Did You Ever Notice Mythology Has a Lot of S-E-X in It?
Posted: February 20, 2017 Filed under: Books, Fantasy, Science Fiction, Writing | Tags: Kaye Lynne Booth, Playground for the Gods, Writing 2 Comments
If you read my post, Rethinking the Playground for the Gods series… again, then you know I’m currently working on Book 2: In the Beginning in my Playground for the Gods series. In the past two weeks, I’ve increased the word count on this novel by about 10,000 words, and updated my character chart, where I keep track of who did what in each book. I view this as being not too shabby. But, as I’m revising and adding to my partial draft, I’m noticing how much of this series revolves around sex of some sort.
In my post, It’s All in Finding the Right Market, I took a look at different markets for my Playground for the Gods series besides the science fantasy market I’ve been promoting it in. In particular, I considered both YA and NA markets, as potential market venues for this series. I dismissed both after looking back over Book 1: The Great Primordial Battle, and determining that there was too much emphasis on sex for either of these markets. After attempting to revise the book for either of these two markets would totally upturn too many story premises.
To understand why sex is such an intricate part of this epic science fantasy series, it is necessary to understand what the series is. Playground for the Gods is based on an alternate universe in which the gods of ancient civilizations were really aliens from a far galaxy whose home planet had been destroyed. The characters are those of ancient gods and goddesses and they play out their own versions of some of the myths of the ancient world, adding their own unique adventures into the mix.
The thing that I’m noticing as I research the mythologies and write my story, is that there is a lot of sex involved in many of the ancient myths. And, sex is so intricately interwoven into them that to try and tell the tales with the sex extrapolated leaves tales that have lost much of their meaning.
For instance, I’ve been working on the part of the story in Book 2 which is based on the Egyptian myth of Isis and Osiris. If you know the myth, then you know that after Set chops up Osiris, Isis gathers all the pieces except one, his phallus, in order to resurrect him. Now, I have to tell you, this scene was extremely fun to write and it turned out to be quite humorous, but it doesn’t work to try and write it without the missing member. Without that, the whole story falls flat and doesn’t even make a lot of sense.
In fact, when trying to trace the lines in most ancient cultures, it seems everyone is related and incest is the norm. In Inuit mythology, Annigan rapes his sister Melina repeatedly. The Sumerian god, Anu raped his own daughter. In Greek mythology, there are same sex relations and even relations with birds or other animals. In Aztec lore, there are goddesses of carnality, sexual hunger, sexual power, sexual desire, sexual longing, sexual appetite and sexual misdeeds.
Ancient mythology is filled with sexual encounters between gods and goddesses, between gods and humans, and even strange fetish type behaviors. To write a story based on any of these myths, one cannot extract the sex and still make the story work.
That’s why I couldn’t justify revising Book 1 to take out the sex and adult language to accommodate a YA or NA audience. While I am the author and I can make my characters do whatever I want, if in doing so, I unravel the fabric that the story is based on in order to appeal to a particular market, I’m not being true to my story or being fair to my readers. When the story doesn’t work, the readers won’t be able to suspend disbelief enough to buy into the story, and that’s not a good thing.
Visit my Playground for the Gods Facebook page for more information and updates about the series.
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“Ethereal Lives”: A Science Fiction Romance
Posted: February 17, 2017 Filed under: Book Review, Books, Fiction, romance, Science Fiction | Tags: Books, Ethereal Lives, Gem Stone, Reviews, romance, Science Fiction Leave a comment
Ethereal Lives by Gem Stone is a refreshing story about a woman, Ariane, abducted by interstellar hijackers moments before Earth’s destruction. Being the only existing human makes our heroine a valuable commodity on the cosmic market. Somehow, on the way to their destination, where her captors can sell their cargo, Ariane falls in love with the ship’s captain, Ax. When the tables are turned, and Ax is captured by another ship, Ariane will stop at nothing to save him, even though he still intends to sell her.
The story is entertaining, but there are several plot points that make the suspension of disbelief very thin and the characters could be better developed. If you can get past that, it is an endearing tale and quite enjoyable. I give Ethereal Lives three quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
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“Angel Falls Texas: The Traveler”: Not a Western Great
Posted: February 10, 2017 Filed under: Book Review, Books, Fiction, Opinion, Western, Writing | Tags: Angel Falls Texas, Book Review, Hulsey 4 Comments
I like westerns. Thanks to my creative writing instructor and adviser, I discovered that I like to write westerns, and I’m fairly good at it. So, I read Louis Lamour, Zane Grey and other western authors to absorb as much from their talents as I can, applying it to my own writing. I picked up Angel Falls Texas: The Traveler #1 The Origins by J.C. Hulsey in anticipation of a good western tale. What I got instead was a poorly written story, in which the characters’ actions make little sense.
Angel Falls Texas lacks the story line and plot points to hold readers’ interests. Characters are two dimensional and lack depth, making it difficult to connect and invest themselves in the story. There are many flaws in logic which make it nearly impossible to suspend disbelief, and there is a lot of telling, rather than showing.
A teenage boy, Jed, watches as his pa is killed and kills his father’s assailant, who happens to be the sheriff’s brother. So, he sets out on the run, assuming the sheriff will come after him, not even stopping by the home place to gather supplies for the journey. He makes friends along the way, who travel with him, because they apparently have no lives of their own, and end up back where he started, in Angel Falls, where he learns the sheriff is still gunning for him. When the sheriff returns, instead of the show down one would expect, and perhaps even anticipate, the protagonist runs away, thus avoiding confrontation. The sheriff never even sees him, so it’s not even a close call.
In fact, there is no confrontation throughout the story. There is no conflict, no obstacles to overcome. Jed and his new friends go where they please and do what they want unhindered in any way, with no apparent destination in mind. The characters are not challenged in any way and they have no clear goal to accomplish or strive toward. They do not have to overcome other people, the elements, or the landscape. Jed spends several months helping one new friend fix up his ranch, but when a neighboring rancher shows up and claims the ranch for his own, his friend packs up and takes to the trail with our hero, giving up without a fight, or even a word of protest.
If that weren’t bad enough, the book is riddled with typos and grammar errors. This is a pet peeve of mine because poor quality books which are self-published give self-publishing as a whole a bad name, adding to the stigma that has been placed on self-published authors. This is one of those books. The cover says this book won first place in Texas Western series, but I don’t see it.
As a fan and author of the western genre, I can only give Angel Falls Texas: The Traveler #1 The Origin one quill.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
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Rethinking the “Playground for the Gods” series… again
Posted: February 6, 2017 Filed under: Books, Fantasy, Fiction, Revision, Science Fiction, Writing | Tags: book marketing, Books, marketing, Playground for the Gods, promotion, Writing 1 Comment
There are many of you out there who have been following the progress of my science fantasy series, Playground for the Gods. For those who don’t know, it’s about an alien race that comes to Earth and pose as deities, and the power struggles and conflicts that arise. It’s based on the ancient mythologies and religions, with colorful characters who get up to some hilarious antics. You can read an excerpt on my Playground for the Gods Facebook page. If you’re interested, you’ll find an update on the writing processes going into these books below.
In last month’s post, “It’s All in the Finding the Right Market“, I talked about looking at a different market for my Playground for the Gods series. Specifically, I was looking at the Young Adult and the New Adult markets. I was looking to see if perhaps these books were directed toward the right audience, or if perhaps, they might be marketed to a different audience, with revisions, of course.
After attempting said revisions on Book 1: The Great Primordial Battle, and sending it off to my alpha reader, and revising what I had for Book 2: In the Beginning, and writing some the parts of the story that were still needed, I’ve come to the conclusion that this series is not for the light of heart, or a not fully matured audience. The cuss words could be replaced easy enough, but there is just too much sex that is vital to the plot. Removing it would change the entire story.
For heavens sake, my characters are self-indulgent beings posing as goddesses and gods. Self-indulgent behaviors are what landed them on Earth in the first place, and they are what the whole plot, as well as the individual story lines of each book are hinged upon. The indulge, many in excess, in all of the vices, including sex. They are sensual, and most are promiscuous, prompting plenty of jealousy and rage, providing a lot of the conflict in the series. In other words, I decided the sex was a necessary element that the series couldn’t do without, so YA or NA would not be a good audience for this series.
So, what’s next? Well, I’m going to finish writing the first draft of Book 2, and revise Book 1 when it comes back from my Alpha reader with suggestions. But I will be doing this with the science fiction and fantasy markets in mind, the original markets I was looking at for these books.
Once the revisions are complete, I’ll send out submissions once more. Hopefully this time, I’ll get better results. (An acceptance letter would be nice.) Ideally, I’ll be doing this at the same time that Book 2 is with my Alpha reader, and I will be working on Book 3: Inanna’s Song, adding to the few chapters I already have written for it, and working up the outline for Book 4: Enki’s Folly. But, we all know how often things work out ideally, so I’ll just look at these task as goals to aim for and hope for the best.
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“Horror 101: The Way Forward” Offers Good Advice for Authors and Screenwriters
Posted: February 3, 2017 Filed under: Book Review, Books, Children's Books, Comic Hero, Dialogue, Fantasy, Fiction, Horror, marketing, Paranormal, Promotion, Publishing, Revision, Science Fiction, Screenwriting, Self-Publishing, Speculative Fiction, Stories, Writing, Writing Tips | Tags: Books, Fiction, horror, marketing, Poetry, promotion, Reviews, Stories, Story, Writing 1 Comment
This is the longest book review I have ever written. This book was so packed full of useful information for rising authors and screenwriters that I felt I needed to cover it all. If you are an upcoming horror author or screenwriter, trying to figure out how to get a foot in the door or where to start in the matter of launching your career, Horror 101: The Way Forward offers “career advice by seasoned professionals”. Different writers will find different essays useful, so I’m giving you a rundown on all the informative essays included.
Compiled by Crystal Lake Publishing, this collection of essays has something for every writer. The anthology features quotes from the masters such as Stephen King, Ray Bradbury, Isaac Asimov, J.R.R. Tolkien, Jack London, Clive Barker, H.P.Lovecraft, Edgar Allen Poe and many others. Advice from professional writers and editors covers all aspects of the horror writing business, and the business of writing, in general. From submitting your work, to marketing and promotion, to self-publishing and building your writing business, to crafting your work and the writing process.
The answers to many questions on the topic of submissions and all other aspects of writing as a business are found within its pages. Not getting positive response from your queries? First read Rejection Letters – How to Write and Respond to Them by award winning author Jason Bark, which offers an attempt to write a rejection letter that doesn’t sting, (at least, not so much). Then, flip to Seven Signs that Make Agents and Editors say “Yes!” to learn what agents and editors look for. Buttoning Up Before Dinner by horror author Gary Fry also offers advice to put you in the good graces of publishers and editors and create well-written stories.
Unsure how to submit your work? Submitting Your Work: Read the F*****g Guidelines by freelance writer and editor John Kenny offers tips for making a professional submission from an editor’s perspective. And What a Short Story Editor Does by horror, fantasy and science fiction editor Ellen Dallow explains the responsibilities of short story editor.
Looking for sound career advice? Be the Writer You Want to Be by television writer and novelist, Steven Savile recycles the best writing advice the author was ever given. The Five Laws of Arzen by award winning dark fiction author Michael A. Arzen offers hints to help you survive a writing career. How to Fail as an Artist in Ten Easy Steps: A Rough List Off the Top of My Head, by Confirmed Failure… by horror author John Palisano provides a reverse list of things you should do to be a successful writer.
Wondering if you need an agent to get your work in front of editors and publishers? Do You Need an Agent? by author Eric S. Brown is a discussion about the need, (or not), for an agent and relates the personal experience of how the author became successful without one. Also included are essays on building your writing business in Balancing Art and Commerce by author and screenwriter Taylor Grant , offering a look at various mediums one can write in and earn a living & advice in the business of writing. There are even essays offered on the lucrative business of ghostwriting, with a personal experience as a ghostwriter shared by dark fiction author Blaze McRob, and Ghostwriting: You Can’t Write it if You Can’t See It by award winning author Thomas Smith instructs on how to step into the author’s shoes and write like them.
If you are hoping to find some help muddling through the vast world of marketing and promotion, The Year After Publication by horror & thriller novelist Rena Mason offers an account of what to expect once you publish your first book and a walk through the exhaustive process of book marketing. How to be Your Own Agent, Whether You Have One or Not by horror writer, editor and publisher Joe Mynhardt offers tips for marketing your stories and yourself. Reviewing by founder of Ginger Nuts of Horror, (one of the most viewed resources in horror fiction), Jim McLeod discusses getting your book in the review pile & what the writer should do while awaiting publication of the review.
If you’ve not attended a conference or convention before, Pitch to Impress: How to Stand Out From the Convention Crowd by editor R.J. Cavender provides a guide to making a pitch that will snag agents’ and publishers’ attention. Tips for networking at conferences are offered by dark fiction author Tim Waggoner in You Better (Net)Work, and Networking at Conventions by Bram Stoker Award winning author Lucy A. Synder offers a look at the benefits conventions have to offer and a breakdown on some of the major ones for horror writers.
There is a plethora of advice offered on publishing, including a comparison of traditional publishing vs. digital publishing in Weighing Up Traditional Publishing and Ebook Publishing by award winning author Robert W. Walker; Publishing by editor and publisher Simon Marshall-Jones compares publishing in the digital arena with the way it was done in the past & how to become an independent publisher; and Glenn Rolle Toes the Line with Samhain Horror Head Hancho, Don D. Auria by Glenn Rolle with Interview that maps Auria’s rise to the top.
The arena of self-publishing is also explored in Make Your Own Dreams by horror and suspense novelist Iain Rob Wright. Besides being a plug for self-publishing’s evening of the playing table. It relates personal experience and advice for self-publishing, walking us through the self-publishing process. Self-Publishing: Thumb on the Button by author Kenneth W. Cain gives a list of things to think about before you choose to self-publish.
Also included are essays on the different mediums for horror: Poetry and Horror by Blaze McRob, and Horror for Kids: Not Child’s Play by novelist Francois Bloemhof offers guidelines for writing horror for youth. Several essays on comics and screenwriting, (one of the biggest outlets of horror today), are also included.
Horror Comics – How to Write Gory Scripts for Gruesome Artists by novelist Jasper Bark discusses the craft of writing horror comics and the relationship between writer and artist. Some Thoughts on My Meandering Within the World of Dark and Horror Art by artist Niall Parkinson offers thoughts on creating dark and horror art. So You Want to Write Comic Books… by novelist C.E.L. Welsh discusses what goes into the making of a comic book.
From Pros to Scripts by author and screenwriter Shane McKenzie talks about the many challenges of screenwriting. Writing about Films and For Film by award winning writer, editor and screenwriter Paul Kane gives the story of the author’s rise to success and tips for learning the lingo of the business. Screamplays! Writing the Horror Film by award winning author and screenwriter Lisa Morton offers the basics of screenwriting, description and dialog, and tips for getting your screenplay made into a movie. Screenplay Writing: The First Cut is the Deepest by author, director and editor Dean M. Dinkel recaps of the author’s experience at the Cannes Film Festival.
Essays on writing a digital world include Running a Webserial, or How to Lose Your Mind, One Week at a Time by Southern author Tonia Brown, providing a brief history of serials and a rundown of what goes into running one on the web; Friendship, Writing, and the Internet by Bram Stoker Award winning novelist Weston Ochse with reflections on online connections with like-minded writers, and Audiobooks: Your Words to Their Ears by horror novelist Chet Williamson discusses what it takes to create and audiobook and what to expect from the effort.
Of course, there is also plenty of advice on crafting a quality story. What is Horror? by author and novelist Graham Masterson offers general writing advice which could be applied to any genre and instructs on how to push your writing to the edge. The Journey of “Rudy Jenkins Buries His Fears” by author Richard Thomas takes us on a walk through of the writing, editing and submissions process of a story. Writing Short Fiction by horror and thriller novelist Joan De La Haye offers tips to tighten your writing and move the story forward, and discusses where to look to sell your story and how to choose where to submit. Ten Short Story Endings to Avoid by Scottish horror novelist William Meikle supplies a valuable list, if you want to avoid having readers feel cheated. From Reader to Writer: Finding Inspiration by publishing and editing consultant Emma Audsley offers advise for attacking the blank page. Writing Exercises by horror writer Ben Eads provides exercises in description and dialogue. Writer’s Block by short fiction writer and novelist Mark West discusses how to keep the creative juices flowing. Editing and revision are covered with Editing and Proofreading by author and editor Diane Parking presents good reasons not to send out a first draft, and How to Dismember Your Darlings – Editing Your Own Work by Jasper Bark gives a brief guide on how to self-edit.
A few essays outline the needs of a writer and suggestions on how to meet them. Filthy Habits – Writing and Routine by Jasper Bark offers a look at the benefits of creating a daily writing routine. A Room of One’s Own – the Lonely Path of a Writer by horror and fantasy writer V. H. Leslie discusses the need for solitude and space to write in. Writing Aloud by screenwriter and author Lawrence Santoro outlines the benefits of reading aloud as a part of the writing process.
Also included are Partners in the Fantastic: The Pros and Cons of Collaborations by novelist Michael McCarty, which looks at the views of various authors on collaborations, and Writing the Series by series author Armand Rosamilia, which explains why Rosamilia writes series.
Several essays offer advice specific to writing in the horror genre. Making Contact by award winning novelist Jack Ketchum discusses how to turn what you know into a horror show. Bitten by the Horror Bug by horror author and screenwriter Edward Lee looks at what motivates us to write horror. Reader Beware by author Siobhan McKinney explores the role fear plays in horror. Bringing the Zombie to Life by author Harry Shannon maps out four components of a good zombie story. The Horror Writers’ Association – The Genres Essential Ingredient by author and President of the Horror Writers’ Association (HWA), Rocky Wood gives a rundown on the HWA.
What’s the Matter With Splatter? by horror writer and Vice-President of the AHWA, Daniel I. Russell discusses the use of blood, gore and splatter in horror fiction or screenwriting, gives tips on how to use it to gain the desired effect, and discusses why some gore doesn’t get a second thought. Avoiding What’s Been Done to Death by British horror writer Ramsay Campbell defines good horror fiction & emphasizes originality. The (Extremely) Short Guide to Writing Horror by dark fiction author Tim Waggoner offers an introduction to writing horror, including techniques and brief definitions, and a list of good resources for horror writers. Growing Ideas by horror writer Gary McMahon offers a look into the author’s writing process. Writing Horror: 12 Tips on Making a Career of It by horror novelist Steve Rasnic Tem instructs on building your own writer’s toolbox and advice for entering the profession of writing horror. The Cheesy Trunk of Horror by international best selling author Scott Nicholson provides a look at both writer and reader perspectives on horror and dark fiction. Class: Vaginas in Horror by science fiction, urban fantasy and horror novelist Theresa Derwin offers an overview of women in the horror industry. And the afterward by Crystal Lake Publishing’s editor, Joe Mynhardt, includes his own advice for writing horror.
Horror 101: The Way Forward is based on the sound advice of seasoned professionals that is useful to horror writers in any stage of their careers. I recommend it with four quills for anyone who wants to write horror in either fiction or screenwriting.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
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Dialogue: Talking in Subtext
Posted: January 30, 2017 Filed under: Dialogue, Writing | Tags: Dialogue, Subtext, Writing 3 Comments
A good way to learn to write good dialog is to become an observer of people, watching and listening to the conversations around you when in public. You must both watch and listen because dialog doesn’t come just in words. Dialog also contains subtext. You know, body language, tone of voice, etc… You can have whole scenes where no words are spoken, yet a conversation occurs between two people in the subtext of their body language. Everyone in the real world talks in subtext. If you want to have believable dialog for your characters, they must talk with subtext, too.
Whether you’re an author or a screenwriter, it’s an important concept to master. Subtext is the message that lies beneath the message. It’s what people, or characters, are really saying. It is indicated in actions, movements, change in pitch of the voice. A character may say, “I’m happy for you”, but if it were said through gritted teeth, the reader may get the idea that there’s some underlying resentment with the characters words, lending a very different meaning to the scene. The same dialog would take on a whole other meaning, that the words are not spoken sincerely, if the character rolls her eyes as she says it.
We humans are funny creatures. Many of us have some type of mental block that prevents us from saying what we mean outright. It may be the fatal flaw of mankind in the communication realm, although I suspect it may be easier to speak honestly in the digital world, where you talk with people without being face to face. Regardless, if you want your characters’ dialogue to be believable,they will have to speak in subtexts, offering readers the subtle clues necessary to figure out what is really going on.
“Don’t tell me to calm down,” Karen said, tapping her newly painted nails on the table top. “I’m perfectly calm.”
What can you tell from the dialog above? The character says she’s not upset, but do you think she is? Rather you get the idea that she is upset from the tapping of her nails on the table, which is not a calm behavior, even though her words claim different.
The example above is pretty clear for illustration purposes. In real life, and in good fiction, it’s not always so easy to discern between words and actions. As authors, we must offer good clues, in the form of subtext, so readers can see the whole picture we’re trying to paint with our words. You see what I mean?
If your character is angry, you might have him clench his fists or stomp his foot. If the scene is a breakup, your character may hold back her tears and swallow the lump in her throat to avoid revealing how much she is really hurting. Or maybe she is trembling although trying to appear brave to her friends.
It’s the way real people talk. It’s the way our characters need to talk if we want our dialogue to be convincing. In many cases, the old adage is true, especially in fiction and screenwriting- “Actions speak louder than words.”
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“How Smoke Got Out of the Chimneys”: An Entertaining Ditty
Posted: January 27, 2017 Filed under: Book Review, Fiction, Stories | Tags: Book Review, DeAnna Knippling, How Smoke Got Out of the Chimneys, Short Fiction Leave a comment
The short story How Smoke Got Out of the Chimneys by Deanna Knippling captures the tone of old England to perfection. Knippling has created a likeable main character in Smoke, a sharp young girl on the street who eeks out her living as a chimney sweep, and as one follows her brief tale, one can’t help but long to see her succeed.
Living as part of a street gang, Smoke is the oldest of the chimney sweeps, who passes for younger than she is due to her small stature, but she knows her days as a sweep are numbered and she must find a new mode of living before the gang retires her in a brothel. Fortune is on her side when an opportunity appears before her, but it’s not without risk. The resulting adventure had me rooting for her every step of the way.
Short, but well crafted and quite entertaining, this tale is everything a short story should be. I give How Smoke Got Out of the Chimneys five quills. 
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It’s All About Love
Posted: January 23, 2017 Filed under: Fiction, romance, Writing Leave a comment
I recently attended a fiftieth anniversary party for a couple that I know. Their son and daughter-in-law put it all together for them, and it was a really nice affair. It was quite touching to see the loving care that went into all the preparations and listen as several people rose to tell stories about the celebrated couple, some examples of their kind hearts or their love for one another. Many of the stories drew quite a few chuckles from the guests.
It is not surprising that their marriage had lasted fifty years, for anyone who has ever seen them together can see that they not only love each other, but that they are still in love with one another. Theirs is a true life love story.
As a writer, of course, my observations about people often find their way into my stories. While I don’t turn my family and friends into characters, I do give my characters traits from real people at times. So, as I listened to the stories being told about them, I thought about all the ways my friends’ actions make their love for one another obvious, and how I might use some of them to create a heart warming love story with characters that are convincing.
It’s the little things, such as how she looks her husband in the eyes, and says, “I love you”, several times each day. To the observer, the expression of love on her face leaves little doubt that she means those words with all her heart. And to see the look of adoration in his eyes as he gazes into hers, it is obvious that love is reciprocated. That’s the kind of thing that I need to portray on the page to show depth of the love of my characters.
Their love shows in the courtesy and respect they give one another. She never fails to ask whay he’d like to eat before she begins the preparation of each meal. Although at 75, he now requires a caregiver to assist him with his daily needs, he stillmanages to surprise her with the perfect gift on special occasions. It shows in the tenderness of her voice when she speaks to him and the adoration in his reply. These all could be used by a skilled hand to show readers that your character couple loves one another deeply.
Now that I think about it, their relationship might make a story in and of itself, of the nonfiction variety. For many couples, the stroke he suffered two years ago would mean separation, with him going into a nursing facility, where he could receive the proper care, but not this couple. No. There was never any thought of separating from one another. Instead, my friends left their beautiful tri-level home for a year and a half to live in a single level duplex during his recovery. They adapted the tri-level to accommodate his needs and they sleep next to one another in their own bed today. They did what they had to do to remain together.that
Now, if you ask me, that’s love. If I can portray just a little bit of that kind of love in my writing, I would consider it a great accomplishment. Think about it. Love is a great motivator for your characters, can pose obstacles which are rough to overcome, and can give your characters an unbreakable bond offering strength to beat all the odds. When you get right down to it, the cornerstone of most stories is love.
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“Bullet”: The Story of a Toxic Romance
Posted: January 20, 2017 Filed under: Book Review, Books, Erotica, Fiction, romance | Tags: Book Review, Bullet, Erotica, Jade C. Jamison, romance 1 Comment
Bullet is the first book in Jade C. Jamison’s Rock Star Romance series. This book was presented as an erotic romance, so I approached it with expectations of one big non-stop sex scene that would make me blush just reading it. I was pleasantly surprised to find that, although there were explicit sex scenes, they were sprinkled in like a good seasoning, used to enhance the romance story, enhancing rather than overwhelming the main course.
Jamison takes readers on a journey into the world of heavy metal rock, where the music is loud, the partying hard, and sex is abundantly available. Valerie is young and a little naive, but she loves metal and the long-haired, pierced and tatooed bad boys that go with it. In college, she meets Ethan, who fits the profile, and she falls for him hard, so hard that her love for him brings her running back to him again and again, no matter how bad he mistreats her.
Bullet is the story of her relationship with Ethan and his band mate, Brad. It’s the story of drugs, sex and rock and roll. I give Bullet four quills.
Kaye Lynne Booth gives honest reviews and never charges. If you have a book you would like reviewed you can contact Kaye at kayebooth[at]yahoo[dot]com
What’s a Reviewer to Do?
Posted: February 13, 2017 | Author: kayelynnebooth | Filed under: Book Review, Books, Commentary, Fiction, Opinion, Promotion, Self-Publishing, Writing | Tags: Book Reviews, Feedback, Honest Book Reviews | 4 CommentsI started Writing to be Read to promote my own writing and to help other authors, through writing reflections and reviews. We’re all in the same situation. Marketing and promotion are a big part of writing these days, and authors are expected to self-promote to some extent, even if they are traditionally published. The way that books are being rated now, in many places, including Amazon, by the reviews they receive. I post partial reviews on both Amazon and Goodreads for this reason, and have even taken the time to post on Smashwords and Barnes and Nobles upon request from the author.
But, what is a reviewer to do when a book she’s reviewing falls short of all expect a film, like my review of Angel Falls Texas on Friday? Every review I publish has an end note at the bottom which reads like this:
“Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.”
I don’t believe in charging for a review because I don’t believe in paying for a review. And I don’t believe in that because I don’t think you can get an honest review when it is paid for. And I do believe a review should be honest. While I amin favor of promoting other authors with my reviews, I don’t believe in hyping up a work when it is not deserved.
Too many authors get their books on the best sellers list simply by having great reviews posted by those who love the author, but don’t honestly reflect the quality of their book. It’s sad but true. (To learn more about what that best seller label really means, check out this article by Brent Underwood.)
As I shared my post for my review of Angel Falls Texas last Friday, I reacted with a sad on each one, because I hated having to publish such a negative review. It’s certainly not going to help the author sell books, which is usually my goal. In this case, to post a review to encourage sales would have made me feel dishonest to my own readers.
I do both solicited and unsolicited reviews. Those that are unsolicited are from books I purchased on my own and I use them as fill in posts when I don’t have any solicited reviews to publish. With reviews that have been solicited by the author or I have requested an ARC from the author, which don’t rate at least three quills, I usually contact the author, tell them my assessment, and offer them the chance to not have the review published. Most authors, like my author friend Chris Tucker, opt to publish the review and take their licks, but there have been a few who have requested that I hold off publication. These authors, hopefully, then go and make revisions to improve their book and then have me give it another chance. I’d rather do that than post a review that may hurt sales.
I try to be fair in my reviews. If a book is one of a genre that is not one of my favorites, I will state that in the review, being upfront about anything that may have influenced the my opinion. But honestly, as authors who are putting their work out there, we all take the chance that someone out there will not like our work, for whatever reason, and will post an unfavorable review. After all, we are only human, and we are never going to please everyone.
As a reviewer, I know I’m not going to love every book that I review. There will be times when my reviews will be less than shining, but I have to be true to myself and to you, my readers, and publish how I honestly feel. All I can do is try and be specific about what I didn’t like in the hope that the author will take it like a critique and find something useful from my feedback to help to improve their writing or the value of the product they put out.
I think the number one thing we, as writers, can do is remember what one of my Creative Writing professors, Russell Davis, said when talking about receiving critiques from our cohorts,
“Remember, it’s not about you. It’s not personal. It’s all about the writing.”
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