And The Winner Is….
Posted: May 31, 2021 Filed under: Fiction, Paranormal, Stories, WordCrafter Press, Writing Contest | Tags: Paranormal, Short Fiction, Short Stories, Where Spirits Linger, WordCrafter Paranormal Short Fiction Contest, WordCrafter Press, Writing Contest 3 CommentsFor the 2021 WordCrafter Short Fiction Contest – You’ll have to wait and see
One of my biggest pet peeves is being fully immersed in a short story, only to have it end abruptly, like a slap in the face, leaving me scratching my head and saying, “Is that it?”. I am sure you know what I mean if you’re an avid reader, as most authors are. I think this is a problem found mostly in short fiction. Maybe the author cuts it short in order to meet a word count limit, or maybe they just aren’t sure how to wrap things up, so they jump right to ‘THE END’. No matter what the reason, the result is disappointment on the part of the reader, so it is worth the extra effort on the authors’ part, to take the time and effort to come up with the perfect ending for every story they write.
That’s why I’m postponing announcing the winner of the WordCrafter 2021 Short Fiction Contest, which I had planned to do before the end of May. I only had three entries for the contest this year. Each entry offered an excellent paranormal tale meeting the submission guidelines, but at the end of each one I found myself feeling disappointed, as if there should have been more to the story.
So, I’ve requested each author to revisit their endings and resubmit their stories before I make a decision on the winner. I’ve already received one story back with revisions and I’m waiting on the other two. When all three revised stories have been received, I’ll decide and announce the winner. These stories were all well written and I anticipate them being even better with the author revisions, so the decision won’t be easy.
Accepting Submissions: I want your ghost stories!
However, three submissions do not an anthology make, so I’m calling out for more submissions to fill the pages of Where Spirits Linger. Doesn’t every author have a ghost story hidden away somewhere? Contest guidelines asked for a paranormal tale with place being central element in the story. These new submissions won’t be eligible for the contest, so they will no entry fee attached. If you have a story that fits the theme, send it to me at kayebooth@yahoo.com, for a chance to have it included in the WordCrafter Press 2021 anthology, Where Spirits Linger.
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For the WordCrafter “Poetry Treasures” Book Blog Contest – That one I can tell you.
For the Poetry Treasures Book Blog Tour, which ran May 24 – 30, we did a giveaway and three readers who followed the tour and commented will receive a free digital copy (.mobi, .epub, or .pdf) of Poetry Treasures! The three lucky winners are: Jules, Jill Weatherbolt, and Priscilla Bettis. If you are a winner, please contact me at KLBWordCrafter@gmail.com and tell me which format you prefer to receive your copy. (If you have already purchased a copy of Poetry Treasures, you may choose another WordCrafter Press book instead.)
Poetry Treasures had a great seven day tour with a guest post about the poetic inspiration behind a poem by a different contributing poet at each bIog stop. The anthology and the tour were amazing collaborative efforts among nine poet/authors and myself to create a unique and moving collection of poetry. Also many thanks to Miriam Hurdle, Ritu Bhathal and Teagan Geneviene for hosting tour stops to support the poets and the tour. Without their participation, this tour would not have been possible.
If you missed this wonderful tour or maybe only missed a few of the stops, you can visit them at the links below:
Day 1 – Writing to be Read – Guest post by Jude Kirya Italaki
https://writingtoberead.com/2021/05/24/welcome-to-the-wordcrafters-poetry-treasures-book-blog-tour/
Day 2 – Robbie’s Inspiration – Guest post by Victoria Zigler
Day 3 – But I smile anyway – Guest post by Goeff Le Pard
https://butismileanyway.com/2021/05/26/poetry-treasures-blogtour-featuring-geofflepard-bakeandwrite/
Day 4 – Teagan’s Books – Guest post by Frank Prem, plus a review by Teagan Genevienne
Day 5 – Zigler’s News – Guest post by Kevin Morris, plus a review by Victoria Zigler
http://ziglernews.blogspot.com/2021/05/day-5-of-wordcrafter-poetry-treasures.html
Day 6 – Roberta Writes – Guest post by Annette Rochelle Aben
Day 7 – The Showers of Blessings – Guest post by Colleen M. Chesebro
https://theshowersofblessings.com/2021/05/29/poetry-treasure-blog-tour-featuring-colleen-chesebro/
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Craft and Practice with Jeff Bowles – Narrators of a Different Color
Posted: May 19, 2021 Filed under: Character Development, Craft and Practice, Dialogue, Fiction, Point of View, Story Telling Methods, Tense, Voice, Writing | Tags: Craft and Practice, Dialogue, Jeff Bowles, narration, Point of View, writing advice, Writing Tips, Writing to be Read Leave a comment
Each month, writer Jeff Bowles offers practical tips for improving, sharpening, and selling your writing. Welcome to your monthly discussion on Craft and Practice.
There’s an entire school of thought behind the use of standard third-person perspective in narrative fiction. Often enough, beginning writers are encouraged to see it as their go-to, which isn’t horrible advice. Let’s do a quick POV lesson, in case your memory is hazy.
First-person: I walked to the lake.
Second-person: You walked to the lake.
Third-Person: He walked to the lake.
Conventional wisdom says most readers stomach lucky number three best. I think that might be a load of hogwash, but let’s assume it’s 100% correct. What would be the benefit of writing fiction—or creative nonfiction, for that matter—from a quote, unquote “nontraditional” perspective? Your own edification, right? And maybe something else.
Third-person is the norm because it provides helpful breathing room between us and our readers. It’s easy to tell a story this way, natural. We’re used to it, having read it a million times before. By the same token, I have noticed it’s become increasingly more common for storytellers to dabble in other modes. First or second-person, past or present tense, limited omniscience or full-blown mind-of-God territory. First-person present tense, by the way, is notoriously apt to cause chaos.
“I write on the blog post for a bit, and then I check my email. It occurs to me I’ve never met a sultan of Saudi Arabia, so it’s possible these diet pills are phony. Oh well. I chuck them in the trash and head outside to clear my mind. It smells like a forest fire out here. Hey, what gives?”
This is stream of consciousness stuff, easy to write but difficult and unwieldy to beat into proper shape. All the verbiage points to me, me, me, now, now, now. It can get same-same after a while, difficult to chew through. Not always, but often enough.
I’ll give you the benefit of the doubt and assume your new forest fire/phony diet pill story is perfectly well written, thank you very much. You did the job, tale told effectively, end of discussion. In that case, one crucial question comes to mind. Is your narrator any fun to read?
What do you mean, what do I mean? What’s a fun narrator supposed to sound like? Well, I guess they can be any of the following: idiosyncratic, faulty, confident, psychotic, mentally sound, likable, unlikable, funny, unfunny, jaded, naïve, a super focal lens, an individual with something to say, a personality worth delving into.
Maybe you’ve never considered it this way, but in my humble estimation, narration of this kind is a blank check. Most things worth achieving sound unlikely at first. Think of it like speed dating. You known instantly upon sitting across from someone whether or not you’d enjoy their company. Is your speed-dater worth engaging in conversation? Are they fun to listen to?
Gut check time. How well do you write dialogue? I only ask because I’ve realized throughout the years not everyone is as keen on it as I am. Sharp and amusing with zero fat left to trim, that’s my favorite kind. But what’s yours? Informative but not dull? Wacky and a bit irredeemable? More importantly, do you think you could extend a few lines of it to encompass an entire story? I’m willing to bet you can.
The simple truth is most writers create bland characters by default. Not you, of course. Perish the thought. Mentors and teachers might encourage us to pre-fill character sheets or go to public places and write down snatches of conversation we hear. I’m not saying that’s bad advice, but I can confidently tell you it’s more efficient and effective to let characters tell us who they are rather than to impose our sizable wills upon them. Don’t bloat yourself up with too much preparation. On the fly, hit the page and let your creations speak to you. A little honest individuality is enough to distinguish your work from the work of others, and that’s a good thing.
Rule makers have tried to enter this arena, but I don’t think they’ve done a great job setting any concrete prescriptive measures. Is addressing your reader directly breaking the fourth wall? No, not really. If you think about it, first-person narration divorced from context is unnatural anyway. It was much more common in centuries past for authors to speak to their readers through narration. As we discussed earlier, stability is easy to achieve by providing a little breathing room. This is a blank check, remember? Anything and everything is achievable, provided you’ve got the skills to stick the landing. That’s the thing about experts. If they tell you something can be done, they’re most certainly right. If they tell you it can’t, they’re most certainly wrong.
Style remains essential in this domain. My final advice is this: If you’re currently working on something you’ve written in first-person, try playing with your style a little, write it like you’d write some nice extended dialogue, just as far as you’re comfortable, nothing too crazy—unless you like crazy. You might just surprise yourself. Scratch that. Your narrator might surprise you.
Don’t be stiff or formal. Get into the nitty gritty and pour a serious helping of personality gravy on those otherwise boring and bland mashed ‘taters.
On that note…
See you next time, everyone. Have an awesome May, will you?
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
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Growing bookworms: The importance of historical fiction for kids
Posted: May 12, 2021 Filed under: Books, Children's Books, Fiction, Growing Bookworms, Historical Fiction, Reading | Tags: #Reading #Childrensfiction, Growing Bookworms, Historical Fiction, Reading, Robbie Cheadle, Writing to be Read 55 Comments
When I was in high school, history was an unpopular subject. It was so unpopular, in fact, that when the time came for the Grade 9’s to chose their subjects for Grade’s 10 to 12, the school paired history with typing, home economics and business economics so that the girls who chose this less academic combination were compelled to take history. This was how I ended up in a history class with mainly girls who hated the subject. I loved history and I took it through choice. My other subjects were maths, accountancy, and science. In South Africa, English and Afrikaans were compulsory subjects at the time.
I never really understood why my peers didn’t like history as it was a subject always loved. I’ve said it here before, however, that I was a very wide reader from a very young age and I read a lot of books set in the past. Among my favourite books by a South African author, were the collections of short stories by Herman Charles Bosman. This is what Wikipedia has to say about Herman Charles Bosman:
Herman Charles Bosman (5 February 1905 – 14 October 1951) is widely regarded as South Africa’s greatest short-story writer. He studied the works of Edgar Allan Poe and Mark Twain and developed a style emphasizing the use of satire. His English-language works utilize primarily Afrikaner characters and highlight the many contradictions in Afrikaner society during the first half of the twentieth century.
On reflection, I realised that I have acquired a love of history because all the books I had read allowed me to include the facts and dates I learned into the fascinating backdrop I had acquired of life at the time. I could visualise the homes, lives, and loves of the Afrikaner people I learned about during the sections on the Great Trek and the Boers wars though my reading of Charles Bosman’s works. I also read books by South African Boer War veteran, Deneys Reitz.
My learning of international history including the French Revolution, the Industrial Revolution (including the Luddite uprisings), and the Tudor period were coloured by my reading of certain books, in particular, A Tale of Two Cities by Charles Dickens, and Shirley and Jane Eyre by Charlotte Bronte. I found it easy to remember my history because I entwined it with my understanding of life at the times as presented by these great novels.
I was delighted when I discovered that history is a popular subject at the college for boys my sons both attend. Gregory chose to take history to matric (along with IT, maths, advanced maths and science which shows that its mixes well with any subject combination) and Michael looks set to follow in his footsteps.
I am bowled over by their history curriculum and the amazing why they learn about the past through source documents, cartoons, and many other interactive and interesting modes compared to my school days of rote learning. My sons are also taught history from the perspective of how historical events have influenced the present which makes this subject a lot more useful. It helps them to see how people’s actions and reactions have set the path for the future and resulted in both the good and bad in society we see today.
I believe it is vital for kids to understand history in an expansive and wide context so that they can value the freedoms and benefits their forefathers fought and die to leave as their legacy. For example, what young girl would not value her vote if she knew about the suffering and hardships of the suffragettes who paved the way for the achievement of this equality for women.
I wonder how many British children know that compulsory education for children aged 5 to 14 years was only introduced in 1918. How many American children know that compulsory education laws were only passed by 1900 and then only in 32 states, with the other states following by 1930. 1930! That’s less than 100 years ago.
Modern children are so fortunate to have an education and the opportunities for self improvement that come with it. It isn’t equal for all yet, but there are lots of people who believe passionately in educating children and who work really hard to implement change and improvements in education.
Understanding and learning about real people in a historical context makes their passions, sufferings and beliefs so much more compelling. It is difficult to hold on to prejudice if you’ve read novels like I am David by Anne Holm, The Diary of a Young Girl by Anne Frank, and Cry the Beloved Country by Alan Patton.
Historical books also teach children interesting information about how people survived in the past. I’ve always remembered the chapter from Little House in the Big Woods by Laura Ingalls Wilder when Pa cleaned his gun and made bullets. There is also a chapter about how Ma made butter and coloured it yellow. Little House on the Prairie has a scene when Ma is helping Pa build their new log cabin and a log falls on her foot. The difficulties and dangers of life on the frontier were illustrated; there was no help to be had for an injury or if the family fell ill.
I learned a lot about the limitations of medical knowledge in the mid to late 1800s through my reading of the What Katy Did series by Susan Coolidge. I will never forget Katy falling out of the swing or Amy contracting, and nearly dying from, Roman fever. Such scenes induce great feelings of empathy and compassion in the reader.
It is for all these compelling reasons that I wrote While the Bombs Fell, a fictionalised biography of my mom’s life as a young girl growing up in a small English town during World War II. I wanted to capture and preserve her memories of life for ordinary people living through this extraordinary time so that others, children in particular, could read it and remember how life was during that time.
What are your thoughts about historical fiction for both children and adults? Do you see value in learning about history in through a good story?
About Robbie Cheadle
Robbie Cheadle is a children’s author and poet.
The Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.
Robbie has also published books for older children which incorporate recipes that are relevant to the storylines.
Robbie writes a monthly series for https://writingtoberead.com called Growing Bookworms. This series discusses different topics relating to the benefits of reading to children.
Robbie has a blog, https://robbiesinspiration.wordpress.com/ where she shares book reviews, recipes, author interviews, and poetry.
Find Robbie Cheadle
Blog: https://www.robbiecheadle.co.za/
Blog: robbiesinspiration.wordpress.com
Twitter: BakeandWrite
Instagram: Robbie Cheadle – Instagram
Facebook: Sir Chocolate Books
Want to be sure not to miss any of Robbie’s “Growing Bookworms” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.
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Shadowland: Not just another horror anthology
Posted: May 10, 2021 Filed under: Anthology, Book Review, Books, Dark Fantasy, Fiction, Horror, Speculative Fiction, Stories | Tags: Book Review, Dan Alatorre, horror, HorrorAnthology, Shadowland, Short Fiction, Writing to be Read 2 Comments
Buy Link: https://www.amazon.com/Shadowland-horror-anthology-Under-Book-ebook/dp/B08P569SY1
Shadowland is the latest release in the Box Under the Bed horror anthology series, compiled and edited by bestselling author Dan Allatorre. Pick up any of the anthologies in this series and the reader will not be disappointed, but the collection of tales featured in Shadowland may have outdone those which came before. From the creative minds of Dan Alatorre, Betty Valentine, Roberta Eaton Cheadle, Christine Valentor, Jessica Bakkers, MD Walker, and Alison Marushka, each story is creatively crafted to fit into the premise of the anthology as a whole, like the pieces of a jigsaw puzzle fit precisely to do their part in the creation of the picture as a whole. This anthology has the potential to be made into a television series, with each individual story becoming a single, or even multiple episodes.
The mysterious and eccentric Dr. Aumental teaches a very special class, where students are excused from their other classes and sent on all expense paid travels to research dark folklore and legends as subjects for their term papers. The research takes students to the far reaches of the globe, searching for the truth about voodoo magic, demons, spirits of the dead, the cave dwelling Hojimaa, Hookman mythology, the monster under the bed, phantom cannibals, the Jersey Devil, and more. Any legend lurking in the shadows is fair game for the investigative skills of Dr. Aumental’s selected students. Certainly, this class must produce some very unique term papers, but why does the professor go to such lengths and what does he do with the information they contain?
Each of the dark tales in Shadowland easily stands alone on its own merit. Together, they form an anthology collection that goes beyond a common theme to help fulfill an overall premise that leaves itself open to endless possibilities. I give this horror anthology five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
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Deadlines, Reminders and Announcements
Posted: April 26, 2021 Filed under: Anthology, Book Promotion, Books, Fiction, Paranormal, Poetry, Stories, WordCrafter, WordCrafter Press, Writing, Writing Contest, Writing Event | Tags: 2021 New Beginnings Virtual Writing Conference, Poetry, Poetry Treasures, Short Fiction, Treasuring Poetry, Where Spirits Linger, WordCrafter Paranormal Short Fiction Contest, WordCrafter Press, Writing, Writing Conference, Writing Contest, Writing to be Read 2 CommentsLast chance to enter the 2021 WordCrafter Paranormal Short Fiction Contest!
The deadline to enter the 2021 WordCrafter Paranormal Short Fiction Contest is April 30th, for a chance to have your short paranormal story included in the 2021 paranormal anthology, Where Spirits Linger. The entry fee is $5, and the author of the winning story receives a $25 Amazon gift card and inclusion in the anthology. See full submission guidelines and send me your ghost stories. There’s still time. Hurry!
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There’s still time to get tickets for the 2021 WordCrafter New Beginnings Virtual Writing Conference
Join us for a free Facebook pre-conference promotional and social book event on May 3rd, where you can meet conference presenters and other authors, learn about their latest releases, play games and enter giveaways! You can reserve your spot on the Facebook Event Page to join in on the fun from the comfort of your own livingroom or wherever you happen to be.
Then on May 4th & 5th, the interactive portion of the conference will be held, with interactive workshops & panel discussions will be offered by talented and experienced presenters, including Keynote speaker Paul Kane. Tickets can be purchased for $5 for individual sessions or a full event pass at the discounted rate of $50 for all 13 sessions. Visit the WtbR Event Page, right here on Writing to be Read, to see the full line-up and author bios, and purchase tickets. It’s going to be a lot of fun and we plan to learn a lot, too, so reserve your spot today.
I can’t offer a preview, because the conference will be live, but I can offer a sample from the 2020 WordCrafter Stay in Place Virtual Writing Conference to whet your appetites. Below is a video of the Visceral Story Beginnings interactive workshop with Ellie Raine. Ellie jumped in to present this workshop after the originally scheduled presenter was unable to attend. I think you did a fantastic job of picking up the ball.
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Announcing the release of Poetry Treasures, the WordCrafter poetry anthology featuring poetry by 2020’s author/poet guests on “Treasuring Poetry” blog series with Robbie Cheadle, right here on Writing to be Read.
Nine creative and talented poets have come together to produce this unique poetry collection, each one is truly a poetry treasure.
2020 “Treasuring Poetry” Featured Poet/Author Links:
Sue Vincent (December)
Sue Vincent (April)
Geoff Le Pard (October)
Frank Prem (August)
Victoria Zigler (March)
Colleen M. Chesebro (February)
K. Morris (July)
Annette Rochelle Aben (May)
Jude Kirya Itakali
Roberta Eaton Cheadle (Host)
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“Unmasked”: An appropriate short fiction collection for a pandemic era.
Posted: April 12, 2021 Filed under: Book Review, Books, Fiction, Stories | Tags: Book Review, Kevin J. Anderson, Short Fiction, Unmasked: Tales of Risk and Revelation, Writing to be Read 8 Comments
This pandemic has changed a lot of things for everyone, including what we wear and how we interact with others. Who hasn’t walked away from an encounter with someone, who we know, but didn’t recognize under their mask? Who hasn’t struggled to understand a situation properly due to the fact that we are unable to read someone’s facial expressions beneath their mask? (I have often wondered over the past year how the deaf have adapted since they cannot see any lips to read.) The necessity of wearing masks has made simple social interactions more difficult in many ways, and added an element of mystery to everyday interactions, when we are fortunate enough to be able to interact under government restrictions.
Masks may hide a lot of things, but they can also be revealing in some ways, as you’ll see if you read the new WordFire Press short fiction anthology, appropriately titled Unmasked: Stories of Risk and Revelation. Edited by Kevin J. Anderson, this collection of short stories offers many different ways to look at masks and some surprising revelations about what may be hidden beneath the mask. There are many reasons to wear masks. Sometimes they are the key to awakening super powers that we never knew we had, as in the first story by Seanan Maguire, “Pygmalion”, or perhaps the mask grants the ability to hide in plain sight, as is the case in “I Have No Name”, by Andi Christopher, or perhaps a mask holds a savior in disguise, as in “The Green Gas”, by Liam Hogan or “The Fog of War”, by Edward J. Knight. In “The Faces of Death”, by Ed Burkley, masks hold the past, or perhaps predict the future.
Masks are a form of disguise, camoflauge for what truly lies beneath, an illusion which covers what is real, as in “Framing Marta”, James Romag or “Death by Misadventure” by John M. Olsen. A mask may take the form of the shadow of a soul searcher, as in “The Quota”, by Tom Howard, or that of a self-aware sex-bot, as in “Qualia”, by Russell Davis, or a shadow creature, as in “Shot in the Dark”, Brennen Hankins. Masks can hide the true identity, as in “Pagliacci’s Joke”, by Travis Heerman, or perhaps enhance the strengths of the persona underneath, as in “La Marionnette, by Alicia Cay or “A New Purpose”, by Rebecca M. Senese. The parallel post-pandemic world of “Speakeasy”, by Keltie Zubko, hits close to home and removing the mask may not be worth the risk after all.
My favorite story from this collection has to be “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast”, by Eugie Foster. A tale which takes place in a world where masks are the norm, with individual personas that are imprinted on the wearer so that they may live a different life each day.
In Unmasked: Tales of Risk and Revelation, each story stays true to theme and they are filled with surprises. I found this anthology quite entertaining and enjoyable. I give it five quills.
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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
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Don’t miss your chance to win a $25 Amazon gift card and have your story included in the next WordCrafter paranormal anthology!
Posted: March 31, 2021 Filed under: Fiction, Paranormal, Stories, Writing, Writing Contest | Tags: Paranormal, Short Fiction, Where Spirits Linger, WordCrafter Paranormal Short Fiction Contest 3 CommentsDon’t miss the fast approaching submission deadline for the 2021 WordCrafter Paranormal Short Fiction Contest.
April 30th is right around the corner. We want your stories about ghosts, spirits, and things that go bump in the night.
Winner receives a $25 Amazon gift card and inclusion in the Where Spirits Linger anthology.
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#Bookreview – Last Call and Other Short Fiction by Kaye Lynne Booth
Posted: March 24, 2021 Filed under: Book Review, Books, Fiction, Stories | Tags: Dystopian, Kaye Lynne Booth, Last Call and Other Short Fiction, origins, Science Fiction, Short Fiction, Short Story Collection, Time travel, vampires 1 CommentRoberta Eaton Cheadle features a review of my short story collection, “Last Call and Other Short Fiction” on her “Roberta Writes” blog site today. Drop by and see what she has to say about the short fiction of Kaye Lynne Booth
What Amazon says
Six premium short storiesby author Kaye Lynne Booth. Stories in this collection has something for everyone witha mixture of time travel, suspense, humor, origins and speculative fiction.
Last Call- (Time travel science fiction) -Things aren’t going too good for Derek and he thinks his life is over, until he stops in for a Last Call. Will a bar in the middle of nowhere turn out to be his curse or his salvation?
Terror on the Mountain Trail- (Suspense) – It’s a perfect spring day until Kellie and Randy are attacked by a crazed man in the wilderness.
Earth Mother– (Origin Story)
A Turn of the Tables– (Speculative fiction) – Are vampires really invincible? One vampire is about to find out.
A True Hero- (Humor) – Heroes come in all shapes and sizes. This one is heroic indeed.
Man of Her Dreams-…
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Craft and Practice with Jeff Bowles – Characters in Need of Color
Posted: March 17, 2021 Filed under: Character Development, Craft and Practice, Fiction, Writing, Writing Tips | Tags: Character Development, Craft and Practice, Jeff Bowles, Writing, writing advice, Writing Tips, Writing to be Read 1 CommentEach month, writer Jeff Bowles offers practical tips for improving, sharpening, and selling your writing. Welcome to your monthly discussion on Craft and Practice.
I’m a big fan of color. Maybe it’s the art lover in me, but I can’t stand boring compositions. A little passionate red, cool and withdrawn blue, yellow to energize, purple to pacify. My stories are always full of color. I design them that way so I don’t get bored in the telling. Attention span of a cocker spaniel, I assure you. I figure if I’m getting bored, my readers don’t stand a chance.
In this edition of Craft and Practice, we’ll look at colorful characters. Where do they come from? How can we more easily create them? Let’s assume you find them preferable to stock characters that are functional but not especially inspired. I’m here to tell you that you don’t need much in terms of preparation. Outlines, character sheets, written histories, throw them all out for the time being. The trick here is to open yourself up, to trust your instincts and your ability to create something sort of magical and unique to your abilities, to your point of view. It’s not so much that preparation can hamper our ideas or dampen our expression of them. This is true some of the time, but not always. It’s more that the tighter we constrict our creativity―that’s constrict rather than channel; one is suppressive by nature and the other is purposefully expressive―the more likely we are to produce wooden and inflexible components.
Your characters don’t want to be inflexible. Trust me on this. They long to be unpredictable, passionate, full of life. Some writers like to work with a net. Perfectly understandable. It’s cleaner and in some sense easier. But I’d like you to consider the possibility that extra work at the conclusion of a writing project is worth more in the long run than an equivalent amount of preparation. The final product is bound to be less like everyone else’s stories and more like your own, and that’s a win in my book.
Let’s run a brief exercise to illustrate the point. Character A asks Character B for something to drink. Character A doesn’t visit other people’s homes very often, so the request doesn’t seem rude or presumptuous. Character B is a friendly sort, charitable in all the ways it matters, and if it’s possible to provide hospitality and comfort to Character A, then that’s precisely what Character B will do. Outcome: Character A gets to drink. Huzzah!
Notice that in just a few brief character descriptions, I’ve told you everything you need to know in order to enjoy the scene. Do you care what Character A’s first car was? Not unless it has direct bearing on the scene at hand. Do you care if your protagonist prefers Pizza Hut to Domino’s? Not as such, because they’re not eating right now. They’re, you know, drinking. What if childhood trauma involving fruit punch makes them thirstier than the average beverage enthusiast? I mean, that may be pertinent information. Put it in and see how it reads. In this way, story serves character, not the other way around. These imaginary folks living rent-free in your head, they might change their spots entirely by the time you’ve written THE END. In fact, we sort of need them to. It’d be damn boring if they didn’t. I’m saying the desired effect is best achieved organically. Think about your standard rising action chart
Notice the trajectory, one smooth line shot straight toward a conclusion. Don’t design your plot or your characters in this manner. Just don’t do it. Trust me, that line reads a whole lot better when it’s perforated, imbalanced, full of ups and downs, at last arriving at that ultimate destination. In real life, human beings do not proceed along a straight trajectory. Great actors know this. They understand innately to respond to moments as they come. One foot in front of the other, not all the feet all over the world all at once.
Imagine going onstage with a dozen pages of notes stapled to your forehead. This scene should be easier to perform because you have at your disposal so much background information. Right? Wrong? Yes? No? How’s your performance? Natural or constricted? I mean really, is that stuff helpful, or is it dead weight? A given scene tells me I should be afraid of snakes. The next one tells me I’m falling in love with someone who owns a lot of snakes. The core of my character remains, but the dictates of motivation, action, and reaction are all over the map. Am I in love with snakes and afraid of love? No, of course not. My name is Character A, and I’ve just been bitten by a rattler. See? No preplanning required.
Here’s another classic scenario for you to consider. You can night drive from Los Angeles to Las Vegas without ever seeing further ahead than the thirty feet of illumination provided by your headlights. The road is there, it promises to deposit you at your destination, but even it has no idea what will happen along the way. Maybe you don’t end up in Vegas at all. Maybe your characters have decided they’d rather go to Reno. Are you going to tell them no? They’ve already hit the ATM and booked serviceable lodging!
Thinking of your work in terms of performance is a good habit to cultivate. Just try it. Write a simple scene for which you’ve planned nothing. It’s not important where these characters have been, how much money they have, what their likes and dislikes are. All that matters is the spontaneous influencing the spontaneous. That’s the meaty part, the gold in the gold mine.
Fluff is a chore to read. If you don’t believe me, dig out one of your first serious pieces of writing and tell me how much of it is pertinent and how much ought to be nixed. I know, painful, right? Reminds me of the first piece of honest criticism I ever received, “I only have three problems with this story. The beginning, the middle, and the end.”
The good news about this craft is that there are a million and one ways to skin a cat. I’ll be back with more Craft and Practice next month. No cat-skinning required. See ya!
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
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Time to bring the “Willow of Ashes” Book Blog Tour to a close
Posted: March 14, 2021 Filed under: Blog Tour, Book Promotion, Books, Epic Fantasy, Fantasy, Fiction, WordCrafter Book Blog Tours | Tags: Ellie Raine, Epic Fantasy, Willow of Ashes, WordCrafter Book Blog Tours 9 Comments
Willow of Ashes has been a great tour. I’ve known Ellie about a year, and I learned things I didn’t know about her and her books. For this blog stop, we’re going to wrap things up and recap the highlights about the book. We covered the basics about this book in my introductory tour post on Day #1. This award winning fantasy novel is book one of the NecrSeam Chronicles series, and it is also available in audiobook through Libro and Google Play.
Five kingdoms face destruction. Two brothers fight to prevent it. Their epic adventure of magic, love, and loss will become a timeless legend.
The five realms of Land, Sky, Ocean, Dream, and Death have been at peace for centuries, but that peace is threatened when dark forces seek to destroy it. The Gods have chosen a champion to protect the world, yet unexpectedly that champion was born as twin necromancers whose magic was split at birth. Only together would they be strong enough to survive what’s to come. But now one of them has died… and his soul became trapped inside his brother.
The coexisting twins embark on a journey across the five realms, determined to be normal again. But their quest of hope turns into a living nightmare when they stumble into an army of undead beasts that have been unleashed on the lands by a vicious sorceress. With the help of new comrades and a mysterious lady Reaper skilled with the scythe, they must fight for more than a new life. Now they fight for the future of the themselves.
Willow of Ashes is available on Amazon
Author Bio
“Writer’s Digest award-winning fantasy author Ellie Raine is a voracious BookWyrm when it comes to epic adventures, detailed world-building, and thrilling battles. Fueled by coffee-bean concoctions brewed by the finest caffeine alchemists in the land, she only emerges from the depths of these daring tales when she is summoned by her loving king and their darling daughter: the Dragon Princess Felicity, in the suburbs of Atlanta, GA.
Her first book, Willow of Ashes, won First Place in Fantasy for the 2019 Writer’s Digest Self-Published Ebook Awards, as well as Honorable Mention in Fantasy for the 2019 Readers’ Favorite Awards.”
We had a lot of fun on Day #2 over at Roberta Writes, where Robbie Cheadle did a wonderful Q & A with the author, Ellie Raine. We learned how Ellie accidentally became an award winning author of a story intended to be a video game.
Day #3, we heard from Ellie, herself in a guest post on This is my Truth Now, where she talks about the inspiration behind this story and the Necroseam universe.
On Day #4, I posted my review of this fresh and original new series starter. With traditional elements of storytelling scattered throughout, usually with an unexpected twist to them, this book was unlike any story I had ever read before. Fresh and original, with interesting and unusual characters you can’t help but like, I highly recommend this book.
The Day #5 blog stop was on Robbie’s Inspiration, with a guest post from Ellie, where she talks about what it’s like to revisit the early beginnings of the five book series of the Necroseam Chronicles. Willow of Ashes is that beginning, and it is so cool that this award winning novel is now available on audiobook, too.
On Pictures from the Kitchen, Barbara Spencer hosted Day #6, with a guest post from Ellie that was designed to help us understand the Necroseam universe, including a chart to help translat the Grim language.
That brings us right back here. I want to thank you all for delving into this fresh new fantasy journey on this tour. If you joined the tour later in the week and missed some blog stops, or you’ve followed with us all the way through the tour and just want to go back and revisit a stop, click on the links above. Willow of Ashes and the Necroseam Chronicles are definitely worth reading. If you’d like to learn more about Ellie and her books, you can check out the following links.
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