A Reading from Small Wonders: A Haiga Poem

Digital and print copies of Small Wonders

On Sale for National Poetry Month – Only $2.99

Purchase Link: https://books2read.com/SmallWonders


“Sarah” is Available for Pre-Order Now

Purchase Link: https://books2read.com/u/3RXlRx

Hey Everybody! Sarah, Book 2 in the Women in the West Adventure Series is available for pre-order. It will be released on May 7, 2024, but you can reserve your copy now.

And don’t miss out on the WordCrafter Sarah Book Blog Tour, May 6-10, starting right here on “Writing to be Read”, where you can learn more about the book and the series. There will be guest posts, interviews with the author, a reading, and a review. You’ll have the opportunity to check out the book trailer for Sarah, engage with the author, and a chance to win a free digital copy of the book.


A Poetry Reading from Small Wonders: A Tanka Poem

On Sale for National Poetry Month – Only $2.99

Purchase Link: https://books2read.com/SmallWonders

Reading of a Tanka Poem by Kaye Lynne Booth

Writer’s Corner: Visceral Character Portrayal

Caricature of a woman typing on a computer at a very messy desk. Text: Writer's Corner with Kaye Lynne Booth

This post has been a long time in coming. It was promised back when I posted “Writer’s Corner: Creating Characters with Depth” back in September. I finally got back around to tackling this subject, so let’s delve in.

While our characters need to be deep, they also need to be characters which readers can relate to and feel like they know, so that readers will care about what happens in our story enough to keep reading. A good part of this work is done at the beginning of the story, where we first introduce our characters. There are several methods we can use to make our characters feel more real to readers.

Save the Cat

All characters are flawed, just as all people are flawed, but they must also have redeeming qualities if readers are going to care about what happens to them. This method of redeeming our characters comes from Blake Snyder and his screenwriting book of the same name, Save the Cat. The idea is to reveal the good qualities of your protagonist through a good deed, like saving a cat in an opening scene.

Not all protagonists start out a story as the good guy or hero. In fact, in a story which follows the hero’s journey, the protagonist is usually reluctant to take on the role which he or she has been given. Bilbo Baggins comes to mind from J.R.R. Tolkien’s The Hobbit, where the character has no desire to leave his cozy hobbit hole and go on the adventure he’s been called on to take.

In Sarah, which will be released next month, I have a scene where we see Sarah, who goes by Hair of Fire in her Ute family, sits at the bedside of a sick child, administering healing medicines and showing concern for the child. Sarah is a nice character and this small act is enough to show reveal her caring qualities. Her hero’s journey begins when she is snatched away from her tribe and has no choice but to embark upon her journey.

Often our characters are not nice people to start out with, and developing redeeming qualities may be a part of their character arc, so the changes won’t be seen until fiurther along in the story. But they must have some redeeming qualities or the readers may not like them enough to route for them.

The worse a character is, the bigger the redeeming deed must be. So if you have a character like Dexter, a serial killer who kills serial killers you must try harder to show the softer, caring side, by showing how he supports his sister and can really be a nice guy. I would think it could be really rough getting readers, or viewers, to relate to someone who goes out and brutally kills people, even if they might deserve it. Dexter’s save the cat event comes when he saves the next victim of the serial killers who become his victims, a tricky ploy to pull off for the writers. Redeeming a character like Dexter could be quite a challenge.

Heart’s Desire

I was listening to Wulf Moon on the Stark Reflections podcast, episode 341. Wulf is a writer who found success at a young age and winner of the Writers of the Future contest, who turned his own success into a way to help his fellow writers to learn about the essentials of writing a good story. He claims readers must see & feel what is important to the character, what drives them to action and propels the story forward in order to care about the character and carry them through the story or series. Wulf calls this the “Heart’s Desire” and he claims that he’s found that one of the mistakes beginning writers make often is to not tap into the heart’s desire and let your readers see this aspect of your character.

I discussed this a bit in that previous blog blog post, (linked above), on giving your characters depth using the character triangle to identifying the character’s flaws, their need, and their “want”, but “Heart’s Desire” is stronger and more applicable term for the motivating factor for your character. No matter what you call it, by revealing what matters to your character, and what makes them take action, and their flaws, readers get a glimpse into what makes your character human.

Subtext and Inner Dialog

In The Rock Star & The Outlaw, Amaryllis is an adrenaline junkie who thrives on taking risks with her life through drugs, alcohol, and dangerous behaviors. Not a very savory character to start with at the beginning of the story, she winds up killing her boyfriend in self-defense and running from his cronnies and the law. In order to make readers care about her, I had to reveal things about her past, and show her vulnerablities through her relationship with Monique, her interactions with LeRoy, and her determination to stay by his side when she could have run and saved herself. To be sure my readers didn’t overlook the hints as to her motivations, I revealed them through inner dialog and subtext, putting her thoughts out there so there would be no misunderstandings about her motivations.

Subtext is found in body language and tone of voice. It is the feelings which lie just below the surface and may indicate things are quite different from what they appear. You can check out my archive post from 2017, “Dialog: Talking in Subtext” to get a deeper discussion on how to use subtext to make your characters feel more real.

Inner dialog can be used anywhere it is needed to clarify character motivations and help readers see where the character is coming from or understand the direction in which they are going, helping readers to relate to them. When Dexter’s inner thoughts are revealed, and they use this a lot in that series, viewers come away feeling that his actions are, if not justified, then at least understandable, making Dexter seem like maybe not such a bad guy, if misguided by his background. If readers, or viewers, can see the character’s point of view, they understand the character better, even if they don’t agree with it.

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Author Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Book 1 of her Women in the West adventure series, Delilah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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If you’d like to show your support for this author, you can make a donation to Writing to be Read for as little as a cup of coffee. All support is appreciated.


A Reading from Small Wonders: “Bird Watching”

On sale for National Poetry Month – Only $2.99

Purchase Link: https://books2read.com/SmallWonders


Reviews of my poetry collection, “Small Wonders”

On sale for National Poetry Month – Only $2.99

Purchase Link: https://books2read.com/SmallWonders


My Interview with Sean Taylor on Bad Girls, Good Guys, and Two-Fisted Action

I just came across this interview I did back in January with Sean Taylor for Bad Girls, Good Guys, and Two-Fisted Action. I’m proud of this one, so I hope you’ll check it out.

https://seanhtaylor.blogspot.com/2024/01/kaye-lynne-booth-who-almost-wasnt.html


Aging Gracefully, or Not

Author Kaye Lynne Booth

I’ve never been one to worry about aging. I always thought I would just age gracefully, just letting the process happen naturally, sans a few boxes of hair color over the years. But recently, I’ve been feeling it more. My joints get stiff when the weather turns cold, I need a nap after a trip to town, it’s harder to get up from my seat at times, and I can’t seem to stay awake to write into the night, like I used to. I notice more wrinkles each time I glance in a mirror, and there’s considerably more gray in my hair. Maybe it’s because I just turned 60 that I notice the changes more now, or maybe it’s because I have been out of work for almost a year and I’m struggling to keep up on car payments, insurance, and basic necessities, but I’m having more and more trouble in dealing mentally and emotionally with the everyday stresses of life. Sometimes I feel like I cannot take anymore, but problems just keep coming at me. It has begun to effect my writing life, as well as the reality around me.

In the past, even when the rest of my life was falling apart, my writing was the one thing I had control of. I could keep it on track and moving forward. So when my Kickstarter camapign for Sarah didn’t fund, I tried not to take it too hard. I wasn’t done writing the book, which should have been finished in December, so I just pushed back my production schedule, setting Sarah for release in May instead of March, and I decided to add a May Kickstarter campaign for The D.I.Y. Author which had not been previously planned with my author services offered as some of the rewards. I reached out for the opportunity to have my own books, Delilah, Hidden Secrets, and The Rock Star & The Outlaw, available in audiobook with AI audio narrations on the spur of the moment, seeing a chance to possibly expand my audiences, and made all three of them $2.99 on Google Play during the entire month of March. I guess when I’ve made it through May, I’ll find out if these choices were solid decisions or acts of desperation, but I picked myself up by my bootstraps and carried on in either case.

My dream has always been to take my writing full time and not have to hold down the proverbial day job, but it is a slow climb to making enough from my work to do that. I haven’t given up on finding a day job, but lately I’ve been thinking that maybe my age is what is stopping me from arousing the interest of potential employers. I put in the time and work to earn two masters degrees, but I’m wondering if my efforts didn’t come too late in life. Does turning 60 and entering the world of senior discounts mean that I’m too old to be gainfully employed?

And it’s not like I haven’t been trying to use my writing skills to gain remote employment. I’ve put in more applications than I can count, some with over a hundred applicants, and most of them don’t even respond back to tell me to take a hike. I’ve thrown out my hook for editor and proofreader, as well as content writer and copywriter for countless companies without even a nibble. Maybe I’m using the wrong bait. Am I over educated?

I keep telling myself that something has to break soon, and I do have a couple of promising interviews scheduled even now, but as I approach the milestone of being unemployed for a year, I’m beginning to wonder. I find myself worrying more and more about what is around the next corner for me. The worry eats at me more than it did when I was younger. The depression weighs on me, making it feel like the next sunrise may not come. It makes it harder to focus on the part of my life that I’ve always maintained control of, and it’s more difficult to focus on putting words on the page.

I press on, putting in applications, interviewing, and writing my heart out with specific goals in mind. I had to push back the production schedule on Sarah and change my marketing plan for The D.I.Y. Author, but if I can meet my production goals for this year, it should be a pretty good year for WordCrafter Press. In addition to the above mentioned books, I’ll be releasing a poetry anthology, three books in the My Backyard Friends children’s series, and two different short fiction anthologies. I’m using that as something to look forward to and it motivates me to keep at it. I don’t know if this is what they call aging gracefully. Gracefully or not, guess I’ll just have to keep on going and see what happens.

About Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Book 1 of her Women in the West adventure series, Delilah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.


WordCrafter News: March Celebrations

Newsprint background. WordCrafter quill logo Text: WordCrafter News

Smashwords 2024 Read an Ebook Week

March 3-9, 2024, all WordCrafter Press ebooks will be on sale at a 50% discount in celebration of the Smashwords 2024 Read an Ebook Week. That will make some of my backlistThe discount will apply only to books purchased on Smashwords during this week, dedicated to encourage the reading and thus, purchasing of ebooks!

There are two ways that you can participate in Read an Ebook Week: by purchasing a discounted ebook on Smashwords and by sharing this post with all of your book channels and groups of hungry readers.

A caracature of a girl reading a book on a digital device.
Text: Read AN Ebook Week, my books are 50% off, smashwords.com/shelves/promos

Hello, Readers!

We are fast approaching Read an Ebook Week, a week that encourages readers to pick up the digital device of their choice and download a new book to read.

I’m excited to announce that all WordCrafter Press digital titles will be available at a 50% discount, as part of a promotion on Smashwords to celebrate 2024 Read an Ebook Week! This is a chance to get my book, along with books from many other great authors, at a discount so you can get right to reading.

You will find the promo here starting on March 3, so save the link:
https://www.smashwords.com/ebookweek

If you wouldn’t mind taking part in promoting this celebration of Ebooks and reading, please feel free to share this promo with your friends and family. Share on social media channels wherever there are readers who would love a chance to find their next favorite book and, as the name suggests, read an ebook!

Thank you for your help and support!

Happy reading!

60th Birthday

That’s right. March 3 is my birthday, and I’ll be 60 years old. I’m thinking the Smashwords Read an Ebook Week celebration can just double as my birthday celebration, so if you want to give me a birthday gift, buy an ebook on Smashwords. For the 50% discount, you can find my books in the Smashwords store on my profile page: https://www.smashwords.com/profile/view/Kaye_LynneBooth

I’ve always said “You’re as young as you feel”, but lately, I’ve been feeling pretty old. Sure I do things slower and a little more painfully than I used to, but that’s not what I mean. I’m talking about that feeling like time is running out; the biological clock is ticking down.

On the other hand, this milestone could be opening a new chapter in my life, a chance to do something new, and perhaps unexpected. My day job of nine years ended last March, and I’ve been seeking other employment ever since. The job search has taken me down unexpected paths and I’m still not sure what I will end up doing. My writing has also been taking some unexpected paths lately. I can’t help but be curious, and perhaps a little anxious to learn what comes next.

AI Audiobooks by Kaye Lynne Booth

Three Book Covers: Delilah, Hidden Secrets and The Rock Star & The Outlaw

Books by Kaye Lynne Booth: Delilah, Hidden Secrets, and The Rock Star & The Outlaw are now available in AI audiobook on Google Play. And during the month of March, you can get each one for only 2.99. Buying one to check it out would also be a great birthday present, so grab your copy on Google Play March 1 – 31, 2024.

W.I.P

Book Cover: A manual typewriter with a page of typed words visible in foreground. A shelf of books in the background. Text on page: Write a Book, Format the Story, Publish the Manuscript, Create an Outline, Create a Marketing Plan, Generate Reviews, Hide Under the Covers Text: The D.I.Y. Author, Kaye Lynne Booth

With my books, I have a better idea of what’s to come, and I’m excited, in March, to be working on my writer’s resource book, The D.I.Y. Author, scheduled to come out in June. In the conception and writing of this book, I take on a new persona. This book isn’t how I do what I do. The D.I.Y. Author is who I am. With this book, I am taking that persona public and you can now find me on X (formerly Twitter) @DIY_Author. Look me up. Say “Happy Birthday”, or just say “Hi”. I always enjoy hearing from friends and fans, as well as potential readers.

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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.


Writer’s Corner: A Bump on the Road to Writing Success

Caracature of a woman typing on a keyboard at a very messy desk. Text: Writer's Corner with Kaye Lynne Booth

What went wrong?

I have to admit I was more than a little disappointed when my last Kickstarter campiagn for Sarah didn’t fund. I only run Kickstarters for books that I’m going to publish anyway, and Sarah is no exception, so the book will still go out to distributors, it just won’t have that extra boost the funding from the campaign would have offered. As an avenue for direct selling, I make more than when my books sell through direct sales, so I like to run the Kickstarter campaign first.

For those who did try to back the campaign and were looking forward to reading Sarah, it will be released in May, instead of March. I was behind on my production schedule, and rushing to have the book finished, so as not to delay reward fulfillment. Since I don’t have any rewards to fulfill, I thought I’d slow down the process and leave ample time for editing, so I bumped the release date back to a May release. I’ll send it off with the usual fanfare and book blog tour, so you’ll be sure not to miss it. I do hope you’ll all join us for that.

I’m not letting the failure to fund discourage me from doing other Kickstarters, but instead, I’m evaluating the campaign in an attempt to figure out what went wrong. There are a number of factors to be looked at to determine where the problem might lie. Here are a few.

Duration

In the past, I’ve run 30 day campaigns which were successful. For Sarah, I only ran a 21 day campaign, which Russel Nohelty recommended as the optimal length for a campaign in an interview on The Creative Penn podcast. 30 day campaigns involve a lot of promotion, and I already feel like a pest as I push to get backing for my campaign and sell books, so the thought of doing a shorter campaign felt like a good one. Could an extra week have made a difference? Possibly. I know of at least one backer who didn’t get a chance to check it out before it ended, so maybe, but I was almost $200 short of my goal, so perhaps not.

Rewards

With my first Kickstarter, for Delilah, I offered a higher reward level, in which backers at that level got to name a character in the second book in the series, Sarah. This was limited reward, meaning only two of these rewards were offered, and both were taken. So, I did that again with Sarah, offering two character naming rights in the third book in the series, Marta, and again had both rewards taken, so I’m guessing that it was a sound decision to offer that again.

The Rock Star & The Outlaw campaign offered merchandise, including a poster and a tote bag, which were popular, but also more difficult to deliver. Merchandise is also a bigger expense for the author, which is why I didn’t do anything like that for my last camapign for Sarah. Merchandise reward levels are higher, due to necessity, but the author must consider their cost into the overall funding goal before offering to be sure it is worthwhile. On a small $500 funding goal, there’s not a lot of room for extras without cutting into the profits.

The campaign for Sarah offered rewards of Special Illustrated Editions of both books, which I thought would be a big hit, but they tanked. To my surprise, not one backer pledged at the Special Edition levels. I offered these as exclusive rewards, only available to Kickstarter backers, planning to put them out through distributors at a later date, probably after the third book was out, so I could offer all three as a set, or bundle. Again, I will still publish these through distributors, because the illustrations, done by DL Mullan of Sonoran Dawn Studios, are really, really cool, as are the Special Edition covers, also done by Mullan. But I really want to figure out why these books didn’t draw more interest as rewards, so I’ll be looking at these closer. I even dropped the price on their reward levels, and added an add-on of digital copies, both books for $5, which is a great deal.

Promotions

With my first Kickstarter campaign, for Delilah, I chanced across a promoter who made some ads for me and ran them on their channels for $15. Did they help? I don’t know, but I can tell you that the campaign was successful. However the campaign for The Rock Star & The Outlaw was just as successful, and it had no paid promotions. In fact it even did a little better than the first, so who is to say.

One thing about running a Kickstarter is, you expect your inbox to fill up with messages from people you don’t know, telling you how impressed they are with your campaign, and how they can help you make it a success. It goes with the territory. When it started to look like my campaign was faltering, I checked out some of these cold call messages, thinking maybe I could pay a little for a boost. Unfortunately, the cheapest one I found was $150. For a campaign with a $500 funding goal, that’s a lot. Especially when I’m not sure the one campaign I did paid promos with really benefited all that much from it.

Conclusions

In conclusion, I think I will go back to running my campaigns a full 30 days, as that seems to be a better fit for me and my books. But I will continue with Kickstarter as a part of my marketing plans. I may also take another look at merchandise for rewards for my next campaign, but I don’t think I’ll be looking seriously at using paid promotions, especially not at such inflated prices. I will continue to promote my own campaigns, just as I do my blog and my books.

My next campaign is scheduled for July for the first three books in the My Backyard Friends series; a project I’ve been working on for many years, but unable to publish for lack of an illustrator. I’ll be launching these three books; Heather Hummingbird Makes a New Friend, Charlie Chickadee Gets a New Home, and Timothy Turtle Discovers Jellybeans with wonderful illustrations by our own Robbie Cheadle. I’m looking forward to finally getting these books out there, so I hope you will all watch for the July campaign, and back the project or share to help promote it. All support is appreciated, even when the campaign doesn’t fund. I always appreciate my supporters.

About Kaye Lynne Booth

Author Kaye Lynne Booth

For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Book 1 of her Women in the West adventure series, Delilah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.

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Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.