Writer’s Corner: Where do I go from here?

I just finished up the spring semester at Western State Colorado University. We completed our class project, the Gilded Glass anthology, and.my solo project, Weird Tales: The Best of the Early Years 1926-27, which was quite the learning experience, but also a lot of fun. I’m looking forward to the summer residency, where we will finish up our degrees and do a massive book launch party for the Gilded Glass anthology, and for each of our solo projects at the end of July.

Here is the release schedule for our cohort. Some of them are already out there. I’ve included the pre-order links in case you are interested in purchasing new renditions of any of these classic works. I think we all had fun bringing them back to life. And check out those fantastic covers!

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Today, I was listening to the last podcast episode of the Six Figure Authors podcast, and they were discussing their future plans now that the podcast is ending, (much to my dismay), and it made me start thinking about where I want to go with my writing career now that we’re wrapping things up and this chapter of my life is coming to an end. At the end of this summer, I will once again be on my own in my writing career. I hadn’t thought about it before, but summer’s end brings with it not only the book release event and graduation, but also the loss of access to my mentors Kevin J. Anderson and Allyson Languierra and the support and advice of my wonderful cohorts, and I have no idea what 2023 will bring. I need a plan.

This year, I’m set, with the release of the Poetry Treasures 2: Relationships poetry anthology this last semester, the launch of Ask the Authors 2022 writing reference anthology currently under way, and three short fiction anthologies planned for later in the year: Once Upon an Ever After: Modern Fairy Tales & Folklore an (August); Refracted Reflections: Twisted Tales of Duality & Deception (September); and Visions (October). (Hmmm… It seems this is the year of anthologies for me.) But, I need a plan for what comes after that.

Hmmm… I’m revising Delilah to be a part of the Women in the West series with hopes of getting that out by the end of the year, but I keep adding ideas for the series, so I may wait to release until I have at least one more of the books ready to go, so that might be in the plan for next year, although it was originally a part of the plan for 2022. Also, I’ve been thinking a lot about my Playground of the Gods science fantasy series, and the first book is actually with a beta reader right now. But I’ve also been tossing the idea trying it as a serialization around. If anyone has experience on serialization, I’d love to hear your thoughts. Either way, those stories will be a part of the 2023 plan. In addition, I’ve been thinking on a time-travel romance adventure story that I started in 2021, “The Outlaw & the Rockstar”, and those characters have been teasing my brain, so I’ll probably add that to the 2023 agenda. That will give me between 2 and 5 releases of my own books for the year, which isn’t too bad if I can pull it off. Of course, I’ll also want to do an annual poetry anthology and the annual writing contest and anthology, so I can add two more book projects to the agenda.

I don’t think I will be lacking for projects once I’ve bade academia good-bye. In fact, I’m tired just thinking about the whirlwind schedule I just outlined. But you know, I think it will be worth it, if it can enable me to move my writing career to a full time level. The first thing you need to do if you want to sell books, is to write books, so I’m sitting pretty good on that plane. I’m working to revive my monthly newsletter, which I believe will be one of my most valuable marketing tools, and organizing a multi-genre newsletter swap group to help spread the word on releases. I’ve got good lists for possible reviewers built for all the anthologies planned for 2022, which will work for the annual anthologies, but will have to be created for my own books, and this blog is a book marketing tool, too. It’s a place where readers can come to learn about my latest projects, and my readership is growing, so I think I’m on the right track there.

Well…, would you look at that? Why was I worried? I have a plan…, and I think it’s a good one.

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Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing, writing is more than a passion. It’s a way of life. She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you. She has short stories featured in the following anthologies: The Collapsar Directive (“If You’re Happy and You Know It”); Relationship Add Vice (“The Devil Made Her Do It”); Nightmareland (“The Haunting in Carol’s Woods”); Whispers of the Past (“The Woman in the Water”); Spirits of the West (“Don’t Eat the Pickled Eggs”); and Where Spirits Linger (“The People Upstairs”). Her paranormal mystery novella, Hidden Secrets, and her short story collection, Last Call, are both available in both digital and print editions.

In her spare time, she keeps up her author’s blog, Writing to be Read, where she posts reflections on her own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. In addition to creating her own imprint in WordCrafter Press, she offers quality author services, such as editing, social media & book promotion, and online writing courses through WordCrafter Quality Writing & Author Services. When not writing or editing, she is bird watching, or hiking, or just soaking up some of that Colorado sunshine.

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Sign up for the Kaye Lynne Booth & WordCrafter Press Newsletter for and book event news for WordCrafter Press books, including the awesome releases of author Kaye Lynne Booth. Get a free digital copy of Kaye Lynne Booth’s paranormal mystery novella, Hidden Secrets, just for subscribing.


Deadline approaching for the 2022 WordCrafter Short Fiction Contest & a chance for inclusion in the Visions Anthology

Visions

Just a reminder:

The deadline to enter the 2022 WordCrafter Short Fiction Contest, May 31st. There’s still time to get your submission in for a chance to have your story included in the Visions anthology alongside other esteemed authors, but don’t delay. You can find the full submission guidelines and entry here.

The deadline is fast approaching and will be here before you know it. The winner will receive a $25 Amazon gift card in addition to being featured in the anthology, but you can’t win if you don’t enter. If you write fantasy, science fiction, horror or paranormal short fiction, I want to read your story!


BOWLESIAN! – God, the Little Artist

God, the Little Artist

by Jeff Bowles

It took me four years to paint like Raphael, but a lifetime to paint like a child.

–Pablo Picasso

We were certainly very sorry to hear about your death, Mr. Williams. Happens to even the best of His creatures, we suppose. Rest assured all the finger paints here on Planet Heaven are thrilled beyond words you have finally arrived. Begin reception of extraphysical sense and thought in three … two … one…

There. That’s better. This’ll help us get to know you. We see now, for instance, that your eyes have adjusted to the darkness, that you hear a thin dripping somewhere off to your left and that your feet scrape against rough, rough limestone. Understand, we finger paints have witnessed just about everything there is to witness.

Finger paints, yes. That’s what we are. Self-aware, creation-endowing finger paints. We dribble from a pin-hole wound in God’s lower back, right at the base of his spine. Whenever it’s time for him to paint, he scoops us up and lets out a giggle; a deified, bloody, Technicolor spinal tap. We wish you to know he’s been expecting you for quite some time. Sitting cross-legged here in his cavern, deep below the cliff face high, using his brittle fingers to paint portraits of your existence.

“Yay!” he often exclaims. “Colors time! Colors time!”

Few things get him so excited, save perhaps milk and cookies or his favorite Saturday morning anamatia.

Look, here’s the painting he calls Puppy, and there’s the one entitled First Time with a Lady. Note the lack of definition, of sharpness and lucidity. Sublime, isn’t it? Weren’t you an art history major? We’re great lovers of art, ourselves. In these paintings, Mr. Williams, if you don’t mind our interpretation too terribly, you aren’t so much a man but a concept. Of simple lines, basic shapes. Of any color that can exist in a rainbow of perfectly aligned moons and stars.

You approach God slowly, reverentially, overwhelmed, completely unsure of yourself and a thing so magnanimous as immeasurable love. You suddenly have visions of burning bushes and burning Sodom and savior children left to die on crosses for the salvation of all–

He spots you in an instant. His smile is broad and toothless. “Sorry, Daddy,” he says, eyes wide beneath bushy, peacock-feather brows, “I ax’dently spilled juice all over Taking too Many Per’skiption Pills.”

Taking too Many Prescription Pills, of course, is the one he painted just the other day after you’d passed out on the couch, stopped dreaming, stopped being much of anything.

God is ancient-looking and has paint stains all around his lips. He sits on the cavern’s floor, naked as the day he willed himself into being. He reaches for the painting in question, holds it up for you to see. Yes, completely ruined. The image of you–eyes rolled into your head, slobber trailing from your mouth–transcendentally post-Picassian though it may be, looks vaguely like a melting meat-puppet minus the hand up the meat-hole. It’s like Salvador Dali, but without the clocks.

When God says he spilled juice all over it, he means this rather literally. He drinks a lot of juice. Apple juice, to be precise. Not vino, vin, wijn, or the more aptly dubbed, Jesus Juice.

God cannot imbibe the red and/or white stuff. After all, he’s got the mind of a child.

“Daddy,” he says, “there’s sumfin I needs to ax you. Come closer.”

You lean in closer.

“No, Daddy, closer, closer.”

You get down on one knee, and you lean into his cracked, peeled-wallpaper lips.

“You love me, Daddy?” he whispers.

You nod. What man who can truly call himself a man does not love God?

“Love me bunches and bunches?”

You nod again. How humbling to hear the word and feel the breath and know the power that is–

God plants a big, sticky, icky one right on your cheek. He laughs in your face, then he slaps you so hard you see bloody Egyptian rivers.

Ouch. That smarts.

“Tee hee!” He says. “Got you, Daddy. Got you good. You’re gonna’ be God now!”

Precisely what, you inquire, does this mean, oh Lord of Space and Time?

“Pretend I’m a baby, Daddy! Baby needs changin’. Change me, Daddy! Change me!”

And what, oh Lord of Space and Time, you query, shall be the object, function, and product of the change? For in changing God, does not man–nay, does not the universe–cease to exist in his glorious image?

“Huh?” says God.

You huff and shout, What the hell do you mean, baby needs changing!

And then God starts to cry.

Aw, look at him. You made God cry. Aw. Look at him, all naked, and old, and cross-legged, and bawling his eyes out. With his naked, old soul and his naked, old heart all torn to pieces. Tears and snot stream from every hole tears and snot are apt to stream from. We hope you’re happy now. We really hope you are.

You coo at God, and then you pat his back and scoop him up in your arms, because you’re desperate and just feel like such a jerk.

You never had any children. Never had any grandfathers, either. Leastways, you never had any grandfathers who acted just like the children you and your wife never managed … Well at least you say you’re sorry. Lord of mercy, you are so, so sorry. You never meant to yell at him. You love God. You love him just as much as you loved your wife, and your sister, and your mom, and your dog, and your…

But God, he is hurt. He pushes you away and screams at the top of his lungs, “I’m dyin’ Daddy! I’m gonna’ die real soon. I bleed each time I paint!”

What does he mean by this?

God shakes his head and frowns. He draws his fingers to his back, winces as he touches them to skin. He holds them up for you to see. Color. True and everlasting color, no kind of blood you’ve ever seen. You find us both horrible and enchanting. It’s like Edvard Munch, only you try not to scream.

“I been paintin’ so long,” God says. “So really, really long. I been paintin’ all of you. You know what’s gonna’ happin’ when there’s no more blood to bleed?”

He’s going to die. He’s going to die? Holy hell. You bite your lip and start to panic. He’s going to die? You run a hand through your hair. God can’t die. Holy hell. God can’t die, can he? You pose to him this very question.

He sighs, and though he looks even sadder and more impossibly frail than before, the tears stop flowing.

“I can,” he says. “Yup. And I’m real sad, too. So you’re gonna be God now, Daddy. I slapped you good, so now you got god-power. I made my daddy special. When I was paintin’ your pit’tures, I made sure to con … concen… con-cen-trate real, real hard.”

Enough with this daddy business! Why does God need a daddy? The creator of all that is infinite and everlasting can never, metaphysically speaking, create that which is, by act of temporal creation alone, both a beginning and an ending to his own existence. Can he?

Perplexed, unnerved, you find you only have the strength to ask him this:

Why did God cross the road?

He shrugs. “Prolly ‘cuz the big kids was chasin’ him again.”

# # #

God is dying in your arms, Mr. Williams. Right here, right now. We can feel him slipping away, death a fatal pressure building inside his spine. Recreation, such as painting pictures, is widely known to relieve pressure. And spinal taps are good, too.

He’s asked to die outside, far from his dank, dark cavern, because, as he says, the 29 moons of Planet Heaven remind him of his favorite spaceman animatia. The monstrous, towering cliffs of his river basin rise high and immeasurable all around you. The sky is a deep, ruddy purple, the grass a fine, silky blue.

Colors abound. In your nose. You smell the colors of the universe. On the tip of your tongue. Taste the colors of an endless dream. Smells like burnt cherry wood. Tastes like … paint. Because even though you had no children, Mr. Williams, you were a child once, and you know what paint tastes like. Because children eat it, and eat glue, and paper, and … God dying in your arms … if only you could eat paint and love it like you once did.

God’s breathing is heavy, labored. His lips are pulled back over his teeth, mule and horse-like. Does the body of God go to waste before the end?

“Daddy,” he says. His voice cracks and splinters. “Daddy, come closer.”

You lean in.

“No, Daddy, closer. Please, closer.”

You draw his body into yours, and you press your face in so close you can smell his breath.

“Don’t worry, Daddy,” he says. “I ain’t gonna slap you again.”

Well that’s a relief.

“I should, though. Cuz’ it’d be real funny.”

No, Lord, you say, please don’t.

He nods meekly. “Kay. Kay. Daddy?”

Yes?

“Daddy … Daddy?”

What is it, oh Lord of Space and Time?

“Don’t forget. Ladies wear dresses.”

You ask him what he means. You barely hear what he says next.

“When you paint ’em. Ladies wear dresses. Men wear pants. Doggies go arf, arf.”

You tell him to rest, to be still. He speaks again. So quiet, so fragile and insubstantial it breaks your heart to pieces.

“Also,” he says, “the act of creation is not a self-validating act in and of itself. Nor is the act of destruction.  That’s childish, childish and misses the point of being the child.”

Childish? Child? Why is it he suddenly doesn’t sound like a child anymore?

“Wonder,” he says, “wonder,” and one final time, “wonder. In all that you do, my son, wonder. There is so much in this universe to … to paint for the sake of…”

And then God dies. No great final gasp, no moaning or earthly laments or anything so substantial that you think, yes, that’s it, that is the end. And you, Mr. Williams, are suddenly lost in your own grief, in thoughts of your wife, your sister, your mom, your dog and … how alone they all must be. How it feels to abandon. How it must’ve felt for God–just now, just a moment ago–to abandon so hastily all he’s ever loved and nurtured.

And now he’s dead, and in death so placid he may as well have drifted away, a newly winged thing, to paint pictures on the 29 moons of Planet Heaven.

So peaceful and serene. Except that…

The very next instant, his body explodes.

Pressure in the spine. Explosion, detonation. We come hurtling out. A million-billion gallons of paint splatter Planet Heaven and splatter you and splatter the universe beyond. Buildup, relief. Our viscous, fluid minds have blown out wide and interstellar. It’s like Jackson Pollock, only messier.

Red.

Green.

Blue.

Yellow.

An infinite pallet, besides.

We fill you up. Fill you in. Blood in, blood out. And you know such beauteous things. Such things no mere man could ever know. Is this what it means to be at the center of all places and times? You reach two fingers to your back and wince from the pain, bring those fingers to your open mouth and lick them. Oh, you think, maybe I still love to eat paint, after all.

END


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!

Love Madness Demon Cover Final

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


BOWLESIAN! – Dr. Julianus Techt’s Five Easy Steps to Building a Better You

Dr. Julianus Techt’s Five Easy Steps to Building a Better You

by Jeff Bowles

You are an absolute horror show. You are a wreck and ruin of a human being. I can’t even stand the sight of you anymore. You’re weak. Feeble. Go on and do it. Go on and rid the universe of your wretchedness once and for all.
Sound familiar?
Hi, friends. Dr. Julianus Techt here. Life got you down? No friends? No significant love interests? No point in living one more excruciating, soul-crushing day? Believe me, I know the feeling.
Congratulations on your purchase of Dr. Julianus Techt’s 5 Easy Steps to Building a Better You. This book, and the accompanying materials and spells companion crate, are each designed with the lowlife in mind. Contained within these pages, friends, are the answers you are looking for. Not happy with the man/woman you have become? Why not simply build a better you? The methods, magics, and matriculations I am about to divulge are time-tested and fool-proofed.
I know exactly what it’s like. I was once in your shoes. My PhD is in world-class suffering. I earned my doctorate at the school of hard knocks. Now I am a new man entirely. Come along with me and discover the secrets to self-love, self-respect, and self-actualization. Your glorious, resplendent days in the sun are just 5 Easy Steps away….

Easy Step 1: Back to Basics

Why is it you hate yourself so much? Why is it you’re so despairingly, disconsolately desperate to become a better human being? Is it because, like me, you’ve let down every last friend, family member, and lover who’s ever cared about you? Or do you, like me, simply find life painful, disappointing, a series of valleys–each deeper and darker than the last–without even a passing glimpse of a single peak or shred of hope?
Ha ha. Well, you were sharp enough to buy this book. So at least you’ve got that going for you.
I want you to imagine what the better you will look like.
Now I want you to open your materials and spells companion crate and make it happen.
Inside the crate you will find,
One (1) man-sized sheet of multi-colored construction paper
Five (5) century-aged cherry wood logs, each weighing approximately twenty-five (25) lbs.
One hundred seventy-five (175) lbs. of premium oil-based plastilina modeling clay.
One (1) ancient scroll of Black Soul-Shard enchantments.
And last, but not least,
One (1) complimentary Pizza Barn coupon, buy 1 slice, get the second half-off.
Arrange your materials and spells in whatever manner that best allows for ease-of-access and attenuation with the life-force powers of the universe and the forsaken black domain of the damnation/animation god, Frülik.
Ready to begin?
Good. I was hoping you’d say that.

Note: Dr. Julianus Techt’s 5 Easy Steps to Building a Better You is, if nothing else, a trial-and-error process. Steps 2-4 will enable you to produce 3 different soul-shard versions of yourself. If at any time you become satisfied with a soul brother or sister, please feel free to skip to step 5, There, isn’t That Better? Similarly, if at any time you feel threatened or are attacked by your soul brothers or sisters, please discontinue use, flee your house or place of residence, and immediately cash in your complimentary Pizza Barn coupon as you await police/emergency medical technician intervention.

Easy Step 2: Frülik

From your kitchen, retrieve one (1) large knife, serrated; one (1) cereal bowl; one and one-half (1 1/2) teaspoons of iodized table salt; one (1) sticky bandage, extra-large; and one (1) lb. of leftover meat to offer as supplication to Frülik, the damnation/animation god.
Retrieve your ancient Black Soul-Shard scroll and refer to enchantment #12 as you perform the following:
Sit down on the floor with your legs crossed. Pour the salt into the bowl and set it in your lap so that it can catch the copious amounts of blood about to gush from the palm of your hand.
This next part may sting a little.
Slice open your hand and hold it over the bowl. As you howl in agony, notice that your blood runs red. This will change as you begin to recite the enchantment, the one which begins,
“Oh mighty Frülik! I offer you my blood and meat! Cleave my astral self in twain! Take from me now that which you desire most!”
Notice that three things occur. The first is that your blood turns black. Don’t be alarmed. This is simply an indication you have just sold your soul for something far purer than you can possibly imagine. Notice, too, that the air around you has suddenly grown approximately 50° cooler. Your breath puffs frost. You snort in the cold like a castrated bull. You should probably be aware that the damnation/animation god, who will be arriving shortly, cannot abide warmth. It reminds him the living still thrive in the world beyond his forsaken realm, and that for him, all hope for love, passion, and earthly pleasures are lost, lost, lost.
Anyway, the last thing you will notice is that a 10-foot tall, bone-armored, entrail-covered, cloven-footed demon god will scratch and claw his way from the cereal bowl filled with salt and your precious blood.
Once he’s standing over you, with the edge of his massive Broadsword of Deepest Lacerations resting precipitously against your neck, he will squeal like a cancerous boar. He will then say something to the effect of,
“Woe unto you! Woe! Your soul is damned to the bleakest pits of horror and suffering! Pestilence! Rotten, fetid, malodorous flesh! I shall feast on your severed scrotum each mealtime for a thousand lives of men!”*

*Please note that based on your gender, Frülik may or may not in fact use the word “scrotum.”

The damnation/animation god will now use his broadsword to cleave your head from your shoulders. Do not be alarmed, this is simply an astral projection of your head and nothing more. Unfortunately, the pain you feel is entirely real and will no doubt haunt you for years to come.
Frülik is consumed by his own lust for spiritual power. He will snort and stomp and pull exactly three (3) individual shards of your soul out through your neck. His desire, of course, is to eat them and thereby enslave you for all time as his personal Concubine of Nightly Anguish.
It is now appropriate to offer him the one (1) lb. of supplication meat.
“Meager vittles!” he will bellow, but he will nevertheless proceed to stuff the meat into his face and forget all about the severed pieces of your spiritual essence hanging from your throat.
Please refer to enchantment #16 on your ancient scroll. Recite and repeat until the damnation/animation god is banished, moaning and cursing your name, back to his profane realm.
“Mighty Frülik!,” you will say. “Return to blackness! Mighty Frülik! A caelo usque ad centrum!”
Once Frülik is gone, and his howls of abject agony and rage have finally subsided, you will feel the urge to pass out and slip into the Sleep of Ages. This is completely normal, a side-effect of doing business with a demon god, and I must tell you, feels rather nice after a nightcap of chamomile tea and vodka.
Before you sleep, pull the three soul shards from the astral wound in your neck and lay them out, as best you can, with the rest of the materials from your companion crate.
When you awaken in exactly twelve (12) days and nights, we will finally create your soul brothers/sisters. Won’t that be fun?

Easy Step 3: The Better You Emerges

Twelve (12) days and nights have now passed. Are we back in the land of the living? Excellent.
Quick, what is fragile, tenuous, rough around the edges, and excruciatingly, mind-numbingly easy to reduce to cinder? No, it’s not Dr. Julianus Techt’s four failed marriages. It’s paper, friends. Simple, well-crafted, infinitely pliable commercial paper.
Your next task is to create a soul brother/sister from the man-sized sheet of multi colored construction paper you’ve retrieved from the materials and spells companiontjngsopjojgs kijipsgmijijithinign ijisrjomoejoig Frülik fhsko
sohoihionofihisniohi Frülik shinjpspsom Frülik shions
Frülik loves Techt
Frülik loves Techt
Frülik luvs Techt
Frülik has Techt
Frülik has Techtmpr
Say goodbye, Techt
Say goodbye, Techgtnikjigjopop

Managing Editor’s Note: And this is the last thing he wrote for the project, people. The police entered his home last week to find the place torn to pieces but otherwise empty. They found on his workstation a single Tupperware dish containing a full pound of rotting meat.
Due to the highly volatile and disturbed nature of this manuscript–and of course, in light of Dr. Julianus Techt’s mysterious disappearance–One-Hill Prairie Publishing hereby suspends all production plans for Five Easy Steps to Building a Better You until further notice. We have also mandated the immediate destruction of all mockup materials and spells companion crates. Our number one priority is to keep the particulars of this project from reaching the public. Can you imagine what’d happen if some poor fool actually attempted any of this?

Post-Script: We realize that working with Dr. Techt these past weeks and months has been trying, and at times, freakishly horrifying. Free mental health screenings and complimentary Pizza Barn coupons to all who apply.

END


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!

Love Madness Demon Cover Final

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


Mind Fields – My award winning story

Sex and the Triple Znar-Foot

Winner of Playboy Magazine’s Best Story of The Year

     Sitting indolently in his gravity couch, Nerl Forfeech was lasciviously eyeing this month’s Plaything centerfold. Two of his tongues hung out from his upper crease as the shiny cellulose pages fell all the way to the floor. Such a lavish display was essential on the planet Znar-foot, a world where six genders struggle to reach alliances and make trysts. The photo that Nerl studied included all the erotic subtypes, built up into naked pyramids of hair, tumescences and  orifices.

     In this issue, as always, a gorgeous nude six sprawled in the typically suggestive pile, gravity being so low on Znar-foot that any other arrangement would have resulted in the lovers floating away. Their faces were lit with the ecstasy of romantic communion, their organs photographed to be all but fully visible. Nerl, idly fondling one of his protuberances, sighed as he viewed the tinted nipples, the arousing half-glimpses of fur-covered apertures.

     Then, suddenly, the door-iris swooshed open and Cloong walked in.  Nerl, hastily stuffing the segments back into the magazine, almost fell from the couch as he attempted to hide the issue under some cushions.

    Cloong giggled at her embarassed partial lover. “Oh, go ahead,“ she piped,  “You can unfold the layout again. I don’t care. They ARE rather lovely… but so impossible, don’t you think?”

     Nerl threw down the magazine in disgust. “I wish you weren’t so right. I’ve had only two sixes in my entire life, and both of them got weird right away… right after….”

     His voice trailed off at the memory of it. The ecstasy! And then, inevitably, confusion.

     Cloong took Nerl by the trunk nooks, and they clung together in mutual frustration. Cloong was Nerl’s Two. And together they had a tentative Three with Albolon Farfing, who, unfortunately, was doing a loose sort of thing with a Two, Three and Four down in the Freesex District, the swinger’s playground in the city of Fichi Forfoot. Albolon had a tendency to be unreliable and he slipped in and out of identities like six-sided dice. He was a Her Two, but no… she is a her3Him… or sometimes a 4femmhe. Albolon was sketchy but still they loved him, if a bit reservedly, in return.

     “What do you want to do tonight?” Cloong asked, licking Nerl’s eyeknobs playfully. To Nerl it only made the craving for someone to be inserting into his side slits more powerful. Cloong was only a quasi-femguy, good for sucking and the like… but he shouldn’t be too unfair to her. After all, he was only a quasi-himgalhim, and had limited abilities, as well. Like it or not, it was the way nature made them. With dozens of erogenous zones, the Znar-feet needed flesh on all sides, working in combination to produce the orgasmic culmination of multiple personalities. You could get off with Three; Four and Five were even better. But being a Six was the ultimate, and pitifully elusive, Total Turn-on.

      “What can we do?” Nerl echoed distractedly. “Is there anything we can actually do to remedy this feeling?”

      “Sure,” Cloong cheerfully volunteered. “We can go pick up Albolon and cruise a Triples Bar. You never know what might happen.”

      “Not again,” Nerl groaned. “I can’t take it, the futile games, the flash and glitter. I’m a simple person. All I need is a good, simple five-to-one relationship. That’s not so much to ask.”

“Come on, “ urged Cloong, lifting her appendages in his trunk nooks. The effect was sufficiently erotic. “You’ll never meet anybody if you don’t show your faces. What can you lose? Would you rather stay home all night and masturbate in the washing machine?”

     “Okay okay,” Nerl gave in. “Let me get my threads on. I’ll wear my jewel-studded trunk shapers and my simulated-tumescence trouser pads.”

     “That’s the way!” Cried Cloong, getting up off Nerl’s abdominal folds. “Dress up sexy!”

     Later the three of them strode snout in snout down the flamboyant promenades of Flesh-Bargain City, the accepted cruising ground for Znar-Foot’s frustrated sexuals.

     Cloong was bouyed up between her partial lovers, dressed in a revealing mini-suit that left quite a few of her tubes exposed. The night was torpid, just right for the ongoing voyeurism of Gendervender Plaza. (Sometimes known as Six Sex Street.) Of course Albolon and Nerl were elegant beyond compare in their striped priapic enhancers. As they progressed down the brightly lit avenue, they caught the envious stares of  lonely Ones or Twos, and occasionally the pitying glances of bustling Fours and Fives. But there were no Sixes. The Sixes would undoubtedly be at someone’s apartment, in bed. Or else arguing.

     Cloong, Nerl and Albolon stopped to peer into various clubs and bars, to see which ones were running Threes that night. The formats always changed, rotating a nightclub’s patronage through the various combinations, Two-Fours, Five-Ones, Singles Night, and so forth. Of course, no one EVER went to a Single Night. Too humiliating.

     As they walked, peering through the transparent view bubbles of the different clubs, they were accosted by street hustlers making suggestive offers: “Say honeys,”a gaudily dressed Non-specific eyed them speculatively. “I got just the Three for you, never been Sixed before, any of them. Got a taste for some fresh action?” Or another: “Need a massage, sports? Got a lovely pair, just juicin’ to get their trunks on you.”

     Ignoring the lascivious stares and remarks, Cloong, Nerl and Albolon arrived at their favorite place, The Sexagram Club, and saw that it was running Triples that night. The house band, The Numbers Racket,  could be heard raucously blaring, and their pulses raced with anticipation at the wild action within. The Numbers Racket, a successful Four offstage, never failed to turn on the audiences with their erotogymnastics and jerk’n’jell music. Cloong, Nerl and Albolon showed their IDs and entered the crowded room that smelled of trunk-pit persp and stimu-mist. 

     “Hey babies,” a Triple, rocking past in an orbiting dance, called out. “Hey hey, let’s get it on.”

     Cloong pulled back. “How unsubtle. Come on, boys, this is no place to meet nice people. Let’s get out of here.”

      But Nerl and Albolon had already spotted some promising looking action. “No, let’s stay, Cloong. It was your idea in the first place. If we don’t like it after a while, we can go someplace else.” They pulled her farther into the seething mass, where dancing bodies yanked and plopped spasmodically, simulating sex.

      Onstage, The Numbers Racket had sprawled atop one another in an explicit orogenital configuration, while, up front, dancing Threes screamed their shock and delight.

       Against the walls of the room, stimu-mist vendors lined up next to sensory-enhancement dealers, exchanging money balls for popular brands of dope. The rest of the room was all dance floor, with sufficient space in which to flirt, writhe and show off simul-sex aptitude.

        Cloong and her hims moved onto the dance floor, their eyes constantly shifting across the room, taking in the more attractive groups, canceling out the ones who held no appeal. Since their tastes were relatively alike, they intuitively crossed through the various combinations until they were close to another sexy Three who seemed alone.

        Perfect! A Three with two fems. Cloong lowered her tubes a trifle suggestively at the him of the group. Meanwhile, Nerl had shown a definite tumescence at the she-she-it in the flaming orange trunk gripper. They danced up closer, coyly initiatiing eyes contact. Albolon, however, didn’t move correspondingly. He was too busy eyeing a fem in a different Three altogether.

        Cloong jerked at him and he staggered forward. “Idiot,” she hissed, but the cute Three had caught the little interchange and had indifferently moved away through the crowd.

       Nerl reprimanded Albolon. “You blew it for us, man. Didn’t you see those gorgeous fems? Himwit! We would have been perfect. I just know it.”

      Albolon cursed. “Ah, the one in the dotted tube-throttler was a pig. I almost scored another Three for us all by myself until you pulled at me so obviously.”

       Cloong waved her eyeknobs impatiently. “Look over there. Do you think we can all agree on one Three to come on to? How about that short-tall-tall number in the corner?”

       Al and Nerl furtively checked it out. “Okay.  Let’s go.”

       Again, they spasmed across the dance floor, dodging single and double Triples to get near the attractive Three that Cloong had pointed out. This one was a good dancer, doing all the most fashionable orifice-openers among several maneuvering Threes. They were dressed in one of the latest cozy-suits, a gauzy garment that joined the three bodies in a spacious but intimate arrangement. There was an obvious zipper where another Three suit could easily be hooked in.

       “We don’t have one of those suits,” Nerl commented negatively. “This Three’s too uptown for us. And look at the competition. I hate standing in line.”

        “Don’t be a onesyhead,” said Albolon, who lusted after high class liaisons. “We’re artists.  Rich Threes need us.”

         “Now that I think about it,” said Cloong abjectly, “rich people have no sensitivity. Maybe we should go check out that long-haired Three over there in the middle.”

         By the time they were in close, Albolon was dragging the others. The music lulled for a moment. Agressively, he leered at the Three and said, “Hey, babies, didn’t we meet at a sensory-awareness clinic in Big Stir?”

         The chic threesome laughed disdainfully and, without even answering, lost itself in the crowd.

         Nerl and Cloong clung to each other in utter embarassment.

         “Albolon,”  she said sadly, “if we don’t get our relationship together, pretty soon we’ll be a Two.”

         Albolon farted from his side vents in frustration.

         “Would that be so bad? I’ve heard you two talking together, I know what you think. You think I care about that Trip up in Snort Beach, the one you guys can’t stand.”

         He was beating his trunks up and down laboredly. Cloong stroked the pits with tender solicitation.

         “No, no,” they said, “we’re not jealous of them, Albolon. It’s just that sometimes your crude come-on ruins our chances.”

         Albolon backed away petulantly. “You’re just possessive, that’s what. Just because I have my style and like to check out things on my own.”

         He turned, broke away from them, while they stood there, stunned. All around, Threes were watching them and giggling.

         “And you know,” Albolon said stingingly, “I do get off on my other Trip. At least my Snort Beach floozy gives me plenty of space. Not only that, but they give better trunk, too.”

         “Albolon, you’re crazy,” protested Cloong.

         “You see,” he said, his eye nooks wide, “that’s what you really think of me when I’m being honest. Well, goodbye.”
       He pivoted and was lost in the whirling bodies. Cloong and Nerl tried to catch him, but the door of the club hissed shut and Albolon was gone.

         Shocked, under the mortifying gaze of  twittering Threes, they left the club. Outside, the street was empty of Albolon. With tears rolling down their face-folds, they made their way across the livid avenue, but the lights and gaiety had lost their charm.

        “Let’s go home, Nerl,” Cloong said mournfully. “This is no way to find your nice, simple five to one relationship.”

        Nerl stood stubbornly in one spot. “Go home? You must be kidding! We just lost our Three. I don’t want to go home alone tonight. I’m just not ready for it.”

        “You’re NOT alone,” said Cloong, a trifle peeved.

        “You know what I mean,” said Nerl, regretting his spite.

        “I guess I do,” she said, fatalistically.

        Nerl gazed up into the dimly visible heavens, reddish in the glow of the street lights. All his anguish at the way they had been constructed poured out of his heart and flailed weakly against the indifference of the cosmos.

       “There are are some worlds out there,” he said distantly, “where I’ll bet they have only three genders, or maybe even just two. Different arrangements entirely.”
       Cloong laughed and took his center trunk with her snout. “Come on, Nerl. That’s absurd. Think how dull life would be. It would all be too simple.”

        He shook his shaggy mane, as if to dispel the far-flung fantasy. Taking his girlfriend by one of her more exposed tubes, he led her down the hysterical walkways in search of a Four-Two club.

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Arthur Rosch is a novelist, musician, photographer and poet. His works are funny, memorable and often compelling. One reviewer said “He’s wicked and feisty, but when he gets you by the guts, he never lets go.” Listeners to his music have compared him to Frank Zappa, Tom Waits, Randy Newman or Mose Allison. These comparisons are flattering but deceptive. Rosch is a stylist, a complete original. His material ranges from sly wit to gripping political commentary.

Arthur was born in the heart of Illinois and grew up in the western suburbs of St. Louis. In his teens he discovered his creative potential while hoping to please a girl. Though she left the scene, Arthur’s creativity stayed behind. In his early twenties he moved to San Francisco and took part in the thriving arts scene. His first literary sale was to Playboy Magazine. The piece went on to receive Playboy’s “Best Story of the Year” award. Arthur also has writing credits in Exquisite Corpse, Shutterbug, eDigital, and Cat Fancy Magazine. He has written five novels, a memoir and a large collection of poetry. His autobiographical novel, Confessions Of An Honest Man won the Honorable Mention award from Writer’s Digest in 2016.

More of his work can be found at www.artrosch.com

Photos at https://500px.com/p/artsdigiphoto?view=photos

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Day 4 of the WordCrafter “Chocolate Fudge saves the Sugar Dog” Book Blog Tour – Review by D.L. Mullen

Chocolate Fudge saves the Sugar Dog Book Blog Tour

Sir Chocolate and Lady Sweet,
Have a son, Chocolate Fudge,
A mild mannered and kindly lad,
He’d never bear a grudge.

From Book 8: Chocolate Fudge saves the Sugar Dog

We’ve had a great tour so far with a post from Robbie and a review by Miriam Hurdle on The Showers of Blessings blogsite on Day 1; an interview with Michael Cheadle and my review, here on Writing to be Read for Day 2; James Cudney interviews Robbie Cheadle on This is My Truth Now for Day 3.

For Day 4 of the WordCrafter Chocolate Fudge saves the Sugar Dog Book Blog Tour finds a guest post from Robbie on the villian of her story here, on Writing to be Read and D. L. Mullen’s review of her delightful children’s book over at the Undawnted blog site. Because Undawnted does not accept comments, you can comment, like or share here.

Robbie’s Post

In most good stories, there is a hero and a villain.

The villain of Chocolate Fudge save the Sugar Dog is …

… Lord Humbug

Lord Humbug

Lord Humbug was haughty and proud

His dogs: undisciplined, naughty, and loud

Yorkie could’ve drowned

While her brothers clowned

“I’ll train them,” Lord Humbug vowed

Lord Humbug is named for the expression “Bah Humbug”, a well-known catchphrase uttered by miserly old Ebenezer Scrooge, the main character in A Christmas Carol by Charles Dickens. Scrooge, who thinks Christmas is an enormous deception, retorts, “Bah! Humbug!” to anyone who dares to wish him a merry Christmas.

Lord Humbug’s black and whited stripped suit is based on Humbug sweets. These are traditional hard-boiled sweets available in the United Kingdom, Ireland, South Africa, Canada, Australia, and New Zealand. They are triangular shaped with rounded edges and are usually black and white stripped and peppermint flavoured.

Blurb

Sir Chocolate and Lady Sweet’s son, Chocolate Fudge, sees one of Lord Humbug’s dogs struggling to stay afloat in the hot chocolate pond.

Can Chocolate Fudge save the sugar dog from drowning?

Includes lovely new recipes.

Paperback: https://tslbooks.uk/product/chocolate-fudge-saves-the-sugar-dog/

Paperback: https://www.amazon.com/Chocolate-Fudge-Saves-Sugar-Dog/dp/1914245547

Ebook: https://www.lulu.com/en/us/shop/michael-cheadle-and-robbie-cheadle/chocolate-fudge-saves-the-sugar-dog/ebook/product-j7k4e6.html?page=1&pageSize=4

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Robbie Cheadle is a South African children’s author and poet with ten children’s books and two poetry books.

The eight Sir Chocolate children’s picture books, co-authored by Robbie and Michael Cheadle, are written in sweet, short rhymes which are easy for young children to follow and are illustrated with pictures of delicious cakes and cake decorations. Each book also includes simple recipes or biscuit art directions which children can make under adult supervision.

Robbie has also published two books for older children which incorporate recipes that are relevant to the storylines.

Robbie has two adult novels in the paranormal historical and supernatural fantasy genres published under the name Roberta Eaton Cheadle. She also has short stories, in the horror and paranormal genre, and poems included in several anthologies.

Robbie writes two monthly posts for https://writingtoberead.com called Growing Bookworms and Treasuring Poetry and one monthly post, under the name of Roberta Eaton Cheadle, called Dark Origins: African Myths and Legends.

Robbie has a blog, https://robbiesinspiration.wordpress.com/ where she shares book reviews, recipes, author interviews, and poetry.

Robbie Cheadle’s books

Sir Chocolate books

Sir Chocolate and the strawberry cream berries story and cookbook

The adventures of Sir Chocolate and Lady Sweet in poetry form. Michael came up with the idea of Sir Chocolate and Lady Sweet and many of the characters contained in the books, when he was ten years old. His ideas were such fun that Robbie decided to turn them into little verse books for his entertainment. The book contains recipes for children to make with adult assistance.

Sir Chocolate and the baby cookie monster story and cookbook

Book 2 of the Sir Chocolate series: Sir Chocolate and Lady Sweet find a lost baby cookie monster. Join them on an adventure to return the baby to its mother and learn how to make some of their delicious recipes at the same time.

Sir Chocolate and the sugar dough bees story and cookbook

A greedy snail damages the flower fields and the fondant bees are in danger of starving. Join Sir Chocolate on an adventure to find the fruit drop fairies who have magic healing powers and discover how to make some of his favourite foods on the way.

Sir Chocolate and the Condensed Milk River story and cookbook

The Condensed Milk River where Sir Chocolate goes fishing has stopped flowing. The water creatures are losing their homes. Can Sir Chocolate and Lady Sweet solve this problem? Five lovely new recipes are also included.

Sir Chocolate and the Sugar Crystal Caves story and cookbook

The Condensed Milk River where Sir Chocolate goes fishing has stopped flowing. The water creatures are losing their homes. Can Sir Chocolate and Lady Sweet solve this problem? Five lovely new recipes are also included.

Sir Chocolate and the Fondant Five Story and Cookbook

Number 6 in the Sir Chocolate series: Five zoo animals go missing and Sir Chocolate needs to find them. Includes five lovely new recipes.

Sir Chocolate and the Ice cream Rainbow Fairies Story and Cookbook

Join Sir Chocolate and Lady Sweet on a fun adventure to discover why the milkshake rain is pale and white.

Silly Willy goes to Cape Town

When the George family go on holiday to Cape Town, Cautious Craig cannot believe what he has to endure at the hands of his naughty and wilful younger brother, Silly Willy. Willy throws tantrums at the most embarrassing and inappropriate times, causes a commotion on the aeroplane and tries to steal a chameleon from Butterfly World. What is a poor older brother expected to do in these situations?

While the Bombs Fell

What was it like for children growing up in rural Suffolk during World War 2?

Elsie and her family live in a small double-storey cottage in Bungay, Suffolk. Every night she lies awake listening anxiously for the sound of the German bomber planes. Often they come and the air raid siren sounds signalling that the family must leave their beds and venture out to the air raid shelter in the garden.

Despite the war raging across the English channel, daily life continues with its highlights, such as Christmas and the traditional Boxing Day fox hunt, and its wary moments when Elsie learns the stories of Jack Frost and the ghostly and terrifying Black Shuck that haunts the coastline and countryside of East Anglia.

Includes some authentic World War 2 recipes.

Open a new door

Open a New Door is a poetic peep into the lives of the poets, Kim Blades and Robbie Cheadle, both of whom live in South Africa.

The book is divided into four categories: God bless Africa, God bless my family and friends, God bless me and God bless corporates and work. Each part is sub-divided into the good, the bad and the ugly of the two poets’ experiences, presented in rhyming verse, free-style, haiku and tanka, in each of these categories and include colourful depictions of their thoughts and emotions.

The purpose of this book of poetry is encapsulated in the following tanka and haiku poems:

What drives me to write?

To share my innermost thoughts

The answer is clear

It’s my personal attempt

To make some sense of this world.

Inspiration blossoms

Like the unfurling petals

Of the Desert Rose

Behind Closed Doors

What goes on behind closed doors: in the boardroom, after death, in the home, during lockdown, and in nature? This collection of poems, ranging from rhyming verse to twisted nursery rhymes, captures the emotions and thoughts people hide behind the masks they present to the world.

                                                                                          What thoughts are hidden

                                                                                          Behind her immobile face

                                                                                             Quite expressionless

                                                                                           Eyes cold and indifferent

                                                                                          Scrutinising me – hawk like

This book includes some of Robbie Cheadle’s spectacular fondant art and cakes.

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Follow Robbie Cheadle at:

Website

https://www.robbiecheadle.co.za/

Blog

Twitter

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Thank you for stopping by to help us celebrate the new release of Robbie and Michael Cheadle’s Chocolate Fudge saves the Sugar Dog. Tomorrow’s blog stop will be over on Ziglar’s News, with one last post from Robbie and a review by Victoria Ziglar for a fitting wrap up of the tour. I do hope you will all join us there.

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Book your WordCrafter Book Blog Tour today!


BOWLESIAN! – Tumbleweeds and Little Girls

Tumbleweeds and Little Girls

They had the tumbleweed ambassador on the news a month before the big battle. The news guy and news girl said he was intelligent, and then a local representative of the Plains and Wildlife Service translated for him because tumbleweeds can’t talk and must sign everything by rolling and hopping and what not.
“We mean your people no harm,” said the Plains and Wildlife Service guy. He spoke kind of slow and choppy. I guessed he wasn’t actually, what do you call it? Fluent in tumbleweed?
He said, “The war has started, whether you realize it or not. The Prairie Queen has an army of deer, antelope and coyotes. She’s got the power of fire. She murdered our Wizard Father and made her castle from our dead tumbleweed brothers and sisters. The crazy bitch!”
I winced at this last word. I’m only twelve years old, after all. My dad used to talk real rough like that. He used to cuss and laugh and say to me, “Don’t repeat that to your mother, Amie Masterson. I don’t want to fight no little girl.” Then we’d roughhouse a bit. My dad died last year, though. Some kind of cancer. Mom never told me which.
I don’t usually watch the late news. I’m supposed to be in bed. But Mom passed out on the sofa early. I laid a blanket over her and picked the empty wine bottle off its side so it wouldn’t drip on the carpet.
The Plains and Wildlife Service guy said, “Have you not noticed her spot-fires outside your city? We want to kill your precious girls!”
The tumbleweed popped up into the air and spun angrily.
Plains and Wildlife Guy said, “Oh, I’m sorry, I’m sorry. We want to utilize your precious girls. We have no defenses. We need soldiers. The Prairie Queen cannot stand against the wealth of your girls. Or so we believe.”
There was some more talking. I was getting sleepy.
The news guy said, “And of course we know the city has been expanding into the Queen’s prairieland at an exponential rate.”
And the news girl said, “Right you are, Tom. In retrospect, that may have been a huge mistake. Oops.”
And then a commercial for local heating and cooling repair came on. I went to kiss Mom on the forehead. She moaned softly, smiled for a second, and then settled into a noisy, listless snore. Mom is a good mother, but I think Dad dying did some stuff to her. I guess that’s normal. She never used to drink wine.
There was a knock at the door. I was scared for a second, but only because Mom said never to open the door to strangers at such a late hour.
There was another knock.
“Mom,” I said, “someone at the door.”
Mom didn’t wake up. I nudged her, shook her, but still nothing, all snores, drool dribbling from the corner of her mouth. I went to the door, looked through the peephole.
There was nobody there.
“The heck?” I said. I slid back the deadbolt and opened the door.
A tumbleweed sat on our welcome mat. It had a leather glove duct-taped to its scrawny, scratchy limbs. It was kind of a big tumbleweed. The color of autumn wild grass. It leaned in to, like, look in our house.
“Is this because I’m a precious girl?” I said.
The tumbleweed shook.
“And you’re recruiting all the girls and that means me, right?”
It shook again.
“Only thing is I can’t leave. Mom’ll be super pissed. Oops. Mom’ll be super angry.”
The tumbleweed rolled, over and over, until the glove and duct tape came undone and stuck and sat limp and kind of sad on our porch. The tumbleweed wiggled and bent toward the glove.
I shrugged and picked it up. There was a big rock inside. There was also some red dirt. I brought the dirt to my nose to sniff it. It smelled salty, briny, kind of like how I imagine the ocean smells, like vast rotting shipwrecks beneath the waves where porpoises and turtles swim and play.
“What’s this stuff?” I said.
The tumbleweed smashed into my leg. My hand jerked, the dirt flew, a bunch of it went up my nose.
I sneezed.
Someone said, Me entiendes?
I sneezed again. A big cloud of red flew from my nostrils.
Someone said, Ne me comprenez-vous?
“Huh?” I snorted. “S’that even English?”
Oh, English, English! Oh, of course! Yes, how sally of me.
“What? Sally?” I wriggled my nose and wiped allergy tears from my eyes.
Silly! Silly! Of course! Stupid Dumb-Dust. I’m dumb, you know? All tumbleweeds are dumb. Call me Aaron. Aaron Sisymbrium Altissimum. Don’t worry about that last part. That’s my family name. Are you ready to be a soldier, girl?
“Soldier?” I said. “You mean to fight the Prairie Queen?”
That’s precisely what I mean. Time is short. Matters are barbiturate.
“Barbiturate?”
Aaron twitched. Desperate! Desperate! If we don’t stop her now, she’ll kill all the tumbleweeds, and then, girl, she’ll kill all the humans, too.
I looked over my shoulder. Mom was still snoring away on the couch. Wine makes adults snore. That’s something I learned.
Come on, soldier, said Aaron, no more dilly dallying. Don’t you want to make your fellow humans proud?


I learned a lot of things in Tumbleweed Army. I learned how to march, how to roll up into a little ball to protect myself. Learned how to say, “Yes, ma’am!” like I meant it. Most of all, I learned coyotes and deer and antelope were really scary because they could eat the tumbleweeds and break the wizard’s spell and use their shoulder-mounted flamethrowers to burn everything. The Prairie Queen had the power of fire. She wanted to burn it all, burn the world, which I guess included my home and my mom, which is why I stayed.
There was a girl there called Jade. She was an older girl. Really pretty, with deep almond skin and bright green eyes. We’d be in the middle of flamethrower-dodging exercises, and she’d come up to me and look at the way I was darting and dodging around, and she’d say, “Looking real good, Masterson. Looking real sharp.”
The tumbleweeds didn’t do any of the teaching or drilling themselves. They only knew tumbling. They left it to all the thirteen and fourteen-year-olds to teach us everything we needed to know. Maybe they should have asked for the real army, the adult army. Even they seemed weirded out by a little girl army, and sometimes they acted like they didn’t know how they’d ended up with us at all.
If the adult army was looking for us, they never found us, secret and hidden away on the outskirts of the city like we were. Also the tumbleweeds had this special concealing magic. The last thing they had left of their Wizard Father.
Aaron told me, Our Wizard Father was a great man. He granted us intelligence and the freedom we so cherish. But the concealing magic’s fading. We can’t stay hidden from the Queen forever.
I was like, okay, you’re fine, the older girls know everything. They’ve designed this whole thing and know everything there is to know. That’s probably why our uniforms were pink and sparkly, and why our flags carried pictures of Justin Bieber and Lady Gaga, and why even though the cutoff age was fourteen, you could tell they were serious and skilled and were girls on a mission, girls ready to kill.
I missed my mom. I’m not going to lie about that. I missed her so bad it didn’t matter to me she didn’t listen anymore when I talked to her about school, or that I always saw her crying first thing in the morning, or that everything Dad made her promise when he was in the hospital sort of, well, just went forgotten and we didn’t talk about it. I was in that army for four weeks, then we had the big battle, but I never forgot Mom, and I guess she never forgot me, but I couldn’t say goodbye to her just in case I might die, because the tumbleweeds were real, real strict about enemy code breakers and antelope misinformation squads.


One night as I was laying down to sleep in my tent, Jade came and undid the tent flap and she and a few girls brought in a little white cupcake with a single candle flickering and hopping kind of like a tumbleweed.
“What’s this?” I said sleepily.
“It’s your birthday, Masterson,” said Jade.
“My birthday?”
She nodded and said, “Make a wish.”
I wished to kiss a boy, but knew it probably wouldn’t come true because there were no boys for miles and miles. Me and the girls shared the cupcake, but the cupcake was made out of mashed potatoes, because the tumbleweed galley only had potatoes because Aaron told us all you eat is potatoes in the army and we didn’t argue.
“Jade,” I said, choking down my last bite. “Do you think things will go back to normal after this? I mean, after we kill the Prairie Queen and all? Do you think all us girls can go back to how we were?”
Jade thought about this. She nodded. “Yes, I think we can. At least I hope we can. Wizards and Queens and Dumb-Dust, all that stuff shouldn’t exist. I think it only exists because the world needs stuff to make you wonder. You know what I mean? My Dad always says, ‘Boy it really makes you wonder’. I think that sort of thing is really important.”
“Why?” I said.
One of the other girls chimed in. “Because everything would be so boring otherwise.”
“Boring’s not bad,” said Jade. “Boring’s only bad if you get used to it. There’s always people stepping on other people. Trying to take things that don’t belong to them, you know? Because people get used to that, too. Like that spot where our city and their world meet up….”


So there was this spot where our city and their world met up. For miles and miles, our buildings rose high, and interstates ran, and traffic lights blinked red, yellow, green, red, yellow, green.
But on this spot, there were a few loose suburban fingers of little houses that looked nice but that also all looked the same, and those fingers kind of stretched out, and then they ended, and their world was beyond, the prairie world, high grass and rolling hills, pretty wildflowers and peaceful vistas.
The wind could rustle through, and it could carry a dry, dusty scent, and maybe there’d be pollen on the wind, but there were no honking car horns or televisions blaring. People didn’t shout at each other. There were no people. The city wasn’t there yet. Maybe it would be someday. Of course it would be. The city just kept growing and growing and growing, and nobody bothered to ask the Queen if it was okay. Nobody stopped to think it might be a bad thing if the prairie world got swallowed up, got paved over, with houses and restaurants and, you know, post offices and stuff built all over it.
We had the battle on that spot. It was time. No more hiding. Me and all the girls—thousands of girls—we lined up at the fence line of that last wandering suburban finger. The hot mid-afternoon sun beat down on us. Smell in the air like columbines. We came in our pink sparkly uniforms, with our flags waving. The grenade girls all had purple caps. Girls with rifles had big red badges on their chests. There were also film-crew girls, who’d appointed themselves to the rank, who held up smartphones and snapped selfies with the battlefield-to-be in the background.
I was light infantry, just like Jade, and that meant we had no weapons, only pig-tails and three-ring binders, because the tumbleweeds had chosen girls for a reason, and we all figured we’d be even scarier all dressed up for school.
Prairie Queen’s afraid of school girls. Prairie Queen’s afraid of school girls.
We kind of told each other that over and over again, sort of like a, what do you call it? A mantra?
Prairie Queen’s afraid of school girls.
Prairie Queen’s afraid of school girls.
And we said it again and again, and it made us less afraid, even though we knew we might die that day.
The ground beneath our feet trembled. Far off across the field, over the rise and fall of grassy hills, we saw the first ranks of animals and their flamethrowers. The coyotes were the fastest and lightest, and they ran ahead of the herd, belching fire, scorching earth, I guess to scare us. They howled and yipped at the antelope and deer. You kind of figure antelope and deer don’t make noises, but they do. This strained, desperate, sharp kind of screaming noise. And when there are thousands of them—and there were thousands—it comes off like a banshee wail, like a great roaring throat sound loud as jet engines.
I don’t know why, but the sound made us cry. It was so loud. The screaming, the yipping, the flames and flames and flames. I cried like I knew a soldier should never cry. But it was okay, because Jade cried, too. Maybe I felt like running home to my mom, and maybe Jade did also, but she didn’t, she stood there like she was the bravest crying girl in the world, and she called back to us through her tears, “Steady, now! Wait until you see the whites of their eyes!”
And I didn’t know what that meant, because animals don’t have white eyes, but I stood my ground all the same, even though my legs trembled, even though the tears drenched my uniform and my tongue felt stuck to the roof of my mouth.
The tumbleweed commanders came rolling out to marshal our forces. I saw Aaron there with Commander Johnston Salsola Kali.
Commander Johnston waved a scraggly little twig-limb and said through the Dumb-Dust, Today you do your species proud! Today you are not girls, but women! Human women of distinction, finery, and absolute quality. We have no idea how it is you came to defend us, but be not afraid, dear human beings! For though you may die—yes, you may die, yes, yes!—for though that may be so, remember, one and all, that the Queen may take your lives, but she shall never take your Sweden!
In unison, the thousands-girl army said, “Huh?”
Commander Johnston said, Bother! Freedom! Freedom! Freeeeeeedom!
The army roared. Girls fired rifles in the air. They said, “Freeeeeeedom!” Even though freedom wasn’t really the thing, but getting trampled and burned up, but a cry of freedom was enough, and I said it, too.
Jade told us to stand at the ready. We did. She told us to march ahead at the quick step. We did that, too. I think the older girls had watched old war movies before the battle, so everything they were telling us to do was really smart and accurate for what soldiers are supposed to do in battle.
We marched at the quick step. The rifle girls and grenade girls were right behind us. The rifle girls fired rounds over our heads. This was smart because the animals kind of flinched and froze at the noise.
Bang! Bang! Bang, bang, bang!
And anyway, it wasn’t the animals we were after, but the Queen, who, tumbleweed intelligence told us, would be in the middle of her formations, in the mobile command station made of dead tumbleweed bodies all stuck together.
“Double-time, march!” said Jade.
We picked up the pace.
Coyotes snapped and howled at us. The deer and the antelope shot steady burning jets of fire. We began our dodging maneuvers, still in ranks, still in line, but dodging that fire like crazy.
A girl beside me—Kirsten—went down screaming. Our standard bearer went up in flames, but the next girl in line—a film-crew girl—picked up the smoldering flag and soldiered on, still bravely snapping selfies and snagging footage of the whole bloody mess.
And it occurred to me that the world was a crazy place. It made you wonder. Really made you wonder, you know? Girls weren’t supposed to be soldiers. Were they? Were girls supposed to be soldiers? I bent over Kirsten. Girls weren’t supposed to be soldiers, were they? Little girls? Kids and teenagers? I froze to the spot. I tried to touch her. Girls weren’t supposed to be soldiers. She was too hot, too bubbling, too much melted Kirsten. Girls weren’t supposed to be soldiers. They weren’t, were—
Jade slapped me.
“Snap out of it, Masterson!” she said. “The command station! Look, it’s right there!”
And it was right there. It looked like a castle on wheels. Made of tumbleweeds. Thousands upon thousands of poor dead tumbleweeds.
Burn the world! Burn it all!
Nobody else would die! Nobody!
Jade and I and the remnants of our unit—all told, seven girls—we darted in and out of flames and animals. Grenades exploded all around us. Dying things, dying from bullet wounds, dying from the burn.
We mounted the ramp of that mobile command station. We tried to punch through the tumbleweed walls, but the Queen had cast a spell, and the walls were solid as steel.
Jade told us to begin the chant, the mantra. We began it.
“Prairie Queen’s afraid of school girls! Prairie Queen’s afraid of school girls! Prairie Queen’s afraid of school girls!”
The mobile command station rolled to a stop.
“Prairie Queen’s afraid! Prairie Queen’s afraid!”
The animals stopped. Their roaring streams and jets and flames. They stopped their screaming. The coyotes stopped howling and yipping and yapping.
“Prairie Queen’s afraid of school girls!”
And our army stopped, too. Nobody told them what to do if the animals quit fighting. Nobody expected that. The battlefield went silent, all but the wind, and the flickering and popping of little grass fires here and there, and us seven girls, and our chanting, our mantra.
“Prairie Queen’s afraid of school girls! Prairie Queen’s afraid—”
“The Prairie Queen fears nothing!”
The voice boomed and echoed across the field. It was low, brassy, not human at all.
The command station exploded.
I went flying. I hit the ground. The air rushed from my lungs.
Tumbleweed shrapnel bit at me, scratched me up. I felt the pain of it, but I couldn’t breathe, couldn’t breathe at all.
The voice came again. With a kind of wispy whipcrack to each syllable.
“The Prairie Queen fears nothing! Nothing!”
Like the blast of a shotgun, my breath came back to me. I sucked in air like it was a thick milkshake, like the best chocolate milkshake I’d ever tasted.
Hands took hold of me, lifted me, jerked me up. My feet didn’t touch the ground.
“You, girl! Do you think I fear you?”
It wasn’t hands that had a hold of me. And it wasn’t a nasty old Queen hovering inches from my face. I expected a scary old lady. The Prairie Queen was a blade of wild grass. Just a single, tall, stout blade of wild grass, with no face, no mouth, no eyes. Split from her body, willowy grass arms, with little willowy grass hands. She shook me. She said, “What stupidity! What inane musings! To think I could fear this dull creature! This girl. You people. You take so much. I will take from you!”
And then she threw me to the ground and started whipping me with her green grassy hands.
It stung. It slivered and sliced. I started bleeding. The girls just watched. The animals watched. Stunned.
“Help!” I said. “Help!”
“You will not take from me,” screeched the Queen. “You will not take from me.”
She whipped me. Welts and cuts and lacerations and ripping, tearing skin. I curled into a ball, like the older girls had taught us, but the whipping kept coming and kept coming and kept coming.
A little ball of fire started circling her wild grass head. The Queen said, “Burn the wizard. Burn the weeds. Burn your city to the ground!”
The ball grew and grew, and it circled faster and faster and—
Movement in the field.
A tumbleweed rolled and hopped over me and smashed into the Queen. The ball of fire circling her head exploded. The tumbleweed ignited. The Queen ignited, too.
“Masterson!” Jade was moving now. She tossed me a grenade. I pulled the pin and flicked it at the Queen.
The burning tumbleweed was in the way. I rolled behind an antelope carcass.


Mom found me bleeding on the sofa the next morning. There was a collection of wine bottles in our living room. And also a bunch of notebooks and pens and candy wrappers. And also pizza boxes because adults like whole pizzas and whole bottles of wine. That’s something I learned.
Mom was drinking from a fresh bottle, sort of stumbling down the hall. She spotted me and said, “Oh my God, Amie?”
“Hi, Mom.”
She dropped the bottle. Wine splashed our white carpet. She flung herself at me and started kissing me all over and crushing me.
“Ow!” I said. “Ow, Mom! I’m hurt. I’m bleeding.”
“Jesus Christ, you’re bleeding!”
“I know.”
“Band-Aids! Hydrogen Peroxide!”
Mom patched me up as best she could. We both agreed I should go to the hospital, though. War’s like that I guess. Sometimes people die. Sometimes they have to go to the hospital.
I watched the television as she fawned over me and poured peroxide over all my wounds. It bubbled and itched and burned. I still watched TV.
The Plains and Wildlife Service guy translated for Tumbleweed Commander Johnston. I didn’t need him to, though.
Commander Johnston said, This day, this VQ day, this victory over the Queen, we shall remember it always, just as we shall remember and honor anew a bond of brotherhood between weed kind and humankind. Let it never be said your people backed down when all free folk everywhere fell under the flaming, fiery yoke of prairie oppression.
“It’s absolutely crazy,” said my mom. “It’s crazy you girls had to do this.”
Commander Johnston said, Your girls are our heroes. We don’t know why you sent them to us. All we know is we’re glad you did.
At this, Plains and Wildlife Guy paused, and, loud enough for the studio microphones to pick him up, he said, “What do you mean? You specifically said girls. Precious girls. You took them from us before we even—”
Commander Johnston quivered. No, the girls were your idea. You’re the ones who kept saying girls, girls. We asked for pearls. Thousands of precious pearls. As a means of currency. You know, to buy the aid of Southeast Asian mercenaries.
Plains and Wildlife Service Guy looked into the camera. He shook his head. He sighed and rubbed his temples.
Regardless, said Commander Johnston, it was the bravery of two—one weed, one girl—who gave us our victory, who stopped the wicked Queen and her lust for death and destruction. Aaron Sisymbrium Altissimum. Amie Masterson.
My mom paused.
We owe our lives to you.
And then they showed the moment. The moment I don’t think I’ll ever forget. Aaron went rolling and hopping. It was Aaron. It was his death all over again. He smashed into the Queen. They both ignited. Jade threw me the grenade. I flicked it, rolled away. The screen went white for a moment. Big boom. And that was the end of the war.
“Dear God, Amie.” My mom’s voice was soft, barely above a whisper. “You did that?”
I nodded, staring at the screen, watching the replay, feeling all those grassy whip lashes again and again, feeling that impact, the way it hit the antelope carcass. Smell of gunpowder. Shrapnel in my leg. Antelope meat in my hair and in my mouth.
“You did that?” my mom said again.
“I did. I did do that.”
“But you’re just a little girl.”
I put my hand on hers. Squeezed it.
“Mom?” I said.
“Yeah?”
“Too many wine bottles. Less wine, okay Mom?”
Mom hesitated. She nodded and said, “Okay, less wine.”
“And Mom?”
“Yes, honey?”
“It was my birthday last week.”
“I know.”
“Can I have a cake? A real cake? Not a potato cake.”
“What’s a potato cake?”
“It’s what you eat on your birthday when you’re in the army. Don’t you know anything about the army?”
Mom stared at me. She glanced at the TV, the footage, the whipping, the fire, the explosion. She shook her head.
“No,” she said, “I guess I haven’t the slightest clue.”

THE END


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!

Love Madness Demon Cover Final

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


Coming to “Writing to be Read” – “Bowlesian! – Short Stories from the Brink

Bowlesian!

Jeff Bowles has been a member of the Writing to be Read team since March of 2017, as well as being a talented science fiction and horror author with his own unique style. He’ brought us blog series such as “Jeff’s Pep Talk”, “Words to Live By”, “Craft and Practice”, “Jeff’s Movie Reviews” and Jeff’s Game Reviews”. He’s been on haitus for several months, but now he’s coming back with a fantastic new blog series, “Bowlesian!: Short Stories from the Brink”, which will feature some of his amazing short fiction each month. You can catch it on the first Wednesday of every month starting… tomorrow, March 2, 2022. You won’t want to miss it!

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Love Madness Demon Cover Final

Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The FallGodling and Other Paint StoriesFear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s novel, Love/Madness/Demon, is available on Amazon now!

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


Day 2 of the WordCrafter “Chocolate Fudge saves the Sugar Dog” Book Blog Tour – Author Interview & My Review

Chocolate Fudge saves the Sugar Dog Book Blog Tour

It’s day two of the WordCrafter Chocolate Fudge saves the Sugar Dog Book Blog Tour, and today I’m bringing you my review of this wonderful little book. Robbie and her son Michael co-write the Sir Chocolate books, illustrated with lovely fondant scenes and filled with delectable recipes which will make your tummy rumble. Many of us know Robbie and are familiar with her “Growing Bookworms” blog series and the Sir Chocolate books, so today I’d like to bring you and interview with her son and co-author, Michael Cheadle and share my review of Chocolate Fudge saves the Sugar Dog.

The Authors – Robbie and Michael Cheadle

Author Interview

Kaye: How old are you, Michael?

Michael: I am 16 years old.

Kaye: How long have you been writing Sir Chocolate books with your mom?

Michael: Mom and I started writing the Sir Chocolate books when I was 7 years old and in Grade 1 at school.

Kaye: Being such a young author is quite an accomplishment. Does it make you a celebrity among your friends?

Michael: No, I have not told my high school friends about my books. It just hasn’t come up.

Kaye: Do you help your mom with the baking for the books, too?

Michael: I used to make a fondant creation for inclusion in the books although I haven’t done that for the most recent two books in the series. I don’t do fondant art anymore. I do enjoy baking with my mom and now I also cook with either mom or dad depending on who is doing the cooking that day.

Kaye: What do you like most about writing the Sir Chocolate books?

Michael: I enjoy thinking up a fun storyline with my mom and deciding on new and interesting characters for inclusion in the stories.

Kaye: What is the most difficult part of being a co-author with your mom for you?

Michael: My mom doesn’t always listen to my ideas and sometimes she changes them which can be annoying for me.

Kaye: Chocolate Fudge saves the Sugar Dog is the eighth book in the Sir Chocolate series. Which one is your favorite and why?

Michael: Sir Chocolate and the Sugar Crystal Cave story and cookbook is my favourite. I liked learning how to make sugar crystals. Mom and my first attempt to make the crystals was a failure because we didn’t let the water cool down enough before we inserted the sugar-coated sticks in the sugar mixture. The sugar on the sticks melted and no crystals formed. We redid the experiment and it worked very well.

Kaye: Do you think you might write books of your own when you are older?

Michael: Yes, I think I might write in the future. I have lots of ideas for stories.

Kaye: What are your aspirations for your future?

Michael: I want to go to university to study a Bachelor of Science: Computer Science like my brother, Gregory. I will write in my spare time like my mom does.

Kaye: What is the most important lesson gained from the collaborative writing experience?

Michael: I learned that if you put your mind to something, then you can achieve success in it. I wanted to write stories about a little man who lived in a world where you can eat everything. With my mom’s help, we have created Chocolate Land and all the creatures that live there and published 8 books in this series.

Kaye: Are you planning more Sir Chocolate books in the future?

Michael: Mom and I have a few books that are already written. My mom does most of the illustrations so it will depend on her and whether she wants to do more fondant and cake art. I think she will and the books will be published.

I want to thank Michael for agreeing to this interview. I think he provided some wonderful answers. It’s great to chat with an aspiring young author, and delightful to learn that Chocolate Fudge saves the Sugar Dog wont be the last in the Sir Chocolate book series.

My Review

I’m a huge fan of Dr. Suess, and the cadence and ryhming in the verse written by Robbie and Michael Cheadle is reminiscent of that found in the lovely books from Dr. Suess, so of course, I loved Chocolate Fudge saves the Sugar Dog. And then there is the beautiful illustrations created by the talented Robbie with fondant figurines making up the lovely scenes described in the verse, which let the story unfold before your eyes. (They may make you hungry too, because they look deliciously sweet.) One I found especially endearing is the scene for the actual rescue of the Sugar Dog, where Chocalate Fudge is emerged in the hot chocolate pond.

The extra added feature that the Cheadle books include which Dr. Suess never thought to include is the wonderful recipes, and the accompanying photo illustrations for each one are sure to make whet your appetite. Included in Chocolate Fudge saves the Sugar Dog, are recipes for scrumptious peanut butter cookies, delectable Oreo cupcakes, mouth-watering avacado and bacon scones, poured fondant icing, and chocolate chip shortbread dipped in chocolate. Yummy!

Chocolate Fudge saves the Sugar Dog is a delightful children’s book with delicious recipes sure to please both young and old. I give it five quills.

Chocolate Fudge saves the Sugar Dog

Paperback: https://tslbooks.uk/product/chocolate-fudge-saves-the-sugar-dog/

Paperback: https://www.amazon.com/Chocolate-Fudge-Saves-Sugar-Dog/dp/1914245547

Ebook: https://www.lulu.com/en/us/shop/michael-cheadle-and-robbie-cheadle/chocolate-fudge-saves-the-sugar-dog/ebook/product-j7k4e6.html?page=1&pageSize=4

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Thanks for dropping by and helping us celebrate the release of Robbie and Michael’s wonderful new book, Chocolate Fudge saves the Sugar Dog. In case you missed the opening day, yesterday on “The Showers of Blessings” with a post by Robbie and a review by blog host, Miriam Hurdle, you can still read it here.

I hope you all will continue to follow the tour, because we’ve got some great things planned for each blog stop. Tomorrow’s stop features an interview with Robbie and we have at least two more reviews coming, too, in addition to Robbie’s wonderful posts on Thursday and Friday. I hope to see you there.

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Book your WordCrafter Book Blog Tour today!


Ahead in 2022 on Writing to be Read, WordCrafter and author Kaye Lynne Booth

Well, we’ve all made it through another year and now have a whole new year ahead of us. I’m not into making resolutions that will just be broken, probably before the month of January has come to a close, but it seems like this time of year always brings about changes, so I thought I might share with you the changes planned for 2022, some of which are already in process.

Writing to be Read

On Writing to be Read, we have a few changes to the line-up. Jeff Bowles will only be doing one blog series, “Words to Live By”, on the first Wednesday of every month. Art Rosch will be doing “Mind Fields” and “The Many Faces of Poetry” bi-monthly, alternating every other Friday. Robbie Cheadle will still be offering all three of her monthly blog series. While “Growing Bookworms” and “Dark Origins” will keep their spots on the second and fourth Wednesday of each month, but “Treasuring Poetry” will be moving from it’s Saturday spot to the third Wednesday of each month.

My new series, “Writer’s Corner” will appear once a month on Mondays, as will my reviews, including any “Review in Practice” posts. I was considering making my monthly “Chatting with the Pros” series into a podcast, but I think that will have to wait, since I have so much on my plate already for 2022. So, what I’m wondering now, is does anyone miss this series and would like to see me bring it back on the blog? If you do, or you would, I’d love to hear about it in the comments. It will help me to decide whether or not this series is worth reviving.

Author Kaye Lynne Booth

Back in May, for the 2021 WordCrafter New Beginnings Virtual Writing Conference, Anthony Dobranski, author of Business Class Tarot, did a workshop on the use of the cards he created. We didn’t have a great turn-out in 2021 and there were numerous set-backs, including my loss of internet causing me to miss out on a full day of the conference I was hosting, so when no one showed up for this wonderful workshop, Anthony was kind enough to do a reading for me. It was a lot of fun and I was surprised at how accurate to my own life his reading was. One of the things that was revealed was that I was trying to do too much and I needed to enlist others to take a part of the load on me, because I have always tried to be a one woman show and do all the various tasks involved in being an independent author and publisher. (You can see the video of the full reading here.)

Acting on the revelations from that reading, as I ramp up to transition into a full time writing career, with several releases planned for 2022, I realized I needed beta-readers and reviewers, and others to just help spread the word on social media, and so the Kaye Lynne Booth & WordCrafter Press Street Team group was born. It’s a great group with members who support my writing endeavors and want to be a part of the process. Members have exclusive access to behind the scenes information, opportunities to weigh in on scene and cover creation, and early access to new releases and book events, in exchange for their support as beta-readers and reviewers, or their help in spreading the word through their social media channels.

I’m also reviving my newsletter after letting it fall by the wayside for over a year. Newsletter recipients will receive early notice of new releases and book events, and sometime news of works by other authors bi-monthly. You can sign up for my newsletter here.

My first release for 2022 is scheduled for June, with the re-release of Delilah, in an edition that is the story I originally intended to tell. (You can find out more about the decision for this change here.) The current edition of Delilah will come down from the Amazon shelves sometime in April, and the new edition will be released wide, so it will be found not only on Amazon, but on Kobo, Barnes & Noble, Apple, Baker & Taylor, Bibliotheca, Borrow Box, Overdrive, Scribd, and other selected digital book outlets because WordCrafter Press publishes through D2D. (I’m a member of their affiliate program. Sign up for your own D2D account here.)

In the past, I told you about my science fantasy series, Playground for the Gods. The first book in that series was my thesis project when I was earning my M.F.A. at Western State Colorado University, back in 2016, so the it has been finished since then, yet you’ve never seen the implied promise of publication come to fruition. In 2022, I plan to release not just Book 1: The Great Primordial Battle, but also Book 2: In the Beginning, and Book 3: Inanna’s Song sometime toward the end of the year, but release dates for these haven’t been set yet.

WordCrafter Press & Author Services

WordCrafter Press has some great releases coming in 2022 as well. An updated version of the writing reference, 2022 Ask the Authors, is scheduled to be released in March. The original Ask the Authors, was taken from a Q&A blog series I ran in 2018. While the much of the advice offered from the 17 different authors who participated in that project is still valid today, this edition will address the changes in the publishing industry since the original edition was published and will feature an anthology of essays on craft and publishing in addition to the Q&A advice. This edition will feature advice from 13 authors, including Bobby Nash, Mark Leslie Lefebvre, Roberta Eaton Cheadle, Nancy Oswald, Christopher Barili, Mario Acevedo, L. Jagi Lamplighter Wright, Kevin Killany, Paul Kane, Jeff Bowles, Enid Holden, Christa Planko, and myself, Kaye Lynne Booth.

The call for submissions for the 2022 WordCrafter Short Fiction Contest posted on January 3rd. However, in 2022, WordCrafter Press will be putting out not just this one anthology, but a total of three short fiction anthologies. In addition to the Visions anthology, which contest submissions may be included in, that will be released in August, there will be two by invitation only anthologies: Slivered Reflections, which will be released in September, and Once Upon an Ever After, which will be released in November.

In 2021, we released the first edition of Poetry Treasures poetry anthology, featuring the works of Robbie Cheadle’s 2020 “Treasuring Poetry” poet guests on Writing to be Read, and we’ve decided to do it again. 2022 Poetry Treasures will feature the works of the 2021 “Treasuring Poetry” guests for a spectacularly unique poetry anthology, and will be released April to celebrate National Poetry Month.

WordCrafter Quality Writing & Author Services

Last, but not least, Write It Right Quality Editing Services is open to new editing clients in 2022. If you’re looking for affordable quality editing, Write It Right could be the editing service you’ve been looking for. A part of WordCrafter Quality Writing & Author Services.

I’m looking forward to 2022. I hope you’ll all join me in the coming year, as it promises to be a good one.

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