‘Tis the Season to be Thankful
Posted: November 28, 2019 Filed under: Books, Writing | Tags: Delilah, Gratitude, Kaye Lynne Booth, Nightmareland, Thankfulness, Whispers of the Past, WordCrafter, Writing to be Read 6 Comments
This is the time of year when we count our blessings and give thanks for the people and things that enhance our lives. There are many things for which I am thankful for, which I’d like to share with you here.
My flash fiction story, “The Haunting of Carol’s Woods” came out in Dan Alatorre’s horror anthology, Nightmareland. This anthology is book three in Dan’s The Box Under the Bed series and it is a #1 bestseller! This book is a must for horror fans with 23 stories from 14 different authors, and I am thankful to be one of them.
Another short story, “The Woman in the Water” appears in the first ever WordCrafter paranormal anthology, Whispers of the Past. This anthology includes eight paranormal stories from six seasoned authors, including the winning story from the 2019 WordCrafter Paranormal Short Fiction Contest, “A Peaceful Life I’ve Never Known”, by Jeff Bowles. I am thankful for WordCrafter‘s success in publishing its first book, and I’m looking forward to next year’s short fiction contest. I’ll be announcing the theme and guidelines for the 2020 contest next month, so watch for it.
Dusty Saddle Publishing has graciously offered to republish a re-edited edition of Delilah with new front and back matter, including recommendations from noted western authors. I’m told that the re-release date is January 13th, so about that I’m both thankful and excited.

Of course, there is the launching of WordCrafter Quality Writing & Author Services to be thankful for, as well. It’s off to a slow start, but honestly, with all the life events and obligations that have been keeping me busy lately, perhaps that is a good thing. You may be aware that I lost two lifetime canine companions this past summer, and now, the unexpected death of a loved brother-in-law. These events have knocked me off course more than once, but I have no doubt that WordCrafter will take off at full speed in 2020. Drop by and check out WordCrafter Quality Writing & Author Services to see what WordCrafter can do for you.
I am extremely thankful for the Writing to be Read team members and the contributions that they make to WtbR, and all the Writing to be Read authors who have so graciously shared with my readers this past year. (The “Chatting with the Pros” series has been quite successful and in October we even had two segments. My “CwtP” author guests included women’s fiction author Barbara Chapaitis, non-fiction author Mark Shaw, western author Scott Harris, thriller author John Nicholl, crime fiction author Jenifer Ruff, mystery author Gilly Macmillan, Christian fiction author Angela Hunt, horror and dark fiction authors Paul Kane and Jeffrey J. Mariott, and young adult author Carol Riggs. (There were at least as many authors who offered supporting interviews, too.) And one more thing which I am thankful for is you, my readers. Without you all, and all of those mentioned or alluded to above, Writing to be Read wouldn’t be what it is today. So, my gratitude goes out to all of you.
It’s been a pretty great year and I am indeed thankful. Now you know some of the things that I am thankful for as this holiday season comes round. So, now I invite you to share what you are thankful for in the comments.

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“Writing for a Y.A. Audience”: Are they real?
Posted: November 20, 2019 Filed under: Books, Fantasy, Fiction, Speculative Fiction, Writing, Young Adult | Tags: Fantasy, Goat Children, Inspiration, Jordan Elizabeth, Writing for a YA Audience, Writing to be Read, Young Adult Fiction 4 Comments
SPOILERS AHEAD
I was at a book signing in October. A woman came up to my booth and asked for a quick synopsis of each story. I was happy to oblige, and when I got to GOAT CHILDREN, the woman teared up.

I wrote GOAT CHILDREN based on my experiences taking care of my grandmother when she suffered from dementia. This woman’s mother was diagnosed with dementia. She went on to share a few examples, and I could identify with all of them.
The woman bought the book for her daughter, who feels alone while helping her grandmother. The other kids in high school don’t understand.
I went through the same thing when I was in college and high school. My grandmother was “weird”. I was a “freak” for trying to take care of her. She was “scary”. Okay, the unpredictable moods were scary, but she was still my grandmother. Fear goes hand-in-hand with dementia.
After the woman bought the book and moved onto the next book at the fair, my mind kept returning to GOAT CHILDREN. It was one of my first books published and one very dear to my heart. Now come the spoilers…
The Goat Children are a mythical warrior class who the fictional grandmother, Oma, believe to be true. The main character, Keziah, can’t figure out if they are real or not. The story provides glimpses into the truth behind the female warriors.
My grandmother believed in little people living in her fireplace and dancing in her basement. When we asked her if she was scared of them, she said no, they comforted her. The Goat Children comfort Oma too.

Photo by Craig Adderley on Pexels.com
At the end of the story, the grandmother and Keziah both leave Earth to live with the Goat Children. They are together and strong, and immersed in a world of magic both of them longed for. I decided to make the Goat Children real because I always wanted the little people to be real too, taking care of my grandmother, keeping her safe.
Jordan Elizabeth currently lives in the house her grandmother lived in. She’s still looking for the little people in the fireplace. You can connect with Jordan via her website, JordanElizabethBooks.com.
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Chatting with the Pros: Interview with Y.A. author Carol Riggs
Posted: November 18, 2019 Filed under: Books, Chatting with the Pros, Fantasy, Interview, Science Fiction, Writing, Young Adult | Tags: Carol Riggs, Chatting with the Pros, Fantasy, Science Fiction, Writing to be Read, YA, Young Adult, Young Adult Fiction 1 Comment
My “Chatting with the Pros” author guest today writes young adult fiction in the fantasy and science fiction genres. Her debut science fiction novel, The Body Institute, is currently being developed into a television series by NBC, which I think, is pretty cool. I met her when I reviewed Bottled three years ago. Since then, I’ve reviewed her science fiction novel, The Lying Planet, and she was a member of the author panel for the first round of the “Ask the Author” blog series in 2018, right here on Writing to be Read. Let’s find out what she has to share. Please help me welcome author Carol Riggs.

Kaye: Please begin by telling us briefly about your author’s journey?
Carol: I began writing in the 1990s, took a 10-year break, and started up again in 2009. I met my agent at an SCBWI retreat and signed with her in 2011 for my 2015 debut, THE BODY INSTITUTE. Since then, I’ve published 7 more books.
Kaye: Why do you choose to write for young adults? Why science fiction and fantasy?
Carol: I enjoy writing about teens as they experience the road to individual growth and becoming an adult—navigating independence, romance, tests of courage, etc. Sci-fi and fantasy appeal to me because I love making things up. Speculative genres give me the most room to be creative and use my imagination.
Kaye: What is your biggest challenge in writing for a young audience?
Carol: Keeping in touch with how a young person thinks and talks, sounding like a teen. My editor at Entangled Teen nails me on that, and makes me rewrite things that don’t sound authentic.
Kaye: Is there anything unique or unusual about your writing process?
Carol: Nothing too unusual. I don’t listen to music or other distractions. I draft novels moderately quickly (3-5 months), and I write 1 or 2 books a year. I also keep my novels “clean,” with no profanity, gory violence, or sexual scenes. I prefer to make up my own slang and swear words, which don’t become outdated like modern teen lingo/slang/cussin’.
Kaye: NBC is developing your science fiction novel, The Body Institute, into a television series. That must be exciting. Tell us a little about the story.
Carol: THE BODY INSTITUTE is a dystopian sci-fi novel where the main character gets a job losing weight for other people—by having her mind downloaded into their bodies. It’s set in the near future where society is ultra health conscious. The TV series is using the book as a jump-off point rather than being a direct replica of the novel, which is okay with me. It’ll be fun to see where their creative minds take it.
Kaye: How much say do you have in the development process of the television series? Are you involved at all?
Carol: I don’t have any say at all, but that honestly doesn’t bother me. I’d rather spend my time developing new novels! Readers have the book if they want to explore what I’ve developed; the TV show will be a different experience entirely.
Kaye: Do you have a date yet for the series premier for The Body Institute to air?
Carol: As of yet, I don’t; the filming of the pilot show hasn’t begun yet. I’ll announce on my newsletter, Facebook, and Twitter (@CRiggsAuthor) as soon as I find out any developing news.

Kaye: Most of the books in your Junction 2020 series have scary sounding titles: The Portal, Nightmare Realization, Vanishing Fears, Silent Scream, and Future Terrors. Is this fantasy series scary?
Carol: Some people consider these books “horror,” but it sort of depends on your tolerances. If you can’t stand spiders, for instance, don’t read THE PORTAL. Nothing is hyper-bloody in the series, though…no slasher-type nightmares or anything overly gory. I chose each characters’ fears to manifest in a way that would lead them to personal growth, a challenge to overcome rather than sheer horrible nightmares.
Kaye: How do you approach scary subject matter when writing for young adults?
Carol: I try to keep it emotional but real to each character, and I don’t make things gory. Depending on the teen, that could be totally un-scary, or it could be very unsettling. I try to hit somewhere in the middle, for the average reader.
Kaye: Are there certain subject matters that you wouldn’t tackle for a young adult audience? Why?
Carol: I don’t write sex scenes, gory violence, or profanity. I think there’s plenty of that going around nowadays in society (books, movies, etc.), and not having those things in my novels jives with my personal morals and my feelings about what I would want to (or not) read in a novel. I wouldn’t write about demons or the occult, either—too creepy and real.
Kaye: My favorite book of yours is Bottled, which I reviewed a few years ago. It is a fun and entertaining fantasy story. What was your inspiration?
Carol: Long ago, I used to watch “I Dream of Jeannie.” While BOTTLED isn’t that similar in plot to the show, I was inspired by the fun, magical atmosphere of the TV series. It’s my tribute to the show.
Kaye: I also reviewed The Lying Planet. Tell us a little about this science fiction story.
Carol: I was lying in bed one night years ago, and heard a noise in the living room (it was probably the refrigerator). That became the germ seed for TLP, a teen boy on the planet Liberty who one night hears a noise in the living room and gets up to investigate…and then wishes he hadn’t. He uncovers an evil that rocks his world in the worst way possible. I’ve found that teen guys really seem to like this novel. It has lots of danger, adventure, and a degree of creepiness.
Kaye: The other thing I loved about Bottled was the fantastic cover. And the vibrant colors used for Lying Planet cover and those used in the covers your Junction 2020 series are eye catching, as well. The colors are wonderful and the designs fit what the stories are about. Do you design your own cover art or hire it out?
Carol: I’ve been incredibly lucky to get awesome covers for my traditionally published books. The JUNCTION 2020 series covers I developed myself in Photoshop, with the tips and suggestions of a writer friend who is also a graphic artist. I have a BA in Studio Arts, so I think that helps me have a bit of an eye for what looks good.
Kaye: What do you enjoy doing when not writing?
Carol: Walking, reading, working jigsaw puzzles, watching sci-fi and fantasy movies, going to the beach, and listening to all kinds of music.
Kaye: Writing organizations can be of great value to writers of all genres. You’ve been a member of Society of Children’s Book Writers and Illustrators for many years. Would you talk a little about the organization and how you have benefited through membership?
Carol: Back in the 1990s when I first joined the Society of Children’s Book Writers and Illustrators (SCBWI), it was super helpful. Submissions were sent to editors at publishing houses by postal mail rather than email (talk about slow!). There wasn’t the wealth of information on the internet that there is now, so the SCBWI was invaluable for honing one’s work to make it ready for editor eyeballs. I learned a lot.
When I returned to writing in 2009, an agent was almost mandatory to submit your work, and the SCBWI retreat I went to offered manuscript critiques for a fee. I actually met my agent-to-be during one of those brief, one-on-one meetings. SCBWI conferences are also great places to network with other writers, learn about the craft of writing, meet industry professionals, and talk about books all day. Some regions offer scholarships to attend if finances are tight.
Kaye: What is your best piece of advice for aspiring authors of young adult fiction?
Carol: If you love it, never give up. THE BODY INSTITUTE was the 13th book I wrote, after 350+ rejections and 11 years of writing and trying to become published. Surround yourselves with supportive writer friends to share the ups and downs. Keep learning your craft, persevere, and enjoy the journey!
Kaye: What can your readers look forward to in the future? What’s next for Carol Riggs?
Carol: A deal has just been signed for THE BODY INSTITUTE for an audiobook version, which is cool. I’m also working on a sequel to the novel, called SPARES. Ideas are springing into my head for a fresh YA novel, and I’m excited to begin imagining a whole new world for readers to explore.
I want to thank Carol for sharing here and answering all of my many questions. And thanks to all of you readers for joining us. You can find out more about Carol Riggs and her young adult science fiction and fantasy books on her website, her Amazon Author page, or her Goodreads Author page.
Next month, there will not be a “Chatting with the Pros” segment. In December we’re wrapping up 2019 and giving you a rundown of what’s in store for 2020. I plan to run this blog series again next year, so check back after the New Year for the first 2020 segment in January. I hope to see you all then.
You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2020, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress. Please share content you find interesting or useful.
Contemporary versus classic books for children
Posted: November 13, 2019 Filed under: Books, Children's Books, Classics, Reading | Tags: Children's Books, Classic Children's Literature, Contemporary Children's Literature, Growing Bookworms, Robbie Cheadle, Writing to be Read 43 Comments
I have read a lot of children’s books. Some I read to myself as a girl and others I read to my sons, nephews and nieces and the children who attended our local Sunday school, over the past sixteen years. Many of the books I have read over the past six teen years are contemporary fiction which is defined as a fictional book (events, settings, characters etc. described are not real) set in contemporary times (modern times).
A few examples of popular contemporary fiction book series for children I can think of are Horrid Henry written by Francesca Simon and illustrated by Tony Ross, Winnie the Witch written by Valerie Thomas and illustrated by Korky Paul and the Percy Jackson, Kane Chronicles and Heroes of Olympus series written by Rick Riordan. All of these books share the common characteristic that they are set in our modern world and the main characters have access to television, email, cell phones and the internet.

Two common traits I have noticed with contemporary fiction books for children are that these books tend to be far more plot driven than classic children’s books and that there is often, but not always, a theme of disregard and even disrespect for authority figures.
The books I have mentioned above are the ones that I think deal with this growing concept of disrespect towards authority figures by youthful characters in books in an acceptable manner. Horrid Henry, for example, is a naughty pre-teen boy. His brother is his complete anti-thesis and many of the stories revolve around the tension and conflict between the two boys. In these stories, however, the parents always come out on top and Henry is always disciplined and made to toe the line.
Books that are more plot driven can be more appropriate for modern children than classic books which focus more on characterisation such as Little Women by Louise May Alcott and What Katy Did. Our children are used to the fast pace of television and computer games so if we want a book of compete with these other choices, it needs to keep their attention. Modern children also have shorter concentration spans due to modern electronic devices and do not want to read long flowery descriptions. I think the same can be said for many modern adult readers too. Short stories and novellas have become more popular due to time constraints and more available choices when it comes to relaxation. Many modern readers do not want to trawl through the lengthily descriptions included in books like Great Expectations by Charles Dickens and The Scarlet Letter by Nathaniel Hawthorne.
Given everything I have said above, are classic books worthwhile for modern children, or even books written post World War II like Enid Blyton’s books?
Let us look at the definition of a classic book: “The classic that keeps on being read is the book whose situations and themes remain relevant over time—that miracle of interpretive openness that makes us feel as though certain stories, poems, and plays are written with us in mind.”

I group classic books in my mind into fairy tales and other classic books. Fairy tales spark the imagination and this is an important aspect of children’s development. In addition, fairy tales help children confront and overcome their fears, which are featured in these enduring stories and also, provide a lot of social messages about how to behave in order to achieve a good life outcome. Fairy tales also introduce children to the idea that life has pitfalls and things don’t always go the way you hope and want them to. They teach children to be resilient and enduring.
Classic books feature humans experiencing life and all it has to offer. The often contain thought-provoking socio-ethical situations such as I am David, which depicts the life of a boy on the run from a concentration camp. Classic books introduce children to history in an interesting and understandable way such as the Little House series of books which depict the pioneer life of Laura Ingalls Wilder and her family. As with fairy tales, classic books contain messages the teach children about perseverance to overcome injustice such as the Count of Monte Cristo. Classic books are also a challenge which stimulate the mind, which can only be a good thing.
What are your thoughts and experiences with contemporary and classic books for children?
About Robbie Cheadle

Hello, my name is Robbie, short for Roberta. I am an author with six published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.
I have recently branched into adult and young adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. My first supernatural book published in that name, Through the Nethergate, is now available.
I have participated in a number of anthologies:
- Two short stories in #1 Amazon bestselling anthology, Dark Visions, a collection of horror stories edited by Dan Alatorre;
- Three short stories in Death Among Us, an anthology of murder mystery stories, edited by Stephen Bentley;
- Three short stories in #1 Amazon bestselling anthology, Nightmareland, a collection of horror stories edited by Dan Alatorre; and
- Two short stories in Whispers of the Past, an anthology of paranormal stories, edited by Kaye Lynne Booth.
I also have a book of poetry called Open a new door, with fellow South African poet, Kim Blades.
Find Robbie Cheadle
Blog: https://www.robbiecheadle.co.za/
Blog: robbiesinspiration.wordpress.com
Goodreads: Robbie Cheadle – Goodreads
Twitter: BakeandWrite
Instagram: Robbie Cheadle – Instagram
Facebook: Sir Chocolate Books
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“Tabitha’s Death”: a Y.A. novel that dares to journey into taboo realms
Posted: November 8, 2019 Filed under: Book Review, Books, Dark Fantasy, Fiction, Young Adult | Tags: Book Review, Dark Fantasty, Jordan Elizabeth, Tabitha's Death, Teen Suicide, Writing to be Read, Young Adult Fiction 5 Comments
Tabitha’s Death, by Jordan Elizabeth is a dark fantasy journey into death and beyond. This book is masterfully crafted to present the often taboo subjects of depression, cutting and teen suicide. Speaking as someone who has lost a son to teen suicide, I thought the subject matter was handled with sensitivity and tact. Even as a work of fiction, Tabitha’s Death carries messages many teens may need to hear.
Tabitha thinks she wants to die and tries to take her own life, but she finds it’s not that easy. The Grey Man snatches her away from death and won’t let her die until she completes certain tasks for him. As she journey’s through the strange realms beyond death, she learns that there’s more going on beyond death’s doors than she’d realized and her life maybe wasn’t so bad.
A truly inspirational approach to Y.A. fiction, resulting in an entertaining, yet thought provoking story. I give Tabitha’s Death five quills.

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
“Not My Father’s House”:A work of historical fiction true to western genre
Posted: October 30, 2019 Filed under: Book Review, Books, Fiction, Historical Fiction, Western, Women's Fiction | Tags: Book Review, Historic Fiction, Loretta Miles Tollefson, New Mexico, Not My Father's House, Western, Women's Fiction, Writing to be Read 5 Comments
Historical fiction has almost as many flavors as there are time periods to write about. Not My Father’s House, by Loretta Miles Tollefson is an historical novel with a western flavor that leaves the reader smacking their lips for more. A true frontier wilderness tale, Tollefson takes true events and places from the annals of the wild backwoods of old New Mexico territory and crafts a tale of the struggles and hardships of frontier life in the untamed mountain wilderness.
Suzanna is a young bride of mixed blood, soon to be a mother when she moves from her father’s home in the village of Don Fernando de Taos, venturing into the backwoods of New Mexico territory to make a home of her own and raise her family with her husband Gerald and their friend Ramon. She knew she’d have to battle the elements and critters in the untamed mountain valley, but she never expected to have to battle with herself when cabin fever sets in each winter. Nor did she ever imagine that her biggest threat in the wilds would come from a predator that stalks her on two legs instead of four.
A story of female strength and courage in a time when the lands were still wild. Not My Father’s House is a finely crafted story in the western tradition. I give it five quills.

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Many adults also enjoy themes, such as fairy tales, and other types of fantasy. I’m sure no one will dispute the fact that great authors such as William Shakespeare, Hans Christian Andersen, Robert Louis Stevenson, James Barry, etc. wrote memorable outstanding fantasy stories. And that’s why I feel that my writing and paintings can also appeal to any age person.
FLOWER FAIRIES: This book tells about the precious Elves and Fairies who live amongst the Flowers, such as: the graceful ROSE FAIRY, and the comical little SWEET PEA ELVES. I often depict Flower Fairies to appear as graceful ballet dancers. In this genre of art, I have been inspired by the Flower Fairy paintings of British artists Cicely Mary Barker and Margaret Tarrant.
In my SECRETS OF THE FAIRIES, I portray the secret life of elves and fairies that I imagine to exist in amazing places. There are many delightful things that i depict these creatures doing. They often enjoy frolicking and playing in a garden. These secrets tell of the hidden world of elves and fairies, little known to mortals. I’ve also written and illustrated depictions of the four seasons with the fairies, and their beautiful romantic lives.
MYSTICAL FAIRIES: In this volume, I want to share my feelings of Spirituality and Goodness, Love for Life and Nature, and the Healing power of Art. I feel that Elves and Fairies, are beautiful, Magical, and Spiritual Beings which can inspire and uplift one to higher realms. I often depict them as radiant beings, which glow with an inner light, with radiating and sparkling auras, glow like spiritual Angels.
My first book in this series, THE STAR, illustrates the entire famous TWINKLE TWINKLE LITTLE STAR poem, written by Jane Taylor. I’ve interpreted this beloved poem, as a fanciful, Dream-like adventure. I’ve included a delicious bedtime snack recipe, some “how to draw” pages, a creative writing section, coloring pages, and some decorative gifts to cut out, etc. An Audiobook of my book THE STAR is also available, where people can listen to this song being beautifully sung. If the kindle ebook, or paperback versions of my book THE STAR are purchased also, along with the audio book, people can sing along with the audiobook as they read it interactively.





























