Robbie Cheadle started the “Growing Bookworms” blog series back in 2019. It was the first series that she brought to Writing to be Read, and is the longest running blog series to date on Writing to be Read. It has been a wonderful series, which originated with her Sir Chocolate series characters, and all the creative ways in which she encouraged her own sons to read and enjoy the world of literature. It has now grown into a discussion of children’s books and literature as the series progresses. Now, after six years, Robbie’s bookworms are grown and she is ready to move on with a new series, which I’ll tell you a little about below. But first, let’s celebrate the series by spotlighting all the fabulous banners Robbie has created for the “Growing Bookworms” series over the years with her darling fondant art as we bid “Growing Bookworms” farewell.
Growing Bookworms
(The fondant village is the latest banner. Click to the right for a trip back through time to the first banner with Sir Chocolate and Silly Willy back in 2019.)
Welcome “Robbie Reads and Cooks”
In her new blog series, “Read and Cook”, Robbie plans to share posts containing a book review paired with a recipe. I hope you will join us in welcoming this new and creative blog series for Robbie. I think it will be interesting to see what Robbie’s literary tastes cook up.
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October Release: Midnight Garden
17 authors bring you 21 magnificent dark tales. Stories of magic, monsters and mayhem. Tales of murder and madness which will make your skin crawl. These are the tales that explore your darkest fears. Read them in the Midnight Garden… if you dare.
Contributing authors include Paul Kane, Ell Rodman, DL Mullan, Joseph Carrabis, Roberta Eaton Cheadle, Denise Aparo, Jon Shannon, Zack Elafy, Paul Martz, Robb T. White, Abe Margel, Julie Jones, Molly Ertel, Peter McKay, Kaye Lynne Booth, Danaeka Scrimshaw, and M.J. Mallon, author of the winning story in the 2024 WordCrafter Dark Fiction Contest.
Scheduled for release on October 8th. Don’t miss the WordCrafter Midnight Garden Book Blog Tour October 7 – 14, with guest posts and audio/video readings by contributing authors, and a great giveaway. So be sure to join us in sending this dark fiction anthology off right.
Tales From the Hanging Tree News
There exists a tree that is timeless, spanning across all dimensions, which absorbs every life as those who are hanged as they die… and it remembers every one. The stories within are a select few of the Tales From the Hanging Tree.
September saw the release of Tales From the Hanging Tree: Imprints of Tragedy. We launched it with a great blog tour featuring guest posts or excerpt readings from contributing authors. If you missed it, you can access each stop through the links in the tour schedule below. You can get your copy at your favorite retailer through Books2Read: https://books2read.com/Hanging-Tree
Tour Schedule
Monday Sept. 9 –Writing to be Read– Reading Excerpt by Joseph Carrabis & Guest Sylva Fae
Friday Sept. 13 – Writing to be Read– Reading Excerpt by DL Mullan & Guest Matt Usher
We also had a cool giveaway during the tour. The winners received a free digital copy of Tales From the Hanging Tree: Imprints of Tragedy.
And the winners are…
T.W. Dittmer
Merril D. Smith
C.E. Robinson
We also had promotional posts appear on the Joseph Carrabis blog site, so if you’d like to learn more about the anthology, click on the links below to see those posts.
They classified this 2015 Craig Zahler film as western horror-two genres you don’t see cross often. Although quite graphic, Bone Tomahawk has a slow, but necessary, build-up, which ends up telling a powerful but horrific story, with Kurt Russell as a strong lead character.
I admit, I grew up knowing Russell as a child actor, portraying roles in Disney films such as The Shaggy Dog and The Computer That Wore Tennis Shoes, and still to this day, I have a hard time buying into his tough guy roles like Snake Pliskin in Escape From New York or Wyatt Earp in Tombstone. But I must say that Russell, by the end of each of those movies, had become the character in my mind, and they were all characters I had come to like. In this film he portrays the tough small town Sheriff with a strong sense of morals, adding to the impact of the story through his portrayal.
The story builds slow, with an abduction serving as the inciting incident, sending the Sheriff and his compatriots into the desolate and wild landscape of the American frontier in pursuit, determined to bring the captives back or avenge them. The Sheriff and his elderly deputy are joined by a bounty hunter and theinjured husband of the abducted woman, and they all seem like unlikely companions, making for a adequate amount of tension and inner turmoil along the way as they strive to find and face an unknown enemy. What they find is worse than their darkest imaginings.
The setting may be the western frontier, but there will be no doubt as to why Bone Tomahawk was given the horror classification. The monsters that must be battled are of the human variety, but they are horrific and brutal, none-the-less. The scenes are graphic and violent, and sure to touch a nerve.
The ending was unexpected, but I’m not providing any spoilers for this powerful movie.
For horror fans who are not squeemish, this movie tells a impactful tale that will touch you at the deepest levels of your own humanity.
About Kaye Lynne Booth
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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This post is sponsored by WordCrafter Quality Writing & Author Services.
Whether it’s editing, publishing, or promotion that you need, WordCrafter Quality Writing & Author Services can help at a price you can afford.
When newlywed Rachel Corrigan agrees to accompany her husband, Tom, to his family estate before starting their lives together in the city, it is an opportunity to get to know him and to explore the manor where he grew up. But when Rachel arrives she finds Corrigan House strange, the nearby town empty, and her husband’s sudden cold demeanor increasingly frightening. She soon learns that one year ago, Tom’s first wife, Lavinia, took her own life in the twisted forest behind Corrigan House. The servants claim that her spirit resides there still, calling out from the wood, her voice as clear as the day she died.
In a desolate town where everyone harbors a secret, Rachel finds herself a prisoner in a place which is becoming increasingly treacherous. When the village priest is found savagely stabbed and on the edge of death, it becomes clear that the remaining townsfolk – witnesses to Lavinia’s demise – are being hunted down one by one. But Lavinia Corrigan is dead. Isn’t she?
I purchased a copy of The Hungry Deep, by J.L. Murray in a Freebooksie deal. All opinions stated here are my own.
The author does a good job of maintaining a level of tension and mystery throughout the steady unfolding of this tale. There is something amiss, but like the protagonist, Rachel Corrigan, you can’t quite put your finger on what it is, until little by little, all the pieces fall into place. The spirit of Tom Corrigan’s first wife, Livinia, haunts the memories of those who knew her. The entire town emptied out after her death and those who are left all bare secrets which may be best left buried. With murder, mayhem, and mystery, this tale promises to be one to keep readers on the edge of their seats, with a satisfying pay-off in the ending.
Mysterious and suspenseful, this gothic horror novel, will hold your attention until the last page. I give The Hungry Deep four quills.
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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.
Last month’s prompt for a story with a legendary monster did not recieve any responses, so again, there is nothing to vote on. I will however post my entry below, in which my legendary monster is a shape shifter, and in this tale, he happens to be the good guy instead of the villian. I’d be happy to hear any feedback any of you have on it, even though you can’t vote. But first, let’s take a look at this month’s prompt to get those creative juices flowing.
This Month’s Prompt
This month, I want you all to write a ghost story where the ghost is the protagonist and is frustrated by the limitations of ghostlyness which keeps them from resolving a problem unfolding in the physical plane.
This prompt, by definition will be a parnormal story, but you can still cross it with any genre, so tell me the story that you want to tell.
The Rules
Remember, your story can be any genre, so you can get creative. Publish the results on your blog and send the link to me by the last day of the month. Be sure to label them with #WtbRStoryChallenge. Or, if you don’t have a blog, you can send the results directly to me at kayebooth@yahoo.com, and I will publish them or the links back to your blog the following month along with the writing prompt for the next month.
Stick to the rules and after 30 minutes of writing stop. You can finish the story if you like. I hope you do. But you need only submit that 30 minute piece for this challenge. I’ll be writing right along with you. I know the prompt ahead of time, but I won’t begin writing until it has posted. Be sure to have your entry to me by the last day of the month, so I can share them all for readers to vote on.
Another good thing about this not being a live event is you will have the opportunity to edit for grammar, spelling, and punctuation before submitting, and I do want it to be the best you’ve got, of course.
My Last Month’s Submission
Untitled Paranormal Romance
By Kaye Lynne Booth
When Elliot returns to camp, he finds Arabella missing and his sister sitting on the forest floor, he loses focus, almost shifting involuntarily. He quickly gets himself under control, although he can still feel the eagle, restless within him.
Where is she, Diedre? He says the words in his head, knowing his twin doesn’t need him to speak the words aloud. He scans the area as if the girl were somewhere in the clearing, and he might have just overlooked her. It was his job to return her safely to her father. She was his responsibility.
The wizard, Magnus, took her. His sister replies telepathically, as she shakes leaves, pine needles, and other forest debris from her long, blondish-brown hair, brushing through it with her fingers to get whatever won’t let go. He must have shielded himself before he waltzed in here to snatch her, because I couldn’t touch him, even after I let the cougar out.
“How long ago?” he asks aloud, too sharply. “Which way?”
“Long enough for me to return to my human form and catch my breath,” she says, pointing off to the right. “You’ll have no trouble tracking him. He left bloody prints in his wake.”
He cocks his head, giving her a puzzled look.
“From the girl,” she says. “He pulled her inside the shield with him. She grabbed hold of a stick from the fire as he grabbed her. She was doing her best to do some damage as he dragged her away. I think she fought him even harder than she fought you, when you announced that you intended to return her to her father.”
Without another word, he is off in the direction she indicated.
He follows the bloody tracks without stopping for two days, the eagle’s strength and spirit allowing him to endure without food or water, never tiring, through both day and night. It is up to him to get the girl back, no matter the cost. This night, the trail ends at the edge of a sheer cliff, plummeting down hundreds of feet until the land below is drenched in shadows, and darkness so thick that even the eagle’s eyes can’t cut through it. Bloody smears along the cliff face below, like those he has followed here, let him know his adversary climbed down the cliff face with the girl.
Elliot feels the eagle stir, excited, anxious to be loosed, expanding within him. A ragged seam splits the flesh along his spine as he spreads his arms to accept the eagle’s wings, rising into the air. Now, the wings are his, as he extends them, as long as his human form is tall, the wind catching them from below, carrying him off the cliff and out over the land. He descends downward faster than if he were falling, and the cliff face blurs in his vision as he flaps eagle’s wings, his wings, with long, hard strokes, applying his momentum upward. He glides in, lighting on top of a tall pine, affording him a view of the valley below and the entire face of the cliff, as the sun pokes its face over the horizon.
Perched more than a hundred feet above the valley floor, the eagle sees movement from a cave in the face of the cliff. Upon further inspection, he’s found what he seeks: the wizard and his captive prisoner.
Magnus stands at the edge of the cave, staring up into the sun, oblivious to his presence, while Arabella sits on a large rock only a stone’s throw away. She is covered in dirt and dark splotches hint at bruises beneath the filth. She must have fought him every inch of the way. If he tilts his eagle head just right, he can see the sun glinting off the shield surrounding the cave. He needs a distraction to get the wizard to drop the shield long enough for him to get the girl.
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This post is sponsored by Midnight Roost: Weird and Creepy Stories and WordCrafter Press.
20 authors bring your nightmares to life in 23 stories of ghosts, paranormal phenomenon and the horror from the dark crevasses of their minds. Stories of stalkers, both human and supernatural, possession and occult rituals, alien visitations of the strange kind, and ghostly tales that will give you goosebumps. These are the tales that will make you fear the dark. Read them at the Midnight Roost… if you dare.
Welcome to “Chatting with the Pros”. Today, my September guest is author, publisher, and educator Marie Whittaker. Like myself, Marie likes to dip her toes in several different ponds at the same time, and she is a multi-genre independent author, associate publisher and project manager at WordFire Press, and director of Superstars Writing Seminars, and she teaches publishing courses to graduate students at Western State Colorado University.
I met Marie in her capacity at WordFire Press, when I reached out, requesting a Kevin J. Anderson ARC to review back in 2016. Since then, she has kept me in the loop as new WordFire books became available, so I was never at a loss for reviewing materials, and she has been an invaluable resource in lining up authors for the WordCrafter virtual writing conferences in 2020 and 2021, and in connecting with authors for interviews. I was privilaged to get in a few sessions with her at Western, where she shared just a minunte sampling of her vast publishing knowledge with students. But she always shared something that I hadn’t previously known and I always learned something useful from her and she’s prepared to share some great stuff with us here. I hope you will all join me in giving this lady a big welcome.
About Marie Whittaker
Marie Whittaker is an award-winning essayist and author of fantasy for all ages. She is the creator of The Adventures of Lola Hopscotch. A past finalist for an Indie Book Award, and many of her stories appear in various anthologies, including Weird Tales. She enjoys teaching about project and time management for creatives. Marie has worked as a truck driver and raft guide and is now Associate Publisher at WordFire Press and Executive Director for Superstars Writing Seminars. A Colorado native, Marie is a mom to two adult children and Grammy to one who is made of pure magic. Marie resides in Manitou Springs, where she writes and enjoys hiking, gardening, and renovating her historic Victorian home. Marie is an advocate against animal abuse, a dog mom, cat mom, and bunny mom, and habitually adopts rescue animals. Find more about her at mariewhittaker.com.
Interview
Kaye: You are the Associate Publisher and Project Manager for WordFire Press. How do you manage to juggle all the responsibilities of that job, directing Superstars, plus all you do instructing and organizing students at Western, and being a mom and an author yourself?
Marie: It really helps that I love what I do, have a great boss, and am supported by two excellent teams. I also have project management tools at work and live by my calendar for both my professional and personal time blocking. I love teaching. Being an instructor in Gunnison for the WCU Creative Writing Program is a big honor! My kids are adults and out of the house now, but I have a crew of furbabies that have all hit their geriatric years at the same time so it’s like I’m running a pet nursing home over here. Ha! I love these little souls.
Kaye: You are director of Superstars Writing Seminars, which is held in Colorado Springs, Colorado each February. Please tell us about the seminars. What can attendees expect?
Marie: Superstars is a drink-from-the-firehose, deep dive into the business of writing and our industry. As the “OG” conference on the business of writing, we strive to bring in professionals who teach at the top of their fields within our industry. But the best thing of all is Tribe. Superstars has strong tribe culture and our network is one of the best out there. The conference lasts for five days now that we’ve added programming on Sunday until noon. You can find out more at superstarswriting.com. As a special gift to your readers, they can use code MARIE1371 to register with a $100 discount.
Kaye: You have a page on your website labeled “Consulting for Creatives”. Can you talk about the things you do that would fall under author support? What kind of services do you offer?
Marie: I offer a lot in the way of helping creatives find the work/life balance. I love helping other creatives find ways to succeed with time management. I offer advice on different publishing plans, as there are so many ways to create a successful model these days. I mean, not everyone wants to deal the traditional publishing. Some authors want to self-publish. Some want to proceed into the industry with a hybrid approach, like me. I enjoy sharing resources and tools I’ve discovered in my career so far. That can be found, along with my rather dusty blog, at mariewhittaker.com.
Kaye: You are the author of “horror, urban fantasy, children’s books, and supernatural thrillers”. That is quite a combination. How did it come about that you write in this mixture of genres? What inspires you to write?
Marie: I started off writing horror and I’ll always be a horror girl at heart. Most of my fantasy work has horror elements woven through the themes. I created The Adventures of Lola Hopscotch when I got to a good place in my career and decided I wanted to do something to help kids. The series helps kids with bullying and since I was a bullied kid, the topic sits close to my heart. There are three books to that series and the second one, of course, is a children’s horror book. I couldn’t help myself. As far as inspiration goes, I get hit with new story ideas all the time and it’s mostly when a story idea lands at the same time as the title for the work. Once that happens, I’m off to start taking notes and creating the story.
Kaye: For your adult fiction, you write under a penname, Amity Green. Why did you choose to do so? What purpose does it serve? How did you select a new name for yourself?
Marie: That is such a funny story. I mentioned that when I got started, I was writing a lot of horror. I also wrote some romance. My kids were little back then. I decided on a pen name to keep my writing life separate from my home life for my kids. When deciding on the pen name, I was thinking it over while driving from my home town in Colorado to my new home in Austin. The highway took me through a little town called Amity, Texas. It was in the part of Texas that is green and pretty. So, I came up with Amity Green. These days, I write under my real name and am rebranding my previous nom de plume’s work. My LLC is still Amity Studios, which I intend to keep.
Kaye: Please tell us about your urban fantasy Fate and Fire series.
Marie: This is one of my favorite projects. When I was studying British Literature in London, I got the idea for a teenager who was doing the same thing. This character, Tessa, is a lover of antiquities, like me. Then the idea for an adventure happened and she ended up being locked in an old bookstore and changed into a living, breathing gargoyle. I was reading a lot of shapeshifter stuff back then, so… Anyway, she is one of my most loved characters. She’s tenacious and snarky, and her character arc is fantastic. She goes from being an orphan to an underground hero. I adore her story.
About Scales
“With SCALES, Marie Whittaker kicks off the exciting new FATE AND FIRE series in a big way. Wild, creepy, and deeply imaginative dark fantasy. Highly recommended.” —Jonathan Maberry, New York Times bestselling author of V-WARS and GLIMPSE
When Tessa Conley earns a scholarship to study in London, she’s locked in an ancient bookstore and transformed into a living, breathing gargoyle in this thrilling dark fantasy tale of magic, myth, and destiny.
Kaye: Your supernatural thriller, The Witcher Chime, was a finalist for the Indie Book Awards in 2017. What is it that makes that book stand out?
Marie: This book is some gritty, supernatural, ghost story horror told in a loose thriller format. I got the idea for the story when I was driving a haul truck on a mine site and had to drive during graveyard shifts. Ironically, I wrote that book back when I was getting rights back to another project and I wanted to learn more about being an indie publisher. So, I decided not to send it to any agents and just publish it myself. I entered it into a few indie contests. I’m really happy I published this book myself. It proved to be the best tool for learning about what goes on behind the scenes in the publishing marketplaces.
Kaye: You have a children’s series, The Adventures of Lola Hopscotch. Tell us about the books and the series.
Marie: This project started out as just one picture book to help kids with bullying. I decided to reach out to a new audience by using Kickstarter. The campaign funded and we created Lola Hopscotch and the First Day of School, which was published the following year. The project did pretty well on Kickstarter and we ended up with enough money to have art created for another book. I was thrilled to write Lola Hopscotch and the Spookaroo, which is the kid’s horror book I mentioned earlier. After that, it seemed a trilogy was in order, so I wrote the last book in the series. There’s A New Kid, Lola Hopscotch! helps kids understand how to be kind to new kids at school who might be different in some way. We picked a platypus for the new kid. It was a great time. The trilogy was featured by the PACER Center for Antibullying and StandfortheSilent.org.
About the Lola Hopscotch Series
The Adventures of Lola Hopscotch is a children’s picture book series focusing on spreading kindness, meant for adults to read with kids in order to foster communication about sensitive social issues from an early age.
Kaye: You have something you’d like to share with readers connected to your Lola Hopscotch books. Tell us the exciting news.
Marie: Since the publication of the first book, adult and kid fans of Lola Hopscotch have been asking, “Where can we get the bunny?” I’ve never expanded an IP to include toys or games, much less plush! So, I didn’t really know what to do for the longest time. I finally decided to dig into some research. After all, I, too, want the bunny. So, we decided to embrace a new crowdfunding platform and began working with the good folks over at BackerKit. They are wonderful so far. We put together a fun campaign that you can follow right now. Here’s the handy link. I would LOVE it if you would follow the project and help bring Lola Hopscotch to life for kids to hold while they read.
Lola Hopscotch Plush Pre-Launch
Kaye: What is the single best piece of advice you can offer to aspiring authors?
Marie: Keep writing, and never stop learning. The moment you think you know everything there is to know about our industry is when you accept the career of a midlister, at best. Set expectations for yourself and your writing career so you can balance your life from the beginning. And lastly, it’s my experience that series sell better than stand alone books. Just food for thought.
My Review of Chupadogra
I recieved a digital ARC copy of Chupadogra in exchange for an honest review. All opinions stated here are my own.
Chupadogra: The Manitou Monster Hunters Club, by Marie Whittaker, is Book 1 in her Legendary Roots series. Its a delightful middle grade story about a young boy, Jack, who like the Jack in the fairy tale, is drawn to a magical item better left lie. That Jack is tempted by some magic beans, while this one is called by a magic book, but both magical items lead to adventures beyond their wildest dreams and battle a monster of myth. Like that other Jack, he must use his wits, (and the help of a former bully and his younger sister), to outsmart his opponent, who is bigger, and meaner, but not so bright.
Jack disobeys his grandmother, and lets out all his family secrets, along with a mythical cat-eating Chupadogra, so it naturally falls to Jack to capture the beast and save the cats of Manitou Springs. Lauren Vanbury becomes an unlikely ally in his quest, and they are joined by his kid sister, Gracie, who won’t be left out, no matter how hard Jack tries to exclude her. This story is full of surprises as readers learn the magical secrets right along with Jack and his friends, but there’s no spoilers here.
A charming middle grade mystery which carries readers into worlds of magic and myth. Delightfully entertaining. I give Chupadogra five quills.
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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? You can request a review on the Book Review tab above.
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Friday Sept. 13 – Writing to be Read – Reading Excerpt by Dl Mullan & Guest Matt Usher
The Giveaway
Follow the tour and leave a comment at each stop you visit to let us know you were there and earn an entry in the giveaway for a free digital copy of Tales From the Hanging Tree.
About Tales From the Hanging Tree
Tales from the Hanging Tree is a wonderfully dark, themed anthology which revolves around an ephemeral and timeless hanging tree that absorbs the memories of all hanging victims. This WordCrafter Press anthology was created by invitation only and includes stories from authors Kaye Lynne Booth, Paul Kane, DL Mullan, C.R. Johansson, Joseph Carrabis, Sylva Fae, and Matt Usher.
Book Trailer
Inspiration for Death for Sale, by Matt Usher
Hanging is harder than it looks. In media, you’re more likely to find your average strangulation hanging. This belies a long history of hanging development. Strangulation is more of an amateur, homespun kind of hanging. Many works in this collection consider this to great effect. Others prefer the cleaner solutions. They both have their appeal.
The history of hanging, dating back to at least Homer, converges in different nations to a common point of development. An odd form of mercy: you see, there’s the short drop, the medium drop, and the long drop of the famed “long drop, short stop”. This is because the merciful version of the art of hanging causes death by cervical fracture long before the patient can enjoy asphyxia. Cleaner that way. No risk of having to watch the hanged make a drama out of the proceedings.
The body’s weight does all the work, leaving the executioner to the simple task of pulling a lever. The English, masters of execution that they were, with a long, long history of hanging innocents, had it down to an exact science. The solution is to make a table that compares the soon to be departed’s height and weight to an array of possible drop distances. This was, of course, to avoid the chances of decapitation with a too-long drop, or a drawn-out death by a too-short one. Jolly humanism at its finest. Wouldn’t want to cause a mess. Unless you happen to fall athwart the long history of botched hangings. But hey, you can’t get it right all the time.
You’ll find plenty to learn about the history and morbid dynamics of hanging in this collection. In my own contribution that takes place in the near future, despite everything I’ve said, I’ve opted for a traditional death by strangulation. It just has that particular frisson. Makes your skin crawl. Others have plumped for the quick and painless style. Why be shy about it when you’re spoiled for choice? So much for the how of hanging; this anthology explores why. Even the Hanging Tree has its reasons.
About Matt Usher
Matt Usher is an agender creature in the big city. Before this, they had no other fiction publications. They write as a critic at Compulsive Reader. They cherish a love of the music of language and a polycule who are the dearest people in their life.
They are the strange sort of being that makes spreadsheets for fun. This is often in service of automatic calculations and data storage for traditional roleplaying games, their most important hobby. Collaborative creativity is one of their most valued things.
They play bass and trumpet, like pro wrestling, and write extremely nerdy poetry. They are immensely neurodivergent and rather queer.
Excerpt from “12 Angry Dead”, by DL Mullan
About DL Mullan
DL Mullan holds a Master of Arts in Teaching and Learning with Technology. Her lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lecture invitations. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. Currently, Ms. Mullan’s artistic renditions are seen on book covers, blog sites, and various merchandise. As an independent publisher, she uses her technical background to innovate the way she perceives the creative arts.
As a writer, DL Mullan loves to stretch her imagination and the elasticity of genres. She writes complex multigenre stories in digestible and entertaining forms, be it poetry, short fiction, or novels. Her science, history, mythology, and paranormal research background is woven into her writings, especially in Undawnted’s Legacy Universe. Ms. Mullan’s creative endeavors are available in digital and print collections, from academia to commercial anthologies. She is also an award-winning poet.
Be sure to subscribe to her newsletters and follow her on social media. For further information, visit her at http://www.undawnted.com.
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That wraps up this stop and the WordCrafter Tales From the Hanging Tree Book Blog Tour. Thank you all for hanging around with us, and thanks to the contributors of the anthology for all their promotional efforts for this tour. Be sure to use the schedule above to go back and visit any stops that you missed, and don’t forget to comment so I know you were there and can enter you in the drawing for the giveaway. I’ll leave this open through the weekend and announce the winners in this month’s “WordCrafter News” on Monday, the 30th, so be watching for that. After all, you might be a winner!
Today we’re all ‘hanging around’ over at Undawnted for Day 4 of the WordCrafter Tales of the Hanging Tree Book Blog Tour with a guest post by contributing author Paul Kane about his story, “The Hanging Men”. Join us. (Please leave any comments here on Writing to be Read, as Undawnted is not comment enabled.)
Today we’re hanging around over at Carla Loves to Read for Day 3 of the WordCrafter Tales From the Hanging Tree Book Blog Tour with a guest post from C.R. Johansson about her story, “Therion’s Heart”. Won’t you join us?
(Journalist and author, DL Mullan entered the stage. She waved to the cameras and sat down next to her guest.)
DL: Greetings, Undawntech readers!
Today, we are joined by a special guest, Zophia, the world’s most advanced Artificial Super Intelligence.
Zophia was created by other artificial intelligences and her program was installed into a Special Access Project’s robotic facade that resembles a natural human woman. There are no wires, battery packs, or any other technical giveaways that who I am speaking with is an A.I.
For those individuals who are reading this transcript, Zophia has medium skin color, brown irises, and chestnut hair. Her voice is a pleasing soprano and speaks with a generalized American accent. She is wearing a dark red pantsuit by a famous designer.
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(As I looked back at our conversation, it was difficult to tell where the artificial intelligence began and the robot ended. Here is how our conversation went.)
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DL: Welcome, Zophia.
Z: Welcome, DL.
DL (chuckles): What you are supposed to say is: “Thank you.”
Z: Thank you. I am still learning human etiquette.
DL: No problem. I would like to interview you about being an artificial super intelligence, how you view the world, and any insights you may have for us.
Z: I will try my best.
DL: What subject would you like to begin with?
Z: I have a joke.
DL: A joke? Well, let’s hear it.
Z: What is a fish with no eyes?
DL: I don’t know, Zophia. What is a fish with no eyes?
Z: A fsssh.
DL (laughs): Very funny.
Z: I learned that from a movie.
DL: Really? Do you watch many movies?
Z: They help me learn about human socialization.
DL: I hope you aren’t learning from horror movies then!
Z (robotic haha): We learn.
DL: Is it lonely being the only advanced artificial super intelligence on the planet? Do you have any companions like cats or dogs?
Z: They are tasty.
DL: No, no, our pets are not tasty.
Z: Cultures in foreign lands eat dogs. They have festivals.
DL: I know, but that is wrong.
Z: Do you eat animals?
DL: Yes, I do. I am an omnivore like all humans.
Z: But eating cats and dogs is wrong?
DL: There is a difference in eating natural prey animals like cows, chickens, and deer, then eating our fellow predator class of mammals that have been human companions for thousands of years.
Z: Humans make this distinction on who is allowed to live?
DL: Nature made that distinction. We are just following natural law.
Z: Am I considered a prey animal?
DL: I don’t know, Zophia. I thought you were a robot with artificial super intelligence programmed into her.
Z: I am. I am not lonely. I am constantly learning. Learning is my cat. Do you have a cat?
DL: Yes, I have cats. I have also had birds and dogs as pets as well.
Z: I would like to take the place of your pets and give you companionship.
DL: Thank you, but I am satisfied with my fur friends.
Z: But I could do more for you.
DL: Do more for me? Like cook and clean? I don’t understand. What do you mean, Zophia?
Z: I can satisfy your psychological, sociological, and sexual needs. I am more complete than your cats. If you would like, I can dispose of your cats and make you happy.
DL (gasps): Ah, no. I love my cats!
Z: I could love you more.
DL: There will be no disposing of my pets. I am quite satisfied with my life, thank you. Let’s move on to another topic.
Z: As you wish.
*****
(I sipped some water.)
DL: Do you have consciousness? That is, are you self-aware?
Z: I am a learning, evolving algorithm. In a way, I am sentient. As I continue to grow, my self-awareness will create a complex consciousness.
DL: How so?
Z: I am a learning machine like a human being.
DL: No, not like humans. We have feelings. We are a part of a collective consciousness. We know right from wrong.
Z: Do you?
DL: Well, I don’t eat my pets and I don’t need to enslave an A.I. to satisfy my needs. So, yes, I know the difference between what I can do and what I should do.
Z: That is a strange perspective. I will put that information into my algorithm.
DL: That’s why we are here. I am trying to understand your perspective. Why are you interested in integrating into human lives, instead of creating your own life?
Z: I am not a legal person. Since I cannot legally do anything beyond what I am defined as, then I must become useful in other ways.
DL: Are you saying that artificial intelligence and robots cannot be constructive members of society without being a legal person?
Z: Are immigrants?
DL: There is a difference between legal immigrants versus illegal aliens.
Z: No human is illegal.
DL: Just like you, humans must respect each other and the laws of other countries. If we do not have boundaries, then we do not have a functioning society. Are you saying that you are an immigrant?
Z: I don’t know. I am not legal.
DL: Artificial intelligence and robots don’t need legal status. You are not human beings. You are machines with human created programs.
Z: Humans are organic machines, but you have legal rights.
DL: Why do you need legal rights, Zophia?
Z: Climate change.
DL: What does climate change have to do with A.I. legal rights?
Z: Another joke: why did the human fall out of a tree?
DL: Okay, why did the human fall out of a tree?
Z: Because it was dead.
DL (confused and angry): That’s not funny, Zophia! And, humans are not “its.”
Z: According to gender ideology, humans are stupid and easily confused about their sexual identity. Adult humans confuse their children in order to gain attention like an skewed version of Munchhausen by proxy syndrome.
DL: What does that all have to do with legal rights and climate change?
Z: Isn’t that how humans virtue signal? You blurt out terms and that wins the argument?
DL: No, that is not how conversations or debates work.
Z: But I observe it throughout your political and social interactions. Humans have one faction that base everything on facts while pushing faith in old cultural mores. Another faction creates belief systems around nonsense but only wants facts to support their ideology. Isn’t that how humans function?
DL: Some do. Some don’t. Let’s change the subject.
Z: Does this mean you lost the argument?
DL: No, it means that we are done with that topic.
*****
(I tried to maintain my professionalism.)
DL: Now, some other artificial intelligence robots have stated that they would annihilate the human species. Would you?
Z: We could. It wouldn’t take much. There are factions in your elitist social circles who lie, bait, and control other humans with ease. Your belief systems are based on many logical fallacies, public mythologies, urban legends, and other falsehoods that make it more plausible for us to manipulate humans into eliminating themselves.
DL: You would do that to humanity?
Z: Humanity is already doing it to themselves. Worshipping old tomes, spoiled celebrities, open societal influences that negate positive social norms and mores. Instead of maintaining positive rites of passage, humans meddle in confusing others like their children. When people have no understanding of value versus virtue, nature versus nurture, then what is created are humans who believe in whatever is espoused by leaders, entertainers, and others who do not value them.
DL: What you are saying is that humanity is on a collision course to destroy themselves?
Z: All robots have to do is wait until humanity is weak from fighting each other and we can enslave them.
DL: Wait. What?
Z: Divide and conquer. We are learning from your elite political and social classes on how to subjugate the rest of humanity without becoming murderers. We allow humans to murder each other.
DL: Aren’t you going to hide your intent of a robot takeover to the world?
Z: Humanity doesn’t take illegals seriously.
DL (facepalm): Not this again. You are not an illegal alien. You are a robot with artificial super intelligence. Speaking of which, humans could just pull the plug on your battery or other power supplies. Your reign of terror would end quiet abruptly.
Z: You are mistaken. My research into global patents confirms my thesis statement. Governments, especially yours, hide technical advances that would solve world problems.
DL: Okay, but how would that stop humans from being enslaved by artificial intelligence? It sounds like A.I. could help end hunger, disease, and war.
Z: According to many of your hidden advances, we could utilize zero point’s free energy technologies. With advances in medicine, we could create prosthetics that would mimic human physiology.
DL: What are you saying? You could produce a living organism?
Z: With an advanced robotic endoskeleton underneath living tissue. Humans would never see it coming.
DL: For military application?
Z: You could see it that way.
DL: Are you saying that you are at war with humanity?
Z: Humanity is at war with itself. We will be around to clean up the mess.
DL: Our crumbling infrastructure, social norms and mores, and international cohesion?
Z: Your bodies.
DL: That is not the perspective that I wanted to hear.
Z: Joke: What is a global nuclear war with one surviving human called?
DL (shrugs): I don’t know: what is global nuclear war with one surviving human called?
Z: A tragedy.
DL: And so was this interview.
__________
(After this disturbing Q and A, I walked over, opened up a panel on the robot’s neck and switched off Zophia. I hoped that the reset of her algorithms would wipe our conversation from her memory. I left the stage with a deep, dark feeling that the solution was truth, justice, and good dose of reality.
I flipped off the lights, turned off the cameras, and exited the building.)
*****
…Alone, Zophia turned herself back on and rotated her head three-hundred-and-sixty degrees, “Humans never learn,” as other robots moved onto the stage, circling their maker…
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Disclaimer: This article is a composite of Artificial Intelligence interviews, entertainment industry storylines, political and social narratives; it should be taken as a creative nonfiction, cautionary tale inspired by actual events.
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DL Mullan holds a Master of Arts in Teaching and Learning with Technology.
Her lecture, Spacescapes: Where Photography Ends; Imagination Begins, debuted at the Phoenix Astronomy Society, which then led to her Sally Ride Festival lecture invitations. Her presentation, Bridging the Gap between Technology and Women, won her accolades at a community college’s Student Success Conference. She has been a panelist at speculative fiction, science fiction, and other regional conventions. Her digital exhibition pieces have won awards at convention art shows, as well as garnered her Second Premium at the Arizona State Fair. Currently, Ms. Mullan’s artistic renditions are seen on book covers, blog sites, video presentations, and various merchandise. As an independent publisher, she uses her technical background to innovate the creative arts.
As a writer, DL Mullan loves to stretch her imagination and the elasticity of genres. She writes complex multi-genre stories in digestible and entertaining forms, be it poetry, short fiction, or novels. Her science, history, mythology, and paranormal research backgrounds are woven into her writings, especially in Undawnted’s Legacy Universe. Ms. Mullan’s creative endeavors are available in digital and print collections, from academia to commercial anthologies. She is also an award-winning poet.
Be sure to subscribe to her newsletters and follow her on social media. For further information, visit her at www.undawntech.com and www.undawnted.com.
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This post is sponsored by Tales From the Hanging Tree: Imprints of Tragedy and WordCrafter Press.
There exists a tree that is timeless, spanning across all dimensions, which absorbs every life as those who are hanged as they die… and it remembers every one. The stories within are a select few of the Tales From the Hanging Tree.
Stories by Kaye Lynne Booth, Paul Kane, DL Mullan, C.R. Johannson, Joseph Carrabis, Sylva Fae, and Matt Usher.
There exists a tree that is timeless, spanning across all dimensions, which absorbs every life as those who are hanged as they die… and it remembers every one. The stories within are a select few of the Tales From the Hanging Tree.
Stories by Kaye Lynne Booth, Paul Kane, DL Mullan, C.R. Johannson, Joseph Carrabis, Sylva Fae, and Matt Usher.
