I’ve invited author Sara W. McBride to join us today to share a really cool new opportunity in the writing community with us. This is for those of you who enjoy a good writing challenge, and it doesn’t hurt that there are cash prizes, large enough to be considered above professional writing minimums. Sara McBride has been participating, and well, I’ll let her tell you all about it.
Please welcome author Sara W. McBride as she offers us a guest post on Writing Battles.
Guest Post: Writing Battles
Hi. I’m Sara Wesley McBride. Kaye asked me to write a post about Writing Battle because I recently won the October FEAR battle. $3400! Amazing, right? Absolutely! I’ve never won anything, or been paid for any of my short story submissions, so I’m currently staining my folder of rejection letters with a muted red wine ring in celebration of getting paid $3.40 per word. (Professional rate is $0.10/word, so I just walloped that.)
If you want to improve your Flash Fiction skills, check out WritingBattle.com.
My story and the new FEAR winners just got posted this week. Go check it out!
What is Writing Battle, you ask? It’s this enthusiastic, supportive community of writers who love to write a story in a short amount of time, based on prompts they didn’t expect. So. Much. FUN!! It’s like improv for writers, but your stories duel each other and you win money.
Yes, it does cost money to enter, usually in the $30 range. But you get tons of feedback, so I think it’s worth it. I refuse to pay for anything, except Writing Battle. And now I’ve won enough to cover writing battles for the next twenty years.
For 2025, each competition had four genres to compete within, thus four 1st place winners.
2026 will have nine genres, thus nine winners. Whoa! 1st place winners earn $2000+ and runner-ups earn $500+. (Varies from battle to battle, but in that zone.) Eight battles scheduled for 2026.
New for 2026, you can choose a “Class.” If you ever played D&D, these will look very familiar. Your chosen class will lead your card draw toward certain genres. This is new. I haven’t tried it yet, but I’m excited. I’ve chosen Rogue!
But you don’t get to send in that story that’s been beta read seventeen times. Oh no! That would be way too easy. You are dealt a random genre (within your chosen “Class”), a random character, and a random object to build your story upon. You can redraw your genre once, but only once. And you get a few extra redraws for characters and objects, but not many. Then you have a few days to write your story ranging from 48 hours for micro-fiction (250 words) and 5-7 days for 1000 or 2500-word stories.
Your story has to use the prompts in some way, shape or form, otherwise you might get disqualified. This is to prevent prewritten, perfectly edited stories. My winning story had a typo in it! So embarrassing. Let me know if you find it.
I won for the 1000-word, FEAR, pro-judged competition. There were four genres (Horror, Thriller & Suspense, Dystopian, and Mystery) and I won Mystery. I think there were 1800 stories total and about 300 in Mystery. I’m guessing that lots of people were dealt Mystery and redrew for a different genre. (Horror had about 600 stories.) I’ll admit, Mystery in a thousand words is really bloomin’ difficult! I chucked three stories before I finally got the last one to work.
There are peer-judged battles and pro-judged battles. Everyone is sorted into houses of about forty stories, all in your genre. The early 5-8 rounds of duels are against your housemates. There is no genre crossover. Genres never compete against each other, which I think is a good thing. Imagine Sword & Sorcery stories going up against Alternative History. Such different mind sets. That would be incredibly weird to judge.
Peer-judged Battles–all writers read ten stories in five duels, give feedback and pick a winner of the five duels. There are two duels for each of the five rounds. Then the final showdown duels go to “Spartan Judging,” where you’re dealt a duel and have to pick a winner, no comments required. You only ever judge stories outside of your genre, so you’re never judging your competition.
Then “Debrief” opens, and you can read everyone’s stories and give & get feedback. You can also check out your house competition. After the results are revealed, you receive all the feedback from your ten judges. And it’s really good feedback!
Pro-judged Battles–professional judges give out trophies and pips during the early dueling rounds, which is fun, and you can read everyone’s stories and give & get feedback. In the first round, my winning story received an “Impact” trophy, meaning of all the stories a judge read in that round, he/she thought mine had the highest “Impact.” It also got a “character” pip, which is a cute little chicken symbol meaning they really liked my main character.
Feedback from the judges is great if you make it to the final showdown. Then you get full paragraphs from 3-5 judges. One judge gave me a full page essay. It was awesome! But otherwise, if you’re in the lower 80-85% of your house, you only get a few phrases from the judges of what they liked and thought could be improved upon. But the feedback from your peers is amazing. And with Debrief open for about a month before the judges’ results, you get a ton of useful feedback on your story and in the forum discussions.
The Forums! The website has forums. My favorite forum is “Hidden Gems.” When you stumble upon a great story, but not many people have commented on it, then you post it in the Hidden Gem forum and people will go check it out and give feedback. Everyone is so supportive. You don’t have to win a big payout to feel like you won. My story got a shout-out on a “Historical Fiction Stories” forum, and I was on cloud nine. For someone to stumble through a forest of 1800 stories, randomly read yours, and then like it enough to take the time to post it to a forum … Whoa! That is huge gratification, validation, and induces a happy dance. And you can offer that amazing gratification to other writers. It’s a giant feedback loop of happiness!
There’s also a friendly etiquette of return reads. If you read a person’s story and leave feedback, there’s a magic “Return Read” button in your comment allowing them to easily flip to your story so they can return the favor. So if you give feedback on 20 stories, you’ll probably get at least 15 or more reads and feedback on your story.
Reading other stories, pondering them, giving feedback, and then reading all the other comments, is so incredibly educational. I’m typically a playwright and novelist, focusing on longer form storytelling. But flash fiction is becoming popular with magazine and journal publications, so I wanted to learn it. Writing a story limited to a thousand words is an immense challenge when you come from the land of eighty-thousand word novels.
My Flash Fiction skills have objectively improved over the past six months.
My first battle, my story won a couple of battles and died. It was a mess of a story and my first attempt at Sci-Fi. But I rewrote it based on feedback and now I’m submitting it around.
My second battle, my story won an honorable mention, meaning it was only one vote shy of moving on to the Final Showdown. I’m also shopping that story.
Finał Showdown–Each genre has a final showdown. The top 5-7 stories in a house move into what looks like basketball brackets. Top 128, 64, 32, 16, 8, 4, 2, Winner!
My third battle, my story made it to the Final Showdown and lost out in the Sensational 64 duel to the full genre winner. The winning story’s name was “Pancakes McBride,” and I’m a McBride, so I did enjoy a bit of humor about that loss. Another story getting shopped.
My fourth battle, my story won first place in the Mystery genre. I received a congratulations message from the author of “Pancakes McBride,” saying, “I’m glad there will be another McBride on the winner’s list!” This story is officially published on the Writing Battle website, so I can only shop it to magazines that accept reprints. But I got paid $3400 for it, so I’m okay with that.
I’m getting better at Flash Fiction because of Writing Battle. And it’s so much fun! It’s nice to finish a polished story within a day or two. My novels and plays take months and always hit “The Messy Middle” slog phase. There’s a happy satisfaction with finishing an entire 1000-word story quickly and sending it into Battle or out for publication. And writing Flash Fiction definitely teaches you to edit.
My winning story started as 1500 words, and I had to whack it down to 1000. It hurt. I bled. But it resulted in judge comments like: “This writer knows how much to give the reader; he trusts us. That’s a really beautiful thing. I see so much overwriting. Not here!”
If you haven’t yet, go check out my story at the Writing Battle winner’s page. And if you’re a writer, consider joining WritingBattle.com. It’s a blast!
About Sara W. McBride
Sara Wesley McBride suffers an unhealthy obsession with the haunted city of Venice and has written a novel and lots of short stories set in Italy’s greatest floating city. She just won first place in the Mystery Genre for Writing Battle’s Fear competition and is currently writing a ghost-filled choose-your-own-path book set in Venice. More info at SaraWesleyMcBride.com.
I look forward each year to participating in the NaNoWriMo challenge in November. In fact, I depend on it to get a major portion of one novel completed and I schedule it into my production calendar. Even if I do not make the word count for the set goal at the end of the month, I’m still that much closer to a finished novel, so it is a win-win situation.
November 2022 produced The Rock Star & The Outlaw, book 1 in my Time Travel adventure series. In 2023, I used it to get a start on Sarah, book 2 in my Women in the West adventure series. 2024 brought a good start for the second book in my Time Travel series, The Rock Star & The Outlaw 2: Doubles Visions, which will be released early in 2026. This year’s NaNoWriMo was scheduled to create the third book in the Women in the West series, also scheduled for release in 2026.
So, you can imagine my surprise when a few days before Halloween, I’d done my research, I had my outline, and I went to sign up for the challenge and found that NaNoWriMo is no more. Apparently, the traditional challenge which has been around for over a decade and attracted writers from near and far, had an incident involving AI material last year, unbeknownst to me, which turned the whole event topsy-turvy. I still am not sure what the problem was, or why it was so serious as to shut down the whole event permanently. I was too busy panicking as I searched the web for my favorite month-long writing event, to read any more in depth than that.
What I did find was a new event called Novel November which looked to similar to NaNo, so I signed up. After I had begun setting up my dashboard, it became apparent that they were expecting me to upload my manuscript so they could keep track of my word count, instead of self-monitoring, like NaNo. So… ProWritingAid will have direct access to the words I write? That made me pause.
All of the articles I’ve read about the hullaballoo over AI snatching authors’ works illegally for training, etc…, I had to wonder how smart that would be. Then, add to that, the fact that something happened which involved AI writing, which shut down NaNo after last year’s challenge, and doing the challenge through this site seemed like a a really bad idea. So, that’s as far as I got with that.
I started thinking about the aspects of NaNo which I found valuable. It was always fun to earn their little badges, but that and the word count was all I really used. For me, NaNoWriMo was a motivator that offered achievable goals and helped me keep track of my progress. I never really used the community aspects of the challenge, although I did adopt a writing buddy one year and we held each other accountable, sort of. I realized that both of the aspects I used most during the challenge, the ones I depended on, were actually things I could do myself pretty easily.
So, this past November, I ran my own personal writing challenge. It was the same challenge NaNo set; 50,000 in 30 days. That’s a good start on any novel, and it’s enough to enable me to finish the book within the next few months. And there was nothing stopping me from setting my own goal and keeping track of my own word count.
So, that’s what I did. On November first, I began writing on Marta. I’m keeping track of my word count on a sheet of notebook paper. I am maybe not quite as disciplined as I have been in past years during NaNo, but I’m following the same principles. I sit down to write every single day, utilizing every spare minute that I can to write.
I’m a realist, however, and I learned long ago that you can’t always put life on hold, so my writing times are spread out with ten minutes here, thirty minutes there. Of course, I try to get in as many hour, or two hour, stretches as I can. So, on days when I have to go out and work in the real world, and can’t stay in my world of fiction, I may not get as many words in. I don’t always make my daily word count goal, and I might be lagging behind in the overall goal, even on the days when I do make it. But, again, any number of words I get down adds to my overall word count and moves my story forward.
I am writing this post on November 26, the day before Thanksgiving, and to date, I have 39, 298 words down. If I had made the word count every single day, the expected word count by the end of this day is 43, 342, so I still have a ways to go, but the story line is coming along nicely. Where the first two books in the Women in the West series had long periods when the protagonists must survive alone in the wilderness, with inner dialog to carry the story, Marta is surrounded by a full cast of characters on her journey with lots of external dialog. The characters are diverse and colorful, and they find themselves in some unusual situations.
I don’t know how many words I will have by the time this post is published, on December first, or how many words I will have left to type. I’m sure this story will not be completed at 50,000 words, since they haven’t yet reached their destination with over 40,000 words. Whether I reach my goal or not, Marta will be scheduled to be released in June of 2026.
**Update: It is December 1st and I did not reach my writing goal for November, but I do have 47,651 words toward the story of Marta. That’s not a bad start. As I’ve said before, any way you look at it, a 50,000 word challenge is a win-win for me. 🙂
About Kaye Lynne Booth
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and book 1 in her Time-Travel Adventure series, The Rock Star & The Outlaw, as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource.
Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press, where she edits and publishes two short fiction anthologies and one poetry anthology every year amidst her many writing projects. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press.
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This segment of “Writer’s Corner” is sponsored by theRobbie’s Inspiration blog site, where you can find ideas on writing and baking with hostess, Robbie Cheadle.
I crossed the 10,000 word mark on November 5, well ahead of schedule. What a great feeling. And I only missed making the daily word count goal once. Unfortunately, life got in my way, as it usually does. This time, it was a huge snowstorm that dumped about 42″ of snow on my front steps. The snow made even the daily chores more difficult, and then there was all that snow to shovel! But even with moving all that snow I managed to make the word count on most days. That is until it all caught up with me and at the end of the day, I was so tired I couldn’t think straight, and then, my word count started to fall.
I have managed to at least write something to log into the updates daily, and I’m sitting at around 34,500 words to date. That means I just have a little over 15,000 words to reach my goal and six days to do it in. I think I can do it. What do you think? Wish me luck. 😉
2024 Novel Writing Story Bundle
There’s still time to get in on the 2024 Novel Writing Story Bundle, but grab it while you can. It only runs through the end of November. After December 1st, it will no longer be available.
This year’s Writing Tools StoryBundle, curated by bestselling author and publisher Kevin J. Anderson, is another treasure chest of vital handbooks covering aspects of the writer’s craft, business, and way of life. We have thirteen titles on a range of subjects, plus a 12-month subscription to Indie Author Magazine, your best source to stay up-to-date on the industry.
On writing craft, there’s The Illustrated Super Secrets of Writing, Vol. 1—Wulf Moon’s award-winning system on how to write stories and does so with creativity, fun, and humor. Tara Grace Ericson presents Romance Character Tropes—far more than your average trope list; this is an encyclopedia packed with info to help you use and leverage each trope successfully.
Freelance editor Joshua Essoe teaches about Mood and Atmosphere in his series of special-edition writing guides, each examining the most-common issues he encounters from writers he works with. Word by Word by award-winning author Kerrie Flanagan, shows you how to unlock your creativity and transform your writing. This is an essential guide for writers that offers inspiration, genre-specific strategies, and practical tips.
Jana S. Brown gives you Steps to Self-Editing. You’ve finished your novel! Now learn the self-editing steps to smooth off the rough edges and really make it shine!
And in the new revised edition of On Being a Dictator: Revised Edition, by Kevin J. Anderson, Martin Shoemaker, and Greg Vose—available exclusively in this StoryBundle,—you’ll learn how to use dictation to increase your productivity. One of the foundational books on a popular writing method, On Being a Dictator will help you think outside the box and up your game in the fast-paced ever-changing world of publishing.
Now, on to the writing business. Dollar by Dollarby Kerrie Flanagan is a comprehensive guide packed with proven strategies to help writers boost book sales, increase income from writing, and succeed in both traditional and self-publishing. Mark Leslie’s Author’s Guide to Branding for Success shows you how to make your Author Brand into one of your best long-term Intellectual Property assets!
Matty Dalrymple and Michael La Ronn provide guidance and inspiration to share your message with the world from the stage in Page to Platform: How to Succeed as an Author Speaker.
AndBooking the Librariesby Jessica Brawner is tailored for authors, speakers, storytellers, musicians, puppeteers, and all living-wage entertainers. This guide is your key to unlocking fresh markets, cultivating a dedicated fanbase, and revolutionizing your livelihood.
And finally, on the writing life, these titles will help you stay inspired and remain strong as a creative.
The D.I.Y. Authorby Kaye Lynne Booth shows you the ropes in the business of being an author.
Wit and Wisdom by Craig Martelle—exclusive first release in this StoryBundle—is chock full of quips and snippets to help authors stay focused on the right things to accelerate their business.
AndFalling to Fly by Todd Fahnestock is a deeply personal exploration into the creative process and the publishing industry. This is truly the book to read before you give up on your writing dreams.
In addition in this StoryBundle, you will receive full year’s subscription toIndie Author Magazine, your go-to resource for news, tips, and advice on self-publishing. Stay up-to-date on the latest trends in the industry.
A note on the designated charity for this StoryBundle, the Neil Peart Brain Cancer Research Fund from Cedars Sinai. In 2020 we lost Neil Peart, legendary drummer and lyricist for the rock band Rush, to glioblastoma. He was my mentor, friend, and collaborator on numerous books, and his loss affected me deeply. Neil’s friends and colleagues and fans worldwide have contributed to this glioblastoma research fund in Neil’s name, and we are proud to add our efforts on this Writing Tools StoryBundle as well. – Kevin J. Anderson
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For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in .epub format—WORLDWIDE.
Romance Character Tropes by Tara Grace Ericson and Jessica Barber
Dollar by Dollar by Kerrie Flanagan
Essoe’s Guides to Writing: Mood and Atmosphere by Joshua Essoe
Booking the Library by Jessica Brawner
If you pay at least the bonus price of just $20, you get all four of the regular books, plus 9 more books, for a total of 13 (with 5 StoryBundle Exclusives), plus a year’s subscription to Indie Author Magazine!
Super Secrets: Illustrated by Wulf Moon
Falling to Fly by Todd Fahnestock
From Page to Platform: How to Succeed as an Author Speaker by Matty Dalrymple and Michael La Ronn
A Writer’s Guide to Branding for Success by Mark Leslie Lefebvre (StoryBundle Exclusive)
On Being a Dictator by Kevin J. Anderson (StoryBundle Exclusive)
Word by Word by Kerrie Flanagan
The D.I.Y. Author by Kaye Lynne Booth
Steps to Self-Editing by Jana S. Brown
Wit and Wisdom by Craig Martelle (StoryBundle Exclusive)
Indie Author Magazine: One Year Subscription by Indie Author Magazine
This bundle is available only for a limited time via http://www.storybundle.com. It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get a DRM-free .epub for all books!
It’s also super easy to give the gift of reading with StoryBundle, thanks to our gift cards – which allow you to send someone a code that they can redeem for any future StoryBundle bundle – and timed delivery, which allows you to control exactly when your recipient will get the gift of StoryBundle.
I’m planning to currate a few Story Bundles of my own next year. I’m looking for authors with books in the women’s fiction, dark fiction, science fiction/fantasy, or paranormal genres. I already have a few authors interested from the paranormal genre. So, if you have a book in the above mentioned genres, I want to hear from you.Mention it in the comments or drop me a line at KLBWordCrafter@gmail.com and let’s see if your book would be a good fit.
2025 WordCrafter Press Releases
With NaNoWriMo, I’ve got a good start on the second book in my Time-Travel Adventure Series, and I’ll be working hard to complete it throughout the months of December and January, with a hopeful March release. Of course, Book 3 in the Women in the West Adventure Series, Marta is also planned for release in 2025, and a short fiction collection of my own, titled “Little Ditties” to be released in time for Christmas.
With the creation of the Midnight Anthology Series, next year’s anthology is set to be dark fiction again, for volume 3, Midnight Oil. (I recently had a great story idea for this anthology. It’s very dark and scary, and I’m excited to see if I can meet the challenge of writing in a speculative fiction genre I’ve never attempted to write in before.) Submissions will be open in January and the call will post at the beginning of the year.
2025 Writing to be Read
Also, I believe Robbie may already be working on the next volume of Poetry Treasures, with a theme of Simple Pleasures. Guests on this past year’s “Treasuring Poetry” series should be getting their invites soon, if they haven’t already. I look forward to bringing forth another volume of this wonderful series of poetry books.
On Writing to be Read, plan to see more of Robbie’s new blog series, “Read and Cook with Robbie Cheadle”, which received a good reception so far this year. Catch “Read and Cook” on the second Wednesday of every month. I plan to continue my “Chatting with the Pros” and “Chatting with New Blood” series on the second and forth Saturdays, as well, and of course first or second Monday will see a “Writer’s Corner” post. Monday’s will also see segments of “Review in Practice” and my latest movie review series, “Everyone is a Critic”. And you can catch Robbie’s “Treasuring Poetry on the third Wednesday, and “In Touch with Nature” on the fourth Wednesday, as always. Art Rosch’s monthly “Mind Fields will also appear wherever I can fit them in, as he doesn’t have a set day right now.
I’m also hoping to get some new sponsors in the coming year. Did you know you can sponsor your favorite blog series or even a single post with an advertisement for your book? Stop by the WtbR Sponsor Page and let me advertise your book, or you can make a donation to Writing to be Read for as little as a cup of coffee, If you’d like to show your support for this author and WordCrafter Press. Please consider sponsoring a blog series, or even a single post and help me to keep Writing to be Read up and running.
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About Kaye Lynne Booth
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw, as well as her poetry collection, Small Wonders and The D.I.Y. Author writing resource. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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This post is sponsored by The Rock Star & The Outlaw and WordCrafter Press.
A time-traveler oversteps his boundaries in 1887. Things get out of hand quickly, and he is hanged, setting in motion a series of events from which there’s no turning back.
In 1887, LeRoy McAllister is a reluctant outlaw running from a posse with nowhere to go except to the future.
In 2025, Amaryllis Sanchez is a thrill-seeking rock star on the fast track, who killed her dealing boyfriend to save herself. Now, she’s running from the law and his drug stealing flunkies, and nowhere is safe.
LeRoy falls hard for the rock star, thinking he can save her by taking her back with him. But when they arrive in 1887, things turn crazy fast, and soon they’re running from both the outlaws and the posse, in peril once more.
They can’t go back to the future, so it looks like they’re stuck in the past. But either when, they must face forces that would either lock them up or see them dead.
Last month’s prompt for a story with a legendary monster did not recieve any responses, so again, there is nothing to vote on. I will however post my entry below, in which my legendary monster is a shape shifter, and in this tale, he happens to be the good guy instead of the villian. I’d be happy to hear any feedback any of you have on it, even though you can’t vote. But first, let’s take a look at this month’s prompt to get those creative juices flowing.
This Month’s Prompt
This month, I want you all to write a ghost story where the ghost is the protagonist and is frustrated by the limitations of ghostlyness which keeps them from resolving a problem unfolding in the physical plane.
This prompt, by definition will be a parnormal story, but you can still cross it with any genre, so tell me the story that you want to tell.
The Rules
Remember, your story can be any genre, so you can get creative. Publish the results on your blog and send the link to me by the last day of the month. Be sure to label them with #WtbRStoryChallenge. Or, if you don’t have a blog, you can send the results directly to me at kayebooth@yahoo.com, and I will publish them or the links back to your blog the following month along with the writing prompt for the next month.
Stick to the rules and after 30 minutes of writing stop. You can finish the story if you like. I hope you do. But you need only submit that 30 minute piece for this challenge. I’ll be writing right along with you. I know the prompt ahead of time, but I won’t begin writing until it has posted. Be sure to have your entry to me by the last day of the month, so I can share them all for readers to vote on.
Another good thing about this not being a live event is you will have the opportunity to edit for grammar, spelling, and punctuation before submitting, and I do want it to be the best you’ve got, of course.
My Last Month’s Submission
Untitled Paranormal Romance
By Kaye Lynne Booth
When Elliot returns to camp, he finds Arabella missing and his sister sitting on the forest floor, he loses focus, almost shifting involuntarily. He quickly gets himself under control, although he can still feel the eagle, restless within him.
Where is she, Diedre? He says the words in his head, knowing his twin doesn’t need him to speak the words aloud. He scans the area as if the girl were somewhere in the clearing, and he might have just overlooked her. It was his job to return her safely to her father. She was his responsibility.
The wizard, Magnus, took her. His sister replies telepathically, as she shakes leaves, pine needles, and other forest debris from her long, blondish-brown hair, brushing through it with her fingers to get whatever won’t let go. He must have shielded himself before he waltzed in here to snatch her, because I couldn’t touch him, even after I let the cougar out.
“How long ago?” he asks aloud, too sharply. “Which way?”
“Long enough for me to return to my human form and catch my breath,” she says, pointing off to the right. “You’ll have no trouble tracking him. He left bloody prints in his wake.”
He cocks his head, giving her a puzzled look.
“From the girl,” she says. “He pulled her inside the shield with him. She grabbed hold of a stick from the fire as he grabbed her. She was doing her best to do some damage as he dragged her away. I think she fought him even harder than she fought you, when you announced that you intended to return her to her father.”
Without another word, he is off in the direction she indicated.
He follows the bloody tracks without stopping for two days, the eagle’s strength and spirit allowing him to endure without food or water, never tiring, through both day and night. It is up to him to get the girl back, no matter the cost. This night, the trail ends at the edge of a sheer cliff, plummeting down hundreds of feet until the land below is drenched in shadows, and darkness so thick that even the eagle’s eyes can’t cut through it. Bloody smears along the cliff face below, like those he has followed here, let him know his adversary climbed down the cliff face with the girl.
Elliot feels the eagle stir, excited, anxious to be loosed, expanding within him. A ragged seam splits the flesh along his spine as he spreads his arms to accept the eagle’s wings, rising into the air. Now, the wings are his, as he extends them, as long as his human form is tall, the wind catching them from below, carrying him off the cliff and out over the land. He descends downward faster than if he were falling, and the cliff face blurs in his vision as he flaps eagle’s wings, his wings, with long, hard strokes, applying his momentum upward. He glides in, lighting on top of a tall pine, affording him a view of the valley below and the entire face of the cliff, as the sun pokes its face over the horizon.
Perched more than a hundred feet above the valley floor, the eagle sees movement from a cave in the face of the cliff. Upon further inspection, he’s found what he seeks: the wizard and his captive prisoner.
Magnus stands at the edge of the cave, staring up into the sun, oblivious to his presence, while Arabella sits on a large rock only a stone’s throw away. She is covered in dirt and dark splotches hint at bruises beneath the filth. She must have fought him every inch of the way. If he tilts his eagle head just right, he can see the sun glinting off the shield surrounding the cave. He needs a distraction to get the wizard to drop the shield long enough for him to get the girl.
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This post is sponsored by Midnight Roost: Weird and Creepy Stories and WordCrafter Press.
20 authors bring your nightmares to life in 23 stories of ghosts, paranormal phenomenon and the horror from the dark crevasses of their minds. Stories of stalkers, both human and supernatural, possession and occult rituals, alien visitations of the strange kind, and ghostly tales that will give you goosebumps. These are the tales that will make you fear the dark. Read them at the Midnight Roost… if you dare.
This is the second month for this story challenge and the going is slow. We were all supposed to vote on last months submissions, but I only had one, so there is not much to vote on. I will publish the submission here, along with the beginning of my own. It’s not really voting, but I would like to hear your thoughts on the stories posted. Would you read more if were offered? What works for you? What doesn’t?
I’d also like to hear from you if you think this idea could be fun and would like to participate at some point in the future. I need to know if there is enough interest to continue this blog series.
This Month’s Prompt
A woman walks into a bar, that isn’t a bar, and it changes her life forever.
Remember, your story can be any genre, so you can get creative. Publish the results on your blog and send the link to me by the last day of the month. Be sure to label them with #WtbRStoryChallenge. Or, if you don’t have a blog, you can send the results directly to me at kayebooth@yahoo.com, and I will publish them or the links back to your blog the following month along with the writing prompt for the next month.
Stick to the rules and after 30 minutes of writing stop. I’ll be writing right along with you. I know the prompt ahead of time, but I won’t begin writing until it has posted. Be sure to have your entry to me by the last day of the month, so I can share them all for readers to vote on.
Another good thing about this not being a live event is you will have the opportunity to edit for grammar, spelling, and punctuation before submitting, and I do want it to be the best you’ve got, of course.
June Submissions
Prompt: Write a story based on a local or popular legend.
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Thanks to Sylva Fae for submitting this month, so I have something to post besides my own story.
The Wizard of Alderley Edge
by Sylva Fae
“What’s up with you, Paul? You’ve been moping around since you got here, and you haven’t even drunk your tea.”
“I’m skint, Granddad. Molly’s nagging me to book a holiday, I’ve just bought a new car and I’ve still got my student loan to pay off.”
“Pah! You youngsters don’t know how privileged you are. I thought you were getting paid well at that fancy new job of yours – you can’t be skint.”
“How would you know, Granddad? You’ve always been rich…”
“Not always, Paul. When I was a young man, I struggled to even put food on the table.”
“Seriously? You live in the biggest house in Macclesfield? Come on, Granddad, what’s the family secret to getting obscenely rich?” Paul laughed; his grandparents were one of the richest families around, owning several businesses and properties.
“You wouldn’t believe me if I told you,” Granddad replied.
“Go on, try me. Seriously, I’ll take any advice you can give me.”
“It’s not that sort of story but if you want to know, it all started with a legend…”
“A legend? Seriously, Granddad?”
“Do you wanna hear this story, or what?” Granddad grumbled.
Paul nodded, and settled back to drink his tea.
“This is the legend of the sleeping king, and not just any old king, King Arthur, no less. Several places claim to be the final resting place of King Arthur and his loyal knights, but I know he lies somewhere beneath the rocks of Alderley Edge.” Granddad took a moment to sip his tea, then continued.
“A long time ago, a farmer set off along the Ridge Road, taking his white mare to market, in Macclesfield town. He frequently made the journey through the woods and knew every twisty path, rock face and shortcut. As he approached Thieves Hole, the mare stopped in the centre of the crossroads and refused to budge. The farmer, wary of local superstitions of this being the crossing into the Otherworld, urged his mare on, but was suddenly startled by an old man appearing between the trees. A long emerald cloak covered all but his wizened face and long grey beard, and he leaned heavily on a twisted staff, as he slowly made his way down the bank to the farmer.
“Where are you going with that mare?” the old man shouted after him. “I would like to buy it.”
The farmer looked at the old man and pondered, it would save him a walk if he sold the mare here, but he’d likely get a better price at the market. “Thank you, Sir, but I’ll try my luck in the market. I need to get the best price possible.”
“Heed my warning! Nobody in town will buy your mare. I will be waiting here for your return.” The old man slammed his staff down onto the rock, as if marking the spot they would meet.
The farmer finally reached the market, but wherever he went, although people admired the mare, nobody was interested in buying her. She was a fine mare too, worth far more than he was willing to take for her. Strangely, everyone he approached turned away, with the same disinterested dismissal when he tried to sell her. Perplexed, and with the old man’s warning still rumbling round his mind, he set off back across the Edge to home, leading the white mare.
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This is my submission, and will also be my second story for the by invitation only anthology, Tales From the Hanging Tree, which will be released in September.
The Legend of Cottonwood Hallow
by Kaye Lynne Booth
[1865]
Running Fox is walking along the tree line near the riverbank, searching for the [plants] White Cloud needed to initiate him as a brave in the ceremony tonight. He hears yelling at the stage stop up ahead, but he pays it no mind. Today is an important day for him and he doesn’t have time to worry about what the white man’s troubles are. Little Dove will be there tonight, watching as he becomes a man. She is the prettiest girl he has ever known, and he plans to mate with her when he is old enough to take a squaw. He kneels down to pluck up some [plants] from the muddy bank of the river, but quickly looks up at the sound of horse’s hooves approaching fast.
“Ho, there!” a big burly man in a leather coat exclaims as he dismounts from his horse, pointing a rifle right at him. “You there, Indian! What are you doing?”
Running Fox looks up at him wide eyed. He does not speak the white man’s tongue and cannot understand his words, but he understands the rifle pointed his way. His heart beats like a war drum in his chest as three other men come riding up from behind the man with the rifle, and spread out, blocking his escape from all directions. “No, tsapea,” (Let go!) he cries as the big burly man steps forward, grabbing by the arm and jerking him to his feet.
“This the one, Charlie?” the white man asks.
A small, mousy man wearing a striped shirt and spectacles comes up behind him and squints, examining Running Fox’s features. “Well, I don’t know,” the little man says, speaking barely above a whisper. “It was an Indian, but they all sort of look alike.”
“Is this the one who robbed the stage stop, Charlie?” the big man says, shaking the arm of Running Fox to emphasize his words.
The young boy tries to pull away, repeating the words, “Tsapea!”. But the man tightens his grip, holding him hard enough to hurt.
A little man wearing a white apron and visor partially covering his balding head stutters, stumbling over his words. “Well now, uh, Zeek, I’m not sure. Th-the fella who did the robbing s-s-seemed older,” the little man says, wiping sweat from his brow. “I mean, uh, this f-f-feller seems a mite young to be r-robbing anybody. I mean… he’s just a k-kid, really.”
“One Injun’s as good as another, I say,” says a gray-haired man sporting a beard and mustache. He flashes a toothless smile and smacks his lips together as Running Fox continues to struggle, trying to pull away from the meaty grip of the big man. “Ain’t a damn one of ‘em worth a sow’s ear, if you ask me?”
“Nobody did, old man,” says the burly man, still holding the rifle in his other hand. “Was the fella did the robbin’ even an Injun, Charlie?”
“Well, now… It was d-dark, you know? I… uh… I didn’t get a very g-good look. C-c-could have been, b-but I a-ain’t too sure. S-s-seemed bigger, b-but I w-was s-scared. He had a g-g-gun on me and all. I… uh… I guess it c-c-could b-be hi—”
“Oh, fer Christ sakes, Charlie,” says another man, stepping out from the shadow of the big cottonwood tree before the man called Zeek can reply.
Running Fox can’t make out his features in the afternoon son, dappled by the shadow of the tree, but he can see the glint in his eye, and it wasn’t friendly.
The man holds a piece of rope in one hand, which he holds up in front of him as he says, “You better be sure. You wouldn’t want us to hang the wrong man, would you? You’re in charge of the stage stop. If this ain’t him, I guess you’re the one to take the responsibility. Ain’t that right, boys?”
The others mumble to the affirmative, some nodding their heads as Running Fox renewed his struggles against the grip of the gruff, burly man at the sight. “Tsapea!” he said, pulling his arm away with all his might. He doesn’t understand all the men say, but he understands the meaning of that rope. His heart races and a sweat breaks out on his forehead, running down his face. He doesn’t know the why of it, but he’s pretty sure that these men intend to hang him. “Tsapea! Tsapea!”
The burly man tightens his grip and jerks back on his arm. “Settle down now,” he says. “You think you can get away?” Then he turns his attention back to Charlie, but he doesn’t loosen his grip. “Well, Charlie? We need to know. This him, or not? I can’t hold onto this ‘un forever. He’s a wildcat.”
Charlie stares at Running Fox with frightened eyes. Then, he gives a nod of his head and casts his eyes to the ground. “Y-yes. I r-reckon th-that’s him,” he says softly.
“What’s that, Charlie?” says the man with the rope. “Speak up so we can hear.”
“Th-that’s him,” Charlie says, louder this time, but without looking up.
“All right then,” the dark man says, throwing a rope over the lowest branch of the big tree. “Let’s get this done. I haven’t had any lunch yet.”
The grey-haired old man leads a horse toward him, parting the circle of men. The noose slides down over his head. The burly man lets go of him momentarily, but places both hands around Running Fox’s waist and hoists him up into the saddle, as if he were a small child.
Everything is happening too fast. Running Fox doesn’t it even have time to protest. His heart races faster in his chest than it ever has before, faster even than when he’s run for long distances. His breathing quickens as the panic rises within him. They are going to hang him, and he doesn’t even know why. Little Dove will not see him become a brave, because he will never be one. Tears squeeze from the corner of his eyes at this thought, even though he tries to fight them back. He will never see his mother again, will never make his father proud. It isn’t fair. eHis life I just beginning. Running Fox is determined to never leave this spot until he has revenge. Nothing good will ever come from this place. Just before they slap the horse’s rump, sending it charging out from under him, he issues a vow that binds his soul to the cottonwood with his last breath. “Nitea ianna.” (Curse this place).
I want to shake things up a bit on this blog. I’d like to stir up more reader engagement. So, I thought it might be fun to run a monthly story challenge and see if I couldn’t entice some of you to play along.
I got the idea from Story Wars, a group of authors who hold live writing events twice a month in Cleveland, Ohio and are doing impromptu writing and story telling a little differently. They will be doing an live event at the Author Nation Conference in Vegas, which is what used to be the 20Booksto50k Conference, under new ownership, now hosted by Author Nation.
What they do sounded like a lot of fun, so I thought I’d try something similar here on the blog. Here’s how it will work. Each month I will provide a story prompt in my post and then you all can take that and sit down to write for 30 minutes to see what you come up with. It can be any genre, just let your voice come through and shine.
Now I know that’s not enough time to write a complete story, of course. But it is enough to give you a good start. Publish the results on your blog and send the link to me by the last day of the month. Be sure to label them with #WtbRStoryChallenge. Or, if you don’t have a blog, you can send the results directly to me, and I will publish them the following month along with the writing prompt for the next month.
Now here’s the fun part. Each reader can vote in the comments for the story beginning they like best in the comments, even if you are a participant in the challenge. You can vote for your own story, or for someone else’s that you honestly feel is best. And each month last month’s winners will be announced. The top three will receive an invitation to finish the story and submit it to WordCrafter Press for inclusion in an anthology.
And of course, if you have a good start, you can always finish the story, even if you don’t get an anthology invitation. And I hope you do.
Winners will be announced the following month, after voting and I will continue to post winners after the challenge ends.
Now this is an experiment, so I’m running the series for six months just to see how it goes. If I’m not receiving any submissions, I may not run it that long, because the idea is to garner engagement from my reader community. But I hoping there will be interest in this fun writing exercise as way to flex writing muscles you may not use in your usual writing processes. If the response is high, and I see that there’s interest, I may decide to continue it longer.
Story Wars is a live event, so its participants really must improvise. There’s no time to outline or plot. Since this challenge is not live, you all will have time to think about what you want to write. I do ask that you don’t resort to formal plotting or outlining, as testing out those improv skills is a big part of the fun. The idea is to let your voice take the reins and run with it. Your story can be silly or serious, scary or romantic, mysterious or fantastical. And remember it is not expected to be a complete story, although hopefully you’ll be able to finish it, if you are voted a top three winner. Are you ready for some word play?
June Writing Prompt
Write a story based on a local or popular legend.
This month’s prompt should bring something to mind easily. We all know local legends or have heard one which is widely known. Pick your legend and write your tale based on it. It can be a retelling using your voice, but if you do this, please write the portion of a story which sets your story apart from previous tellings.
Stick to the rules and after 30 minutes of writing stop. I’ll be writing right along with you. I know the prompt ahead of time, but I won’t begin writing until it has posted. Be sure to have your entry to me by the last day of the month, so I can share them all for readers to vote on.
Another good thing about this not being a live event is you will have the opportunity to edit for grammar, spelling, and punctuation before submitting, and I do want it to be the best you’ve got, of course.
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About Kaye Lynne Booth
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two, being an author involves not only writing, but often, the publishing and marketing of the book.
In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.
I’ve been meeting and greeting within author communities for sixteen years. First, as the Southern Colorado Literature Examiner for six years, and then, right here, on Writing to be Read . The payoff for these wasn’t in money, but in the opportunities they offered. I’ve met so many authors and was introduced to the writing world through those two things. And then, while working for my M.F.A., I met even more authors; traditionally published authors who were making a living from their writing, and I learned from them. When I went back to get my masters in publishing, I was privilaged to study under a true master, international and national bestselling author, Kevin J. Anderson and through the masters program and KJA, I met several industry experts, including Jonathan Maberry and Mark Leslie Lefebvre, and I learned from even more who were gracious enough to speak to my cohort, either in person or on Zoom. I’ve also met authors through various WordCrafter projects, such as the two virtual writing conferences which WordCrafter hosted in 2020 and 2021; great people who answered the call when I put it out, and ran workshops and sat on discussion panels and helped me to make those two events happen.
Tribes
And I have to say, there’s something special about authors. They seem to gravitate toward these tightnit communities where you can be a member due to only a shared love of craft. Most call themselves author communities, KJA calls them his tribe. I like that. It has a feeling of kinship to it. By giving me instruction in the publishing industry, he welcomed me into his tribe, and by being a part of my blog team, or collaborating with me on an anthology or other projects, or even by participating in discussions and being a regular visitor and name I recognized, you are welcomed into my tribe.
Authors aren’t the only people who do this kind of thing. It’s human nature for people to gravitate toward others who are like minded. There are Corvette clubs and antique car clubs, bridge clubs, and fan clubs for people who enjoy the same musical artists. But the thing is, none of the people in those clubs really know each other and they aren’t likely to go out of their way to lend a hand to someone else when the only thing they have in common is a love for one particular thing. But authors do. Authors are the most generous group of people, willing to share their knowledge with one antoher, willing to donate their time and energies to projects, willing to lift one antoher up. It is amazing to me.
Networking
In Hollywood, it is said that it is all about who you know, but this is true in a sense, for writing and publishing. Networking with fellow authors can open doors that would otherwise be closed to us. Through other authors we learn of opportunities that we might not be aware of otherwise, and we meet people who are like minded, who may endorse your book, or perhaps review it. We meet folks who are interested in the craft of writing, just like we are, and many are willing to trade off services, which can make outsourcing that would be quite costly, suddenly become something that is in reach.
Collaborations
I’ve met many authors through collaborations. The virtual writing conferences mentioned above is only one type of collaboration. There are many others. I also mentioned anthologies. I 💜 anthologies. Wordcrafter Press puts out one poetry anthology, and at least one short fiction anthology per year. These are collaborations of from six to twenty different authors per book.
The great thing about anthologies is, you have a bunch of different authors who each have their own following and the potential to broadcast and promote to that following, allowing you to reach a much wider audience of potential readers, and therefore purchasers of your book. The same works for other collaborative projects, too. I have capitalized on this for the virtual writing conferences which WordCrafter Press hosted, as well.
Paying it Forward
The philosophy of paying it forward is predominate through the author communities that I find myself a part of . KJA is one of the busiest people I know, yet he didn’t balk at all when I invited him to be my first guest as I revive the “Chatting with the Pros” blog series, and he was willing to take the time to do an author interview with me. That segment will be coming up later this month.
This is only one example of the good-heartedness found in memebers of the author community. I’ve been granted review and interview requests, blurbs or endorsements of my books, and booked speakers and workshop presenters with authors willing to donate their time. And all I had to do was ask.
I have done this by doing book reviews for authors I know who haven’t requested it, by editing all anthology submissions whether I invite them to be in the anthology or not, by doing a proofread or beta read at no charge for certain authors who have requested them, by donating my time to judge the Spur awards, and by reblogging or reposting the promos and reviews of my fellow authors.
Authors are generally good people. And just as I am proud to be a member of KJA’s tribe, I’m equally as proud to call each one of you as memebers of mine.
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About Kaye Lynne Booth
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; Books 1 & 2 of her Women in the West adventure series, Delilah and Sarah, and her Time-Travel Adventure novel, The Rock Star & The Outlaw. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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This post is sponsored by The D.I.Y. Author and WordCrafter Press.
Being an author today is more than just writing the book. Authors in this digital age have more opportunities than ever before. Whether you pursue independent or traditional publishing models, or a combination of the two, being an author involves not only writing, but often, the publishing and marketing of the book.
In this writer’s reference guide, multi-genre author and independent publisher, Kaye Lynne Booth shares her knowledge and experiences and the tools, books, references and sites to help you learn the business of being an author.
This year, for NaNoWriMo, I chose to work on the second book in my Women in the West series, Sarah. In 2022, I chose a book that I had already been working on, so even though I completed the 50,000 word goal, I wasn’t truly a winner. So this year, I had to ask myself, “Can I truly meet the NaNoWriMo challenge?” I began with nothing but an outline and a partial opening chapter, just to see if I could do it.
NaNoWriMo isn’t designed to help you write fast, not well. That part is up to you. The idea isn’t to emerge after thirty days with a perfect novel, but with a rough draft, a place to start and build from.
Week One
During the first week, I met my writing goal of 1,667 words every single day and the writing was coming along fine. I stuck to my outline, for the most part. A couple of times I had to push to get those words out, but they were out there on the page.
In 2022, I tried to use methods suggested in Booked to the Gills, by Aisley Oliphant, such as time blocking. This was only one of the tips offered to get in 1,667 words per day to culminate into 50,000 words in 30 days. (You can read my review of Booked to the Gills here.)
Timeblocking is an excellent strategy for getting words to page, if you can stick to it. I couldn’t. I found that, for me, time blocking only worked when events in my life were going smoothly. Too often things came up that prevented me from writing at my scheduled times, including working unscheduled shifts or other emergencies that just can’t wait.
This year my life is not structured enough to make time blocking feasible for me. I’m not working, but that leads to other situations that must be dealt with, things that can’t be scheduled around. But, I knew they would come and so I decided instead to move ahead with my natural stubborn bullheadedness, and endeavor to persevere. I simply sat at my laptop and wrote every chance I had.
Week Two
The second week was filled with those immediate distractions, things which couldn’t be ignored, and I’m sad to say, I had the first day that I didn’t meet my daily goal. On Tuesday of that week, I only got in about 160 words. But the good part is that I exceeded my daily goal enough in the previous week, that it didn’t take much to catch back up, and I finished off the week being right where I should be or maybe even a little better.
Most of my writing sessions were in shorter time blocks, with longer stretches once or twice a day. I was willing to take what I could get, and I seemed to be getting enough time in to meet my daily goal most of the time.
Week Three
I had two days in a row during the third week where I didn’t quite meet my daily goal, but came close. One extra good day with over 2000 words, and a couple where I made it over my daily goal by smaller amounts kept me floating right about where I should be in the overall word count, at over 35000 words. So overall, I was fairly pleased with my results.
I continued with my write every chance you get strategy, and it seemed to be producing the results I needed. I used modified time blocking by taking advantage of extended time blocks of several hours at a time, breaking them into 15, 20, 30, or 45 minute segments as life demanded.
During longer blocks of time, I often found myself stopping to research the details for certain scenes. Since this book is historical western fiction, I needed to be historically correct to the best of my abilities. I had to watch myself, and on few occasions, found myself falling down a research rabbit hole. Research is a necessary part of the writing process, so I didn’t fault myself for these excursions. At first I tried putting disputed facts in brackets, but leaving whole setting descriptions blank wasn’t helping my word count, and my word count wasn’t suffering for it, so I continued in that manner.
Week Four
I got a bad start to week four. My laptop has seen better days, and on Tuesday the 21st, I was unable to back up my work, because it quit registering my USB drive, and then I lost my screen image. Let me tell you you can’t write, or do anything else, on a blank screen with no curser. This was a set back that could, and in fact did, end my chances for a successful NaNoWriMo.
It was quite a disappointment. I had gone into town to shop for Thanksgiving dinner, and on the way back, I had worked out what would happen in the final scenes of Sarah. I was at over 35,000 words, closing in on the end of the challenge goal of 50,000. I knew what needed to happen, so I was ready to pound it out into the page. And suddenly, I was at a dead stop.
Alas, I have a guardian angel, in the flesh. My oldest and dearest friend has always watched out for me. When she heard I needed a computer, she sent me one. It doesn’t have the storage space my old one did, so I’m still trying to figure out how to access all my files, but it will do in a pinch, until I can afford to get a new one. It didn’t arrive in time for me to meet the NaNoWriMo goal, but it is allowing me to finish the book, and that is what is important.
I made the 50,000 word goal on December 10th, ten days after the NaNoWriMo deadline, so I might have made the goal for the challenge had I had a functioning computer. I’m happy to say that Sarah is back pretty much on schedule and should be ready for editing in January, as planned.
What I Learned
Even though I wasn’t able to finish the challenge and declare myself a “winner”, I now have a story with over 50,000 words completed, which is a darn good start, and I still learned a lot about my writing process from the experience.
I used to be a binge writer. I could focus on my story and tap away at the keys, blocking out everything around me. I learned that I don’t write like that anymore. As I’ve gotten older, I find I need those fifteen minute breaks every so often. This helped me to get the other things in life that I needed to tend to done, as well. Daily tasks and obligations are good excuses to put the writing down and take care of business.
Along with that, I learned that grabbing shorter time segments whenever I can works well for me. Even if it’s only 15 minutes, it gets a few words on the page, and those 15 and 30 minute segments add up when you look at the word count.
I also learned, not for the first time, that the best advice for me as an author is, “Butt in chair, write the damn book.” Those short segments did add up. I made the daily word count this way all but one day, prior to my computer quitting on me.
Conclusions
I am using the NaNoWriMo challenge to help me become a more prolific writer. I found the whole month of November to be a learning experience, because writing processes change. I learned that the way I used to write doesn’t work for me anymore, and I developed a few writing strategies that seemed to be more successful for me. Overall, I enjoyed doing the NaNoWriMo challenge, grew as a writer, and would recommend it to anyone who wants to test themselves or improve their writing process through trying out new strategies.
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For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets; and book 1 of her Women in the West adventure series, Delilah. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
Want exclusive content? Join Kaye Lynne Booth & WordCrafter Press Readers’ Group for WordCrafter Press book & event news, including the awesome releases of author Kaye Lynne Booth. She won’t flood your inbox, she NEVER sells her list, and you might get a freebie occasionally. Get a free digital copy of her short story collection, Last Call and Other Short Fiction, just for joining.
The first time I tried my hand at NaNoWriMo was back in 2010. I had only recently discovered the opportunities for authors and writers offered on the internet, and had decided to try once more to make a go of writing, so I was exploring my options, but didn’t really know what I was doing as a writer at that point. And I had no idea how to go about writing a book, or how to go about writing a book very quickly, and I failed miserably.
Since then, I’ve put an M.F.A. and an M.A. under my belt in the creative writing arena, and so I gave it a second shot in November of 2022. I chose to write The Rock Star & the Outlaw, a western time-travel romance adventure. This time I was better prepared, with my project outlined and actually had a 21,000 word start before the writing challenge began. I also had recently read Booked to the Gills, by Aisley Oliphant, which offers strategies like time blocking and reserving out time for self-care in order to be easier to live with during the challenge, and prioritizing, and I was anxious to see if I could apply some of these strategies in my own writing. You can read my full “Review in Practice” here.
The challenge, for those who do not know, is to write 50,000 words in 30 days, which is no easy task. I figured if I succeeded, I would have a 71,000 word novel, but even if I didn’t complete it, I wouldn’t be far from a completed novel. What you’re about to read is a summary of my experience with the 2022 NaNoWriMo and what I learned from it.
Lessons learned
Time blocking – this was a strategy suggested by Aisley Oliphant in Booked to the Gills. It involves planning out your schedule and making blocks of time specifically dedicated to the writing of your story. It’s good advice, which is helpful in getting the story written in the allotted amount of time. I found that with my busy and unpredictable life, it was better for me to block out shorter time frames, sometimes only 15 minutes, to squeeze writing in between everything else. It was nice when I could dedicate a few hours to a stretch, of course, but that wasn’t possible every day, espesially days I had to work my day job. I tried blocking out writing times during different times during the day, and I didn’t hesitate to create an unscheduled block at three a.m. when I couldn’t sleep.
Prioritze self-care – also highly suggested by Ms. Oliphant in order to maintain friendships and family during and following the challenge. Self-care should be a priority and not allotting time for tending mental, physical and spiritual needs can make one cranky and unbearable to be around. I made sure I took time out for personal pleasures, such as going out to dinner, allowing myself to clear my mind and gather my thoughts, along with all the other activities I have going on in my life. This was another reason that shorter time blocks seemed to work better for me.
Get adaquet sleep – This is a necessity. While I could write into the wee hours of the morning when I was younger, I find that these days, I can barely stay awake past 10 p.m. I now find myself falling asleep at the keyboard. Also, I find that when I’m tired, my thoughts become muddled and I have difficulty focusing. This was another reason that I wasn’t very productive on days when I worked the day job.
Be prepared – This one wasn’t a strategy offered up by Ms. Oliphant. This was one I learned on my own. Going into a writing challenge like this, with a 21,000 word head start, I assumed I was ready to do this. But on November 1, I realized that I should have matched up what I had written with my working outline. When I did that on the first day I found a couple of places where it didn’t match up, creating plot holes which needed fixing before I could move forward, so my whole first week was spent smoothing those out and it wasn’t until Day 8 that I was able to exceed the daily goal of 1,667. To truly succeed with the NANoWriMo challenge, I think it is important to be ready to hit the ground running.
Choose a project you are passionate about – This may be the most important lesson for me, because I don’t think I would have done as well as I did, had I not been so exciting about writing this story. Inspired by the music of my favorite rock band, The Pretty Reckless and other artists, I had began writing this story two years prior, and was writing on it full speed ahead when I ran into a road block concerning music copyrights. But I never forgot about it. In fact, over the past year I came up with a work-around to my roadblock, so it was never far from my mind. Even two years later, pulling it out still stirred the excitement within me, and that’s how I knew this was the project I wanted to use for this challenge. To write prolifically, such as the 1,667 words per day required for this challenge, I believe one must have this passion for the project to be properly motivated.
Final outcome
There were good days, when I was able to exceed the daily word count, and there were days when I didn’t even come remotely close. Although I tried to clear my November schedule as much as possible, scheduling blog posts a month ahead of time, etc…, I still had to struggle through life’s trials, and go through the motions of daily life, making the blocking of writing time tricky at times. At the end of November, when all was said and done, I had a manuscript of 52,000 words, but I did not truly meet the challenge, because of my original 21,000 words. The NaNoWriMo gang congratuated me when I hit the 50,000 mark and gave me a winner’s certificate. My real word count at that point was 29,000 words, and I knew that, but I claimed the winner’s certificate anyway, because in my mind, I was a winner in my own challenge. I was walking away from this challenge 29,000 words closer to having a completed story, and I managed to bang out another 2,000 words before the month came to a close.
I kept working on the story through the month of December. Although I couldn’t dedicate as much time to it, as I prepared for the Kickstarter for Delilah in January, I finished off the month with 59,000, but the story still wasn’t finished. I hope to have the first draft done by the end of February. Of course, even then, it won’t be publish-worthy. It will need to have a first edit by me, then go to beta readers,then another editing pass by me with revisions, then to another set of eyes for an edit, then back for a last pass by me. The idea for NaNoWriMo wasn’t to produce a polished manuscript, but just to get the words down on the page. The polishing comes later. I’m estimating a release date for The Rock Star & the Outlaw toward the end of 2023.
For Kaye Lynne Booth, writing is a passion. Kaye Lynne is an author with published short fiction and poetry, both online and in print, including her short story collection, Last Call and Other Short Fiction; and her paranormal mystery novella, Hidden Secrets. Kaye holds a dual M.F.A. degree in Creative Writing with emphasis in genre fiction and screenwriting, and an M.A. in publishing. Kaye Lynne is the founder of WordCrafter Quality Writing & Author Services and WordCrafter Press. She also maintains an authors’ blog and website, Writing to be Read, where she publishes content of interest in the literary world.
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