – Rivalry and Inspiration“, and a celebratory posts for comic books and super heroes, “Look Up in the Sky!

Craft and Practice

Also in May, Jeff introduced a new blog series “Craft and Practice”, filled with great writing advice, which covered topics such as “The Revision Process“, “To Self-publish or Not to Self-publish“, “Writing for Catharthis“, “Story Synthesis: The Ultimate Tool in the Tool Kit“, “To Comma or Not to Comma“, “The Odds and Ends of Worldbuilding“, and “What’s the use of Trunk Novels“. The most viewed “Craft and Practice” post was “Should You Write Every Day?“.

Jeff’s Movie Reviews

Jeff’s Movie Reviews” covered The Invisible Man, Birds of Prey“, Hamilton on Disney+, Bill and Ted Face the Music, The Trial of the Chicago 7, The Queen’s Gambit, and The Godfather Coda: The Death of Michael Corleone. The most viewed movie review post was for 1917.

Arthur’s Visual Media Reviews

“Art’s Visual Media Reviews” covered Homeland, Better Call Saul, 13 Reasons Why, Just Mercy, 13 Reasons Why (the later seasons), a critique of Marvel movies, and The Secret: Dare to Dream, but the most viewed review was a life review in “My Life with Jazz“. Unfortunately, “Arthur’s Visual Media Reviews” will not be appearing in 2021, but Art’s “Mind Fields” will be appearing twice a month.

My book reviews included Missing: Murder Suspected: True Crime Stories Brought to Life, by Austin Stone On Being a Dictator, by Kevin J. Anderson and Martin L. Shoemaker; Saint, by Amy Cecil; Heat: Book 1, by Jade C. Jamison; Old One Eyed Pete, by Loretta Miles Toleffson; Death Wind, by Travis Heermann and Jim Pinto; Severed Wings, by Steven-Elliot Altman; X Marks the Spot, an anthology of pirate fantasy tales edited by Lisa Mangum; Indominable, by J.B. Garner; Echo One, by Mercedes Lacky, Denis K. Lee, Cody Martin, and Veronica Giguere; the audio edition of Shadow Blade, by Chris Barili; Love/Madness/Demon, by Jeff Bowles; In the Shadow of the Clouds, by Jordan Elizabeth; Keeper of the Winds, by Jenna Solitaire with Russle Davis; Inspirational Visions oracle cards, by Judy Mastrangelo; The Freedom Conspiracy by Nathan B. Dodge; Disappeared, by Lucienne Diver; Fool’s Gold Rush, by Tim Baker; Terminal Sequence, by Dan Alatorre; Gunslinger, by Edward J. Knight; and Clay House, by Jordan Elizabeth. The top viewed review was Hold Your Fire, an anthology edited by Lisa Mangum.

Judging the Spurs

I was also honored to be a judge for the Writers of America’s Spur Awards and I reviewed my top six picks, and the winner of the western romance category, The Yeggman’s Apprentice, by C.K. Crigger. These were the best of the best, and I was honored to be given the opportunity to read and review them.

WordCrafter Book Blog Tours

Also, in 2021 Writing to be Read will be a host for the WordCrafter Book Blog Tours, so we’ll be keeping you up to date on several new releases as they come out. Robbie Cheadle will bring us a new blog series on nursery rhymes and fairytales, “Dark Origins”, and I plan to bring in a new series, “Writer at Work”, which will talk about different issues that writers face. Subscribe to this blog with one of the buttons in the upper right-hand corner to be sure not to miss this great new content or the tried and true content of continuing series on Writing to be Read in the coming year.

Dark Origins

Happy New Year and Happy Writing!

From Writing to be Read and WordCrafter

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My Letter to Santa

Merry Christmas 2020

Dear Santa,

I want to start by telling you that I have been a very good girl this past year. I’ve done everything I was supposed to. I always wear a mask in public and I try to stay at least six feet away from anyone around me. That’s not always easy to do when you’re in a store with people shopping up and down the aisles, but I have done my best, ordering many things online and only going into public when absoloutly necessary. And I sanitize my hands, my wallet, any cards that I used and anything I purchased, after every place that I go.

I’ve tried to give back, through the 2020 WordCrafter Stay in Place Virtual Writing Conference, which WordCrafter hosted in April, when Covid 19 first began to spread and we were all ordered to stay in our homes and we were all still trying to figure out and adjust to the “new normal”. It was a great event, with twenty-two authors offering instruction and advice in live lectures, interactive workshops and panel discussions, and we had a pretty good virtual turn-out, and it provided an opportunity for all of my fellow authors to interact, learn and socialize virtually, as they would have had all in-person events not been cancelled, so I feel like I may have done a good turn for my profession.

Also in April, WordCrafter Press released the Ask the Authors anthology. This anthology is a great writing reference, where authors and potential authors can turn to find writing advice from seventeen different authors, because we don’t all write in the same way. Thank goodness. In October, we had another release, Spirits of the West, which is the anthology resulting from the 2020 WordCrafter Short Fiction Contest. More recently, these anthologies and all WordCrafter Press books are now available in print, which not only helps me, but all the other contributing authors with increased chance of sale.

In addition to publishing my short story collection, Last Call and Other Short Fiction, and my paranormal mystery novella, Hidden Secrets, WordCrafter also aided two new authors to bring their work into fruition. Pastor James Richards of the Christian Cable Ministries television program, Raise the Tide, just released his new devotional collection, Raise the Tide, and author Arthur Rosch will be releasing his massive volume of poetry and photgraphy, Feral Tenderness, in early January. I’ve got some great things cooking for next year, too, like the WordCrafter Book Blog Tours or The 2021 WordCrafter Short Fiction Contest, but I guess it’s too early to count those as good deeds, since I haven’t done them yet.

In years past, I’ve asked you for many things, mostly tools which I can use in my writing. This past year, I’ve been collecting the equipment needed to move into the audio and video realms, and I’m hoping to create a podcast with paid subscriber content, to enhance the Writing to be Read blog, so this year you may be expecting me to ask for a new video camera, or the extra money I need to put the podcast together, but that’s not what I’m going to ask for.

The past year has been a rough one for me, I’ll admit. Due to various life circumstances, I found myself unable to complete my B.S. in Marketing, which would have been completed in the spring of this coming year. But, as I look around me, I see local business owners shutting down their doors, people out of work and homeless, people grieving at the loss of their loved ones, and I realize that this damn virous hasn’t really been kind to anyone. Although I’ve had to make many adaptions to function while governments strive to get it under control, it has effected many others more harshly than it has effected me. I still have my home, my business and my health, and I am thankful for that, but there are so many out there this year who don’t. There are many out there whose needs make my own feel small and trivial. Between the virous and all the wild fires and riots of 2020, there are many out there who have lost everything and are attempting to start to build again.

So, this year, Santa, I’m asking that you deliver to those folks whatever it is they need to fill this Christmas with hope and make things a little easier for them. I know that in the end, I’ll be okay. So, this year, take care of those less fortunate than I. I’m a survivor. I’ve got a plan. 😉

Merry Christmas, Santa!

Your Friend,

Kaye Lynne Booth, M.F.A.

P.S. I will still leave the regular milk and cookies out, if you just want to stop in for a bite on Christmas eve. That sleigh travel can be hungry work. I’ll leave a few ears of corn on the roof for the reindeer, too. 😉

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Wow! You Must Really “Like” Me

As authors and bloggers, we hear that we need to grow a following, or an author platform, and this is the digital measure of success. So, we write blog posts and posts promos in the hopes that readers will be drawn to our blogs and fall in love with them, and subscribe to them. Then we start counting “like” or other reactions on all of our social media sites, and when they start accruing, we tell ourselves, “Look! It’s working! Lots of people “like” my promos. My following is growing!”

But, I would argue that the number of “likes” we get on social is not a true and accurate measure of success, or even popularity, and it certainly isn’t any indication that we are moving any closer to increasing book sales, or blog visits. Think about it. Just because several people “liked” a promo on social media, doesn’t mean that any of those people clicked through to actually read the blog post or buy the book. In fact, I’d venture that the majority of “likes” on social media do not click through. They may be “liking” the promo, but they aren’t reading your work. They are probably a more accurate measure of promotional success, than they are the size of the reader following.

Of course, this isn’t the case with “likes” that appear on the blog site itself. Watching those numbers increase is a big deal, because they are an indication that people are reading your work. When the number of subscribers increase, that’s when you know that those folks who “liked” your posts, are truly finding your content of interest enough to come back and visit again. This is what bloggers strive for when trying to grow a following. (But alas, many of those followers may have subscribed may become inactive over time, letting email notifications go unopened.) Even with a large following, we are still challenged to keep readers engaged and entertained or informed. Growing a reader following is an unending process and you have to keep at it over time with quality content to maintain it.

So, why do we even bother with “likes” on social media? They may make us feel good, but do they have some other value? Are we all just striving to go viral because that’s the current measure of success on social media? The answer is that they do, indeed, have value, because they are a form of engagement with existing and potential readers. And engagement is the key to growing a solid following, with members who enjoy reading your writing and want to hear what you have to say, or the story that you have to tell.

Engagement is one of the major objectives that social media marketing is aimed at. Readers whom you engage with in some manner are more likely to subscribe to your blog or buy a book. Readers who do have engagement of some sort with a book’s author are also more likely to leave a review for that book. Favorable reviews increase the chances that someone else, previously unfamiliar with you or your work, will also buy your book.

So, as an author, don’t totally dismiss all those “likes” as unimportant, thinking that they don’t mean the ‘liker’ really likes you or your work, but instead make use of them as a chance to engage with the ‘liker’, even it is just to say thanks for “liking” my promo post. Encourage readers to click through and actually read the blog post, or buy the book in the promos, and be thankful for any engagement received.

And for heaven’s sake, be sure to reply back. Even giving a quick emoji is a form of response, and considered engagement, so take the time to reply or reach out to those people who “like” promos, engage with them, even if it’s obvious they haven’t clicked through. They will remember the next time they see one of your promos, so you’ve increased recognition and awareness, and maybe, just maybe they’ll subscribe to your blog or even buy a book.

And as readers and social media hounds, please click through and read the actual blog posts and leave a comment to clue the author in to the fact that you did. If you do buy a book, please take the time to leave a brief review to show support for the author. Being an author and getting our work out there is not easy, especially in the trying times we live in, so let’s lift each other up and support one another. Every author can’t be your favorite, but engagement and reviews are easy ways to support the ones who are.

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Become a WordCrafter Book Blog Tour Host

WordCrafter

Greetings fellow bloggers, authors and readers. I have exciting news to share with you. In 2021, WordCrafter will be offering affordable book blog tours to help create buzz for your books. During times when in person events can be hazardous to your health, book blog tours are a great way to get the news of your release out there, create reader awarenesss, and an opportunity to stir up reader engagement, all from the safety of your own home. WordCrafter Book Blog Tours will offer custom tour packages including combinations of author interviews, book reviews or author provided guest posts at reasonable rates that will make WordCrafter Book Blog Tours affordable, even for struggling authors.

I want the blogs on which tour posts are featured on to make WordCrafter Book Blog Tours something special. That’s why I’m reaching out to my fellow bloggers today, in search of those who would like to become tour hosts. Becoming a WordCrafter Book Blog Tour host is a great way to provide blog content for your blogs. The host bloggers will have access to the WCBBT schedule, and opportunity to sign up for the book tours of their choice, and also choose the type of content they want to post for their tour stop. If an author interview is selected, hosts will be responsible for providing interview questions. For book reviews and ARC copy will be provided and host will be responsible for reading and posting a review. Guest posts will be provided by WordCrafter, and all they need to do is post it. I still have openings for WCBBT hosts, so if you’re one of those special bloggers and you think your blog can give personality to WordCrafter Book Blog Tours, then I’d like you to become a part of the WCBBT team. Contact me at kayebooth@yahoo.com.

And I want to assure all Writing to be Read‘s loyal readers that the coming of WordCrafter Book Blog Tours will not interfere with the great content and regular blog series that you’ve all come to know and love. We’ll still continue to offer “Words to Live By”, “Growing Bookworms”, “Craft and Practice”, “Treasuring Poetry”, “Jeff’s Movie Reviews”, and “Mind Fields”. In fact, although it is too early to announce the changes for 2021, I can tell you that even more new blog series and exciting new content is in store. There are two ways that you can follow Writing to be Read: via email or via the WordPress Reader. Click the button of your choice in the top right corner, under the WordCrafter logo, to subscribe and keep updated on the great blog content to come.

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What’s in a Genre?

Genres

I’ve discussed genres a lot here on Writing to be Read. I’ve done monthly genre themes, with author interviews and reviews of books included in each one. We’ve covered nonfiction, romance, western, fantasy, science fiction, young adult fiction, children’s fiction, horror, crime fiction, mystery, women’s fiction, Christian fiction, comic books and graphic novels, and the list goes on. Some genres were easy to find authors to interview and books to review. Others were a bit harder. Likewise, some attracted more readers than others.

Fantasy

Recently, there hasn’t been so many author interviews. I hit a bump in the road and was unable to fulfill my interview and review commitments. Now, I’m ready to jump back in the saddle and get things rolling again. As I contemplate what 2021 will look like for Writing to be Read, I’m wondering wether to keep the genre themes, or explore different areas in the craft of writing, and I would like your feedback. Chances are, if you’re a reader of this blog, then you are also a writer. Leave a comment and let me know which genre(s) you like to write in. Which genre(s) do you like to read? Which would you like to learn more about? Or should I trash the genre themes and concentrate on some other aspect? Which one? Let me know your thoughts.

Romance

I suppose there was a time when genres were more cut and dried, but in this day and age, genres don’t always fall into clear categories. Just take a look at the plethora of categories Amazon has for you to list your book under. When Delilah was published, I got a shock. I had written a western with a female protagonist, who was tough and gritty and made her way in the man’s world of the old west. Her character’s flaw was a lack of trust, and in order to get what she truly needed from the story, she had to have a love interest, so there was a thread of romance woven into the tale. It wasn’t the main story line, but my publisher had picked up on it and listed it as a “Frontier Romance”. Is that what I wrote?

Horror & Dark Fiction

Actually, it may have been a smart choice, even though it wasn’t my original intention. When we re-published the third edition with the new cover, I asked that they list it as a straight western, but it hasn’t helped with sales. Genre has as much to do with marketing as it does with craft. Readers of frontier romanace are a different group from those who read classic westerns.

Christian Fiction

The first group are mostly female and the second are mostly male, and they are looking for different things out of their stories. The women want romance, the men want rugged adventure, and it seems that maybe they want it to come from a big, burly mountain man or a rowdy cowboy. Men who read westerns don’t have the buy-in for a tough female character, but women who read romance have no problem with a female who is tough and gritty having the adventure, as long as she lets her gentler, feminine side show enough to fall in love.

Western

When I was working toward my M.F.A. in creative writing, I was told it was imperative to know who you are writing for, to form a mental picture of your ideal reader in your mind. But, I take an eclectic approach to most things, and writing is no different. I’ve tried my hand at many genres, some more successfully than others, and it can be seen from the example above that different genres have different readers. For me, I found I need to write what is in my head, and then figure out who to market to.

Children’s & Yound Adult Fiction

With the first WordCrafter Short Fiction Contest, in 2019, I chose to make the theme paranormal, because most people love a good ghost story. It got a good response and the Whispers of the Past anthology was born. Each entry had paranormal elements, and they were all the type of stories that would make readers think.

Whispers of the Past

For 2020, my thinking was that the old west has a lot of ghosts, and western was a genre I write in, so a western paranormal would be a natural combination, so that was the theme. But, just as not so many people read westerns, not so many authors write in the western genre, and I think I scared many possible entrants away. I had to convince author friends that they could write in the western genre just to get enough entries to create the Spirits of the West anthology, but it contains some very unique stories. Robbie Cheadle contributed two South African western paranormals, playing off South African history, but with western flavor, and Art Rosch contributed a science fiction western paranormal, of the likes you’ll not find anywhere else.

Spirits of the West

As with Writing to be Read, I’m looking toward the future for WordCrafter Press, and it’s time to think about the theme for the 2021 contest and anthology, but I’m at a loss. The paranormal theme worked well, and so did the western paranormal after I coerced some entries out of my author friends. But, one purpose for creating the WordCrafter Press contests and anthologies was to open up avenues to get your work published for new and aspiring authors, and another was to motivate established authors to think outside the box, or work outside their usual genres. It shouldn’t be a struggle to get entries, but it should still offer a challenge for the writer. So, I’m going to ask one more question of all of you. Please leave a comment to let me know, what genres of short fiction you would consider entering, were they the theme for a short fiction contest. i.e. “I would enter a short fiction contest if the theme were…”

Writing to be Read wouldn’t be where it is today if it wasn’t for you, my loyal readers. Some of you have stuck with me since the blog began, while others are new sign ons, but I appreciate you all. Please share your own thoughts on genres and help us carry on and move forward together. I’m looking forward to it. 🙂

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