Review in Practice: Get Your Book Selling on Kickstarter
Posted: November 13, 2023 Filed under: Book Review, Books, Kickstarter, Nonfiction, Review in Practice, Writing | Tags: Get Your Book Selling With Kickstarter, Kickstarter, Monica Leonelle, Nonfiction, Russel Nohelty, Writer's Corner, Writing to be Read 4 CommentsWith $300,000 in fundraising across 20+ Kickstarter projects, Russell Nohelty knows a thing or two about running publishing campaigns for novels, nonfiction, anthologies, comics, audio dramas, and more. He tested his system with 70+ authors with great results, and is now generously sharing everything he knows about the platform for authors with an audience of zero as well as those with a fanbase.

In this book you’ll find:
- Why using crowdfunding is an important avenue for authors and how authors are currently using it
- Choosing the right project for Kickstarter and designing your campaign
- Budgeting your campaign for profitability (and why it’s critical for your success!)
- The types of messages you should send to your audience vs. cold traffic
- Delivering your rewards for your Kickstarter project
- Keeping momentum going after Kickstarter
Hailed as one of the most comprehensive books on Kickstarter for Publishing projects, this book is a must-have if you’re Kickstarter-curious or planning your campaign.
Purchase Link: https://www.amazon.com/Your-Book-Selling-Kickstarter-Profitability-ebook/dp/B09TQ4G5S6
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I’m not a big name author, and when I first started hearing talk of using Kickstarter to sell books in 2022, I scoffed, thinking it was just another way to beg for money in an official capacity. Then Bryan Sanderson came along and ran a campaign that funded and made $4 million on the opening day, making authors everywhere sit up and take notice. You can find out more about how Sanderson’s campaign helped to pave the way for authors in this article by Dean Wesley Smith: https://deanwesleysmith.com/brandon-sanderson-kickstarter/.
Even after watching Sanderson’s success, I was skeptical. Just because it worked for him, he’s a big name author, and that doesn’t mean it will work for me. Then Kevin J. Anderson took his publishing students through a campaign set-up step-by-step, showing us how to do one properly, with his Dragon Business campaign. When his campaign funded on the first day, and by the end had raised $42,000, I decided this was a method of direct selling that I wanted to employ.
Getting Your Book Selling With Kickstarter, by Russell P. Nohelty and Monica Leonelle is a helpful book if you are thinking about using Kickstarter as a method of direct selling for your author business. This book helped me to decide on my projects, figure out my budget for the campaigns, choose my rewards, and set my funding goals. As a successful campaigner, Nohelty offers ideas for rewards, backer perks, stretch goals and add-ons, taking into consideration ease of production, ease of delivery, storage and tracking, and appeal to your audience. He offers advice on how to set reward tiers, adding digital items to physical ones to add value and build excitement in your backers. Plus so much more. He shares his proven system for running a successful Kickstarter campaign.
To date, I have done two campaigns for my own books, and I have two more planned for 2024. I’m practicing a business model similar to that of author Joanna Penn, although I don’t have my own store yet. Her model is to offer books direhctly first, through Kickstarter, and then through her own store on her site. Eventually, she makes her books available through distributors, but authors gets to keep more of their royalties when they sell direct, so going the direct route first makes sense. (You can learn more about Joanna Penn’s business model in her interview with Mark Leslie Lefabvre on the Stark Reflections podcast, episode #327: https://starkreflections.ca/2023/10/10/episode-writing-the-shadow-with-joanna-penn/
I’m an unknown author with a small independent press, so I needed to start small. My first campaign for Delilah and the Women in the West adventure series offered mostly digital rewards. The only physical item offered was the signed print copy of the book. For my top tier, I offered my backers a chance to name a character in book two, which I thought was pretty cool. At least two backers thought it was pretty cool, too.
Nohelty mentions steps in preparation for a campaign which hadn’t crossed my mind, such as promoting through my email list, which is a great idea. He suggests breaking down email lists so you can reach out to the readers in your target audience specifically. This is important, because once you send out all of your intensive promotions for your Kickstarter campaign, people may be tired of hearing from you. You don’t want folks to get annoyed and unsubcribe because you’ve been annoying in your promotions. The idea is to tailor your promotions to different specific lists, so no one is totally bombarded. Nohelty also suggests reposting all of your email content on social media, as well. Also, probably a good idea if strategically placed. But, I have to tell you-one of the really cool thing about Kickstarter is the built in email list, which keeps the lines open and goes out to all of the backers of the campaign, even long after the campaign has ended, so you have an open line of communication with all of your Kickstarter fans.
Emailings are something that I haven’t worked a whole lot with. That may change as my own mailing list grows. My marketing has always gone through this blog, Writing to be Read, which I then broadcast across my social media channels. This works fairly well, but I realized that I wasn’t targeting my specific audiences in this way. This made me realize that Nohelty’s email marketing might be more effective for more specific targeting. As I prepare for my third Kickstarter campaign, for Sarah, Book 2 in the Women in the West Adventure series, I may look closer at ways in which I might utilize email marketing to my advantage. I’m still a little hesitant though, as Nohelty recommends send frequent emails, (more than one a day). That really seems a bit much to me, but Nohelty stands behind his system.
I set the goal at $500 for both campaigns, because I felt it was a reasonable reach for little old me, who is not a bestselling, or even a known author. Nohelty backs up the advice given on the Six Figure Authors podcast, episode #048 (https://www.youtube.com/watch?v=5SvQ5hJ1i0Q). They recommended that you set a goal that is reachable and still brings in enough to cover your expenses and see the project through. A good point made in the podcast was that if you set your goal too high and you don’t fund, then you walk away with nothing, so a lower goal may be better than no money at all. They also pointed out that once your campaign funds, anything else you bring in above and beyond that is just icing on the cake. Kevin J. Anderson’s goal for his Dragon Business Kickstarter campaign was $10,000, because that is a reasonable goal for a bestselling author to shoot for, but he brought in $42,000. Nohelty recommends consideration for the size of your mailing list when setting funding goals.I think $500 is a reasonable goal since my email list is still pretty short and I’m an unknown author.
When I ran my second campaign for The Rock Star & The Outlaw offered more physical rewards because I hadn’t finished writing the book at the time that I set it up, and I didn’t realize there would be potential for a second book. (Yes, the ending surprised me, too.) So, for the top tier on this one, I offered a goodie bag with the WordCrafter logo with a poster and a signed print copy of the book, as well as the early digital copy which all backers above the $5 received.
Nohelty recommends using more digital rewards, because they are easy and cost you less to fulfill. The physical rewards surely made the cost of the second campaign higher. And if you do offer physical rewards, be sure you figure the shipping costs in to the cost of fulfillment. Since I set the same goal for both campaigns, I didn’t make as much from the second one. Definitely something to think about.
He also offers advice on setting your tier levels. He recommends $1, $10, $25, $50, and $250 tiers. I’ve backed a few campaigns now, and from what I’ve seen, each one handles setting the tier levels differently. Mine each had three tier levels, the first two being $5 and $25. For my first campaign, the top tier was $50. For my second campaign, I raised the top tier to $75, because it was mostly physical rewards which would need to be delivered via snail mail.
Another good piece of advice Nohelty offers involves offering merchandise for rewards. Physical items require you to calculate shipping into the overall cost for the fulfillment of each reward. Print books can be shipped media mail, which is less expensive, but as soon as you add any type of merchandise, that is no longer an option. So, when deciding on rewards, add-ons, stretch and flash goals, the cost of shipping must be figured in so you don’t overextend yourself and cut deeply into your profits.
Nohelty explains early bird perks-setting rewards to be available only to early backers with a point at which it is no longer available. I haven’t done this yet, but this strategy appeals to me and has me thinking about what I could offer as incentive to jump into the campaign on Day 1. This idea might be helpful, since I am an unknown author and my campaigns so far haven’t funded until near the end. It looks like Nohelty offers perks for backers and perks for Week 1 backers, so if you back on Day 1, you would receive both rewards, which is pretty cool. In fact, Nohelty offers different perks every week, which means that you can get extras if you back his campaign at any point. He suggests a perk for backing in the first 48 hours, and a perk a week for the duration of the campaign.
Stretch goals are offered when you hit a certain level of funding to keep the money climbing, and I’ve seen the bigger authors use them. They are usually added after funding, and since my campaigns didn’t fund until near the end, there wasn’t really a chance for me to use them. The second campaign funded three days before the end of the campaign, so I offered a stretch goal reward if we reached an additional $100, bringing our total to total $600. We didn’t make it, and thus ended my brief experience with stretch goals.
Flash goals were something I had heard of, but didn’t really understand what they are. According to Nohelty, they are perks given to ‘recharge momentum’ on the campaign. They are brief opportunities, i.e. “Anyone who backs the campaign in the next twenty-four hours gets a bonus.” They are designed to intice those following your campaign into taking the plunge and becoming a backer, thus keeping your totals rising toward your goal, or if fortune is with you, past it and even higher.
I have to say, Russel Nohelty’s Get Your Book Selling on Kickstarter has been extremely helpful as I look forward to future campaigns. In addition to that discussed above, he offers advice on how to set-up your Kickstarter and appeal to your audience, some of the challenges you might run into, how to keep your campaign’s momentum going, and more.
Other resources
WMG Publishing offers a free course from Dean Wesley Smith, Kickstarter Best Practices for Fiction Writers here: https://wmg-publishing-workshops-and-lectures.teachable.com/courses/
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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Book 1 of her Women in the West adventure series, Delilah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
Writer’s Corner: Direct Selling Through Kickstarter
Posted: October 2, 2023 Filed under: book marketing, Book Sales, Fiction, Kickstarter, Writer's Corner | Tags: Book Sales, Direct Selling, Kaye Lynne Booth, Kickstarter, Writer's Corner, Writing to be Read 5 Comments
Note: “The Viscareal Character Portrayal” segment of “Writer’s Corner” promised last month has been postponed, but will be featured soon.
Why sell direct?
Many of you may be aware of my use of the Kickstarter platform to sell my books direct, before they are released through distributors. My business model utilizes both direct selling and offering my books wife through distributors and libraries. But, ‘why bother?’ you might ask. By my own admission in previous posts, Kickstarter campaigns are a lot of work, create a certain amount of tension as I wait to see if they will fund, since Kickstarter is an all or nothing deal, and since I am not Bryan Sanderson, Kevin J. Anderson, or Joanna Penn, have produced only a small amount of money, just barely funding each time.
But, did you know that authors who sell direct make more money from their books by cutting out the percentage that distributors take, so they get to keep more of their royalties. I would make even more if I sold direct from my site, but I’m not set up to do that yet.
So, by buying direct from an author’s site or through a Kickstarter campaign, you are supporting that author more than you do by purchasing through a distributor. I’m all for anything that makes me more money from my books and gives less to Amazon. While I do have to give a cut of the money I make on each campaign to Kickstarter, it’s only 5%, which is much less than the 30 – 70% that have to give distributors.
Why Kickstarter?
Traditionally, authors would submit their work to publishers, and if they were lucky enough to have their book catch a publishers eye, they would get a contract and an advance on their earnings, and their book would be published eventually. But that advance was basically what most authors would make on their book unless it hit the best seller lists, because you had to earn out the advance before any more royalties would be distributed. With the rise of indie authors, traditional publishing, publishers began offering less and less for advanced, and doing less and less marketing, until I hear now, that in many traditional publishing deals today, authors are lucky to get any kind of advance at all, and they are expected to do most of the marketing, as well.
I look at Kickstarter as the indie authors advance for their books, and the best part is, you don’t have to earn that out before receiving more royalties from distributors. So, while $500 isn’t a lot of money, that’s where I set my funding goals for now, because it’s low enough to offer me a chance to reach it, since I don’t have a big reach… yet. I figure that’s a pretty good advance, and it gives me more funding to keep my writing business operating for a while longer.
Not all crowd funding is equal. I understand that other crowd funding platforms charge a lot more to host, are more general in their uses, and feel a bit like begging. But Kickstarter is set up to accommodate creative projects, and they have formed their own inner eco-system, so you can reach out to a whole new audience. Backers from earlier campaigns are automatically notified when you launch a new campaign, and they have internal messaging set up, so you can engage directly with your backers and develop more of a relationship. And I’m not begging. I’m offering real value to my backers in exchange for their support. The going may be slow, but this is one way to find those 100 true fans that will read everything I ever wrote, just because I’m me.
How Does It Work?
Why you might want to back a Kickstarter?
There are several reasons for backing Kickstarter campaigns. You might know or be familiar with the author and want to show your support. I support Kickstarter campaigns of authors I know, and they, in turn, back my campaigns, as well. That’s one thing I love about most author communities – we support one another.
But, there is another reason which can be even more motivating – the value offered through the Kickstarter system. Of course, the higher pledge levels offer more value through bigger and better rewards.
Plus there are add-ons, which you can get for an additional pledge. Since international shipping is beyond my reach at this time, I offer plenty of digital goodies for my add-ons. I tried offering an interview with the author, but as a still relatively unknown author, I didn’t have any takers on that one. Hopefully, that will change soon.
But there’s more. Once the funding goal is reached, stretch goals can be added, which offer bonus goods if a new goal is reached, as I touched on above. For example, you might receive a bonus book for everyone who backed the project at the $5 level or higher for hitting a certain amount of pledges, or bringing in a certain number of new backers by a given deadline. The more goals reached, the more rewards backers get. And it’s not just books. Kevin J. Anderson offers audiobooks. Dean Wesley Smith and Kristine Kathryn Rush offer workshops valued at $150. Other authors offer artwork, interviews, in-person hang outs or Zoom calls, or consultations. Backing a Kickstarter at the $5 level can return some great value.
My campaigns offer an early digital copy of the book, before its release through distributors at the $5 level, and a signed print copy for U.S. backers at the $25 level. For Rock Star, my highest level offered a goodie bag with all the rewards from the lower levels and more. For Delilah, backers at the highest level got to name a character in the second book. I’ve had a lot of fun developing the characters of Lillian Alura Bennett and Owoz Crebo for Sarah.
Things to be aware of
Kickstarters are a lot of work. Seriously. And you must keep in mind that Kickstarter is an all or nothing deal, so if you don’t reach your funding goal, you get nothing, and neither do your backers.
On the other hand, it’s a great way to engage with readers, as Kickstarter provides internal messaging which allows you to interact directly with your backers. Backers for one campaign are automatically notified when you run the next one, so it helps to build your following. Because it is a form of direct sales, you profit more than you would selling through distributors.
A look at my past Kickstarters
I have done two Kickstarter campaigns, and both successfully funded. The first was in January, for Delilah and the Women in the West adventure series. You can learn more about that campaign here: . I’m planning another series Kickstarter in January 2024 for Sarah, book two of the series.
The second campaign was in July of this past year for The Rock Star and The Outlaw, my new time-travel adventure. Although I am not a big author, with a big reach, this campaign also funded, and it did so a little faster than the first, leaving me three whole days of campaign to offer a stretch goal. Stretch goals are extra added goodies, which can be offered to try and gain more pledges, thus making more money once you’ve reached your goal. I added a stretch goal for reaching an additional $100, but didn’t quite make it. Still it was excited to have the opportunity to offer it to my backers. I like being able to offer cool things to my supporters. It felt good to be able to offer an extra value. Maybe next time, we will make it.
Looking forward
I have two Kickstarter campaigns planned for 2024. The first is the January Kickstarter for Sarah, mentioned above. I’m really looking forward to sending off the second book in this wonderful western series, with its strong female protagonists and historic female characters. Big Nose Kate will make an appearance in the second book, along with young Sarah, the fiery youth who was kidnapped and sold to the Utes in the first book.
The second campaign will be in July, for the first three books in the My Backyard Friends children’s series. I almost had this one published back in 2015, but problems with the illustrator prevented it from coming to fruition. You can learn more about the difficulties encountered here: . This series is inhabited by characters based on birds and wildlife which visit me at my Colorado mountain home. Each book is stand alone, so they need not be read in order, and I will be launching the first three from the Kickstarter platform Heather Hummingbird Makes a New Friend, Timothy Turtle Discovers Jellybeans, and one other story to be determined.
I finally found a wonderful illustrator for these books, and she was right under my nose. I’m happy to announce that this series will be illustrated by our very own, multi-talented Robbie Cheadle! I am thrilled to have Robbie doing the illustrations, and can’t wait to present the first three books on the Kickstarter platform.
In conclusion
I hope this post has given you a better idea of what Kickstarter is all about, and how it might be useful to you, as an author. I also hope it has encouraged you to check out my Kickstarter campaigns, and maybe even throw your support behind me. I’ll keep an eye out for you next January and July.
To learn more about Kickstarters
Here are a few places where you can learn more about Kickstarter and get tips on what to do when launching your own campaign.
Get ting Your Book Selling with Kickstarter, by Russel Nohelty and Monica Leonelle. (Watch for my “Review in Practice” for this book next week.)
Stark Reflections Podcast: Episode 149 – Killing it on Kickstarter with Russell Nohelty
The Creative Penn Podcast: Episode #627 – Kickstarter for Authors with Monica Leonelle
The Creative Penn Podcast: Episode #619 – Kickstarter and Multiple Streams of Income with Bryon Cohen
About the Author

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; and book 1 of her Women in the West adventure series, Delilah. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
The Rock Star and the Outlaw
Posted: August 2, 2023 Filed under: Book Promotion, Books, Fiction, Kickstarter, Science Fiction, Time travel, WordCrafter Press | Tags: Kaye Lynne Booth, Kickstarter campaign, romance, The Rock Star & the Outlaw, Time-Travel, Western, Women's Fiction, WordCrafter Press 2 CommentsI’ve been so excited to share news about The Rock Star & The Outlaw you, which will be released through distributors in September. It’s been a long time in coming, and I’m so thrilled to offer my supporters this opportuniy to show your support for my work, all while getting some pretty cool rewards throughmy Kickstarter campaign, which launched yesterday and runs through the end of August.
Kickstarter Campaign
I’ve put together a great Kickstarter campaign for you all. You can drop by and back this project for as little as $5, and earn some very cool rewards in the process. You can get an early digital copy of The Rock Star & The Outlaw long before the September release through distributors, or perhaps you’d prefer a signed print copy, which is not available anywhere else. You can also get a The Rock Star & The Outlaw poster, or goodie bag, or any of my other WordCrafter Press works are available at less than they are offered through distributors. My funding goal is $500, which will be used for promotion of the book upon release. If you don’t know how a Kickstarter campaign works, it is all or nothing. Backers are only obligated if I reach the funding goal.
About the Book

A time-traveler oversteps his boundaries in 1887. Things get out of hand quickly, and he is hanged, setting in motion a series of events from which there’s no turning back.
LeRoy McAllister is a reluctant outlaw running from a posse with nowhere to go except to the future.
In 2025, Amaryllis Sanchez is a thrill-seeking rock star on the fast track, who killed her dealing boyfriend to save herself. Now, she’s running from the law and his drug stealing flunkies, and nowhere is safe.
LeRoy falls hard for the rock star, thinking he can save her by taking her back with him. But when they arrive in 1887, things turn crazy fast, and soon they’re running from both the outlaws and the posse, in peril once more.
They can’t go back to the future, so it looks like they’re stuck in the past. But either when, they must face forces that would either lock them up or see them dead.
Asking for Your Support
I’m asking all my readers and followers to click on the link for the Kickstarter campaign and offer your support for this fabulous story which I’ve poured so much hard work into. I need you all to help me reach my goal. It only takes a moment. Won’t you please back my campaign?
About the Author

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; and book 1 of her Women in the West adventure series, Delilah. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
Writer’s Corner: It’s all in the cover
Posted: July 3, 2023 Filed under: Advertising, Book Covers, Book Promotion, Fiction, Kickstarter, Writer's Corner, Writing 5 CommentsThe Shopping Experience
When I was a kid, my mom and my grandmother would pile into the car, and we’d drive to the mall, and we’d spend the afternoon going from one store to the next, carefully making our shopping selections. I remember how my mother would pick up items and carefully examine the packaging to be sure she had the correct item that she wanted or needed, before making the final purchase.
A lot has changed since then. The rise of the internet turned the whole shopping experience upside-down with the birth of online shopping. And then, COVID came along and even those resistant rebels, who enjoyed holding possible purchases in their hands and analyzing the packaging to determine whether or not to buy it were forced to shop online, or go without.
The Cover is the Packaging
As authors, we are faced with similar dilimmas. We write books, and the covers are the packaging. The cover is the first thing a potential reader sees, and if it doesn’t immediately grab their attention, there is a whole slew of other books out there to choose from, and they’re gone. Many readers still enjoy the feel of a physical book in their hands, that will never change, but digital readers judge books by their covers, too, because an image of the cover is the first thing any of us see, whether online or in a brick-and-mortar stores. And just like those in person, physical shoppers who hold and feel the product, read the label, and check out the packaging, readers look over the cover, read the blurb and back cover copy, maybe even take a quick peek inside, before deciding whether or not this book is for them.
When I was listening to the 6 Figure Author podcast with Lindsay Buroker, Joe Lollal, and Andrea Pearson, there was one piece of advice which I heard over and over consistently. If your book isn’t selling look at the cover and the back cover copy first. That is probably where you will find the problem. And they’re right.
We don’t have the space here to talk about the back cover copy. That subject is deserving of a post of its own. In fact, I did last year. If you want to start exploring back cover copy, see my “Review in Practice” here.
What Makes a Good Cover?
More advice given by the 6 Figure Author crew: Go onto Amazon and take a look at the top selling books in your genre. This will give you an idea of what kind of covers are expected in the genre. This is good advice, but what it means, is that a good cover for one genre will not be good for another. As a multi-genre author, this was important to know.
I think a cover should be representative of the story it represents, not only the genre on which the story falls. While a good cover needs to meet genre representation and follow the laws of good cover design, a good cover also contains elements of the story itself in its composition. I’ve developed this belief over time from my own experiences, as I’ve learned to design my own covers. Here is where I add my disclaimer that I am not a professional cover designer. (Of course, when you see my covers, you could probably guess that.) Everything I’ve learned about cover design, I’ve picked up on my own. I’ve had no formal training.
To show you what I mean, let’s take a look at the early covers for Delilah.

Cover 1
This is the cover my publisher wanted to give Delilah. The text is stiff and rigid, but my story is a western adventure with action and movement. I was hoping for something a little more fluid.
Anyone who has read the book would take one look and know that isn’t Delilah. This is a contemporary cowgirl. Note the modern jean jacket and hoop earings.
As covers go, the design isn’t bad, but it does not represent the story inside. As a first time author, I knew I didn’t want to publish my book with this cover, so I hustled to come up with a cover at the last minute.
Cover 2
A friend offered to come up with a cover for me on the fly. What did I want it to look like? I had no idea what I wanted. What should a western cover look like? I gave her some vague instructions. Unsure of what I needed myself. This is the cover she produced for me.
The title is much more fluid and I liked that. It offered a feminine touch that said female protagonist, yet was still bold and active, sort of like my character.
The cover image was vague, possibly due to the vague instructions my friend had been given, and I had several people see it and claim they couldn’t tell what it was. I thought it was obviously a horse, representative of the western genre, and perhaps of Delilah’s horse, which becomes sort of a supporting character in the story.
So, this cover was kind of representative of the story, I liked the text better, and it would do in a pinch. I felt the publisher’s cover to be very misleading, and as a reader I would have been surprised when I found that it didn’t match the story, or more likely, I would never even pick it up because the cover does not represent a historic western, and I don’t read a lot of contemporary.

Cover 3

Eventually, I tried my hand at creating my own cover. This was my first attempt. This cover was representative of the story and it had elements which were actually part of the story. It has both prison gates and a hangman’s noose in the background.
But the text isn’t large enough. Both the title and the author’s name should stand out more. Something I learned from Allyson Langueira of WMG Publishing was that you should be able to read the title and author name in a thumbnail. It’s got to look good small. So my text definitely needed to be bigger.
The sillohuette stood out too much in the black & white version, so I added that putrid yellow, thinking of sunlight, just to give it some color. And my sillohuette isn’t doing much of anything. Better, but not great.
I will say my publisher was pretty gracious about switching covers for me. This was the third cover switch for this book, but it wasn’t selling, and the cover was the only thing I had control over that might help. This cover was better than the covers Delilah had had so far, but I had to admit it was not the ideal cover for the book.
We were coming to the end of my five year contract with the publisher, and Delilah had not done well in the sales department. I decided not to renew my contract, as I felt I could do better with it myself. Although the publisher claimed to have done promos, I never saw them. If Delilah was going to do well, I was going to have to promote it myself.
Final Cover

Almost a year later, a revised Delilah, closer to the original I had intended, was released as a part of the Women in the West adventure series. This is the cover I designed for the re-released edition.
The fluidity of the text and the illusion of a moving horse indicate movement. This Delilah is not stagnant, but on the move. She busting out of those prison gates and moving away from that noose fast. In this way, the cover almost tells a summary of the story for me.
The bars have been faded back in this version, so the cover doesn’t look too busy. The woman looks a little bit like a contemporary cowgirl, but not as much as the publisher’s cover did.
Was it the Cover?
In January, I ran a Kickstarter campaign for Delilah and the Women in the West adventure series, which funded, so apparently, I do have a few die hard fans and/or friends out there. During that thirty-day campaign, I sold more copies of Delilah than my publisher managed to do over the period of my five year contract. That doesn’t count copies that sold after the release through distributors, as a result of the book blog tour and other promotinal efforts. It’s not like Delilah became an overnight bestseller, but I do find it curious that in only a few months, this edition of the book has outsold what all of the others did across a five year period. There are other things that could have been the cause of these results, like the new back cover copy, or my extended promotional efforts. So, was it the cover? What do you think?
Covers for the Series
At the time when the Kickstarter ran, I had been playing with the cover for Sarah a little bit, but I had to throw together a cover for the third book, Marta; a story for which I only had a vague concept for, so I only had a very rough draft of a cover to display for the Kickstarter campaign.


I said that part of the money raised in the Kickstarter, would go to redesign the covers for the series. I had two different cover designers, who both stepped down due to personal issues, but I found a cover designer friend who was willing to offer some pointers, so I ended up redesigning them myself. Here is the final result. I think you’ll agree that these covers are much better and I feel that they feel like they go together, and each seems to represent the series brand.

A Word of Thanks
The timing for this post is syncronistic, for as it posts Delilah has been nominated in the 2023 Connections eMagazine’s Reader’s Choice Awards! It looks like Delilah has finished in the top 10 with 85 votes. Considering the contest began on July 25th, and I didn’t find out Delilah had been nominated until the 29th to try and rally support, I think that’s pretty good. I want to thank all of you who did your part and voted for Delilah, some of you several times, since you clould cast your vote once a day. I also want to thank whoever it was that nominated my book. This was the first time I’d ever been involved in such a contest, and it was very exciting, so my thanks for this are huge. I don’t know who you are, but I love you.
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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; and book 1 of her Women in the West adventure series, Delilah. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
Writer’s Corner: My First Kickstarter
Posted: March 6, 2023 Filed under: Book Promotion, Books, Fiction, Historical Fiction, Kickstarter, marketing, Women's Fiction, WordCrafter Press, Writer's Corner | Tags: Delilah, Kaye Lynne Booth, Kickstarter, Women in the West adventure series, Writer's Corner, Writing to be Read 5 CommentsA Kickstarter campaign allows authors to find supporters who believe in thier work and want to support them, and it is a method of direct sales for authors, which allows us to cut out the middle-man distributors and their percentage and make more money from our books. But it is also a platform where readers and fans can get some really cool stuff for their supporting dollars. It’s just a “Give me… Give me… Give me…” platform, but one where it is our job to make sure our fans and readers can get a good value for their buck, providing cool rewards in exchange for monetary support of the project. It is similar to the famous artists of the past, who found patrons to support them and their works, so they would have the time to create their art. A Kickstarter campaign is a similiar type of patronage available to authors. And what’s really cool is, we’re not begging, we’re selling books and other cool stuff without the middle man. No book distributors to take their cut. Of course, Kickstarter gets a cut, but the also provide the platformand tools to run a successful Kickstarter campaign, and the analytics to measure your succcess, which, I think, is well worth it. (More on direct selling with Kickstarter here.)
In Jaunuary, I ran my first Kickstarter for Delilah and the Women in the West adventure series. The goal I set was $500 and I decided on a thirty day campaign.
This series has three books planned so far, each featuring a strong female protagonist and appearances by historic female characters. Delilah is a western, but it is also historic women’s fiction and will appeal to all three audiences. Delilah was my first novel to be published, but the publisher really didn’t get what Delilah is all about, because they billed it as western romance. Although there is a romance thread running through this story, it’s not the main thread. Western romance is not a good way to categorize this book and it did not do well. When my contract ran out, I decided to revise it, making it read closer to my original story. I guess you could say this is the “unimproved” version, that goes back to before I veered from my original plot line. As I did the rewrite, I realized that there were other characters in this story who bear to have their stories told, and the idea for the Women in the West adventure series was born. But, this post is about the Kickstarter campaign experience rather than the books, and I’m veering from the topic.
So without further ado, let’s take a look at my Kickstarter campaign, what I might have done wrong, and what I might have done right.
How a Kickstarter campaign works
Kickstarter was designed with the creative economy in mind, before it was labeled the creative economy. You start with a project. In my case, it is Delilah, which is book one of my Women in the West adventure series. I chose this project because the book is finished, and already scheduled for release on March 21, so I knew for sure that I would be able to deliver the goods.
Once the campaign launches, your readers, fans, and others who would like to support your work can pledge their support at the different reward levels you’ve set up, or pledge for any amount, just because they believe in your project. I set up three levels: $5 with an early digital copy of the book, $25 with a signed print copy, and $50 with an opportunity to name a character in book two.
You can also offer add-ons for each level so they can get even more cool stuff if they choose, because you want to offer your fans as much value as possible, since this is a method for direct sales, not digital pan handling. I offered a PDF copy of my short story, “Don’t Eat the Pickled Eggs”; an audio reading of my flash fiction Western story, “I Had to Do It”; and an interview with Delilah.
You set a goal for the amount you need to raise. You don’t want to set it too high, because Kickstarter is an all or nothing deal. If you don’t reach your goal by the end of the campaign, your backers don’t have to pay anything and you don’t have to deliver anything. However, if you make it and are funded then you get anything over your goal amount, minus Kickstarter’s cut, of course.
I was fortunate to be able to follow Kevin J. Anderson’s Kickstarter campaign for his book, Double Booked and his Dan Shambles Zombie P.I. series, from start to finish and it was amazing. His Kickstarter funded within the first 36 minutes, which I thought was phenomenal. His campaign was one of the things that made me decide to give Kickstarter a try.
My Kickstarter Experience
I sent out media blasts in December announcing the pre-launch page, which received a total of five folks signing up to be notified when the campaign launched, which I did not take to be a good sign, but I figured that it could be because the pre-launch page did not reveal the rewards offered for supporting the campaign.
On launch day, I published a blog post about the campaign, asking for people’s supportand sending out social media blasts on Facebook, Twitter, LinkedIn, and Pintrest. I also sent out a newsletter dedicated to the Kickstarter on opening day to alert my readers to the campaign. And, I know of several individuals who sent out social media blasts on my behalf. I even went out on a limb with some paid advertising aimed at super backers, for a minimal amount, since it was my first time using Kickstarter. Now if my campaign didn’t fund, I’d be in the hole, but I wanted to do everything I could to make this a successful campaign.
That first day, the campaign only funded 13%, but I was thankful that I had even a few backers. I launched on January 3, which was News Year’s Day (observed), so technically, still a holiday, so people may not have been back on social media. It went up to 19% on the second day, and it stayed there through day 4, when it went up to 20%. I sent out more social media blasts to promote the campaign. Then I watched and waited… And waited… And waited… But it stayed at 20%. I really started to worry.
What if it didn’t fund? Then all my hard work would be for naught. And a Kickstarter campaign is work, make no mistake. I know I’m not Brandon Sanderson, or even Kevin J. Anderson. I didn’t expect my campaign to fund within 23 minutes. But this was ridiculous. I couldn’t even get a quarter of the way to my modest goal of $500. I tried to keep a positive outlook, but it was frustrating.
I was driving myself nuts, checking the status of the campaign several times a day, so I vowed to stop, and instead, watch for the morning and evening updates from Kickstarter in my email inbox. My constant checking couldn’t make people want to support this project. They would come on thier own, if they were going to. I had known that the possibility of not being funded existed going into this. All I could do was wait…, and see what would happen.
I sent out more media blasts. I checked my twice daily updates. There’s was still no change by Day 8. I emailed Kevin, because he’s the only author I know of who has actually done a Kickstarter, and even though he is no longer my professor, he is a really nice guy, so he sent out an additional blast and sent me suggestions of things to try.
Day 10, and still no growth. What was I doing wrong? Are the rewards I’ve chosen to offer not appealing? Am I missing the mark with my target audiences? Was I targeting the wrong audiences? Is there really only five people out there who believe in me and my work enough to support me? All these thoughts were going through my head.
Friday the 13th saw the project past the 20% mark, which made me feel a little better, even if it was only up to 23%. And on the 15th, the campaign bumped up to 34%, which was downright heartening. It was a single pledge, at the $50 level – the first pledge I’d had at that top level. That fact was exciting to me, in and of itself.
Then, on the 16th, there was no growth once more, and I bagan to forsee another stall just below the $200.00 mark. I knew I wasn’t going to fund on the first day, like better known authors might, but I had thought that I would be funded by the halfway mark, so I could relax and have fun adding stretch goals and rewards. I wasn’t expecting to still be trying to reach the origianl goal at this point in the game, so I couldn’t help but to be feel a bit disappointed. I had a total of eight backers. Was there really so few people that believe in me and this project? So again, I waited… and waited… and waited some more.
I boosted a post on Facebook, in hopes of pulling in some more backers. Although it showed that people were engaging with the post, it didn’t seem to be bringing me any new backers. Was it because I chose a western for my project? I knew my covers for these books weren’t great, but if funded, some of that money was to go for improving the cover design. The boost ran out on the 26th, with a reach of 86, an engagement of 168, thru plays of the video 162 and one click through. The numbers didn’t seem to say the boost did all that great, even if the one clickthrough decided to back the project.
Heavy Competition
On the 18th, Kevin J. Anderson launched his Kickstarter for Dragon Business & Skeleton in the Closet, and his campaign funded almost immediately. By the time I checked in around noon, he already had double the goal that he’d set. I was definitely doing something wrong. I was still stalled at 34%, which might as well have been 0%, because if mine didn’t fund and reach my $500 goal, I wouldn’t recieve anything. Of course, it could still fund, but there was only 13 days left, and I wasn’t even close to halfway there.
I took a look at KJA’s successful Kickstarter campaign. His covers are very colorful, his story is humorous medievil fantasy, and one must keep in mind that his fan base is huge and he has worked to build it for many years. The campaign Dragon Business & Skeletons in the Closet gained 200 backers in two days. Mine was 20 days in and I had a total of 12 backers.
The one that I followed from behind the scenes for Double-Booked and the Dan Shamble P.I. series also featured colorful covers for humorous tales of fantasy or speculative fiction, and Delilah and the Women in the West covers are almost montone, with a minimal amount of color, and then they are westerns. Perhaps I picked the wrong project for my Kickstarter campaign. At the very least, I wasn’t getting it in front of the correct target audience.
Heading this section “Heavy Competition” is a bit misleading. It would be a joke to compare my Kickstarter campaign to Kevin J. Anderson’s. His has multiple support levels, with a variety of rewards such as personalized messages from the author, and mugs and tee-shirts featuring the very cool artwork connected to the cover art, with a numerous variety of add-ons available. Once his campaign funded on the first day, he began adding stretch goals, which means backers get even more more cool stuff as he reaches each one, if I understand them correctly. And his video attains a level of professionalism which I can’t hope to reach with my very limited skills in this area.
My three support levels and rewards couldn’t compare in any manner. My campaign goal was $500 and I couldn’t hope to launch a campaign the caliber of his, which was earning literally thousands of dollars, well exceeding his $2000 goal. But that didn’t mean I couldn’t learn from it.
Desperate Measures
On the 20th, I sent out an email blast manually to other authors I have worked with, asking for their support. I just came out and said that I was stuck at 34% funded and asked them to help me reach my goal. I had to do something to find backers for this project. It is a good project, (I think), but I needed a little over $300 still to reach my goal. And the next morning, I woke up to find I had 2 new backers from the email of the night before, so maybe it wasn’t such a bad idea. I still wasn’t fully funded, but it brought me over the $200 mark (41%), and got things moving in the right direction once more. Later that day, I gained another backer, pushing it up to 43%. It seems those $5 pledges add up. It wasn’t a lot, but I was quite happy to have made even this much progress. Yet, I also knew I still had a long way to go and the clock was ticking. There were only 10 days left in which to find enough backers.
The email blast brought out at least a few more backers. It was the best results I’d had from everything I had tried so far, so on the 22nd, I sent out another blast to folks on my other email contacts. This email was older, and had people in the contacts who I hadn’t contacted in a while and may not have made the switch to my new WordCrafter email. I knew each one of them, so even though it might be coming out of the blue, they weren’t cold calls. I got a couple of new backers out of that, bringing the project up over the half-way mark, (51%), but with only eight days left, I had my doubts that it would bring enough. It just didn’t look very promising.
I did have one recipient who recieved a message from the second blast, from my older email, who promptly notified me that I’d been hacked. Since I don’t usually send out form letters in email blasts, she was sure someone else must be behind it. She was looking out for my best interests, and I appreciated that. Even though I wasn’t asking something for nothing, and I was offering some appealing rewards, or at least I thought I was, this was beginning to feel like a I was just saying, “Hey, give me money.”
The 24th brought some excitement, with a second $50 pledge, bring the campaign to 63% funded. I was getting closer to my goal. I’d still need to find backers for another 37%, but I was closer. It was a brighter outlook than I’d had recently, as I was thinking I wouldn’t have a chance to make it. Now, it suddenly seemed more of a possibility again. This up and down Kickstarter rollercoaster was crazy. It seemed it might be easier to just send out posts and emails saying, “Buy my book!” Buy my book!”
Waiting for something to happen to raise the bar toward the goal was excruciating, and the days drug out as nothing significant happened. I knew I needed to make something happen, so I sent out one last blast on Facebook to see if I couldn’t muster some more support. I still saw no growth.
In the end, being stalled at 63% wasn’t that much better than being stalled at 34%, because neither of them can make a successful Kickstarter campaign. It’s 100% or nothing, and with only two days left, it was looking more and more like it would be nothing.
On the 30th, I put out a last ditch effort to fund this project by putting out a plea in my WordCrafter News post. And I sent out another small media blast with a ticking clock. There was only one day left in the campaign, but it could fund in that time. It’s not likely that a rush of backers would show up at the last minute and save the campaign, but it could happen, so I put it out there. At this point, things looked bleak.
At the 36 hour mark, I recieved another pledge at the top tier, which brought it up to 80% funded, leaving only $99 to go. With 36 hours left, it was possible, but not probable. But this was really close to the goal. Closer than I thought it would get as I watched of the past couple of weeks. I allowed my hopes to be raised a little, but deep down, I feared that it wasn’t enough.
Final Outcome
It came down to the final day of the campaign and the campaign was still stalled at 80%. It was close, but close doesn’t make a successful campaign. I intentionally did not check my Kickstarter pages again until we were down to the 3 hour mark. When
I finally did check in, I was pleasantly surprised to have moved up to the 90% mark. Now this was exciting.
The last needed $50 pledge came in with 2 hours left to go, and the campaign funded. I think I was in shock, at first. I’d been resigned to it not funding, and now here I was fully funded. I had an additional pledge come in My Kickstarter campaign was successful!
Acknowledgements
A successful Kickstarter doesn’t happen without the people who believe in it enough to back it. These are the external backers, which means they were not generated within the Kickstarter platform, but their support was the result from something I did to promote the campaign. I believe most of these backers were generated from the email campaigns which I sent out. In other words, I know these folks in some capacity, some in person, and others across vast distances over the internet, and that makes it more personal. These are the people which I’m lucky to have in my corner.
A big thank you to:
- Cheryl Boyd – my best friend from junior high
- Kevin J. Anderson – my friend and mentor
- Robbie Cheadle – blog teammate, WordCrafter Press author, and multiple anthology contributor
- Nancy Oswald – author friend
- Christy Burmingham-Reyes – blog follower
- Sara Wesley McBride – an anthology contributor and writing friend
- Kieth Hoskins – an contributor to multiple anthologies
- Ligia deWit – anthology contributor
- Amy Cecil – anthology contributor and author friend
- Mark Leslie Lefebvre – anthology contributor and author friend
- Marie Whitaker – WordFire Press contact and author friend
- James Richards – a WordCrafter Press author
- Avily Jerome – anthology contributor
- Tim & Wanda Ward – friends and neighbors
- Miriam Hurdle – blog tour host and anthology contributor
Also, a big thanks to those who supported the campaign in non-monetary ways, such as spreading the word to garner support for the campaign. In promoting the campaign, I said repeatedly that all support was appreciated, and I meant that, including social media blasts, retweets and sharing on social media. Although I don’t have names for all of you, since these things went on behind scenes and there are probably many who I don’t even know about, but I thank you all so much for your support. I could not have done it without you.
Lessons Learned
Kickstarters are a lot of work. I knew that going into this, after watching behind the scenes for KJA’s campaign, so that was no surprise. Most of the people I know who supported the campaign are not big western fans. But enough people believed in me, and believed in this project, that it was able to fully fund in the end.
There are many things which could have affected negatively on my campaign: choosing to run a Kickstarter at the beginning of January, on the heels of the holiday season; chosing a project in the western genre; not spending more on paid advertising, etc…
But my analysis leads me to believe that I failed to reach my target audience effectively for this cross-genre series, which should appeal to lovers of westerns, and women’s fiction and even those who enjoy historical ficton, but it seems I missed the mark in the promotions. I thought I would reach a wider audience, since this series has strong female protagonists, bringing it into both the women’s fiction and historical fiction realms. Maybe, I don’t know how to find my target audience, but I will keep searching for them. An author friend of mine thinks I may be using the wrong social media channels, and suggested that I launch myself on Tik-Tok to tap into my target audience. Maybe I’ll consider it in the future, but for now, I must continue on my planned path and give things time to work out.
Kickstarter can be a successful way of direct selling. Not all campaigns will be as successful as KJA’s campaigns, but this proves that even the little, unknown, independent authors like me can have a successful campaign. Maybe my audience wasn’t big enough? Maybe I wasn’t reaching the right audience? Perhaps a different project would have done better. Maybe I’ll try again in the future with a different book, different genre and see what happens. Maybe…
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The release date for Delilah is March 21, 2023. You can preorder a digital or print copy from your book distributor of choice here: https://books2read.com/DelilahWIW
Delilah is a woman haunted by her past.
Her homecoming from prison quickly turns into a quest for vengeance when she is brutally raped and left for dead, and her fourteen-year-old ward is abducted. Sheer will and determination take this tough and gritty heroine up against wild beasts of the forest, Indians and outlaws to Leadville.
Can the colorful inhabitants of the Colorado mining town work their way into Delilah’s heart, offering a chance for a future she thought she’d lost along with her innocence?
If you like strong and capable female protagonists, you’ll love Delilah.

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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER will sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
Delilah and I need your support
Posted: January 2, 2023 Filed under: Book Promotion, Books, Fiction, Historical Fiction, Kickstarter, Western, Women's Fiction, WordCrafter Press | Tags: Delilah, Historical Fiction, Kaye Lynne Booth, Kickstarter, Western, Women in the West adventure series, Women's Fiction, WordCrafter Press 7 CommentsThe Kickstarter for Delilah and the Women in the West adventure series starts today and we need your support. You can show your support for as little as five dollars, and recieve a digital copy of the book in return. And there are signed print copies and other great rewards for the higher levels of support as well, including plus some pretty cool add-ons that I’m excited to share with you. I’m asking each one of you to click on the link below and check it out.
https://www.kickstarter.com/projects/kayelynnebooth-wcp/delilah-women-in-the-west-adventure-series
Some of you may know why this book is so special to me, but I’ll briefly tell you, in case you don’t. Delilah was the first book I ever wrote. It started as an assignment meant to get me to write outside my comfort zone, and turned out to be a genre I truly enjoy writing. After I got it written, I received some feedback that caused me to make changes that affected the second half of the book.I had it in a publisher’s hands for five years, but they didn’t do a whole lotto promote it and they only sold a few copies. I tried two different covers for it, including one that I designed myself, and if I’m honest, they were both pretty awful.
When the contract was up, I got my rights back, revised the book to reflect the original story, and began developing the idea for this series. In the Women in the West adventure series, each book features a strong female protagonist and cameo appearances by bold historical female characters for a Western Women’s Historical Fiction series which may be the first of its kind. At this time, there are three books planned: Delilah the tale of a woman who overcomes all odds in the Colorado frontier as she sets out to avenge the wrongs done to her and rescue Sarah, her ward who was abducted. Sarah’s story after being traded to the Utes makes up the second book. The heroine of the third book, Marta, is a Mormon woman who we also met in Delilah, and her story tells us her fate after being abducted by the Utes and then returned to civilization.
Women in the West is going to be a great series. Delilah is scheduled for release on March 21, 2023, but Kickstarter supporters will recieve their digital copies early and for less than the 5.99 retail price. So please drop by and see what all the fuss is about. If a Kickstarter campaign doesn’t fund, or meet it’s goal, the creator doesn’t get anything, so your support will be greatly appreciated. I think Delilah is a wonderful story, which readers of westerns, historical fiction, or womens fiction will enjoy. Please come on over and join the campaign today.






































