WordCrafter “Will Write For Wine” & “Stories I Stole From Lord Byron’s Bastard” Book Blog Tour Day 4Posted: June 30, 2022 | |
Stories I Stole from Lord Byron’s Bastard is a collection inspired by Venetian history. The fictional character, Alexis Lynn, wrote these stories in the novel Will Write for Wine by Sara W. McBride, but they are fun stand-alone adventures to be enjoyed with an excellent glass of Italian wine.
Today’s tour stop comes with a fun interview with author Sara W. McBride in addition to her guest post. So kick back a while and enjoy the tidbits offered here as you learn more about Sara and her wonderful books.
Sara W. McBride, like many modern-day biological researchers, invents new swear words to sling at million-dollar machines while locked in a dark hole of a decaying academic hall. This has caused her to witness ghosts and create a romantic fantasy life within her head, which she now puts down on very non-technological paper with her favorite Jane Austen style quill pen.
Her first novel in the Alexis Lynn series, Will Write for Wine, and the companion short story collection, Stories I Stole from Lord Byron’s Bastard, both set in Venice, Italy, were recently released by Puck Publishing. She’s hard at work on the second Alexis Lynn novel, a Regency mystery series, and a haunted play. She strongly feels the world needs more haunted plays.
Don’t forget the awesome giveaway Sara is running on this tour, with a digital copy of each book up for grabs. You can enter the give-away for a chance to win at the link below:
Interview with author Sara W. McBride
Why do you write?
Sara: To be immortal! Just kidding. It’s my fabulous mental escape into worlds and lives that I wish I could live.
Please tell us a bit about your publishing journey?
Sara: In 2014, I organized, edited, and published the first two NaNoWriMo Los Angeles anthologies. Then I helped with the next three. The group is still producing an annual anthology. It was a great way to learn the logistics of self-publishing and how to shape short stories. This year, my husband and I launched Puck Publishing, and we’re hoping to publish something every month.
Over the past twenty years, I’ve written fourteen bad novels that I’m glad I never published. LOL!
What made you decide to self-publish?
Sara: In the late 1990s, I was an assistant to a Hollywood book agent and I learned the ins and outs of traditional publishing and movie book deals. The agents and publishers were so parasitic on the author, it gave me the willies. In those days, traditional publishing paid high advances, but the treatment of the authors still put a bad taste in my mouth.
Today, they rarely pay above a $10,000 advance to a new author, they expect the author to do all the marketing, and then the publisher keeps the copyright and sells it off whenever they like, to whomever they like, and the book goes out of print.
I’ve seen too many friends get screwed by traditional publishing.
Will Write for Wine takes place in the artistic and romantic setting of Venice. Have you explored the physical locations for your books in the flesh, in order to get the details right when writing about these locations? Have you been there? Have you lived there? Why did you choose this setting?
Sara: I’ve had five research trips to Venice, totaling about five weeks. I’ve been in almost every church and museum of Venice, and a few places I probably wasn’t supposed to enter. I apparently don’t understand the meaning of yellow caution tape or closed doors.
Most of the Venice locations in the book are real places, but Manu’s osteria is fictional. However, I stole menu items from many of my favorite osterias in Venice.
I think Venice is one of the most magical and haunted cities in the world. Many people describe it as a floating museum; the entire city is trapped in the Renaissance. But if you simply sit still, sip a glass of wine in a campo or piazza, listen to the opera singers, and watch the people and pigeons, there’s a vibe that sinks into you. Every part of the city is simultaneously dead and alive. It is that barrier, that thin line between life and death that pervades every stone, stench, and serenade of Venice. Delicious!
Stories I Stole From Lord Byron’s Bastard involves Venetian history. What is the fasciation of this area for you?
Sara: I’m a history nerd! Venice is one of those cities that drips with history, but not just through architecture and museums, through the people, the food, the many generations that still live in the same house, the ghosts that are accepted as common place, and the street signs. Ponte del Diavolo, the Devil’s Bridge is bound to inspire a story in anyone. Gheto Novo, or the New Ghetto, caused me to question the history of the Jewish community within Venice.
It’s difficult for me to walk from one piazza to another in Venice without my mind percolating a story based purely on the sights, sounds, and smells. And I love the smells of Venice. Both the good and the bad. Only Venice can induce an entire story purely through its smells. I’ve learned to navigate the labyrinth of Venice by sniffing the air. How is that not a story!
Is there anything unique or unusual about your writing process?
Sara: I don’t know the end until I get there. I just write into a dark void and somehow it all works out. It keeps the process magical and fun. I used to outline, but I always got bored with the book before I finished it. Outlining turned writing into work. Ick! Writing needs to be fun for both the writer and the reader.
Is your writing process plot driven or character driven?
Sara: Character driven! Definitely.
Do you write with music, or do you prefer quiet?
Sara: Quiet! Or the hubbub of a coffee house crowd, hotel lobby, airplane terminal.
Atmosphere is important. What do you do to get into the writing zone?
Sara: There’s a zone? How do I find that? I want a writing zone. I just go about my day and jot down paragraphs, dialogue, and then type them in when I’m next at my computer.
How much of the story do you know before the actual writing begins?
Sara: NONE! Okay, maybe the opening scene. But usually not even that. Just a character in a place, who is feeling something.
Wine plays a big role in your character, Alexis Lynn’s life. What is the attraction?
Sara: I love wine! I also love beer, whisky (Scottish spelling), Compari cocktails, and most dishes cooked with truffles. However, to preserve my liver, I typically only drink once-a-week, so it’s a big event for me. I cherish my weekly glass of wine and how it complements my meal. Alexis drinks way more than I do. Fictional wine can’t damage a fictional liver.
Are you a wine connoisseur? What is your favorite wine?
Sara: I love wine! I once dreamed of becoming a wine sommelier. Isn’t my favorite wine obvious? Soave! Like Alexis Lynn, I also discovered Soave on my first trip to Venice. It’s been a favorite ever since, but difficult to find in America. Hence, more motivation to travel!
What’s something most readers would never guess about you?
Sara: My husband and I got engaged four days after we met. Unlike Alexis Lynn and her marital troubles, my husband and I have had a relatively easy, adventurous, crazy, happy and supportive marriage. This summer, we’re celebrating out twenty-five year anniversary. But I don’t know how we’re celebrating. Any suggestions?
You’ve got a scientific background, like your character. How much of Alexis Lynn is you?
Sara: Um … She’s totally me! Are authors allowed to confess that?
What time of day do you prefer to do your writing? Why?
Sara: Morning, if given a choice. But it happens all day.
What’s the hardest part of the story for you to write: beginning, middle or end?
Sara: I write chapters as if they are short stories, and then I arrange them into a book when I think I’ve developed something that has a beginning, middle or end. Is that weird? I don’t write chronologically. And I have chapters/stories that didn’t make it into this book that will be in the next one.
Alexis Lynn has a conversation and wine tasting with Casanova. Would you like to talk a bit about the inspiration for that scene?
Sara: I was enjoying my weekly glass of wine while reading the memoirs of Casanova and thought, “Man, this guy would give horrible marriage advice!” Then I grabbed my computer.
Besides Casanova, which author, poet or artist, dead or alive, would you love to have lunch with?
Sara: Lord Byron, or course! He’s bloomin’ brilliant, but people only remember him as a seducer. Sure, he seduced a few women, usually married ones, and has some famous bastards; the famous mathematician, Lady Lovelace, is one of his illegitimate children. But he also wrote the first English-Armenian dictionary, and was a very, charming, intelligent debater. His letters are filled with wisdom and humor. In an incredibly elegant manner, almost complimentary, he was able to inform someone of their idiocy. I would love to have lunch with Lord Byron, even if he spent an hour politely insulting me.
Besides writing, what are your favorite things to do?
Sara: Travel! I also love hiking, playing board games, reading every genre, watching cheesy Hallmark Christmas movies in the middle of summer, and learning Italian so I can one day move to Venice.
What is the biggest challenge of being a writer?
Sara: Pulling together a bunch of short stories into a cohesive novel and then figuring out what scenes are missing.
It was funny with Will Write for Wine, my husband included a little gondola and gondolier on the cover, and I suddenly realized that I didn’t have any gondola scenes in the book. Both the gondola scenes were the last scenes I wrote.
If writing suddenly made you rich and famous, what would you do?
Sara: Move to Venice and write more!
What’s the most fun part of writing a novel or short story/screenplay? What’s the least fun part?
Sara: Most fun? Dialogue! I’m originally a playwright, so I love dialogue.
Least fun? Killing a character I like. Killing a nasty character is delightful, but killing a kind character, or a character I’ve spent years with, is heart-wrenching.
How much non-writing work, (research, marketing & promotion, illustrations & book covers, etc…), do you do yourself for your books?
Sara: I do everything myself, but my husband does the cover art and most of the website maintenance. We have fun working together.
If your book was made into a film, who would you like to play Alexis Lynn?
Sara: Oh! Juicy question. Reese Witherspoon. Yep, definitely Reese Witherspoon. Mid-40s, cute, and like Alexis, she exudes positivity even when her world is falling apart.
What goals do you set for yourself in your writing?
Sara: Don’t plan ahead. If I don’t know what’s going to happen, neither does the reader. This is really funny because I’m writing a murder-mystery right now and halfway through the book, my murderer, who I didn’t know was the murderer, just totally confessed to the murder. So, um, geez, I guess that book is going to be a different style of murder mystery. LOL! So, I guess my goal in writing is to always be surprised.
As you can see, Sara is an author who loves what she does ad is pretty comfortable in her own skin. Now, let’s hear about her inspiration for the fourth story in Stories I Stole From Lord Byron’s Bastard, “Lazzaretto Vecchio: A Dowry for Saffron”.
Guest Post by Author Sara W. McBride
Inspiration for “A Dowry for Saffron”
What inspired the story, “Lazzaretto Veccchio: A Dowry for Saffron?”
“Sia laudato il signor Iddio non ci sono stati morti.”
Bless the Lord, there have been no deaths [today].
December 24, 1630, in Sant’Eufemia, Venice.
* * *
This quote is from the opening of a Nature paper, “A digital reconstruction of the 1630-1631 large plague outbreak in Venice,” by Gianrocco Lazzari, et al. Published Oct. 20, 2020.
* * *
I’ve always been fascinated by the European plagues, but when I read the above Nature paper, the effects of the 1630-31 plague on Venice consumed my mornings for several weeks. This especially seemed relevant while living through a new global pandemic, thankfully with much lower mortality rates.
In 1348-49, bubonic plague killed one-third of the European population, up to 25 million people, and Venice, as a crossroads for international trade, lost half its residents. Imagine living in a bustling city of 100,000 people, and half of them die within 18 months. It would be horrifying and haunting.
In response to the devastating plague of 1348-49, Lazzaretto Vecchio was established in 1423 as the first quarantine island in the Mediterranean region, and was used to separate the healthy from the sick during Venetian plagues. Lazzaretto Nuovo was established shortly afterward as a place where ships suspected to carry sickness among their passengers or crew were anchored for 40 days. English acquired the word “quarantine” from the Italian term for 40 days, quaranta giorni. The lagoon island of Poveglia also became a quarantine outpost sometime in the 15th century. It’s rumored that half the soil of Poveglia is human ash from burned plague corpses. Then it became a mental hospital from 1922-1968. No wonder the place is one of the most haunted locations in Europe.
Considering the 15th century world had no idea how disease was spread, the idea of quarantining the sick or foreigners arriving from plague stricken areas was very innovative.
The story, “Lazzeretto Vecchio: A Dowry for Saffron,” takes place during Venice’s plague of 1630-31, which killed a third of the city’s population. Both plague islands were used to isolate and treat the sick, however, caregivers were needed to work at the island hospitals, mostly because, I assume, workers kept dying of plague.
The Italian city of Ferrara had a long history of successfully avoiding plagues that ravaged other parts of Italy. They closed their city gates and screened all arrivals for any signs of disease. They insisted that Fedi, proofs, identification papers from a plague-free zone must be presented. Ferrara, starting as early as medieval times, engaged in public sanitation campaigns, sweeping away garbage and liberally spreading lime powder on any surface that had come into contact with an infected person.
When an Italian physician, Girolamo Fracastoro, published a text in 1546 describing the “seeds of disease” as something that could stick to clothes and objects, Ferrara increased their sanitation practices during plagues and burned the clothes of any infected people. Removing garbage, spreading lime powder and burning infected clothing probably reduced the flea pestilence that actually carried Yersinia pestis, the bacterium that causes plague.
Many natural remedies were prescribed for protection against the plague, but a medicinal oil designed by a Spanish physician, Pedro Castagno, was written into Ferrara’s, “Reggimento contra la peste,” regimen against the plague. The oil, called Composito, was recommended to be applied to the body.
“Before getting up in the morning, after lighting a fire of scented woods (juniper, laurel and vine shoots), warm the clothes and above all the shirt, rub first the heart region, near the fire to ease balm absorption, then the throat. [Afterwards], wash hands and face with acqua chiara (clean water) mixed with wine or vinegar of roses, with which sometimes all the body should be cleaned, using a sponge.”
Ferrara city’s regimen against the plague
The contents of Composito was never fully disclosed, but researchers examined the records of materials ordered by Castagno and determined that the oil contained venom from scorpions and vipers, and myrrh and Crocus sativus, which is a saffron flower from which the filaments produce the golden spice saffron. Both myrrh and saffron are known to have antibacterial properties, as does scorpion venom with the bonus that it’s also a pain reliever. So basically, Composito was an early antibiotic and pain reliever combo. Pretty nifty!
According to census records, Venice’s population was around 140,000 in 1624. By 1633, that number had fallen to 102,000. More than 43,000 deaths were recorded over just three years, with nearly half of them taking place between September and December 1630. The city of Venice began several public works projects, like the grand Baroque church, Santa Maria della Salute, greeting guests at the entrance to the Grand Canal. The church’s construction began in November 1630 with the goal of keeping citizens employed and maintaining art and labor skills.
The city of Venice also purchased food for the quarantined, both in the city and on the plague islands. It is logical to speculate that in the early months of 1631, Venice might have asked Ferrara, a city with success at conquering the plague, if their convents could be paid in order to encourage volunteers to work at the plague islands. My story is fictitious, but the stage was set for the events I describe in the story. I also talked about pirates in the story. Yes, there were pirates at this time: mercenary pirates and government deployed pirates (particularly from England).
My story focuses on a group of nuns who have been “volunteered” by their convents, and how they sacrifice one nun into a marriage in order to secure their much needed ingredient of saffron for Composito, their only hope for survival on the plague islands. The politics and finances of Venice in 1631 created a world where this story could have happened. There’s a lot of history not recorded in text books, and this is a story that no one would want recorded.
Something fun for readers:
In my research of the plague islands, I was surprised by the lack of ghost ship stories haunting the Venetian lagoon. If you know of any, please write me at firstname.lastname@example.org. If you’ve ever visited the eerie lagoon island, Poveglia, the plague island, turned insane asylum, turned old-folks home, which now stands empty—less the chilling screams on foggy nights—I want to hear about it.
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You don’t choose who you love, it just happens. Follow young Abbie Raymond as she traverses concentric rings of tragedy, hope and healing.
It’s Day 3 of the WordCrafter Hope for the Tarnished Book Blog Tour. Today, I’m pleased to bring you an interview with author Ann Chiappetta. Hope for the Tarnished is her debut novel and I get the feeling that she’s mighty proud of it, as she should be. This touching young adult novel sees a small girl grow into a young woman, in spite of the adversities life throws her way, and she is left with hope for a brighter future.
Let’s Meet Ann Chiappetta
Ann is an artist and often refers to her love of words as a natural compensation after losing her vision in 1993. Once a designer of acrylic displays and furniture, Ann trained her creative senses to flow over from the visual to the literary arts. Years later, she has become a poet and author, honing her talent in various mediums, including web content for nonprofits, regular bylines for online literary publications, poetry, anthologies and guest editing in online literary journals.
Ann possesses a master of science in Marriage and family therapy from Iona College and an undergraduate degree from the College of New Rochelle, both located in Westchester County, New York. A guide dog handler and advocate, Ann volunteers her time representing people with visual impairments and guide dog users on various National, State and local boards of directors. A consultant and guest presenter, Ann visits schools promoting awareness and equality for people with disabilities. She is the 2015 recipient of the WDOM Spirit of Independence award and the 2019 GDUI Lieberg-Metz award for excellence in writing.
Kaye: When did you know you wanted to be an author?
Ann: When I was a kid I would read a book and if it was a really good book, I would think about how they did it. My love of books grew with me and in seventh grade, after writing my first poem, the teacher said I could now call myself a poet. It was just a matter of time and education after that. I was always drawing, singing, dancing, imagining – it was a matter of creative discipline and eventually my talent emerged as I practiced.
Kaye: Is there anything unique or unusual about your writing process?
Annie: I do have one part of my creative process few authors utilize and that is text-to-speech technology on my computer because I am blind. I actually listen to the words as I type. I think it helps me craft stories and poems that also sound good when read aloud. I also tend to write down the bones, then return to the idea later after it has cooked a bit in the creative oven. I also use my dreams to write scenes and shorter pieces of fiction and poetry.
Kaye: What time of day do you prefer to do your writing? Why?
Annie: I like to write in the morning and sometimes catch an hour’s worth of editing work in the afternoons. I rarely write at night, that’s for reading, family and TV. I do record notes when I am out and need to recall something like overhearing a conversation or a feeling about something I’ve heard or explored. I will listen to the recording and then write a piece. The recording brings me back to the moment and strengthens the piece.
Kaye: Would you share the story of your own publishing journey?
Annie: I’ve been published for years in journals and even once in Reader’s Digest. Poetry was first, followed by nonfiction articles and a few bylines. I didn’t consider a book until 2015. My first book, Upwelling: Poems, was published in 2016. My Mom was my biggest fan and supporter of my talent and was a poet herself but did not let us read her work. After she died of cancer in 2015, I wanted to honor her memory and belief in me by finding a way to self-publish my poems. I had almost given up, losing faith that despite being blind and unable to use desktop publishing software because of my disability, I stumbled across DLD Books after reading another blind writer’s memoir. I emailed the address and Leonore Dvorkin wrote me back and the rest is self-publishing history. I dedicated my book to my Mom, Mary, and have since dedicated each book to her. Interestingly, as we went through her belongings, we found a poetry journal and I have some of her writing.
Kaye: What do you like to do when you’re not writing?
Annie: I read and listen to audio books with my husband. We like to cook and watch baseball and football together. I listen to music, from classical to pop tracks. Our adult daughter lives nearby and helps us out all the time. I record my poems and perform them for others. I volunteer my time in blindness organizations in my county as well as Nationally. I sit on local, State and National boards of directors representing artists who are blind, guide dogs as well as writers with disabilities. We have two dogs and three cats that keep us busy.
Kaye: Your new book is Hope for the Tarnished, a sweet Y.A. about a young girl who overcomes some very difficult life obstacles. What’s the most fun part of writing this novel? What’s the least fun part?
Annie: The most fun part about writing Hope for the Tarnished was developing the relationship between Abbie and Augie. I wanted their attraction to grow as they matured. The hardest part of the story was finding the right set of circumstances to separate them and then keep them apart. There was also times when writing the traumatic scenes were difficult and I needed breaks because I got all weepy or verklempt.
Kaye: Your book, Hope for the Tarnished, recently came out. Would you like to tell us a little about that?
Annie: It is my first novel and I was apprehensive about sending out into the world. The novel was released in March 2022, a great month and not just because it is my birthday month, 😉 It is my first hard cover book and also the first book to also be offered through the Library of Congress catalog. My sister, Cheryll, provided the book cover photo, which is the third cover she helped design. Marketing a book is the tough part and doesn’t always feel successful, especially in terms of sales. I tell myself it is the readers who make it better, the ones who take the time to tell me what they thought of the book, how it effected them and even the criticism is important to me, it helps me want to become a better writer. It’s hard to hear the negative feedback but in the end, good and bad helps me push ahead and want to achieve more.
Kaye: How did you decide on this title?
Annie: My editor, Leonore Dvorkin helped me by researching variations of the title. I picked Hope for the Tarnished mostly because it encapsulated the overall arch of the book and it didn’t generate an over-used title.
Kaye: What kind of research do you find yourself doing for this story?
Annie: I researched the book title to make sure it wasn’t over-used. I brought in my knowledge of boating but did have to research the cars and other vehicles being used in the late 1970s and early 1980s. I also had to research the clothing styles. I was very happy when I was able to weave in the 1977 premiere of Star Wars, 😊 That movie was a key component of what generated my love of science fiction and fantasy.
Kaye: What’s the hardest part of the story for you to write: beginning, middle or end?
Annie: The middle, what I refer to as the doldrums. I often get stuck even after the outline is completed. Sometimes I stay awake at night thinking, “what comes next?”.
Kaye: How much of the story do you know before the actual writing begins?
Annie: I know the main idea, sketch the outline, make brief plot notes, maybe even a brief character sketch or two is done prior to the first chapter. I used to be a writer of discovery and now I am an outliner and planner. I’ve found outlining or developing a short synopsis crafts the story better and helps me avoid over-writing scenes. I’d much rather add to something than remove it, though a novel ends up shifting in both directions as it is written and edited.
Kaye: What do you think is the single most important element in a story?
Annie: Characters. If I don’t develop an emotional response for them, I don’t feel even the best theme or plot will help me through the story — both as a reader and author of a story.
Kaye: Have you created any of your characters based on people who you know in real life?
Annie: Who hasn’t? 😊 Seriously, though, my characters are most often composites of people I’ve known or characters I’ve admired from other books or stories. I do like to develop characters with realism and imagination.
Kaye: What is something your readers would never guess about you?
Annie: I love to go fast, used to race street cars in California. I’ve ridden horses in Lake Tahoe, Nevada and love riding motorcycles.
Kaye: What time of day do you prefer to do your writing? Why?
Annie: I am a morning writer. I like to awaken and listen to the sounds around me, find the flavor of the day and let my mind determine what to work on. Sometimes it is a poem or a deeper discussion over email about a project, at other times it is prepping a script to record. Though I like the quiet of night, I am often too tired to write. I am not the kind of person to write in a coffee shop, I’d be the person in the corner of the library with the laptop instead.
I like to write early in the day when my mind is most agile. Sometimes I edit and finish tasks like a blog post or something simple but keep the creative work for the mornings.
Kaye: How much do you read? What do you like to read?
Annie: I am eclectic when it comes to answering this question. Genres include science fiction and fantasy, some horror and suspense, memoir, nonfiction, literary fiction collections and short stories and crossovers. I also listen to poetry selections but I am picky about the poets I read. I get through about fifty books a year, give or take.
Some of my favorite authors are Rudyard Kipling, Cormac McCarthy, Stephen King, Nora Roberts, Brandon Sanderson, Larry Correa, Michael Connelly, John Irving, Kahlil Gibran, and I have read dozens of the books based on the Star Wars universe. I love to read poets Billy Collins, Joan Myles, Mary Oliver, Joy Harjo, Wallace Stevens, Langston Hughes, Wordsworth, William Blake, and many others.
Kaye: Which author, dead or alive, would you love to have lunch with?
Annie: Anne McCaffrey, author of the science fiction Dragon riders of Pern series.
Kaye: What is the one thing you hope to teach your children?
Annie: My kids are adults now. They both grew up while I progressed through my vision loss journey. I know this has helped them develop a high level of compassion for others and people with disabilities. I also know it was hard for my kids to cope with a Mom who is blind. We had tough moments and we got through it. Whenever I hear my daughter helped a neighbor or a Mom comment on how she helped someone, my heart is happy. I say to them that the world is a kind place if you believe it and be part of the kindness.
Kaye: What’s your favorite social media site for promotion? Why?
Annie: Face Book is my social media site of choice because it is robust and fairly easy to navigate.?
Kaye: What’s the best piece of advice you were ever given?
Annie: In order to be a good writer, you need to be a better reader and keep reading — as much as possible and in as many genres and styles as possible — and this and practice will hopefully help you become a great writer.
If you are only joining us now for the first time, and would like to learn more about Ann or her novel, you can follow the rest of the tour and check out the posts from the first two blog stops on the tour:
Day 2: Patty’s World – Guest Post by Ann Chiappetta
I do hope you will join us for the rest of the tour. See you there. 🙂
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Day 3 of the WordCrafter “Lingering Spirit Whispers” Book Blog Tour: Interview with author Jeff BowlesPosted: December 1, 2021 | |
Welcome to Day #3 of the WordCrafter Linger Spirits Whisper Book Blog Tour, where we’re celebrating the release of Linger Spirits Whisper paranormal anthology set. Connoisseurs of ghost stories will want to add this unique paranormal set to their collections. The release is today and you can get your copy here.
Today we’re over at Un dawnted, where D.L. Mullen is interviewing contributing author Jeff Bowles, who has stories in two of the three anthologies included in this set.
Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative work can be found in God’s Body: Book One – The Fall, Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, Love/Madness/Demon, is available on Amazon now!
His story “A Peaceful Life I’ve Never Known” was the winning story in the 2019 WordCrafter Paranormal Short Fiction Contest and is featured in Whispers of the Past.
And his story “Wenekia” is featured in Spirits of the West.
I hope that you will join us and follow the rest of the tour to learn more about the stories included in this set and their authors. Undawnted does not have commenting abilities, but feel free to leave any comments you have on the interview here: http://www.undawnted.com/2021/12/wordcrafter-lingering-spirit-whispers.html
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Welcome to the WordCrafter “Lingering Spirit Whispers” Book Blog Tour: Interview with author Stevie TurnerPosted: November 29, 2021 | |
Thank you for joining us for Day #1 of the WordCrafter Lingering Spirit Whispers Book Blog Tour. This tour celebrates not one, but three different anthologies offered together in one anthology set. This unique paranormal set combines three paranormal anthologies into a single set for ghosties galore. A must have for lovers of paranormal fiction.
As you may know, every year WordCrafter Press runs a short fiction contest, and each year there is a resulting anthology. For 2019, it was Whispers of the Past, with paranormal stories from contributing authors including myself, Roberta Eaton Cheadle, Stevie Turner, Laurel McHargue, Julie Goodswen and author of the winning story, Jeff Bowles.
For 2020, it was Spirits of the West, with western paranormal stories from contributing authors including myself, Roberta Eaton Cheadle, Jeff Bowles, Arthur Rosch, Tom Johnson, and author of the winning story, Enid Holden.
For 2021, it was Where Spirits Linger, with paranormal tales from contributing authors including myself, Roberta Eaton Cheadle, Stevie Turner, Enid Holden, S.L. Kretschmer, and author of the winning story, Christa Planko.
You can get all three in one anthology set, Linger Spirit Whispers, to be released on December 1 and available for pre-order now.
And join us for the tour to learn more about the stories contained within these three paranormal anthologies and their authors. D.L. Mullen will be doing interviews on her Un dawnted blog site Monday through Thursday and we will finish up her with a guest post from 2021 contest winner, Christa Planko discussing the inspiration behind her winning story, “Olde-Tyme Village”, featured in Where Spirits Linger. Un dawnted does not have comments enabled, but feel free to post any comments you have on the interviews here. Interviews with authors Roberta Eaton Cheadle, Kaye Lynne Booth, Stevie Turner and Jeff Bowles will be featured. I hope you will join us today and follow us through the rest of the tour.
Today’s author guest is contributing author Stevie Turner, who has stories in two out of three anthologies included in this set.
Stevie Turner is a British author of suspense, paranormal, women’s fiction family dramas and darkly humorous novels, and likes to find subjects to write about that are not often covered. Stevie is married and lives in the wilds of East Anglia, England, and enjoys cycling about the countryside when she is not busy writing.
Her story “Partners in Time” is featured in Whispers of the Past – a paranormal romance where past and present cross.
And her story “David’s Revenge” is featured in Where Spirits Linger – a tale of revenge from the grave.
You can join in on Stevie’s interview with D.L. Mullen here: http://www.undawnted.com/2021/11/wordcrafter-lingering-spirit-whispers.html
Book your WordCrafter Book Blog Tour today!