Treasuring Poetry – Meet prolific poet, Ivor Steven, and a review #poetry #poetrycommunity #TreasuringPoetry

My April Treasuring Poetry guest is talented and prolific poet, Ivor Steven. Please enjoy his thoughts about poetry and some of his favourite poems.

What is your favourite style of poetry to read?

Oh, there are so many styles of poetry that I like. In my personal library I have poetry books by Leonard Cohen, William B Yeats, Walt Whitman, Emily Dickinson, John Keats, Henry Lawson, Banjo Paterson, and Rupi Kaur, and of course numerous other local poets. My selections are of a range of styles and very eclectic, however, my favourite poetry style is rhythmical freestyle poems.

What is your favourite poem in your favourite style to read?

Since I was a teenager, I have been an avid follower of Leonard Cohen’s writings, and he has had a huge influence on the way I draft my poems. One of my favourite poems of his is “Avalanche”.

“Avalanche“
  Well, I stepped into an avalanche,
 it covered up my soul;
 when I am not this hunchback that you see,
 I sleep beneath the golden hill.
 You who wish to conquer pain,
 you must learn, learn to serve me well.
 You strike my side by accident
 as you go down for your gold.
 The cripple here that you clothe, and feed
 is neither starved nor cold;
 he does not ask for your company,
 not at the centre, the centre of the world.

When I am on a pedestal,
 you did not raise me there.
 Your laws do not compel me
 to kneel grotesque and bare.
I myself am the pedestal
 for this ugly hump at which you stare.

You who wish to conquer pain,
 you must learn what makes me kind;
 the crumbs of love that you offer me,
 they’re the crumbs I’ve left behind.
 Your pain is no credential here,
 it’s just the shadow, shadow of my wound.

I have begun to long for you,
 I who have no greed;
 I have begun to ask for you,
 I who have no need.
 You say you’ve gone away from me,
 but I can feel you when you breathe.

Do not dress in those rags for me,
 I know you are not poor;
 you don’t love me quite so fiercely now
 when you know that you are not sure,
 it is your turn, beloved,
 it is your flesh that I wear.

What is your favourite style of poetry to write? Why?

I must say I like writing Haiku, Tanka, musettes, and other forms of short poems. However, I only started writing poetry after I had suffered a semiserious stroke in 2000. During my rehab, the speech therapist encouraged me to write rhyming words to help regain my cognitive abilities. I developed a knack for rhyming words and from there my writing knowledge gradually expanded. With my restricted thought process, the rhythmical Freestyle Poems were an uncomplicated style for me to follow and I kept improving on my newfound journey into the world of poetry.

What is your favourite of your own poems in your favourite style?

Oh gosh, I have written nearly two thousand poems over the past twenty years, my favourite one is from my first book “Tullawalla”, I wrote the poem in Philadelphia while visiting my cousins in 2019. The trip to America was only two months after my 2nd and 3rd strokes, and the journey was truly a “dream come true”. 
 
Dreams of The Heart

I cannot walk the continents
Like the intrepid Marco Polo
But my feet have felt the sands of time
Pass between my toes

I have not sailed the high seas
Like the courageous Christopher Columbus
But my body has bathed
In an ocean full of kind hearts I am yet to fly in space
Like the brave Neil Armstrong
But I have reached for the stars
And touched my soul’s dreams

How do you promote your poetry and poetry books?

I promote my poetry and books via my WordPress website, and social media sites: Instagram. Facebook. Thread, and a new website Medium. Also, I am an appointed writer for the online Coffee House Writers magazine (America), and they allow me to promote my Books on their members chat-site. I am a member the Geelong Writers Inc, who have Monthly social gatherings where I can sell my books. I frequent several local cafes, at which I am allowed to display and sell my books. I regularly attend local Arts Markets and I have had Book Stalls at nearby book festivals, the most recent being the prestigious Clunes Booktown Festival.
>> Clunes Booktown Festival – For the love of story

You can find out more about Ivor Steven on his blog here: https://ivorplumberpoet.press/about/

My review of Until Eyes Hear Sound

Available from Lulu.com here: https://www.lulu.com/search?contributor=Ivor+Steven&adult_audience_rating=00

and Jaymah Press here: https://www.jaymahpress.com.au/product-page/until-eyes-hear-sound

Until Eyes Hear Sound is a wonderful collection full of impactful poems about numerous important issues humanity faces as a collective, as well as the beauty of our natural world.

The book is divided up into ten chapters as follows: Little Creatures and Birds; Planet Earth, Nature and Existence; The New World? The Same Universe; Observations – “Until Eyes Hear Sound”; War! Without Peace?; Memories and Rhymes; Poetry in Slow Motion; Humour, Fantasy, Faeries, and Weird; and Short Poems, Haiku, Senryu, Tanka, and Others. Each section shares a smaller collection of poems that highlight the best and worst of that category. The poems are written in a mixture of freestyle and rhyming verse and are easy to read and vivid in their description.

The following are a few lines from some of the poems I related to the most in the collection:

“Raw rain is tumbling across town
Mother Nature’s roaring sound
Amplifies her tears slapping the ground
As her dark clouds wrinkle into a frown”
from She Knows

“Behind every mask there is a weathered face
Behind every face old lines survive in place
Behind every place memories live with grace”
from My World, My Thoughts

“arriving
via the cemetery gate
holding her flowers
hands quivering
heart quickens …

“leaving
via the cemetery path
renewing goodbyes
crying silently
breathing slowly”
from Arriving and Leaving, Visiting Her. This was my favourite poem in the collection.

A beautiful collection.

About Robbie Cheadle

Photo of Robbie Cheadle standing in front of trees.

Award-winning, bestselling author, Robbie Cheadle, has published fourteen children’s books and three poetry books. Her work also features in several poetry and short story anthologies.

Robbie also has two novels published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.

The eleven Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.

Robbie and Michael Cheadle have recently launched a new series of children’s books called Southern African Safari Adventures. The first book, Neema the Misfit Giraffe is now available from Amazon.

Robbie’s blog includes recipes, fondant and cake artwork, poetry, and book reviews. https://robbiesinspiration.wordpress.com/


A Look at Poetry Reviews from the Past Year: The Hedge Witch & The Musical Poet

Book Cover: Dark shadowy mountain craigs in background. A girl sitting in the trees with an eagle overhead in foreground.
Text: The Hedge Witch & the Musical Poet, Poems & Flash Fiction by M J Mallon

It celebration of National Poetry Month, I’m reblogging my poetry reviews from the past year on Saturdays throughout April in case you missed any of these noteworthy poetry collections.

Today’s review is The Hedge Witch & The Musical Poet, by M.J. Mallon


Book Review: The Body in the Attic

Box of Books Text: Book Reviews

About the Book

Welcome to River Bluffs, Indiana, a cozy small town populated with charming homes, close-knit families, and the occasional deadly secret….

House-flipper Jazzi Zanders and her cousin Jerod have found their latest project. The property, formerly owned by the late Cal Juniper, is filled with debris that must be cleared before the real renovation begins. But a trip to the attic reveals something more disturbing than forgotten garbage – a skeleton wearing a locket and rings that Jazzi recognizes….

Tests confirm that the bones belong to Jazzi’s aunt Lynda, who everyone assumed moved to New York years ago after breaking up with Cal. Soon enough, the whole family is involved, sifting through memories and rumors as they try to piece together what really happened to Lynda – and the baby she gave up for adoption. In between investigating and remodeling, Jazzi is falling for the old house’s charms – and for her gorgeous contractor, Ansel. But with surprises lurking in every nook and cranny, a killer might be waiting to demolish her dreams for good….

Purchase Links:

Audible: https://www.amazon.com/The-Body-in-Attic-Judi-Lynn-audiobook/dp/B07TT8CFRP/

Chime: https://www.chirpbooks.com/audiobooks/the-body-in-the-attic-by-judi-lynn

My Review

I listened to the audiobook of The Body in the Attic, by Judi Lynn, and narrated by Devon Sorvari. I was drawn to this book by the title, and found the story to be well written, with all the makings of a good mystery, but I had difficulty with the narration, which often seemed just a little off, without proper inflection. The story was good enough to keep me listening through to the end, in spite of this, but each time an inflection was off, it pulled me out of the story.

When a body is found in a trunk in the attic of a house Jazzi is flipping, it solves the 30 year old mystery of why her aunt disappeared, but it opens up a new one. Who killed her? When a second, newer body is found on the property, it opens even more questions which need to be answered, especially when the two murders appear to be connected. While digging up the facts about her aunt’s disappearance, Jazzi uncovers the clues that will solve both mysteries, with the aid of a very helpful detective who, for some reason, shares the information on the case with her freely and takes her with him to confront the witnesses. (Okay, I admit, I had a hard time suspending disbelief on that one.)

A good mystery story, with less than perfect narration. I give The Body in the Attic three quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.


Growing Bookworms – Age groups for children’s books: Early Readers #GrowingBookworms #childrensfiction

Picture caption: Growing Bookworms banner depicting a squirrel drawing in coloured pencil by Robbie Cheadle

Encouraging children to read is very important. Reading helps children build language skills, learn about the larger world and also, develop empathy and emotional awareness. Parents reading to their children is one of the greatest gifts you can give.

In order to ensure the children are fully engaged in the book and story, it is important to read age appropriate books. If a story is to complex for a child, he/she will not fully engage and will lose interest. If the book is to easy for the child, he/she will not learn anything new and there will be no progression.

This is a summary of the different age groups for children’s books:

Books for toddlers

These books are aimed at children up to approximately 3 years old. They are printed on hard cardboard for durability and usually contain interesting pictures with accompanying words and/or phrases.

Early picture books

The age group for these books is 2 to 5 years old. These books are driven by colourful illustrations and often teach a life lesson about friendship, empathy, and kindness. They help teach children the social skills they need for school. The text is simple but stimulating.

Picture books

Picture books are aimed at children aged between 5 and 8 years old. These books contain a full story, sometimes told in rhyming verse, and contained beautiful pictures and illustrations to maintain interest and aid reading. These books are usually between 600 to 1,000 words in length and often include educational material.

This is the target market for most of my children’s books which are interactive and also include recipes (Sir Chocolate books), activities for children (Sir Chocolate Highdays and Holidays books series) and wildlife facts, photographs and wildlife videos (Southern African Safari Adventures Books).

Picture caption: Banner including a picture of Sir Chocolate and Lady Sweet and including the covers of the first six books in the Sir Chocolate books series
Picture caption: An introductory limerick to Amahle, the pregnant giraffe from Neema the Misfit Giraffe.

First chapter books and graphic novels

These books are aimed at children who have learned to read on their own. They are usually between 3,000 and 5,000 words in length and contain a more complex story line. While these books still contain illustrations, there is more text than pictures in the book. The storylines often still adhere to the concepts of acceptance, friendship, and sharing. These books can also expand into more complex areas such as nature conservation and exploration.

Michael and my book, Haunted Halloween Holiday, fits into this category. This story’s primary messaging is around acceptance and diversity. The family unit around which the story revolves comprises of Count Sugular, a vampire, Witch Honey, their baby, Baby Howler, who is a banshee, and Skelly, Count Sugular’s brother who is a skeleton.

I created a short YT video story called Haunted Halloween Safari which uses some of the characters from Haunted Halloween Holiday and gives an idea of writing and creative level of this type of book.

Next month, I’ll be chatting about middle grade and graphic novels as well as young adult novels and graphic novels.

About Robbie Cheadle

Photo of Robbie Cheadle standing in front of trees.

Award-winning, bestselling author, Robbie Cheadle, has published fifteen children’s book and three poetry books. Her work has also appeared in poetry and short story anthologies.

Robbie also has two novels published under the name of Roberta Eaton Cheadle and has horror, paranormal, and fantasy short stories featured in several anthologies under this name.

The eleven Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.

Robbie and Michael’s new Southern African Safari Adventures series is aimed at teaching young children about Southern African wildlife in a fun and entertaining way. Each book contains a rhyming verse story about a particular animal, as well as illustrations by Robbie Cheadle, photographs and links to video footage about that animal.

Robbie’s blog includes recipes, fondant and cake artwork, poetry, and book reviews. https://robbiesinspiration.wordpress.com/

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Want to be sure not to miss any of Robbie’s “Growing Bookworms” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.


A Look at Poetry Reviews from the Past Year: Ever So Gently

Book Cover: Blue/Green abstract background
Text: Lauren Scott, Ever So Gently, A Collection of Poems

It celebration of National Poetry Month, I’m reblogging my poetry reviews from the past year on Saturdays throughout April in case you missed any of these noteworthy poetry collections.

Today’s selection is Ever So Gently, by Lauren Scott


Undawntech: Technology That Is Stranger Than Fiction

Imagine a world where an insane aristocracy oversees the human race. Classic dystopian novels tell of such extreme societies and caution readers to avoid falling into the trap. The question is: have we heeded the warnings?

1984, Animal House, Brave New World, Fahrenheit 451, and The Handmaid’s Tale are some of the most popular and recognizable stories in this genre. As modern-day writers, we have seen the world fall from stable nation-states to the dehumanization of culture wars, sneak attacks, propaganda, economic downturns, and invasions. Either
the writers from a bygone era were psychic, or everything we are seeing now… was planned. Planned to keep humanity distracted while an elite class work on technology beyond any innocuous application.

Past narratives could not have foreseen the future of augmented reality, artificial intelligence, biochips, mRNA technology, or tracking satellites. By any other name, would dystopic smell as sour?

Let’s take a journey into next generation technologies, most being hidden in plain sight:

For instance, currently, Iridium Satellites can track wildlife, personnel, data and assets, as well as bridging the internet of things… this technology is real-time situational awareness.

“Iridium’s unique constellation architecture makes it the only network
that covers 100% of the planet. Satellites are cross-linked to provide
reliable, low-latency, weather-resilient connections that enable
communication anywhere in the world.”

www.iridium.com

On a mundane level, medicine has exceeded its normal perimeters. With new technology, comes new issues that medical science has no answers to give. mRNA technology has potential, but its numerous and fatal consequences have been obscured from public scrutiny:

“In this paper, we call attention to three very important aspects of
the safety profile of these vaccinations. First is the extensively
documented subversion of innate immunity, primarily via suppression of
IFN-α and its associated signaling cascade. This suppression will have
a wide range of consequences, not the least of which include the
reactivation of latent viral infections and the reduced ability to
effectively combat future infections. Second is the dysregulation of
the system for both preventing and detecting genetically driven
malignant transformation within cells and the consequent potential for
vaccination to promote those transformations. Third, mRNA vaccination
potentially disrupts intracellular communication carried out by
exosomes, and induces cells taking up spike glycoprotein mRNA to
produce high levels of spike-glycoprotein-carrying exosomes, with
potentially serious inflammatory consequences. Should any of these
potentials be fully realized, the impact on billions of people around
the world could be enormous and could contribute to both the
short-term and long-term disease burden our health care system faces.”

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9012513/

Or is there more to injecting untested, unregulated technologies into our bodies than heart inflammation, other serious adverse reactions, and increased morbidity in the injected? What if, the scare of 2020 was to introduce tracking systems into the human genome?

Internet of dead bodies Bluetooth MAC address corpses

https://www.brighteon.com/41a1e7f3-ca8a-42d3-b201-f31e4a2c3189

In a novel, a scientist might believe the only thing the human brain would need to plug into technology like brain chips, artificial intelligence, and augmented reality would be a third strand of DNA made from silicon, but that is so 1980s and 90s technology:

Science: A triple helix to cripple viruses

“As scientists accumulate more knowledge of the sequence and function
of human genes, the triplex approach should allow scientists to turn genes
on or off at will, says Hogan.”

www.newscientist.com/article/mg13017644-100-science-a-triple-helix-to-cripple-viruses

What has grown from hypothesis and curiosity of the scientific community has transformed from the dystopic and into the realm of horror. Technology being employed to change the human race sounds as if the nightmare of Mary Shelley has been realized. The author of Frankenstein once wrote of surgically combining body parts with an electric jolt from lightning. Today’s scientists have gone beyond ethics and straight into creating artificial life forms.

Engineers Put Tens of Thousands of Artificial Brain Synapses on a Single Chip for Portable AI Devices

“MIT engineers have designed a “brain-on-a-chip,” smaller than a piece
of confetti, that is made from tens of thousands of artificial brain
synapses known as memristors — silicon-based components that mimic the
information-transmitting synapses in the human brain.”

https://scitechdaily.com/engineers-put-tens-of-thousands-of-artificial-brain-synapses-on-a-single-chip-for-portable-ai-devices/

As technology advances, external sources to manipulate the human brain are becoming readily available. Pull up a seat. Put on a cap. Play your favorite video game without lifting a finger. Mind and artificial intelligence merge through frequency of brainwaves.

Transfer learning promotes acquisition of individual BCI skills

“Noninvasive brain–computer interfaces (BCI) based on
electroencephalography (EEG) have proven efficient in applications
such as neurorehabilitation (1, 2), robotics (3, 4), communication (5,
6), or virtual reality (7, 8). Motor imagery (MI)—mental rehearsal of
a limb movement without execution—is a common EEG–BCI modality.”

https://academic.oup.com/pnasnexus/article/3/2/pgae076/7609232?login=false

As writers, we have to ask ourselves: are we already in a dystopian novel, playing characters, who unknowingly, unwittingly are about to face a critical juncture in human evolution?

What does this evolution entail? Will humans and technology as one creature relinquish our independence? Individual sovereignty? Our Constitutional Rights? Will we be considered homo sapien sapien? Or, homo sapien extincti?

Horror has manifested in our world. The horror that dystopia was not an end, but a beginning to the ramblings of madmen. Writers have the obligation to warn humanity that we have ventured past derangement and into the immoral machinations warned in Mary Shelley’s Frankenstein.

As the establishment plays god, what would the dystopian authors caution us about? What would Mary Shelley write as her sequel to Frankenstein with the knowledge present herein? To be, or not to be… human with all our flaws or a controlled serfdom at the whim of a plutocracy? According to science, we are already there. The only choice now is preservation or slavery.

Isn’t that the conditions writers should be asking of their readers? Because no one else is giving humanity the time to think about the ethical obligations, horrific consequences, or generational ruin that these technologies have laid at our feet. It is not difficult to ascertain: the world we live in is stranger than fiction.

“No man chooses evil because it is evil; he only mistakes it for happiness, the good he seeks.” Mary Shelley, Frankenstein

Has the road of futurist technology been paved with good intentions? Only time will tell what the intention for humanity and these technologies are. For humanity’s sake, we better know evil when we see it.

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DL Mullan holds a Master of Arts in Teaching and Learning with Technology. 

Her lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lecture invitations. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. Currently, Ms. Mullan’s artistic renditions are seen on book covers, blog sites, video presentations, and various merchandise. As an independent publisher, she uses her technical background to innovate the creative arts.

As a writer, DL Mullan loves to stretch her imagination and the elasticity of genres. She writes complex multi-genre stories in digestible and entertaining forms, be it poetry, short fiction, or novels. Her science, history, mythology, and paranormal research backgrounds are woven into her writings, especially in Undawnted’s Legacy Universe. Ms. Mullan’s creative endeavors are available in digital and print collections, from academia to commercial anthologies. She is also an award-winning poet.

Be sure to subscribe to her newsletters and follow her on social media. For further information, visit her at www.undawntech.com and www.undawnted.com.

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Writer’s Corner: A Look at AI Narrations for Audiobooks

Caracature of a woman typing on a keyboard at a very messy desk. Text: Writer's Corner with Kaye Lynne Booth

Three of my books are now available in AI narrated audiobooks: The Rock Star & The Outlaw, Delilah and Hidden Secrets. I’ve been wanting to get into audiobooks for some time now, but narrators are expensive. Their time is worth it and I don’t begrudge them that, but the hourly rates for narration are high enough to keep audiobooks out of reach for me. But the rapid rise and availability of AI narration has made having my books available in audio a possibility, and I’m really excited about it.

I’ve heard the argument that AI narration is taking work away from human narrators, but in this case, it just isn’t true. I would not have hired a human narrator instead, so I don’t see the harm in utilizing these tools which are now available to me.

I’d love to hear what you think about these AI narrated audiobooks or your thoughts on AI narration, in general. I’ve included my summaries of both experiences here and you can click on the links to hear a preview of each one. If you are feeling generous, you can buy a book while you are there.

Apple Books

I uploaded The Rock Star & The Outlaw to Apple Books through D2D, using the manuscript I uploaded for ebook. They offered four or five narrative voices to choose from. The quality of the narration is acceptable, but they offered no way to preview the content, and did not provide an audio file that could be used on other sites. It also took almost two weeks from the time of upload to publication. Keep in mind that I am not publishing direct through Apple Books, but going through D2D. Perhaps publishing direct, the process might be faster and preview might be available through their author dashboard.

Google Play

I uploaded The Rock Star & The Outlaw, Delilah and Hidden Secrets on Google Play using the same digital epub files uploaded for ebooks. They have a wide selection of narrative voices to choose from. Through Google Play, I was offered a chance to preview the recordings and their dashboard offers the opportunity to edit the text if necessary without changing the digital ebook file. They took a few days from upload to publication, but I was also going through the account approval process at the same time, which may have slowed the process.

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About Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Book 1 of her Women in the West adventure series, Delilah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Mind Fields: Poetry Space Ship

Silly Humans

Feb 2022

We are so silly: humans.  Show a man

a little cleavage, nothing but a teeny crevice

between a woman’s breasts, squeezed

beneath a garment.  An inch of divide and all hungry eyes

go to that crease, as if it had the answers

to every riddle but one: why are we so silly?

Is it the mother-drive, so vast and potent

is it social conditioning, appetite fed by hints

of sex promise?  Cleavage is immodest to some

but envied by others.  It seems silly

at my age but it wasn’t silly to me twenty years ago.

Piano Lessons

I have ten fingers.

The piano has…really…

twelve notes plus octaves therefrom.

I tell my fingers

each day

“land somewhere new. Somewhere

you’ve never been.  If it sounds good

then lead me forward.  IF it does not.

We go again.

Ten fingers.  Twelve notes and octaves.

Fingers: spread yourselves newly.  Knuckle middle finger

rise a bit. Good.

Now…listen.  OK? 

send five left fingers to the lowest octave

teach them where they belong

repeat the patterns repeat the patterns

bring the fingers back up

then throw them like dice

at the keyboard let them fly

repeat the patterns again

repeat the patterns: over time

my fingers know things, acquire sense and pitch

before my ears know

before my brain knows

my fingers know.

And, strange as it may sound, always listen to your fingers.

Ukraine

It is one thing to think

“aw fuck, not again.”

Then it’s another thing to do

nothing, from a sense of overwhelm

at the misery of the world.  Many of these miseries

were created by human beings.  They are capable of un-creating them but that would take a lot of work.  Humans have

a streak of lazy when it comes to inquiry about themselves. 

One can say “My bad”

as if that dismisses responsibility.  I’ve been bad

but it’s over. That is not enough.  You can’t say “My good”

but you’ve got to do “my good”, 

you must keep making beautiful things in the face of ignorance.

Help other people with small daily tasks.

Use everything you’ve got

because in the face of this calamity,

it’s not going to be enough.

It’s just a motive to keep working so that,

some day,

it will be enough.

About the Author

Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

Head Shot: Author Arthur Rosch

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

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A lifetime of poetry and photography gives a unique view of life, nature, the world, and the universe. 

Purchase Link: https://books2read.com/u/bPXpoA

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In Touch With Nature – Lionesses, the queens of the savannah #lionesses #wildlife

A landscape with the words: In Touch With Nature, "The Earth is a fine place and worth fighting for." Ernest Hemmingway

Last month, I discussed the role of male lions in the pride. If you missed it, you can read it here: https://writingtoberead.com/2024/02/28/in-touch-with-nature-the-vulnerable-life-of-male-lions-wildlife-lions/. This month I’m talking about female lions.

Lionesses are the primary hunters within the pride. They hunt in groups of three to eight females, all of whom are usually related. Lionesses display exceptional teamwork during hunts, deploying strategic hunting techniques, such as coordinated flanking and ambushing, to outmaneuver their prey. Their synchronized approach increases the likelihood of a successful kill. Lionesses, working together, are able to take down a target twice their size. Lion prey includes zebra, wildebeests, buffalo, antelope and other grassland animals.

Picture caption: Lioness patrolling the area around a zebra kill. Picture by Robbie Cheadle

Lions will kill other predators including leopards, cheetahs, hyenas and African wild dogs. They do not eat them as the flesh of other predators is not nutritious. Lion predator kills are purely to remove competitors for food and territory, as well as threats to the lions young. In particular, lions actively kill leopards as leopards kill and eat their cubs.

Picture caption: Lioness tucking in to her kill. Picture by Robbie Cheadle

This is my video of this lioness kill:

Lionesses are known to be excellent mothers and will go to great lengths to ensure the survival of their cubs. Lion mating is polygamous and takes place all year round. The dominant male will copulate with multiple females within his pride. Lionesses are receptive to mating for three or four days within their variable reproductive cycle and during this time they will mate frequently, up to fifty times per day. Female lions have the ultimate say in deciding which lion they will reproduce with. Lionesses observe the males carefully, accessing their physical condition, strength, and overall fitness, before committing to a partnership. Lionesses are also not monogamous and can mate with multiple lions during their estrous cycle, although it has been observed that approximately two-thirds of these mating events occur with the primary male, with the remaining third being distributed among multiple males from the peripheral coalitions of that primary male. This means that a single litter can have cubs from different fathers. Lionesses in the same pride often breed around the same time and the resultant cubs are raised together.

My video of lions mating:

Lionesses are pregnant for 105 to 112 days, during which time her belly will grow larger, and her nipples will enlarge and darken. Just before giving birth, the lioness will begin to look for a safe and secure place to give birth. Once she has found a suitable spot that is hidden from predators and close to water, she will start to build a den using grass and other materials. The actual birth is relatively quick, approximately 1 hour, and between two and four is the usual number for a litter.

The cubs are born blind and helpless and rely on their mothers to protect and care for them. During the first few weeks of their lives, the cubs feed on their mother’s milk and she only leaves them for short periods to hunt.

My video of lion clubs:

Last month I said that male lions commit infanticide and can kill the cubs of other males. Given that lionesses are fiercely protective of their cubs, why do they not defend their cubs from lions? The answer is simply that male lions are much bigger and more aggressive than lionesses. Challenging a male lion is risky for a lioness as it could lead to the serious injury or death of the lioness, as a result, in this situation the lioness will prioritise her own survival and the wellbeing of the rest of the pride over the survival of her cubs.

If you are interested in seeing more of my photographs, videos and artworks relating to Cats, please enjoy this stunning post created by the talented Resa McConaghy. Resa and I share a love for wildlife and a passion for conservation.

Lion Lust by Robbie Cheadle

Sidling up beside her
He strokes her shoulder
In a gesture of affection for his mate
He quickly mounts her
For the eighteenth time
***
She walks quickly away
He meekly follows
Lying down face-to-face in her chosen spot
A short period of rest
Before the next round
***
They will stay together
For twenty-four hours
Mating every twenty to thirty minutes
Despite his high demands
She lovingly purrs

This poem is from my book Lion Scream, Syllabic Poetry About Southern African Wildlife.

About Roberta Eaton Cheadle

Award-winning, bestselling author, Roberta Eaton Cheadle, is a South African writer and poet specialising in historical, paranormal, and horror novels and short stories. She is an avid reader in these genres and her writing has been influenced by famous authors including Bram Stoker, Edgar Allan Poe, Amor Towles, Stephen Crane, Enrich Maria Remarque, George Orwell, Stephen King, and Colleen McCullough.

Roberta has two published novels and has horror, paranormal, and fantasy short stories included in several anthologies. She is also a contributor to the Ask the Authors 2022 (WordCrafter Writing Reference series).

Roberta also has thirteen children’s books and two poetry books published under the name of Robbie Cheadle, and has poems and short stories featured in several anthologies under this name.

Roberta’s blog features discussions about classic books, book reviews, poetry, and photography. https://roberta-writes.com/.

Find Roberta Eaton Cheadle

Blog: https://wordpress.com/view/robertawrites235681907.wordpress.com

Twitter: https://twitter.com/RobertaEaton17

Facebook: https://www.facebook.com/robertawrites

Amazon: https://www.amazon.com/Roberta-Eaton-Cheadle/e/B08RSNJQZ5

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Let’s Talk About Book Reviews

Box of Books Text: Book Reviews

Instead of offering a book review today, I’d like to talk about book reviews. If you follow the blog, you know that I post at least one book review almost every week. I hope no one feels shorted because I chose to do things differently this week. You might also know that I offer up honest reviews in exchange for an ARC copy of the book, digital, print or audiobook, for those who request it. (ARC stands for A Review Copy, or a copy which was sent out early in hopes of review by traditional publishers. I send out between thirty and sixty requests for review for each WordCrafter Press book published.) Obviosly, if I’m writing that many book reviews, I am a voracious reader, so I also pick up other books to read and I review them as well. As a rule, if I read it, I review it. It’s just one way to help out my fellow authors, and I often, though not always, know the authors of the books I choose to read.

But today, I find myself in a dilemma. I just finished the most awful audiobook I have ever listened to. The audiobook was one that I purchased, by an author which I had previously read one of her books. That first one I listened to was well-written, a good story, and had a decent narrator, so I thought I would give this book a go.

To start off, it was a different narrator, a very poor narrator. The inflections were all wrong, there were pauses where there shouldn’t be, with starts and stops that made the reading jerky and chopped, and there was little or no emotion. Honestly, my AI narrated audiobooks did a better job.

But then I realized that it wasn’t just that. The book was poorly written, as well. Perhaps this was one of the authors earlier works and the first book I read was a later work? After the first time I tried to listen to it, I put it down for some time, but since I haven’t been financially able to replenish my audiobook library, I decided to give it a go, since I had already listened to everything else. So, I struggled through it for lack of better input. But about halfway through, I realized that there was no way I could review this book without trashing both author and narrator, and I really don’t like doing that.

They say that a negative review is better than no review, but I’m not sure if I buy that. All reviewers are critics, but I don’t believe that a critic must harsh to be effective. I offer my reviews to help other authors, and my reviews are honest, even if there are things I didn’t like about a book. I always try to emphasive the positive, but the negative is still there.

I know many of my readers are bloggers who are reviewers, so I’m asking you all today – how would you handle this? Am I obligated as a critic to write a negative review of this audiobook? Would you write it? Or would you just put the book into the archive and forget about it? I would love to get someone else’s thoughts on this. What do you think?

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.