Dark Origins – Myths and legends of the Shona People #Shona #Zimbabwe #stonesculpture

Introduction

The Shona people are part of the Bantu ethnic group native to Southern Africa. The primary home of the Shona is Zimbabwe, where they are the majority ethnic group, as well as Mozambique and South Africa.

There are five major Shona language groupings/dialects as follows: Karanga, Zezuru, Korekore, Manyika, and Ndau.

Creation story

The Shona creation story goes as follows:

“God (Mwari) created the first man, Mwedzi (the moon) in a great depth of water. Mwedzi became lonely and yearned to live on land. Despite Mwari’s warnings, he insisted on being released to the earth. Once there, he found that the earth was indeed a lonely and desolate place and begged Mwari for a partner. Mwari sent him morning star (Hweva / Massassi) and the couple gave birth to all the vegetation on earth. After a period of two years, the lovers were separated, leaving Mwedzi desolate once again. He petitioned for another wife and was given evening star (Morongo / Venekatsvimborume) and together they gave birth to the herbivores and birds of the earth and then to boys and girls. Morongo also gave birth to wild animals and reptiles but then created a great sin when she mated with a snake. This snake eventually bit Mwedzi and made him ill. His illness marked the dawn of all human suffering.

The End.

Read more about the creation story and other fascinating facts about the Shona people here: https://blog.rhinoafrica.com/2018/10/15/5-fascinating-facts-about-shona-people-of-zimbabwe/

Vadzimu, Ngozi and Mashave

The spirits of the ancestors are called Vadzimu and they are very concerned about their living family and their welfare. The most important Vadzimu are those of a person’s father, mother, grandmother and grandfather. If a message is to be passed on to Mwari, the spirit of the father is called upon to pass the message back to his father and so on until it reaches the ears of the deity himself. A Vadzimu of a chief is more powerful that that of a commoner as the ancestor spirit retains the position that the person held in life.

A Ngozi is the vengeful spirit of a person who was harmed during his life by any one of his close relatives. A Ngozi returns after death seeking retribution. A Ngozi is always dangerous and if the presence of one is suspected, his victim is banished from his family clan to do penance for a period of one to two years. On his return, he must offer a goat to the Ngozi in order to bring about a reconciliation.

The Mashaves are spirits of foreigners or of wanderers who died far away from their family clans and did not receive a proper burial. As a result, Mashaves are destined to roam restlessly through the bush until they find a living host in which to reside. If the host is unwilling to accept the Mashave, then s/he will become ill and a diviner is needed to transfer the spirit into the body an an animal and then drive the animal into the wilderness.

Alternatively, if the host accepts the Mashave, the sickness leaves immediately and the individual is initiated via a special ceremony into a cult made up of groups whose members possess similar Mashaves. These cult groups possess special skills imparted to them by the Mashaves such as midwifery and herbal lore.

Spirits in Stone: Sculpture

The art of sculpture has been practiced by the Shona since the 11th century. The first sculptures were based on ancient birds, which eventually became the national emblem of Zimbabwe.

Serpentine stones us used for the sculpture of Shona cult figures. This stone is sedimentary and comes in a variety of hardness’s and colours. Shona sculpturing is a means of expressing the relationship between the physical and the spiritual worlds and is used as a way of exploring legends, ancestry, beliefs and the human condition.

Since independence in 1980, Zimbabwe has become well known for its stone sculpture.

Zimbabwe Sculpture: a Tradition in Stone, Atlanta, USA, at Hartsfield-Jackson Atlanta International Airport between concourses T and A
Reconciliation by Amos Supuni

About Roberta Eaton Cheadle

Roberta Eaton Cheadle is a South African writer and poet specialising in historical, paranormal, and horror novels and short stories. She is an avid reader in these genres and her writing has been influenced by famous authors including Bram Stoker, Edgar Allan Poe, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.

Roberta has short stories and poems in several anthologies and has 2 published novels, Through the Nethergate, a historical supernatural fantasy, and A Ghost and His Gold, a historical paranormal novel set in South Africa.

Roberta has 11 children’s books published under the name Robbie Cheadle.

Roberta was educated at the University of South Africa where she achieved a Bachelor of Accounting Science in 1996 and a Honours Bachelor of Accounting Science in 1997. She was admitted as a member of The South African Institute of Chartered Accountants in 2000.

Roberta has worked in corporate finance from 2001 until the present date and has written 7 publications relating to investing in Africa. She has won several awards over her 20-year career in the category of Transactional Support Services.

Find Roberta Eaton Cheadle

Blog: https://wordpress.com/view/robertawrites235681907.wordpress.com

Twitter: https://twitter.com/RobertaEaton17

Facebook: https://www.facebook.com/robertawrites

Amazon: https://www.amazon.com/Roberta-Eaton-Cheadle/e/B08RSNJQZ5

_____________________________________________________________________________________________

Want to be sure not to miss any of Robbie’s “Dark Origins” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.


Dark Origins: African Myths and Legends – The Zulus Part 2 #Beadwork #Traditionalstory

Last month for Dark Origins, African Myths and Legends, I shared an introduction to the Zulu people of South Africa, the Great Zulu King Shaka and the legend of the Buffalo Thorn tree. If you missed it, you can read it here: https://writingtoberead.com/2022/04/27/dark-origins-african-myths-and-legends-the-zulus-part-1/

This month, I will be sharing information about Zulu beadwork and the messages contained therein as well as a traditional story.

Zulu beadwork

The Zulu people of South Africa have a rich tradition of beadwork. Originally, bone, small horns, shells and small pieces of polished wood and stone were pierced to make beads that were strung together as necklaces and belts.

When the Zulus started trading with the Europeans at the end of the 18th century, glass and ceramic beads were introduced into their beadwork.

Traditionally, both men and women wore beaded belts called umutsha to which a piece of cloth was attached to cover the pubic area. The belts have conical brass buttons that fasten the belt at both ends.

The colours and designs incorporated into Zulu beadwork hold specific meanings. Red beads, for example, signifies intense and jealous passion or eyes that are red from watching for a loved one to return. Yellow signifies contentment, pink or green for poverty or coolness, white for faithfulness and purity and black to indicate a desire to be married.

The main shape used in traditional Zulu beadwork is the triangle where the three corners represent Father, Mother, and Child. The triangle is also used to indicate gender and marital status, for example, if the tip points upwards it represents an unmarried girl. If the tip points downwards, it means an unmarried boy.

Zulu beadwork is used to make traditional dolls and jewelry as well as beaded ostrich eggs and bead coasters.

In summary, beads are an integral part of African history and culture. The serve as a form of money, indicate wealth, are spiritual talismans and form coded messages for the recipient.

Traditional Zulu music:

The South African pre-battle Haka:

Reading of a traditional Zulu story

My reading of The Chief’s Daughter and the Cannibal, a traditional Zulu story from Myths and Legends of Southern Africa by Penny Miller:

About Roberta Eaton Cheadle

Roberta Eaton Cheadle is a South African writer and poet specialising in historical, paranormal, and horror novels and short stories. She is an avid reader in these genres and her writing has been influenced by famous authors including Bram Stoker, Edgar Allan Poe, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.

Roberta has short stories and poems in several anthologies and has 2 published novels, Through the Nethergate, a historical supernatural fantasy, and A Ghost and His Gold, a historical paranormal novel set in South Africa.

Roberta has 9 children’s books published under the name Robbie Cheadle.

Roberta was educated at the University of South Africa where she achieved a Bachelor of Accounting Science in 1996 and a Honours Bachelor of Accounting Science in 1997. She was admitted as a member of The South African Institute of Chartered Accountants in 2000.

Roberta has worked in corporate finance from 2001 until the present date and has written 7 publications relating to investing in Africa. She has won several awards over her 20-year career in the category of Transactional Support Services.

Find Roberta Eaton Cheadle

Blog: https://wordpress.com/view/robertawrites235681907.wordpress.com

Twitter: https://twitter.com/RobertaEaton17

Facebook: https://www.facebook.com/robertawrites

Amazon: https://www.amazon.com/Roberta-Eaton-Cheadle/e/B08RSNJQZ5

_____________________________________________________________________________________________

Want to be sure not to miss any of Robbie’s “Dark Origins” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.