Which famous poet has influenced your poetry the most?
When I was young, I admired William Shakespeare. I was impressed with how he used words to convey emotions and ideas, and I wanted to follow his example. In my junior year of high school, I participated in a Poetry Out Loud contest where we had to recite a poem. I chose Sonnet XVIII (“Shall I compare thee to a summer’s day?”) and won third place. The Shakespearean sonnet was the first poetic form I tried to consistently write in beyond regular rhyming lines. It would not be until college that I began branching out to other forms and eventually free verse.
Which poem that you’ve read has impacted the way you see things in life?
This was a tough one, but one poem that has impacted me is Robert Frost’s famous “The Road Not Taken.”
Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth;
Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same,
And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back.
I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference.
In what way has this poem influenced your viewpoint?
Most people interpret it as about making new trails, which is how I interpreted it as a child. Many times, when I’ve been walking, when I took a turn different from the norm, the last three lines presented themselves in my mind.
However, I’d heard that interpretation is accurate, so I looked it up, and to my surprise, it’s true. Frost wrote it as a joke regarding his friend and colleague Edward Thomas, who often hiked with him and had trouble deciding which way to go. The poem is not only about how choices we make determine where we go in life, but also that we often look back and wonder whether we’ve made the right choice. Though I did not grow up with that interpretation, I have found it to be true and profound.
Perhaps Frost’s way of telling poetry influenced me, too; I remember a professor in college, who taught a poetry class I was in, observed that I liked to end poems with a meaning or lesson, drawing a parallel to Frost.
What is your favorite of your own poems?
This was another tough one, because several have special meaning to me. But of those I have published so far, one that deeply resonates is “Lonely Wolf,” which appeared in the 2019 Spring Edition of And I Thought Literary Magazine. It was written in college as a failed attempt at a pantoum, but after a few rejections, I rewrote it as a villanelle. It speaks to the loneliness I have felt—socially and romantically.
I am a lonely wolf who walks at night.
Amongst the tall pine trees and heavy snow,
Hear my cry to the half-moon shining bright.
***
Young once within a den huddled tight.
The years passed and sadly I had to go.
I am a lonely wolf who walks at night.
***
Embarking for the greatest peak tonight,
There shall I convey my long-held sorrow.
Hear my cry to the half-moon shining bright.
***
Though many have come within my sight,
Why they stand distant I can never know.
I am a lonely wolf who walks at night.
***
Winter’s bitter cold reigns in silent might.
Dark silence only brings light to my woe.
Hear my cry to the half-moon shining bright.
***
Here I stand alone on this rocky height.
Here I do bay up where countless stars glow.
I am a lonely wolf who walks at night.
Hear my cry to the half-moon shining bright.
What’s next for you in your writing career?
My focus right now is fiction. My fantasy novel Mystical Greenwood came out in a new edition, so my primary goal is to complete the sequel. I do have many unpublished poems, so I want to keep an eye out for publishing opportunities. A volume of poetry isn’t out of the question—if I can find a unifying theme (my poems touch on many unique ones).
About Andrew McDowell
Andrew McDowell became interested in writing at age 11, inspired by childhood passions for stories and make-believe. By the time he was 13, he knew he wanted to be a writer. He studied at St. Mary’s College and the University of Maryland, College Park. He is a member of the Maryland Writers’ Association.
In addition to his fantasy novel Mystical Greenwood, Andrew has written poetry, short stories, and creative nonfiction, and he is interested in writing drama and lyrics. He was diagnosed with Asperger syndrome, an autism spectrum disorder, when he was 14.
Dermot is a fifteen-year-old boy living in a remote village in the land of Denú. He has always longed for something more in his life. Now, everything changes after he sees a renowned creature–a gryphon–in the sky, and then crosses paths with a reclusive healer who harbors a secret.
Soon, he and his brother have no choice but to leave the only home they’ve ever known. They travel with new friends across the land through several great forests, along the way meeting an old man, a family of unicorns, and witnessing an important birth. They must evade fire-breathing dragons and dark-armored soldiers hunting them down, all serving an evil sorcerer determined to subjugate the kingdom, and who will stop at nothing to destroy them.
Denú’s only hope is if a renowned coven returns to face the enemy after years in hiding. Dermot, however, suspects their own role may be more significant than he thought, as he slowly discovers a power which exists amongst the trees and creatures of every greenwood. Can they save those they hold dear? Will Dermot find what he has sought? Or will all that’s free and good be consumed by darkness?
My review
Andrew McDowell has written an extraordinary fantasy tale which centres around the guardians of nature and the Greenwood, called driadors. The plot follows a typical good versus evil path, but the overlay of the protection versus the destruction of the natural environment was unusual, topical, and really fantastic.
Dermot and his brother, Brian, do not get on. Brian is the son who always does as he is asked by his parents and fits the mould of a pleaser, while Dermot is a dreamer and has always felt he was intended for more than his life as an apprentice blacksmith to his father. The rivalry between the two boys comes to a head when Dermot is carried away by a hunting gryphon. Dermot persuades the gryphon to drop him but he is injured during his fall. He wakes up in the care of a healer called Saershe, and her grandson, Ruairi. Dermot realises that they are not ordinary forest dwellers and, following his return home, he becomes obsessed with finding them again.
Brian becomes aware that Dermot has had some sort of unusual experience during his absence and uses this knowledge to stir up trouble for Dermot with their parents. Meanwhile, an evil force in the shape of a fallen driador called Taranis, is lurking just beyond the village, waiting for an opportunity to wreak havoc and destruction and restart an old battle against the driadors. Dermot and Brian will have to learn to trust and rely on each other, and harness the power of nature if they want to save the Greenwood, their friends, family, and themselves.
This is an unusual and well paced story with interesting characters, and these elements more than makes up for the odd moments in the book when Dermot and Brian’s emotional reactions to situations seem slightly lacking in depth or incongruent to the circumstances.
The author has great potential as a writer and I would love to read the next book in this series and find out what happens next in the battle for control between Taranis and the driadors.
My review of As the World Burns: Writers and Artists Reflect on a World Gone Mad
What amazon says
As the World Burns: Writers and Artists Reflect on a World Gone Mad is an anthology of poetry, prose, essay, and art inspired by the unprecedented events of the year 2020. It embraces fierce and raw creative works relating to life during the Covid-19 pandemic, Black Lives Matter, Donald Trump, and the economic uncertainty and horror of the last eight months. One hundred and fourteen writers and artists spanning ten countries and 30 states are represented in this powerful volume. It is both a story of survival and an act of resistance.
“We speak with many voices, to the damage wrought in these violent, fevered months. Let us never forget or turn away, from what is just, what is necessary, to keep light alive in this world.”
My review
This is an interesting recording by numerous contributors, of the status of the world and society in the run up to the Covid lockdowns, and during the subsequent on-going pandemic. The writings, which comprise of mainly poetry, but also some essays and visual art pieces, also cover events that ran parallel to the lockdowns and pandemic that had an impact on society and politics.
Reading this anthology is an adventure as the messages are intense and vivid and the styles of writing hugely varied due to the significant number of contributors. Although not all the styles of poetry appealed to me, they were all memorable due to the strong emotional messaging, and well worth reading.
My favourite poems are as follows: Falls the Shadow by John W. Leys, I Think the Birds don’t Care by Kelsey Hontz (the words “Somebody has mixed up the two themes of apocalypse and paradise, which would be a fireable offense if anybody were still in the director’s chair for this year of hindsight.” really resonated with me.), Lately by L. Stevens, Quarantine by Andrew McDowell, Upon Waking in a Pandemic by Christine E. Ray, Choice Perhaps by Jane Dougherty, Thirteen Ways of Looking at Life before the Virus by Leslea Newman, Am I Angry? by John W. Leys, Virus by Erik Klingenberg (nightpoet), and Tumbling by Merril D. Smith.
Two of the essays, were particularly interesting to me. I-Soul-Ation by Dr. Sneha Rooh. The closing words of this essay have sadly not come to fruition, in my opinion:
“I would like to think that we will hug people longer, be grateful to be able to work, that we will smile brighter when the masks come off and we’ll let the smiles fully enter our hearts, that we will be careful abut the lies sold to us and remember that we are precious mortals with precious lives and an immense ability to connect and care.”
I am of the view, that the world has returned to its previous status quo with alarming speed and that as a species, we have learned nothing from the lockdowns and the pandemic.
The other essay I particularly enjoyed was Serendipity by Kim D. Bailey.
This book is an important documenting of life during this difficult and stressful time of life when the entire world united to face a common enemy. Sadly, we have still not learned our lesson, as I mentioned above, but perhaps some of us have found more courage to fight for a better eventual outcome for our planet and for humanity.
Award-winning, bestselling author, Robbie Cheadle, has published thirteen children’s book and two poetry books. Her work has also appeared in poetry and short story anthologies.
Robbie also has two novels published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.
The ten Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
We are well into the swing of the Kickstarter for Delilah and the Women in the West adventure series. One thing that stands out with the books in this series are its strong female protagonists and female historical characters which make appearances in each one. But it takes finesse to create a tough female character that is believeable.
So how do you write a strong character? According to the Six Figure Author Podcast’s (episode 108 “Are Your Craft Choices Hurting Your Booksales?”) Jo Lollo strong characters are well defined, but not necessarily one who can win a fight, but they must be an imposing and vital character to the story. Andrea Pearson adds that strong characters should have inner strangths, which can become weaknesses in certain situations. Lindsay Buroker says that they need to be believeable, especially with female characters.
I’m as big a supporter of women and women’s rights, etc… as the next guy or gal, but let’s be realistic. Readers are not going to believe that an average woman isn’t going to beat a man in hand to hand combat, because females are naturally smaller and have less physical strength than men do. That’s not realistic. Don’t make your female character go to walk into a biker bar and kick everybody’s butt unless you’ve given her superpowers, or magic, or some reason, like being a Karate expert or an Amazon warrior, that she can do such incredible things. And of course, your characters need to be flawed so they have room to change and grow by the end of the story.
I gave Delilah a background which explains why she is so tough and gritty, after growing up with abuse and surviving two years in the territorial prison, readers know she doesn’t take things lying down, so it comes as no surprise when she sets out after the two men who raped her and left her for dead, and abducted her 14 yeaar old ward, Sarah. In the first chapter, she is practicing with a handgun, because she knows this is a weakness which needs to be turned into a strenghth for her to survive. So when, later in the book, she makes an amazing shot, we know she earned that ability through hard work and practice.
The other women in the series, Sarah and Marta, are introduced in the first book, but they too are flawed in ways which allow them room to grow stronger. Sarah is fourteen when she is abducted, but by the time her story is through she will become a strong woman who readers will root for. Marta is a mild mannered Mormon woman, travelling across the Colorado frontier when her family is killed and she is taken in an Indian raid – all experiences which will change her life and make her stronger for when she is the protagonist of her own book.
The protagonist in the book I’m working on now, The Rockstar and the Outlaw is also a female with strong inner strength and many flaws. She is a singer, a rock star, with an addictive personality, which includes adrenaline as well as drugs, who finds herself in a situation which she knows she can’t win. Amaryllis escapes with the help of a time-traveling outlaw from the old west, but finds that trouble awaits her, no matter where or when she goes, and when the tables are turned the outalw can depend on the rock star to have his back. She also has a backstory, living a life od drugs, sex, and rock ‘n roll, which makes her strengths and weaknesses both realstic and believable. Her inner strengths allow her to save herself and do what is needed when called upon, in a fashion that readers can buy into.
So, you see, a character’s flaws can be used as building blocks to make the character’s actions believable, or you can give them a backstory which validates their strengths, in order to make their daring feats more believable. It is the inner strengths we are referring to when we talk about strong characters, although characters may need to be physically strong to back up their inner strengths. But you do have to take care that the strengths that you give them are realistic and believable. Of course, if you’re writing fantasy, giving her superpowers or magic might be believable. But if your protgonist is an ordinary woman, you shouldn’t give her extrordinary abilities. Readers are smart. They won’t buy it.
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.
“Fantastic book with many twists and turns!” – Alese M. Brockman
“Jennifer outdid herself. Vanished on Vacation needs to be3 made into a movie.” – Kindle Customer
“Suspense at its best” – Reita Pendry
The Book
As a frantic search for missing student Avery Jennings begins, everyone is hiding something—Avery’s family and friends, the resort’s staff, and its wealthy guests. It’s up to FBI Special Agent Victoria Heslin to dig deeper. Motivated by her own mother’s abduction years ago, she’s determined not to let Avery become another missing person statistic.
The Mexican authorities aren’t cooperating, and Victoria realizes she’s up against something more powerful than she imagined. Taking matters into her own hands, she plunges into a hellish ordeal that will test her strength and courage like never before.
“How much will you risk to find this girl?” the officer asked. “Whatever it takes,” Victoria answered without hesitation.
Vanished on Vacation, by Jennifer Ruff, is a contemporary thriller that will keep readers on the edges of their seats. I didn’t want to put this book down. I was compelled to keep reading to the very last page.
Women disappear in Mexico all the time, but when a young American girl vanishes without a trace, folks tend to sit up and pay attention. Especially when she is the niece of one of the FBI’s top agents. That’s when agents Hiesling and Rivera are put on the case, and they will leave no stone in Mexico unturned to find young Avery, who disappeared on the last day of her vacation. But when the Mexican authorities suddenly turn cold and uncooperative, they get the feeling they’ve stumbled onto something bigger than just the kidnapping of one girl.
A thoroughly entertaining and suspenseful read. I give Vanished on Vacation five quills.
______________________________________________
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review here.
Teaching our children about the natural environment and conservation is one of the greatest gifts we can give them. There are a few good ways of making sharing about nature and conservation with children, as follows:
Reading books about nature with your child;
Exploring nature with your child;
Art and play; and
Watching documentaries
Reading
There are a number of wonderful children’s books that subtly teach children about the wonders of nature. One is The Secret Garden by Frances Hodgson Burnett when Dicken shows Mary how to care for the locked garden and plant new flowers. Journey to the River Sea by Eva Ibbotson is another. Set along the Amazon River in Brazil, this book has a strong theme about the importance of nature to the human spirit. A few other wonderful children’s books about animals are White Fang by Jack London, The Incredible Journey by Sheila Burnford, Charlotte’s Webb by E.B. White, Jock of the Bushveld by Sir James Percy FitzPatrick, and The Jungle Book by Rudyard Kipling.
This is the song, The Bare Necessities, from Disney’s The Jungle Book, when Baloo, the Sloth Bear, meets Mowgli, the human boy.
There are also some excellent non-fiction books that explain a lot about nature. One of my favourites is Nature Cross-Sections by Richard Orr which includes wonderful picture spreads of cross-sections of, amongst others, a beehive, a tide pool, a termite mound, and a beaver lodge.
This is a cross-section of a beehive from Richard Orr’s Nature Cross-Sections. I referred to this picture when I wrote a piece of my book, Through the Nethergate, about a queen bee and the workings of a beehive.
The Disney Mickey Wonders Why series is also terrific for young children. Laid out as a series of questions such as Why is the sky blue? and Why is the grass green? these books include comprehensive, yet simple, answers and lovely illustrations. You can find the Micky Wonders Why series on Amazon as a set of books or as single books.
Do you have any wonderful books for children about nature that you can recommend?
Exploring nature
There are numerous ways to explore nature and its bounty with your child from nature walks to visiting places of interest like aquariums, bunny parks, and game reserves.
Cooking or baking with your child is also a wonderful way of teaching your child about natures bounty and the products the animal kingdom contributes to our lives including eggs and fresh milk. I was surprised to discover that some city children don’t know that milk and other dairy products generally come from cows.
Art and play
When my sons were younger, we used to play games that included animals. We built a game reserve in the sand pit and set out all the toy animals. We learned about the natural habitat of different animals and that some animals live in rocky terrain, some in savannah areas and some in the forest. We created the right habitat using pot plants and garden rocks and put the correct animals in the correct areas. We also played a water game with a large plastic shell full of water, rocks and a few plants. The water animals lived in the pond. Small children love playing in sand and water and it has many benefits for them. It was amazing how the boys and their friends learned to work together with these games.
I also did a lot of art with my children. We made a swamp from an old cardboard box, paper and paint and learned about the animals that live in a swamp including, of course, Shrek and Fiona. We made centipedes from parts of egg boxes and pipe cleaners and built a volcano from paper mache. When it comes to art, the options are limitless for learning and lots of tactile fun.
Watching documentaries
There are numerous amazing documentaries available that parents can watch with their children. It is always fun to discuss the details of these shows with children afterwards and explore and develop their thoughts and impressions from the information and visuals provided.
Conservation
It is not enough just to talk about conservation, you have to lead by example and demonstrate through your own choices and actions the importance of helping the planet and all its creatures and forms of life to thrive. I will expand on conservation and leading by example in a future post.
About Robbie Cheadle
Robbie Cheadle is a South African children’s author and poet with thirteen children’s books and two poetry books.
The eight Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie and Michael have recently introduced the first book in the Sir Chocolate holidays and high days book series. Sir Chocolate and the Missing Christmas harp is available on Kindle Unlimited and as an ebook and paperback from Amazon. This series is illustrated with Robbie Cheadle’s gorgeous cake and fondant artwork and includes themed activities and recipes for adults to make with children.
Robbie and Michael have also written Haunted Halloween Holiday, a delightful fantasy story for children aged 5 to 9. Count Sugular and his family hire a caravan to attend a Halloween party at the Haunted House in Ghost Valley. This story is also beautifully illustrated with Robbie’s fondant and cake art creations.
Robbie has also published two books for older children which incorporate recipes that are relevant to the storylines as well as one micro read with a Christmas theme.
Robbie has two adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories, in the horror and paranormal genre, and poems included in several anthologies.
Robbie Cheadle contributes two monthly posts to https://writingtoberead.com/, namely, Growing Bookworms, a series providing advice to caregivers on how to encourage children to embrace learning, and Treasuring Poetry, a series aimed at introducing poetry lovers to new poets and poetry books.
In addition, Roberta Eaton Cheadle contributes one monthly post to https://writingtoberead.com/ called Dark Origins: Nursery Rhymes and Fairy Stories.
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It’s been several years since I posted a “Chatting with the Pros” interview, but today I have a very special post with an author I’ve known for several years, In fact, she was a contributing author to the original Ask the Authors writing reference anthology back in 2018. She’s got a new book coming out tomorrow, Themis’ Revenge. It is book 4 of her Queens of the Underworld series. She’s a multi-genre author and she’s joining me here to share with us about her writing and her new release, which is always very exciting.
About the Author
I started writing under my married name, writing genealogy books as history was my first love. Now I write stories that give me joy-be it fantasy, magical realism, ghosts, urban fiction, or romance. All my novels contain strong females with sass, sarcasm, and humor. You know, women exactly like me. I love animals and it doesn’t matter what kind either. I’ve even petted a crocodile in Egypt-tried to take him home too. Apparently, that’s not allowed.
Our Chat
Please tell us a little about yourself to start out.
RA Winter: Currently, I’m in Pittsburgh, PA but I’ve lived all over the world; Turkey, Germany, Egypt, Jordan and tons of states in the US. I love to travel but hate to fly! I’ve been working as Federal Agent since 2013, I won’t tell you which agency, but lets just say that it’s interesting.
You write what your heart tells you too, making you a multi-genre author. What are the genres that you have written in?
RA Winter: I’ve dipped my toe in a few genres and I always include romantic elements. Contemporary, magical realism, low-fantasy, high fantasy, western fantasy (which is becoming a thing. I finally got to write a Sleeping Beauty retelling at a rodeo with spirits!), historical, paranormal, Greek myth, sci-fi and I’ve also published nonfiction.
What is your favorite genre to write in so far? Why?
RA Winter: I adore writing fantasy. I love the descriptions, the world building-my world-my rules! My novels end up being in the 300-400 page range so they aren’t your typical 1000 page high fantasy.
What genre do you classify Themis’ Revenge? Why?
RA Winter:Got Zeus? I do! I’ll take you on a journey from Olympus to Hades, Tartarus and into the real world. I have dragons, werewolves, arrogant gods (yes, Zeus), sexy scenes, a romance with Ares and Death (oh my!) and that one little pesky secret and mystery that is threaded through each book. Can you guess the ending? (Bane’s Wish will be out in April). Multiple genres collide in this series with myth-based fantasy action being the main focus.
What inspired the Queens of the Underworld series?
RA Winter: You remember Supernatural, the TV series? Well, in the show, Death is a person and I was like-she needs a romance. Then the whole-how do I bring Death alive idea started. Then I had to have a bad guy, and a world to build on, so I tinkered with bits of mythology to find the right pieces. I had taken courses in Greek mythology in college years ago and loved all the backstabbing, romance, and intrigue and wanted to capitalize on my knowledge. I actually took a couple more classes to freshen my memory and spark new ideas.
What do you enjoy about writing the books in this series?
RA Winter: I do not like stories to end! I love to read. If I find a world that I enjoy and characters that I’m invested in-I don’t want to put the novel to rest. It’s like stranding them in no-man’s land and walking away. Writing a series is a way to keep characters alive and build on the setting/plot/features from prior books until those unruly characters are ready to die. It’s also much more complicated to write. You have to remember picky details like eye color, sex, boots or shoes? WTF is his sons name? so a story bible is imperative. As is a wonderful, patient, honest editor.
Themis’ Revenge is Book 4 in the series. Are these stand-alone novels or do readers want to pick up the previous books in the series before reading Themis’ Revenge?
RA Winter: Themis is the prequel. It can be read as a standalone or at any point in the series. I would prefer that you read it first-but that’s up to the reader. It takes place over four-thousand years ago but the consequences of Themis’s actions are being dealt with today. It digs deep into the stakes of the series. If you read Themis first, you’ll be invested and hopefully solve the mystery that’s driving the series before others do. The other books can be read separately, but you might miss some clues! If the stakes/worldbuilding aesthetics are not paramount to you and you’re just looking for the romance between say–Death and Ares–then jump into Death’s Lover and hopefully you’ll fall in love and come back for the others.
Could you tell us a little about the story?
RA Winter: She is Themis goddess of Justice, only she can write the rules that govern men. Zeus, king of the gods, has other ideas. Not only did he cheat on her, but he changed her laws. Horrified that Zeus has doomed an innocent man to be fed to a Titan god, Themis must descend into the depths of Hades to save the damned soul- without Zeus’s knowledge.
But an omnipotent being guards the prison of Typhoeus. One with blood pulsing through his veins. He’s neither god nor demon, (but sexy as hell with his dark hair, tight abs, gruff manner), and he refuses Themis entry into Tartarus. With no way around him, she must go through him- and step directly into his arms.
In a race against time, Zeus and the Titan god’s hunger, Themis is willing to sacrifice everything to save an innocent soul. But is she willing to risk her heart again?
What was the biggest challenge for you in writing this story?
RA Winter: Keeping the characters true to their personalities. That’s why Themis’s Revenge starts over four thousand years ago. I had to use the earliest myths of her and show her evolution from a ‘right-wrong-no gray area’ goddess to one who sees that the law shouldn’t be so cut and dried-and neither can relationships!
What was the most fun in writing this story?
RA Winter: Planting the seeds for my big ‘Ah Ha-Gotcha’ moments. I want the reader to be able to see those bits and pieces and put it together-but have Themis totally blindsided and missing those clues. Reactions are golden.
What’s the best piece of advice you were ever given?
RA Winter: For the love of God woman, life can’t be planned-process, improvise, and continue -KC Freeman, author extraordinaire and my overworked editor. I’m a Virgo. I organize and plan everything. I have schedules for daily, weekly, monthly and over the course of a year.(Sometimes I even do hourly schedules. Ugh.) I have this horrible internal flaw. I follow through then something happens where I can’t complete a task in the time allotted and bam! I quit because I can’t fulfill my plan. It takes me a while to reorganize and return. After a bout of Covid, it took me two years to start writing again. I just couldn’t stick to a schedule I even have an exercise and diet chart. If I get ill-I can go from running 4 miles a day to a year later wondering why I can’t walk 4 miles when I finally restart my plan.
What advice do you have for aspiring writers?
RA Winter: You have to write it. Take it in chew-able pieces. Have a vision and stick to it-if you have the ending-you can write the rest. I finished my first book because someone told me that I never would publish. My first novel was a graceful uptick of my middle finger in his face. Wonderful image to this day. Hey, there are now 13 books, 2nd book of the year in the NR, and a USA Today Bestselling author title at the end of my name-so maybe I should thank him?
Um. No. I’m waiting on my next screw-you moment. It’s the challenge that keeps me going.
About the Book
Zeus rewrote her laws. Now, Themis, Goddess of Justice will extract her revenge.
She is Themis goddess of Justice, only she can write the rules that govern men. Zeus, king of the gods, has other ideas. Not only did he cheat on her, but he changed her laws. Horrified that Zeus has doomed an innocent man to be fed to a Titan god, Themis must descend into the depths of hades to save the damned soul- without Zeus’s knowledge.
But an omnipotent being guards the prison of Typhoeus. One with blood pulsing through his veins. He’s neither god nor demon and he refuses her entry into Tartarus. With no way around him, she must go through him- and step directly into his arms.
In a race against time, Zeus and the Titan god’s hunger, Themis is willing to sacrifice everything to save an innocent soul. But is she willing to destroy her own soul by opening her heart again?
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Detective Robot and the Murderous Spacetime Schism
by Jeff Bowles
We found victim one face down in a giant vat of beer. Red beer, frothy, churning and roiling in blood. Not precisely the best brew of the batch, I knew, but I couldn’t help wonder what it might taste like on a mechanical tongue.
“Detective Robot,” said Officer Allen, a short, stocky, often uncharitable young fellow who always seemed to smell of cooked sausage. “I can’t believe they called you out for this.”
I formed my golden jointed lips into a pleasant smile. “Why wouldn’t they have called? Rain or shine, we always get our man.”
My partner and fellow investigation consultant, Gorilla Todd, beat his big furry chest and pulled his lips back over his teeth.
“Step back, beat cop,” he said in his deep, gruff voice. “Let the man work.”
Gorilla Todd was five hundred pounds of hyper-intelligent simian. He was a post-nuclear, neuro-enhanced military lab experiment, lots of those wandering Grim Land. Bit of a bruiser, to be sure, but an honest and a loyal one.
“Thank you, Gorilla,” I said. “Officer Allen, must we really?”
Allen snorted. “Boy oh boy, you fellas need to learn your place. Are we still short-staffed on actual detectives? What’d you do to get the call on this? Grease a few palms? Robots run on grease, don’t they?”
Point of fact, we run on million-core supra-processors the size of toenail trimmings. But I wouldn’t expect a technologic druid like Allen to know the difference. We got the call because the Chief appreciated our work and professionalism. She requested us by name; the place was ours for the next few hours.
“Why a fusion brewery?” I said, taking in our surroundings.
“People don’t die in fusion breweries?” asked Allen.
“Usually not fashion models, no,” said Gorilla. “Not in the middle of the night.”
“And certainly not old women dressed up like them,” I said.
Allen blanched at this.
“Old women,” he said, scratching his head as he turned to face the vat. “Holy cow! She’s gone all pruney in the lager.”
“Ale,” I said. “Shall you fetch the net or shall I?”
* * * * *
Fusion brewing, popularized at the dawn of the last nuclear holocaust, involves the high-speed collision of plutonium-rich barley nuclei with the nuclei of hops machine grown in the atomic soils found in the ancient ruins of Hackensack, New Jersey. The resulting photonic explosion produces a bubbly, effervescent ale, light on the tongue, but with just enough zing to potentially threaten male fertility (as all nuclear beverages should).
Zippy Beer, or rather, Zippy Beer’s northeast production plant, did seem a rather strange place for homicide. Zippy was known throughout Grim Land as the safest, most environmentally conscious nuclear beer on the market. Fifty years without a tainted batch, their ocu-tisements often declared. Fusion belchers spat florid ale, sluicing through sloshers, roaring down pipeways, collecting and aging in anti-grav refrigeration closets.
I studied Allen carefully. He looked tired and overworked.
“I swear to God, she was young when I found her,” he said.
“Sure she was,” Gorilla Todd chuckled. “Makes all the sense in the world. Hey, mac, you been smokin’ them funny cigarettes?”
I tapped my chin with platinum fingers and examined the poor old dead dear. We’d pulled her from the vat and sprawled her out on the tiled factory floor. I searched and picked at her with the robo-pincers I used for toes.
“You’re having us on, aren’t you Officer Allen?” I said. “You see that high, high ceiling all those many meters up above? See how there’s no skywalk, no roof access?”
“Yeah?” said Allen.
“Now do you see this is the last vat in the line? Eleven vats down that way, but here, just the one. No ladder, either. Do you see?”
Gorilla Todd jumped to his feet and waved an arm over his head. “I know this one, robot! I know it!”
I nodded at him agreeably and opened up my chest slot with a bleep, bleep, bleep, CLACK. A high-protean banana cube flopped out and jiggled on the factory floor like jelly. All five-hundred pounds of Todd landed on it and gobbled.
“She materialized in the beer,” he said, smacking his lips. “And she aged on the spot. Some kind of schismatic time disruption, I think.”
“Very good, Gorilla,” I said. “You see, Officer Allen, once you have eliminated the impossible, whatever remains, however improbable, must be the—”
A hole tore open in the air above us. It went Riiiip, and then it stretched itself wide in a kaleidoscopic clash of colors and voices. Abraham Lincoln, the sixteenth President of the United States, fell through and landed on Officer Allen with a heavy thud.
Gorilla Todd shouted, “Holy cannoli! Who is that?”
“It’s Abraham Lincoln,” I said. “And he’s been shot!”
I checked my tertiary memory banks to be sure. The beard, the hat, it was Lincoln, all right. Bullet wound in the back of the head. He wasn’t dead yet. Eyes fluttering, gasping, but not dead yet. He’d arrived only moments after his famous assassination. Remarkable. His body aged on the spot, grew older by the second. Wrinkles, thinning skin, hair gone long, gray, brittle.
Allen wheezed like strangled bagpipes. He gave a final stifled groan, then he lay his head back, twitched, and went limp. I rushed over and checked him for a pulse.
“He’s dead, Gorilla,” I said. “The Great Emancipator snapped his neck.”
“Hmph. Don’t look too great to me.”
“Granted, though I’m certain he’s not at his best. Struck down by a cowardly actor. That’s democracy for you. What precisely are we dealing with, Gorilla?”
“Black magic?” said Todd.
“Doubtful.”
“Sinister Martian technology?”
“Highly unlikely, though you earn top marks for making me chuckle. No, Todd, our suspect resembles nothing so much as thin air.”
“What do you mean?”
I walked over to another vat and kicked at the release valve until golden nuclear beer gushed out and sprayed my feet. Bending low under the faucet, I proceeding to fill my robot super stomach with hoppy ale.
My jointed fingers tapped a supple syncopated rhythm on my forehead. Performed a million mental processes. A million plus fifty. The span of a single human heartbeat.
“Eureka!” I exclaimed. “The cause of the murderous spacetime schism is—”
Rather out of the blue, a naked caveman came screaming at us from the shadows. He shouted, “Gooba! Blabba!” and then proceeded to club me over the head with a tree branch.
“Ouch!” I shouted. “Help me, Todd, you great galoot!”
Gorilla Todd ripped the branch away and roared a mighty challenge. The caveman roared back. His skin rippled with flash wrinkles, hair going brittle and gray, just like Lincoln’s. Hearty fellow, he attacked Todd, ripped out a chunk of gorilla hair and fish-hooked my simian companion.
“You rotten mook!” Gorilla shouted, caveman fingers sliding in and out of his mouth. He wrapped his meaty hands round the caveman’s throat and began to throttle the poor fellow.
“Gorilla, no!” I said.
Five new holes ripped open in the air above us. One long, continuous Riiiip, and that same kaleidoscopic clash. Out of the holes fell a cute orange kitten, a young renaissance painter, a popular ancient professional football quarterback, a potted cactus, and lastly, Richard Milhous Nixon.
Nixon crumpled to the ground, got one look at Lincoln and shrieked, “Jesus Christ! What happened to that poor bastard?”
All of them aged. The kitten grew, got fat, got skinny, and died. The renaissance painter, fingers covered in vibrant red and green oils, said something in Italian about unfinished masterworks, choked on his tongue, and summarily expired.
“We gotta do something, Robot!” said Todd, still choking the dwindling, gasping caveman.
“Do what?” I said. “And stop choking that caveman!”
Nixon died screaming, gurgling, clawing at the air.
“Todd,” I said, “we have to dump the beer!”
“The beer?” said Todd.
“It’s a bad batch! It must be. There’s no murderer here. Tainted Zippy Beer has caused a schism in space and time!”
Seven more air holes ripped open. From them dropped a sea bass, the Marquis de Sade, two members of a light contemporary jazz quartet, an earth worm, Eddie Murphy, and a two hundred twenty-five foot tall California redwood tree.
The redwood thudded to the factory floor, split the concrete, rose and sprawled, broke through the high white ceiling. The factory lights flickered. Ceiling chunks rained down on us.
“The beer, Todd! Dump it!”
Todd let go the shriveled caveman. He leapt for the redwood, scaled its trunk hand-over-hand. He braced himself against the vat, pushed at it with all his might.
“It won’t budge!” he said.
Three more air holes ripped open. A snail, a circus elephant, a street vendor holding tacos.
Think. Think.
I tapped a rhythm on my forehead.
“Eureka!” I exclaimed.
I leapt for the tree, climbed for a branch, squared my shoulders, and then I dove into the beer.
In haste, I began to drink it, slurp it all up. My robot super stomach swelled. Five hundred gallons. Seven hundred, a thousand. The roiling, bloody fashion model beer, it washed down my throat at a hundred-thousand PSI. Rushing, roaring through my alloy sternum. My body rocked and strained. I groaned like industrial machinery.
“It’s working, Robot!” said Todd. “The holes are slowing down!”
A riip here, small rip there. And then it stopped.
Bodies grew old and died; the redwood rotted, split. Half fell and crushed the factory wall. In rushed the night air, our arid post-nuclear wind. Our city out there—Grim City One—twinkled like starlight. Bricks and heavy steel beams and girders fell all around us. Clouds of dust lifted and lingered until well after relative stillness had filled the factory.
Gorilla Todd gasped from exertion. He stumbled down from the remnants of the redwood and sat against its trunk, eyeing the bodies, all the destruction.
“You did it, Robot,” he said. “You’re a friggin’ genius, you know that?”
Of course I knew. I also knew I was big as a house. Big like a beer vat and just as full. Body engorged, I looked like a head swimming in sea of scrap metal, jammed into the vat like some kind of sardine.
“Tainted spacetime-schismatic beer,” I wheezed. “I might have known! Perhaps a super-accelerated atomic contaminant—a mutation in the solitary photosynthetic apparatus, for instance—exceeded localized time dilation barriers and generated contiguous Einstein-Rosen pathways. And to think, Albert Einstein believed time was non-real!”
“Erm, Ein-who?” said Todd.
“Call in a containment unit, Gorilla. Call in the best they’ve got. And get the Chief down here, too. I fear, Todd, our troubles are just beginning.”
Gorilla Todd huffed. He pondered a moment, and then his thick brow lifted as realization dawned.
“Oh no,” he said. “You don’t mean….”
“Precisely,” I replied. “In approximately thirty-nine minutes, I will have to void my robo-bladder like a racehorse. The game, as they say, my dear Gorilla Todd, is afoot.”
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Love/Madness/Demon, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. His latest novel, Resurrection Mixtape, is available on Amazon now.
The Kickstarter for Delilah and the Women in the West adventure series starts today and we need your support. You can show your support for as little as five dollars, and recieve a digital copy of the book in return. And there are signed print copies and other great rewards for the higher levels of support as well, including plus some pretty cool add-ons that I’m excited to share with you. I’m asking each one of you to click on the link below and check it out.
Some of you may know why this book is so special to me, but I’ll briefly tell you, in case you don’t. Delilah was the first book I ever wrote. It started as an assignment meant to get me to write outside my comfort zone, and turned out to be a genre I truly enjoy writing. After I got it written, I received some feedback that caused me to make changes that affected the second half of the book.I had it in a publisher’s hands for five years, but they didn’t do a whole lotto promote it and they only sold a few copies. I tried two different covers for it, including one that I designed myself, and if I’m honest, they were both pretty awful.
When the contract was up, I got my rights back, revised the book to reflect the original story, and began developing the idea for this series. In the Women in the West adventure series, each book features a strong female protagonist and cameo appearances by bold historical female characters for a Western Women’s Historical Fiction series which may be the first of its kind. At this time, there are three books planned: Delilah the tale of a woman who overcomes all odds in the Colorado frontier as she sets out to avenge the wrongs done to her and rescue Sarah, her ward who was abducted. Sarah’s story after being traded to the Utes makes up the second book. The heroine of the third book, Marta, is a Mormon woman who we also met in Delilah, and her story tells us her fate after being abducted by the Utes and then returned to civilization.
Women in the West is going to be a great series. Delilah is scheduled for release on March 21, 2023, but Kickstarter supporters will recieve their digital copies early and for less than the 5.99 retail price. So please drop by and see what all the fuss is about. If a Kickstarter campaign doesn’t fund, or meet it’s goal, the creator doesn’t get anything, so your support will be greatly appreciated. I think Delilah is a wonderful story, which readers of westerns, historical fiction, or womens fiction will enjoy. Please come on over and join the campaign today.
Lover’s Moon is a part of Mark Leslie’s Canadian Werewolf series, with co-author Julie Strauss. This is the romance story that tells the tale of how the two lovers, Michael and Gail met. And since one of the lovers is a werewolf, I guess that makes it a werewolf romance.
Although the audio book has a version narrated by professional narrators, the version I listened to was a free podcast version on Spotify, narrated by the authors. Mark narrates Michael’s parts and Julie narrates the parts for Gail, and for me, they will always be the voices of those characters, because they did an amazing job.
Technically, this might be considered a podcast review. I mean, what do you call it when the authors release a serialized version of their audio book in a podcast format for their readers for free? I call it brilliant!
After listening to the audio book, Canadian Werewolf in New York, I was in love with the characters of Micheal and Gail, and I was left with many questions. Michael was the P.O.V. character, so you knew where he was coming from, and he obviously has still has feelings for his old flame, and regrets for having to end the relationship. Gail appears again after a long period when she had been out of the picture and her character was a bit more unpredictable. It was clear that there is history between these two, and I wanted to know more.
Lover’s Moon is the tale of how Michael and Gail met, their relationship and their break-up. If you’ve never read a werewolf romance, this quirky tale might be just for you. Lefebvre’s Canadian Werewolf series isn’t horror with a lot of blood and guts, but stories told with a touch of humor from the human perspective of the werewolf, and Michael’s relationship with Gail is a touching one, with the ups and downs of a roller-coaster. Their story will steal your heart. It did mine. And co-writing with Julie Strauss, having her write, and narrate, the chapter’s that are Gail’s perspective absoulutely works. Her portrayal of Gail in the narration is priceless.
Lover’s Moon, by Mark Leslie and Julie Strauss, is a quirky werewolf romance that will steal readers’ hearts, and create a dire urge to read or listen to the rest of the series. What more could a reader ask for? I give it five quills.
You may have heard about the recent merger between Draft2Digital and Smashwords. Since WordCrafter Press publishes through D2D, that means that WordCrafter Press books are now available through the Smashwords Store, as well as through he retailers which they have always been available through. It also means that WordCrafter Press books are included in the Smashwords End of Year Sale. There are three days left to get all WordCrafter Press books at great discounts, many are free. WordCrafter Press books have never been this discounted before, so get them while you can. And there is a plethora of other indie books set at great prices, too.
I’m gearing up for the Kickstarter for Delilah and the Women in the West adventure series which starts on January 2, and runs through the whole month. This is a special project for me, because Delilah was my first completed novel, and she helped me to discover my love of writing in historic western settings. Originally published with Dusty Saddles Publishing, this WordCrafter Press edition has been revised and reverted back to the original story as a part of this wonderful western historical women’s fiction, with each book featuring appearances of historical female characters and strong female protagonists.
You can learn what all the excitement is about by visiting my pre-launch page, which will be the campaign headquarters once we launch. It runs through the whole month, from the 2nd to the 31st, and we have some great rewards and add ons available for you for your support, including copies of the ebook, signed copies of the print book, some of my short fiction in PDF and audio forms, an interview with Delilah’s character facilitated by Sara W. McBride, and a chance to name a character in Sarah, book 2 in the series, which will be scheduled to release in 2024. Please take a look at the pre-launch page and sign up for notificaation upon launch.
And of course, I hope you will also support the campaign once it goes live. This is my first Kickstarter campaign, and I really want it to go well. My goal is $500 and I think I have a good chance of funding it. Any support you are willing to give will be greatly appreciated.
Blurb
Her homecoming from prison quickly turns into a quest for vengeance when she is brutally raped and left for dead, and her fourteen-year-old ward is abducted. Sheer will and determination take this tough and gritty heroine up against wild beasts of the forest, Indians and outlaws to Leadville, Colorado.
Can the colorful inhabitants of the Colorado mining town work their way into Delilah’s heart, offering a chance for a future she thought she’d lost along with her innocence?
If you like strong and capable female protagonists, you’ll love Delilah.
2023 Contest Theme Revealed
On January 1st, the 2023 WordCrafter Short Fiction Contest will be open for submissions. I grew up on Stephen King, Dean Koontz, Peter Straub, Jonathan Kellerman, and John Saul, so for the 2023 contest, I want you to send me your scariest tales in the horror, dark fantasy and paranormal genres, with a 500 word limit. The winning story recceives a $25 Amazon gift card and and inclusion in the 2023 anthology.
Submission Guidelines
Genres: Paranormal, Dark Fantasy, Horror or any combination there of.
Length: up to 5000 words
Submission Deadline: April 30, 2023
Pay: Royalty share
Rights: First Anthology Rights and audio rights as part of the anthology; rights revert to author one month after publication; publisher retains non-exclusive right to include in the anthology as a whole.
Open to submissions from January 1 through April 30, 2023.
Submit: A Microsoft Word or RTF file in standard manuscript format to KLBWordCrafter@gmail.com
Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, as a sampling of her works just for joining.